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soldApr. 27, 2023Giacomo Cavedone (1577-1660) - Virgin and Child, S.Anthony and S.Catherine
Est: €450 - €650Virgin and Child, with Saints Anthony and Catherine. A rare etching by the Bolognese painter Giacomo Cavedone, pupil of Ludovico Carracci. A rare work, not in British Museum, nor the Rijksmuseum. One found in the MET Accession Number: 26.70.3(17)
Old Master Print
soldFeb. 07, 2023GIACOMO CAVEDONI (Sassuolo, Modena, 1577-Bologna, 1660), attributed. "Angel and Saint". Ink, pencil, brown wash and charcoal on octagonal paper.
Est: €1,200 - €1,500GIACOMO CAVEDONI (Sassuolo, Modena, 1577-Bologna, 1660), attributed. "Angel and saint". Ink, pencil, brown wash and charcoal on octagonal paper. Size: 25 x 27 cm (drawing); 28.5 x 31 cm (paper); 51.5 x 54 cm (frame). Drawing attributed to Giacomo Cavedoni, an Italian painter of the Bolognese school, led by Annibale and Agostino Carracci. The anatomical robustness of the saint and the foreshortened angel show affinities with the classicist canons of this current of the Baroque period. A certain Michelangeloesque influence, although filtered through the Carracci models, is also evident in the sculptural value of the bodies. Giacomo Cavedoni was educated in Bologna in the workshop of Bartolomeo Passerotti and Bernardino Baldi and subsequently became a pupil of the Carracci at their Accademia degli ¬Incamminati. His work in Bologna did not prevent him from going to Venice, where he acquired a permanent imprint of the colourism developed in that city. In 1610 he travelled to Rome where he assisted Guido Reni on the frescoes in the Palazzo del Quirinale, assimilating this experience to the Neo-Venetianism which, together with the forms of Bolognese classicism, would be the most characteristic features of his painting. This is evident in his happiest works after his return to Bologna following his stay in Rome. Cavedone belonged to a fertile generation of Bolognese artists trained under the Carracci family: Mastelletta, Alessandro Tiarini, Lucio Massari, Leonello Spada and Lorenzo Garbieri were among the artists who brought the Bolognese School to splendour. Among his pupils were Giovanni Andrea Sirani, Giovanni Battista Cavagna (or Cavazza), Ottavio Corrado and Flaminio Torri.
Setdart Auction House
soldNov. 09, 2022Giacomo Cavedone
Est: €30,000 - €40,000(Sassuolo 1577–1660 Bologna) The Mystic Marriage of Saint Catherine, oil on canvas, 107 x 83.5 cm, unframed Provenance: with Galerie Bieber, 1927–28; sale, Christie’s, London, 26 November 1971, lot 11 (as Ludovico Carracci); where acquired by the father of the present owner Literature: I. Kunze, Die Ausstellung italienischer Malerei des 17. und 18. Jahrhunderts zu Berlin, in: Der Cicerone, vol. 12, Leipzig 1927, pp. 379–380, fig. 1 (as Lodovico Carracci); H. Bodmer, Lodovico Carracci, Burg bei Magdeburg, 1939, pp. 68, 136, no. 77, fig. 56 (as Lodovico Carracci); E. Arslan, [Recension of] H. Bodmer, Lodovico Carracci, in: Rivista d’arte, vol. 23, Florence 1941, p. 272 (as ‘opera espunta’, not by Lodovico Carracci); D. Miller, Bartolomeo Schedoni in Modena, 1602–07: the earlier phase of his work, in: The Burlington Magazine, vol. 121, London 1979, p. 87, mentioned under note 22 (as Ludovico Carracci); G. Feigenbaum, Lodovico Carracci. A study of his later career and a catalogue of his paintings, ms. diss., Princeton 1984, p. 487 (under Catalogue B, Doubtful and Misattributed); A. Brogi, Bolognesi di primo Seicento, in: Nuovi Studi, vol. 3, no. 5, 1998, pp. 129–130, fig. 232 (as Giacomo Cavedone); E. Negro/N. Roio, Bartolomeo Schedoni, 1578–1615, Modena 2000, p. 36, mentioned under note 94 (as Workshop of Carracci, with lateral figures by Giacomo Cavedone); E. Negro/N. Roio, Giacomo Cavedone, Pittore 1577–1660, Modena 2001, p. 196, p. 198, cat. no. 411.N, ill. p. 203 (as Workshop of Carracci, with lateral figures by Giacomo Cavedone)
Dorotheum
soldMay. 21, 2022Cavedone, Giacomo (1577-1660) attr. "Group of monks", sepia drawing, wash, mounted on paper and inscr. on it, 22,7x19,8cm, form. coll. Walter Vonficht/Allgäu
Est: -Cavedone, Giacomo (1577-1660) attr. "Group of monks", sepia drawing, wash, mounted on paper and inscr. on it, 22,7x19,8cm, form. coll. Walter Vonficht/Allgäu
Kendzia
soldMar. 15, 2022GIACOMO CAVEDONE (attr. a)
Est: €1,500 - €2,500(Sassuolo, 1577 - Bologna, 1660) Scena religiosa Olio su rame, cm 52X41 Allievo secondo il Malvasia del Passarotti e del Baldi, frequentando contemporaneamente l'Accademia dei Carracci, l'artista partecipò alle imprese degli Incamminati a Palazzo Fava, dove dipinse l'affresco con Eolo che scaccia i venti. Nel 1600 realizzò il Santo Stefano in gloria, tra il 1604 e il 1605 decorò il chiostro di San Michele in Bosco a Bologna e dopo un soggiorno a Venezia si trasferì a Roma intorno al 1610 al seguito di Guido Reni. Tornato a Bologna, Cavedone dipinse la cappella Arrighi in San Paolo Maggiore e per gli stessi ambienti L'adorazione dei Magi nel 1614. La tela in esame impiega modelli dettati dall'artista e si attiene alla scansione dei piani e degli stilemi da lui utilizzati durante la piena maturità. Bibliografia di riferimento: E. Negro, N. Roio, Giacomo Cavedone pittore, Modena, 2001, ad vocem
Wannenes Art Auctions
soldDec. 07, 2021ATTRIBUTED TO GIACOMO CAVEDONE (SASSUOLO 1557- 1660 BOLOGNA)
Est: £2,000 - £4,000ATTRIBUTED TO GIACOMO CAVEDONE (SASSUOLO 1557- 1660 BOLOGNA) ATTRIBUTED TO GIACOMO CAVEDONE (SASSUOLO 1557- 1660 BOLOGNA) Study for the figure of Saint Nicholas of Tolentino black chalk and white heightening on paper laid down on another sheet 405 x 270 mm framed The present drawing is likely to have served as a preparatory study for the figure of Saint Nicola da Tolentino in Cavedone’s altarpiece for a chapel in the Duomo of Carpi in Modena, painted around 1616-1618. LITERATURE: Emilio Negro, Nicosetta Roio, Giacomo Cavedone pittore 1577-1660, Artioli editore, Modena, 2001, cat. n. 54, pp. 124-125.
Chiswick Auctions
soldSep. 21, 2021GIACOMO CAVEDONE
Est: €4,000 - €7,000(Sassuolo, 1577 - Bologna, 1660) Maddalena Olio su tela, cm 140X112 Provenienza: Forse Parigi, collezione Le Brun 1791 (cfr. Negro, Roio, p. 185, n. 349) Venenzia, Finarte, 25 settembre 2005, lotto 36 (come Giacomo Cavedone) Allievo secondo il Malvasia del Passarotti e del Baldi, frequentando contemporaneamente l'Accademia dei Carracci, l'artista partecipì alle imprese degli Incamminati a Palazzo Fava, dove dipinse l'affresco con Eolo che scaccia i venti. Nel 1600 realizzì il Santo Stefano in gloria, tra il 1604 e il 1605 decorì il chiostro di San Michele in Bosco a Bologna e dopo un soggiorno a Venezia si trasferì a Roma intorno al 1610 al seguito di Guido Reni. Tornato a Bologna, Cavedone dipinse la cappella Arrighi in San Paolo Maggiore e per gli stessi ambienti L'adorazione dei Magi nel 1614. La tela in esame impiega modelli dettati dall'artista e si attiene alla scansione dei piani e degli stilemi da lui utilizzati durante la maturità, intorno al 1610 ; 1615, in analogia con il San Francesco in preghiera custodito nella chiesa di San Paolo in Monte dell'Osservanza, la Sant'Elena ritrova la Vera Croce di Selva Malvezzi e gli affreschi della Cappella Albergati della chiesa bolognese di San Benedetto. Bibliografia di riferimento: E. Negro, N. Roio, Giacomo Cavedone pittore, Modena 2001, ad vocem
Wannenes Art Auctions
soldJun. 17, 2021CAVEDONE GIACOMO (1577 - 1660) Attributed to. Christ crowned with thorns.
Est: €300 - €600CAVEDONE GIACOMO (1577 - 1660). Attributed to. Christ crowned with thorns.. Paper with Bolognese watermark representing the Medici coat of arms.. Cm 35,00 x 26,00.
Capitolium Art
soldMar. 24, 2021GIACOMO CAVEDONE (SASSUOLO 1577-1660 BOLOGNE) Christ et le centurion plume
Est: €10,000 - €15,000GIACOMO CAVEDONE (SASSUOLO 1577-1660 BOLOGNE) Christ et le centurion plume et encre brune, huile brune et blanche, sur papier prépare brun 36,4 x 26,3 cm GIACOMO CAVEDONE (SASSUOLO 1577-1660 BOLOGNA) Christ and the Centurion with inscription ‘Cavedone/ geb 1577 in Sassuolo Schuler der Caracci’ (verso of the mount) pen and brown ink, brown and white oil paint, on brown prepared paper 36.4 x 26.3 cm (14 3/8 x 10 ¼ in.)
Christie's
soldDec. 08, 2020Giacomo Cavedone (Sassuolo 1577-1660 Bologna) The Adoration of the Shepher
Est: £4,000 - £6,000Giacomo Cavedone (Sassuolo 1577-1660 Bologna) The Adoration of the Shepherds pen and black ink, brown wash, heightened with white oil paint on brown prepared paper 10 1/8 x 10 ¼ in. (25.7 x 26.2 cm)
Christie's
soldDec. 02, 2020Cavedone Giacomo, Lettera autografa firmata inviata agli ufficiali della comunità di Sassuolo. Datata 10 (?) marzo 1622.
Est: €200 - €400Manoscritto a inchiostro bruno. Un bifolio, scritta una pagina. Al verso della seconda carta indicazione dei destinatari e sigillo in carta. Pieghe di spedizione. Carta con filigrana. Dimensioni 160x190 mm.
Gonnelli Casa d'Aste
soldDec. 01, 2020GIACOMO CAVEDONE ( BOTTEGA ) LAMENTATION OVER THE DEAD CHRIST
Est: €400 - €600Within a gilded wood frame, defects.
Casa d'aste ARCADIA
soldNov. 14, 2020Giacomo Cavedone, attributed to, The Circumcision
Est: €1,200 - €1,600RefDra61120 The lower edge presumably truncated. With an unidentified collector's stamp in the lower left.
Kunsthaus Lempertz KG
soldSep. 29, 2020Giacomo CAVEDONE Sassuolo, 1577 - Bologne, 1660 La Vierge des sept douleurs Plume et encre noire, et huile sur papier,
Est: €3,000 - €4,000Giacomo CAVEDONE Sassuolo, 1577 - Bologne, 1660 La Vierge des sept douleurs Plume et encre noire, et huile sur papier, annoté 'Cavedoni' dans le bas (Déchirures restaurées) h: 39 w: 27 cm Provenance : Collection Antonovich, Paris, selon une inscription au verso du montage ; Collection particulière, Paris Commentaire : Les sept douleurs de la Vierge sont celles traversées par Marie dans l'accompagnement de son Fils, allant de la prophétie du vieillard Siméon jusqu'à la mise au tombeau. Elle est commémorée le 15 septembre. La technique de la plume sur papier huilé est caractéristique de l'artiste. Estimation 3 000 - 4 000 €
Artcurial
soldJun. 25, 2020GIACOMO CAVEDONI (attr. a)
Est: €300 - €700(Sassuolo, 1577 - Bologna, 1660) San Gerolamo Olio su tela, cm 100X82 Giacomo Cavedoni si formò nella carraccesca Accademia degli Incamminati e partecipò a Bologna alle loro imprese decorative. Il pittore fu poi al seguito di Guido Reni trasferendosi a Roma intorno al 1610. La tela in esame impiega modelli dettati dall'artista e si attiene alla scansione dei piani e degli stilemi utilizzati dal Cavedoni durante la piena maturità , quando realizza le tele per la chiesa parrocchiale di Sassuolo. Bibliografia di riferimento: E. Negro, N. Roio, Giacomo Cavedone pittore, Modena 2001, ad vocem
Wannenes Art Auctions
soldJun. 16, 2020Giacomo CAVEDONE Sassuolo, 1577 - Bologne, 1660 La Vierge des sept douleurs Plume et encre noire, et huile sur papier
Est: €4,000 - €6,000Giacomo CAVEDONE Sassuolo, 1577 - Bologne, 1660 La Vierge des sept douleurs Plume et encre noire, et huile sur papier Annoté ''Cavedoni'' dans le bas (Déchirures restaurées) Our Lady of the Seven Sorrows, oil and pen and black ink on paper, inscribed, by G. Cavedone h: 39 w: 27 cm Provenance : Collection Antonovich, Paris, selon une inscription au verso du montage ; Collection particulière, Paris Commentaire : Les sept douleurs de la Vierge sont celles traversées par Marie dans l''accompagnement de son Fils, allant de la prophétie du vieillard Siméon jusqu''à la mise au tombeau. Elle est commémorée le 15 septembre. La technique de la plume sur papier huilé est caractéristique de l''artiste.
Artcurial
soldMay. 27, 2020Giacomo Cavedone (Sassuolo 1577 - Bologna 1660), Studio di tre monaci
Est: €150 - €200gessetto nero su carta, mm 160x331
Cambi Casa d'Aste
soldNov. 27, 2019ATTRIBUTED TO GIACOMO CAVEDONE (SASSUOLO 1577 - BOLOGNA 1660)
Est: £1,500 - £2,500ATTRIBUTED TO GIACOMO CAVEDONE (SASSUOLO 1577 - BOLOGNA 1660) Saint John the Baptist as a child Black, red and white chalks 262 x 176 mm (10 1/4 x 7 in) PROVENANCE: Etienne Desperet (Lugt 721) Bears the inscription Jacques Cavedone, eleve des Carraches/ Saint Jean Baptiste enfant.
Chiswick Auctions
soldNov. 19, 2019GIACOMO CAVEDONI (attr. a)
Est: €50 - €100(Sassuolo, 1577 - Bologna, 1660) Madonna con Bambino e Santi Olio su tela, cm 113X87 Giacomo Cavedoni si formò nella carraccesca Accademia degli Incamminati e partecipò a Bologna alle loro imprese decorative. Il pittore fu poi al seguito di Guido Reni trasferendosi a Roma intorno al 1610. La tela in esame impiega modelli dettati dall'artista e si attiene alla scansione dei piani e degli stilemi utilizzati dal Cavedoni come ad esempio nella Madonna col Bambino della Galleria Estense di Modena. Bibliografia di riferimento: E. Negro, N. Roio, Giacomo Cavedone pittore, Modena 2001, ad vocem LOTTI DI QUESTA COLLEZIONE (1-133 E 474-569) SARANNO PROPOSTI A LIBERA OFFERTA, POTRANNO ESSERE ACCETTATE, OLTRE ALLE OFFERTE IN SALA, OFFERTE SCRITTE E BID ON LINE. FANNO ECCEZIONE I LOTTI CONTRASSEGNATI CON IL SIMBOLO ☎️ , PER I QUALI SARANNO ACCETTATE ANCHE OFFERTE TELEFONICHE THE LOTS IN THIS COLLECTION (1-133 AND 474-569) ARE AUCTIONED BY FREE BIDDING. WE ONLY ACCEPT BIDS IN THE SALEROOM, ABSENTEE AND ON LINE BIDS. EXCEPTIONS TO THIS ARE MADE FOR LOTS MARKED BY THE ☎️ SIGN WHEREBY TELEPHONE BIDS ARE ACCEPTED.
Wannenes Art Auctions![Attributed to CAVEDONE, Giacomo A monk. [Bologna] c. 1592-1660 Drawing, bla](https://image.invaluable.com/housePhotos/Godts/70/654170/H4709-L183584728.jpg)
soldOct. 19, 2019Attributed to CAVEDONE, Giacomo A monk. [Bologna] c. 1592-1660 Drawing, bla
Est: €300 - €400Attributed to CAVEDONE, Giacomo A monk. [Bologna] c. 1592-1660 Drawing, black chalk, 33,5 x 19,9 cm, on blue-grey paper, unsigned (edges frayed, paper sl. worn, brown stains, old vertical fold line to the right side of the sheet, some prick holes in the upper and lower corners). Under passe-partout. A hooded monk praying in front of a tree while looking upwards to the left. Possibly a preparatory study for an unidentified painting representing St Francis. The vivid drawing style can be linked to similar drawings in black chalk by the Bolognese painter Cavedone (1577-1660), such as the "The Penitent Magdalene" in the collection of the British Museum (inv. 1946,0713.1502). Ref. E. Negro and N. Roio, "Giacomo Cavedone 1577-1660", Modena, 1996.
Arenberg Auctionssold
Jun. 27, 2019Giacomo Cavedone
Est: €15,000 - €20,000GRABLEGUNG CHRISTI Öl auf Leinwand. Doubliert. 76 x 61 cm. Laut Delpriori signiert „G. CAVEDONE“. In geschnitztem vegetabilem und vergoldetem Rahmen. Anbei eine Expertise von Alessandro Delpriori, Universität Florenz in Kopie. Dicht komponierte Darstellung des gleichsam als symbolbringende Lichtquelle dienenden Leichnam Christi, welcher von Maria Magdalena und der Jungfrau Maria betrauert wird, während er in das Grab gelegt wird. Alessandro Delpriori schreibt das interessante Gemälde Giacomo Cavedone zu und datiert es auf ca. 1595. Das Gemälde, welches sich ehemals in einer Privatsammlung befand, geht auf Andrea Mantegna (1431 – 1506) zurück. (11908021) (13) Giacomo Cavedone, 1577 – 1660 THE ENTOMBMENT OF CHRIST Oil on canvas. Relined. 76 x 61 cm. According to the expert A. Delpriori signed “G. CAVEDONE”. In carved and gilt frame with vegetal decor. Accompanied by a copy of the expert’s report by Alessandro Delpriori, University of Florence.
Hampel Fine Art Auctions
soldJun. 03, 2019Giacomo Cavedone (1577 - 1660) STUDIO DI MONACO IN PREGHIERA Gessetto nero. mm 285x188.
Est: €400 - €500Giacomo Cavedone (1577 - 1660) STUDIO DI MONACO IN PREGHIERA Gessetto nero. mm 285x188.
Itineris
soldMar. 28, 2019Giacomo CAVEDONE - The Lamentation of Christ
Est: CZK380,000 - CZK570,000The Lamentation of Christ
Galerie Arcimboldo
soldDec. 04, 2018GIACOMO CAVEDONE (SASSUOLO 1577-1660 BOLOGNA) A kneeling saint, his arms ou
Est: £5,000 - £8,000GIACOMO CAVEDONE (SASSUOLO 1577-1660 BOLOGNA) A kneeling saint, his arms outspread black and white chalk on blue paper (discoloured), squared in black chalk 14 x 10 3/4 in. (35.9 x 27.1 cm.) (silhouetted at top and right, the saint's right hand cut and re-attached)
Christie's
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