Steven Campbell Paintings & Artwork for Sale | Steven Campbell Art Value Price Guide

Jul. 28, 2026
▲ Steven Campbell (British, 1953-2007) Untitled
Est: £2,000 - £3,000
▲ Steven Campbell (British, 1953-2007) Untitled acrylic on canvas (78x 66cm; framed 84.5 x 70.5cm ) Condition Report: A little fine cracking starting to emerge to corners and edges. A tiny loss to extreme lower right corner. Presents well overall.
Sworders
Jul. 01, 2026
Steven Campbell, Scottish 1953-2007, Vases in a landscape, 1990; giclée print in colour
Est: £250 - £350
Steven Campbell, Scottish 1953-2007, Vases in a landscape, 1990; giclée print in colours, numbered 2/100 in pencil, printed by King and McGaw, after an acrylic on paper, sheet 60.5 x 60.2 cm, (unframed) (ARR) Together with a certificate of authenticity from National Galleries, Scotland
Roseberys
Mar. 31, 2026
▲ Steven Campbell (British, 1953-2007) Men at work
Est: £4,000 - £6,000
▲ Steven Campbell (British, 1953-2007) Men at work acrylic on canvas (78x 66cm; framed 84.5 x 70.5cm ) Condition Report: A little fine cracking starting to emerge to corners and edges. A tiny loss to extreme lower right corner. Presents well overall.
Sworders
Jan. 14, 2026
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £10,000 - £15,000
STEVEN CAMPBELL (SCOTTISH 1953-2007) HARVEST WITH WINTER WIND - 1983 Oil on canvas 304cm x 260cm (119in x 102in) Barbara Toll Fine Arts, New York Please note, due to the scale, this work will only be available to view by appointment, Friday 9, Monday 12 or Tuesday 13 January, 10am - 4pm.Please contact carly.shearer@lyonandturnbull.com to book.
Lyon & Turnbull
Dec. 04, 2025
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £7,000 - £10,000
STEVEN CAMPBELL (SCOTTISH 1953-2007) MUM AND DAD WERE BORN FROM THE TRACKS Signed and dated 1990 verso, oil on canvas 94cm x 71cm (37in x 28in) Marlborough Fine Art Limited, London (39782.6) Of the ‘New Glasgow Boys’ - Peter Howson, Ken Currie, Adrian Wiszniewski and Steven Campbell - it was Campbell who achieved the swiftest success. Part of the cohort hailed for re-instating Glasgow on the international art map in the 1980s, Campbell’s scope and ambition took him further afield than his peers after graduation. With the Fulbright Scholarship awarded at the end of his studies, he travelled to New York to continue his training at the Pratt Institute. His work was quickly well-received and he went on to participate in several exhibitions in New York, including his first solo show at the prestigious Barbara Toll Gallery in 1983.Major gallery representation continued upon Campbell’s return to the UK and it is notable that both of the works offered here were exhibited with his long-term London gallery Marlborough Fine Art. Mum and Dad were Born from the Tracks and No Room on the Bed are representative of an artist in the full, mature flow of his career. They were created in 1990, around the time of Campbell’s extraordinarily successful exhibition On Form and Fiction, held in 1989 to 1990 at the Third Eye Centre (now CCA Gallery) in Glasgow. Comprising an immersive display of wall-to-wall works collaged together in the round, the exhibition was the most well-attended at the venue to date, attracting some 30,000 people, despite only being on display for a matter of weeks. As demonstrated so fully by On Form and Fiction, Campbell’s early interest in installation and performance – in art as an immersive experience – continued to permeate his craft as a painter. His work was often theatrically large, akin to stage sets. The present examples are, more unusually, on a more intimate domestic scale, though nonetheless transportive.Campbell created vignettes of a mysterious interior world; surreal dreamscapes of layered meaning and reference points, delighting in plunging his viewers down the rabbit hole. Composed of impossible, fractured planes of space, our discombobulation is tempered by frequent recurring symbols and characters, who often resemble the artist himself. A further anchor by which we can attempt to navigate his work are the points of visual humour, like the little disembodied heads of hair in My Parents were Born from the Tracks and indeed the visual play on words conjured between title and subject. Campbell painted many of his works in spaces lit by artificial rather than natural light, the resulting effect adding to the mysterious liminality of their atmospheres. This is amply embodied in No Room on the Bed, which seems to depict a dreamer within a dream, or maybe a dreamer whose dream has seeped from its confines. Campbell, as usual, completely suspends time and space. A book lies open on the bed, a detailed still life redolent of an Old Master springs in sensual detail. On the right, a landscape of the Campsie hills (where Campbell lived) gradually emerges into our consciousness in moonlit waves, whilst an overhanging tree envelopes the scene from above.Campbell’s tragic early death at 54 in 2007 robbed the art world of a powerful and singular voice in figurative painting. Completely distinctive - somehow both ‘of’ and completely apart from the figurative painterly tradition - he left an impressive body of work, the influence of which can be seen echoing on the walls of Scotland’s graduate degree shows to this day.
Lyon & Turnbull
Dec. 04, 2025
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £6,000 - £8,000
STEVEN CAMPBELL (SCOTTISH 1953-2007) NO ROOM ON THE BED Signed and dated 1990 verso, oil on canvas 62.5cm x 91cm (24.75in x 36in) Marlborough Fine Art Limited, London (39794.6) and New York (NOL33.648) Of the ‘New Glasgow Boys’ - Peter Howson, Ken Currie, Adrian Wiszniewski and Steven Campbell - it was Campbell who achieved the swiftest success. Part of the cohort hailed for re-instating Glasgow on the international art map in the 1980s, Campbell’s scope and ambition took him further afield than his peers after graduation. With the Fulbright Scholarship awarded at the end of his studies, he travelled to New York to continue his training at the Pratt Institute. His work was quickly well-received and he went on to participate in several exhibitions in New York, including his first solo show at the prestigious Barbara Toll Gallery in 1983.Major gallery representation continued upon Campbell’s return to the UK and it is notable that both of the works offered here were exhibited with his long-term London gallery Marlborough Fine Art. Mum and Dad were Born from the Tracks and No Room on the Bed are representative of an artist in the full, mature flow of his career. They were created in 1990, around the time of Campbell’s extraordinarily successful exhibition On Form and Fiction, held in 1989 to 1990 at the Third Eye Centre (now CCA Gallery) in Glasgow. Comprising an immersive display of wall-to-wall works collaged together in the round, the exhibition was the most well-attended at the venue to date, attracting some 30,000 people, despite only being on display for a matter of weeks. As demonstrated so fully by On Form and Fiction, Campbell’s early interest in installation and performance – in art as an immersive experience – continued to permeate his craft as a painter. His work was often theatrically large, akin to stage sets. The present examples are, more unusually, on a more intimate domestic scale, though nonetheless transportive.Campbell created vignettes of a mysterious interior world; surreal dreamscapes of layered meaning and reference points, delighting in plunging his viewers down the rabbit hole. Composed of impossible, fractured planes of space, our discombobulation is tempered by frequent recurring symbols and characters, who often resemble the artist himself. A further anchor by which we can attempt to navigate his work are the points of visual humour, like the little disembodied heads of hair in My Parents were Born from the Tracks and indeed the visual play on words conjured between title and subject. Campbell painted many of his works in spaces lit by artificial rather than natural light, the resulting effect adding to the mysterious liminality of their atmospheres. This is amply embodied in No Room on the Bed, which seems to depict a dreamer within a dream, or maybe a dreamer whose dream has seeped from its confines. Campbell, as usual, completely suspends time and space. A book lies open on the bed, a detailed still life redolent of an Old Master springs in sensual detail. On the right, a landscape of the Campsie hills (where Campbell lived) gradually emerges into our consciousness in moonlit waves, whilst an overhanging tree envelopes the scene from above.Campbell’s tragic early death at 54 in 2007 robbed the art world of a powerful and singular voice in figurative painting. Completely distinctive - somehow both ‘of’ and completely apart from the figurative painterly tradition - he left an impressive body of work, the influence of which can be seen echoing on the walls of Scotland’s graduate degree shows to this day.
Lyon & Turnbull
Nov. 12, 2025
Campbell (Steven, 1953-2007). Natural Follies at Bee Junction, 1985
Est: £200 - £400
Campbell (Steven, 1953-2007). Natural Follies at Bee Junction, 1985 * Campbell (Steven, 1953-2007). Natural Follies at Bee Junction, 1985, etching with aquatint on wove paper, signed, titled, dated and numbered 17/50 in pencil, the full sheet, sheet size 97.5 x 69.5 cm (38 1/4 x 27 1/4 ins), framed QTY: (1)
Dominic Winter Auctions
Aug. 13, 2025
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £1,000 - £1,500
STEVEN CAMPBELL (SCOTTISH 1953-2007) NO.81 - GARDEN II Acrylic on paper 33cm x 23.5cm (13in x 9.25in) William Hardie Gallery, Glasgow
Lyon & Turnbull
Aug. 13, 2025
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £1,000 - £1,500
STEVEN CAMPBELL (SCOTTISH 1953-2007) UNTITLED (SCARAMOUCHE AND RHINO) - 1989 Signed and dated 1989 verso, oil on on paper laid on board 48.5cm x 38.5cm (19in x 15.25in)
Lyon & Turnbull
May. 21, 2025
Steven Campbell (British, 1953-2007) The Ship that Died of Shame off the Coast of Africa (painted in 1988)
Est: £4,000 - £6,000
Steven Campbell (British, 1953-2007) The Ship that Died of Shame off the Coast of Africa acrylic on paper 118.5 x 138cm (46 5/8 x 54 5/16in). painted in 1988
Bonhams
Oct. 16, 2024
Steven Campbell, Natural Follies at Bee Junction
Est: $800 - $1,200
Steven Campbell Natural Follies at Bee Junction 1985 etching and aquatint image: 38 h x 27.25 w in (97 x 69 cm) sheet: 47.5 h x 35.25 w in (121 x 90 cm) Signed, titled, dated and numbered to lower edge '6/50 Natural Follies at Bee Junction Steven M Campbell 1985'. This work is number 6 from the edition of 50 printed and published by Glasgow Print Studio, Scotland. Provenance: Collection of Anthony Kirk This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Aug. 13, 2024
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £1,200 - £1,800
STEVEN CAMPBELL (SCOTTISH 1953-2007) STUDY FOR 'ALLEGORY' - 1986 Acrylic and watercolour on paper 29.5cm x 40cm (11.5in x 15.75in) Exhibited: Marlborough Gallery, London
Lyon & Turnbull
Aug. 13, 2024
§ STEVEN CAMPBELL (SCOTTISH 1953-2007)
Est: £2,000 - £3,000
STEVEN CAMPBELL (SCOTTISH 1953-2007) UNTITLED Oil on canvas board 59cm x 43cm (23.25in x 17in)
Lyon & Turnbull
Jan. 10, 2024
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) THE MILKMAN
Est: £2,000 - £3,000
STEVEN CAMPBELL THE MILKMAN Oil on canvas laid on board 111cm x 101cm (43.75in x 39.75in)
Lyon & Turnbull
Aug. 09, 2023
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) THE MILKMAN
Est: £5,000 - £7,000
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) THE MILKMAN Oil on canvas laid on board (111cm x 101cm (43.75in x 39.75in))
Lyon & Turnbull
Apr. 03, 2023
Steven Campbell (Scottish, 1953-2007)
Est: $1,000 - $1,500
Steven Campbell (Scottish, 1953-2007) "The Escape of Jonathan Harker," Large format brush and ink on joined paper, titled verso. Provenance: Rhona Hoffman Gallery, Chicago. Tears, edge damage. Size: 7'11'' x 7'8'' (241 x 234 cm).
Material Culture
Dec. 13, 2022
STEVEN CAMPBELL SIGNED MODERN ART PRINT
Est: $150 - $250
STEVEN CAMPBELL (Scottish 1953 - 2007) Age of Reason - 1985 Color aquatint Pencil signed and dated lower right, titled lower center, and editioned 8/40 lower left, and image pencil signed by author of text Barry Yourgrau Image size 35 inches x 24 inches, contained in a glazed frame overall measuring 45.25 inches x 32.75 inches Provenance Deaccessioned from a private U.S. corporate collection SHIPPING NOTICE: Jackson's is your sole and only source for one stop packing and shipping. With over 50 years of experience, our professional, affordable and efficient in-house shipping department will be happy to provide you a fair and reasonable shipping quote on this lot. Simply email us before the auction for a quick quote: shipping@jacksonsauction.com or call 1-800-665-6743. Jackson's can expertly pack and ship to meet any of your needs. To ensure quality control Jackson's DOES NOT release to third party shippers.
Jackson's International
Jun. 15, 2022
Steven Campbell, The Rugby Player
Est: $4,000 - $6,000
Steven Campbell The Rugby Player 1985 gouache on paper laid to linen 73.25 h × 60 w in (186 × 152 cm) Provenance: The Artist | Franklin Group, New York | Private Collection This work will ship from Rago in Lambertville, New Jersey.
Rago Arts and Auction Center
Jun. 01, 2022
Steven Campbell (1953-2007): The Sphinx
Est: $2,000 - $4,000
Gouache on paper, unsigned. 65 x 41 in., 71 x 48 in. (frame). Works from the Melva Bucksbaum Collection, Sold to Benefit Art for Access at Bennington College
STAIR
Mar. 30, 2022
Steven Campbell, Untitled
Est: $4,000 - $6,000
Steven Campbell Untitled oil on paper laid to linen 81.5 h × 62 w in (207 × 157 cm) Provenance: The Artist | Franklin Group, New York | Private Collection This work will ship from Rago in Lambertville, New Jersey. condition: Work is in very good overall condition. Small abrasion to lower right edge otherwise, work presents well with strong colors. Unframed.
Rago Arts and Auction Center
Feb. 05, 2022
Steven Campbell (British, born Scotland, 1953 - 2007), David Hume Soup, 1983, oil on canvas, damaged (2 tears to canvas), 116" x 108".
Est: $1,000 - $2,000
Steven Campbell (British, born Scotland, 1953 - 2007), David Hume Soup, 1983, oil on canvas, damaged (2 tears to canvas), 116" x 108".
Nadeau's Auction Gallery
Feb. 05, 2022
Steven Campbell (b. 1953), Gesturing Hoker 1983, woodcut, signed in pencil lower right Steven Campbell 1983, numbered in pencil lowe...
Est: $300 - $500
Steven Campbell (b. 1953), Gesturing Hoker 1983, woodcut, signed in pencil lower right Steven Campbell 1983, numbered in pencil lower left 16/20, 66" x 53".
Nadeau's Auction Gallery
Jan. 19, 2022
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) THE POOL PLAYER, 1985
Est: £10,000 - £15,000
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) THE POOL PLAYER, 1985 Oil on card laid on canvas (206cm x 173cm (81in x 68in)) Provenance: Franklin Group, New York
Lyon & Turnbull
Dec. 08, 2021
Steven Campbell, Disovering Insects In a Herbaceous Border
Est: $7,000 - $9,000
Steven Campbell Disovering Insects In a Herbaceous Border 1985 gouache on paper, oil on paper largest: 61.5 h × 47.5 w in (156 × 121 cm) smallest: 20 h × 16 w in (51 × 41 cm) Provenance: Barbara Toll Fine Arts, Inc., New York | Private Collection Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.
Rago Arts and Auction Center
Dec. 01, 2021
Steven Campbell (b. 1953): The Hiker said, "Death you shall not take the child"
Est: $100 - $300
Woodcut in black on six sheets of Japan, 1983, signed and dated in pencil, numbered 9/15. Each sheet 50 1/2 x 34 in. (sheet), unframed. Prints from the Collection of Lois B. Torf
STAIR
Nov. 25, 2021
Steven Campbell (1953-2007) Oxford to Salisbury Broken oil on canvas 262 x
Est: €6,000 - €8,000
Steven Campbell (1953-2007) Oxford to Salisbury Broken oil on canvas 262 x 245cm. Painted in 1983
Christie's
Oct. 12, 2021
λ Steven Campbell (Scottish 1953-2007), The Dream of every Ostrich is to own its Own Home
Est: £5,000 - £7,000
λ Steven Campbell (Scottish 1953-2007)The Dream of every Ostrich is to own its Own HomeOil on canvas206 x 183cm (81 x 72 in.) on irregular shaped stretcherProvenance: Marlborough Galleries, London
Dreweatts 1759 Fine Sales
Aug. 11, 2021
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) TO THE NORTH WITH GOOD LUCK, 1983
Est: £8,000 - £12,000
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) TO THE NORTH WITH GOOD LUCK, 1983 Signed and dated '83 lower right, signed and inscribed with title and dated verso, oil on paper laid on board (207cm x 146cm (81.5in x 57.5in)) Provenance: The Collection Of William Hardie, Glasgow Footnote: Note: This work is an early example, painted just a year after Campbell had graduated as a mature student from the Glasgow School of Art where he held his famously well-received degree show.
Lyon & Turnbull
Jun. 15, 2021
Steven Campbell, The Pool Player
Est: $5,000 - $7,000
Steven Campbell The Pool Player 1985 oil on paper laid to canvas 81 h × 68 w in (206 × 173 cm) Provenance: The Artist | Franklin Group, New York This work will ship from Rago in Lambertville, New Jersey. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.
Rago Arts and Auction Center
Jun. 10, 2021
STEVEN CAMPBELL Two drawings.
Est: $3,000 - $5,000
STEVEN CAMPBELL Two drawings. Study for Hannibal Crossing the Alps, brush and ink on joined sheets of wove paper, 1983. 2717x2736 mm; 107x107 3/4 inches * Untitled Study, brush and ink, acrylic and paper collage on joined sheets of wove paper, 1983. The oil painting Hannibal Crossing the Alps is in the permanent collection of the Palmer Museum of Art, Penn State University, University Park, Pennsylvania. Both ex-collection private collection, New York. Campbell (1953-2007) was a Scottish artist whose mature figurative works typically focused on the surreal ridiculousness of the English gentleman. He was a key figure in the renaissance in Scottish art in the 1980s, which saw Glasgow, where he settled, become one of the major international centers for contemporary art at the time.
Swann Auction Galleries
May. 13, 2021
Steven Campbell (British, 1953-2007) The Girl at Dawn/Sunset Gate 106 x 88.5 cm. (41 3/4 x 34 13/16 in.)
Est: £5,000 - £7,000
Steven Campbell (British, 1953-2007) The Girl at Dawn/Sunset Gate oil on canvas, laid on panel 106 x 88.5 cm. (41 3/4 x 34 13/16 in.) For further information on this lot please visit the Bonhams website
Bonhams
May. 13, 2021
Steven Campbell (British, 1953-2007) Nursery of the Barber/ed Hatter (2004) 81 x 60 cm. (31 7/8 x 23 5/8 in.)
Est: £4,000 - £6,000
Steven Campbell (British, 1953-2007) Nursery of the Barber/ed Hatter (2004) signed and dated on the stretcher (verso) oil on canvas 81 x 60 cm. (31 7/8 x 23 5/8 in.) For further information on this lot please visit the Bonhams website
Bonhams
Oct. 20, 2020
*Steven Campbell (Scottish, 1953-2007)
Est: £600 - £800
*Steven Campbell (Scottish, 1953-2007) *Steven Campbell (Scottish, 1953-2007) 'Study for Allegory', 1986 acrylic on paper 30 x 40cm Provenance: Marlborough Fine Art, London. *Artist's Resale Right may apply to this lot.
Sworders
Sep. 29, 2020
Steven Campbell (1953-2007) - Two Men with a Carriage Royale to Catch a Queen Bee
Est: £6,000 - £8,000
Steven Campbell (1953-2007) Two Men with a Carriage Royale to Catch a Queen Bee oil on canvas 111 7/8 x 107 7/8 in. (284 x 274 cm.)
Christie's
Apr. 16, 2020
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) LOBSTER (FROM THE SCOTTISH BESTIARY PORTFOLIO)
Est: £200 - £300
§ STEVEN CAMPBELL (SCOTTISH 1953-2007) LOBSTER (FROM THE SCOTTISH BESTIARY PORTFOLIO) Woodcut, P/P, signed and editioned in pencil to margin, unframed (Dimensions: 76cm x 56.5cm (30in x 22.25in), full sheet)
Lyon & Turnbull
Mar. 15, 2020
Steven Campbell, Frontspiece from Scottish Bestiary, Woodcut
Est: $900 - $1,200
Artist: Steven Campbell, Scottish (1953 - 2007) Title: Frontspiece from Scottish Bestiary Year: 1987 Medium: Woodcut, signed and numbered in pencil Edition: 8/50 Image Size: 22 x 15 inches Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
RoGallery
Nov. 21, 2019
Steven Campbell (Scottish, 1953-2007) Untitled, circa1988
Est: $2,000 - $3,000
Steven Campbell (Scottish, 1953-2007) Untitled, circa1988 gouache on paper 20 x 15 inches.
Hindman
Oct. 26, 2019
Steven Campbell Revenge of the Fern, 1984
Est: $8,000 - $12,000
Steven Campbell (Scottish, 1953-2007) 'Revenge of the Fern', 1984 Oil and mixed media on paper; Signed and dated Steven M Campbell, lower left
Larsen Art Auction
Aug. 15, 2019
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) THE CHINESE CLAM 229cm x 135cm (90in x 53in)
Est: £10,000 - £15,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) THE CHINESE CLAM Oil on canvas 229cm x 135cm (90in x 53in)
Lyon & Turnbull
Aug. 15, 2019
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PUNTS RED LAMP 62cm x 82cm (24.5in x 32.25in)
Est: £3,000 - £5,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PUNTS RED LAMP Signed and inscribed with title verso, oil on board 62cm x 82cm (24.5in x 32.25in)
Lyon & Turnbull
Apr. 17, 2019
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PORTRAIT OF ROBERT URQUHART TAKING THE R.U. NEUROTIC TEST - 1988 326cm x 180cm (128in x 71i...
Est: £10,000 - £15,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) PORTRAIT OF ROBERT URQUHART TAKING THE R.U. NEUROTIC TEST - 1988 Oil on canvas 326cm x 180cm (128in x 71in)
Lyon & Turnbull
Sep. 26, 2018
Steven Campbell, Scottish 1953-2007-7 on the Right Wing;oil on canvas laid
Est: £10,000 - £15,000
Steven Campbell, Scottish 1953-2007-7 on the Right Wing;oil on canvas laid on panel, 106x88.5cm (ARR)Provenance: Lemon Street Gallery, Truro, where purchased by the present owner
Roseberys
Sep. 26, 2018
Steven Campbell, Scottish 1953-2007-Nursery of the Barber/ed Hatter, 2004;o
Est: £8,000 - £12,000
Steven Campbell, Scottish 1953-2007-Nursery of the Barber/ed Hatter, 2004;oil on canvas, signed and dated on stretcher verso, 81x60cm (ARR)Provenance: Lemon Street Gallery, Truro, where purchased by the present ownerNote: Quoting from a letter from Carol Campbell, addressed to Lee (Louise Jones) at the Lemon Street Gallery, Truro, not dated:The Nursery of the Barber/ed Hatter. This painting has many references to William Blake. The Nursery is a reference to the naive and childlike way in which Blake’s stories told of a dark and complex subject, such as the Angel and the Tiger. The figure throws the hat up into the air in disgust, which is alike to Blake’s support of the Revolutionaries in France at the time. The shadow is Blake himself (hiding using his poems and stones) (nursery rhymes) to escape censorship and authority.
Roseberys
Aug. 16, 2018
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) RISING AND FRIEND 29cm x 20cm (11.5in x 8in)
Est: £800 - £1,200
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) RISING AND FRIEND Signed and dated 'Dec' 1994' gallery label verso, acrylic on paper 29cm x 20cm (11.5in x 8in)
Lyon & Turnbull
Aug. 16, 2018
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) NOUGHTS BUT NO CROSSES 50cm x 40cm (19.75in x 15.75in)
Est: £2,000 - £3,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) NOUGHTS BUT NO CROSSES Acrylic on paper 50cm x 40cm (19.75in x 15.75in)
Lyon & Turnbull
Aug. 16, 2018
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) UNTITLED (EXPLORERS IN A BOAT) 99cm x 101cm (39in x 40in)
Est: £3,000 - £5,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) UNTITLED (EXPLORERS IN A BOAT) Watercolour 99cm x 101cm (39in x 40in)
Lyon & Turnbull
Aug. 16, 2018
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) YOUNG CAMPER DISCOVERING GROTTO IN THE GROUND 284.5cm x 284.5cm (112in x 112in)
Est: £10,000 - £15,000
[§] STEVEN CAMPBELL (SCOTTISH 1953-2007) YOUNG CAMPER DISCOVERING GROTTO IN THE GROUND Oil on canvas 284.5cm x 284.5cm (112in x 112in)
Lyon & Turnbull
Nov. 21, 2017
STEVEN CAMPBELL | Gesturing Gardner with Watering Can
Est: £3,000 - £5,000
oil on paper
Sotheby's