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Samuel Chamberlain (1895-1973) A Mediterranean Village drypoint, 1938, signed in pencil. 8 1/4 x 11 1/2"
Rachel Davis Fine ArtsLithograph, image size 10 3/4" x 12", 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
Peterborough AuctionsLithograph, image size 9" x 13", 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
Peterborough Auctions"Early Morning Market, Senlis", sepia etching on paper, pencil signed. Housed in a mahogany and black stick frame, museum mount under mat, UV nonglare plexiglas, OS: 16 1/2" x 14 1/2", impression: 8 3.4" x 6 1/2", conserved.
Thomaston Place Auction GalleriesTitled Founders Tower etching of a stately building, numbered 95/100, pencil signed. Samuel Chamberlain was active/lived in Massachusetts, Iowa, and is known for graphics, sketch-structure-views. Born in Iowa, Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. Overall size: 18 1/4 x 13 1/2 in. Image size: 12 x 7 3/4 in. #3258 #82 Location KB6
Sarasota Estate AuctionTitled "A Side Street in Beauvais" black & white architectural etching numbered 50/100, signed in ink. Samuel Chamberlain was active/lived in Massachusetts, Iowa, and is known for graphics, sketch-structure-views. Born in Iowa, Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. Overall size: 20 1/2 x 16 in. Image size: 14 x 10 in. #1153 #83
Sarasota Estate AuctionTitled Epreuve dArtiste II/III numbered 92/100, black & white etching, pencil signed. Depicts figures standing near an alley. Samuel Chamberlain was active/lived in Massachusetts, Iowa, and is known for graphics, sketch-structure-views. Born in Iowa, Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, dry point, and soft ground etching. Overall size: 15 x 11 1/2 in. Image size: 8 x 5 1/2 in. #1144 #84
Sarasota Estate AuctionPencil Drawing of Nude Man signed and dated 1958. This lot is being offered on behalf of the New York County Public Administrators Office (220520).
Weiss AuctionsLimited drypoint etching titled Summer Street, Marblehead by Samuel Chamberlain (1895-1975), also present in the Philadelphia Museum of Art's collection. Numbered #75/100 on the bottom corner, signed on the bottom right. Measures 13 1/2" x 16" site.
Embassy Auctions InternationalSamuel Chamberlain (1895-1945) harbor scene etching, 45 of 100, 9.5 by 14.5 inches, signed lower right, “Samuel Chamberlain,” framed. Condition: Very good.
Blackwood March AuctioneersSamuel Chamberlain (American, 1895-1975). "Vista in Clomar," Twentieth Century. Watercolor (ink washes) on heavy weight paper (10.25 x 14.5 inches, sight). Frame: H: 23.25 in., W: 29.375 in., D: .75 in. Provenance: Childs Gallery, Boston, Massachusetts.
Devin Moisan Auctioneers, Inc.1st item: Samuel V. Chamberlain (Massachusetts/Iowa, 1895-1975) drypoint etching on paper titled "Far West Junk Shop" depicting the store front of Haslam's junk shop. Numbered "70/100," in pencil, lower left below plate, signed "Samuel Chamberlain," in pencil, lower right below plate. Housed and matted under glass in a black wooden frame with gilt trim. Plate: 4 1/2" H x 8 1/2" W. Sight: 6" H x 10" W. Framed: 12 3/4" H x 16 1/4" W. Note: A version of this print is in the collection of the Smithsonian Museum of American Art. 2nd-3rd items: Two (2) Davis Gray, also known as Ernest B. Walden, (American, 1929-1995) lithographs in color of college or university buildings including Jordan Hall at Central College, Iowa. Both with printed signature "Davis Gray" lower right. Matted and framed together under glass in a molded wood frame. Sights: 7 1/2" H x 9 3/4" W. Framed: 22" H x 15" W. 4th item: Captain James Cook (British, 1728-1779) 18th century copper plate engraving on laid paper titled "Pirogue de Guerre de la Nouvelle Zelande", Tome III, Plate 14, by Le Veau, from the First French Edition of Cook's Explorations in New Zealand, published in Paris, 1773. Depicts a Maori Waka Taua (war canoe), fully manned and sailing in the ocean with mountains on the opposite shore visible in the background. Title and engraver name, lower center and right below image. Hanging Around, LLC, Nashville, TN gallery label, en verso. Housed and double matted under glass in a ebonized wooden frame with metallic silver trim. Plate: 9 3/8" H x 14" W. Sight: 9 5/8" H x 14 1/4" W. Framed: 16 1/4" H x 20 3/4" W. 5th item: Pencil on paper drawing of a fox terrier. Illegibly signed lower right. Housed under glass in a wooden frame with gilt sight edge. Sight 6" H x 4 3/4" W. Framed: 9" H x 7 7/8" W. Likely American, 20th century.
Case Antiques, Inc. Auctions & AppraisalsDrypoint etching. Pencil signed lower right. Titled "Seville - Second State" on mount. Dimensions: (Mount) H 20" x W 15", (Paper) H 15.75" x W 11" Condition: Lightly age toned. Small scuff upper right.
Westport AuctionDrypoint etching. Pencil signed, numbered 19/100. Titled "Semur-en-Auxois - France." Dimensions: (Mount) H 19.25" x W 14.25", (Paper) H 11.5" x W 13.25" Condition: Good impression. Few light spots of foxing to the paper.
Westport AuctionDrypoint etching. British scene. Pencil signed. Indistinctly notated lower left. Pen notation upper right corner. Dimensions: (Full sheet) H 14.75" x W 12" Condition: Light age toning.
Westport AuctionSamuel V. Chamberlain American, (1895-1975) Drizzly Morning in Chicago, 1929 drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in Cresco, IA on October 28, 1895 and died in Marblehead, MA in 1975. He was an accomplished etcher, lithographer, writer, teacher, and lecturer. Chamberlain taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and softground etching. His main residence was Marblehead, MA but, in 1929, his address was listed as Rue Jean Dolent; care of Guaranty Trust Co., 3 rue des Italiens, Paris, France and, in 1934, Senlis, France. Chamberlain's education took place at the University of Washington in Seattle, WA; the Massachusetts Institute of Technology in Cambridge, MA; and the Royal College of Art in London. He was a pupil of Edouard Henri Léon (1873-?) in Paris and Malcolm Osborne (1880-1963) in London. Chamberlain was a member of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers; Associate member of the National Academy of Design, 1939; the Northwest Printmakers; the Société de la Gravure Originale Noir in Paris; and a Guggenheim Fellow, 1926. Exhibitions and awards include an honorable mention at the Paris Salon in 1925; medaille de Bronze at the Paris Salon in 1925; a gold medal at the Boston Tercentenary in 1930; a prize at the Society of American Etchers in 1933; the National Academy of Design, annually; and the Salons of America. Chamberlain was the author and illustrator of "France Will Live Again," 1940; "Fair is Our Land," 1942; "Sketches of Northern Spanish Architecture," 1928; "Domestic Architecture in Rural France," 1928; "Tudor Homes of England," 1929; "Through France with a Sketch Book," 1929; and French Provincial Houses," 1932. Collections representing Chamberlain include the Whistler House Museum of Art in Lowell, MA; the Metropolitan Museum of Art in New York City; the Museum of Fine Art in Boston, MA; the Victoria and Albert Museum in England; the Art Institute of Chicago; the Mobile Museum of Art in Mobile, AL; the San Diego Museum of Art in CA; the Cummer Museum of Art and Gardens in Jacksonville, FL; the Georgia Museum of Art in Athens, GA; the Peabody Essex Museum in Salem, MA; the University of Michigan Museum of Art in Ann Arbor, MI; the Frederick R. Weisman Art Museum in Minneapolis, MN; the Nelson-Atkins Museum of Art in Kansas City, MO; the Art Gallery, University of New Hampshire in Durham, NH; and the Sheldon Swope Art Museum in Terre Haute, IN.
Ripley Auctions"Soaring Steel" 1929 drypoint etching. Samuel V. Chamberlain was an accomplished etcher, lithographer, writer, teacher, and lecturer. He taught at the Massachusetts Institute of Technology and lectured on various graphic techniques such as etching, drypoint, and soft ground etching. Overall size: 17 3/4 x 14 1/2 in. Sight size: 13 x 10 in.
Sarasota Estate AuctionSamuel Chamberlain (1895-1975), A Showery Day and Colonial House, Two Etchings, each Framed, Larger: 19-1/4 x 15-1/4 in
Weschler'sSamuel Chamberlain (1895-1975) city etching, 12.5 by 11.5 inches, matted. Condition: Good.
Blackwood March AuctioneersSamuel Chamberlain (1895-1975) etching, "The Harvard Club,," 12.25 by 10.25 inches, matted. Condition: Good.
Blackwood March AuctioneersSamuel Chamberlain (1895-1975) Far West Junk Shop, 9.75 by 12.75, signed lower right, "Samuel Chamberlain," matted. Condition: Good.
Blackwood March AuctioneersSamuel Chamberlain (1895-1975) Chartres etching, ed. 37/100 signed and numbered in pencil lower margin, framed.
Link Auction GalleriesSamuel Chamberlain (American 1895-1975)- 1). ''Faneuil Hall- Boston'' (Chamberlain & Kingsland 83)- etching, signed, titled and numbered 32/100 in pencil, slightly light struck. 6 1/4 x 9'' 2). ''Quimper'' (C. & K. 118)- drypoint, 1935, signed and numbered 5/100 in pencil, paper age toned. 14 5/8x 8 3/4''
Rachel Davis Fine ArtsEntrance to the Chateau of Saumur, sheet size 12 x 9.5 inches, and Farmhouse Near Dole, sheet size 5.25 x 9 inches.
Casco Bay Auctions