Govert Dircksz. Camphuysen Paintings & Artwork for Sale | Govert Dircksz. Camphuysen Art Value Price Guide

Mar. 21, 2026
Altmeister in der Art von Camphuysen, Govaert (um 1624 Grinchen - Amsterdam 1672)
Est: €200 - €240
Vieh vor einem Bauerngehöft in der Dämmerung. Öl/Eichenholztafel (rest.). 51x 83 cm. Prunk-Goldstuckrahmen (best.), 19. Jh.
Dannenberg
Dec. 04, 2025
An amorous couple in a barn, with herdsmen at the door
Est: £25,000 - £35,000
Property from the Estate of Ambassador J. William Middendorf II, Rhode Island Govert Dircksz. Camphuysen Gorinchem 1623/4–1672 Amsterdam An amorous couple in a barn, with herdsmen at the door signed lower right: G . Camphuysen oil on oak panel unframed: 60.9 x 54.4 cm.; 24 x 21½ in. framed: 80.3 x 74.5 cm.; 31⅝ x 29⅜ in.
Sotheby's
Jul. 02, 2025
GOVERT DIRCKSZ. CAMPHUYSEN (DOKKUM C1623/4-1672 AMSTERDAM). A sleeping shep
Est: £15,000 - £20,000
GOVERT DIRCKSZ. CAMPHUYSEN (DOKKUM C1623/4-1672 AMSTERDAM). A sleeping shepherd with two sheep, in a landscape. oil on panel44 7/8 x 33 1/8 in. (114 x 84 cm.).
Christie's
Sep. 21, 2024
Camphuysen, Jochem Govaert (um 1624 Grinchen - Amsterdam 1672) und Jan Micker (1599-1664)
Est: €2,000 - €2,400
Vielfigurige Darstellung der Bergpredigt. Öl/Eichenholztafel (rest.), laut Gutachten Dr. Walter Bernt von 1964, li. u. undeutlich bez. und dat. 1644. Fred Meijer hat die Datierung nicht für ausgeschlossen gehalten und die Figurenstaffage Jan Micker 1599-1664 zugeordent. 48x 63 cm. Geschnitzte Flammleiste. Beigegeben: Eine aktuelle Bestätigung von Fred Meijer (per Email 16.08.2024) und das Original-Gutachten Dr. Walter Bernt aus dem Jahr 1964.
Dannenberg
Sep. 21, 2024
Camphuysen, Govaert (um 1624 Grinchen - Amsterdam 1672), Umkreis
Est: €500 - €600
Vieh vor einem Bauerngehöft. Öl/Holztafel (rest., Bruch). 51x 83 cm. R.
Dannenberg
Dec. 07, 2023
Govert Dircksz. Camphuysen, um 1623/24 Dokkum – 1672 Amsterdam
Est: €4,000 - €5,000
Camphuysen wirkte in Amsterdam, aber auch in Gottorf, Nyköping, Stockholm und Göteborg.KÜCHENINTERIEUR Öl auf Holz. 42,2 x 49,1 cm. Mittig unten signiert „G. Camphuysen. 1645“. In Wellenleistenrahmen. Durch ein Fenster am linken Bildrand, das von einem hereinschauenden Mann dominiert wird, fällt das Licht in ein rurales Interieur. In diesem ein Tisch mit Küchengerät, an dem eine Frau im Begriff ist, einen Fisch zu schuppen. Anmerkung: Im Museum Bredius in Den Haag befindet sich ein Gemälde von Camphuysen (Inv.Nr. 151-1946), das kompositorisch vergleichbar ist, mit einer Darstellung einer Bäuerin, deren fahles Gesicht dem der hier gezeigten Frau ähnelt. (1381323) (1) (13)
Hampel Fine Art Auctions
Aug. 14, 2022
Painting, Gomert Dircksz Camphuysen
Est: $2,000 - $4,000
Gomert Dircksz Camphuysen (Dutch, 1624-1672), Bucolic Scene with Figures and Cattle, 1668, oil on canvas, signed and dated verso, canvas (unframed): 13.75"h x 20.25"w
Clars Auctions
Jul. 17, 2022
Painting, Gomert Dircksz Camphuysen
Est: $3,000 - $5,000
Gomert Dircksz Camphuysen (Dutch, 1624-1672), Bucolic Scene with Figures and Cattle, 1668, oil on canvas, signed and dated verso, canvas (unframed): 13.75"h x 20.25"w
Clars Auctions
Jan. 18, 2022
CAMPHUYSEN Govert Dircksz. (c.1623/24 - c.1672) Huile sur panneau de chêne renforcé "Scène de cuisi
Est: €1,400 - €1,800
CAMPHUYSEN Govert Dircksz. (c.1623/24 - c.1672) Huile sur panneau de chêne renforcé "Scène de cuisine". Attribué à Govert Dircksz Camphuysen. Ecole hollandaise. Epoque: XVIIème. (Micro coups). Dim.:+/-48,5x64cm.
Vanderkindere
Oct. 12, 2021
TABLEAUX Huile sur panneau de chêne renforcé "Scène de cuisine". Attribué à Govert Dircksz Camphu
Est: €2,000 - €3,000
TABLEAUX Huile sur panneau de chêne renforcé "Scène de cuisine". Attribué à Govert Dircksz Camphuysen. Ecole hollandaise. Epoque: XVIIème. (Micro coups). Dim.:+/-48,5x64cm.
Vanderkindere
Oct. 06, 2021
Govert Dircksz. Camphuysen (Dokkum 1623/4-1672 Amsterdam) - A milk maid churning butter in a barn interior
Est: €6,000 - €8,000
Govert Dircksz. Camphuysen (Dokkum 1623/4-1672 Amsterdam) A milk maid churning butter in a barn interior oil on canvas 41 x 46.5 cm.
Christie's
Oct. 07, 2020
19. GOVERT CAMPHUYSEN (Dokkum 1624 – Amsterdam 1672) Cygnes, canards et aut
Est: €1,500 - €2,000
19. GOVERT CAMPHUYSEN (Dokkum 1624 – Amsterdam 1672) Cygnes, canards et autres oiseaux près d’une rivière Panneau de chêne, parqueté 79 x 120 cm
Cornette de Saint-Cyr
Dec. 09, 2019
GOVERT CAMPHUYSEN (1623/24-1672) (to be attributed to)
Est: €5,000 - €6,000
GOVERT CAMPHUYSEN (1623/24-1672) (to be attributed to) to be attributed to Milkmaids and stallboys at work near village. Panel. Govert Camphuysen was an Amsterdam painter, mostly known for his landscapes with cattle in the style of Paulus Potter (1625-1654). These vast landscapes are often decorated with buildings or ruins and his figures are characterised by their naturalistic, down to earth appearance. The Gorcums Museum in Gorinchem, the Netherlands, holds a signed painting by Camphuysen with a similar subject (canvas, 84 x 131 cm, inv./cat.nr 4940). 70 x 105 cm GOVERT CAMPHUYSEN (1623/24-1672) (toe te schrijven aan) Melkmeisjes en knechten aan het werk bij dorp. Paneel. Govert Camphuysen was een Amsterdamse kunstenaar, die vooral bekend is voor zijn landschappen met vee in de stijl van Paulus Potter (1625-1654). Deze weidse landschappen zijn vaak gestoffeerd met gebouwen of ruïnes en zijn figuren en dieren worden gekenmerkt door hun naturalistisch, down-to earth karakter. In het Gorcums Museum te Gorinchem wordt een gehandtekend werk van hem bewaard met melkmeiden en knechten aan het werk (doek, 84 x 131 cm, inv./cat.nr 4940). 70 x 105 cm GOVERT CAMPHUYSEN (1623/24-1672) (à attribuer à) Laitières et paysans au travail près d'un village. Panneau. Govert Camphuysen, un artiste amsterdamois, fut sûrtout connu pour ses paysages animés au bétail dans le style de Paulus Potter (1625-1654). Ces paysages vastes sont fréquemment décorés de bâtiments ou de ruines et ses figures et animaux se caractérisent par un naturalisme et une véritable tendresse. Au Gorcums Museum à Gorinchem se trouve un tableau signé représentant un thème similaire (toile, 84 x 131 cm, nr. d'inv. 4940). 70 x 105 cm
Bernaerts Auctioneers
May. 22, 2018
GOVAERT DIRCKSZ. CAMPHUYSEN | An amorous couple in a barn with herdsmen at the door
Est: $30,000 - $50,000
oil on panel
Sotheby's
Nov. 14, 2016
Govert Dircksz. Camphuysen (Dokkum 1623/1624 - Amsterdam 1672)
Est: €1,500 - €2,500
Barn interior with crockery With monogram WK on board m.m. Oil on panel, 33.6 x 25.5 cm Provenance: - Auction Mak van Waay, Amsterdam, 25/29 November 1952, lot 69 (ill.) (as Willem Kalf) - Collection Mr. G.W. van Aardenne (1888-1983), Dordrecht - By descent to the present owner Literature: L. Grisebach, Willem Kalf (1619-1693), Gebr. Mann Verlag, Berlin, 1974, Cat. No. C16 (listed under dismissed works) Exhibition: Dordrechts Museum, Dordrecht, Nederlandse Stillevens uit vier eeuwen, July - August 1954, Cat. No. 59 (as Willem Kalf)
AAG Auctioneers
Dec. 10, 2015
GOVAERT DIRCKSZ. CAMPHUYSEN | A peasant holding a duck
Est: £8,000 - £12,000
oil on oak panel
Sotheby's
Oct. 28, 2015
Circle of Govert Dircksz. Camphuysen (Dokkum 1623-1672 Amsterdam) An elderl
Est: £4,000 - £6,000
Circle of Govert Dircksz. Camphuysen (Dokkum 1623-1672 Amsterdam) An elderly lady holding a chicken
Bonhams
Jun. 16, 2015
Govert CAMPHUYSEN (Gorkum 1623-Amsterdam 1672) Paysage à la chaumière Panneau de chêne, deux planches, non parqueté Oak panel, two p...
Est: €8,000 - €12,000
Govert CAMPHUYSEN (Gorkum 1623-Amsterdam 1672) Paysage à la chaumière Panneau de chêne, deux planches, non parqueté Oak panel, two planks, non-cradled 40 x 56cm (15 11/16 IN. X 22 IN.) Restaurations anciennes et fente
Tajan
Jan. 24, 2015
Govert Dircksz Camphuyzen, An Amorous Couple in a Barn with Herdsman at the Door
Est: $40,000 - $60,000
CAMPHUYZEN, Govert Dircksz ( Gorinchem 1623/4 - 1672 Amsterdam) An Amorous Couple in a Barn with Hersman at the Door, c. 1650. Oil on Panel. Panel size 23 7/8 x 21 3/8 inches. Signed lower right G. Camphuysen. Provenance: Pieter Cornelis, Baron van Leyden and Heer van Vlaardingen (1717-1788), by whom bequeathed to his son, Diderick, Baron van Leyden and Heer Vlardingen (d. 1811), Huis met de Hoofden, Amsterdam, by whom sold, with the rest of his father?s painting collection, for 100,000 florins to a consortium formed by L.B. Coclers, Alexander Joseph Paillet and A. de Lespinasse de Langeac; sale, Paillet-Delaroche, Paris, 7[=3rd day] November 1804 (delayed from 5ff. June 1804), lot 14; sold to Hypolite Delaroche on behalf of Bonaparte, according to an annotated copy of the sale catalogue); Lucien Bonaparte, Prince de Canino (1775-1840); Alexandre Joseph Paillet (1743-1814); sale, Paillet-Chariot, Paris, 2 [=1st day] June 1814, lot 3; sold to Charles Paillet or Antoine de Sauzay; Adolphe Schloss (1842-1910), Paris, from whose heirs confiscated from the Château de Chambon, near Tulle, April 1943; pre-empted from export to Germany by the Louvre, Paris, and subsequently restituted by the Louvre in 1945 to the heirs of Adolphe Schloss; sale, Galerie Charpentier, Paris, 1951, lot 8; sold to Professor René Küss. This very well-preserved panel is an exceptional example of Govert Dircksz Camphuyzen?s oeuvre. The artist is best known for paintings reminiscent of the work of Paulus Potter (of whom the artist was a contemporary) as well as landscapes influenced by Aert van der Neer. The present work, however, is one of a small group of scenes of taverns and barns that recall more the work of Isack van Ostade. Very many Dutch paintings filter the perception of reality through the lens of moral sensibility and Camphuyzen?s panel is a superb example of this. His picture is in effect a catalogue of vices, the well-maintained farm turned upside down by a moment of sensual indulgence. As the pot boils on the fire in the background, the maiden enjoys the fleshly attentions of a farm worker. Her basket of carrots and jug lay overturned at her feet. As in so many other genre paintings of this kind, the action functions as an exemplary charade, acting out the anthology of proverbs and epigrams to which the Dutch were so devoted. Johan de Brune?s Emblemata had warned that ?een hoeren schoot is duyvel?s boot? (the lap of a whore is the devil?s barque), and the bawdiness of this scene is further enhanced by the strategically placed carrot upon the wench?s lap, resting just below the opening of of worldly pleasure over domestic purity. As if to heap more scorn on the maiden?s virtue, one of the herdsmen to the right of the scene, scoops cow dung into a wheel barrow. In addition to the superior quality of this work, the present picture has a particularly notable provenance, having formerly belonged to the famous seventeenth-century collector, Pieter Cornelis, Baron van Leyden and Lord of Vlaardingen (1717-1788). Van Leyden is best known as the greatest of all Dutch print collectors, whose collection forms the basis of the Rijksprentenkabinett; he came from a family of noted collectors - his parents were patrons of Van Mieris - and began to collect as a young man, his first purchases dating from the 1730s. The print collection soon became famous throughout Europe, and several accounts survive of academics? visits to Van Leyden; one of these, that of the Dresden scholar Heinecken, mentions the collection of paintings, but gives no details, as it appears that they were not for public view. This is confirmed by Pieter Cornelis?s son?s introduction to the 1804 sale. Consequently, few details beyond the catalogue are known of Van Leyden?s art collection, which in 1804 consisted of 116 works, practically all of them by Northern and Southern Netherlandish artists, and which was divided between his two houses, no. 48 Rapenburg, Leiden (which still stands today), and Abtspoel Castle, near Leiden. Van Leyden?s son and heir, Diderick, moved the collection to Amsterdam and, when sold, most of the works were unrestored and still in their original frames. Most were said to have been acquired directly from the artists by Van Leyden?s ancestors, and the rest to have come from Europe?s leading collections. The corpus of Camphuyzen?s works has only relatively recently been reconstructed, as during the nineteenth century much of it was given to Camphuyzen?s father, Dirck Rafelsz. (1586-1627), who initially worked as a painter, but aged eighteen gave up art to become a cleric and poet. Only in 1903 did Ernst Moes and Abraham Bredius distinguish between the various oeuvres of the Camphuyzen family.
Arader Galleries
Oct. 30, 2013
Govert Dircksz. Camphuysen (Dokkum 1623-1672 Amsterdam)
Est: £1,000 - £1,500
A river landscape with a fisherman before a village bears signature and dated 'R***z F/ Ao: 1627' (lower right) oil on panel 29.6 x 27.2cm (11 5/8 x 10 11/16in).
Bonhams
Oct. 26, 2013
GOVAERT CAMPHUYSEN (1623-1672): AN INTERIOR SCENE OF A WOMAN PEELING VEGETABLES
Est: $5,000 - $10,000
GOVAERT CAMPHUYSEN (1623-1672): AN INTERIOR SCENE OF A WOMAN PEELING VEGETABLES Oil on wood panel, signed. 19 x 25 1/2 in., 30 1/2 x 36 1/2 in.
STAIR
Nov. 18, 2011
Camphuysen, Govert Dirckszfrom 1623 Gorkum(?) - to 1672 Amsterdam - circle Cattle Market in a Dutch Town Square.
Est: €3,000 - €3,500
Camphuysen, Govert Dircksz from 1623 Gorkum(?) - to 1672 Amsterdam - circle Cattle Market in a Dutch Town Square. Oil on canvas. Relined. 75 x 94cm. Framed.
Van Ham Kunstauktionen
Apr. 14, 2011
GOVAERT DIRCKSZ. CAMPHUYSEN
Est: £4,000 - £6,000
GOVAERT DIRCKSZ. CAMPHUYSEN GORINCHEM 1623/4-1672 AMSTERDAM A BARN INTERIOR WITH FOUR COWS, A MILK MAID CLEANING A POT, AND EARTHENWARE POTS IN THE FOREGROUND signed and dated (strengthened) lower right: G .Camphu ÿ sen . 1645 oil on panel 48 by 63.8 cm.; 18 7/8 by 25 1/8 in.
Sotheby's
Apr. 09, 2011
Painting, manner of Govert Dircksz Camphuyen
Est: $100 - $200
Framed oil on panel, Family Genre Scene, in the manner of Govert Dircksz Camphuysen (Dutch, 1623-1672), unsigned, sight: 12''h x 15''w, overall: 16.25''h x 19.5''w
Clars Auctions
Feb. 24, 2011
CAMPHUYSEN, GOVERT DIRCKSZ. (follower, 1623-1672).
Est: - €600
CAMPHUYSEN, GOVERT DIRCKSZ. (follower, 1623-1672). Herdsmen with their flock in a river landscape. Oil/canvas/canvas. 48 x 58 cm
Nagel Auction
Nov. 30, 2010
GOVAERT DIRCKSZ. CAMPHUYSEN
Est: €7,000 - €9,000
GOVAERT DIRCKSZ. CAMPHUYSEN GORINCHEM 1623/4-1672 AMSTERDAM A BARN INTERIOR WITH FOUR COWS, A MILK MAID CLEANING A POT, AND EARTHENWARE POTS IN THE FOREGROUND signed and dated (strengthened) lower right: G .Camphu ÿ sen . 1645 oil on panel 48 by 63.8 cm.
Sotheby's
Dec. 08, 2006
Govert Dircksz. Camphuyzen (?Gorinchem 1623/4-1672 ?Amsterdam)
Est: £20,000 - £30,000
An amorous couple in a barn with herdsmen at the door signed 'G. Camphuysen' (lower right) oil on panel 23 7/8 x 21 3/8 (60.6 x 54.3 cm.)
Christie's
Mar. 20, 2006
CAMPHUYSEN, GOVERT DIRCKSZ.
Est: CHF14,000 - CHF18,000
CAMPHUYSEN, GOVERT DIRCKSZ. (Gorkum 1623 - 1672 Amsterdam) Landscape with farmhouse. Oil on oak panel 40 x 55 cm. Certificate: Dr. Walther Bernt, Munich. CHF 14 000.- / 18 000.- € 9 050.- / 11 630.-
Koller Auctions
Jan. 28, 2006
GOVAERT DIRCKSZ. CAMPHUYSEN GORINCHEM 1623/4-1672 AMSTERDAM
Est: $6,000 - $8,000
PROPERTY FROM THE BIRMINGHAM MUSEUM OF ART, SOLD TO BENEFIT THE ACQUISITIONS FUND A RIVER LANDSCAPE WITH PEASANTS AND LIVESTOCK measurements 35 1/4 by 61 1/2 in. alternate measurements 89.5 by 156.2cm. oil on panel Condition Note: A three horizontal joined cradeled panel. Colored well retained and slightly yellow varnish. Visible oblique scratch above the brown cow's head. Horizontal crack repaired in the river on the right of the composition, general abrasion and scattered thiness throughout. Under UV light a few retouches along the joints and in the darker areas at the left of the painting. Would benefit from a sensitive restoration but can be hung as is. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. PROVENANCE Dr. Friedländer, Berlin (brother of Max J. Friedländer) Paul Drey Gallery, New York
Sotheby's