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ELIOT CANDEE CLARK New York/Virginia/Europe, 1883-1980 Estuary and distant town. Signed lower left "E. Clark".
Eldred'sELIOT CANDEE CLARK New York/Virginia/Europe, 1883-1980 "Spring Landscape". Signed lower right "Eliot Clark". Estate stamped verso.
Eldred'sEliot Candee Clark (1882-1980). Sleet Storm Larchmont, N.Y., 1940. Watercolor and gouache painting on paper. Signed lower left, with estate stamp verso. 15 1/2" x 23".
Copake Auction Inc.Eliot Candee Clark (1882-1980). Himalayan Mountain Landscapes. 2 watercolor and gouache paintings on paper of scenes in the Himalayas. Signed lower margin and with estate stamp verso. C. 1930s. 15 1/2" x 23".
Copake Auction Inc.Eliot Candee Clark 1883 - 1980 Seascape signed Eliot Clark (lower left) oil on canvas 20 by 27 in. 50.8 by 68.6 cm.
Sotheby'sAntique framed landscape oil on canvas signed Eliot Clark. (American, 1883-1980). Signed lower right corner. framed:12 inches x 14 inches unframed: 10 inches x 12 inches
Greenwich AuctionEliot Candee Clark (1883 - 1980) American Oil on Board Measure 16"in H x 12"in W and 18 1/2"in H x 14 1/2"in W with frame Known for: Landscape and harbor view painting Name variants: Elliott Clark Biography: Eliot Clark was the son of painter Walter Clark (1848-1917). "As a child," he later wrote, "I grew unconsciously in the association of artists, of studio talk and the smell of paint and turpentine." His earliest memories of his father's studio were when it was in the Holbein building in New York City -- above a stable and right next door to the studio of George Inness. No doubt he was instructed at his father's easel from the youngest age (he exhibited two pieces at the New York Water Color Club when he was only nine years old). His first classroom instruction began when he was seventeen. "While still going to school," Clark continued, "I studied in the afternoon for a term at the Art Students League under John Twachtman in the antique class." Clark's painted landscapes in a realist style, which employed broad areas of saturated color while keeping detail to a minimum. He was very planar in his approach to the canvas, dividing it into obvious foreground, middle and background areas. Often he used hills and banks of foliage to accomplish this division. His painting Under the Trees, which employs trees to isolate groups of figures from one another, won for the young artist the Third Hallgarten Prize at the National Academy of Design in 1912. This work falls into Clark's Tonalist phase, but over the years he painted more and more as an Impressionist, letting more light onto his canvas and increasing the intensity and vibrancy of his colors. For most of his professional life, Clark divided his time between New York City and Kent, Connecticut, until 1932 when he bought a summer home amidst the rolling hills of Albermarle County, Virginia. In New York he taught, he wrote, and he was active in artist's clubs. He was elected president of the National Academy of Design in 1956. But in The Old Dominion with the exception of two summers during the Depression when he taught at the University of Virginia -- he spent time traveling throughout the Tidewater, the Delmarva peninsula, and the mountains of western Virginia as well as neighboring West Virginia. He retired to his Albermarle County home in 1959.
Coral Gables AuctionOil on canvas. Signed (lower left and right).
Cottone AuctionsARTIST: Eliot Candee Clark (New York, Virginia, 1883 - 1980) TITLE: Orientalist Cityscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few minor paint losses. No visible inpaint under UV light. ART SIZE: 14 x 18 inches / 35 x 45 cm FRAME SIZE: 19 x 23 inches / 48 x 58 cm SIGNATURE: lower right CATEGORY: old antique vintage painting for auction sale online AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 124793 US Shipping $60 + insurance. BIOGRAPHY: Eliot Candee Clark, born in 1883 in New York, was a precocious artist - he exhibited two pieces at the New York Water Color Club when he was only nine years old; at age 13 exhibited with the National Academy and the New York Water Color Club; by 1912 he had won national painting awards; and by 1916 was writing books on American artists as well as the history of the National Academy. He was the son of tonalist painter Walter Clark (1848-1917). He was widely traveled in Europe and beyond, and associated with major artists of his day. He moved to Albemarle, Virginia in 1932, and was one of the few Impressionist artists of the Southern states. Clark was a teacher including at the National Art Club from 1943, the Art Students League, and New York City College. His landscapes evoked a "spiritualized rendition of nature". Clark developed an early interest in oriental philosophy that ended up having a major effect on his artistic development. These interests lead him to travel even to India and Tibet.He continued to paint almost to the end of his life, enjoying the solitude and peace of the surrounding environment where he could relate to canvas the subtleties of nature as only he could. He was elected an associate member of the National Academy of Design in 1917 and full academician in 1944. Clark was also president of the National Academy from 1956-1959. He was also a member/president of the American Watercolor Society; president/member of Allied Artists of America, 1948-52; ex officio trustee, Metropolitan Museum of Art, 1956; National Academy of Design Awards Jury; Society of Painters of New York; Connecticut Association of Fine Art; Salmagundi Club; International Society of Arts and Letters; Macdonald Club; Art Fund Society; New York Watercolor Club and others.Clark exhibited at the New York Watercolor Club; National Academy of Design; American Art Association of Paris Annual Exhibition; Doll & Richards, Boston; Louis Katz Gallery, NY; Guild of Allied Artists, NY; Milwaukee Art Institute; Henry Reinhardt & Son, NY; Mohr Art Galleries; Butler Art Institute; Telfair Academy, Georgia; Rochester Art Association, Rochester, MN; J.W. Young Galleries; Atlanta Woman's Club; Fort Worth Museum of Art, Texas; Carnegie Public Library; Providence Art Club; Witt Memorial Museum, Texas; Nan Sheets Gallery, Oklahoma; Iran Institute and others.He taught at the Art Students'League; Savannah Art club; University of Virginia; Grand Central Art Gallery School and others.Eliot Candee Clark passed away in 1980.
Broward Auction Gallery LLC(American, 1883-1980) Pulp Mill, signed lower right "Eliot Clark", oil on canvas, .30 x 40 in.; carved gilt wood frame, 36-1/2 x 47 in. Provenance: Campanile Galleries, Chicago Illinois (label vers0); Try-me Collection, Richmond, Virginia
Brunk AuctionsEliot Candee Clark (American/Virginia, 1883-1980), "Springtime Afternoon", oil on canvas, signed lower right, inscribed en verso, "R.H. Love Galleries, Chicago, IL" label with artist and title on backing board, 14 in. x 20 in., framed with title plaque, overall 19 1/2 in. x 25 5/8 in. x 3 1/4 in.
Neal Auction CompanyEliot Candee Clark (New York/Virginia, 1883-1980), small Impressionist pastel on paper drawing depicting city buildings and a bridge at dusk, outlined in blue. Signed Eliot Clark lower right. Matted and framed under glass with silver-gilt frame and fillet. Sight: 8 1/2" H x 4 3/4" W. Framed: 19 1/2" H x 16" W.
Case Antiques, Inc. Auctions & AppraisalsEliot Candee Clark (1883 - 1980) American Watercolor on Paper Measure 5 3/4"in H x 8 3/4"in W and 13 1/2"in H x 16 1/2"in W with frame Known for: Landscape and harbor view painting Name variants: Elliott Clark Biography: Eliot Clark was the son of painter Walter Clark (1848-1917). "As a child," he later wrote, "I grew unconsciously in the association of artists, of studio talk and the smell of paint and turpentine." His earliest memories of his father's studio were when it was in the Holbein building in New York City -- above a stable and right next door to the studio of George Inness. No doubt he was instructed at his father's easel from the youngest age (he exhibited two pieces at the New York Water Color Club when he was only nine years old). His first classroom instruction began when he was seventeen. "While still going to school," Clark continued, "I studied in the afternoon for a term at the Art Students League under John Twachtman in the antique class." Clark's painted landscapes in a realist style, which employed broad areas of saturated color while keeping detail to a minimum. He was very planar in his approach to the canvas, dividing it into obvious foreground, middle and background areas. Often he used hills and banks of foliage to accomplish this division. His painting Under the Trees, which employs trees to isolate groups of figures from one another, won for the young artist the Third Hallgarten Prize at the National Academy of Design in 1912. This work falls into Clark's Tonalist phase, but over the years he painted more and more as an Impressionist, letting more light onto his canvas and increasing the intensity and vibrancy of his colors. For most of his professional life, Clark divided his time between New York City and Kent, Connecticut, until 1932 when he bought a summer home amidst the rolling hills of Albermarle County, Virginia. In New York he taught, he wrote, and he was active in artist's clubs. He was elected president of the National Academy of Design in 1956. But in The Old Dominion with the exception of two summers during the Depression when he taught at the University of Virginia -- he spent time traveling throughout the Tidewater, the Delmarva peninsula, and the mountains of western Virginia as well as neighboring West Virginia. He retired to his Albermarle County home in 1959.
Coral Gables AuctionEliot Candee Clark American, 1883-1980 Coming Home Signed Eliot Clark (lr) Oil on canvas board 18 x 24 inches Unframed. C
Doyle New YorkEliot Clark (1883-1980) American, Oil on Board, signed, estate stamp on the back. Son of landscape painter Walter Clark and Jennifer Woodruff Clark, a student of psychic phenomena,Eliot Clark was a precocious artist who became a landscape painter in the late American Impressionist style. Moving to Albemarle, Virginia in 1932, he was one of the few Impressionist* artists of the Southern states.Likely this was a result of his association with James Whistler and his painting in 1900 at Gloucester, Massachusetts with John Twachtman, a family friend. Showing his obvious interest in Impressionism, he wrote a book about its exponents including Twachtman, Theodore Robinson, Childe Hassam, Julian Weir, and Robert Vonnoh. Overall size: 16 1/2 x 21 in. Sight size: 11 x 15 1/2 in.
Sarasota Estate AuctionOil on canvas seascape. Faintly signed lower right. Signed, inscribed, dated verso. With the estate stamp and estate number 358. A good period lemon gold frame. Dimensions: (Frame) H 17" x W 19.5", (Canvas) H 12" x W 14" Condition: Painting off the stretcher. Somewhat bows in frame. Some small losses and light cracks.
Westport AuctionEliot Clark Oil on Canvas Landscape Painting Antique framed landscape oil on canvas signed Eliot Clark. (American, 1883-1980). Signed lower right corner. framed:12 inches x 14 inches unframed: 10 inches x 12 inches
Greenwich AuctionProperty from the Collection of John and Virginia Duncan, Savannah, GA Description: Eliot Clark (NY/VA, 1883-1980), Savannah Morning, Oil on Board, signed lower right and titled verso, depicting a river landscape, in a giltwood frame. Frame size: 12 3/4 in. x 18 1/2 in. Measurements: Height: by sight 9 3/4 in. x Width: 15 3/8 in. Condition: Good condition, some surface dirt, varnish slightly yellowed, light wear to edges where board touches frame.
Everard Auctions and AppraisalsEliot Candee Clark (American, 1883-1980) Landscape, circa 1925 Oil on board 30 x 25 inches (76.2 x 63.5 cm) Signed lower right: Eliot: Clark HID01801242017
Heritage AuctionsEliot Candee Clark (American, 1883-1980) Wisteria in Tuscany Oil on board 12 x 16 inches (30.5 x 40.6 cm) Signed lower left twice: Eliot Clark HID01801242017
Heritage AuctionsARTIST: Eliot Candee Clark (New York, Virginia, 1883 - 1980) NAME: Landscape MEDIUM: oil on canvas CONDITION: Normal wear along edges. Minor scattered inpaintings in the sky area. SIGHT SIZE: 14 x 18 inches / 35 x 45 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower right CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 121162 US Shipping $49 + insurance. BIOGRAPHY: Eliot Candee Clark, born in 1883 in New York, was a precocious artist - he exhibited two pieces at the New York Water Color Club when he was only nine years old; at age 13 exhibited with the National Academy and the New York Water Color Club; by 1912 he had won national painting awards; and by 1916 was writing books on American artists as well as the history of the National Academy.He was the son of tonalist painter Walter Clark (1848-1917). He was widely traveled in Europe and beyond, and associated with major artists of his day. He moved to Albemarle, Virginia in 1932, and was one of the few Impressionist artists of the Southern states. Clark was a teacher including at the National Art Club from 1943, the Art Students League, and New York City College.His landscapes evoked a "spiritualized rendition of nature". Clark developed an early interest in oriental philosophy that ended up having a major effect on his artistic development. These interests lead him to travel even to India and Tibet.He continued to paint almost to the end of his life, enjoying the solitude and peace of the surrounding environment where he could relate to canvas the subtleties of nature as only he could. He was elected an associate member of the National Academy of Design in 1917 and full academician in 1944.Clark was also president of the National Academy from 1956-1959. He was also a member/president of the American Watercolor Society; president/member of Allied Artists of America, 1948-52; ex officio trustee, Metropolitan Museum of Art, 1956; National Academy of Design Awards Jury; Society of Painters of New York; Connecticut Association of Fine Art; Salmagundi Club; International Society of Arts and Letters; Macdonald Club; Art Fund Society; New York Watercolor Club and others.Clark exhibited at the New York Watercolor Club; National Academy of Design; American Art Association of Paris Annual Exhibition; Doll & Richards, Boston; Louis Katz Gallery, NY; Guild of Allied Artists, NY; Milwaukee Art Institute; Henry Reinhardt & Son, NY; Mohr Art Galleries; Butler Art Institute; Telfair Academy, Georgia; Rochester Art Association, Rochester, MN; J.W. Young Galleries; Atlanta Woman's Club; Fort Worth Museum of Art, Texas; Carnegie Public Library; Providence Art Club; Witt Memorial Museum, Texas; Nan Sheets Gallery, Oklahoma; Iran Institute and others.He taught at the Art Students'League; Savannah Art club; University of Virginia; Grand Central Art Gallery School and others.Eliot Candee Clark passed away in 1980.
Broward Auction Gallery LLCEliot Candee Clark (1883 - 1980) American Watercolor on Paper Measure 5 3/4"in H x 8 3/4"in W and 13 1/2"in H x 16 1/2"in W with frame Known for: Landscape and harbor view painting Name variants: Elliott Clark Biography: Eliot Clark was the son of painter Walter Clark (1848-1917). "As a child," he later wrote, "I grew unconsciously in the association of artists, of studio talk and the smell of paint and turpentine." His earliest memories of his father's studio were when it was in the Holbein building in New York City -- above a stable and right next door to the studio of George Inness. No doubt he was instructed at his father's easel from the youngest age (he exhibited two pieces at the New York Water Color Club when he was only nine years old). His first classroom instruction began when he was seventeen. "While still going to school," Clark continued, "I studied in the afternoon for a term at the Art Students League under John Twachtman in the antique class." Clark's painted landscapes in a realist style, which employed broad areas of saturated color while keeping detail to a minimum. He was very planar in his approach to the canvas, dividing it into obvious foreground, middle and background areas. Often he used hills and banks of foliage to accomplish this division. His painting Under the Trees, which employs trees to isolate groups of figures from one another, won for the young artist the Third Hallgarten Prize at the National Academy of Design in 1912. This work falls into Clark's Tonalist phase, but over the years he painted more and more as an Impressionist, letting more light onto his canvas and increasing the intensity and vibrancy of his colors. For most of his professional life, Clark divided his time between New York City and Kent, Connecticut, until 1932 when he bought a summer home amidst the rolling hills of Albermarle County, Virginia. In New York he taught, he wrote, and he was active in artist's clubs. He was elected president of the National Academy of Design in 1956. But in The Old Dominion with the exception of two summers during the Depression when he taught at the University of Virginia -- he spent time traveling throughout the Tidewater, the Delmarva peninsula, and the mountains of western Virginia as well as neighboring West Virginia. He retired to his Albermarle County home in 1959.
Coral Gables AuctionEliot Candee Clark (1883 - 1980) American Watercolor on Paper Measure 5 3/4"in H x 8 3/4"in W and 13 1/2"in H x 16 1/2"in W with frame Known for: Landscape and harbor view painting Name variants: Elliott Clark Biography: Eliot Clark was the son of painter Walter Clark (1848-1917). "As a child," he later wrote, "I grew unconsciously in the association of artists, of studio talk and the smell of paint and turpentine." His earliest memories of his father's studio were when it was in the Holbein building in New York City -- above a stable and right next door to the studio of George Inness. No doubt he was instructed at his father's easel from the youngest age (he exhibited two pieces at the New York Water Color Club when he was only nine years old). His first classroom instruction began when he was seventeen. "While still going to school," Clark continued, "I studied in the afternoon for a term at the Art Students League under John Twachtman in the antique class." Clark's painted landscapes in a realist style, which employed broad areas of saturated color while keeping detail to a minimum. He was very planar in his approach to the canvas, dividing it into obvious foreground, middle and background areas. Often he used hills and banks of foliage to accomplish this division. His painting Under the Trees, which employs trees to isolate groups of figures from one another, won for the young artist the Third Hallgarten Prize at the National Academy of Design in 1912. This work falls into Clark's Tonalist phase, but over the years he painted more and more as an Impressionist, letting more light onto his canvas and increasing the intensity and vibrancy of his colors. For most of his professional life, Clark divided his time between New York City and Kent, Connecticut, until 1932 when he bought a summer home amidst the rolling hills of Albermarle County, Virginia. In New York he taught, he wrote, and he was active in artist's clubs. He was elected president of the National Academy of Design in 1956. But in The Old Dominion with the exception of two summers during the Depression when he taught at the University of Virginia -- he spent time traveling throughout the Tidewater, the Delmarva peninsula, and the mountains of western Virginia as well as neighboring West Virginia. He retired to his Albermarle County home in 1959.
Coral Gables AuctionEliot Candee Clark (1883 - 1980) American Watercolor on Paper Measure 5 3/4"in H x 8 3/4"in W and 13 1/2"in H x 16 1/2"in W with frame Known for: Landscape and harbor view painting Name variants: Elliott Clark Biography: Eliot Clark was the son of painter Walter Clark (1848-1917). "As a child," he later wrote, "I grew unconsciously in the association of artists, of studio talk and the smell of paint and turpentine." His earliest memories of his father's studio were when it was in the Holbein building in New York City -- above a stable and right next door to the studio of George Inness. No doubt he was instructed at his father's easel from the youngest age (he exhibited two pieces at the New York Water Color Club when he was only nine years old). His first classroom instruction began when he was seventeen. "While still going to school," Clark continued, "I studied in the afternoon for a term at the Art Students League under John Twachtman in the antique class." Clark's painted landscapes in a realist style, which employed broad areas of saturated color while keeping detail to a minimum. He was very planar in his approach to the canvas, dividing it into obvious foreground, middle and background areas. Often he used hills and banks of foliage to accomplish this division. His painting Under the Trees, which employs trees to isolate groups of figures from one another, won for the young artist the Third Hallgarten Prize at the National Academy of Design in 1912. This work falls into Clark's Tonalist phase, but over the years he painted more and more as an Impressionist, letting more light onto his canvas and increasing the intensity and vibrancy of his colors. For most of his professional life, Clark divided his time between New York City and Kent, Connecticut, until 1932 when he bought a summer home amidst the rolling hills of Albermarle County, Virginia. In New York he taught, he wrote, and he was active in artist's clubs. He was elected president of the National Academy of Design in 1956. But in The Old Dominion with the exception of two summers during the Depression when he taught at the University of Virginia -- he spent time traveling throughout the Tidewater, the Delmarva peninsula, and the mountains of western Virginia as well as neighboring West Virginia. He retired to his Albermarle County home in 1959.
Coral Gables Auction