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Kevin Cole Sold at Auction Prices

b. 1960 -

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  • Kevin Cole, b. 1960, When Your Dreams Are Bigger Than Your Circumstances I
    May. 16, 2026

    Kevin Cole, b. 1960, When Your Dreams Are Bigger Than Your Circumstances I

    Est: $1,500 - $2,500

    Kevin Cole b. 1960 When Your Dreams Are Bigger Than Your Circumstances I 2025 acrylic assemblage 18 x 12 inches (image) 23-1/2 x 17 inches (backing) signed, dated and titled

    Black Art Auction
  • Kevin Cole, b. 1960, Counting My Blessings I
    May. 16, 2026

    Kevin Cole, b. 1960, Counting My Blessings I

    Est: $3,000 - $5,000

    Kevin Cole b. 1960 Counting My Blessings I 2025 wall-hanging assemblage bendable luan wood, gel medium and acrylic 45 x 29 x 11 inches signed, dated and titled

    Black Art Auction
  • KEVIN COLE, REGGAE CURVE, HANGING SCULPTURE, PAINTED RUBBER AND WOOD
    Jun. 19, 2025

    KEVIN COLE, REGGAE CURVE, HANGING SCULPTURE, PAINTED RUBBER AND WOOD

    Est: $1,700 - $2,200

    Artist: Kevin Cole, American (1960 - ) Title: Reggae Curve Medium: Hanging Sculpture, painted rubber and wood Size: 10 in. x 36 in. x 20 in. (25.4 cm x 91.44 cm x 50.8 cm)

    RoGallery
  • Kevin E. Cole, b. 1960, Strong Bearing the Infirmities of the Weak
    Jun. 14, 2025

    Kevin E. Cole, b. 1960, Strong Bearing the Infirmities of the Weak

    Est: $7,000 - $9,000

    Kevin E. Cole b. 1960 Strong Bearing the Infirmities of the Weak 1995 acrylic with elements of collage on canvas 48 x 60 inches artist’s label verso from the exhibition, Kevin Cole: Straight From the Soul (the early years) Illustrated: Kevin Cole: Straight From the Soul: 25 Years in the Making, Museum of Contemporary Art of Georgia, May 19 July 28, 2012

    Black Art Auction
  • Kevin Cole, b. 1960, Never Lose Hope
    Mar. 15, 2025

    Kevin Cole, b. 1960, Never Lose Hope

    Est: $2,500 - $3,500

    Kevin Cole b. 1960 Never Lose Hope 2024 mixed media 15-1/2 x 11 inches (object) 26 x 18 inches (inside of frame) signed and dated “Kevin Cole’s iconographic symbolism balances the aesthetic and political content of his work against the backdrop of African and Asian origins, as well as an uniquely American history. Although the symbolic use of the necktie in Cole’s work has regal and international references, its symbolic use of tied necks within the African American experience is referenced in Billie Holiday’s song, Strange Fruit. Nationwide lynchings exemplified the worst aspect of the human condition and the social and economic contempt for Black American men, women, and families. Working in a range of mediums, use of repetitive form, and color create three dimensional structures that invite those who experience his work to reflect upon abstracted references to a necktie used for status, beauty, fashion and the destruction of human life. Cole’s work celebrates history, survival, and a personal memory of a time and place.” ---Halima Taha Kevin Cole studied at University of Arkansas Pine Bluff (BS), University of Illinois (MA) and Northern Illinois University (MFA). His work has been included in numerous significant exhibitions, including at the Dallas African American Art Museum, Philadelphia Museum of Art, Corcoran Gallery of Art, and the Pennsylvania Academy of Fine Art. In February of this year, Cole received 2020 Brenda and Larry Thompson Award from the Georgia Museum of Art at the University of Georgia. This award is given to an African American Artist who has made significant but often lesser-known contributions to the visual arts tradition and has roots or major connections to Georgia. Cole’s work is prominently featured at the National Museum of African American History and Culture.

    Black Art Auction
  • Kevin Cole, b. 1960, Every Decision Has Consequences
    Mar. 15, 2025

    Kevin Cole, b. 1960, Every Decision Has Consequences

    Est: $4,500 - $6,500

    Kevin Cole b. 1960 Every Decision Has Consequences 2024 mixed media on paper 36 x 24 inches signed, titled and dated “Kevin Cole’s iconographic symbolism balances the aesthetic and political content of his work against the backdrop of African and Asian origins, as well as an uniquely American history. Although the symbolic use of the necktie in Cole’s work has regal and international references, its symbolic use of tied necks within the African American experience is referenced in Billie Holiday’s song, Strange Fruit. Nationwide lynchings exemplified the worst aspect of the human condition and the social and economic contempt for Black American men, women, and families. Working in a range of mediums, use of repetitive form, and color create three dimensional structures that invite those who experience his work to reflect upon abstracted references to a necktie used for status, beauty, fashion and the destruction of human life. Cole’s work celebrates history, survival, and a personal memory of a time and place.” ---Halima Taha Kevin Cole studied at University of Arkansas Pine Bluff (BS), University of Illinois (MA) and Northern Illinois University (MFA). His work has been included in numerous significant exhibitions, including at the Dallas African American Art Museum, Philadelphia Museum of Art, Corcoran Gallery of Art, and the Pennsylvania Academy of Fine Art. In February of this year, Cole received 2020 Brenda and Larry Thompson Award from the Georgia Museum of Art at the University of Georgia. This award is given to an African American Artist who has made significant but often lesser-known contributions to the visual arts tradition and has roots or major connections to Georgia. Cole’s work is prominently featured at the National Museum of African American History and Culture.

    Black Art Auction
  • Kevin Cole, b. 1960, The Blues about Toby
    Mar. 15, 2025

    Kevin Cole, b. 1960, The Blues about Toby

    Est: $6,500 - $8,500

    Kevin Cole b. 1960 The Blues about Toby 2024 bendable Luan wood, metal, gel medium and acrylic 48 x 29 x 9 inches signed, titled, and dated “Kevin Cole’s iconographic symbolism balances the aesthetic and political content of his work against the backdrop of African and Asian origins, as well as an uniquely American history. Although the symbolic use of the necktie in Cole’s work has regal and international references, its symbolic use of tied necks within the African American experience is referenced in Billie Holiday’s song, Strange Fruit. Nationwide lynchings exemplified the worst aspect of the human condition and the social and economic contempt for Black American men, women, and families. Working in a range of mediums, use of repetitive form, and color create three dimensional structures that invite those who experience his work to reflect upon abstracted references to a necktie used for status, beauty, fashion and the destruction of human life. Cole’s work celebrates history, survival, and a personal memory of a time and place.” ---Halima Taha Kevin Cole studied at University of Arkansas Pine Bluff (BS), University of Illinois (MA) and Northern Illinois University (MFA). His work has been included in numerous significant exhibitions, including at the Dallas African American Art Museum, Philadelphia Museum of Art, Corcoran Gallery of Art, and the Pennsylvania Academy of Fine Art. In February of this year, Cole received 2020 Brenda and Larry Thompson Award from the Georgia Museum of Art at the University of Georgia. This award is given to an African American Artist who has made significant but often lesser-known contributions to the visual arts tradition and has roots or major connections to Georgia. Cole’s work is prominently featured at the National Museum of African American History and Culture.

    Black Art Auction
  • Kevin Cole, Reggae Curve, Hanging Sculpture, painted rubber and wood
    Oct. 30, 2024

    Kevin Cole, Reggae Curve, Hanging Sculpture, painted rubber and wood

    Est: $2,000 - $3,000

    Artist: Kevin Cole, American (1960 - ) Title: Reggae Curve Medium: Hanging Sculpture, painted rubber and wood Size: 10 in. x 36 in. x 20 in. (25.4 cm x 91.44 cm x 50.8 cm)

    RoGallery
  • KEVIN E. COLE (1960 - ) Strange Fruit #2.
    Oct. 03, 2024

    KEVIN E. COLE (1960 - ) Strange Fruit #2.

    Est: $3,000 - $5,000

    KEVIN E. COLE (1960 - ) Strange Fruit #2. Acrylic and sand on shaped lauan plywood with dowel and cowrie shells, 2003. Approximately 914x400 mm; 36x15¾ inches. Signed, titled and dated in ink on the verso. Provenance: acquired directly from the artist; private collection. Strange Fruit #2 is an excellent example of Kevin Cole's painted mixed-media constructions on wood. Cole's grandfather inspired this ribboned "necktie" motif after a visit to a historic tree where African American men were lynched by their neckties on their way to vote during the Jim Crow Era. Cole uses painterly sensibilities to pay homage to the African American history while articulating compositions that inspire beauty and strength.

    Swann Auction Galleries
  • KEVIN E. COLE (1960 - ) Emotional Circumstances I.
    Apr. 04, 2024

    KEVIN E. COLE (1960 - ) Emotional Circumstances I.

    Est: $3,000 - $5,000

    KEVIN E. COLE (1960 - ) Emotional Circumstances I. Acrylic and sand on shaped lauan wood and dowels, with cowrie shells, circa 2000. Approximately 438x438x400 mm; 17¼x17¼x15¾ inches. Titled in ink on the verso. Provenance: acquired directly from the artist; private collection. Untitled is an excellent example of Kevin Cole's painted mixed-media constructions on wood. Cole's grandfather inspired this ribboned "necktie" motif after a visit to a historic tree where African American men were lynched by their neckties on their way to vote during the Jim Crow Era. Cole uses painterly sensibilities to pay homage to the sordid history of African Americans while articulating compositions that seek to inspire beauty and strength. Kevin Cole has become widely known for his abstract rendering of ties in brightly colored, three-dimensional abstract assemblage. Born in Pine Bluff, AR, in 1960, Cole graduated from the University of Arkansas at Pine Bluff and received an MA in Art Education and Painting from the University of Illinois and an MFA from the University of Northern Illinois. His works today are in many institutional collections, including the Yale University Art Gallery, the Pennsylvania Academy of Fine Art and the Clark Atlanta University Art Museum.

    Swann Auction Galleries
  • KEVIN COLE, REGGAE CURVE, HANGING SCULPTURE, PAINTED RUBBER AND WOOD
    Feb. 22, 2024

    KEVIN COLE, REGGAE CURVE, HANGING SCULPTURE, PAINTED RUBBER AND WOOD

    Est: $2,000 - $3,000

    Artist: Kevin Cole, American (1960 - ) Title: Reggae Curve Medium: Hanging Sculpture, painted rubber and wood Size: 10 in. x 36 in. x 20 in. (25.4 cm x 91.44 cm x 50.8 cm)

    RoGallery
  • Kevin E. Cole, b. 1960, Sweet Hour of Prayer, Color of Music Series
    May. 22, 2021

    Kevin E. Cole, b. 1960, Sweet Hour of Prayer, Color of Music Series

    Est: $10,000 - $15,000

    Kevin E. Cole b. 1960 Sweet Hour of Prayer, Color of Music Series 1995-2001 acrylic on paper cutout collage mounted on white board 59 1/2 x 46 inches signed, dated and titled in pencil housed in shallow shadowbox style frame with Plexiglas

    Black Art Auction
  • Kevin Cole, b. 1960, What About Faith III, Acrylic, wood, and metal sculpture mounted on board and framed in a shadow box, 12 x 6-1/2 inches (object), 20 x 16 inches (board)
    Nov. 14, 2020

    Kevin Cole, b. 1960, What About Faith III, Acrylic, wood, and metal sculpture mounted on board and framed in a shadow box, 12 x 6-1/2 inches (object), 20 x 16 inches (board)

    Est: $2,000 - $3,000

    Kevin Cole b. 1960 What About Faith III Acrylic, wood, and metal sculpture mounted on board and framed in a shadow box 2006 signed, titled, and dated. “Kevin Cole’s iconographic symbolism balances the aesthetic and political content of his work against the backdrop of African and Asian origins, as well as an uniquely American history. Although the symbolic use of the necktie in Cole’s work has regal and international references, its symbolic use of tied necks within the African American experience is referenced in Billie Holiday’s song, Strange Fruit. Nationwide lynchings exemplified the worst aspect of the human condition and the social and economic contempt for Black American men, women, and families. Working in a range of mediums, use of repetitive form, and color create three dimensional structures that invite those who experience his work to reflect upon abstracted references to a necktie used for status, beauty, fashion and the destruction of human life. Cole’s work celebrates history, survival, and a personal memory of a time and place.” ---Halima Taha Kevin Cole studied at University of Arkansas Pine Bluff (BS), University of Illinois (MA) and Northern Illinois University (MFA). His work has been included in numerous significant exhibitions, including at the Dallas African American Art Museum, Philadelphia Museum of Art, Corcoran Gallery of Art, and the Pennsylvania Academy of Fine Art. In February of this year, Cole received 2020 Brenda and Larry Thompson Award from the Georgia Museum of Art at the University of Georgia. This award is given to an African American Artist who has made significant but often lesser-known contributions to the visual arts tradition and has roots or major connections to Georgia. Cole’s work is prominently featured at the National Museum of African American History and Culture. 12 x 6-1/2 inches (object), 20 x 16 inches (board)

    Black Art Auction
  • Kevin Cole, b. 1960, Mixed Circumstances, Bendable Luan wood, tar paper, gel medium and acrylic, 36 x 68 x 13 inches
    Nov. 14, 2020

    Kevin Cole, b. 1960, Mixed Circumstances, Bendable Luan wood, tar paper, gel medium and acrylic, 36 x 68 x 13 inches

    Est: $10,000 - $20,000

    Kevin Cole b. 1960 Mixed Circumstances Bendable Luan wood, tar paper, gel medium and acrylic Wall-hung 3D construction. 2017 Signed, titled and dated verso. “Kevin Cole’s iconographic symbolism balances the aesthetic and political content of his work against the backdrop of African and Asian origins, as well as an uniquely American history. Although the symbolic use of the necktie in Cole’s work has regal and international references, its symbolic use of tied necks within the African American experience is referenced in Billie Holiday’s song, Strange Fruit. Nationwide lynchings exemplified the worst aspect of the human condition and the social and economic contempt for Black American men, women, and families. Working in a range of mediums, use of repetitive form, and color create three dimensional structures that invite those who experience his work to reflect upon abstracted references to a necktie used for status, beauty, fashion and the destruction of human life. Cole’s work celebrates history, survival, and a personal memory of a time and place.” ---Halima Taha Kevin Cole studied at University of Arkansas Pine Bluff (BS), University of Illinois (MA) and Northern Illinois University (MFA). His work has been included in numerous significant exhibitions, including at the Dallas African American Art Museum, Philadelphia Museum of Art, Corcoran Gallery of Art, and the Pennsylvania Academy of Fine Art. In February of this year, Cole received 2020 Brenda and Larry Thompson Award from the Georgia Museum of Art at the University of Georgia. This award is given to an African American Artist who has made significant but often lesser-known contributions to the visual arts tradition and has roots or major connections to Georgia. Cole’s work is prominently featured at the National Museum of African American History and Culture. 36 x 68 x 13 inches

    Black Art Auction
  • Kevin Cole, Reggae Curve, Hanging Sculpture, painted rubber and wood
    Dec. 10, 2014

    Kevin Cole, Reggae Curve, Hanging Sculpture, painted rubber and wood

    Est: $2,500 - $3,500

    Artist: Kevin Cole, American (1960 - ) || Title: Reggae Curve || Medium: Hanging Sculpture, painted rubber and wood || Size: 10 in. x 36 in. x 20 in. (25.4 cm x 91.44 cm x 50.8 cm)

    RoGallery
  • Kevin Cole, Reggae Curve, Hanging Sculpture
    Feb. 24, 2011

    Kevin Cole, Reggae Curve, Hanging Sculpture

    Est: $1,500 - $2,500

    Artist: Kevin Cole, American (1960 - ) Title: Reggae Curve Medium: Hanging Sculpture, painted rubber and wood Size: 10 in. x 36 in. x 20 in. (25.4 cm x 91.44 cm x 50.8 cm)

    RoGallery
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