Antoine Coypel Paintings & Artwork for Sale | Antoine Coypel Art Value Price Guide

Jun. 03, 2026
Coypel, Antoine: Judith mit dem Haupt des Holofernes
Est: €400 - €600
Deus fecit virtutem in Israel - Judith mit dem Haupt des Holofernes. Kupferstich, fertiggestellt von Charles Simonneau. 25,8 x 19,5 cm. 1694. Robert-Dumesnil 2 II, Le Blanc 2 II. Ganz ausgezeichneter, gleichmäßiger Druck mit schmalem Rand. Geringfügig vergilbt und nur schwach gebrauchsspurig, sonst sehr schön und original erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 25, 2026
Antoine COYPEL
Est: €4,000 - €6,000
Antoine COYPEL (Paris, 1661 - 1722) Esclave assis, étude pour l’encadrement du plafond du Palais-Royal, Paris Trois crayons sur papier crème (Légèrement insolé, mouillure en haut à droite) Sitting slave, study for the frame of the ceiling of the Palais-Royal in Paris, black, red and white chalk on cream-color paper, by A. Coypel 14.76 x 10.43 in. 37.5 x 26.5 cm Provenance : Collection de la famille de l'artiste ; Collection du sculpteur Augustin Dumont (1801-1884), arrière-petit-neveu de l’artiste, selon une ancienne annotation au verso ; Collection du sculpteur Gabriel-Jules Thomas (1824-1905), selon une ancienne annotation au verso ; Collection du sculpteur Emmanuel Hannaux (1855-1934), selon une ancienne annotation au verso ; Puis par descendance ; Collection particulière, Paris Bibliographie : Nicole Garnier, Antoine Coypel (1661-1722), Paris, 1989, p. 208, cat. n° 335, fig. 251 repr. Notre dessin constitue une étude pour l'encadrement du plafond du Palais-Royal dont la réalisation occupe Antoine Coypel de 1702 à 1703. Du plafond détruit avant la fin du XVIIIe siècle, nous connaissons une esquisse peinte conservée au musée des Beaux-Arts d'Angers (inv. 38 J. 1881). Antoine Coypel représente dans une percée lumineuse l'assemblée des dieux. Au centre, Vénus implore Jupiter en faveur d'Enée. De part et d'autre de cette scène principale se trouvent des personnages qui garnissent les bords de la composition. De nombreux dessins préparatoires documentant l'élaboration de ce décor nous sont parvenus 1. Nicole Garnier, Antoine Coypel (1661-1722), Paris, 1989, n° 304-372 Antoine COYPEL (Paris, 1661 - 1722) 37.5 x 26.5 cm
Artcurial
Mar. 25, 2026
Antoine COYPEL
Est: €3,000 - €4,000
Antoine COYPEL (Paris, 1661 - 1722) Figure agenouillée, vue de dos, tournée vers la gauche Pierre noire, sanguine et rehauts de blanc sur papier gris Kneeling figure, seen from the back, looking left, black chalk, red chalk and white highlights on grey paper, by A. Coypel 7.87 x 8.46 in. 20 x 21.5 cm Provenance : Acquis auprès de la galerie Paul Prouté par la mère de l'actuel propriétaire ; Collection particulière, Ile-de-France Antoine COYPEL (Paris, 1661 - 1722) 20 x 21.5 cm
Artcurial
Feb. 04, 2026
ANTOINE COYPEL (PARIS 1661-1722). The Triumph of Galatea. oil on canvas44 ½
Est: $15,000 - $20,000
ANTOINE COYPEL (PARIS 1661-1722). The Triumph of Galatea. oil on canvas44 ½ x 57 7/8 (113 x 147 cm.).
Christie's
Jan. 31, 2026
Antoine COYPEL (1661-1722), attributed to
Est: CHF600 - CHF1,200
Venus and Adonis in a bucolic landscape Oil on panel, cradled, unsigned 66 x 57 cm, frame: 77 x 68 cm
Galerie Moenius
Dec. 14, 2025
ANTOINE COYPEL "PORTRAIT OF HONORE RIGAUD"
Est: $1,000 - $3,000
Antoine Coypel (1694-1752 France) Portrait of Honore Rigaud Oil on Canvas. Painting depicts baroque painter Hyacinthe Rigaud seated at easel, palette and brushes at foreground. Canvas measures 16.5x13.5". Canvas has been cut and relined and restretched; appears to be an antique restoration. Scattered in-painting to surface with thin spots to top layer of canvas exposed. Scratch near base of painting by subject's walking stick. Would benefit from a cleaning. Purchased from American Antique & Art Gallery, Falls Church Virginia in 1977.
District Auction
Nov. 12, 2025
Follower of Antoine Coypel, French 1661-1722- Diana bathing with her nymphs;
Est: £300 - £400
Follower of Antoine Coypel, French 1661-1722- Diana bathing with her nymphs; oil on copper, 26.5 x 30.5 cm. Provenance: Private Collection, UK. Note: The present work is reminiscent of Coypel's distinctive mythological scenes, often featuring languorous nudes with flowing, pastel-coloured robes, reclining in a wooded landscape, such as, for example, his 'Alliance of Bacchus and Cupid' which sold at Christie's, London, on 16 December 1988, lot 61, and his 'Triumph of Galatea' which sold at Sotheby's, New York, on 25 January 2001, lot 217. Coypel himself also painted a version of Diana bathing with her nymphs, which was made into a print by Gaspard Duchange (1662-1757). The goddess Diana can be identified by the headdress she wears, adorned with a crescent moon with which she is associated.
Roseberys
Nov. 05, 2025
Atelier de Antoine Coypel (Paris 1661-1722 Paris) Vénus apportant des armes à Énée
Est: €3,000 - €5,000
Atelier de Antoine Coypel (Paris 1661-1722 Paris) Vénus apportant des armes à Énée huile sur toile, ovale oil on canvas, oval 127.5 x 101.7cm (50 3/16 x 40 1/16in).
Bonhams
Oct. 29, 2025
Circle of Antoine Coypel (French, 1661-1772), Bacchus in a landscape with other figures and a putti
Est: £3,000 - £5,000
Circle of Antoine Coypel (French, 1661-1772) Bacchus in a landscape with other figures and a putti Oil on canvas Provenance: Easton Neston, Northamptonshire; The Easton Neston Sale, Sothebys, May 17, 2005, lot 55 Literature Possible George Baker, The History and Antiquities of the County of Northamptonshire, 1838, part IV, p.145, 'A Coypil' as hanging in The Gallery; AP 1927, p.30, item 15, £50, as by 'Couipil' and hanging in the Library Dimensions: (Frame) 72 in. (H) x 45 in. (W) (Canvas) 62 in. (H) x 36in. (W)
Sloane Street Auctions
Jul. 21, 2025
ANTOINE COYPEL Paris, France (1661 / 1722) "Presentation of the Virgin in the Temple"
Est: €75 - €150
Etching. Signed on plate. According to the original composition by Nicolas Chaperon (1612-1656) Measurements: 45.5 x 34 cm.
Ansorena
Jun. 14, 2025
ANTOINE COYPEL OIL, THE JUDGMENT OF SOLOMON
Est: $50,000 - $75,000
COYPEL, Antoine (1661-1722). The Judgment of Solomon. Oil on canvas. 45" x 57" canvas, 52" x 67" framed. Provenance: Private collection, Philadelphia; Doyle, 2011 - $31,250. A Historically Significant Painting by Antoine Coypel of the Judgment of Solomon, Used to Create a Gobelin Tapestry. In her five-volume book titled Etat General des Tapisseries de la Manufacture des Gobelins depuis son origine jusqu'a nos jours, 1600-1900 author Maurice Fenaille devotes chapter four of the third volume (which is dated 1699-1736) to the Old Testament, where she discusses eight works of art by Antoine and Charles Coypel. Stated very clearly on the first page of the chapter, Fenaille notes that Antoine Coypel exhibited paintings he created after scenes from the Old Testament in the Paris Salons of 1699 and 1704. Specifically in 1699 he showed a work titled Le Jugement de Solomon. Later in the chapter, there is a discussion of a different version of Le Jugement de Salomon stating it was painted by Antoine Coypel in 1713 and it goes on to describe the visual aspects of our painting - where the columns are, how the characters are arranged, etc. As scholar Mme. Nicole Garnie notes in an analysis of the painting owned by Arader Galleries, 'this painting is a version of the Judgment of Solomon that Coypel exhibited at the Salon in 1699 and which later provided the composition for a tapestry by the Gobelins factory (1717-1720).
Arader Galleries
May. 20, 2025
COYPEL ANTOINE (1661 - 1722) IN THE MANNER OF
Est: €3,000 - €5,000
Bacchus and Ariadne
Campo & Campo
May. 17, 2025
Antoine Coypel, follower of
Est: €1,000 - €2,000
"The triumph of Galatea", oil on canvas, within gilded wood frame
San Luca Casa d'Aste
Nov. 20, 2024
Circle of Antoine Coypel, French 1661-1722- Head study of a young man, possibly the God Apollo;
Est: £500 - £800
Circle of Antoine Coypel, French 1661-1722- Head study of a young man, possibly the God Apollo; sanguine chalk on laid paper with watermark for Georg Riepl, 25.6 x 20.4 cm (unframed). Provenance: Private Collection, UK.
Roseberys
Oct. 29, 2024
ANTOINE COYPEL Paris, France (1661 / 1722) "Les Principales avantures de l'incomparable Chevalier errant Don Quichotte de la Manche;...", c. 1747
Est: €1,275 - €1,700
These series of twenty-five engravings was first presented as a deluxe portfolio in Paris in 1724. The engravings were made after a series of paintings illustrating scenes from Don Quixote that Coypel had designed for a popular set of tapestries, which were being woven continuously from 1714 to 1794. Coypel supervised the production of the portfolio, and according to the title page, the engravings were made by "les plus habiles artistas en ce genre." These artists included L. Surugue, F. Joullain, C. N. Cochin, and eight other engravers, who sign the plates and in some cases also date them. It is presented in a book with green morocco covers, engraved with gold letters. There are defects and stains due to oxidation. Measurements: 54.5 x 43 cm the book; print: 31 x 30.5 cm each print.
Ansorena
Jul. 25, 2024
Coypel (Antoine, 1661-1722). Reclining Man, black, red and white chalks on laid paper
Est: £300 - £500
Coypel (Antoine, 1661-1722). Reclining Man, black, red and white chalks on laid paper * Attributed to Antoine Coypel (1661-1722). Reclining Male Figure, black, red and white chalk on light grey laid paper, depicting a long haired man reclining, one hand outstretched, mounted onto later laid backing paper with ruled borders in black and light brown ink, sheet size 145 x 175 mm (5 3/4 x 6 7/8 ins), framed and glazed (31.5 x 34 cm), old printed label of P. & D. Colnaghi & Co. Ltd to verso, with pencil attribution to Antoine Coypel QTY: (1) NOTE: Provenance: Collection of John Rowlands (1931-2016), former Keeper of Prints and Drawings at the British Museum. The present work compares with drawings by Coypel in the Ashmolean Museum, Oxford, in particular The Figure Blowing a Trumpet ( WA1944.12), as well as a similar Study of a Man's Back.
Dominic Winter Auctions
Jul. 22, 2024
ANTOINE COYPEL Paris, France (1661 / 1722) "Presentation of the Virgin in the temple"
Est: €90 - €120
Etching. Signed on plate. According to the original composition by Nicolas Chaperon (1612-1656) Measurements: 45.5 x 34 cm.
Ansorena
Jul. 08, 2024
Antoine COYPEL (1661-1722), zugeschrieben, 'Gefesselter junger Mann' / 'A bound young man', um 1700
Est: €900 - €1,800
Technik: Kohlezeichnung auf Papier, hinter Passepatout und Glas, gerahmt, Signatur: unsigniert, auf Passepartout bezeichnet, verso beschriftet 'Antoine Cypel 1661-1772 Étude pour le Prométée qui etait à Versailles et qui a disparu.', Maße: Sichtmaß 47 x 37 cm, Rahmen 65 x 54 cm, Zustand: alte Beschädigungen des Papiers, tlw. alt restauriert,
Auktionshaus Schwab
Jun. 25, 2024
ANTOINE COYPEL Paris, France (1661 / 1722) "Les Principales avantures de l'incomparable Chevalier errant Don Quichotte de la Manche;...", c. 1747
Est: €2,100 - €2,800
Paris, Jeaques-François Chereau. This series of twenty-five engravings was first presented as a deluxe portfolio in Paris in 1724. The engravings were made from a series of paintings illustrating scenes from Don Quixote that Coypel had designed for a popular set of tapestries, which They were woven continuously between 1714 and 1794. Coypel supervised the production of the portfolio and, according to the cover, the engravings were made by "the most skilled artists in this genre." These artists included L. Surugue, F. Joullain, CN Cochin and eight other engravers, who signed the plates and in some cases also dated them. It is presented in a book with green morocco covers, engraved with gold letters. Flaws and stains due to oxidation. Measurements: 54.5 x 43 cm the book; footprint: 31 x 30.5 cm each footprint.
Ansorena
Jun. 25, 2024
Antoine COYPEL Paris, 1661 - 1722 Vénus endormie
Est: €6,000 - €8,000
Antoine COYPEL Paris, 1661 - 1722 Vénus endormie Toile 51,5 x 65 cm - 20 ¼ x 25 9/16 in. Sleeping Venus, oil on canvas PROVENANCE Peut-être Pierre Le Tessier de Montarsy (1647-1710) à qui le graveur dédia sa pièce; Peut-être collection J. A. Peters; Peut-être sa vente en 1779, où Saint-Aubin le croqua en marge du catalogue ; Vente Ader, 3 avril 2019, n°70. BIBLIOGRAPHIE Nicole Garnier, Antoine Coypel 1661-1722, Paris, Arthena, 1989, P.159, n°104 (tableau perdu). OEUVRE EN RAPPORT Gravure de Gaspard Duchange (dans le même sens que notre tableau), "dédié à Monsieur de Montarsy, garde des pierreries de la Couronne; seigneur de Biesvre et de la Motte". dessin préparatoire au musée du Louvre (RF 12.338 albuch Koch, Garnier, op. cit. p. 216, n°407). Plusieurs copies sont connues. L'orfèvre Pierre Le Tessier de Montarsy (1647-1710) et Antoine Coypel étaient liés par des liens familiaux et amicaux. Le premier avait vu grandir le second en voisin, puisque leurs pères avaient obtenus des appartements réservés aux artistes aux galeries du Louvre, et ils obtinrent par la suite d'y résider eux-aussi. Pierre Letessier eut la charge de joaillier du roi Louis XIV de 1676 à 1710. En 1680, il commanda à Antoine Coypel, à peine âgé de 19 ans, le May de Notre-Dame (une Assomption de la Vierge perdue et non gravée), puis son portrait vers 1700 (Garnier, p. 135, op. cit. n°69, lui aussi perdu). En 1712, Coypel acheta, pour le roi, 168 dessins provenant de la succession de Pierre de Montarsy, aujourd'hui conservés au Louvre. Thème récurrent de la peinture occidentale, Vénus endormie découverte par un satyre est parfois confondu avec celui de Jupiter et Antiope (le Dieu de l'Olympe ayant, à cette occasion, pris la forme d'un satyre). Au-delà de la "querelle du coloris", Antoine Coypel propose une synthèse entre classiques et modernistes, connaissant bien les exemples sur ces sujets, par Corrège ou Poussin, conservés dans la collection royale, ou encore la Vénus du Pardo de Titien, qu'il l'avait lui-mêmmmmmmmmmme restaurée. On peut dater ce tableau d'amateur vers 1700-1710. Probable commande d'un artiste à un autre artiste, chacun en charge d'une partie de la collection royale, le traitement du sujet mythologique anticipe d'une dizaine d'années la peinture galante et érotique de la Régence (le tableau de Watteau sur ce thème -Louvre- est à situer vers 1715-1716). Madame Nicole Garnier, que nous remercions d'avoir examiné notre toile, a bien voulu nous indiquer qu'elle considérait la toile comme autographe, mais qu'elle notait la participation probable de l'atelier pour le satyre et les deux putti de gauche.
Aguttes
May. 28, 2024
French school, 18th century - Triumph of Neptune
Est: €6,000 - €10,000
oil on canvas 104.5 x 101 cm Il dipinto offerto nel lotto ed il seguente sono tradizionalmente attribuiti nella collezione di provenienza al sommo maestro del rococò francese Antoine Coypel (Parigi 1661-1722). Rispetto alla scenografica e monumentale interpretazione del tema virgiliano del Quos Ego (Eneide 1, 135) realizzata da Coypel nella grande Galleria di Palazzo reale a Parigi (perduta nel 1784 ma nota tramite incisioni), l'autore del presente dipinto ne offre una versione da stanza. Il nostro Nettuno che minaccia i venti scatenati da Giunone contro Enea potrebbe essere stato ideato en pendant con il mito di Ade, Demetra e Proserpina offerto nel lotto successivo, affine stilisticamente e del medesimo formato.
Finarte
Apr. 20, 2024
Antoine COYPEL (1661-1722), zugeschrieben, 'Gefesselter junger Mann' / 'A bound young man', um 1700
Est: €900 - €1,800
Technik: Kohlezeichnung auf Papier, hinter Passepatout und Glas, gerahmt, Signatur: unsigniert, auf Passepartout bezeichnet, verso beschriftet 'Antoine Cypel 1661-1772 Étude pour le Prométée qui etait à Versailles et qui a disparu.', Maße: Sichtmaß 47 x 37 cm, Rahmen 65 x 54 cm, Zustand: alte Beschädigungen des Papiers, tlw. alt restauriert,
Auktionshaus Schwab
Apr. 16, 2024
D'Après Antoine Coypel (Paris 1661-1722), XVIIIe siècle Vénus aux forges de Lemnos
Est: €1,000 - €1,500
D'Après Antoine Coypel (Paris 1661-1722), XVIIIe siècle Vénus aux forges de Lemnos aquarelle et gouache sur papier watercolour and gouache on paper 45 x 37.4cm (17 11/16 x 14 3/4in).
Bonhams
Apr. 10, 2024
ANTOINE COYPEL Paris, France (1661 / 1722) "Les Principales avantures de l'incomparable Chevalier errant Don Quichotte de la Manche;...", c. 1747
Est: €4,200 - €5,600
"Les Principales avantures de l'incomparable Chevalier errant Don Quichotte de la Manche;...",Paris, Jeaques-François Chereau. This series of twenty-five engravings was first presented as a deluxe portfolio in Paris in 1724. The engravings were made from a series of paintings illustrating scenes from Don Quixote that Coypel had designed for a popular set of tapestries, which They were woven continuously between 1714 and 1794. Coypel supervised the production of the portfolio and, according to the cover, the engravings were made by "the most skilled artists in this genre." These artists included L. Surugue, F. Joullain, CN Cochin and eight other engravers, who signed the plates and in some cases also dated them. It is presented in a book with green morocco covers, engraved with gold letters. Flaws and stains due to oxidation. Measurements: 54.5 x 43 cm the book; footprint: 31 x 30.5 cm each footprint.
Ansorena
Mar. 21, 2024
Künstler des 18. Jahrhunderts nach Antoine Coypel (1661-1722)
Est: €2,000 - €3,000
BACCHUS UND ARIADNE AUF DER INSEL NAXOS Gouache auf Papier. 45 x 36 cm. Hinter Glas in dekorativem Rahmen. Das vorliegende Werk ist eine fast identische, jedoch seitenverkehrte Wiedergabe eines Gemäldes, das sich in den Sammlungen des Louvre in Paris befindet. Die Darstellung folgt auch einem vergleichbaren Werk, das sich im Philadelphia Museum of Art befindet. Zu sehen linksseitig die sitzende Ariadne, die von dem auf der Insel ankommenden jugendlichen Gott Bacchus entdeckt wird, dessen Schiff im Hintergrund rechts, durch einen Felsendurchblick im Wasser zu erkennen ist. Bacchus mit rotem wehenden Umhang und mit Weinrispen und -laub besetztem Haar, liebevoll Ariadne anschauend, die seinen Blick erwidert. Am Boden liegend ein Thyrsostab sowie rechtsseitig das Gefolge des Bacchus mit Mänaden und einem bocksbeinigen Satyr, über beiden Amor fliegend mit Pfeil und Bogen. Kleine Rahmenschäden. (13908111) (18)
Hampel Fine Art Auctions
Feb. 14, 2024
Bacchus and Ariadne (Attributed to Antoine Coypel, (1661 - 1722)).
Est: £5,000 - £8,000
Attributed to Antoine Coypel (1661-1722) Bacchus and Ariadne Oil on canvasÂ Dimensions:Â Â (Canvas) 31 in (H) x 39 in (W) (Frame) 40.5 in (H) x 29 in (W)
Sloane Street Auctions
Dec. 07, 2023
Künstler des 18. Jahrhunderts nach Antoine Coypel (1661-1722)
Est: €5,000 - €7,000
BACCHUS UND ARIADNE AUF DER INSEL NAXOS Gouache auf Papier. 45 x 36 cm. Hinter Glas in dekorativem Rahmen. Das vorliegende Werk ist eine fast identische, jedoch seitenverkehrte Wiedergabe eines Gemäldes, das sich in den Sammlungen des Louvre in Paris befindet. Die Darstellung folgt auch einem vergleichbaren Werk, das sich im Philadelphia Museum of Art befindet. Zu sehen linksseitig die sitzende Ariadne, die von dem auf der Insel ankommenden jugendlichen Gott Bacchus entdeckt wird, dessen Schiff im Hintergrund rechts, durch einen Felsendurchblick im Wasser zu erkennen ist. Bacchus mit rotem wehenden Umhang und mit Weinrispen und -laub besetztem Haar, liebevoll Ariadne anschauend, die seinen Blick erwidert. Am Boden liegend ein Thyrsostab, sowie rechtsseitig das Gefolge des Bacchus mit Mänaden und einem bocksbeinigen Satyr, über beiden Amor fliegend mit Pfeil und Bogen. (13816810) (18)
Hampel Fine Art Auctions
Dec. 03, 2023
Antoine Coypel
Est: €120 - €240
(1661 Paris - 1722 ebenda) nach Rinaldo und Armida Kupferstich/Papier, 1707. Gestochen von Charles Dupuis (1685 - 1742), verlegt bei F. Chercau (Witwe) in Paris. Plattenmaß: 46,5 cm x 35 cm. Blatt ca. 51 cm x 37 cm. Rahmen. Provenienz: Norddeutsche alte Hoteliersfamilie. Engraving on paper, 1707. Engraved by Charles Dupuis (1685 - 1742) after Antoine Coypel (1661 - 1722), published by F. Chercau (widow) in Paris.
Kunstauktionshaus Schloss Ahlden
Nov. 29, 2023
Antoine COYPEL Paris, 1661 - 1722 Étude de tête pour Dieu le Père
Est: €1,500 - €2,000
Antoine COYPEL Paris, 1661 - 1722 Étude de tête pour Dieu le Père Pierre noire, sanguine et rehauts de craie blanche Signé en bas à gauche Coypel 12,2 x 9,4 cm Study of a man's Head for God Black and red chalks heightened with white 4 13/16 x 3 11/16 in. Cette esquisse aux trois crayons fit sans doute partie des esquisses préparatoires d'Antoine Coypel lors de la réalisation de la voûte peinte au plafond de la chapelle royale de Versailles. Parmi les derniers chantiers commandés par le Roi-Soleil, supervisé par Hardouin-Mansart, ce dernier avait souhaité un plafond sans arc doubleau, permettant à la composition de s'étendre sans interruption. Dieu le Père rayonne au centre et fixe le point autour duquel s'organise le reste du décor peint de la voûte.
Aguttes
Nov. 24, 2023
Coypel, Antoine (1661-1722) (after). "Bacchi et Ariadnae. Deserta et multa querenti Amplexusque et opem Liber tulit".
Est: €70 - €90
Coypel, Antoine (1661-1722) (after). "Bacchi et Ariadnae. Deserta et multa querenti Amplexusque et opem Liber tulit". Engr. by Pieter VAN DEN BERGE, 45x56 cm., signed in the plate and w. engr. caption and "Theodorus Danckerts Excudit" below image. -Trifle dampstained in lower blank corners; sm. brown stain in the centre shining vaguely through from verso. Perelle, Nicolas (1631-1695). (Four large landscapes with travellers). Four etchings w. engraving, 22,6x30,1 cm., all signed "Perelle invent. et fecit" (1x "Perelle f.") in small cartouche in lower left or right corner of the image. - Tipped onto 2 mounts at four corners; all prints trimmed to the borderline; one print w. central vertical fold w. closed tear at top end; one print w. vague narrow waterstain in right margin. AND 5 other prints, i.a. by Pieter SERWOUTERSE.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 03, 2023
FRENCH ETCHING
Est: €30 - €60
FRENCH ETCHING From the 17th century (c. 1690); allegorical portrait of Pierre-Vincent Bertin (treasurer of the French Chancellery and secretary of King Louis XIV). Engraving by Gérard Edelinck (1640-1707), based on a painting by Antoine Coypel (1661-1722). Small defects. Not framed. Dim: 49.5x33.5 cm.
Corte Real, Leiloeira
Oct. 14, 2023
L. DESPLACES (*1682) after COYPEL (*1661), Aeneas in Latium, Vergil, Copper engraving
Est: €150 - €200
Louis Desplaces (1682 Paris - 1739 ibid.) after Antoine Coypel (1661 - 1722 ): The Attempt of Aeneas and the Latins to Settle Peacefully in Italy, According to Virgil, 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Signed below the depiction "Ant. Coypel pinx. / Desplace sculp.", inscribed below "ter caelo clarus ab alto Intonuit / aeneid.lib.Septimo / Un des tableaux de la grande Gallerie du Palais Royal". Inscribed on verso by another hand with the artist's life data. Book 7 of Virgil's epic poem Aeneid is the beginning of the story of Aeneas' battles. With the help of Neptune, who provides him with suitable winds, he lands in Latium with his Trojan crew. They then explore the island and discover the Latins, a people of Saturnus. Source: Vergil (70 v.Chr. Mantua-19 v.Chr. Brindisi) Aeneis, 1. Jahrhundert v. Chr. | Keywords: 18th century, Baroque, Nature, Germany,
Fichter Kunsthandel
Jul. 19, 2023
ANTOINE COYPEL Paris, France (1661 / 1722) "Presentation of the Virgin in the Temple"
Est: €150 - €200
Etching. Signed on the plate. Based on the original composition by Nicolas Chaperon (1612-1656) Measurements: 45.5 x 34 cm.
Ansorena
Feb. 25, 2023
Antoine Coypel Engraving Silene and Nymph
Est: $100 - $15,000
Antoine Coypel (French, 1661 - 1722) Eau Forte Engraving by N. Chateau, Silene and Nymph. Titled Silene barbouille de mures par la nymphe Egle. Inscription on bottom of paper. Damage to paper, tears in places. Please see photos. Frame measures 22 inches H x 18 W. Paper measures 18.5 x 13.5 inches within matting.
Kavanagh Auctions
Feb. 22, 2023
Attributed to Antoine Coypel (French, 1661-1772) Rinaldo and Armida
Est: $2,000 - $3,000
Attributed to Antoine Coypel (French, 1661-1772) Rinaldo and Armida oil on canvas 30 3/4 x 25 1/5 inches.
Hindman
Jan. 25, 2023
ANTOINE COYPEL (PARIS 1661-1722) Jupiter and Juno on Mount Ida: 'La ceinture de Vénus'
Est: $250,000 - $350,000
ANTOINE COYPEL (PARIS 1661-1722) Jupiter and Juno on Mount Ida: 'La ceinture de Vénus' oil on canvas 29 3/8 x 36 1/8 in. (74.6 x 91.7 cm.) Read more
Christie's
Nov. 03, 2022
ANTOINE COYPEL (1661-1722) d'après Bacchus et Ariane
Est: €6,000 - €12,000
ANTOINE COYPEL (1661-1722) d'après Bacchus et Ariane Importante huile sur toile. Belle qualité générales, restaurations avec deux contre-toiles au dos. Travail français du 17ème siècle par l'atelier de l'artiste ou d'après son oeuvre sur cuivre conservée au Musée de l'Ermitage, Saint-Pétersbourg. Dimensions : 65 x 81,5 cm Peintre français de sujets historiques, fils de Noël Coypel qui est son premier maître, il achève sa formation à Rome de 1673 à 1675, se révélant être un élève précoce. Fortement influencé par Le Corrège et l'Ecole baroque romaine, il devient dès l'âge de vingt ans membre de l'Académie Royale de peinture et de sculpture. Coypel jouit rapidement d'un énorme succès et reçoit de nombreuses commandes pour les demeures royales de Marly, de Versailles ou encore de Meudon, devenant le peintre officiel de la Maison d'Orléans. Son œuvre majeure restera la décoration du plafond de la chapelle du Château de Versailles en 1716, travail réalisé dans un style baroque qui n'est pas sans rappeler les exemples romains qu'il admirait tant dans sa jeunesse.
Accademia Fine Art
Aug. 07, 2022
L.DESPLACES (*1682) after COYPEL (*1661), Aeneas in Latium, Vergil, Copper engraving
Est: €300 - €400
Louis Desplaces (1682 Paris - 1739 ibid.) after Antoine Coypel (1661 - 1722 ): The Attempt of Aeneas and the Latins to Settle Peacefully in Italy, According to Virgil, 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Signed below the depiction "Ant. Coypel pinx. / Desplace sculp.", inscribed below "ter caelo clarus ab alto Intonuit / aeneid.lib.Septimo / Un des tableaux de la grande Gallerie du Palais Royal". Inscribed on the verso by another hand with the artist's life data. With Book 7 of Virgil's epic poem Aeneid begins the story of Aeneas' struggles. With the help of Neptune, who provides him with suitable winds, he lands in Latium with his Trojan crew. They then explore the island and discover the Latins, a people of Saturnus. Source: Vergil (70 v.Chr. Mantua-19 v.Chr. Brindisi) Aeneis, 1. Jahrhundert v. Chr. | Keywords: 18th century, Figurative, Nature, Germany,
Fichter Kunsthandel
Aug. 07, 2022
L.DESPLACES (*1682) after COYPEL (*1661), Aeneas carries Anchises, Virgil, 1719, Copper engraving
Est: €300 - €400
Louis Desplaces (1682 Paris - 1739 ibid.) after Antoine Coypel (1661 - 1722 ): Aeneas carries Anchises, Virgil, 1719, Copper engraving Technique: Copper engraving on Paper Date: 1719 Description: Aeneas carrying his father Anchises, figure from Greek mythology, known as the beautiful king of Dardania near Troy, a scion of an old Trojan royal family. Signed below the depiction "Ant. Coypel pinx. / Desplace sculp.", inscribed below "Nec melabor iste gravabit. / Un des tableaux de la grande Gallerie du Palais Royal". Inscribed on the verso by another hand with the artist's life data. Source: Vergil (70 v.Chr. Mantua-19 v.Chr. Brindisi) Aeneis, 1. Jahrhundert v. Chr. | Keywords: 18th century, Figurative, Architecture, France,
Fichter Kunsthandel
Jun. 15, 2022
Circle of Antoine Coypel (1661-1722), tondo portrait of Democritus, 17thC, oil on canvas on panel, ø 49 cm
Est: €4,000 - €6,000
Circle of Antoine Coypel (1661-1722), tondo portrait of Democritus, 17thC, oil on canvas on panel, ø 49 cm The original by Antoine Coypel is now part of the Louvre collection in Paris.
Carlo Bonte Auctions
Jun. 09, 2022
DIPINTO
Est: €13,000 - €15,000
Antoine Coypel 1661/1722 attribuito olio su tela 'sileno sporcato di more dalla ninfa Egle' autentica del Prof.Giancarlo Sestieri cm. 98x88
Casa d'aste Martini
Apr. 12, 2022
Bacchus and Ariadne (Attributed to Antoine Coypel, (1661 - 1722)).
Est: £10,000 - £15,000
Bacchus and Ariadne. Attributed to Antoine Coypel, (1661-1722). Dimensions: Framed: 40.5 in (H) x 29 in (W) Unframed: 31 in (H) x 39 in (W)
Sloane Street Auctions
Mar. 31, 2022
Antoine Coypel, (follower of) - Apollo and Daphne
Est: €1,400 - €1,700
Oil on canvas. 69.5 x 65 cm (in the oval). Relined. Restored. Damaged. Minor damage to frame.
Neumeister
Mar. 31, 2022
Antoine Coypel, 1661 Paris – 1722, zugeschrieben
Est: €50,000 - €70,000
DER SCHLAFTRUNKENE SILEN WIRD VON EGLE MIT BROMBEEREN BESCHMIERT Öl auf Leinwand. Doubliert. 98 x 88 cm. In breitem vergoldetem Rahmen. Beigegeben eine Expertise von Prof. Giancarlo Sestieri, Rom, 31. August 2021, in Kopie, der das vorliegende Gemälde aufgrund der hohen Qualität und des Craquelés Antoine Coypel zuschreibt. Wir danken Prof. Sestieri für seine Zuschreibung, auf die wir uns bei unserer Künstlerzuweisung beziehen. Der junge Antoine Coypel entdeckte die Meister der Renaissance während seines Aufenthalts in Italien an der Seite seines Vaters Noël Coypel, der von 1673 bis 1675 zum Direktor der Französischen Akademie in Rom ernannt wurde. Nach seiner Rückkehr nach Frankreich im Jahr 1677 wurde er 1681 in die Académie royale de peinture et de sculpture aufgenommen und zum ersten Maler des Herzogs von Orléans, dem Bruder des Königs, ernannt, dessen Residenzen in Saint-Cloud und Choisy sowie die königlichen Residenzen (Grand Trianon, Meudon, Marly) er schmückte. Er bekleidete verschiedene Ämter in der Akademie und wurde 1714 deren Direktor. Im Jahr 1716 wurde er zum ersten Maler des Königs ernannt und 1717 in den Adelsstand erhoben. In einer Höhle mit Blick auf eine Berglandschaft erwacht der betrunkene Silen, dessen Hände von einem Faun durch eine Weinblattranke gefesselt sind, während die schelmische Nymphe Egle mit ihrer milchigen Hautfarbe mit ihm spielt und ihn mit Brombeeren beschmiert, um ihn zum Singen zu zwingen. Diese Episode aus Vergils „Bukoliken“, die bis dahin kaum in der Malerei behandelt wurde, ermöglichte es dem Künstler, auf eine galante Mythologie zurückzugreifen. Der Künstler verwendet einen pyramidenförmigen Aufbau, explizite Gesten und raffinierte Verkürzungen, um den Blick auf den Silen zu lenken, und liefert dennoch eine monumentale Komposition, die sich von der Anekdotenhaftigkeit der Szene abhebt. Coypels Kolorismus und seine Vorliebe für eine starke Expressivität der Figuren kommen durch einen sorgfältigen und freien Pinselstrich zum Ausdruck, doch der Einfluss von Correggios „Allegorie der Laster“, die Isabella d‘Este für ihr „studiolo“ in Mantua in Auftrag gegeben und der König erworben hatte, bleibt spürbar. Anmerkung: Das hier angebotene Gemälde ist mit dem sehr ähnlichen, motivgleichen Gemälde im Musée des Beaux-Arts in Reims (Inv.Nr. 2019.1.15) gut vergleichbar. (1301452) (13) Antoine Coypel, 1661 Paris – 1722, attributed SILENUS SMEARED WITH BLACKBERRIES BY EGLE Oil on canvas. Relined. 98 x 88 cm. A copy of the expert‘s report by Professor Giancarlo Sestieri, Rome, 31 August 2021 is enclosed.
Hampel Fine Art Auctions
Mar. 15, 2022
Circle of Antoine Coypel (1661-1722), tondo portrait of Democritus, 17thC, oil on canvas on panel, ø 49 cm
Est: €8,000 - €12,000
Circle of Antoine Coypel (1661-1722), tondo portrait of Democritus, 17thC, oil on canvas on panel, ø 49 cm The original by Antoine Coypel is now part of the Louvre collection in Paris.
Carlo Bonte Auctions
Nov. 22, 2021
ATTRIBUÉ À ANTOINE COYPEL (PARIS 1661-1722) Tête de jeune garçon souriant,
Est: €8,000 - €12,000
ATTRIBUÉ À ANTOINE COYPEL (PARIS 1661-1722) Tête de jeune garçon souriant, portant un bonnet sanguine, pierre noire, craie marron et blanche sur papier bleu 18 x 13,5 cm
Christie's
Nov. 03, 2021
ANTOINE COYPEL (Paris 1661-1722 Paris) A Kneeling Woman with Outstretched Arms * Figure with a Robe.
Est: $5,000 - $8,000
ANTOINE COYPEL (Paris 1661-1722 Paris) A Kneeling Woman with Outstretched Arms * Figure with a Robe. Black and white chalk on blue laid paper, double-sided. 274x422 mm; 11x16 3/4 inches. Provenance: Private collection, Rhode Island. There is a similar chalk drawing on blue laid paper by Coypel, A Prostrated Man with his Hands Clasped over his Head (Study for the Sacrifice of Iphigenia), circa 1729, now in the British Museum, London, that is a study for a figure in the now lost painting of the same subject, completed soon before 1730, and known through a copy in tapestry. The study of the Seated Figure with a Robe on one side of the current drawing is similar to the figure to the left of the sacrificial pedestal of this now lost painting. The Kneeling Woman with Outstretched Arms may also be a study for a figure in Coypel's oil painting Athalie Expelled from the Temple, 1697, now in the Musée du Louvre, Paris.
Swann Auction Galleries
Oct. 01, 2021
ANTOINE COYPEL (ATTRIBUTED)
Est: CHF900 - CHF1,200
ANTOINE COYPEL (ATTRIBUTED) (1661 Paris 1722) Heracles embracing the freed Deïaneira, with the slain centaur Nessus lying on the ground next to them. Red and black chalk on laid paper with watermark: Foolscap. Old numbering in brown pen lower right: 47; the verso with old inscription in brown pen: Jordans. 20.2 x 25 cm. --------------- ANTOINE COYPEL (ZUGESCHRIEBEN) (1661 Paris 1722) Herakles umarmt die befreite Deïaneira, daneben der auf dem Boden liegende getötete Kentauren Nessos. Rote und schwarze Kreide auf Bütten mit Wz. Narrenkappe. Mit brauner Feder unten rechts alt nummeriert: 47; verso mit brauner Feder alt bezeichnet: Jordans. 20,2 x 25 cm.
Koller Auctions