Baron Adolf De Meyer Sold at Auction Prices

Morrell (Lady Ottoline). A fine, three-quarter length portrait by Baron Adolph de Meyer, c. 1907

Morrell (Lady Ottoline). A fine, three-quarter length portrait by Baron Adolph de Meyer, c. 1907 * Morrell (Ottoline Violet Anne, née Cavendish-Bentinck, 1873-1938), English aristocrat, society hostess and patron of the arts. A superb, three-quarter length seated portrait, c. 1907, large half-plate autochrome by Baron Adolph de Meyer (1868-1946), 18 x 13 cm, fine QTY: (1) NOTE: Provenance: By descent from the family of Philip and Lady Ottoline Morrell. The National Portrait Gallery have two other similar autochrome portraits of Ottoline Morrell by Meyer, the three presumably all photographed at the same sitting (NPG P1098 & P1099).

BARON ADOLPH DE MEYER (1868-1946) PHOTOGRAPH

Asian river view with vessels. Dimensions: (Mat) H 20" x W 16", (Photo) H 4.5" x W 8" Condition: Some toning around the top edge and sky.

DE MEYER, BARON ADOLPH, PHOTOGRAPHER (FRENCH/AMERICAN, 1868...

DE MEYER, Baron Adolph, photographer (French/American, 1868–1946). Egyptian with a Fez. Circa 1907–1911. Original platinum print mounted on original black cardstock with the number “343” inked on verso. 8 3/8 x 6 3/8 inches. (Small corner tear, few pale stains to image; else attractive). Provenance: From the Collection of Baron de Meyer (sold Sotheby's New York 20 October 1980, lot 50). [Also with:] Demeyer. Edited by Robert Brandau (Alfred A. Knopf, 1976).

Baron Adolf de Meyer, Self Portrait

Baron Adolf de Meyer Self Portrait c. 1942 gelatin silver print sight: 9 h × 7 w in (23 × 18 cm) Provenance: Christie's, New York, 19th & 20th Century Photographs, 31 October, 1988, Lot 331 | Private Collection, Chicago | Thence by descent This work will ship from Wright in Chicago, Illinois. Condition of the item is not included in this description. Condition reports are available from Wright upon request. Wright strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@wright20.com to request a condition report.

BARON ADOLPH DE MEYER (1868-1946) Group of 13 plates from Camera Work Number 40 by De Meyer, and one from Camera Work Number 39 by Mort

BARON ADOLPH DE MEYER (1868-1946) Group of 13 plates from Camera Work Number 40 by De Meyer, and one from Camera Work Number 39 by Mortimer Lamb. Photogravures, the images measuring 9 1/2x5 1/2 inches (24.1x14 cm.), the sheets 11x8 inches (27.9x20.3 cm.); 3 with contemporary notations, in felt tip pen, in the lower margin. 1912

BARON ADOLPH DE MEYER (1868–1946) Mrs. Lily Havemeyer, c. 1905 titled in pencil (verso) image: 9 5/8 x 7 5/8 in. (24.3 x 19.3 cm.) sheet: 10 x 8 in. (25.3 x 20.2 cm.)

BARON ADOLPH DE MEYER (1868–1946) Mrs. Lily Havemeyer, c. 1905 gelatin silver print titled in pencil (verso) image: 9 5/8 x 7 5/8 in. (24.3 x 19.3 cm.) sheet: 10 x 8 in. (25.3 x 20.2 cm.)

BARON ADOLPH DE MEYER (1868–1946) Nijinsky, L'Après-Midi d'un Faune, 1912 image/sheet: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm.)

BARON ADOLPH DE MEYER (1868–1946) Nijinsky, L'Après-Midi d'un Faune, 1912 gelatin silver print image/sheet: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm.)

BARON ADOLPH DE MEYER (1868-1946) Group of 13 plates from Camera Work Number 40 by De Meyer, and one from Camera Work Number 39 by Mort

BARON ADOLPH DE MEYER (1868-1946) Group of 13 plates from Camera Work Number 40 by De Meyer, and one from Camera Work Number 39 by Mortimer Lamb. Photogravures, the images measuring 9 1/2x5 1/2 inches (24.1x14 cm.), the sheets 11x8 inches (27.9x20.3 cm.); 3 with contemporary notations, in felt tip pen, in the lower margin. 1912

BARON ADOLPH DE MEYER, Egyptian Guide, ca. 1900. 8 x 6 - inch platinum print

BARON ADOLPH DE MEYER, Egyptian Guide, ca. 1900. 8 x 6 - inch platinum print with De Meyer's Archive stamp verso with the number "004" written in. The number "309" is also written in pencil on the verso. This was probably made on De Meyer's and Olga's trip to the East after their marriage. Remnants of black paper on the top of the verso indicates this was in De Meyer's personal scrap book.

BARON ADOLPH DE MEYER (1868-1946) Model in an evening gown * Mrs. Brown Potter, from Camera Work Number 24.

BARON ADOLPH DE MEYER (1868-1946) Model in an evening gown * Mrs. Brown Potter, from Camera Work Number 24. A silver print and a photogravure, the images measuring 7 1/2x9 3/8 and 8x6 1/4 inches (19.1x24.1 and 20.3x15.9 cm.), the first on the original double mount, the larger measuring 7 7/8x9 3/4 inches (20x24.8 cm.), and the second on a paper mount measuring 11 3/4x8 3/8 inches (29.8x21.3 cm.). Circa 1918; 1908

BARON ADOLPH DE MEYER (1868-1946) Water Lilies signed in pencil 'De Meyer'

BARON ADOLPH DE MEYER (1868-1946) Water Lilies signed in pencil 'De Meyer' (on the third paper inter-mount); the successive inter-mounts of cream, grey and cream paper (the second with 'Mercantile Bond' watermark) inter-mounted on cream board image/sheet: 9 5/8 x 13 ¼ in. (24.4 x 33.6 cm.) primary paper mount: 9 ¾ x 13 ½ in. (24.6 x 34.3 cm.) secondary paper mount: 9 7/8 x 13 5/8 in. (25.1 x 34.6 cm.) tertiary paper mount: 12 ½ x 14 ½ in. (31.7 x 36.9 cm.) board mount: 18 x 19 in. (45.7 x 48.2 cm.)

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure signed print verso 27.5 x 21.5cm

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure signed print verso 27.5 x 21.5cm

Adolphe de Meyer, Ballet Dancer, 2 Signed Photos, c. 1900

Vintage gelatin silver prints on double-weight paper, toned France, c. 1900 Baron Adolphe de Meyer (1868-1946) – French art collector, painter and important photographer of the early 20th century Both photographs are verso signed in pencil ‘DEMEYER’ Sheet size: 17.8 x 12.3 cm Good condition Provenance: Private collection Hamburg, Germany Two charming images of a young dancer; De Meyer's photographs of ballet dancers fetch over 70,000 euros at international auctions Object is regular taxed. Differential taxation is not possible. These two photographs by Baron Adolphe de Meyer were shot around 1900. They depict the same young ballet dancer wearing a gorgeous tutu and posing for the photographer in his studio. De Meyer is primarily known for his portraits of celebrities and fashion photographs but the world of ballet always fascinated him. Thus he portrayed, for instance, the most virtuoso dancers of the early 20th century, Vaslav Nijinsky, in numerous photographs. The two photographs are overall in good condition. The vertical format picture shows a minimal abrasion in raking light. There are retouchings on the negative to the girl’s armpits. The photo is taped to the mat along the upper margin. The second photo shows marginal blemishes, especially on the left edge, where the upper corner is missing and the surface is damaged. The sheet is mounted with photo corners under a mat. The verso of both photos shows traces of previous mounting, they are signed on the verso in pencil ‘DEMEYER’. The dimensions are 17.8 x 12.3 cm. The mounts measure 30 x 24 and 40 x 50 cm respectively. Adolphe de Meyer (1868-1946) Adolphe de Meyer, the son of a Parisian banker, initially took private drawing and painting lessons with Claude Monet. In the following years however, he devoted himself more and more to portrait photography. His early works were published in Alfred Stieglitz’s journal Camera Work. In 1910 he created his first fashion shots for Vogue magazine. De Meyer was a pioneer in the field of fashion photography in New York and became the first staff photographer employed by Vogue and Vanity Fair. Cecil Beaton gave him the nickname ‘the Debussy of photography’. De Meyer has inspired numerous photographers of the next generation such as the ones of Edward Steichen. Today only few of the photographer’s works are preserved for most were destroyed during the Second World War. Some of his photographs are held in the Metropolitan Museum of Art in New York as well as the National Portrait Gallery and the Victoria & Albert Museum in London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

BARON ADOLF DE MEYER (1868-1946) Roses in vase.

BARON ADOLF DE MEYER (1868-1946) Roses in vase. Platinum print, 6 1/2x7 inches (16.5x17.8 cm.), tipped to the original mount measuring 7 1/4x6 5/8 inches (18.4x16.8 cm.), with De Meyer's stylized signature, in pencil, and a partially obscured notation, also in pencil, on mount verso. Circa 1911

Baron Adolph de Meyer (1868-1946) PORTRAIT OF PRINCESS VON THURN UND TAXIS A platinium print

Baron Adolph de Meyer (1868-1946) PORTRAIT OF PRINCESS VON THURN UND TAXIS A platinium print, signed in pencil and mounted 28.5 x 15cm Baron Adolph de Meyer, portrait photographer, was born in Paris and educated in Dresden. After moving to London, he joined the Royal Photographic Society in 1893. In the early 1900s, the house he shared with his wife, at 1 Cadogan Gardens, was a centre for artistic and bohemian guests, and Cecil Beaton dubbed him 'the Debussy of photography'. He moved to the United States in 1913, where his work was published in Vogue, Harper's Bazaar and Vanity Fair.

Baron Adolf de Meyer

Baron Adolf de Meyer

BARON ADOLPH DE MEYER (French 1868-1946)

BARON ADOLPH DE MEYER (French, 1868-1946), ''Guitar player of Seville'', photogravure, label to verso with title, date, and artist. Sight 8''h, 6''w.

SILVER BROMIDE PHOTOGRAPH - "Multiple Portrait of a Model" by Baron Adolph de Meyer (NY, 1868-1946), first official photographer for Vo

SILVER BROMIDE PHOTOGRAPH - "Multiple Portrait of a Model" by Baron Adolph de Meyer (NY, 1868-1946), first official photographer for Vogue magazine, 1913-1921, Harper's Bazaar in Paris 1922-1938. This image appeared in Harper's Bazaar in May of 1928, on page 54. The model is wearing a veiled cap by Suzanne Talbot. Purchased as lot 139 from Sotheby's Oct 20, 1980 auction "The Collection of Baron de Meyer". Includes notated copy of the catalog. In metal frame with linen mat, glazed. OS: 24 1/2" x 20". SS: 17 1/2" x 13 3/4". Fine condition.

Baron De Meyer: Aida, a Maid of Tangier, 1912, photogravure from Camera Work No. 40,

Aida, a Maid of Tangier, 1912, photogravure from Camera Work No. 40, Image size: 8.875"x6.5", Sheet Size: 11.75"x8.25"

Adolphe de Meyer, Ballet Dancer, 2 Signed Photos, c. 1900

Vintage gelatin silver prints on double-weight paper, toned France, c. 1900 Baron Adolphe de Meyer (1868-1946) - French art collector, painter and important photographer of the early 20th century Both photographs are verso signed in pencil 'DEMEYER' Sheet size: 17.8 x 12.3 cm Good condition Provenance: Private collection Hamburg, Germany Two charming images of a young dancer; De Meyer's photographs of ballet dancers fetch over 70,000 euros at international auctions These two photographs by Baron Adolphe de Meyer were shot around 1900. They depict the same young ballet dancer wearing a gorgeous tutu and posing for the photographer in his studio. De Meyer is primarily known for his portraits of celebrities and fashion photographs but the world of ballet always fascinated him. Thus he portrayed, for instance, the most virtuoso dancers of the early 20th century, Vaslav Nijinsky, in numerous photographs. The two photographs are overall in good condition. The vertical format picture shows a minimal abrasion in raking light. There are retouchings on the negative to the girl's armpits. The photo is taped to the mat along the upper margin. The second photo shows marginal blemishes, especially on the left edge, where the upper corner is missing and the surface is damaged. The sheet is mounted with photo corners under a mat. The verso of both photos shows traces of previous mounting, they are signed on the verso in pencil 'DEMEYER'. The dimensions are 17.8 x 12.3 cm. The mounts measure 30 x 24 and 40 x 50 cm respectively. Adolphe de Meyer (1868-1946) Adolphe de Meyer, the son of a Parisian banker, initially took private drawing and painting lessons with Claude Monet. In the following years however, he devoted himself more and more to portrait photography. His early works were published in Alfred Stieglitz's journal Camera Work. In 1910 he created his first fashion shots for Vogue magazine. De Meyer was a pioneer in the field of fashion photography in New York and became the first staff photographer employed by Vogue and Vanity Fair. Cecil Beaton gave him the nickname 'the Debussy of photography'. De Meyer has inspired numerous photographers of the next generation such as the ones of Edward Steichen. Today only few of the photographer's works are preserved for most were destroyed during the Second World War. Some of his photographs are held in the Metropolitan Museum of Art in New York as well as the National Portrait Gallery and the Victoria & Albert Museum in London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

* Adolf Gayne de Meyer , French 1868-1946, (Baron

* Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), "Nijinsky and Karsavina in Costume", silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diagalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976 VAT charged on hammer price

DE MEYER, BARON ADOLPH (1868-1946) "Aida, a Maid of Tangier."

DE MEYER, BARON ADOLPH (1868-1946) "Aida, a Maid of Tangier." Platinum print, 9x6 3/8 inches (22.9x16.2 cm.). 1912

Adolf Gayne de Meyer, French 1868-1946, (Baron de

Adolf Gayne de Meyer, French 1868-1946, (Baron de Meyer), "Nijinski on Stage" circa 1911, photographs, silver print, bears inscription on the reverse, 13x9cm, (may be subject to Droit de Suite) (VAT charged on hammer price) VAT charged on hammer price

BARON ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford portrait, 1920 platinum print

BARON ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford portrait, 1920 platinum print photographer's name in pencil verso 18.5 x 23.5cm

SILVER BROMIDE PHOTOGRAPH - "Multiple Portrait of a Model" by Baron Adolph de Meyer (NY, 1868-1946), first official photographer for Vo

SILVER BROMIDE PHOTOGRAPH - "Multiple Portrait of a Model" by Baron Adolph de Meyer (NY, 1868-1946), first official photographer for Vogue magazine, 1913-1921, Harpers Bazaar in Paris 1922-1938. This image appeared in Harper's Bazaar in May of 1928, on page 54. The model is wearing a veiled cap by Suzanne Talbot. Purchased as lot 139 from Sotheby's Oct 20, 1980 auction "The Collection of Baron de Meyer". Includes notated copy of the catalog. In metal frame with linen mat, glazed. OS: 24 1/2" x 20". SS: 17 1/2" x 13 3/4". Fine condition.

Baron Adolph de MEYER (1868-1946) Keeper of the

Baron Adolph de MEYER (1868-1946) Keeper of the Sultan's harem c. 1915 Tirage d'époque au platine monté sur carton 47,5 x 35,5 cm

Baron Adolphe de MEYER (1868-1946) Tortola, Valence, 1918 Épreuve d'époque au platine montée sur support cartonné. Encadrée. 24,3 x ..

Baron Adolphe de MEYER (1868-1946) Tortola, Valence, 1918 Épreuve d'époque au platine montée sur support cartonné. Encadrée. 24,3 x 19,4 cm. (9 5/8 x 7 5/8 in.) Quelques retouches d'époque au niveau du visage et des boucles d'oreilles. Provenance : archives Conde Nast.

BARON  ADOLF  DE  MEYER

PROPERTY  FROM  THE  COLLECTION  OF  RENNY  HARLIN 1868-1949 CHARLIE  CHAPLIN mounted,  signed  with  the  photographer's  stylized  signature  in  pencil  and  signed  and  inscribed  to  Frank  Crowninshield  by  the  sitter  in  ink  on  the  mount,  framed,  1920  (Jullian,  pl.  41) 9  3/8    by  7  1/4    in.  (23.8  by  18.6  cm.)

BARON ADOLF DE MEYER

BARON ADOLF DE MEYER 1868-1949 'DOLORES' warm-toned, mounted, the number '115' in pencil on the mount, together with a backboard with typed credit, publication, and caption label with numerical notations in pencil and ink, circa 1919 ( De Meyer , pl. 33, presumably this print) 9 3/8 by 7 1/4 in. (23.8 by 18.9 cm.)

Photographs: Adolf Gayne De Meyer (1868-1946)

Photographs: Adolf Gayne De Meyer (1868-1946) The Nymphenburg Figure. 1912. Camera Work N°40. Photogravure d'époque sur papier Japon. 28 x 20 cm avec les marges.

[ PHOTOGRAPHS ]

BARON ADOLPHE DE MEYER Paris 1868 - 1949 Hollywood STILL LIFE 1908 Photogravüre. 16,3 x 22,3 cm.

BARON ADOLPH DE MEYER (1868-1946)

BARON ADOLPH DE MEYER (1868-1946) Water Lilies, c. 1906 platinum print signed in pencil (on the third paper mount); tipped to a cream paper, tipped to a gray paper with 'Mercantile Bond' watermark, tipped to another cream paper, tipped to a cream board 9 5/8 x 13¼in. (24.4 x 33.7cm.)

BARON ADOLPH DE MEYER (1868-1946)

BARON ADOLPH DE MEYER (1868-1946) Water Lilies, c. 1906 gelatin silver print, printed c. 1940 signed (in the margin) 10 x 14in. (25.5 x 35.5cm.)

Hubert Stowitz in Diaghilev Ballet, by Baron Adolf De Meyer.

9 ¼" x 7" toned gelatin silver print ca. 1920, on original decorative mount, with De Meyer's flamboyant signature on the mount beneath the photograph. A classic De Meyer image and presentation. Stowitz, the partner of Anna Pavlova, is also the subject of a famous photograph by Muray. [His name was incorrectly given as Robert in the printed catalog.]

BARON ADOLPH DE MEYER (1868-1946)

Ernst de Meyer at his writing table, 1920s gelatin silver print signed in pencil in margin; sitter's name in pencil, indistinct credit stamp on verso 13 3/4 x 11in. (35 x 27.8cm.) framed

DE MEYER, BARON ADOLF The Silver Cap.

DE MEYER, BARON ADOLF

The Silver Cap. Silver print, 13 3/4 x8 inches (34.9x20.3 cm.), with De Meyer's signature, in pencil, on recto; and titled and dated by the photographer, in pencil, with an Eastman Kodak hand stamp on verso. 1908; printed circa 1940