Juan del Castillo Paintings & Artwork for Sale | Juan del Castillo Art Value Price Guide

Nov. 27, 2025
SPANISH SCHOOL. CIRCLE OF FRANCISCO PACHECO (SANLÚCAR DE BARRAMEDA, 1564 - SEVILLE, 1644) OR OF JUAN DEL CASTILLO (SEVILLE, CIRCA 1590 - CIRCA 1655)
Est: €5,000 - €10,000
Spanish School. Circle of Francisco Pacheco (Sanlúcar de Barrameda, 1564 - Seville, 1644) or of Juan del Castillo (Seville, circa 1590 - circa 1655) 'Ecce Homo' Oil on canvas. 175 x 92 cm. Our painting is based on an engraving by the Dutch artist Lucas van Leyden (1490–1533) dated 1512, which belongs to one of his individual compositions on the Passion theme. (https://www.britishmuseum.org/collection/object/P_Kk-6-94). Our wonderful painting was possibly part of an altarpiece depicting the Passion. It should therefore be linked to the main altarpiece of the Convent of La Pasión in Seville, which has recently been studied, leading to a change in its attribution from Francisco Pacheco to Juan del Castillo. Ecce Homo, “this is the man” or “behold the man.” We title this large-scale work with the words spoken by Pontius Pilate, the Roman governor of Judea, when he presented Jesus of Nazareth to the hostile crowd, to whom he usually left the final decision regarding the fate of the condemned, since he “washed his hands,” that is, evaded his responsibility (John 19:5; Matthew 27:24). The scene takes place after the flagellation of Christ tied to the column and the crowning with thorns. The representation of the Ecce Homo in full figure, with a compassionate gaze and hands bound in front, wearing a peplum and tunic, constitutes a true icon in sixteenth- and seventeenth-century painting. The tunic or royal mantle symbolizes his alleged crime—claiming to be King of the Jews, that is, the Messiah—for which reason the Romans mockingly placed the inscription INRI at the top of Jesus’ cross. The entire work focuses on the single figure of Christ, endowed with a captivating gaze capable of provoking a spiritual, intimate dialogue with the viewer. The figure of Christ, more illuminated, stands out against a dark background, which enhances the emotional concentration of the observer on the moving yet beautiful image. This Spanish painting, executed with meticulous technique, recalls the Flemish painting of Antwerp (the faces of the tormentors seem drawn from scenes painted by Quentin Massys), with a battered and sorrowful man reminiscent of a Valencian painting by Juan de Juanes: sweetness and acceptance, a gaze both direct and humbly lowered; and with an architectural, stage-like composition of the Praetorium with curtains, platform, and checkered tiles characteristic of Sevillian Baroque. Among the figures, a dog stands out in the foreground, observing the scene and humanizing it, serving as a reflection—through its fidelity—of the painter’s own emotions. Dogs, in iconography, are shown staring at their masters or sitting at their feet, as a reflection of their unconditional devotion. The height of Jesus fills the scene and even rises above that of the Roman governor (standing on his plinth), suggesting that divine authority stood upright rather than seated—it emanated from Jesus, not from Pontius Pilate. He was the king. It is striking how the artist presents Pontius Pilate, seated sideways on his platform, head bowed, ashamed, avoiding Jesus’ gaze, literally and figuratively washing his hands of his condemnation. This moment marks the end of the Roman official’s responsibility, as he senses the magnitude of the consequences of Jesus’ execution. A child facing forward, like an acolyte and radiating a gentleness far removed from the governor’s indifference, helps him wash his hands. We invite you to notice the painter’s mastery in giving the scene the necessary depth, so that we observers can feel it as something possible—truly as if they were on a terrace near us, though on a higher level. Fine Art
La Suite Subastas
Sep. 30, 2025
Juan del Castillo (c. 1590-c. 1657), - Immaculate Conception. Seville School. 17th-19th century
Est: €20,000 - €22,500
Oil on canvas. Dimensions: 188 x 108 cm. *Immaculate Conception*, a large-format devotional composition. The Virgin, standing on a crescent moon, crowned by a halo of rays and surrounded by cherubs, wears a crimson tunic and blue cloak that gently flutter in chromatic contrast. Her serene face, of idealized beauty, connects with the Immaculate Conception models of the Seville school, derived from Murillo. The diaphanous atmosphere and the sweetness of her expressions emphasize Marian spirituality and purity. Catalogued by Professor Enrique Valdivieso, it is part of the Baroque tradition that extended into devotional painting from the 17th to the 19th centuries.
Templum Fine Art Auctions
Jun. 25, 2025
ATRIBUIDO A JUAN DEL CASTILLO (Sevilla, 1593 - 1657), San A
Est: -
ATRIBUIDO A JUAN DEL CASTILLO (Sevilla, 1593 - 1657) "San Antonio de Padua con el Niño ". Óleo sobre lienzo Medidas:96 x 54 cm.
Magna Art Auctions
Feb. 29, 2024
Attributed to Juan del Castillo (Seville, c.1593 - 1657), S.XVII "Saint John the Baptist"
Est: €3,000 - €4,000
Attributed to Juan del Castillo (Seville, c.1593 - 1657), S.XVII "Saint John the Baptist" Oil on canvas 95 x 67 cm 3.000 - 4.000 € This work reflects the residues of archaism that the painter inherited from late Mannerism, and on the other hand, the adoption of naturalistic models taken from Juan de Roelas, ending up shaping the personal style that he pours and exemplifies in this Saint John the Baptist, with bright colors, friendly tone and grace in the face, a grace that his close associates will develop from him: Alonso Cano in symbiosis with ideals of beauty and Murillo, later, with masterful popular models.
Greco Subastas
Jun. 20, 2023
ATRIBUIDO A JUAN DEL CASTILLO
Est: €9,000 - €12,000
Atribuido a Juan del Castillo (Sevilla, c.1590-c.1657) Nacimiento de San Juan. Óleo sobre lienzo. 112 x 205 cm.
Aletheia Subastas
Nov. 10, 2022
San Jerónimo
Est: -
.
Isbilya Subastas
Jul. 20, 2022
SAINT MATTHEW WITH ANGEL, ATTRIBUTED TO JUAN DEL CASTILLO (C. 1593-1657), SEVILLIAN SCHOOL OF THE 17TH CENTURY
Est: €4,000 - €5,000
Oil on canvas, attached studio dossier of Mr. Jorge Gutiérrez-García y Martínez de Marañón, with inscription on the back, framed measurements: 111 X 88, canvas measurements: 103 X 81 cm
Templum Fine Art Auctions
Apr. 22, 2021
Juan del Castillo (Seville, 1590 - 1657)
Est: €3,000 - €3,500
Juan del Castillo (Seville, 1590 - 1657) "Saint Matthew the Evangelist" Oil on canvas. Signed on the back. 82 x 102 cm.
La Suite Subastas
May. 21, 2019
CIRCULO DE JUAN DEL CASTILLO - Anunciación
Est: -
CIRCULO DE JUAN DEL CASTILLO Seville c. 1593 - 1657 “Anunciación: M. 1617” Oil on canvas Measurements 168 x 103 cm Magnificent Annunciation related by professor Enrique Valdivieso to the circle of Juan del Castillo for its connection with other works of the artist, such as the Annunciation of the Museo de Bellas Artes of Seville. However, we also notice in the physiognomy of the faces and in the precise traces of brush-strokes, its affiliation with the artists of the first Sevillian naturalism, such as Juan de Roelas. However, there is also a certain similarity with the production of the Italian painter Angelo Nardi (Vaglia di Mugello 1584 - Madrid c. 1664) Origin: - Private collection, Andújar.
Subastas Segre
Apr. 25, 2018
JUAN DEL CASTILLO (Sevilla, hacia 1590-1657) Santo Domingo de Guzman
Est: -
Oil on canvas of 46 x 48.5 cm. Attached certificate issued by D. Enrique Valdivieso, issued in Seville in 2011. This report states that Juan del Castillo, Murillo's teacher, 'worked in Seville numerous occasions for the different Dominican convents of the city, frequently painting works for the altarpieces of his churches. In many of these paintings appears the figure of Santo Domingo, whose physical features coincide fully with those who are constating in this work '
Sala Retiro Subastas
Oct. 25, 2017
JUAN DEL CASTILLO, La educación de la Virgen. Oil on canvas
Est: -
La educación de la Virgen JUAN DEL CASTILLO 1590 Sevilla - 1657 La educación de la Virgen Obra muy interesante de este pintor, maestro de Bartolomé Esteban Murillo. Santa Ana sentada, ya anciana, abre un libro y se lo muestra a la Virgen Niña. Por encima de ambas, se abre un rompimiento de gloria sobre el que se asoman unos ángeles. Un cortinaje, a la izquierda, sirve de telón para dar el contrapunto al grupo principal. Los rostros de Santa Ana y de la Virgen son característicos de la producción de Juan del Castillo: rostros ovalados, frente ancha, nariz larga y bien perfilada, boca diminuta y carnosa, mejillas sonrosadas y redondeadas. Las mismas manos de ambas de dedos largos en el caso de Santa Ana también están en consonancia con otras obras de Juan del Castillo: Un buen ejemplo de estos mismos modelos lo podemos encontrar en la Anunciación, la Visitación y la Adoración de los pastores o en la Epifanía, originales conservados en el Museo de Bellas Ares de Sevilla. Merece la pena anotar que este mismo tema también lo pintó su más conocido discípulo, Bartolomé Esteban Murillo (cuadro que se conserva en el Museo Nacional del Prado, Madrid, nº inv. P 00968)
Isbilya Subastas
Apr. 25, 2017
JUAN DEL CASTILLO «Santa Águeda». Oil on canvas
Est: -
JUAN DEL CASTILLO 1590 Sevilla 1657 Santa Águeda Pocos son los datos biográficos conocidos de este pintor Sevillano que, no obstante, ha pasado a la historia como maestro de Murillo. En su obra confluyen las formas del manierismo tardío, el dinamismo de las figuras de Rubens, que debió conocer a través de los grabados de Paulus Pontius, así como un cierto naturalismo tomado del pintor flamenco Juan de Roelas, activo en Sevilla durante el primer tercio del XVII. Óleo sobre lienzo 144 x 185 cm.
Isbilya Subastas
Jan. 25, 2017
CIRCLE OF JUAN DEL CASTILLO (Seville, 1590 - Cádiz, 1657). Oil on canvas
Est: -
CÍRCULO DE JUAN DEL CASTILLO (Sevilla, 1590 - Cádiz, 1657) Sagrada Familia Óleo sobre lienzo 121 x 103 cm
Isbilya Subastas
Jan. 25, 2017
JUAN DEL CASTILLO, Immaculate. Oil on canvas
Est: -
JUAN DEL CASTILLO 1590 Sevilla 1657 Inmaculada Óleo sobre lienzo Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. 188 x 108 cm
Isbilya Subastas
Oct. 19, 2016
CIRCLE OF JUAN DEL CASTILLO (SEVILLE, 1590 - CADIZ, 1657)
Est: -
CÍRCULO DE JUAN DEL CASTILLO (Sevilla, 1590 - Cádiz, 1657) Buen Pastor 98 x 115 cm Óleo sobre lienzo
Isbilya Subastas
Jan. 20, 2016
CIRCLE OF JUAN DEL CASTILLO (Sevilla, 1590 - Cádiz, 1657), Buen Pastor - CÍRCULO DE JUAN DEL CASTILLO (Sevilla, 1590 - Cádiz, 1657) Buen Pastor
Est: -
CÍRCULO DE JUAN DEL CASTILLO (Sevilla, 1590 - Cádiz, 1657) Buen Pastor
Isbilya Subastas
Dec. 18, 2014
JUAN DEL CASTILLO ( c. 1590- c.1657 ) "Inmaculada con orla de atributos"
Est: -
pintor barroco español asentado en Sevilla, maestro de Bartolomé Esteban Murillo. Su obra evoluciona desde el manierismo dominante en la pintura sevillana de principios del SXVII, hacia el naturalismo propio del lenguaje barroco. Oleo sobre lienzo. Med 160x143 cm. Med marco 195x143 cm. "Inmaculada con orla de atributos".
Subarna Subastas
Apr. 13, 2011
Juan del Castillo (Sevilla 1590-1657) and workshop
Est: €30,000 - €40,000
Juan del Castillo (Sevilla 1590-1657) and workshop of
Dorotheum
Dec. 21, 2010
Juan Del Castillo, atribuido (Llerena,h. 1590-Cádiz,h. 1657) Inmaculada Óleo sobre lienzo
Est: €3,000 -
Juan Del Castillo, atribuido (Llerena,h. 1590-Cádiz,h. 1657) Inmaculada Óleo sobre lienzo 125.5x104.5
Balclis
Jul. 08, 2009
Juan del Castillo (Seville 1590 - 1657) and Workshop The Appearance of the Virgin and Christ to Saint Francis of Assisi
Est: £30,000 - £50,000
The Appearance of the Virgin and Christ to Saint Francis of Assisi with two donors oil on canvas 193.5 x 140.7cm (76 3/16 x 55 3/8in).
Bonhams