Thomas Cyrill Demand Sold at Auction Prices

THOMAS DEMAND (B. 1964). Treppenhaus (Staircase). chromogenic print mounted

THOMAS DEMAND (B. 1964). Treppenhaus (Staircase). chromogenic print mounted on Diasec59 x 46 ½in. (150 x 118cm.).

Thomas Demand (German 1964). Bullion, 2003.

Thomas Demand (German 1964) Bullion, 2003 lambda print signed 'Demand' (on the reverse), number 51 from the edition of 100, published by EN/OF, Kleve sheet size 30 x 30 cm., frame size 33.5 x 33.5 cm.

Thomas Demand, 1964, Kreuzung

VI/VI. Signed and dated lower right: Thomas Demand, 2004. (Frame).

Thomas Demand, 1964, Dashboard

71/100. Signed on edition label verso. Editor: Texte zur Kunst, Berlin.

Thomas Demand, 1964, Gangway (for Parkett No. 62)

26/75. Signed on the edition certificate. Typographically dated and titled. Publisher: Parkett, Zurich. In original cardboard box.

Thomas Demand (Monaco di Baviera 1964), “Towsend #31, Towsend #32”, 2011-2012.

Thomas Demand (Monaco di Baviera 1964), “Towsend #31, Towsend #32”, 2011-2012. Fotografie stampe a pigmenti esemplare 1/2, recano al retro firma, titolo, data ed esemplare ed etichette della Galleria Ester Schipper - Berlino, H cm 135x90

Thomas Demand, Fotoecke/Photobooth, 2009

Typewritten notes about the work on a gallery label affixed to the reverse of the mount. Print 5 from an edition of 6 (+ 2 A.P.).

Demand, Thomas. Nationalgalerie.

Demand, Thomas. Nationalgalerie. Bildlegenden von Botho Strauß. Mit 39 montierten Original-C-Prints. London, Steidl Mack, 2009. Unpaginiert. 40 x 41,5 cm. Weißer Original-Leinenband mit silbergeprägtem Deckel- und Rückentitel im Original-Leinenschuber (dieser schwach berieben). Eins von 38 (GA 40) nummerierten Exemplaren, auf dem ersten Blatt von Thomas Demand und Botho Strauß signiert. - Der von "Book Works, London" von Hand gefertigte Band war integraler Bestandteil von Thomas Demands großer Einzelausstellung in der Neuen Nationalgalerie Berlin 2009/2010, die 38 (bzw. 39) großformatige Werke des 1964 in München geborenen Künstlers präsentierte. Botho Strauß verfasste zu jeder der Photographien einen Text, der in Form eines aufgeschlagenen Bandes als "Bildlegende" zu Demands lebensgroßen Arbeiten in Vitrinen auslag (die beiden Photographien "Sprungturm" und "Brennerautobahn" von 1994 werden als zusammengehöriges Paar behandelt). - So sinnierte Strauß etwa zu Demands "Badezimmer", einer Photographie des Papiermodells der "Barschel-Badewanne": "Der Mensch, heißt es, sei das einzige Wesen, das sich beim Leben zuschauen kann." Demand, inspiriert vom ikonischen, auf dem STERN-Cover millionenfach reproduzierten Tatortphoto, hatte es 2008 sogar selbst mit seinem detailgetreuen Nachbau des Oval Office auf den Titel des New York Time Magazine geschafft. - Tadellos. - Dabei: Photographie der Vitrine (10 x 15 cm), in der der vorliegende Band 38 in Mies van der Rohes lichtdurchflutetem Museumsbau als "Bildlegende" zum letzten Werk der Demand-Ausstellung auslag: "Kabine", ein C-Print von 180 x 254 cm aus dem Jahr 2002.

Demand, Thomas: "Phototrophy"

"Phototrophy - Detail XII". 2005. Fine art print, accompanied by monograph. 31 x 36,5 cm. Signed and editioned 86/100 by the photographer in pencil on verso. Edition Schirmer/Mosel, Munich, 2004. - - Thomas Demand is celebrated for his unique artistic approach, involving the precise creation of life-sized paper and cardboard models that mimic everyday scenes and objects. These models serve as the subjects for his photography, yielding remarkably lifelike images. Demand's art blurs the line between reality and illusion, encouraging contemplation of representation, memory, and perception, particularly in today's digitally manipulable image-driven era, emphasizing the intricate connection between the tangible and the perceived. – In excellent condition. – With: Collector's edition of Eckhard Schneider (ed.). Thomas Demand. Phototrophy. English/German edition. 128 pages, 66 color plates. Schirmer/Mosel, Munich 2004. In original grey linen slipcase and grey linen print folder. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

Untitled

Untitled

Photobücher - - Demand, Thomas.

Photobücher - - Demand, Thomas. Nationalgalerie. Mit 38 montierten C-Prints auf Klapptafeln. London, Steidl Mack, 2009. Unpaginiert. 40 x 41,5 cm. Weißer Original-Leinenband mit silbergeprägtem Deckel- und Rückentitel im Original-Leinenschuber (dieser minimal berieben). Eins von 38 (GA 40) nummerierten Exemplaren, auf dem ersten Blatt von Thomas Demand und Botho Strauß signiert. - Der von "Book Works, London" komplett von Hand gefertigte Band war integraler Bestandteil der Ausstellung in der Neuen Nationalgalerie Berlin 2009, die 38 Werke von Thomas Demand präsentierte. Botho Strauß verfasste zu jedem einzelnen Werk einen Text, der in Form eines aufgeschlagenen Buchs quasi als "Bildunterschrift" zu Demands großformatigen Arbeiten in Vitrinen auslag. - Tadellos. - Dabei: Photographie der Vitrine, in der der vorliegende Band lag. 10 x 15 cm.

Gangway (for Parkett 62)

DEMAND, THOMAS 1964 Munich Title: Gangway (for Parkett 62). Date: 2001. Technique: Lambda print, laid down on black acrylic glass. Under acrylic glass. With stand-up display on Depiction Size: Measurements without stand-up display: 25cm. Sheet Size: 21cm. Notation: Signed and dated on enclosed certificate. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/75. Condition: The multiple is in very good condition. With enclosed certificate. With Parkett magazine. "The last thing Demand wants to do is simulate reality. His pictures have no intention of deceiving viewers; rather, they give them the choice of taking part in the illusion themselves. Illusion is not an act of deception; it is play. In the case of Demand's pictures, it acquires diversity by ceaselessly commuting between the imitation and the construction of reality. You can never quite tell what kind of reality prevails in these pictures: that of the represented or the representation itself or both at once?" Andreas Ruby, Parkett no. 62, 2001. Article on the work and artist from Parkett edition no. 62. Explanations to the Catalogue

Thomas Demand (1964 München – lebt in Berlin und Los Angeles)

Texte zur Kunst. 2010. Offset auf leichtem Karton. Verso mit Bleistift signiert, datiert und nummeriert: Thomas Demand, 2010, 28/100. Blattmaß: 122 x 102 cm. Herausgegeben von Texte zur Kunst, Berlin.

Thomas Demand, Fotoecke/Photobooth, 2009

Typewritten notes about the work on a gallery label affixed to the reverse of the mount. Print 5 from an edition of 6 (+ 2 A.P.). A perfectly lit room with a draped camera, a simple chair in front of a white wall, a curtain behind it: Thomas Demand’s photographs depict architecture borrowed from real-life imagery and refer to those political and social events which the artist considers relevant. Demand recreates his rooms as expansive structures out of paper and cardboard and finally photographs them with a large-format camera. He transfers the ephemeral, three-dimensional structure into two dimensions, thus securing it visually before destroying it. Demand draws his inspiration from various sources in the media landscape. In this case, it was an illustration from an article in the weekly magazine ‘Der Spiegel’ about past events in a GDR prison which triggered his artistic engagement (cf. Der Spiegel, 20/1999, pp. 42-44). “One of the subjects I discovered, or let’s say rediscovered, was the story of the photo center in the political prison in Gera. The inmates – all of them political prisoners – were photographed regularly, which is nothing unusual in the prison’s daily routine. Years after the prison was closed, someone noticed that a striking number of the portrayed detainees suffered from leukemia. A subsequent investigation of what might have happened unearthed the fact that the photo center consisted of a camera, a chair, a flash light, and a white wall in the background. Behind the wall, however, was a curtain. And hidden behind the curtain was another photographic device, an X-ray apparatus, which had been used without the optics, i.e. it probably emitted radiation and contaminated the inmates. All this was never actually proved, nobody knows exactly what happened. There are survivors of the prison who are trying to build a case, but it was never really prosecuted, because of course the successor state isn’t interested in investigating the real circumstances, as that could mean the victims might be entitled to a lifelong pension.” (Thomas Demand, in: Thomas Demand und die Nationalgalerie. A Conversation About the Exhibition with Hans Ulrich Obrist, Berlin 2009, Cologne 2009, p. 101f.). Although Demand’s supposed ‘crime scene‘ photography appears familiar to the viewer, it remains intangible and mysterious due to the elimination of details. Only the knowledge of the ‘story behind the picture’ helps the viewer to decipher the respective meaning of the image. The artist reveals his stories (as here in an interview), but does not automatically supply them, such as in the form of a picture caption or an explanatory title. Neither the actual historical event nor the truthfulness of the press photographs he processes are of primary importance to Demand. They are idea-giving triggers and artistic components of his work, which thereby become testimonies of his own reconstructive engagement with known and generally available models. Demand is not a political artist in the strict sense, but an attentive contemporary. Fotoecke/Photobooth is one of about 40 works which Thomas Demand selected for his major exhibition ‘Nationalgalerie’ in Berlin. The works gathered here all bear reference to significant social and historical events in Germany after 1945. They are pictures that are anchored in the collective (German) pictorial memory. In addition to the socio-political dimension described above, formal aspects also always come into play in Demand’s selection of models and their realisation in paper form and photography. In this case, Demand has tried to reproduce accurately the colour palette typical of interiors of the former GDR in the 1980s. A detail that particularly fascinated him on his discovery of the original, and which he modified in the resulting work, is the curtain with its striking floral pattern, which in Demand's own version takes up almost half of the picture surface. “This flowery, baroque décor looks completely out of place in the prison. In West Germany, the whole thing would have looked a lot more serious, and that’s the difference: you can’t think up strange incidents like that. Because then it would be staged setting, which in my case, it’s not.” (Thomas Demand, op.cit., p. 102).

Thomas Demand: Flur

DEMAND, THOMAS 1964 Munich Title: Flur. Date: 1996. Technique: C-Print/Diasec. Measurement: 184 x 270cm. Notation: Signed and dated verso. From an edition of five copies. Provenance: - Galerie Frank Schlag, Essen - Sammlung Prof. Dr. Thomas Olbricht, Essen Literature: - Heil, Axel/Schoppmann, Wolfgang (eds.): Most Wanted - The Olbricht Collection - Some Recent Acquisitions, Cologne 2005, p. 211, ill. Explanations to the Catalogue

Thomas Demand, Gangway (for Parkett 62)

Thomas Demand Gangway (for Parkett 62) 2001 Lambda print, diasec on black acrylic glass with attachable chromium-plate stand 8.25 h x 10 w x .125 d in (21 x 25 x 0 cm) Signed and numbered to certificate of authenticity 'Thomas Demand 60/75'. This work is number 60 from the edition of 75 published by Parkett Publishers, Zurich and New York. This work will ship from Chicago, Illinois.

Thomas Demand, Fabrik (ohne namen)

Thomas Demand Fabrik (ohne namen) 1994 c-print Diasec mounted to acrylic 49.75 h x 71 w in (126 x 180 cm) This work is number 2 from the edition of 5. Provenance: Max Protetch Gallery, New York | Private Collection Exhibited: Thomas Demand, 3 May - 1 June 1996, Max Protetch Gallery, New York This work will ship from Lambertville, New Jersey.

THOMAS DEMAND (B. 1964) Foto I chromogenic print mounted on Diasec 18 1/2 x

THOMAS DEMAND (B. 1964) Foto I chromogenic print mounted on Diasec 18 1/2 x 20 3/8in. (47 x 51.7cm.)

Thomas Demand – Concannon #58 (Concannon #58)

Pigment print on photo paper, laid down on backing panel. 2012. Ca. 135 x 90 cm. A numbered copy from an edition of 2 numbered in Roman numerals. Signed, dated and titled on the frame backing panel.

Thomas Demand, 1964, 4 Sheets: Nagelhaus

8/10. All signed and dated lower left: Demand, 2010. (All in frame). (4).

Thomas Demand (German, b. 1964), "Bullion"

Thomas Demand (German, b. 1964) "Bullion", 2003 Lambda print in colors on glossy paper edition of 100, signed, numbered and dated, published by EN/OF Editions, Kleve, Germany; accompanied by a twelve-inch vinyl record by Pan-American, entitled "Memorize", consisting of four tracks. Matted, glazed and framed. sight 12" x 12", framed 14-5/8" x 14-5/8"

THOMAS DEMAND (B. 1964) Fotoecke/Photo Booth chromogenic print mounted on D

THOMAS DEMAND (B. 1964) Fotoecke/Photo Booth chromogenic print mounted on Diasec 71 x 78in. (180.3 x 198cm.)

Thomas Cyrill Demand: Flur

DEMAND, THOMAS CYRILL 1964 München Title: Flur. Date: 1996. Technique: C-Print/Diasec. Measurement: 184 x 270cm. Notation: Signed and dated verso. From an edition of five copies. Provenance: - Galerie Frank Schlag, Essen Literature: - Heil, Axel/Schoppmann, Wolfgang (eds.): Most Wanted - The Olbricht Collection - Some Recent Acquisitions, Cologne 2005, p. 211, ill.

Thomas Demand, Kreuzung

Thomas Demand Kreuzung 2004 photogravure on Somerset 300g image: 12.125 h × 14 w in (31 × 36 cm) sheet: 20.75 h × 22 w in (53 × 56 cm) Signed, dated and numbered to lower edge 'VI/VI Thomas Demand 2004'. This work is proof 6 of 6 apart from the edition of 25 published by Niels Borch Jensen Editions, Berlin. This work will ship from Rago in Lambertville, New Jersey. condition: Work is in good overall condition. Sheet has not been examined outside of frame but is fully visible. Very minor undulation to sheet visible along upper edge. Image presents well. Framed behind acrylic measuring 24 x 25 inches.

Thomas Demand, Detail V (Salon)

Thomas Demand Detail V (Salon) 2000 chromogenic print on Diasec 30 h × 36.25 w in (76 × 92 cm) Signed, dated and numbered to verso 'Thomas Demand 5/5 2000'. This work is number 5 from the edition of 5. Provenance: Galería OMR, Mexico City | Private Collection This work will ship from Rago in Lambertville, New Jersey. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email [email protected] to request a condition report.

THOMAS DEMAND (B. 1964) - Balkone (Balconies)

THOMAS DEMAND (B. 1964) Balkone (Balconies) chromogenic print mounted on Diasec 59 x 50 3/8in. (150 x 128cm.)

Demand Thomas (1964) - Detail X, 2005

Vintage C-print Edition 72 of 100 Numbered and signed in pencil on the verso LITERATURE MART.LA FOTOGRAFIA DELLA COLLEZIONE TREVISAN. Con gli occhi, con il cuore, con la testa, Silvana Editoriale, Milan 2012, p. 173 This lot is subject to Artists Resale Rights

Thomas Demand – Phototrophy (Phototrophy)

C-print on fine cardboard. (2005). Ca. 21.5 x 25.5 cm (sheet size ca. 31 x 36.5 cm). A numbered copy from an edition of 100. Signed on the reverse.

Thomas Demand - LUKE / HATCH. 2000

Thomas Demand LUKE / HATCH. 2000C-print on Diasec 59 × 81 1/8 in. Signed, dated and numbered in black felt-tip pen on the reverse: Thomas Demand 2000. As well as a label of the 303 Gallery, New York

Thomas Demand – Five Drafts (Simulator)

Farbiger digital Pigmentdruck auf festem Velin (5-teilig). 2004. Ca. 24 x 24 cm (Blattgröße ca. 38,5 x 38 cm). Eines von nur 10 nummerierten „AP“-Exemplaren außerhalb der Auflage von 60. Signiert unten rechts und datiert unten links (1). Mit schwarzer O.-Kartonmappe. Herausgegeben von der Edition Schellmann Art, München/New York, für das Kunsthaus Bregenz. – Schwarze Kartonmappe leicht berieben, sonst in sehr gutem Zustand. differenzbesteuert (VAT: Margin Scheme)

THOMAS DEMAND (B. 1964) Boite de Kleenex (Abb. 21) 1990

THOMAS DEMAND (B. 1964) Boite de Kleenex (Abb. 21) 1990 signed and dated 1990 on the reverse chromogenic print mounted on Diasec 58 by 60 cm. 22 13/16 by 23 5/8 in. This work is from an edition of 3. For further information on this lot please visit the Bonhams website

Thomas Demand, Ballot

Thomas Demand Ballot 2018 c-print 9.75 h × 7.5 w in (25 × 19 cm) Sheet measures: 11.25 h x 9 w inches Embossed signature to lower right 'TD'. Numbered to verso '7/60'. This work is number 7 from the edition of 60. This work will ship from Wright in Chicago, Illinois. condition: Sheet is mounted with archival adhesive tape along upper and lower edges verso and is free of any surface wear or discoloration. Framed behind acrylic measuring 15 x 13 x 2 inches.

Thomas Demand - Five Drafts (Simulator)

Farbiger digital Pigmentdruck auf festem Velin (5-teilig). 2004. Ca. 24 x 24 cm (Blattgröße ca. 38,5 x 38 cm). Eines von nur 10 nummerierten „AP“-Exemplaren außerhalb der Auflage von 60. Signiert unten rechts und datiert unten links (1). Mit schwarzer O.-Kartonmappe. Herausgegeben von der Edition Schellmann Art, München/New York, für das Kunsthaus Bregenz. – Schwarze Kartonmappe leicht berieben, sonst in sehr gutem Zustand.

Thomas Demand - Camping table

Camping table Signed and dated in black felt-tip pen on the reverse: Thomas Demand 1999 Demand, Thomas

Demand, Thomas: "Phototrophy"

[[^]] "Phototrophy". 2005. Fine art print. 31 x 36,5 cm. Signed and editioned 2/100 by the photographer in pencil on the verso. Edition Schirmer/Mosel Munich. - - One of the most celebrated contemporary photo artists, Thomas Demand's pictures at first seem like depictions of everyday places. On closer inspection it becomes evident that they are reconstructions of reality: Demand creates life-size environments made of paper and cardboard which are accurate down to the smallest details, then photographs these 're-creations' and destroys them. These pictures underline the drab aesthetics of the modern office world and architecture, but also show depictions of nature. Demand's sculptural simulations, completely devoid of people, lead us into a world of models in which a "faked' reality blends with the memory of "real" reality and as such become a virtual reality. – In excellent condition. – With: Collector's edition of Eckhard Schneider (ed.). Thomas Demand. Phototrophy. English/German edition. 128 pages, 66 color plates. Schirmer/Mosel, Munich 2004. In original grey linen slipcase and grey linen folder for print. - - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

Demand, Thomas

Demand, Thomas Dashboard. Digitaldruck auf Resopal. Verso auf einem Etikett signiert, datiert, betitelt und nummeriert. Exemplar: 001/100. 2004. Format: 19 x 61 cm. Der lichtechte Digitaldruck von Thomas Demand für "Texte zur Kunst" bezieht sich auf das Armaturenbrett des Golf 1. Er erschien zum Märzheft 2004 in einer Auflage von 100 Exemplaren plus 15 Künstlerexemplaren. - Tadellos.

Thomas Demand (1964 Munich,lives in Berlin and Los Angeles) - Phototrophy. 2005

Signed and numbered verso. Cprint on cardboard. Artist's proof outside the edition of 20 copies. 20.5 x 25.5 cm. 31 x 36.8 cm. Framed. Provenance: private owner, Germany

THOMAS DEMAND | Constellation (Paris Edition)

THOMAS DEMAND (B. 1964) - Planet

THOMAS DEMAND (B. 1964) Planet signed , numbered and dated 'Thomas Demand 2005 5/6' (on the reverse) c-print mounted on Diasec117⁄8 x 12in. (30 x 30.4cm.) Executed in 2005, this work is number five from an edition of six

THOMAS DEMAND - Luke (Hatch), 2000

THOMAS DEMAND - Luke (Hatch), 2000

Thomas Demand (b. 1964) - Collection

Thomas Demand (b. 1964) Collection chromogenic print face-mounted and flush-mounted on Diasec 59 1/8 x 78 ¾ in. (150 x 200cm.)

THOMAS DEMAND (B. 1964) - Detail XII, from 'Kontrollraum/Control Room', 2012

THOMAS DEMAND (B. 1964) Detail XII, from 'Kontrollraum/Control Room', 2012 chromogenic print signed, dated and numbered '2/36' in ink (margin); credited, titled and dated of affixed gallery label (frame backing board) image: 20 ½ x 18 ¼ in. (52 x 46.3 cm.) sheet: 23 ½ x 19 ½ in. (59.6 x 49.5 cm.) This work is number two from an edition of thirty-six.

¤ Thomas DEMAND (Né en 1964) Lift - 2005 Tirage couleur sous diasec

¤ Thomas DEMAND (Né en 1964) Lift - 2005 Tirage couleur sous diasec Signé, daté et numéroté « 2/6 » au verso Edition de 6 exemplaires h: 190 w: 150 cm Provenance : 303 Gallery, New York Collection particulière, Genève Commentaire : C-print mounted on diasec; signed, dated and numbered on verso; Editon of 6 Lot en importation temporaire. L'acquéreur devra acquitter des frais d'importation, soit 5,5% en sus du prix d'adjudication sauf s'il réexporte immédiatement le lot hors de l'Union Européenne. This work is in temporary import. The buyer will have to pay import fees of 5.5% in addition to the hammer price, unless the buyer immediately re-exports the lot outside the European Union. Estimation 50 000 - 70 000 €

Thomas Demand (b. 1964) - Shed

Thomas Demand (b. 1964) Shed chromogenic print face-mounted to Diasec and flush-mounted on Plexiglas 79 x 70 in. (200.7 x 177.8 cm.)

Thomas Demand (born 1964)

"Bullion", 2003Kleve, Germany: EN/OF Editions: Lambda print, signed, dated and numbered '79/100' in ink on a label affixed on the verso, 12 1/4 x 12 1/2in (31 x 31.5cm); accompanied by Memorize a twelve-inch vinyl record by Pan•American with 4 tracks; both contained in a 4to. folder/ record sleeve.

THOMAS DEMAND - Five Drafts (Simulator), 2004

THOMAS DEMAND - Five Drafts (Simulator), 2004 ♠

THOMAS DEMAND - Pile (Stapel), from Double Exposure, 2001-02

THOMAS DEMAND - Pile (Stapel), from Double Exposure, 2001-02 ♠

Thomas Demand (b. 1964) Detail VIII (Copyshop) chromogenic print face-mounted and flush-mounted on Diasec 38 x 42 in. (96.5 x 106.6 cm.)

Thomas Demand (b. 1964) Detail VIII (Copyshop) chromogenic print face-mounted and flush-mounted on Diasec 38 x 42 in. (96.5 x 106.6 cm.) Executed in 2000. This work is number one from an edition of six.