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Robert Dodd Sold at Auction Prices

Etcher, Painter, Illustrator, b. 1748 - d. 1816

(b London, 1748; d London, 1815) English Painter. Robert Dodd was one of the most important recorders of the maritime aspects of the French Revolution and the American War of Independence. Although little is known about his training, he lived and worked in Wapping and produced fine and meticulously researched portrayals of naval actions and portraits of famous ships. His paintings convey the drama of battles and storms through spectacular light effects, and even in a relatively peaceful image… the way the sunlight falls on the ships emphasizes Dodd's incredible attention to detail. Dodd also produced over a hundred engravings and aquatints, many of them views of the Royal Dockyards and Greenwich Hospital, and he regularly exhibited at the Society of Artists and the Royal Academy. (Credit: Christie’s, London, Maritime Art, October 29, 2008, Lot 36)

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  • Robert Dodd Fourteen Gun Frigate in the Solent
    Aug. 09, 2026

    Robert Dodd Fourteen Gun Frigate in the Solent

    Est: $5,000 - $7,000

    DODD, Robert, (British, 1748-1815): "Fourteen Gun Frigate in the Solent", Oil on Canvas, signed lower left, older registration label affixed to frame verso. 24" x 36", framed 30.75" x 41.75". Condition: Craquelure, scattered inpaint, relined.

    Amero Auctions
  • Robert Dodd (Wapping 1748-1816 London) The East Indiaman Dutton in three positions off Dover
    Jul. 01, 2026

    Robert Dodd (Wapping 1748-1816 London) The East Indiaman Dutton in three positions off Dover

    Est: £7,000 - £10,000

    Robert Dodd (Wapping 1748-1816 London) The East Indiaman Dutton in three positions off Dover signed and dated 'Robt. Dodd 1786' (lower right) oil on canvas 88.3 x 149.9cm (34 3/4 x 59in).

    Bonhams
  • ROBERT DODD AFTER LIEUT A. BECHER, RN 'Situation of his majesties ship Defence commanded by Capt. James Gamb
    Mar. 10, 2026

    ROBERT DODD AFTER LIEUT A. BECHER, RN 'Situation of his majesties ship Defence commanded by Capt. James Gamb

    Est: £30 - £50

    ROBERT DODD AFTER LIEUT A. BECHER, RN 'Situation of his majesties ship Defence commanded by Capt. James Gambier at the close of action between the British and French Fleets on the 1st June 1794' engraving unframed 54 x 73cm

    John Nicholson's Fine Art Auctioneers & Valuers
  • Robert Dodd Oil on Canvas of The Greenland Whale Fishery
    Feb. 07, 2026

    Robert Dodd Oil on Canvas of The Greenland Whale Fishery

    Est: $150,000 - $250,000

    DODD, Robert (1748 - 1816). The Greenland Whale Fishery. Oil on Canvas. 26" x 35 3/8" canvas. Provenance: (Sale, Christie's, London, March 18, 1977, lot 73) Richard Green, London; London; Christie’s South Kensington: Wednesday, November 8, 2006 - $168,437. The Greenland Whale Fishery had its beginnings along the coast of Spitsbergen in 1611. After about 1650, whalemen moved west in search of new bowhead stocks and the term "Greenland Whale Fishery" came to refer to pelagic whaling in the waters between Spitsbergen and Greenland. Whaling ships followed the northward summer migration of the bowhead, sailing first to Spitsbergen, and then drifting west to the edge of the East Greenland ice pack. The season generally lasted four to five months. In Dodd's painting, The Greenland Whale Fishery, the identity of the ships are not known. It can be said with some certainty that they were London-based vessels operating out of the Thames, from where the largest British whaling fleet emanated well into the 19th century. By the mid-18th century, the shortage of Arctic whales was sending fleets as far away as Greenland. In fact, the Howland Great Wet Dock at Rotherhithe - built at the end of the 17th century - was, in 1763, renamed the Greenland Dock. In 1783, the year in which this work is dated, the British whaling industry saw a marked revival after a wartime depression. The primary cause for the slump was the government commandeering of a large number of whale ships for use as transporters. The trade soon began to revive after the peace settlement with both France and the newly independent United States. Likewise, an increase in the government whaling bounty to forty shillings per ton was an added incentive for more vessels to join this extremely lucrative trade. In fact, profits were such that it seems plausible that this painting was commissioned simply to mark a general return to prosperity for the whaling industry rather than any specific expedition. This latter theory is supported by the fact that this painting was twice engraved and published, on the first occasion by John & Josiah Boydell of Cheapside in 1789 and again in 1795, by Fran. Ambrosi and Antoine Suntach. Two separate editions of these engravings would suggest a strong popular demand amongst whaling ship owners, masters and crews, for whom a generic image may have been more attractive than one of vessels belonging to their rivals. The engravings are reproduced in Kendall Whaling Museum Prints by M.V. and Dorothy Brewington, published in Sharon, Massachusetts, 1969, no. 151 and no. 189. Dodd undertook meticulous research for his paintings and was very accurate in his depiction of the details of ships and conditions at sea. From about 1783 he engraved over a hundred of his paintings in aquatint and as a result his work gained a wide audience. In particular, he was one of the principal recorders of naval actions in the American War of Independence and published many of his renderings of these battles. Dodd exhibited at the Society of Artists in 1780, and from 1782 to 1809 he exhibited at the Royal Academy. His masterpiece is the large (76 by 134 inches) painting of Lord Howe's famous victory over the French, The End of the Battle of the First of June.

    Arader Galleries
  • ROBERT DODD (English. 1748-1815) Colored Engraving dated 1800 "Hermione being Towed. by Robert Dodd sight 17 x 25 inches overall framed size 28-1/2 x 35 inches
    Dec. 03, 2025

    ROBERT DODD (English. 1748-1815) Colored Engraving dated 1800 "Hermione being Towed. by Robert Dodd sight 17 x 25 inches overall framed size 28-1/2 x 35 inches

    Est: $150 - $250

    ROBERT DODD (English. 1748-1815) Colored Engraving dated 1800 "Hermione being Towed. by Robert Dodd sight 17 x 25 inches overall framed size 28-1/2 x 35 inches

    Bill Hood & Sons Arts & Antiques Auctions
  • ATTRIBUTED TO ROBERT DODD (BRITISH, 1748-1815) 'La Piémontaise' capturing the 'Warren Hastings', 21st June 1806
    Nov. 11, 2025

    ATTRIBUTED TO ROBERT DODD (BRITISH, 1748-1815) 'La Piémontaise' capturing the 'Warren Hastings', 21st June 1806

    Est: £600 - £800

    ATTRIBUTED TO ROBERT DODD (BRITISH, 1748-1815) 'La Piémontaise' capturing the 'Warren Hastings', 21st June 1806 ATTRIBUTED TO ROBERT DODD (BRITISH, 1748-1815) 'La Piémontaise' capturing the 'Warren Hastings', 21st June 1806 Oil on canvas 12¼ x 17½in. (31 x 44.5cm.) Despite the danger of so doing in time of War, the East Indiaman Warren Hastings was heading home from China without the benefit of either escort or convoy when, on 21st June 1806, she sighted an armed vessel flying British colours south of Rėunion Island in the Indian Ocean. When the other vessel failed to answer the private recognition signal and revealed herself as the 40-gun French frigate Piėmontaise, the Warren Hastings, mounting 36-guns, immediately shortened sail and cleared for action. A fierce fight ensued but, thanks to the superior gunnery of the Frenchman, the Warren Hastings took a tremendous battering. Captain Larkins [in command of the East Indiaman] fought tenaciously but, in the late afternoon and after some four hours of desperate efforts, he was obliged to ‘strike his colours’ and surrender in what was destined to become known as one of the most gallant defences by an East Indiaman during the entire French Wars. In the work offered here, the artist has shown the boats from the Piėmontaise being rowed over to the disabled Warren Hastings to take possession of the prize, the third and final view of the action he produced. Engravings may be seen at the National Maritime Museum ID Nos. PAH 8046-PAH 8048 (first two only). Original condition, needs clean, small puncture through hull of left-hand vessel.

    Charles Miller Ltd
  • Robert Dodd after William Hogarth 'The Indian Emperor', aquatint engraving, another; A. Fogg after Hogarth and Thornhill - 'The House of Commons in Sir Robert Walpole's Administration', stipple engraving, and one further; Smith After Hogarth -...
    Oct. 22, 2025

    Robert Dodd after William Hogarth 'The Indian Emperor', aquatint engraving, another; A. Fogg after Hogarth and Thornhill - 'The House of Commons in Sir Robert Walpole's Administration', stipple engraving, and one further; Smith After Hogarth -...

    Est: £50 - £80

    Robert Dodd after William Hogarth 'The Indian Emperor', aquatint engraving, another; A. Fogg after Hogarth and Thornhill - 'The House of Commons in Sir Robert Walpole's Administration', stipple engraving, and one further; Smith After Hogarth - 'The Painter and His Pug', engraving (3)

    Mallams
  • Robert Dodd (British, 1748-1816) The East Indiaman Dutton in three positions off Dover
    Oct. 15, 2025

    Robert Dodd (British, 1748-1816) The East Indiaman Dutton in three positions off Dover

    Est: £20,000 - £30,000

    Robert Dodd (British, 1748-1816) The East Indiaman Dutton in three positions off Dover signed and dated 'Robt. Dodd 1786' (lower right) oil on canvas 88.3 x 149.9cm (34 3/4 x 59in).

    Bonhams
  • AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an
    Oct. 01, 2025

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an

    Est: $200 - $400

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an Anchor at Spithead', originally pub. no 22 Lifson Green 1797, restrike engravings, plate 37 x 51 cm, framed 64 x 79 cm. (2) Donald A. Heald Fine Art New York Gallery label verso. Provenance: Donald A. Heald Gallery, New York; the Ritz Carlton Art Collection.

    Raffan Kelaher & Thomas
  • AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an
    Oct. 01, 2025

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an

    Est: $200 - $400

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an Anchor at Spithead, pub. no 22 Lifson Green 1797, restrike engravings, plate 37 x 51 cm, framed 64 x 79 cm. (2) Donald A. Heald Fine Art New York Gallery label verso. Provenance: Donald A. Heald Gallery, New York; the Ritz Carlton Art Collection.

    Raffan Kelaher & Thomas
  • AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an
    Oct. 01, 2025

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an

    Est: $200 - $400

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an Anchor at Spithead', pub. no 22 Lifson Green 1797, restrike engravings, plate 37 x 51 cm, framed 64 x 79 cm. (2) Donald A. Heald Fine Art New York Gallery label verso. Provenance: Donald A. Heald Gallery, New York; the Ritz Carlton Art Collection.

    Raffan Kelaher & Thomas
  • AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an
    Oct. 01, 2025

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an

    Est: $200 - $400

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an Anchor at Spithead', pub. no 22 Lifson Green 1797, restrike engravings, plate 37 x 51 cm, framed 64 x 79 cm. Provenance: Donald A. Heald Gallery, New York; the Ritz Carlton Art Collection.

    Raffan Kelaher & Thomas
  • AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an
    Oct. 01, 2025

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an

    Est: $200 - $400

    AFTER ROBERT DODD (1748-1816) x 2, 'Portrait of an East Indiaman sailing from Madras' and 'Portrait of an East Indiaman coming to an Anchor at Spithead, pub. no 22 Lifson Green 1797, restrike engravings, plate 37 x 51 cm, framed 64 x 79 cm. (2) Donald A. Heald Fine Art New York Gallery label verso. Provenance: Donald A. Heald Gallery, New York; the Ritz Carlton Art Collection.

    Raffan Kelaher & Thomas
  • PAIR OF HAND-COLORED ENGRAVINGS OF ENGLISH NAVAL BATTLES Late 18th/Early 19th Century 14.5" x 18.5" sight. Framed 22" x 28".
    Sep. 17, 2025

    PAIR OF HAND-COLORED ENGRAVINGS OF ENGLISH NAVAL BATTLES Late 18th/Early 19th Century 14.5" x 18.5" sight. Framed 22" x 28".

    Est: $400 - $600

    PAIR OF HAND-COLORED ENGRAVINGS OF ENGLISH NAVAL BATTLES Late 18th/Early 19th Century Painted by Robert Dodd (England, 1748-1815) and engraved by Robert Pollard (United Kingdom, 1755-1838).

    Eldred's
  • ROBERT DODD (?1748-1815 LONDON). The East Indiaman William Pitt, in three p
    Jul. 02, 2025

    ROBERT DODD (?1748-1815 LONDON). The East Indiaman William Pitt, in three p

    Est: £40,000 - £60,000

    ROBERT DODD (?1748-1815 LONDON). The East Indiaman William Pitt, in three positions off Dover. oil on canvas33 ¼ x 57 in. (84.5 x 144.8 cm.).

    Christie's
  • Robert Dodd (British, 1748-1816) A squadron of the Red at Spithead, waiting for a breeze
    Apr. 30, 2025

    Robert Dodd (British, 1748-1816) A squadron of the Red at Spithead, waiting for a breeze

    Est: £20,000 - £30,000

    Robert Dodd (British, 1748-1816) A squadron of the Red at Spithead, waiting for a breeze oil on canvas 76.2 x 133.4cm (30 x 52 1/2in).

    Bonhams
  • Circle of Robert Dodd (British, 1748-1816) HMS Shannon and the USS Chesapeake in action on 1st June 1813, a pair
    Apr. 30, 2025

    Circle of Robert Dodd (British, 1748-1816) HMS Shannon and the USS Chesapeake in action on 1st June 1813, a pair

    Est: £3,000 - £5,000

    Circle of Robert Dodd (British, 1748-1816) HMS Shannon and the USS Chesapeake in action on 1st June 1813, a pair oil on canvas each approximately 53.6 x 76.5cm (21 1/8 x 30 1/8in). (2)

    Bonhams
  • Robert Dodd hand-colored aquatint
    Mar. 06, 2025

    Robert Dodd hand-colored aquatint

    Est: $300 - $500

    Heading: Author: Dodd, Robert Title: View of the British Fleet at Noon on the 11 October 1797, Bearing down to attack the Dutch Fleet, under the Command of Admiral De Wister... Place Published: London Publisher:I. Brydon and R. Dodd Date Published: 1798 Description: Hand-colored aquatint painted and engraved by R. Dodd. Sheet: 49.5x71.8 cm (19½x28¼"); matted: 63x85.7 cm (24¾x33¾"). Caption reads, "View of the British Fleet at Noon on the 11 October 1797, Bearing down to attack the Dutch Fleet, under the Command of Admiral De Wister, with the Action commencing in the Rear by His Majesty's Ship the Monarch. To Admiral Lord Viscount Duncan, Commander in Chief, Vice Admiral Sir Richard Onslow Bart. Commander of the Red Division, the several Captains, the Officers, Seamen and Marines who so gallantly asserted the honor of the British Flag., This Plate is with the greatest respect Inscribed by their obedient Servant Robert Dodd".

    PBA Galleries Auctions & Appraisers
  • Robert Dodd hand-colored aquatint
    Mar. 06, 2025

    Robert Dodd hand-colored aquatint

    Est: $300 - $500

    Heading: Author: Dodd, Robert Title: A Royal Salute: The Squadron saluting His Majesty on board the Southampton Frigate at the Naval Review off Plymouth Sound Place Published: London Publisher:John P. Thompson Date Published: 1802 Description: Hand-colored aquatint painted and engraved by Robert Dodd. Sheet: 57.5x80 cm (22¾x31½"); matted: 68.1x90.7 cm (26¾x35¾"). The British navy salutes King George III aboard HMS Southampton.

    PBA Galleries Auctions & Appraisers
  • Robert Dodd's Repulse of the Linois aquatint
    Mar. 06, 2025

    Robert Dodd's Repulse of the Linois aquatint

    Est: $200 - $300

    Heading: Author: Dodd, Robert Title: Repulse of Linois by the China Fleet Place Published: London Publisher:R. Dodd Date Published: 1805 Description: Hand-colored aquatint trimmed nearly to plate mark and mounted to board. 53.1x78.5 cm (21x31"); matted: 64.5x87 cm (25½x34¼"). Print is captioned "This View, comprising Portraits of the several Ships in the Fleet, on that memorable day, making Sail in pursuit of the retreating enemy; Is with the greatest respect Inscribed to the respective Commanders, by their Obed.t Servant Rob.t Dodd." Robert Dodd (1748-1815) was a British painter maritime scenes and an aquatint engraver.

    PBA Galleries Auctions & Appraisers
  • Robert Dodd aquatint, Battle of Lissa
    Mar. 06, 2025

    Robert Dodd aquatint, Battle of Lissa

    Est: $300 - $500

    Heading: Author: Dodd, Robert Title: Defeat of the French and Italian Squadrons By his Majesty's Frigates Amphion, Active, Volage, and Cerberus... Place Published: London Publisher:R. Dodd Date Published: 1811 Description: Hand-colored aquatint by Robert Dodd. sheet: 43.6x67.5 cm (17¼x26½"); matted: 59.2x81.5 cm (23¼x32"). Scene from the 13 March, 1811 Battle of Lissa during the Adriatic campaign of the Napoleonic Wars. Full caption reads "This View of the Defeat of the French and Italian Squadrons, by his Majesty's Frigates Amphion, Active, Volage, and Cerberus after an Action of six hours which ended in the French Commodore being driven on shore and burnt, another French Frigate the Flora, struck her colours but escaped, the Corona of 40 Guns and the Bellona of 28 Guns taken, the rest of their Squadron dispersed, is most respectfully Inscribed to the British Commanders by their Obed. Servant Robt. Dodd."

    PBA Galleries Auctions & Appraisers
  • Robert Dodd aquatint, Hermione besieged
    Mar. 06, 2025

    Robert Dodd aquatint, Hermione besieged

    Est: $300 - $500

    Heading: Author: Dodd, Robert Title: Captain Sir Edward Hamilton Kt. This view of his Intrepid Conduct in leading his men to board the Hermione in the harbour of Porto Cavallo Place Published: London Publisher:R. Dodd Date Published: 1805 Description: Hand-colored aquatint trimmed to plate mark. 50.3x65.2 cm (19¾x25¾"); matted: 67x81.5 cm (26½x32"). French Revolutionary War naval scene of HMS Surprise's "cutting out" operation at Porto Cavallo, Venezuela under the command of Captain Sir Edward Hamilton. The object of this action was to retake the frigate Hermione which had been seized by mutinous sailors and delivered to the Spanish. Affronted by such an insult to the Royal Navy, Hamilton set about retaking the ship.

    PBA Galleries Auctions & Appraisers
  • Robert Dodd, Paar Pferdedarstellungen
    Feb. 22, 2025

    Robert Dodd, Paar Pferdedarstellungen

    Est: -

    Robert Dodd, Paar Pferdedarstellungen Darstellung des Reitpferdes "Grey Diomed" und "Escape", in leicht hügeliger Landschaft mit Jockey und Stallburschen, unter der Darstellung ausführlich bezeichnet, feintonige Aquatinten, erschienen 1792 bei R. Pollard in London, unter der Darstellung bezeichnet rechts "K. Dodd Aqua-t, fecit" sowie links "J. N. Sartorius jun. pint", fleckig, auf Unterlagekarton und hinter Glas in Berliner Leiste gerahmt (leichte Altersmängel), Darstellungsmaße ohne Schrift ca. 39,5 x 51,5 cm, Blattmaße ca. 44,5 x 52 cm. Künstlerinfo: britischer Maler und Graphiker (1748 Wapping bis 1815 London), erlangte durch seine teils großen Marinedarstellungen Bekanntheit, war ab er auch als Graphiker sehr geschätzt, 1782–1809 Teilnahme an den Ausstellungen der Royal Academy in London. Quelle: Thieme-Becker und Wikipedia. Robert Dodd, Pair of Horse Depictions Depicting the riding horse "Grey Diomed" and "Escape", in a slightly hilly landscape with jockey and groom, inscribed in detail below the depiction, fine aquatints, published 1792 by R. Pollard in London, inscribed "K. Dodd Aqua-t, fecit" below the image on the right and "J. N. Sartorius jun. pint" on the left, stained, on cardboard backing and framed behind glass in Berlin moulding (slight age defects), image dimensions without inscription approx. 39.5 x 51.5 cm, sheet dimensions approx. 44.5 x 52 cm. Artist information: British painter and graphic artist (1748 Wapping - 1815 London), became famous for his sometimes large marine depictions, was also highly esteemed as a graphic artist from 1782-1809, participated in the exhibitions of the Royal Academy in London. Source: Thieme-Becker and Wikipedia.

    Auktionshaus Mehlis GmbH
  • ROBERT DODD (BRITISH, 1748-1816). 'H.M.S. MEDIATOR' ATTACKING FIVE SAIL OF
    Jan. 24, 2025

    ROBERT DODD (BRITISH, 1748-1816). 'H.M.S. MEDIATOR' ATTACKING FIVE SAIL OF

    Est: $10,000 - $20,000

    ROBERT DODD (BRITISH, 1748-1816). 'H.M.S. MEDIATOR' ATTACKING FIVE SAIL OF THE ENEMY, DECEMBER 12, 1782. oil on canvas24 x 34 in..

    Christie's
  • After Robert Dodd,(1748-1816) UK, Battle of the Victory of the British fleet commandeered by Admiral Sir John Jervis KB, over the grand fleet of Spain off cape St Vincent 1797, Printed with handprinted highlights on to t
    Dec. 16, 2024

    After Robert Dodd,(1748-1816) UK, Battle of the Victory of the British fleet commandeered by Admiral Sir John Jervis KB, over the grand fleet of Spain off cape St Vincent 1797, Printed with handprinted highlights on to t

    Est: -

    After Robert Dodd,(1748-1816) UK, Battle of the Victory of the British fleet commandeered by Admiral Sir John Jervis KB, over the grand fleet of Spain off cape St Vincent 1797, Printed with handprinted highlights on to the rear of Glass sheet. Glass loose in frame.

    Bargain Hunt Auctions
  • ROBERT DODD (BRITISH 1748-1816), THE ROYAL DOCKYARD AT WOOLWICH
    Nov. 07, 2024

    ROBERT DODD (BRITISH 1748-1816), THE ROYAL DOCKYARD AT WOOLWICH

    Est: £400 - £600

    ROBERT DODD (BRITISH 1748 - 1816)THE ROYAL DOCKYARD AT WOOLWICH; THE ROYAL DOCKYARD AT DEPTFORDEngraving, a pair68 x 43cm (26¾ x 16¾ in.) (2)Provenance:The Rowley Gallery, Ltd, LondonPrivate Collection, Phillimore Gardens, London

    Dreweatts 1759 Fine Sales
  • Robert Dodd, Original Hand Colored Aquatint on Wove Paper
    Aug. 21, 2024

    Robert Dodd, Original Hand Colored Aquatint on Wove Paper

    Est: $200 - $800

    Outstanding original hand colored aquatint on wove paper entitled Battle of Trafalgar, Rear Division after a painting by Robert Dodd. This large composition depicts British and French ships at the Battle of Trafalgar,1805. Inscribed below plate: Painted by Robert Dodd. In plate on lower right: R.D. On lower center below text: London, published 1843 by J. W. Laird, 1 Leadenhall Street. Artist: Robert Dodd (British 1748-1815) Issued: 1843 Dimensions: 37.75"L x 26"H Country of Origin: England

    Lion and Unicorn
  • Robert Dodd, "Victory of Trafalgar", Aquatinta-Stich mit Handkolorierung, gerahmt
    Jul. 13, 2024

    Robert Dodd, "Victory of Trafalgar", Aquatinta-Stich mit Handkolorierung, gerahmt

    Est: €200 - €250

    Robert Dodd, "Victory of Trafalgar", Aquatinta-Stich mit Handkolorierung, gerahmt Robert Dodd, 1748 Wapping - 1815 London, britischer Marinemaler, "Victory of Trafalgar, in the Van", Farbaquatinta, 44 x 70 cm, bezeichnet Plate 3, Drawn & Engraved by R. Dodd, London, Published 1843 by J.W. Laird, zwei kleinere Löcher am oberen Rand, unter P.p. und Glas gerahmt

    K&K – Auktionen in Heidelberg
  • ROBERT DODD ENGRAVING OF MAJOR JOHN ANDRE - REVOLUTIONARY WAR SPY
    Jun. 22, 2024

    ROBERT DODD ENGRAVING OF MAJOR JOHN ANDRE - REVOLUTIONARY WAR SPY

    Est: $600 - $900

    DODD, Robert (1748 - 1816). Major John Andre, Late Adjutant General to the British Army in North America. Engraving, published for Raymond's History of England. Engraved by Cook. London, 1784. 12 1/2" x 9" framed, 10" x 6 1/2" visible. Major John Andre 1750-1780, was an English officer, Clinton's adjutant and Benedict Arnold's contact. After a meeting with Arnold, Andre was caught behind the lines by a group of militiamen commanded by John Paulding. He was in civilian clothes with a pass from Arnold, the plans to West Point and other incriminating paperwork were found in his boot. Arnold heard of Andre's capture and fled. Major John Andre was hanged as a spy October 2, 1780.

    Arader Galleries
  • Robert Dodd, Original Hand Colored Aquatint on Wove Paper
    Jun. 12, 2024

    Robert Dodd, Original Hand Colored Aquatint on Wove Paper

    Est: $200 - $800

    Outstanding original hand colored aquatint on wove paper entitled Battle of Trafalgar, Rear Division after a painting by Robert Dodd. This large composition depicts British and French ships at the Battle of Trafalgar,1805. Inscribed below plate: Painted by Robert Dodd. In plate on lower right: R.D. On lower center below text: London, published 1843 by J. W. Laird, 1 Leadenhall Street. Artist: Robert Dodd (British 1748-1815) Issued: 1843 Dimensions: 37.75"L x 26"H Country of Origin: England

    Lion and Unicorn
  • Robert Dodd, Original Hand Colored Aquatint on Wove Paper
    May. 30, 2024

    Robert Dodd, Original Hand Colored Aquatint on Wove Paper

    Est: $200 - $800

    Outstanding original hand colored aquatint on wove paper entitled Battle of Trafalgar, Van Division after a painting by Robert Dodd. This large work depicts British and French ships at the Battle of Trafalgar,1805. Inscribed below plate: Painted by Robert Dodd. In plate on lower right: R.D. On lower center below text: London, published 1843 by J. W. Laird, 1 Leadenhall Street. Artist: Robert Dodd (British 1748-1815) Issued: 1843 Dimensions: 37.75"L x 26"H Country of Origin: England

    Lion and Unicorn
  • ROBERT DODD, THE GREENLAND WHALE FISHERY
    Apr. 06, 2024

    ROBERT DODD, THE GREENLAND WHALE FISHERY

    Est: $150,000 - $250,000

    DODD, Robert (1748 - 1816). The Greenland Whale Fishery. Oil on Canvas. 26" x 35 3/8" canvas. Provenance: (Sale, Christie's, London, March 18, 1977, lot 73) Richard Green, London; London; Christie’s South Kensington: Wednesday, November 8, 2006 - $168,437 The Greenland Whale Fishery had its beginnings along the coast of Spitsbergen in 1611. After about 1650, whalemen moved west in search of new bowhead stocks and the term "Greenland Whale Fishery" came to refer to pelagic whaling in the waters between Spitsbergen and Greenland. Whaling ships followed the northward summer migration of the bowhead, sailing first to Spitsbergen, and then drifting west to the edge of the East Greenland ice pack. The season generally lasted four to five months. In Dodd's painting, The Greenland Whale Fishery, the identity of the ships are not known. It can be said with some certainty that they were London-based vessels operating out of the Thames, from where the largest British whaling fleet emanated well into the 19th century. By the mid-18th century, the shortage of Arctic whales was sending fleets as far away as Greenland. In fact, the Howland Great Wet Dock at Rotherhithe - built at the end of the 17th century - was, in 1763, renamed the Greenland Dock. In 1783, the year in which this work is dated, the British whaling industry saw a marked revival after a wartime depression. The primary cause for the slump was the government commandeering of a large number of whale ships for use as transporters. The trade soon began to revive after the peace settlement with both France and the newly independent United States. Likewise, an increase in the government whaling bounty to forty shillings per ton was an added incentive for more vessels to join this extremely lucrative trade. In fact, profits were such that it seems plausible that this painting was commissioned simply to mark a general return to prosperity for the whaling industry rather than any specific expedition. This latter theory is supported by the fact that this painting was twice engraved and published, on the first occasion by John & Josiah Boydell of Cheapside in 1789 and again in 1795, by Fran. Ambrosi and Antoine Suntach. Two separate editions of these engravings would suggest a strong popular demand amongst whaling ship owners, masters and crews, for whom a generic image may have been more attractive than one of vessels belonging to their rivals. The engravings are reproduced in Kendall Whaling Museum Prints by M.V. and Dorothy Brewington, published in Sharon, Massachusetts, 1969, no. 151 and no. 189. Dodd undertook meticulous research for his paintings and was very accurate in his depiction of the details of ships and conditions at sea. From about 1783 he engraved over a hundred of his paintings in aquatint and as a result his work gained a wide audience. In particular, he was one of the principal recorders of naval actions in the American War of Independence and published many of his renderings of these battles. Dodd exhibited at the Society of Artists in 1780, and from 1782 to 1809 he exhibited at the Royal Academy. His masterpiece is the large (76 by 134 inches) painting of Lord Howe's famous victory over the French, The End of the Battle of the First of June.

    Arader Galleries
  • Robert Dodd - Windsor Castle Packet and La Genie Privateer 
    Feb. 27, 2024

    Robert Dodd - Windsor Castle Packet and La Genie Privateer 

    Est: £2,500 - £3,500

    Robert Dodd,  British 1748-1815 Windsor Castle Packet and La Genie Privateer;  pencil, watercolour, and bodycolour heightened with scratching out on paper, inscribed 'WINDSOR CASTLE PACKET, and Le GENIE PRIVATEER / To William Rogers Esqr. commanding the Windsor Castle, and his brave Crew; this View, of their engaging and capturing a French / Privateer Schooner of superior force on the 1st of October 1807 / Comparative Force: Windsor Castle. 8 small Guns, 28 Men / Le Genie. 6 six Pounders one 24 P. 86 Men' to the lower margin, 30.2 x 35.4 cm.  Provenance:  Private Collection, UK.  Note:  A print after the present drawing is held in the collection of the National Maritime Museum in Greenwich [PAG9422], as is another drawing by Dodd of ''La Blanche' towing 'La Pique', a French prize' [PAF5856], similarly depicting the sails battered by canon fire. As Robert Dodd also used to engrave his own naval battle scenes for wider distribution, it is likely that the present picture, which is accompanied by an inscription to the lower margin, is a preparatory study for the known print of this subject.  The 'Windsor Packet' was launched at Yarmouth in 1804, serving as a Falmouth packet, often completing journeys to New York and the Caribbean islands of Barbados and Jamaica. The ship is best known for its decisive defeat of the French privateer schooner 'Jeune Richard', which, despite the much greater resources and man-power of the French vessel, resulted in its capture at the hands of the 'Windsor Packet'. A contemporary report of the action describes how 'This achievement reflects the highest honour upon every office, man, and boy that was on board the Windsor Castle; and, in particular, the heroic valour of her commander, so decisive of the business, ranks above all the praise. Had Captain Rogers stayed to calculate the chances that were against him, the probability is, that the privateer would have ultimately succeeded in capturing the packet; whose light carronades could have offered very little resistance at the usual distance at which vessels engage; and whose very small crew, without such a coup-de-main, ay, and without such a leader, could never have brought the combat to a favourable issue'. 

    Roseberys
  • ROBERT DODD (BRITISH 1748-1816), THE 'JOHN O'GAUNT' IN TWO POSITIONS OFF DOVER
    Feb. 21, 2024

    ROBERT DODD (BRITISH 1748-1816), THE 'JOHN O'GAUNT' IN TWO POSITIONS OFF DOVER

    Est: £3,000 - £5,000

    ROBERT DODD (BRITISH 1748-1816)THE 'JOHN O'GAUNT' IN TWO POSITIONS OFF DOVER Oil on canvas53.5 x 75cm (21 x 29½ in.)Provenance:Sale, Northeast Auctions, August Marine, China Trade and Sporting Arts Auction, 21 August 2011, lot 715

    Dreweatts 1759 Fine Sales
  • ROBERT DODD (1748 - 1815), a series of four aquatints...
    Feb. 11, 2024

    ROBERT DODD (1748 - 1815), a series of four aquatints...

    Est: $1,000 - $1,500

    ROBERT DODD (1748 - 1815) "Battle of the Nile, the Attack at Sunset" [Plate 1], "Battle of the Nile, at 10 O'clock at Night" [Plate 2], "Battle of the Nile, Near Midnight" [Plate 3], "Battle of the Nile, on the Ensuing Morning" [Plate 4], a series of four aquatints, [London, 1799], individually framed and glazed, each 74 x 96cm. (4 items). The Battle of the Nile (also known as the Battle of Aboukir Bay) was a major naval battle fought between the British Royal Navy and the Navy of the French Republic at Aboukir Bay on the Mediterranean coast off the Nile Delta from 1st to 3rd of August 1798. The battle was the climax of a naval campaign that had raged across the Mediterranean during the previous three months, as a large French convoy sailed from Toulon to Alexandria carrying an expeditionary force under General Napoleon Bonaparte. The British fleet was led in the battle by Rear-Admiral Sir Horatio Nelson.

    Leski Auctions Pty Ltd
  • Robert Dodd (British, 1750-1809)
    Nov. 16, 2023

    Robert Dodd (British, 1750-1809)

    Est: $4,000 - $6,000

    Robert Dodd (British, 1750-1809) A British Frigate at Table Bay - Cape of Good Hope oil on canvas unsigned 19 3/4 x 26 3/4 inches. Provenance: William Blair Ltd., Bethesda, Maryland; Eldred's, East Dennis, Massachusetts, 1991. The topography of the land at lower left, where Capetown's "Three Peaks," Table Mountain, Devil's Peak, and Lion's Head, are visible, is similar to that represented by Robert Dodd in a second, similar painting entitled S outhampton Anchored off Cape Town from 1786. That painting was exhibited at the Royal Academy in 1787, along with four other pictures by Dodd of anchored East Indiamen.

    Hindman
  • ROBERT DODDS URBAN CITY STREET PAINTING
    Oct. 22, 2023

    ROBERT DODDS URBAN CITY STREET PAINTING

    Est: $400 - $600

    DODDS, Robert E., (American, 1903-): Urban Winter City Street Scene, Watercolor, sight size 20" x 16.75", signed lower left, framed, 28.5" x 24.5".

    Burchard Galleries Inc
  • Robert Dodd, aquatint etching, 1799
    Oct. 13, 2023

    Robert Dodd, aquatint etching, 1799

    Est: $100 - $150

    Robert Dodd (English, 1748-1815), "Battle of the Nile on the Ensuing Morning", in elaborate eglomise mat, the title in ornate gold lettering, 17"h x 27.5"w (sight), 29.75"h x 37.5"w (frame)

    Millea Bros Ltd
  • A Nautical Scene Engraving of a British Ship by Robert Dodd (English, 1748-1816)
    May. 31, 2023

    A Nautical Scene Engraving of a British Ship by Robert Dodd (English, 1748-1816)

    Est: $150 - $300

    East Indiaman engraving on paper painted by Robert Dodd published by No.22 Lifson Green, Nov. 1797 14 x 21 inches (plate) 22 x 30 inches (paper) unframed Overall good condition. Minimal stains and edge wear to paper.

    Lewis & Grant Auctions
  • A BRITISH NAVAL SCENE COLORED ENGRAVING BY ROBERT DODD (ENGLISH, 1748-1816)
    May. 12, 2023

    A BRITISH NAVAL SCENE COLORED ENGRAVING BY ROBERT DODD (ENGLISH, 1748-1816)

    Est: -

    Portrait of East Indiaman Coming to Anchor at Spithead colored engraving on paper signed R. Dodd 97 drawn & engraved by R. Dodd published by No.22 Lifson Green August, 1797 14.25 x 20.5 inches (plate) 21.25 x 29.75 inches (paper) unframed Overall good condition.

    Lewis & Grant Auctions
  • ROBERT DODD (British, 1748–1815) The Ship Kent 1813 oil on canvas laid on board
    Mar. 21, 2023

    ROBERT DODD (British, 1748–1815) The Ship Kent 1813 oil on canvas laid on board

    Est: $6,000 - $8,000

    ROBERT DODD (British, 1748–1815) The Ship Kent 1813 oil on canvas laid on board signed and dated lower right: R. DODD 1813 inscribed on partial handwritten label affixed verso: The Ship Kent/ T. Bowman/ Commander/ Blowing from her anchors off/ Montserratt [sic]/ 1813 52.5 x 74cm PROVENANCE: Adam Galleries, Melbourne 1972 Private collection, Melbourne Thence by descent

    Leonard Joel
  • Robert Dodd (1748 - 1815). Pair of Nautical Scenes.
    Nov. 12, 2022

    Robert Dodd (1748 - 1815). Pair of Nautical Scenes.

    Est: $600 - $800

    Each oil on canvas, 8 x 10 inches, signed lower left, in period gilt frames. The canvas verso marked G. Rowmey & Co, London. Rowmey was established in 1783, and began selling art supplies around the turn of the century. Some paint loss.

    Casco Bay Auctions
  • ROBERT DODD (Britain, 1748-1815), H.M.S. Termagant at anchor., Oil on canvas, 21.5" x 31.5". Framed 30" x 40".
    Aug. 05, 2022

    ROBERT DODD (Britain, 1748-1815), H.M.S. Termagant at anchor., Oil on canvas, 21.5" x 31.5". Framed 30" x 40".

    Est: $4,000 - $6,000

    ROBERT DODD Britain, 1748-1815 H.M.S. Termagant at anchor. Ship and artist identified on frame plaque.

    Eldred's
  • ROBERT DODD (ENGLISH, 1748-1815)
    Jun. 10, 2022

    ROBERT DODD (ENGLISH, 1748-1815)

    Est: $100 - $200

    ROBERT DODD (ENGLISH, 1748-1815) "Victory of Trafalgar, in the Rear", engraving, published 1843, London. Colorful historical rendition of the historical battle in 1805 between the British Royal Navy and the Frency & Spanish Navies. Framed and matted.

    Selkirk Auctioneers & Appraisers
  • Robert Dodd (1748 -1816): British Fleet
    May. 18, 2022

    Robert Dodd (1748 -1816): British Fleet

    Est: -

    Robert Dodd (1748 -1816) British Fleet Etching a: cm 75,3 x 52,0 b: 76,0 x 52,2 Printed in London in 1798. Pair of splendid views, with particular watercolor coloring, intact sheet with large margins, both well preserved.

    Bertolami Fine Art s.r.l.
  • ROBERT DODD (UK, 1748-1815)
    Apr. 01, 2022

    ROBERT DODD (UK, 1748-1815)

    Est: $700 - $900

    (4) Early Battle of Trafalgar Hand Colored Engravings in series, including: "Battle of Trafalgar, Van Division"; "Victory at Trafalgar, in the Van"; "Rear Division" and "Victory of Trafalgar, in the Rear"; in matching gold and black frames, under glass, OS: 28 1/2" x 38", impression: 20" x 29 3/4". Toned, rippled, could be restored.

    Thomaston Place Auction Galleries
  • 2 Dodd, Robert (1748-1816) "Sea battles of the ship Glatton" 1796, colored aquatints, heightened with white, 49,5x66,2cm (w.f. 71x85cm), various defects
    Feb. 25, 2022

    2 Dodd, Robert (1748-1816) "Sea battles of the ship Glatton" 1796, colored aquatints, heightened with white, 49,5x66,2cm (w.f. 71x85cm), various defects

    Est: -

    2 Dodd, Robert (1748-1816) "Sea battles of the ship Glatton" 1796, colored aquatints, heightened with white, 49,5x66,2cm (w.f. 71x85cm), various defects

    Kendzia
  • ROBERT DODD and JOHN PELTRO (BRITISH, 1748-1815) and (BRITISH, 1760-1808) GALLANT DEFENCE OF CAPTN. PEARSON. . . AGAINST PAUL JONES'..
    Jan. 27, 2022

    ROBERT DODD and JOHN PELTRO (BRITISH, 1748-1815) and (BRITISH, 1760-1808) GALLANT DEFENCE OF CAPTN. PEARSON. . . AGAINST PAUL JONES'..

    Est: $500 - $700

    ROBERT DODD and JOHN PELTRO (BRITISH, 1748-1815) and (BRITISH, 1760-1808) GALLANT DEFENCE OF CAPTN. PEARSON. . . AGAINST PAUL JONES'S SQUADRON Colored engraving: 13 1/2 x 17 1/2 in. (sight), 21 x 25 in. (framed) Framed Note: From the American Revolution a contemporary depiction of the Battle of Flamborough Head in which the USS Bonhomme Richard defeated HMS Serapis.

    Potomack Company
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