Gustave Doré Sold at Auction Prices

Sculptor, Painter, Caricaturist, Illustrator, Water colorist, b. 1832 - d. 1883

Gustave Dore's drawings and graphic illustrations for books, including some fantasy-themed King Arthur pieces, are among his most recognized works. Later in his career, his skill with engraving would lead him to etching illustrations in wood. Though he was a proficient artist, during his later years Gustave Dore often received criticism for his works; he used very little color and often created negative and extremely graphic drawings. Gustave Dore prints and paintings were never truly defined by any genre or medium, but his later pieces leaned toward Romanticism.

He also produced works in oil and watercolors. Gustave Dore prints, such those that depict angels, the crucifixion, and other religious scenes, are based on inspiration he received from life, history, and faith. He died in 1883. Browse other religious drawings for sale online at Invaluable to find your next inspiring piece of art.

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  • 1872 "London: A Pilgrimage" by Gustave Dore
    Aug. 24, 2026

    1872 "London: A Pilgrimage" by Gustave Dore

    Est: $50 - $1,000

    Group of unbound pages from a Harper's Weekly Supplement dated July 6,1872. Part of "London: A Pilgrimage" by Gustave Dore and Blanchard Jerrold featuring engravings Dore. Pages 537-544. Pages measure 16.5"l x 11.5"w. Condition: Some creasing, tearing, and foxing.

    The Auction Barn
  • GUSTAVE DORE Strasbourg, Alsace (1832) / Paris, France (1883) "The Story of Genevieve"
    Jul. 21, 2026

    GUSTAVE DORE Strasbourg, Alsace (1832) / Paris, France (1883) "The Story of Genevieve"

    Est: €100 - €150

    Steel engraving Signed in the plate. "Drawn by Gustave Doré/ Engraved by W. Ridway" Measurements: 25.5 x 18.5 cm

    Ansorena
  • [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Prints, One Signed by Doré. [London: ca. 1880s].
    Jul. 09, 2026

    [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Prints, One Signed by Doré. [London: ca. 1880s].

    Est: $600 - $800

    [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Prints, One Signed by Doré and the Engraver, John Saddler. [London: ca. 1880s]. Prints approximately 25 x 35" (mounted onto a larger sheet, approximately 28 x 39") and 28 x 34". THESE PRINTS COME WITH A COA FROM NATE D. SANDERS, STATING THAT THESE PRINTS WERE FROM THE ESTATE OF LEGENDARY SCIENCE FICTION/HORROR WRITER, RAY BRADBURY (1920-2012). Prints include: "Vale of Tears" (untitled - image of Jesus after the resurrection, carrying his cross) - SIGNED IN PENCIL by Doré and Saddler (mounted onto larger sheet); "The Neophyte" (a young monk with older monks).

    Potter & Potter Auctions Inc.
  • [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Prints, One Signed by Doré. [London: ca. 1880s].
    Jul. 09, 2026

    [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Prints, One Signed by Doré. [London: ca. 1880s].

    Est: $400 - $600

    [MAPS AND PRINTS]. DORÉ, Gustave (1832-1883). Pair of Large Engraved Framed Prints, One Signed by Doré and the Engraver, Herbert Bourne. [United States: ca. 1870s-1880s]. Sight of prints approximately 20 1/4 x 14 1/4". Matted and framed under plexiglass. Frame sizes approximately 27 1/4 x 21 3/4". THESE PRINTS COME WITH A COA FROM NATE D. SANDERS, STATING THAT THESE PRINTS WERE FROM THE ESTATE OF LEGENDARY SCIENCE FICTION/HORROR WRITER, RAY BRADBURY (1920-2012).

    Potter & Potter Auctions Inc.
  • Gustave Dore - Three Don Quixote Engravings
    Jul. 07, 2026

    Gustave Dore - Three Don Quixote Engravings

    Est: $300 - $10,000

    Group of three engravings by renowned French artist and illustrator Gustave Dore, created for the celebrated 1863 edition of Miguel de Cervantes' Don Quixote. Included are scenes titled The Don's Misadventure, The Adventure of the Fulling-Mills, and an additional The Don's Misadventure illustration, each depicting memorable episodes from the classic Spanish novel. Dore's masterful compositions are noted for their dramatic storytelling, intricate detail, and rich tonal contrasts, making his illustrations among the most sought-after interpretations of Don Quixote. Presented in archival mats and ready for framing. Sight size approximately 14" x 11" each matted. Gustave Dore (1832-1883) was a French artist, illustrator, and printmaker celebrated for his engravings for literary masterpieces including Don Quixote, The Divine Comedy, Paradise Lost, and The Bible. His dramatic and highly detailed illustrations remain among the most recognizable images in nineteenth-century art.

    Esquis Auction Services
  • Gustave Dore, View of St. Gingolph
    Jun. 30, 2026

    Gustave Dore, View of St. Gingolph

    Est: $3,000 - $5,000

    Gustave Dore View of St. Gingolph 1881 watercolor, graphite, and gouache on paper 17.5 h x 24.125 w in (44 x 61 cm) Signed, titled, and dated to lower right 'Gustave Dore St Gingolph 1881'. Provenance: Bonhams, New York, European Paintings: Including Old Masters and 19th Century Drawings, 26 January 2007, Lot 32 | Private Collection This work will ship from Lambertville, New Jersey.

    Toomey & Co. Auctioneers
  • Gustave DORE: "Le Juif Errant IX".
    Jun. 06, 2026

    Gustave DORE: "Le Juif Errant IX".

    Est: $100 - $150

    Gustave DORE (French, 1832-1883): "Le Juif Errant IX" (Plate 9 of The Wandering Jew). Wood engraving by J. Gauchard on wove paper, 1856. Plate from a set of 12. Image size: 15 1/2 x 12 inches. We add the title page of this set, also illustrated with a wood engraving, this one in the hand of O. Jahyer. Sheet sizes, each 22 3/4 x 16 3/4 inches.

    Armstrong Fine Art
  • Gustave Doré, A Couple Riding Horses through the Forest by a Castle
    May. 21, 2026

    Gustave Doré, A Couple Riding Horses through the Forest by a Castle

    Est: €20,000 - €30,000

    Signed lower right in red paint: G. Doré Certificate Letter of Authentication by Dan Malan, St. Louis, MO, USA, April 2024. Gustave Doré was not only a productive illustrator, but also an important painter. Henri Leblanc was the first to attempt to catalogue Doré's paintings in 1931. He recorded 130 paintings. However, thorough research into Doré's paintings only began with the exhibition of the century in 1983. Gustave Doré's œuvre can be roughly divided into three creative periods. His early period between 1850 and 1855 consists of 30 paintings, including Doré's well-known work ‘Pins Sauvage’ that was exhibited in the Paris Salon in 1850. This picture fits very well into the pattern of his early works: Small figures are depicted in a dark forest or park landscape; here, two figures on horseback - a man in black and a woman in red - are shown riding towards a clearing bathed in sunlight. Two windhounds or hunting hounds leap into the picture from the lower centre. In the background, you can see a tall building with windows and small balconies, presumably a castle, which lends the scenery a mysterious atmosphere. This element of mystery and fantasy was one which Doré was to accentuate throughout the development of his artistic career. The present work by Gustave Doré has never been published, presumably because it was housed in the estate of a German aristocratic family for several generations. As with all his paintings, Doré signed this work in a striking red colour. We would like to thank art collector and Gustave Doré expert Dan Malan (St. Louis/MO, USA) for confirming the authenticity of the work on the basis of a digital photograph.

    Lempertz
  • Gustave Doré, Lotto composto di 177 incisioni da La Bibbia. 1873.
    May. 20, 2026

    Gustave Doré, Lotto composto di 177 incisioni da La Bibbia. 1873.

    Est: €200 - €400

    Corposa raccolta di 177 xilografie in nero. mm 244x193 ca. cad. Fogli: mm 430x315 ca. cad. Ognuna recante firma, titolo, editore ed episodio di provenienza a stampa lungo il margine inferiore. L'opera originale restituì una fitta sequenza di 241 immagini che spaziano dalla Genesi all'Apocalisse, passando attraverso tutti i 73 libri biblici, compresi i Deuterocanonici, cioè i sette libri dell'Antico Testamento non accolti nel canone ebraico e protestante, ma in quello cattolico e ortodosso. Dalla creazione della luce, per un arco molteplice di scene spesso emozionanti, si giungeva sino alla Gerusalemme celeste, la visione apocalittica che sigilla le Scritture. (177) Vari difetti, fioriture e pieghe lungo i margini. Incisi in buono stato conservativo. Lotto non passibile di restituzione.

    GONNELLI CASA D'ASTE srl
  • GUSTAVE DORÉ (Strasbourg, 1832-Paris,1883). "The Triumph of the Cross". Graphite on paper. With stamp of the artist's atelier in the lower right corner.
    May. 19, 2026

    GUSTAVE DORÉ (Strasbourg, 1832-Paris,1883). "The Triumph of the Cross". Graphite on paper. With stamp of the artist's atelier in the lower right corner.

    Est: €1,600 - €2,000

    GUSTAVE DORÉ (Strasbourg, 1832-Paris,1883). "The Triumph of the Cross". Graphite on paper. With stamp of the artist's atelier in the lower right corner. With label on the back of the "Exposición de Retratos y Dibujos antiguos y modernos". Barcelona, 1910 (Exhibitor Mariano Fuster. 1862-1929). Measurements: 55 x 84 cm. This is a large-format preliminary study for his monumental composition "The Triumph of Christianity over Paganism", a theme that obsessed the author and whose definitive version in oil (1868) would become one of his most internationally acclaimed works. The drawing reveals Gustave Doré's ability to master epic and compositional dynamism. The composition is articulated by an ascending-descending structure: in the upper center, the figure of Christ bearing the Cross emerges as the axis of divine light, escorted by a heavenly militia of angels. In the lower plane, Doré displays his mastery of the dramatic, representing the fall of the pagan deities -Jupiter, Venus and the figures of classical mythology- who vanish before the advance of Christian dogma. The use of graphite is here of surgical precision, but charged with the energy of an ideational sketch. The tonal gradations achieved through shading define not only the anatomical volumes, but also an atmosphere of spiritual chiaroscuro that prefigures his famous illustrations for Dante's Divine Comedy or the Bible. Gustave Doré (1832-1883) was an eminent French artist and the most prominent illustrator of the 19th century. Although he cultivated painting and sculpture, his international prestige resides in his engravings for classics such as the Bible, the Divine Comedy, Don Quixote and Paradise Lost.

    Setdart Auction House
  • GUSTAVE DORÉ - Spain. London, 1881
    May. 12, 2026

    GUSTAVE DORÉ - Spain. London, 1881

    Est: -

    GUSTAVE DORÉ Strasbourg 1832 - Paris 1883 JEAN CHARLES DAVILLIER Rouen, France 1823 - Paris 1883 Spain. London, 1881 Dimensions 34 x 26 cm Published in London by Bickers & Son, 1881. Physical description: XIII, 520 p.: engravings; 35 cm. Translation J. Thompson Includes engravings outside the text and numerous more interspersed. Publisher's cloth binding with title on spine and gold stamping. Front cover with gold illustration of two columns with three arches and a courtyard in the background. Original binding with some wear.

    Subastas Segre
  • DORÉ, GUSTAVE: Baigneuses dans la fôret.
    May. 08, 2026

    DORÉ, GUSTAVE: Baigneuses dans la fôret.

    Est: CHF5,000 - CHF7,500

    DORÉ, GUSTAVE (Strassburg 1832 - 1883 Paris) : Baigneuses dans la fôret; Öl auf Leinwand; undeutl. sig. u.r.; 27,5x21,5 cm

    Dobiaschofsky Auktionen AG
  • Gustave Dore Homeless Engraving
    May. 02, 2026

    Gustave Dore Homeless Engraving

    Est: $50 - $75

    15" by 20" framed.

    Davis Brothers Auction
  • Gustave DORÉ (Strasbourg, 1832 - 1883, Paris)
    Apr. 09, 2026

    Gustave DORÉ (Strasbourg, 1832 - 1883, Paris)

    Est: €2,000 - €3,000

    Gustave DORÉ (Strasbourg, 1832 - 1883, Paris) Paysage avec une forêt le long d'un cours d'eau Aquarelle Signé et dédicacé en bas à droite à L. (?) / affectueux souvenir / G Doré 36,5 x 54 cm - 14 3/8 x 21 1/4 in.  Provenance: Collection particulière, France.

    Aguttes
  • Gustave DORÉ (Strasbourg, 1832 - 1883, Paris)
    Apr. 09, 2026

    Gustave DORÉ (Strasbourg, 1832 - 1883, Paris)

    Est: €4,000 - €6,000

    Gustave DORÉ (Strasbourg, 1832 - 1883, Paris) Vue présumée d'un lac en Écosse Aquarelle et crayon noir Signé en bas à gauche G Doré 35,5 x 52 cm - 14 x 20 1/2 in. Provenance: Collection particulière, France. Notice: « La personne qui sera chargée de reconstituer ma biographie peut d'ores et déjà noter que ce sont ces paysages qui suscitèrent en moi les premières impressions vivantes et durables, et qui déterminèrent donc mes goûts en matière d'art. » Gustave Doré Né en 1832, Louis-Auguste-Gustave Doré est le fils d'un ingénieur des Mines alors en poste à Strasbourg. Dès les premières années de sa vie, le jeune garçon montre des talents précoces de dessinateur, l'exprimant dans les marges de ses cahiers d'écolier et ses lettres. C'est avec ses yeux d'enfant qu'il observe pour la première fois les paysages d'Alsace dont il reconnaît l'influence lui-même, comme il l'écrit dans son journal : « La personne qui sera chargée de reconstituer ma biographie peut d'ores et déjà noter que ce sont ces paysages qui suscitèrent en moi les premières impressions vivantes et durables, et qui déterminèrent donc mes goûts en matière d'art. ». Privilège de la jeunesse, la fraîcheur et l'innocence de son regard furent le point de départ de son appétence pour le genre. En 1857, il tente même de se faire remarquer comme peintre de paysages en présentant au Salon huit toiles parmi lesquelles Un torrent, souvenir des Alpes, L'Orage, Souvenir des Vosges et Vue prise en Alsace. Au fil de sa vie, Gustave voyage et nourrit son répertoire de formes, dessinant d'après nature avant de redisposer ses souvenirs au sein de son atelier. S'il garde une tendresse particulière pour les Vosges, il développe une véritable passion pour les Alpes tout comme pour l'Écosse qu'il explore en 1873. Parmi ces lieux si différents mais qui partagent ensemble l'immensité de leur horizon, la présence pléthorique de montagnes, lacs et forêts, il serait tentant d'y voir un fjord écossais et la crête sombre des forêts vosgiennes. Comme l'écrit Philippe Kaenel, Doré est un « paysagiste protéiforme (…) On trouve dans son œuvre des paysages satiriques, excentriques ou télescopiques, préhistoriques, bibliques, historiques ou cosmiques, féeriques, idylliques ou fantastiques, infernaux et célestes, sylvestres et alpestres, maritimes et sous-marins, urbains et ruraux, topographiques, touristiques ou imaginaires… ». Issus de cet art aux visages multiples, ces deux vues sont des invitations à la rêverie, au vagabonddage de l'esprit, ce que renforce l'aspect évanescent de l'aquarelle. Influencé par Alexandre Calame (1810-1864), il lui emprunte la vastitude de l'espace, la vocation contemplative, reléguant au second plan toute velléité topographique que pourraient avoir ces paysages un brin naturalistes.  Plus connu comme illustrateur et caricaturiste, ces aquarelles rappellent pourtant son « goût immodéré pour les montagnes et les paysages montagneux | goût qui ne s'est jamais démenti jusqu'à aujourd'hui ». Disant cela, Doré évoque son éducation pittoresque, berceau de son intérêt pour le genre et qui n'est pas sans rappeler une certaine définition du terme. Dans l'un de ses essais en 1792, William Gilpin (1724-1804) décrivait le pittoresque, précisant à propos des montagnes qu'elles devaient être placées au second plan « où leur immensité réduite par l'éloignement, peut être saisie par la vue, et où leurs traits monstrueux prennent une douceur qui ne leur appartient pas ». Entre creux des montagnes et crêtes à l'horizon, ces deux vues attestent que Gustave Doré retient et applique cet enseignement au siècle suivant.

    Aguttes
  • Gustave DORÉ
    Mar. 25, 2026

    Gustave DORÉ

    Est: €4,000 - €6,000

    Gustave DORÉ (Strasbourg, 1832 - Paris, 1883) Paysage au torrent, probablement dans les Pyrénées Plume et encre noire, aquarelle et grattage sur traits de crayon Signée et datée 'G. Doré / 1876' en bas à droite Landscape with a stream, probably in the Pyrenees, pen and black ink, watercolor and scratching on pencil, signed and dated, by G. Doré 19.09 x 12.99 in. 48.5 x 33 cm Provenance : Collection particulière, Paris Gustave DORÉ (Strasbourg, 1832 - Paris, 1883) 48.5 x 33 cm

    Artcurial
  • GUSTAVE DORÉ - The Triumph of the Cross
    Mar. 24, 2026

    GUSTAVE DORÉ - The Triumph of the Cross

    Est: -

    GUSTAVE DORÉ France 1832-1883 The Triumph of the Cross Pencil drawing on paper Dimensions 545 x 830 mm With the artist's studio stamp. Work exhibited at: - Exhibition of portraits and drawings, old and modern, Barcelona, 1910 (see label).

    Subastas Segre
  • Gustave SERRURIER BOVY, attribué à Nécessaire de cheminée en laiton doré
    Mar. 24, 2026

    Gustave SERRURIER BOVY, attribué à Nécessaire de cheminée en laiton doré

    Est: €1,000 - €1,500

    Gustave SERRURIER BOVY, attribué à Nécessaire de cheminée en laiton doré composé d’un support maintenant une pelle, une pince, une balayette et un pic Vers 1900 H : 84,5 cm

    Gros-Delettrez
  • Antique La Fontaine Fables Illustrated by Gustave Dore
    Mar. 12, 2026

    Antique La Fontaine Fables Illustrated by Gustave Dore

    Est: $100 - $200

    A late 1800's hardcover of La Fontaine Fables with full page illustrations by Gustave Dore (1832-1883). Published by Cassell & Company Limited, this rare edition has gilt binding with beautiful owl illustration on cover. Fables include The Wolf and The Lamb, The Oak and the Reed, The Hare and the Frogs and more within it's 750+ pages. *notes- shelf wear related to age, some separation at spine, age toned pages.

    Embassy Auctions International
  • Paul Gustave Louis Christophe Doré,  French 1832-1883-  A w
    Mar. 10, 2026

    Paul Gustave Louis Christophe Doré,  French 1832-1883-  A w

    Est: £400 - £600

    Paul Gustave Louis Christophe Doré,  French 1832-1883-  A wooded landscape with men playing a racquet sport;  charcoal heightened with white on buff paper, signed 'G Doré' (lower left), 25.9 x 18.6 cm.  Provenance:  Private Collection, UK.  Note:  Doré was a prolific painter, illustrator, and sculptor, and is perhaps most widely-known for his wood-engraving illustrations for works of literature such as Dante's 'Divine Comedy', Cervantes's 'Don Quixote', and Edgar Allen Poe's 'The Raven'. 

    Roseberys
  • Dore, Gustave (Illustrator), Poe, Edgar
    Mar. 04, 2026

    Dore, Gustave (Illustrator), Poe, Edgar

    Est: £150 - £200

    Dore, Gustave (Illustrator), Poe, Edgar Allen, The Raven, with Comment by Edmund Stedman, 1884 American 1st edition, New York, Harper & Brothers, illustrated plates, buff cloth boards with gilt embellished cover illustration, folio

    Kinghams Auctioneers
  • GUSTAVE DORÉ (STRASBOURG 1832-1883 PARIS). The ascent of the Matterhorn, Th
    Feb. 05, 2026

    GUSTAVE DORÉ (STRASBOURG 1832-1883 PARIS). The ascent of the Matterhorn, Th

    Est: $7,000 - $10,000

    GUSTAVE DORÉ (STRASBOURG 1832-1883 PARIS). The ascent of the Matterhorn, The fall. watercolor and bodycolor, heightened with white30 1/8 x 22 ¼ in. (77 x 57 cm).

    Christie's
  • L.A.S. à une "Madame" de Bruxelles.
    Dec. 13, 2025

    L.A.S. à une "Madame" de Bruxelles.

    Est: €180 - €200

    2 pp. sur bifeuillet in-8° de papier vergé bleu, signé "Gu. Doré" (traces de plis dus à l'envoi, très lég. migration d'encre). - "[...] Il ne m'est plus possible, Madame, d'entrer en marché au sujet des deux dessins que vous avez vus à l'exposition de Bruxelles [celle de la Société royale des aquarellistes en 1872 ?] : car j'apprends à l'instant même qu'ils viennent d'être gravement endommagés [...]. J'ai bien un certain nombre de projets ou d'esquisses [...]. S'il vous plaît, Madame, que je termine l'une d'elles, le prix que je vous en demanderai sera de 600 francs [...]".

    Arenberg Auctions
  • DORÉ (Gustave).
    Dec. 03, 2025

    DORÉ (Gustave).

    Est: €500 - €600

    DORÉ (Gustave). Les différents publics de Paris. Paris, au bureau du Journal pour rire, s.d. (1854). In-8 oblong, percaline charginée violette, titre doré (Cartonnage de l'époque). Édition originale de cet album de jeunesse de Gustave Doré, comprenant un titre et 20 lithographies en noir. Petites rousseurs. Cartonnage frotté et bords passés.

    Tajan
  • DORÉ (Gustave).
    Dec. 03, 2025

    DORÉ (Gustave).

    Est: €500 - €600

    DORÉ (Gustave). La Ménagerie parisienne. Paris, au bureau du Journal pour rire, s.d. (1854). In-8 oblong, plats de percaline noire anciens avec titre doré, dos moderne (Cartonnage de l'époque). Édition originale de cet album de jeunesse de Gustave Doré, comprenant un titre et 24 lithographies en noir gravées par Vayron. Cachet "G. Picarle, greffier de la justice de la paix, Mussy". Restaurations au cartonnage (coins). Pl. 10, marge inférieure courte. Petites salissures.

    Tajan
  • DORÉ (Gustave).
    Dec. 03, 2025

    DORÉ (Gustave).

    Est: €200 - €300

    DORÉ (Gustave). Des-agréments d'un voyage d'agrément. Paris, Arnaud de Vresse, s.d. (vers 1855). In-8 oblong, demi-percaline verte, plats de cartonnage vert illustré d'une lithographie (Cartonnage de l'éditeur). Deuxième tirage de cet album de jeunesse de Gustave Doré, comprenant un titre et 24 lithographies en noir. Rousseurs pâles, infime déchirure pl. 20. ; titre un peu court en pied. Cartonnage taché, frotté, coins émoussés.

    Tajan
  • [Gustave DORÉ]. CERVANTÈS SAAVEDRA (Miguel de). L’ingénieux Hidalgo Don Quichotte de la Manche.
    Nov. 29, 2025

    [Gustave DORÉ]. CERVANTÈS SAAVEDRA (Miguel de). L’ingénieux Hidalgo Don Quichotte de la Manche.

    Est: €100 - €150

    [Gustave DORÉ]. CERVANTÈS SAAVEDRA (Miguel de). L’ingénieux Hidalgo Don Quichotte de la Manche. Paris, Hachette & Cie, 1869. Deux vol. in-folio (39 x 29), demi-chagrin rouge à coins, dos à faux nerfs, tranches dorées. Illustrations de Gustave Doré d’une rare fraicheur, exempt de rousseurs.

    Lhomme
  • Gustave Doré, Disegno preparatorio per l'illustrazione del Barone di Münchhausen. 1862.
    Nov. 27, 2025

    Gustave Doré, Disegno preparatorio per l'illustrazione del Barone di Münchhausen. 1862.

    Est: -

    Acquerello, penna e inchiostro di china su carta. mm 125x60. Nome dell'artista, diminutivo del luogo e numero iscritti al margine sinistro.

    Gonnelli Casa d'Aste
  • Gustave Doré, A Couple Riding Horses through the Forest by a Castle
    Nov. 22, 2025

    Gustave Doré, A Couple Riding Horses through the Forest by a Castle

    Est: €40,000 - €50,000

    Signed lower right in red paint: G. Doré Certificate Letter of Authentication by Dan Malan, St. Louis, MO, USA, April 2024. Gustave Doré was not only a productive illustrator, but also an important painter. Henri Leblanc was the first to attempt to catalogue Doré's paintings in 1931. He recorded 130 paintings. However, thorough research into Doré's paintings only began with the exhibition of the century in 1983. Gustave Doré's oeuvre can be roughly divided into three creative periods. His early period between 1850 and 1855 consists of 30 paintings, including Doré's well-known work ‘Pins Sauvage’ that was exhibited in the Paris Salon in 1850. This picture fits very well into the pattern of his early works: Small figures are depicted in a dark forest or park landscape; here, two figures on horseback - a man in black and a woman in red - are shown riding towards a clearing bathed in sunlight. Two windhounds or hunting hounds leap into the picture from the lower centre. In the background, you can see a tall building with windows and small balconies, presumably a castle, which lends the scenery a mysterious atmosphere. This element of mystery and fantasy was one which Doré was to accentuate throughout the development of his artistic career. The present work by Gustave Doré has never been published, presumably because it was housed in the estate of a German aristocratic family for several generations. As with all his paintings, Doré signed this work in a striking red colour. We would like to thank art collector and Gustave Doré expert Dan Malan (St. Louis/MO, USA) for confirming the authenticity of the work on the basis of a digital photograph.

    Lempertz
  • GUSTAVE DORÉ (1832-1883). '...here I opened wide the door; Darkness there a
    Oct. 16, 2025

    GUSTAVE DORÉ (1832-1883). '...here I opened wide the door; Darkness there a

    Est: £5,000 - £8,000

    GUSTAVE DORÉ (1832-1883). '...here I opened wide the door; Darkness there and nothing more...':.... black chalk, pen and brown ink, grey wash, heightened with white on paper52,7 x 35,4 cm. (20 ¾ x 13 7/8 in.).

    Christie's
  • Gustave Doré. 5 lithographs
    Sep. 24, 2025

    Gustave Doré. 5 lithographs

    Est: -

    Signed on plate, with short margins. Taken from the Bible illustrated by Doré, published by Montaner and Simón. 19th century.

    Duran Arte y Subastas
  • Gustave Doré. 5 lithographs
    Sep. 24, 2025

    Gustave Doré. 5 lithographs

    Est: -

    Signed on plate, with short margins. Taken from the Bible illustrated by Doré, published by Montaner and Simón. 19th century.

    Duran Arte y Subastas
  • Gustave Doré Adam & Eve Lithograph
    Sep. 14, 2025

    Gustave Doré Adam & Eve Lithograph

    Est: -

    Art Measure: 11w x 14h Frame Measure: 14w x 17h Title: Adam & Eve Driven out of Eden In good condition with wear commensurate with age. Lithograph after Gustave Doré, depicting Adam & Eve in the artist’s renowned biblical style. Doré’s dramatic use of composition and detail brings depth and emotion to this powerful subject, showcasing the visionary quality that made him one of the most celebrated illustrators of the 19th century. A striking fine print that reflects bothartistic mastery and historical significance. Paul Gustave Doré (1832–1883) was a renowned French artist, primarily known for his prolific, large-format wood-engravedillustrations of literary classics, including Dante's Inferno and the Bible. He was also a celebrated painter and sculptor, who worked in a Romantic style, producing evocative and sometimes grotesque fantasy scenes thatRH50839

    Monarch Auction and Estate Services
  • Gustave Doré: Le pont de Londres la nuit, sans-abri de Londres endormis sur un banc
    Sep. 11, 2025

    Gustave Doré: Le pont de Londres la nuit, sans-abri de Londres endormis sur un banc

    Est: CHF12,000 - CHF15,000

    Gustave Doré (Strassburg 1832 - 1883 Paris) Le pont de Londres la nuit, sans-abri de Londres endormis sur un banc Gouache, mit Weiss und Grau gehöht, auf festem Velin / Gouache, heightened with white and grey, on strong wove paper 1870 38,1x29,7 cm / 38.1x29.7 cm Signatur / Signature Unten links vom Künstler in Tusche signiert und datiert "Gve Doré / 1870" Lower left signed and dated by the artist in ink "Gve Doré / 1870" Provenienz / Provenance Kornfeld und Cie., Bern, dort am 15. Februar 1972 erworben von Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913b Kornfeld und Cie., Bern, acquired there on 15 February 1972 by The Eberhard W. Kornfeld Collection, Bern, with the collector's stamp on the reverse , Lugt 913b Ausstellungen / Exhibitions Bern 1964, Kornfeld und Klipstein, Zur 100-Jahr-Feier der Gründung des Hauses H.G. Gutekunst, Ausstellung 1864-1964, Zeichnungen - Aquarelle, Kat. Nr. 2 Bern 1989, Kunstmuseum, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 5 Bern 1964, Kornfeld und Klipstein, Zur 100-Jahr-Feier der Gründung des Hauses H.G. Gutekunst, Ausstellung 1864-1964, Zeichnungen - Aquarelle, cat. no. 2 Bern 1989, Kunstmuseum, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [The Eberhard W. Kornfeld Collection], cat. no. 5 Zustand / Condition An den Rändern minimal berieben. Rückseitig Montierungsspuren. In sehr guter Erhaltung Slightly rubbed at the edges. Traces of mounting on the reverse. In very good condition Erläuterungen / Comments Unser Blatt, das der Radierung "A la belle étoile sur le pont de Londres" von 1872 ähnelt (vgl. J. Valmy-Baysse, "Gustave Doré", Paris 1930, S. 297), schildert mit schonungslosem Realismus das Elend in den Londoner Armenvierteln, die der Künstler ab 1868 besuchte. Im darauffolgenden Jahr bereitete Doré Illustrationen für die Buchpublikation "London: a pilgrimage" vor, für die sein englischer Freund William Blanchard Jerrold (1826-1884), Journalist bei der "Daily News" und später bei der "Illustrated London News", Texte verfasste. Im Hinblick auf dieses gemeinsame Werk unternahmen die beiden miteinander befreundeten Männer sogenannte "Pilgerreisen" in die Stadtviertel Londons, in denen Luxus auf bittere Armut traf. Blanchard Jerrold erzählte hierzu eine Anekdote, die mit der Zeichnung zusammenhängt: "Einmal gingen wir um Mitternacht zur London Bridge und blieben dort eine gute Stunde, während er (Gustave Doré) meditierte und die beiden Ausblicke bewunderte, die sich unseren Augen boten: oberhalb der Brücke und unterhalb, er war sehr gerührt von den armen menschlichen Wesen, die dicht an dicht auf den Steinbänken schliefen." (In: B. Jerrold, Life of Gustave Doré, London 1891, S. 153). Das im Jahr 1872 publizierte Buch mit den 138 illustrierten Doré-Zeichnungen, die der neuen Ästhetik des sozialen Realismus am Ende des 19. Jahrhunderts entsprachen, fanden damals eine grosse Beachtung: Die Bilder in dieser Publikation gelten als Meisterwerke von Gustave Doré (vgl. R. Bonnefoit, in: Ausstellungskatalog, Jean Starobinski, Largesse (Parti pris), Musée du Louvre, Paris 1994, Nr. 72). Our sheet, which resembles the etching "A la belle étoile sur le pont de Londres" from 1872 (see J. Valmy-Baysse, "Gustave Doré", Paris 1930, p. 297), Depicts with unsparing realism the misery in the London slums that the artist visited from 1868 onwards. In the following year, Doré prepared illustrations for the book publication "London: a pilgrimage", for which his English friend William Blanchard Jerrold (1826-1884), journalist at the "Daily News" and later at the "Illustrated London News", wrote the texts. In preparation for this joint work, the two friends undertook the so-called "pilgrimage" into the districts of London where luxury met bitter poverty. Blanchard Jerrold recounted an anecdote related to the drawing: "Once we went to London Bridge at midnight and stayed there for a good hour while he (Gustave Doré) meditated and admired the two views that met our eyes: above the bridge and below it. He was very moved by the poor human beings sleeping huddled together on the stone benches." (In: B. Jerrold, Life of Gustave Doré, London 1891, p. 153). The book published in 1872 with the 138 illustrated Doré drawings, which corresponded to the new aesthetics of social realism at the end of the 19th century, attracted great attention at the time: The images in this publication are considered masterpieces by Gustave Doré (see R. Bonnefoit, in: Ausstellungskatalog, Jean Starobinski, Largesse (Parti pris), Musée du Louvre, Paris 1994, no. 72). MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 11.09.2025; 10:20 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 170.- Europa / Europe: CHF 270.- Übrige Länder / Other countries: CHF 360.-

    Galerie Kornfeld Auktionen AG
  • Gustave Dore, One the Edge of the Seventh Circle Anastasius II
    Aug. 01, 2025

    Gustave Dore, One the Edge of the Seventh Circle Anastasius II

    Est: $100 - $200

    Title: Chant 11 On the Edge of the Seventh Circle Anastasius II Dantes Divine Comedy Enferno Artist: Gustave Dore  Origin: France, 1880 Medium: Engraving on Wove Paper Dimensions: 16.5x18.5in Condition: There are no visible flaws Additional Information: An engraving of a woman barefoot with her dress flowing behind her and covering her face. The landscape is rocky and filled with cliffs while smoke flows through the rocks. A giant stone with writing lands before the man behind the woman. The piece has a signed engraving and has a Certificate of Authenticity from the Art Gallery. 

    Blue Box Auction Gallery
  • Gustave Dore, Royal Cavalcade, Donkeyskin
    Aug. 01, 2025

    Gustave Dore, Royal Cavalcade, Donkeyskin

    Est: $100 - $300

    Title: Royal Cavalcade, Donkeyskin or Celebrating the Prince /Princess, 1880 Artist: Gustave Dore (1832-1883) Origin: France Medium: Antique Woodcut on thick wove paper  Dimensions: 19.25x17.25 in. in frame Condition: No visible flaws Additional Information: This work presents a fantastical parade moving toward the viewer, featuring mounted riders, an elephant, exotic birds, wild animals, and richly costumed figures. Rendered in a blend of realism and stylized whimsy, the scene is part of Gustave Doré’s celebrated illustrations for Charles Perrault’s fairy tales, specifically Donkeyskin. The work reflects Doré’s hallmark detail and theatrical imagination. The etching is signed in the print. The image is based on an original by master wood engraver César-Auguste Hébert, who collaborated with Doré to bring his visionary compositions to print. Provenance: Includes a certificate of authenticity from KCM Galleries.

    Blue Box Auction Gallery
  • Gustave Dore - "Set of Two Prints
    Jul. 29, 2025

    Gustave Dore - "Set of Two Prints

    Est: $70 - $80

    Gustave Dore - "Set of Two Prints : "Don Quixote and the Windmill" and "Don Quixote in His Library". Reprint posters. Each measures at 22 x 28. Very good conditions

    Bruce Teleky Inc.
  • GUSTAVE DORE (1832-1883) ORIGINAL EXHIBITION POSTER, 24.5IN x 28.0IN (62cm x 71cm)
    Jul. 22, 2025

    GUSTAVE DORE (1832-1883) ORIGINAL EXHIBITION POSTER, 24.5IN x 28.0IN (62cm x 71cm)

    Est: $1,500 - $2,000

    Gustave Dore (1832-1883) original exhibition poster announcing his Peinture Religieuse Monumentale exhibit at the Musee du Petit Palais. The underlying piece is titled The Ascension, and it is after the original which was painted in 1879 and is now on permanent display at the same museum. This piece is matted and framed under acrylic and (with frame) it measures 24.5 inches x 28 inches. This piece was acquired from a Metro Washington, DC estate.

    The Rug Life Auctions
  • Doré (Gustave) La Sainte Bible, 2 vol., Tours, 1866.
    Jul. 17, 2025

    Doré (Gustave) La Sainte Bible, 2 vol., Tours, 1866.

    Est: £3,000 - £4,000

    Doré (Gustave) La Sainte Bible, 2 vol., one of c.10 copies on chine, half-titles, 230 plates by Doré, illustrations, watered silk endpapers and doublures, brown morocco by August-Petit, g.e., wide gilt inner dentelles, folio, Tours, 1866. ⁂ A superb example of this rare edition of Doré's most celebrated work.

    Forum Auctions - UK
  • Doré (Gustave, 1832-1883). The Dream of Pilate's Wife, Claudia Procula, 1879
    Jul. 16, 2025

    Doré (Gustave, 1832-1883). The Dream of Pilate's Wife, Claudia Procula, 1879

    Est: £200 - £400

    Doré (Gustave, 1832-1883). The Dream of Pilate's Wife, Claudia Procula, 1879 * Doré (Gustave, 1832-1883). The Dream of Pilate's Wife, Claudia Procula, 1879, steel engraving on paper, and india proof, by Alphonse Francois after Gustave Doré, published by Fairless & Beeforth, Doré Gallery, 35 New Bond Street, June 1st 1879, publisher's blindstamp to lower left 'LE, Artist's Proof HF', signed by Doré in pencil to lower left margin, outer blank margins with some marks and discolouration, and a few short closed tears plate size 67.5 x 93 cm (26 1/2 x 36 1/2 ins), sheet size 84.5 x 111 cm (33 1/4 x 44 ins) QTY: (1)

    Dominic Winter Auctions
  • G. DORÉ (1832-1883), Rumours in the city, 1854,
    Jul. 12, 2025

    G. DORÉ (1832-1883), Rumours in the city, 1854,

    Est: €300 - €400

    Gustave Doré (1832 Strasbourg - 1883 Paris): Washerwomen and men in the maelstrom of rumours, 1854, Lithography Technique: Lithography on Paper, mounted on Paper Inscription: Upper right numbered in the printing plate: "15.". Date: 1854 Description: The lithograph shows a group of washerwomen engrossed in conversation - a scene that can represent both social exchange and the emergence of rumours. On the right are two further group scenes with suspicious-looking men standing close together and holding flag-like objects in front of their mouths. The title "Serpents" suggests a satirical criticism of gossip, intrigue and underhand behaviour that affects both women and men. Source: Gustave Doré (1832 Strasbourg-1883 Paris) La Ménagerie Parisienne, 1854, No. 15 | print suite, Politics Keywords: Society; Washerwomen; Gossip; Rumours; Intrigue; Social criticism; Snakes; Men; Clothing; City; Communication; Group; Dialogue; Culture; 19th; Century; Art; Drawing; Interaction; Historical; Gathering; Detailed; Expression; Contemporary; Figure; Scene, 19th century, Realism, Caricature, France, Size: Paper: 29,2 cm x 41,9 cm (11,5 x 16,5 in), Depiction: 24,6 cm x 32,0 cm (9,7 x 12,6 in)

    Fichter Kunsthandel
  • G. DORÉ (1832-1883), Caricature of a public address, 1854,
    Jul. 12, 2025

    G. DORÉ (1832-1883), Caricature of a public address, 1854,

    Est: €300 - €400

    Gustave Doré (1832 Strasbourg - 1883 Paris): Satirical depiction of a speaker in front of a crowd, 1854, Lithography Technique: Lithography on Paper, mounted on Paper Inscription: lower left signed in the printing plate: "G Doré". Lower middle inscribed in the printing plate: "Les dindons et les oies". Upper right numbered in the printing plate: "14.". Date: 1854 Description: The lithograph shows a pompously dressed orator leading a crowd. In his left hand he holds a pistol with which he shoots into the air, while with his right hand he forcibly shoves a spoon into the mouth of a gentleman. The speaker stands on a pedestal while the crowd of people look on spellbound. The scene is satirical and uses exaggerations to point out power relations and social grievances. Source: Gustave Doré (1832 Strasbourg-1883 Paris) La Ménagerie Parisienne, 1854, No. 14 | print suite, Politics Keywords: caricature; satire; speaker; crowd; allegory; social criticism; mythology; humour; art; speech; politics; history; audience; French; symbolism; expression; culture; costume; representation; scene; power; abuse of power, 19th century, Realism, Caricature, France, Size: Paper: 29,1 cm x 41,8 cm (11,5 x 16,5 in), Depiction: 24,7 cm x 31,8 cm (9,7 x 12,5 in)

    Fichter Kunsthandel
  • G. DORÉ (1832-1883), Sewer worker caricature, 1854,
    Jul. 12, 2025

    G. DORÉ (1832-1883), Sewer worker caricature, 1854,

    Est: €300 - €400

    Gustave Doré (1832 Strasbourg - 1883 Paris): Rats d'egout - sewer rats Caricature of Parisian workers, 1854, Lithography Technique: Lithography on Paper Inscription: Lower middle inscribed on the support: "Doré (G.). La Ménagerie Parisienne (Paris) Aux bureaux du journal pour Rire, s. d. (1854) suité de 24 lith.". Upper right numbered in the printing plate: "8.". Lower middle further inscription: "Rats (d'égout)". Date: 1854 Description: A group of labourers, some of whom are holding hammers with long handles, are gathered around an open shaft with a lid on the side and a man with a ladder emerging from it. Their faces appear crudely and mindlessly exaggerated. The emphasised distortion and the disparaging description as "sewer rats" make the sheet an anti-class caricature. Source: Gustave Doré (1832 Strasbourg-1883 Paris) La Ménagerie Parisienne, 1854, No. 8 | print suite, Politics Keywords: workers; caricature; Paris; 19th; century; social reality; humour; sewerage; group; tools; lithography; everyday life; satire; social criticism; street workers; craft; comedy; Parisian life; historical; drawing; figures; working class; class hostility, 19th century, Realism, Professions, France, Size: Paper: 29,0 cm x 42,2 cm (11,4 x 16,6 in), Depiction: 24,1 cm x 31,9 cm (9,5 x 12,6 in)

    Fichter Kunsthandel
  • Gustave DORÉ Strasbourg, 1832 - 1883, Paris
    Jul. 09, 2025

    Gustave DORÉ Strasbourg, 1832 - 1883, Paris

    Est: €5,000 - €7,000

    Gustave DORÉ Strasbourg, 1832 - 1883, Paris Vue présumée d'un lac en Écosse Aquarelle et crayon noir Signé en bas à gauche G Doré 35,5 x 52 cm - 14 x 20 1/2 in. Presumed view of a lake in Scotland, watercolor and black chalk, signed lower left PROVENANCE Collection particulière, France. « La personne qui sera chargée de reconstituer ma biographie peut d'ores et déjà noter que ce sont ces paysages qui suscitèrent en moi les premières impressions vivantes et durables, et qui déterminèrent donc mes goûts en matière d'art. » Gustave Doré Né en 1832, Louis-Auguste-Gustave Doré est le fils d'un ingénieur des Mines alors en poste à Strasbourg. Dès les premières années de sa vie, le jeune garçon montre des talents précoces de dessinateur, l'exprimant dans les marges de ses cahiers d'écolier et ses lettres. C'est avec ses yeux d'enfant qu'il observe pour la première fois les paysages d'Alsace dont il reconnaît l'influence lui-même, comme il l'écrit dans son journal : « La personne qui sera chargée de reconstituer ma biographie peut d'ores et déjà noter que ce sont ces paysages qui suscitèrent en moi les premières impressions vivantes et durables, et qui déterminèrent donc mes goûts en matière d'art. ». Privilège de la jeunesse, la fraîcheur et l'innocence de son regard furent le point de départ de son appétence pour le genre. En 1857, il tente même de se faire remarquer comme peintre de paysages en présentant au Salon huit toiles parmi lesquelles Un torrent, souvenir des Alpes, L'Orage, Souvenir des Vosges et Vue prise en Alsace. Au fil de sa vie, Gustave voyage et nourrit son répertoire de formes, dessinant d'après nature avant de redisposer ses souvenirs au sein de son atelier. S'il garde une tendresse particulière pour les Vosges, il développe une véritable passion pour les Alpes tout comme pour l'Écosse qu'il explore en 1873. Parmi ces lieux si différents mais qui partagent ensemble l'immensité de leur horizon, la présence pléthorique de montagnes, lacs et forêts, il serait tentant d'y voir un fjord écossais et la crête sombre des forêts vosgiennes. Comme l'écrit Philippe Kaenel, Doré est un « paysagiste protéiforme (…) On trouve dans son œuvre des paysages satiriques, excentriques ou télescopiques, préhistoriques, bibliques, historiques ou cosmiques, féeriques, idylliques ou fantastiques, infernaux et célestes, sylvestres et alpestres, maritimes et sous-marins, urbains et ruraux, topographiques, touristiques ou imaginaires… ». Issus de cet art aux visages multiples, ces deux vues sont des invitations à la rêverie, au vagabonddage de l'esprit, ce que renforce l'aspect évanescent de l'aquarelle. Influencé par Alexandre Calame (1810-1864), il lui emprunte la vastitude de l'espace, la vocation contemplative, reléguant au second plan toute velléité topographique que pourraient avoir ces paysages un brin naturalistes. Plus connu comme illustrateur et caricaturiste, ces aquarelles rappellent pourtant son « goût immodéré pour les montagnes et les paysages montagneux ; goût qui ne s'est jamais démenti jusqu'à aujourd'hui ». Disant cela, Doré évoque son éducation pittoresque, berceau de son intérêt pour le genre et qui n'est pas sans rappeler une certaine définition du terme. Dans l'un de ses essais en 1792, William Gilpin (1724-1804) décrivait le pittoresque, précisant à propos des montagnes qu'elles devaient être placées au second plan « où leur immensité réduite par l'éloignement, peut être saisie par la vue, et où leurs traits monstrueux prennent une douceur qui ne leur appartient pas ». Entre creux des montagnes et crêtes à l'horizon, ces deux vues attestent que Gustave Doré retient et applique cet enseignement au siècle suivant.

    Aguttes
  • Gustave Dore - "Set of Two Prints
    Jun. 28, 2025

    Gustave Dore - "Set of Two Prints

    Est: $70 - $80

    Gustave Dore - "Set of Two Prints : "Don Quixote and the Windmill" and "Don Quixote in His Library". Reprint posters. Each measures at 22 x 28. Very good conditions

    Bruce Teleky Inc.
  • Gustave Dore (4) Lithographs
    Jun. 25, 2025

    Gustave Dore (4) Lithographs

    Est: $50 - $100

    Four (4) Gustave Dore (French, 1832-1883) lithographs. Pasted down to paper backing, hinge mounted to mat frames. Images measure 16.5 in. x 12.25 in. Frames measure 20.25 in. x 16 in. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. Print sheets measure 20.25 in. H x 16 in. W x 1 in. D for shipping purposes only. The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. Photos may also act as a condition report. Please review all photos closely prior to bidding and ask further questions if so desired.

    Grant Zahajko Auctions, LLC
  • Gustave Doré (French, 1832-1883) Sans Lui Parler Je Me Penchai vers lui, Je Pris Le Pinçeau et J’Effaçai l’Oiseau (from Arioste's Roland Furieux)
    Jun. 24, 2025

    Gustave Doré (French, 1832-1883) Sans Lui Parler Je Me Penchai vers lui, Je Pris Le Pinçeau et J’Effaçai l’Oiseau (from Arioste's Roland Furieux)

    Est: $3,000 - $5,000

    Gustave Doré (French, 1832-1883) Sans Lui Parler Je Me Penchai vers lui, Je Pris Le Pinçeau et J’Effaçai l’Oiseau (from Arioste's Roland Furieux) watercolor and gouache on paper laid to card signed G Doré (lower right) 16 1/4 x 12 1/2 in. (41.3 x 31.8cm) The Collection of Sidney Rothberg, Philadelphia, Pennsylvania This lot is located in Philadelphia.

    Freeman’s | Hindman
  • Battle of Ascalon, 12 August 1099
    Jun. 13, 2025

    Battle of Ascalon, 12 August 1099

    Est: €10,000 - €15,000

    Gustave Doré Strasbourg 1832 - 1883 Paris Battle of Ascalon, 12 August 1099 Watercolour and gouache on paper laid down on panel, unframed Signed lower right G. Doré 57,5 x 86,2 cm ; 22½ by 34 in.

    Sotheby's
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