Johan le Ducq Paintings & Artwork for Sale | Johan le Ducq Art Value Price Guide

Jan. 28, 2026
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century.
Est: €3,500 - €4,000
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century. Measurements: 30 x 38 cm; 50 x 56 cm (frame). This work represents a recurring theme in Dutch painting in the Baroque period, an informal meeting of characters in a tavern or domestic interior. The illumination, of baroque heritage, is dispersed on the table and affects each of the faces, of lively expressions. The warmth of friendship and fun is captured in the smiles and the bonhomie of the countenances. The space is in complete half-light, focusing the attention on the clothes, the gauzy blouses, handkerchiefs, etc..., a detail and love for the popular types that knows a long tradition in the Dutch painting. Johan le Ducq Dutch draughtsman, engraver, art dealer and soldier. Johan le Ducq was for a long time confused with Jacob Duck. Van Gool mentions that his first artistic apprenticeship was with Paulus Potter- The first time Ducq is mentioned as a painter is in 1655, in connection with a brawl in which the Hague painter Olivier Hasenbaert was also involved. In 1656, Ducq was a founding member of the guild "Confrérie Pictura", but refused to pay his dues in 1658. Johan le Ducq joined the Painters' Guild of The Hague. On June 17, 1662, Ducq received permission to sell his copper plates and engravings at the Confrerie. The engraving on a cup in the Confrerie Pictura by Jonas Gutsche (Rotterdam, BvB) identifies Ducq as the third "Hooftman" of the artists' guild in 1670 and the first in 1671.
Setdart Auction House
Sep. 10, 2025
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century.
Est: €3,500 - €4,000
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century. Measurements: 30 x 38 cm; 50 x 56 cm (frame). This work represents a recurring theme in Dutch painting in the Baroque period, an informal meeting of characters in a tavern or domestic interior. The illumination, of baroque heritage, is dispersed on the table and affects each of the faces, of lively expressions. The warmth of friendship and fun is captured in the smiles and the bonhomie of the countenances. The space is in complete half-light, focusing the attention on the clothes, the gauzy blouses, handkerchiefs, etc..., a detail and love for the popular types that knows a long tradition in the Dutch painting. Johan le Ducq Dutch draughtsman, engraver, art dealer and soldier. Johan le Ducq was for a long time confused with Jacob Duck. Van Gool mentions that his first artistic apprenticeship was with Paulus Potter- The first time Ducq is mentioned as a painter is in 1655, in connection with a brawl in which the Hague painter Olivier Hasenbaert was also involved. In 1656, Ducq was a founding member of the guild "Confrérie Pictura", but refused to pay his dues in 1658. Johan le Ducq joined the Painters' Guild of The Hague. On June 17, 1662, Ducq received permission to sell his copper plates and engravings at the Confrerie. The engraving on a cup in the Confrerie Pictura by Jonas Gutsche (Rotterdam, BvB) identifies Ducq as the third "Hooftman" of the artists' guild in 1670 and the first in 1671.
Setdart Auction House
Apr. 03, 2025
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century.
Est: €4,500 - €5,000
JOHAN LE DUCQ (The Hague, 1629 - 1676). "Game of cards". Oil on oak panel. It has Italian frame of the first half of the eighteenth century. Measurements: 30 x 38 cm; 50 x 56 cm (frame). This work represents a recurring theme in Dutch painting in the Baroque period, an informal meeting of characters in a tavern or domestic interior. The illumination, of baroque heritage, is dispersed on the table and affects each of the faces, of lively expressions. The warmth of friendship and fun is captured in the smiles and the bonhomie of the countenances. The space is in complete half-light, focusing the attention on the clothes, the gauzy blouses, handkerchiefs, etc..., a detail and love for the popular types that knows a long tradition in the Dutch painting. Johan le Ducq Dutch draughtsman, engraver, art dealer and soldier. Johan le Ducq was for a long time confused with Jacob Duck. Van Gool mentions that his first artistic apprenticeship was with Paulus Potter- The first time Ducq is mentioned as a painter is in 1655, in connection with a brawl in which the Hague painter Olivier Hasenbaert was also involved. In 1656, Ducq was a founding member of the guild "Confrérie Pictura", but refused to pay his dues in 1658. Johan le Ducq joined the Painters' Guild of The Hague. On June 17, 1662, Ducq received permission to sell his copper plates and engravings at the Confrerie. The engraving on a cup in the Confrerie Pictura by Jonas Gutsche (Rotterdam, BvB) identifies Ducq as the third "Hooftman" of the artists' guild in 1670 and the first in 1671.
Setdart Auction House
May. 17, 2024
Ducq, Johan le (1630-1676). (Two dogs).
Est: €100 - €150
Ducq, Johan le (1630-1676). (Two dogs). Etching from the series of 8 The Set of the Dogs, 14,2x18 cm., signed, numb. "6" and dated "1661" in the plate. - With central fold and sl. (finger)soiled; trimmed on the platemark. = Hollstein 6, 2nd state of 3. Fyt, Jan (1611-1661). The sleeping dogs. Etching, 16,7x22 cm., "Fyt" in the plate. - Large closed tear in upper left corner; trimmed just outside the borderline. = Hollstein 15, prob. 2nd state of 3. With the collector's mark of Juan Jorge Peoli (1825-1893, Lugt 2020), the manuscript collector's mark of Leonard and Lisa Baskin (1922-2000, Lugt 4475) and annotations in pencil "M.F.A. Boston" and "H.F. Sewall" and "dupl." (but not the usual marks of these 2 collections).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Apr. 10, 2024
A Musical Party
Est: £6,000 - £8,000
Property from Ollerton Grange: an Interior by Robert Kime Jan Le Ducq The Hague 1629/30–1676 Siret A Musical Party signed lower right: Jan Le Duc f. oil on panel unframed: 60 x 97 cm.; 23⅝ x 38¼ in. framed: 76 x 112 cm.; 29⅞ x 44⅛ in.
Sotheby's
Dec. 27, 2016
Johan Le Ducq (1629-1676/77), The Guardroom, 17th C.
Est: €15,200 - €19,000
Oil on canvas, relined Netherlands, 17th century Johan Le Ducq (1629-1676/77) Dutch artist Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 accompany the artwork Dimensions: 83.5 x 81 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting by the Dutch painter Johan Le Ducq shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 prove the authenticity and accompany the artwork. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild Confrérie Pictura, an artists association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Aug. 26, 2016
Johan Le Ducq (1629-1676/77), The Guardroom, 17th C.
Est: €8,500 - €11,050
Oil on canvas, relined Netherlands, 17th century Johan Le Ducq (1629-1676/77) – Dutch artist Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 accompany the artwork Dimensions: 83.5 x 81 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting by the Dutch painter Johan Le Ducq shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 prove the authenticity and accompany the artwork. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild ‘Confrérie Pictura‘, an artist’s association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
May. 19, 2016
Johan Le Ducq (1629-1676/77), The Guardroom, 17th C.
Est: €9,500 - €12,350
Oil on canvas, relined Netherlands, 17th century Johan Le Ducq (1629-1676/77) – Dutch artist Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 accompany the artwork Dimensions: 83.5 x 81 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting by the Dutch painter Johan Le Ducq shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 prove the authenticity and accompany the artwork. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild ‘Confrérie Pictura‘, an artist’s association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 09, 2016
Ducq, Johan le—Hirtenjunge mit seinen Tieren auf d
Est: - €4,000
Ducq, Johan le—Hirtenjunge mit seinen Tieren auf der Weide—(Den Haag ca. 1629-1676 ebd.) Öl/Holz. Rechts unten sign. 35 x 30 cm. - Lit. Thieme/Becker 10.
Kunstauktionshaus Schlosser
May. 30, 2015
FLEMISH SCHOOL, CIRCLE OF LE DUCQ - Cavaliers Relaxing with Smoke and Drink, oil on cradled panel, attributed to Johan le Ducq (1629 - 1676/77) with a late 19th c
Est: $3,000 - $5,000
FLEMISH SCHOOL, CIRCLE OF LE DUCQ - Cavaliers Relaxing with Smoke and Drink, oil on cradled panel, attributed to Johan le Ducq (1629 - 1676/77) with a late 19th c. letter from J. Eastman Chase to C.W. Amory affixed verso. Housed in deep gold gesso cove frame, OS: 26 1/2" x 31 1/2", SS: 17 1/2" x 21 1/2". Two repaired cracks, retouching.
Thomaston Place Auction Galleries
May. 18, 2015
Johan Le Ducq (1629-1676/77), The Guardroom, 17th C.
Est: €16,000 - €20,000
Oil on canvas, relined Netherlands, 17th century Johan Le Ducq (1629-1676/77) – Dutch artist Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 accompany the artwork Dimensions: 83.5 x 81 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting by the Dutch painter Johan Le Ducq shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 prove the authenticity and accompany the artwork. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild ‘Confrérie Pictura‘, an artist’s association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Oct. 06, 2014
Johan Le Ducq (1629-1676/77), The Guardroom, 17th C.
Est: €14,400 - €18,000
Oil on canvas, relined Netherlands, 17th century Johan Le Ducq (1629-1676/77) - Dutch artist Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 accompany the artwork Dimensions: 83.5 x 81 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting by the Dutch painter Johan Le Ducq shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. Certificates by Ludwig Meyer, Archiv für Kunstgeschichte, Munich dated 19th of March 2003 and by Ellen Bernt, Munich, March 2000 prove the authenticity and accompany the artwork. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild 'Confrérie Pictura', an artist's association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 18, 2014
Johan Le Ducq (1629-1676/77), attr., The Guardroom, 17th C
Est: €16,000 - €20,000
Oil on canvas, relined Netherlands, 17th century Attributed to Johan Le Ducq (1629-1676/77) - Dutch artist Overall dimensions, framed: 95 x 93 cm Good condition Provenance: Private collection, Germany A vivid representation of daily life during the Thirty Years War The present painting is attributed to the Dutch painter Johan Le Ducq and shows a colorful war still life in the center of a guardroom scene with cavaliers and peasants resting in the domestic interior in the background. The subject matter and the overall dark brown palette of the present painting, punctuated with bright color, is characteristic for Dutch painting around the middle of the 17th Century. Genre painting involving low class society, especially peasants but also more elevated class exponents, became more and more popular throughout the 17th century in the Netherlands. These pictures usually depict scenes of everyday life set in domestic interiors or in the countryside. Scholars are still debating whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events at the time of the Thirty Years War. In both cases they could have been associated with health, pleasure and liberty. The canvas has been relined and is well presented. The impasto is still fresh in the lighter pigments with the fine details still in good order. Inspection under UV light reveals retouching and lines of strengthening to the background, figures and to the darker details of the still life. The wooden frame is in good condition with only small traces of wear. The framed work measures 95 x 93 cm and the size of the stretcher is 83.5 x 81 cm. Johan Le Ducq (1629-1676/77) Johan Le Ducq received his artistic training under the Dutch painter Paulus Pieterszoon Pooter (1625-1654), when the master was active in The Hague between 1649 and 1652. In 1656, Ducq became a co-founder of the guild 'Confrérie Pictura', an artist's association exclusively reserved for professional painters. Four years later Ducq was also appointed member of the local Guild of Saint Luke. At the beginning of the 1670s, Johan Le Ducq abortively ended his career as a painter and joined the army. Johan Le Ducq was mainly active as an animal and landscape painter and etcher. His works can be found, for instance, at the Mauritshuis in The Hague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 27, 2013
Jean le Ducq (1629-1676) La halte ...
Est: CHF2,500 - CHF3,500
Jean le Ducq (1629-1676) La halte à l'auberge huile sur toile signée au centre 51x42 cmHistorique: Possible vente à Leiden 4 Novembre 1783 lot 177 (Tableau décrit mais sans dimensions) Collection Metzemaker Best Pays-Bas Vente Koller Zürich 05/11/1965 Jean le Ducq lot no. 1249Nous remercions Monsieur Fred Meijer (RKD la Haye) d'avoir confirmé cette attribution de visu
Piguet Hôtel des Ventes | Genève
Mar. 30, 2012
Attributed to LE DUCQ, JAN (1629 - 1676 The
Est: CHF500 - CHF700
Attributed to LE DUCQ, JAN (1629 - 1676 The Hague) Soldier with halberd and drum. Pen in brown. Inscribed verso in pencil: Jean Le ducq 1676 14.3 x 12.4 cm. LE DUCQ, JAN (1629 - 1676 Den Haag), zugeschrieben. Soldat mit Hellebarde und Trommel. Feder in Braun. 14,3 x 12,4 cm. Verso mit Bleistift bezeichnet: Jean Le ducq 1676.
Koller Auctions
Apr. 01, 2011
LE DUCQ, JAN(1629 The Hague1676)Greyhound.Oil on
Est: CHF18,000 - CHF25,000
LE DUCQ, JAN (1629 The Hague1676) Greyhound. Oil on canvas. Partly illegible signature left on margin: Le Du... 26.4 x 46 cm. Provenance: - Koller, Zurich, 25.11.1981, Lot 5217. - Swiss private collection. Expertise: Dr. Walther Bernt, Sept. 1977. Our thanks to Fred G. Meijer of RKD, The Hague for confirming the authenticity of the work having examined the original. LE DUCQ, JAN (1629 Den Haag 1676) Windhunde. Öl auf Leinwand. Links am Rand teilweise unleserlich signiert: Le Du... 26,4 x 46 cm. Provenienz: - Auktion Koller, Zürich, 25.11.1981, Los 5217. - Schweizer Privatbesitz. Expertise: Dr. Walther Bernt, Sept. 1977. Wir danken Fred G. Meijer vom RKD, Den Haag, für die Bestätigung der Eigenhändigkeit nach Begutachtung des Originals.
Koller Auctions
Jan. 27, 2011
JAN LE DUCQ
Est: $30,000 - $40,000
JAN LE DUCQ THE HAGUE 1629-1676 A GROUP PORTRAIT OF THE LOTH FAMILY IN A LANDSCAPE signed and dated lower right: J I Ducq / 1660 oil on canvas 53 by 43 1/2 in.; 135.1 by 110.2 cm.
Sotheby's
Oct. 29, 2009
JAN LE DUCQ
Est: £4,000 - £6,000
A PORTRAIT OF A GENTLEMAN, FULL LENGTH, WEARING A HAT AND A FUR TRIMMED CAPE; A PORTRAIT OF A LADY, FULL LENGTH, IN A BLUE DRESS WITH A LACE RUFF a pair, the former signed and dated lower left on the rock: J...Duc.f/ AB (?) 1651, the latter bears signature and date lower left on the rock: J...Duc.f/ AB (?) 1651.
Sotheby's
May. 06, 2009
Jan le Ducq (The Hague 1629/30-1676 Siret)
Est: €8,000 - €12,000
Jan le Ducq (The Hague 1629/30-1676 Siret) A young hunter at rest in a landscape oil on canvas 69.2 x 94 cm.
Christie's
May. 07, 2008
Johan le Ducq , Den Haag circa 1629 - 1676 A portrait of a gentleman and his wife and their three children, possibly the Loth family, near a statue of Diana the huntress, in a classical landscape oil on canvas
Est: €25,000 - €35,000
signed and dated lower right: J l Ducq / 1660 oil on canvas
Sotheby's
Apr. 15, 2008
A young hunter at rest in a landscape
Est: $40,000 - $60,000
Jan le Ducq The Hague 1629/30-1676 Siret A young hunter at rest in a landscape oil on canvas 27¼ x 37 in. 69.2 x 94 cm.
Christie's
Feb. 11, 2008
LE DUCQ Jan (1629-1676) GENTILHOMME EN CAPE ET
Est: €25,000 - €26,000
LE DUCQ Jan (1629-1676) GENTILHOMME EN CAPE ET JEUNE FEMME EN ROBE DE SOIE BLEUE Paire de panneaux de chêne, une planche, non parqueté Signés en bas à gauche et datés 1651 H. 40 cm L. 26,1 cm ET
Anaf