Charles and Ray Eames Sold at Auction Prices

b. 1907 - d. 1978

Charles Ormond Eames Jr. (June 17, 1907 – August 21, 1978) was an American designer, architect and filmmaker in professional partnership with his spouse, Ray Kaiser Eames, he was responsible for groundbreaking contributions in the field of architecture, furniture design, industrial design, manufacturing and the photographic arts.

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  • Charles and Ray Eames (American, 1907–1978 | 1913–1988) Molded Plywood Lounge Chair, 2008 Herman Miller
    Sep. 11, 2026

    Charles and Ray Eames (American, 1907–1978 | 1913–1988) Molded Plywood Lounge Chair, 2008 Herman Miller

    Est: $400 - $600

    Charles and Ray Eames (American, 1907–1978 | 1913–1988) Molded Plywood Lounge Chair, 2008 Herman Miller with 'Eames' sticker and barcode under seat. 26 1/2 h x 22 w x 24 1/4 d inches. This lot is located in Chicago.

    Freeman’s
  • Contemporary Marquise Blonde Wood Dining Table
    Sep. 10, 2026

    Contemporary Marquise Blonde Wood Dining Table

    Est: $1,000 - $2,000

    Contemporary Marquise Shape Blonde Wood Dining Table, the top above ten cylindrical supports mounted on pointed oval base. 29" H x 125.5" W x 65.5" D. Provenance: From a 28 East 70th Street Penthouse Estate. Keywords: Modern Furniture, Center table, Dining Room Suite, Vesica Piscis, Pointed oval form, Minimalist, Minimalism, Furnishings, Interior design, Decorative Arts

    Auctions at Showplace
  • Charles & Ray Eames Due sedie mod. La Fonda
    Sep. 10, 2026

    Charles & Ray Eames Due sedie mod. La Fonda

    Est: €400 - €500

    Struttura in metallo laccato e vetroresina. Rivestimento in skai. Marchio originale. Prod. Herman Miller, USA, 1970 ca.

    Cambi Casa d'Aste
  • Charles Eames & Eero Saarinen (XX) 'Organic Chair', an armchair, for Vitra, Italy, circa 2010.
    Sep. 10, 2026

    Charles Eames & Eero Saarinen (XX) 'Organic Chair', an armchair, for Vitra, Italy, circa 2010.

    Est: €200 - €300

    Charles Eames & Eero Saarinen (XX) 'Organic Chair', an armchair, for Vitra, Italy, circa 2010. Wood and grey upholstery. Design by Charles Eames and Eero Saarinen in 1940, as part of their entry for 'Organic Design in Home Furnishings', Museum of Modern Art in New York. For Vitra, Italy. Labeled 'Vitra - The authorised original - Design Charles Eames & Eero Saarinen'. 2018. (73 x 85 x 64 cm) Condition Report: A condition report not being available doesn't mean the item is flawless. If you'd like one, email us with the relevant lot number(s). Please also look closely at the photos, as they usually reveal any damage or missing parts. Feel free to reach out with questions or if you'd like additional images.

    Flanders Auctions
  • CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery. With Vitra and Charles Eames labels. Numbered. Measurements: 82 x 59 x 54 cm. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Such an enthusiastic design was perfectly received by critics and the public alike, giving rise to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two seating groups and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery. With Vitra and Charles Eames labels. Numbered. Measurements: 82 x 59 x 54 cm. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Such an enthusiastic design was perfectly received by critics and the public alike, giving rise to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two seating groups and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery....

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) for VITRA. Two chairs from the "Aluminium Group" series EA-107, design 1958. Vintage edition from the 1990s. Bright chrome-plated metal and black fabric upholstery. With Vitra and Charles Eames labels. Numbered. Measurements: 82 x 59 x 54 cm. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Such an enthusiastic design was perfectly received by critics and the public alike, giving rise to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two seating groups and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra/Herman Miller. Set of six chairs with original multicolored fiberglass shell with frame. Designed in 1948. Manufactured by...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra/Herman Miller. Set of six chairs with original multicolored fiberglass shell with frame. Designed in 1948. Manufactured by...

    Est: €3,200 - €3,500

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra/Herman Miller. Set of six chairs Model DSW. Original multicolored fiberglass shell with frame. Designed in 1948. Manufactured by Vitra/Herman Miller, marked. The shells show wear and age marks. Refurbished with original Vitra Dowel frame. Made in Vitra. Measurements: 83 x 54 x 47 cm, seat height: 45 cm. Charles and Ray's iconic DSW chair reflects their iterative spirit. Dynamic 3D veneer technology makes it possible to achieve the complex curves of its unique shell shape in wood veneer. This iteration was introduced in 2013. It is a range of chairs whose shell has been made in a single piece molded to fit the contours of the human body, and is combined with an intricate and elegant design that uniquely combines three basic concepts within interior design: lightness, elegance and structural strength. Charles and Ray Ames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra office chair model EA-117. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in original...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra office chair model EA-117. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in original...

    Est: €2,200 - €2,400

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra office chair model EA-117. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in original black leather, five-star foot with casters, newer generation with chrome ring on the edgers. Chair with small signs of wear considering the age. Produced by Vitra, 2010. Measurements height 96/82, 59 x 60 cm, 58/44 (seat height). The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra highback office chair model EA-119. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra highback office chair model EA-119. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in...

    Est: €2,200 - €2,400

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988). Vitra highback office chair model EA-119. With casters. Adjustable height and tilt function. Chromed aluminum base and armrests, in original black leather, five-star foot with casters, newer generation with chrome ring on the edgers. Chair with small signs of wear. Produced by Vitra, 2010. Measurements height 114/102, 59 x 60 cm, 56/44 (seat height). The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. A pair of Lobby chairs, model ES-105. Designed in 1960. Seat, armrest and back with grey aniline leather, swivel...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. A pair of Lobby chairs, model ES-105. Designed in 1960. Seat, armrest and back with grey aniline leather, swivel...

    Est: €5,000 - €5,500

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Herman Miller. A pair of Lobby chairs, model ES-105. Designed in 1960. Seat, armrest and back with grey aniline leather, swivel base, frame in patinated chrome aluminium. Signs of wear considering the age. Produced by Herman Miller. Measurements: 76 x 73 x 70 cm, seat height 40 cm. The Lobby chair, designed by Charles and Ray Eames for Herman Miller, is an icon of 20th century design conceived to unite relaxed comfort with an elegant, sculptural presence; originally created for the lobby of the Time-Life building in New York, it subsequently gave rise to several versions that share an essential feature: the extraordinary comfort of the seat, together with a visual lightness and constructive quality characteristic of the Eames approach and of mid-century modern aesthetics. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Vitra armchair, model EA-108 Designed in 1969. Seat and back with original red leather, swivel base and armrests in chromed aluminum,...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Vitra armchair, model EA-108 Designed in 1969. Seat and back with original red leather, swivel base and armrests in chromed aluminum,...

    Est: €1,200 - €1,400

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Vitra armchair, model EA-108 Designed in 1969. Seat and back with original red leather, swivel base and armrests in chromed aluminum, with leather on the armrest. Some signs of wear and patina. Produced by Vitra in the year 2005. Measurements; 83 x 58 x 59 cm, seat height 47 cm. The EA-108 by Vitra, designed by Charles & Ray Eames in 1958 within the Aluminium Group series, is a swivel chair with a more corporate and meeting character than an operative office, recognizable by its lightweight aluminum frame (polished or chrome), integrated armrests and four-spoke base without wheels; its seat and backrest are made of a stretched panel of leather, fabric or mesh between aluminum profiles, which adapts to the body without the need for thick padding and offers great comfort; it has a medium backrest and elegant proportions, making it ideal for boardrooms or representative spaces, combining visual lightness, ergonomics and a technical and timeless design typical of the Eames. Charles and Ray Eames, husband and wife and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he became a professor and headed the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Vitra Soft-Pad office chair, with casters. Adjustable height and tilt function. model EA-217. Chromed aluminum base and...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Vitra Soft-Pad office chair, with casters. Adjustable height and tilt function. model EA-217. Chromed aluminum base and...

    Est: €2,400 - €2,600

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Vitra. Vitra Soft-Pad office chair, with casters. Adjustable height and tilt function. model EA-217. Chromed aluminum base and armrests, new upholstery in cognac aniline leather, also on the back of the chair, five-star foot with casters. Produced by Vitra. The chair is newly upholstered, and the base is with light signs of wear. Measurements; height 95/84 x 59 x 60 cm, 61/50 (seat height). The EA-217 by Charles & Ray Eames for Vitra is a swivel office chair of iconic design belonging to the Soft Pad series (1969), characterized by its elegant aluminum frame (polished or chromed) and padded cushions upholstered in leather or fabric that provide great comfort; It features a medium backrest, integrated armrests, five-spoke base with casters, adjustable height and weight-adjustable tilt mechanism, making it suitable for prolonged use in high-level executive or home office environments, combining light aesthetics, ergonomic comfort and premium materials in a timeless piece of modern styling. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he became a professor and headed the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Soft-Pad Full Leather office chair, model EA-219. High back and casters. Adjustable height and tilt function. Chrome-plated...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Soft-Pad Full Leather office chair, model EA-219. High back and casters. Adjustable height and tilt function. Chrome-plated...

    Est: €2,800 - €3,000

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra Soft-Pad model EA-219. High back, office chair, with casters. Adjustable height and tilt function. Chromed aluminum base and armrests, new upholstery in cognac aniline leather, also on the back of the chair, five-star foot with casters. The chair is newly upholstered, and the base is with light signs of wear. Produced by Vitra. Measurements; height 116/103 x 59 x 60 cm, 61/48 (seat height). The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It has an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Such an enthusiastic design was perfectly received by both critics and the public, giving way to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two groups of armchairs and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in...

    Est: €400 - €450

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in polished steel from Vitra, designed in the 1950’s. Chair with minimal sign of use, base with some signs of use. Produced by Vitra. Measurements 87/77 x 46 x 55 cm, seat high 58/38 cm. This Eames chair stands out for its monobloc seat with soft and ergonomic lines, made of yellow molded plastic, which adapts comfortably to the body. The shell rests on a polished aluminum swivel base with five spokes and casters, designed for work and office environments. Its refined and functional aesthetic perfectly reflects the philosophy of Charles and Ray Eames: to create innovative, accessible and comfortable furniture through the use of new technologies and industrial materials. Considered an icon of 20th century design, this chair revolutionized modern furniture by being one of the first mass-produced chairs with a one-piece molded shell. Its versatility, durability and timeless design have contributed to its continued relevance in homes, offices and design collections around the world. An architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in...

    Est: €400 - €450

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988). Office chair with original shell of yellow polypropylene and with original 5-star base, with wheels, high adjustment (Gas lift), in polished steel from Vitra, designed in the 1950’s. Chair with minimal sign of use, base with some signs of use. Produced by Vitra. Measurements 87/77 x 46 x 55 cm, seat high 58/38 cm. This Eames chair stands out for its monobloc seat with soft, ergonomic lines, made of yellow molded plastic, which adapts comfortably to the body. The shell rests on a polished aluminum swivel base with five spokes and casters, designed for work and office environments. Its refined and functional aesthetic perfectly reflects the philosophy of Charles and Ray Eames: to create innovative, accessible and comfortable furniture through the use of new technologies and industrial materials. Considered an icon of 20th century design, this chair revolutionized modern furniture by being one of the first mass-produced chairs with a one-piece molded shell. Its versatility, durability and timeless design have contributed to its continued relevance in homes, offices and design collections around the world. An architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. Among his most outstanding architectural works are St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in the same city, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also called "Chair number 7", of which more than five million copies were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the movie "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and today we can find them in collections such as those of the Victoria & Albert Museum in London or the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra Soft-Pad high back, office chair, with casters. Adjustable height and tilt function. model EA-219. Chromed aluminum...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra Soft-Pad high back, office chair, with casters. Adjustable height and tilt function. model EA-219. Chromed aluminum...

    Est: €2,800 - €3,000

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra Soft-Pad high back, office chair, with casters. Adjustable height and tilt function. model EA-219. Chromed aluminum base and armrests, new upholstery in cognac aniline leather, also on the back of the chair, five-star foot with casters. The chair is newly upholstered, and the base is with light signs of wear. Produced by Vitra. Measurements; height 116/103 x 59 x 60 cm, 61/48 seat height. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It has an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Such an enthusiastic design was perfectly received by critics and the public alike, giving way to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two groups of armchairs and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and...

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and armrests, in original black hopsak, five-star foot with casters, newer generation with chrome ring on the edgers. Chair with light signs of wear. Produced by Vitra. Measurements height 114/102, 59 x 60 cm, 56/44 seat height. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It has an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and...

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907-1978) and RAY EAMES (USA, 1912-1988) for Vitra. Vitra highback office chair, with casters. Adjustable height and tilt function. model EA-119. Chromed aluminum base and armrests, in original black hopsak, five-star foot with casters, newer generation with chrome ring on the edgers. Chair with light signs of wear. Produced by Vitra. Measurements height 114/102, 59 x 60 cm, 56/44 seat height. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an ergonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model A. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...
    Sep. 09, 2026

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model A. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...

    Est: €1,200 - €1,500

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model A. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat or side table. Minimal signs of use, in a box Produced by Vitra. Measurements: H. 38 cm. Diam. 33 cm. The Time Life stool, designed by the Eames couple, features a structure reminiscent of a turned spindle, which has earned it alternative names such as “chess pieces.” It offers versatile use, whether as a seat or a side table. Charles and Ray Eames, a married couple and artistic partners, worked in the fields of industrial and graphic design, fine arts, and film, and are responsible for numerous designs that have become 20th-century classics. Charles Eames studied architecture for two years at the University of Washington, after which he began his career working in a studio on residential housing projects. In 1938, he moved to Cranbrook, Michigan, to continue studying architecture and design at the city’s Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen—the son of his mentor Eliel Saarinen—he designed the trophy for the Organic Design Award, presented by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the “Eames House,” which is today considered a masterpiece of modern architecture. In the 1950s, the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. Their work is currently represented at the Design Museum in London and the MoMA in New York, among many other institutions.

    Setdart Auction House
  • CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model B. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...
    Sep. 09, 2026

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model B. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...

    Est: €1,200 - €1,500

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model B. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat or side table. Minimal signs of use, in a box Produced by Vitra. Measurements: H. 38 cm. Diam. 33 cm. The Time Life stool, designed by the Eames couple, features a structure reminiscent of a turned spindle, which has earned it alternative names such as “chess pieces.” It offers versatile use, whether as a seat or a side table. Charles and Ray Eames, a married couple and artistic partners, worked in the fields of industrial and graphic design, fine arts, and film, and are responsible for numerous designs that have become 20th-century classics. Charles Eames studied architecture for two years at the University of Washington, after which he began his career working in a studio on residential housing projects. In 1938, he moved to Cranbrook, Michigan, to continue studying architecture and design at the city’s Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen—the son of his mentor Eliel Saarinen—he designed the trophy for the Organic Design Award, presented by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the “Eames House,” which is today considered a masterpiece of modern architecture. In the 1950s, the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. Their work is currently represented at the Design Museum in London and the MoMA in New York, among many other institutions.

    Setdart Auction House
  • CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model C. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...
    Sep. 09, 2026

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model C. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat...

    Est: €1,200 - €1,500

    CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Vitra. Time Life Stool, model C. Designed in 1960 for Rockefeller Centre, New York. Made in solid walnut, it can be used as a seat or side table. Minimal signs of use, in a box Produced by Vitra. Measurements: H. 38 cm. Diam. 33 cm. The Time Life stool, designed by the Eames couple, features a structure reminiscent of a turned spindle, which has earned it alternative names such as “chess pieces.” It offers versatile use, whether as a seat or a side table. Charles and Ray Eames, a married couple and artistic partners, worked in the fields of industrial and graphic design, fine arts, and film, and are responsible for numerous designs that have become 20th-century classics. Charles Eames studied architecture for two years at the University of Washington, after which he began his career working in a studio on residential housing projects. In 1938, he moved to Cranbrook, Michigan, to continue studying architecture and design at the city’s Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen—the son of his mentor Eliel Saarinen—he designed the trophy for the Organic Design Award, presented by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the “Eames House,” which is today considered a masterpiece of modern architecture. In the 1950s, the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. Their work is currently represented at the Design Museum in London and the MoMA in New York, among many other institutions.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Vitra armchair, model EA-104, Seat and back with original aniline caramel color leather, full leather also on the...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Vitra armchair, model EA-104, Seat and back with original aniline caramel color leather, full leather also on the...

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Vitra armchair, model EA-104, Seat and back with original aniline caramel color leather, full leather also on the back of the chair. Swivel base and armrests in chromed aluminum. The aluminum chairs series is designed in 1958. Minimal signs of wear. Produced by Vitra in the year 2015. Measurements; 56 x 85 x 52 cm, seat height 43 cm. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958, and since then has been manufactured uninterruptedly to this day. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Such an enthusiastic design was perfectly received by critics and the public alike, giving rise to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two seating groups and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. They were pioneers in the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs, and their creations can be seen in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. A set of 6 armchairs, model EA-108. Designed in 1969. Seat and back with black leather, swivel base and armrests in...
    Sep. 09, 2026

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. A set of 6 armchairs, model EA-108. Designed in 1969. Seat and back with black leather, swivel base and armrests in...

    Est: €7,000 - €8,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. A set of 6 armchairs, model EA-108. Designed in 1969. Seat and back with black leather, swivel base and armrests in chromed aluminium. latest generation with chrome ring at the edges. Chairs with minimal signs of use. Produced at Vitra, with labels. Measurements: 83 x 57 x 59 cm, seat height 42 cm. Now considered a classic of 20th century design, the Aluminum Chair by Charles and Ray Eames was created in 1958, and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the structure of the chair itself by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Such an enthusiastic design was perfectly received by critics and the public alike, giving rise to a complete range of models for the Eames Aluminium Group: the Aluminium Chairs EA 101, 103 and 104 (especially suitable as dining chairs), the models EA 105, 107 and 108 (used more in meeting rooms), the Aluminium Chairs EA 115, 116 and EA 124, 125 form two seating groups and the versions EA 117, 118 and 119 are the work chairs of this product family. The seat tilt mechanism can be adjusted to the user's weight for optimum comfort. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. They were pioneers in the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs, and their creations can be seen in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • Charles EAMES (1907-1978)
    Sep. 09, 2026

    Charles EAMES (1907-1978)

    Est: €200 - €400

    Charles EAMES (1907-1978) Fauteuil "Lounge chair" n°670 et son repose-pieds n°671 Bois exotique et cuir Modèles créés en 1956 Editeur d'origine Herman Miller Garniture du fauteuil abîmée à refaire Provenance : Collection Monique Lepeuve et Alain Micheau

    Artello
  • CHARLES AND RAY EAMES SEGMENTED BASE TABLE FOR HERMAN MILLER
    Sep. 07, 2026

    CHARLES AND RAY EAMES SEGMENTED BASE TABLE FOR HERMAN MILLER

    Est: $500 - $700

    CHARLES AND RAY EAMES SEGMENTED BASE TABLE FOR HERMAN MILLER Round top in black laminate with matching segmented aluminium base. The United States of America Designed 1964 72.5h x 110dia

    Leonard Joel
  • CHARLES AND RAY EAMES OTTOMAN FOR VITRA
    Sep. 07, 2026

    CHARLES AND RAY EAMES OTTOMAN FOR VITRA

    Est: $400 - $600

    CHARLES AND RAY EAMES OTTOMAN FOR VITRA 42cm x 63w x 56d

    Leonard Joel
  • Eames for Herman Miller Dot Fabric "Sofa Compact"
    Sep. 02, 2026

    Eames for Herman Miller Dot Fabric "Sofa Compact"

    Est: $1,500 - $3,000

    Eames for Herman Miller Dot Fabric "Sofa Compact" Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) for Herman Miller (American, founded 1920), 2008. "Sofa Compact" upholstered in the "Dot" pattern fabric, with a horizontal channel back and supported on chrome plated and enameled steel, silver manufacturer's mark to underside.

    Ahlers & Ogletree Inc.
  • Lounge chair with ottoman, designed by Charles and Ray
    Aug. 29, 2026

    Lounge chair with ottoman, designed by Charles and Ray

    Est: €3,500 - €4,500

    Lounge chair with ottoman, designed by Charles and Ray Eames (1956), Hermann Miller Collection, version 2008, seat shell made of plywood, black metal base, black leather, manufacturer's labels, covers almost as good as new, 71x78x97 cm, condition 1-2 . German Description: Lounge Chair mit Ottomane, Entw. Charles und Ray Eames (1956), Hermann Miller Collection, Ausführung 2008, Sitzschale aus Schichtholz, schwarzer Metallfuß, schwarzes Leder, Herstelleretiketten, Bezüge annähernd neuwertig, 71x78x97 cm, EZ 1-2

    Henry's Auktionshaus
  • Charles Eames, Coffeetable
    Aug. 28, 2026

    Charles Eames, Coffeetable

    Est: -

    Charles Eames, Coffeetable Entwurf 1958 für Hermann Miller, frühe Ausführung 1960er Jahre, Tischunterseite mit Herstelleretikett “Herman Miller Collection”, flacher runder Couchtisch, Gestell aus schwarz lackiertem Aluminiumguss, die Füße an den Oberseiten poliert, weiße Melamin-Platte mit schwarzem Rand, Alters- und Gebrauchsspuren, H 42 cm, D 90 cm. Charles Eames, Coffee Table Designed in 1958 for Herman Miller, early 1960s version, underside of table bears ‘Herman Miller Collection’ manufacturer’s label, flat, round coffee table, frame in black lacquered cast aluminium, legs polished on the upper surfaces, white melamine top with black edge, signs of age and wear, H 42 cm, D 90 cm.

    Auktionshaus Mehlis GmbH
  • Charles Eames, runder Esstisch
    Aug. 28, 2026

    Charles Eames, runder Esstisch

    Est: -

    Charles Eames, runder Esstisch Entwurf 1958 für Herman Miller, frühe Ausführung 1960er Jahre, Tischunterseite mit Herstelleretikett "Herman Miller Collection", runde weiße Platte aus kunststoffbeschichtetem MDF, weiß lackierter Fuß aus Aluminiumguss, die Oberkante poliert, guter Zustand, H 73 cm, D 108 cm. Charles Eames, round dining table Designed in 1958 for Herman Miller, early 1960s version, underside of the table bearing a ‘Herman Miller Collection’ manufacturer’s label, round white top made of plastic-coated MDF, white lacquered cast aluminium base with a polished upper edge, good condition, H 73 cm, D 108 cm.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, vier Armlehnstühle "DAX"
    Aug. 28, 2026

    Charles & Ray Eames, vier Armlehnstühle "DAX"

    Est: -

    Charles & Ray Eames, vier Armlehnstühle "DAX" Entwurf 1950 für Hermann Miller, Fehlbaum-Production, 1970er Jahre, Schale aus Fiberglas, Vollpolster mit originalem braunen Hopsak-Bezug, originales Herstelleretikett, verchromter Fuß, guter Zustand mit geringen Gebrauchsspuren, Maße je 73 x 63 x 66 cm. Charles & Ray Eames, four "DAX" armchairs Designed in 1950 for Herman Miller, Fehlbaum Production, 1970s, fibreglass shell, fully upholstered with original brown Hopsak fabric, original manufacturer’s label, chrome-plated base, good condition with minor signs of wear, dimensions 73 x 63 x 66 cm each.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, zwei Sessel "La Fonda"
    Aug. 28, 2026

    Charles & Ray Eames, zwei Sessel "La Fonda"

    Est: -

    Charles & Ray Eames, zwei Sessel "La Fonda" Modell 1730-1, Entwurf 1961, Ausführung Herman Miller, beigefarbene Sitzschale aus Fiberglas mit originalem Herstelleretikett, schwarz lackiertes La Fonda-Gestell aus Aluminiumguss, normale Alters- und Gebrauchsspuren, Fußgestell zum Teil mit Farbverlusten, Maße je 75 x 63 x 55 cm. Info: Das Design entstand als Sonderauftrag für ihren engen Freund Alexander Girard. Dieser gestaltete zu der Zeit das luxuriöse New Yorker Restaurant La Fonda del Sol und benötigte Stühle, deren Rückenlehnen nicht über die Tischkanten herausragten, um die Sichtlinien im Raum nicht zu stören. Quelle: Internet. Charles & Ray Eames, two "La Fonda" armchairs Model 1730-1, designed in 1961, manufactured by Herman Miller, beige fibreglass seat shell with original manufacturer’s label, black-lacquered La Fonda frame made of cast aluminium, normal signs of age and wear, base frame showing some loss of paint, dimensions 75 x 63 x 55 cm each. Info: The design was created as a special commission for her close friend Alexander Girard. At the time, he was designing the luxurious New York restaurant La Fonda del Sol and needed chairs whose backrests did not protrude beyond the table edges, so as not to obstruct the sightlines in the room. Source: Internet.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, Armlehnsessel "DAR"
    Aug. 28, 2026

    Charles & Ray Eames, Armlehnsessel "DAR"

    Est: -

    Charles & Ray Eames, Armlehnsessel "DAR" Entwurf 1950 für Hermann Miller, Ausführung wohl 1980er Jahre, ungemarkt, Schale aus blauem Fiberglas, verchromtes Fußgestell "Eiffelturm", guter Zustand, Maße 82 x 65 x 60 cm. Charles & Ray Eames, "DAR" armchair Designed in 1950 for Herman Miller, probably produced in the 1980s, unmarked, blue fibreglass shell, chrome-plated "Eiffel Tower" base, in good condition, dimensions 82 x 65 x 60 cm.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, vier Armlehnstühle "DAX"
    Aug. 28, 2026

    Charles & Ray Eames, vier Armlehnstühle "DAX"

    Est: -

    Charles & Ray Eames, vier Armlehnstühle "DAX" Entwurf 1950 für Hermann Miller, Fehlbaum-Production, 1970er Jahre, Schale aus Fiberglas, Vollpolster mit originalem braunen Hopsak-Bezug, originales Herstelleretikett, verchromter Fuß, guter Zustand mit geringen Gebrauchsspuren, Maße je 73 x 63 x 66 cm. Charles & Ray Eames, four "DAX" armchairs Designed in 1950 for Herman Miller, Fehlbaum Production, 1970s, fibreglass shell, fully upholstered with original brown Hopsak fabric, original manufacturer’s label, chrome-plated base, good condition with minor signs of wear, dimensions 73 x 63 x 66 cm each.

    Auktionshaus Mehlis GmbH
  • Charles Eames, vier Fiberglas-Stühle
    Aug. 28, 2026

    Charles Eames, vier Fiberglas-Stühle

    Est: -

    Charles Eames, vier Fiberglas-Stühle Entwurf für Herman Miller Collection, frühe Ausführung aus den 1960er Jahren, weiß lackiertes Stahlrohrgestell mit H-Base in Wallsafer-Ausführung, Sitzschale aus Fiberglas, an der Unterseite Herstelleretikett "Herman Miller Collection", originaler grüner Hopsakbezug, im sehr guten unrestaurierten Originalzustand, H je 81 cm, SH je 48 cm. Charles Eames, four fibreglass chairs Designed for the Herman Miller Collection, early version from the 1960s, white-lacquered tubular steel frame with H-base in Wallsafer finish, fibreglass seat shell, ‘Herman Miller Collection’ manufacturer’s label on the underside, original green Hopsak upholstery, in very good, unrestored original condition, H 81 cm each, SH 48 cm each.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, Schaukelstuhl "RAR"
    Aug. 28, 2026

    Charles & Ray Eames, Schaukelstuhl "RAR"

    Est: -

    Charles & Ray Eames, Schaukelstuhl "RAR" Entwurf 1950-193 für Hermann Miller, Ausführung nach 2000, ungemarkt, dunkelblaue Sitzschale aus Fiberglas, Gestell aus schwarz lackiertem Eisen, Kufen aus massivem Nussbaum, Maße 70 x 65 x 68 cm. Charles & Ray Eames, "RAR" rocking chair Designed in 1950–193 for Herman Miller, produced after 2000, unmarked, dark blue fibreglass seat shell, black lacquered iron frame, solid walnut runners, dimensions 70 x 65 x 68 cm.

    Auktionshaus Mehlis GmbH
  • Charles & Ray Eames, vier Armlehnstühle "DAX"
    Aug. 28, 2026

    Charles & Ray Eames, vier Armlehnstühle "DAX"

    Est: -

    Charles & Ray Eames, vier Armlehnstühle "DAX" Entwurf 1950 für Hermann Miller, Ausführung wohl 1970er Jahre, ungemarkt, weiße Fiberglasschalen mit roten Polsterauflagen, diese später von unten durch je vier winzige Schrauben befestigt, verchromtes Gestell, normale Alters- und Gebrauchsspuren, Sitzauflagen teilweise lose, Maße je 83 x 65 x 58 cm. Charles & Ray Eames, four "DAX" armchairs Designed in 1950 for Herman Miller, probably produced in the 1970s, unmarked, white fibreglass shells with red upholstered cushions, these later secured from below by four tiny screws each, chrome-plated frame, normal signs of age and wear, seat cushions partially loose, dimensions 83 x 65 x 58 cm each.

    Auktionshaus Mehlis GmbH
  • Charles and Ray Eames, Soft Pad lounge chair and ottoman
    Aug. 20, 2026

    Charles and Ray Eames, Soft Pad lounge chair and ottoman

    Est: $1,000 - $1,500

    Charles and Ray Eames Soft Pad lounge chair and ottoman Herman Miller USA, 1958 / 2004 leather upholstery, polished aluminum chair: 39 h x 26 w x 31 d in (99 x 66 x 79 cm) ottoman: 17.25 h x 26 w x 21.5 d in (44 x 66 x 55 cm) Impressed manufacturer's mark to underside of ottoman 'Herman Miller'. Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 342-343 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, DCM
    Aug. 20, 2026

    Charles and Ray Eames, DCM

    Est: $500 - $700

    Charles and Ray Eames DCM Herman Miller USA, 1946 / c. 1975 walnut plywood, chrome-plated stee, rubber, plastic 29.5 h x 19.5 w x 22 d in (75 x 50 x 56 cm) Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 74-75 The Herman Miller Collection, manufacturer's catalog, 1948, pg. 63 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, 670 lounge chair and 671 ottoman
    Aug. 20, 2026

    Charles and Ray Eames, 670 lounge chair and 671 ottoman

    Est: $2,000 - $3,000

    Charles and Ray Eames 670 lounge chair and 671 ottoman Herman Miller USA, 1956 / c. 1980 rosewood plywood, leather upholstery, enameled and brushed aluminum chair: 32 h x 33 w x 30 d in (81 x 84 x 76 cm) ottoman: 17 h x 25.5 w x 21 d in (43 x 65 x 53 cm) Decal manufacturer's label to underside of each example 'Herman Miller'. Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 206-207 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, LCM
    Aug. 20, 2026

    Charles and Ray Eames, LCM

    Est: $700 - $900

    Charles and Ray Eames LCM Herman Miller USA, 1946 / c. 1958 calico ash plywood, chrome-plated steel, rubber 26.25 h x 22.25 w x 25 d in (67 x 57 x 63 cm) Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 72-75 The Herman Miller Collection, manufacturer's catalog, 1948, pg. 61 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, Soft Pad Managment chair
    Aug. 20, 2026

    Charles and Ray Eames, Soft Pad Managment chair

    Est: $1,000 - $1,500

    Charles and Ray Eames Soft Pad Managment chair Herman Miller USA, 1969 / 2004 leather, aluminum, enameled steel 34 h x 23 w x 20 d in (86 x 58 x 51 cm) Paper manufacturer's label to underside 'EA435 VD L 258 4726533 11022004'. Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 226-229 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, ESU 270-N
    Aug. 20, 2026

    Charles and Ray Eames, ESU 270-N

    Est: $1,500 - $2,000

    Charles and Ray Eames ESU 270-N Herman Miller USA, 1950 / c. 1955 birch plywood, chrome-plated steel, lacquered Masonite, zinc-plated steel, lacquered aluminum 32.5 h x 24 w x 16.75 d in (83 x 61 x 43 cm) Unit features three drawers above open storage. Provenance: Collection of Normand Mainville Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 126-129 The Herman Miller Collection, manufacturer's catalog, 1952, ppg. 102-105 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, Leg splints model S2-1790, pair
    Aug. 20, 2026

    Charles and Ray Eames, Leg splints model S2-1790, pair

    Est: $1,000 - $1,500

    Charles and Ray Eames Leg splints model S2-1790, pair Evans Products USA, 1943 Douglas fir plywood 4 h x 8 w x 42.5 d in (10 x 20 x 108 cm) Branded manufacturer's model number to interior of each example 'S2-1790'. Stamped manufacturer's mark to exterior of one example 'Molded Plywood Division Los Angeles, California'. Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 32-33 This work will ship from Lambertville, New Jersey.

    Wright
  • Charles and Ray Eames, DKW
    Aug. 20, 2026

    Charles and Ray Eames, DKW

    Est: $500 - $700

    Charles and Ray Eames DKW Herman Miller USA, 1951 leather, birch, lacquered steel 32 h x 19 w x 21 d in (81 x 48 x 53 cm) Paper manufacturer's label to underside 'Made by Herman Miller Furniture Company 901 W. Washington Blvd Venice California'. Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 152-153, 159 The Herman Miller Collection, manufacturer's catalog, 1952, ppg. 98-99 This work will ship from Lambertville, New Jersey.

    Wright
  • Charles and Ray Eames, ESU 400-N
    Aug. 20, 2026

    Charles and Ray Eames, ESU 400-N

    Est: $1,500 - $2,000

    Charles and Ray Eames ESU 400-N Herman Miller USA, 1950 / c. 2004 birch plywood, birch, lacquered Masonite, chrome-plated steel, enameled aluminum 58.5 h x 47.5 w x 17 d in (149 x 121 x 43 cm) Unit features four sliding doors and three drawers. Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 128-129 The Herman Miller Collection, manufacturer's catalog, 1952, pg. 105 This work will ship from Chicago, Illinois.

    Wright
  • Charles and Ray Eames, RAR
    Aug. 20, 2026

    Charles and Ray Eames, RAR

    Est: $600 - $800

    Charles and Ray Eames RAR Herman Miller USA, 1950 / c. 1960 molded fiberglass, enameled steel, birch 26.75 h x 24.5 w x 27 d in (68 x 62 x 69 cm) Paper manufacturer's label to underside seat 'Herman Miller, Inc. Zeeland, Michigan' and includes patent information. Literature: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 138, 141 The Herman Miller Collection, manufacturer's catalog, 1952, pg. 94 This work will ship from Lambertville, New Jersey.

    Wright
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