Richard Earlom Paintings & Artwork for Sale | Richard Earlom Art Value Price Guide

Sep. 26, 2024
AFTER CLAUDE LE LORRAIN
Est: €250 - €350
Set of 4 pastoral scenes. Each on engraving by Richard Earlom (1743-1822). Published London 1774. Framed. Provenance: West Cork, Ireland, Private Collection. PICTURES AND PRINTS Thursday 26th September 2024 Approximate Time 14:54:45
Sheppards
Sep. 25, 2024
AFTER NELSON
Est: €200 - €300
Bull dogs and badger. Engraving by Richard Earlom (1743-1822). Published by Robert Laurie 1809. Enclosed in a bird's eye maple frame. Provenance: West Cork, Ireland, Private Collection. PICTURES AND PRINTS Wednesday 25th September 2024 Approximate Time 10:18:45
Sheppards
Sep. 18, 2024
Richard Earlom, British (1743-1822), Hunting scene near a harbor, 1776, mezzotint and roulette on wove paper, 8 1/4"H x 10 1/4"W (plate), 15 1/2"H x 17 1/4"W (mat)
Est: $50 - $100
Richard Earlom British, (1743-1822) Hunting scene near a harbor, 1776 mezzotint and roulette on wove paper Signed and dated below the image. In passepartout. After a drawing by Claude Lorrain (1600-1682, French) in the collection of the Duke of Devonshire. Sharp impression, contrast, and shading.
Ripley Auctions
Aug. 17, 2024
R. EARLOM (*1743) after LORRAIN (*1600), Arcadian landscape with biblical scene, 1776, Mezzotint
Est: €150 - €200
Richard Earlom (1743 London - 1822 ibid.) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Arcadian landscape with Roman ruins and Hagar, to whom an angel appears, 1776, Mezzotint Technique: Mezzotint on Paper Inscription: Lower middle signed: "Claude le Lorrain delin | R. Earlom fecit.". Date: 1776 Description: Landscape with cattle train and Roman ruins. In the foreground on the right with a biblical scene. The angel appears to Abraham's concubine Hagar and shows her the way. With a pointing gesture, he indicates the city in the background. The woman Abraham has impregnated is to return to Abraham and Sarah (Gen 16:10-11). Source: Liber Veritatis. Or a Collection of Prints after the original designs of Claude le Lorrain, 1774, No. II | Book, Mythology, Landscape Keywords: Bible illustration, Hagar, Old Testament, Book of Moses, slave, second wife, pregnancy, 18th century, Romanticism, Landscape, United Kingdom, Size: Paper: 30,7 cm x 42,5 cm (12,1 x 16,7 in), Plate: 21,1 cm x 26,2 cm (8,3 x 10,3 in), Depiction: 19,3 cm x 26,0 cm (7,6 x 10,2 in)
Fichter Kunsthandel
Aug. 14, 2024
Richard Earlom, British (1743-1822), Hunting scene near a harbor, 1776, mezzotint and roulette on wove paper, 8 1/4"H x 10 1/4"W (plate), 15 1/2"H x 17 1/4"W (mat)
Est: $80 - $120
Richard Earlom British, (1743-1822) Hunting scene near a harbor, 1776 mezzotint and roulette on wove paper Signed and dated below the image. In passepartout. After a drawing by Claude Lorrain (1600-1682, French) in the collection of the Duke of Devonshire. Sharp impression, contrast, and shading.
Ripley Auctions
Jul. 27, 2024
R. EARLOM (*1743) after WERFF (*1659), Bathseba und Abishag, 1779, Mezzotint
Est: €600 - €800
Richard Earlom (1743 London - 1822 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Bathseba bringt Abishag zu David, 1779, Mezzotint Technique: Mezzotint on Laid paper, mounted on Paper Date: 1779 Description: In the Tanakh, Abishag was a woman who cared for King David in Jerusalem during the last weeks of his life. She is mentioned in the first book of Kings as a "beautiful" girl. The medium of the mezzotint is ideal for reproducing the materiality of the various draperies and curtains as well as the strong contrasts between light and dark with such intensity and subtlety. The sheet, created in 1779, reproduces the painting "Sarah Brings Hagar to Abraham" by Adriaen van der Werff (1659-1722). Painted in 1696, it was acquired by Sir Robert Walpole (1676-1745), Britain's first Prime Minister, for his collection at Houghton Hall (Norfolk). Signed below the depiction "Vanderwerff pinxit. George Farington delint. / John Boydell excudit 1779 / Bathsheba bringing Abishag to David, / Rich. Earlom sculpsit.". Below with inscription and publication line "In the Cabinet at Houghton", "Published July 31. 1779 by John Boydell, Engraver in Cheapside London." Keywords: 18th century, Figurative, Biblical, United Kingdom, Size: Laid paper: 62,7 cm x 45,0 cm (24,7 x 17,7 in)
Fichter Kunsthandel
Jul. 27, 2024
R. EARLOM (*1743) after ROSA (*1615), David und Goliath, 1766, Mezzotint
Est: €450 - €600
Richard Earlom (1743 London - 1822 ibid.) after Salvator Rosa (1615 Naples - 1673 Rom): David und Goliath, 1766, Mezzotint Technique: Mezzotint on Laid paper Inscription: Signed below the depiction "Sal: Rosa pinxt. R: Earlom fecit", titled, dated and inscribed "David and Goliath. From the original picture by Salvator Rosa in the collectionn of his grace the Duke of Devonshire. Size of the picture 1"7f by 2"2F in height. OL. II. No. 4. John Boydell excudt. 1766". Earlom is one of the main masters of English mezzotint engraving, whose work was already highly esteemed by his contemporaries. He is known to have worked on 541 plates (Rubinstein, note 56), most of which were published by John and Josiah Boydell. Date: 1766 Description: Particularly beautiful print emphasising the three-dimensional effects and shadow areas thanks to the scraped areas and finely graduated valeurs. Keywords: 18th century, Figurative, Biblical, United Kingdom, Size: Laid paper: 33,8 cm x 23,3 cm (13,3 x 9,2 in), Plate: 33,5 cm x 22,9 cm (13,2 x 9 in), Depiction: 30,0 cm x 22,7 cm (11,8 x 8,9 in)
Fichter Kunsthandel
Jul. 27, 2024
R. EARLOM (*1743) after ROSA (*1615), Jacob's battle with the angel, 1766, Mezzotint
Est: €450 - €600
Richard Earlom (1743 London - 1822 ibid.) after Salvator Rosa (1615 Naples - 1673 Rom): Jacob's battle with the angel, 1766, Mezzotint Technique: Mezzotint on Laid paper Inscription: Titled, dated and inscribed below the depiction "Jacob wrestling with the angel. From the original picture by Salvator Rosa in the collectionn of his grace the Duke of Devonshire. Size of the picture 1"7f by 2"2F in height. OL. II. No. 3 Sal: Rosa pinxt. R: Earlom fecit. John Boydell excudt. 1766". Earlom is one of the main masters of English mezzotint engraving, whose work was already highly esteemed by his contemporaries. He is known to have worked on 541 plates (Rubinstein, note 56), most of which were published by John and Josiah Boydell. Date: 1766 Description: Preferred print alongside the otherwise familiar etching, on laid paper. Particularly beautiful print emphasising the three-dimensional effects and shadow areas through the scraped areas and finely graded valeurs. Keywords: 18th century, Figurative, Biblical, United Kingdom, Size: Laid paper: 34,2 cm x 23,3 cm (13,5 x 9,2 in), Depiction: 30,3 cm x 22,8 cm (11,9 x 9 in)
Fichter Kunsthandel
Jul. 04, 2024
Earlom, Richard
Est: €40 - €60
(1743 London 1822). Portrait Sir Thomas Chaloner. R. Earlom nach Anthonis van Dyck. Mezzotinta. 1778. Plgr. 41,4 x 30,5 cm. Blgr. 68,8 x 55, 6 cm. Im Rand stärker stockfl. R
Kiefer Buch- und Kunstauktionen
May. 29, 2024
Earlom, Richard: Bildnis einer jungen Dame mit elegantem Bonnet
Est: €300 - €400
Bildnis einer jungen Dame mit elegantem Bonnet. Farbradierung in Crayonmanier auf Velin nach Giovanni Battista Cipriani. 27 x 19,6 cm. 1787. Wessely 478. Prachtvoller Druck mit feinem Rändchen um die Rahmung, unten mit feinem Rändchen um die Plattenkante. Minimal fleckig, geringe Gebrauchsspuren, sonst sehr schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 29, 2024
Earlom, Richard: A fruit piece
Est: €200 - €300
A fruit piece. Schabkunstblatt, handkoloriert nach Michelangelo di Campidoglio. 30,5 x 35,4 cm. 1776. Wessely 148. Ganz ausgezeichneter Druck mit schmalem Rand. Etwas angeschmutzt und mit leichtem Lichtrand im Passepartout-Ausschnitt, hinterlegte Randeinrisse sowie weitere kleine Randläsuren, weitere Gebrauchsspuren, sonst noch gut. Beigegeben von John Boydell "A Fruit Piece" ebenfalls nach Michelangelo di Campidoglio von 1779. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 14, 2024
Richard Earlom, An iron forge. J Boydell Excudit, Publish'd Jany 1. 1773.
Est: €240 - €480
Mezzotinto, acquaforte e bulino. mm 478x595. Foglio: mm 550x685. Wessely, 121. In basso a destra sulle tavole di legno "Jo Wright Pinxt. 1772" e la firma "Rd Earlom. fc". Dal dipinto di Joseph Wright of Derby esposto per la prima volta nel giugno 1772 (oggi alla Tate, inv. T06670) al quale appena sei mesi dopo fece seguito l'incisione di Earlom. Buona prova su carta vergellata color crema. (1)
Gonnelli Casa d'Aste
May. 04, 2024
Richard Earlom etching after a painting by Claude
Est: -
Richard Earlom etching after a painting by Claude le Lorrain dd 1774 EARLOM RICHARD (1743 - 1822) ets met een landschapszicht ("Landscape with the flaying of Marsyas") dd 1774 naar een werk van Claude le Lorrain - 20,5 x 25,5
DVC
Apr. 09, 2024
R. EARLOM, AFTER CLAUDE LORRAIN
Est: £100 - £150
RICHARD EARLOM (BRITISH 1743-1822)AFTER CLAUDE LORRAIN, FROM THE ORIGINAL DRAWING IN THE COLLECTION OF THE DUKE OF DEVONSHIREEngraving Published in 1774 by John Boydell, London 20.5 x 25cm (8 x 9¾ in.)Together with two engravings by another hand, both indistinctly signed, various sizes (3)
Dreweatts 1759 Fine Sales
Apr. 04, 2024
Richard Earlom after Claude Le Lorrain,
Est: £50 - £80
Richard Earlom after Claude Le Lorrain, four sepia mezzotints with etching, published 1774 by John Boydell, plates 2, 35, 54 and 64 from the Liber Veritatis of Claude Lorrain, gilt framed, 45 x 52cm (overall)
Cheffins
Mar. 02, 2024
Jan Van Huysum, Large Folio - A Flower Piece
Est: $3,000 - $6,000
This sumptuous mezzotint engravings were done by Richard Earlom (1743-1822) after the original art of Jan Van Huysom (1682-1749). It was published in London by John Boydell in 1781. Jan Van Huysum was the "last of the great Dutch masters" (Mithcell) "It is the fate of some painters to be celebrated in their lifetime only and to be disregarded by later generations... Other painters pass their lives in obscurity only to be acclaimed by a succeeding century. A few, a very few, achieve a fame which is universal in their own day, never falters, and remains unchanged today. Jan van Huysum is among them. To Weyerman...Van Huysum was the 'phoenix of Flower Painters.' To Vertue, writing of six paintings he saw in an English collection in the 1740s, they were 'the most inimitable pictures that were ever seen.' In Van Huysum's lifetime the Kings of Poland and Prussia, the Elector of Saxony, Prince William of Hesse, the Dukes of Orleans and Mecklenburg, and Sir Robert Walpole were eager patrons. When Catherine the Great, thirty years after Van Huysum's death, wanted to buy the Walpole Collection, the greatest in England, a valuation was made by Benjamin West...on the evidence of saleroom results at the time he placed a fair valuation of 1200 pounds on the pair of Van Huysums...In the nineteenth century the Rothschilds and others were avid collectors...Today the very finest Van Huysums are not available...The only fair way to judge an artist is by assessing his success in what he set out to achieve. By such a yardstick Van Huysum is supremely successful... "Jan, born at Amsterdam in 1682, was the eldest son and pupil of Justus van Huysum. Justus was the head of a family enterprise...with three younger sons assisting: Justus the younger, Jacob and Michiel. Their large-scale production met the demand for decorative flowerpieces...Jan did not choose to follow his father's example. From his marriage in 1704 until his death in 1749 Jan appears to have stayed in Amsterdam, but independent of the family. He jealously guarded his success...working in strict privacy that none might see the preparation of his pigments nor how he worked...He is said to have worked from the real flower and gone to Haarlem each summer to study specimens...Van Huysum possessed an unerring elegance of composition which enabled him to avoid the inbalance, the over-abundance that others risked...The artist left no word, no indication of how he really painted, no hint of his own philosophy. So the wondrous skills of Jan Van Huysum, the last of the great Dutch masters, leaves us as bemused as those of his predecessors a century and a half earlier." (Peter Mitchell, European Flower Painters, pp. 142-149) Richard Earlom was one of the few engravers technically equipped to do justice to Van Huysum's work. Earlom "succeeded in inducing his father to place him under the tuition of Cipriani, and in 1765 became known to Alderman Boydell, who entertained so high an opinion of the young artist that he employed him to make drawings from the celebrated collection of pictures at Houghton, and now at St. Petersburg, for the engravers to work from. In 1757 he was awarded a premium by the Society of Arts. In the art of mezzotint engraving Earlom was his own instructor. His plates show great technical skill, especially those of flowers after Van Huysum, and are highly valued by the connoisseurs. They were produced in a style of engraving which till then had never been thought capable of representing the delicate texture of flowers... He engraved over sixty plates in mezzotint, among which are The Royal Academy, after Zoffany; Samuel Barrington, after Reynolds; Richard, viscount Fitzwilliam, after Howard; William Henry, duke of Gloucester, after Hamilton; Horatio, lord Nelson, after Beechey; William Pitt, after Dupont; the set of six plates of the Marriage à la Mode, after Hogarth; two flower pieces, after Huysum; Blacksmith's Shop, and the Forge, after Wright." (DNB) John Boydell was a printseller and engraver. He and his nephew, Josiah, created fine engravings in England including scenes from Shakespeare, etchings by Francesco Bartolozzo after paintings by Guercino, and many other old master and landscape works.
Trillium Antique Prints & Rare Books
Feb. 15, 2024
Paesaggio (da Claude Lorrain)
Est: €80 - €120
Rifilata. Iscrizione mancante: "From the original drawing in the collection of the duke of Devonshire".
DAMS Casa d'Aste
Feb. 07, 2024
SNYDERS - EARLOM. A Game Market.
Est: €800 - €1,200
Frans SNYDERS - Richard EARLOM 1579 – 1657; 1743 – 1822 A Game Market. 1783 Mezzatinta. 420x575 mm. Rifilato sull’inciso e incollato su foglio di supporto. Iscrizioni: sotto l’immagine a sin. “Snyders & Long John Pinxerunt”; al centro “John Boydell excudit 1783”; a dx. “Richd. Earlom, Sculpsit”. Abili restauri. Spettacolare raffigurazione di una bancarella del mercato con selvaggina, tra cui una testa di cinghiale, un cigno, un cervo, anatre, galline ecc. A sinistra il commerciante con un pavone sul braccio. Sotto il titolo l’iscrizione “'In the Collection of His Grace the Duke of Newcastle, at Clumber Park in Nottinghamshire”. Più sotto “The Empiress of Russia having purchased the Houghton Collection, the Proprietor had not time to make a Drawing from this Picture before their departure; The Duke of Newcastle having four Original Pictures by Snyders of the Markets, with very little variations, gave leave to make a Drawing from this Picture in order to make the set complete.”
Bado e Mart
Jan. 27, 2024
Richard Earlom (1743-1822): 4 etchings from the
Est: €350 - €450
Richard Earlom (1743-1822): 4 etchings from the 19th/20th century, a pair of floral pieces'A Flower Piece' after Jan van Huysum (1682- 1749), 'A Game Market' and 'A Fish Market#' depending on Snyders & Long John, each framed under glass, 63x80 cm . German Description: Richard Earlom (1743-1822): 4 Radierungen des 19./20.Jh., ein Paar Blumenstücke 'A Flower Piece' nach Jan van Huysum (1682-1749), ' A Game Market' und 'A Fish Market' je nach Snyders & Long John, je unter Glas gerahmt, 63x80 cm
Henry's Auktionshaus
Dec. 07, 2023
RICHARD EARLOM AFTER CLAUDE LE LORRAIN, BRITISH 18TH CENTURY, A PAIR OF LANDSCAPE PRINTS, 1774-5, along with JEAN LE PAUTRE, "VASES IN THE GARDEN OF VERSAILLES," PUBLISHED PARIS 1675, Engraving, Plate: 8 x 10 in. (20.3 x
Est: $200 - $300
RICHARD EARLOM AFTER CLAUDE LE LORRAIN BRITISH, 18TH CENTURY A PAIR OF LANDSCAPE PRINTS, 1774-5, along with JEAN LE PAUTRE, "VASES IN THE GARDEN OF VERSAILLES," PUBLISHED PARIS 1675 Engraving All with Judy Cormier verso labels (3)
Potomack Company
Dec. 02, 2023
R. EARLOM (*1743) after WERFF (*1659), Bathseba und Abishag, 1779,
Est: €600 - €800
Richard Earlom (1743 London - 1822 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Bathseba bringt Abishag zu David, 1779, Mezzotint Technique: Mezzotint on , mounted on Paper Date: 1779 Description: In the Tanakh, Abishag was a woman who cared for King David in Jerusalem during the last weeks of his life. She is mentioned in the first book of Kings as a "beautiful" girl. The medium of the mezzotint is ideal for reproducing the materiality of the various draperies and curtains as well as the strong contrasts between light and dark with such intensity and subtlety. The sheet, created in 1779, reproduces the painting "Sarah Brings Hagar to Abraham" by Adriaen van der Werff (1659-1722). Painted in 1696, it was acquired by Sir Robert Walpole (1676-1745), Britain's first Prime Minister, for his collection at Houghton Hall (Norfolk). Signed below the depiction "Vanderwerff pinxit. George Farington delint. / John Boydell excudit 1779 / Bathsheba bringing Abishag to David, / Rich. Earlom sculpsit.". Below with inscription and publication line "In the Cabinet at Houghton", "Published July 31. 1779 by John Boydell, Engraver in Cheapside London." Keywords: 18th century, Figurative, Biblical, United Kingdom,
Fichter Kunsthandel
Dec. 02, 2023
R. EARLOM (*1743) after ROSA (*1615), David und Goliath, 1766,
Est: €450 - €600
Richard Earlom (1743 London - 1822 ibid.) after Salvator Rosa (1615 Naples - 1673 Rom): David und Goliath, 1766, Mezzotint Technique: Mezzotint on Inscription: Signed below the depiction "Sal: Rosa pinxt. R: Earlom fecit", titled, dated and inscribed "David and Goliath. From the original picture by Salvator Rosa in the collectionn of his grace the Duke of Devonshire. Size of the picture 1"7f by 2"2F in height. OL. II. No. 4. John Boydell excudt. 1766". Earlom is one of the main masters of English mezzotint engraving, whose work was already highly esteemed by his contemporaries. He is known to have worked on 541 plates (Rubinstein, note 56), most of which were published by John and Josiah Boydell. Date: 1766 Description: Particularly beautiful print emphasising the three-dimensional effects and shadow areas thanks to the scraped areas and finely graduated valeurs. Keywords: 18th century, Figurative, Biblical, United Kingdom,
Fichter Kunsthandel
Dec. 02, 2023
R. EARLOM (*1743) after ROSA (*1615), Jacob's battle with the angel, 1766,
Est: €450 - €600
Richard Earlom (1743 London - 1822 ibid.) after Salvator Rosa (1615 Naples - 1673 Rom): Jacob's battle with the angel, 1766, Mezzotint Technique: Mezzotint on Inscription: Titled, dated and inscribed below the depiction "Jacob wrestling with the angel. From the original picture by Salvator Rosa in the collectionn of his grace the Duke of Devonshire. Size of the picture 1"7f by 2"2F in height. OL. II. No. 3 Sal: Rosa pinxt. R: Earlom fecit. John Boydell excudt. 1766". Earlom is one of the main masters of English mezzotint engraving, whose work was already highly esteemed by his contemporaries. He is known to have worked on 541 plates (Rubinstein, note 56), most of which were published by John and Josiah Boydell. Date: 1766 Description: Preferred print alongside the otherwise familiar etching, on laid paper. Particularly beautiful print emphasising the three-dimensional effects and shadow areas through the scraped areas and finely graded valeurs. Keywords: 18th century, Figurative, Biblical, United Kingdom,
Fichter Kunsthandel
Nov. 29, 2023
Earlom, Richard: A Fruit Piece
Est: €300 - €400
A Fruit Piece. Schabkunstblatt auf Velin nach Michele Pace del Campidoglio. 30,7 x 35,7 cm. 1776. Wessely 148. -- -- Ganz ausgezeichneter Druck mit Rand. Leicht gebräunt, kleiner Wasserfleck im rechten Außenrand, die rechte Plattenkante partiell gebrochen und hinterlegt, marginale Knickspur im linken Außenrand oben, weitere kleine Altersspuren, sonst in guter Erhaltung. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 29, 2023
Earlom, Richard: Die Darstellung im Tempel
Est: €360 - €450
Die Darstellung im Tempel. Schabkunstblatt auf Bütten nach Rembrandt. 50,4 x 35,5 cm. 1771. Wessely 61 I (von II). Wz. Christusmonogramm im Oval mit Nebenmarke Schriftzug. -- -- Vor Vollendung des Schriftrandes. Ganz ausgezeichneter, kontrastreicher und samtiger Druck mit regelmäßig schmalem Rand. Minimal gebräunt und angestaubt, leicht stockfleckig, punktuelle Bereibungen, Montierungsreste verso am Oberrand, sonst in sehr guter Erhaltung. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 24, 2023
Rubens, Peter Paul nach
Est: -
18. Jh. Kupferstiche. Triptychon aus der Kathedrale unserer Lieben Frau in Antwerpen. Mitteltafel: Kreuzabnahme. Flankiert von der Darstellung Christi im Tempel und Besuch Maria bei Elisabeth. Gestochen von Richard Earlom (1743-1822). In der Pl. bez., in englischer Sprache bet. (Einrisse, fleckig, gebr., Beschädigungen). 96 x 136 cm. R.
Peege Auktionshaus
Nov. 24, 2023
[Flowers and fruit]. Earlom, Richard (1743-1822). "A flower piece."
Est: €700 - €900
[Flowers and fruit]. Earlom, Richard (1743-1822). "A flower piece." Handcol. mezzotint after JAN VAN HUYSUM, 55,5x39,5 cm., w. engr. address below: London, J. Boydell, 1778, framed. - A few creases and sm. restorations to paper; not examined outside frame. = Wessely 146; Le Blanc 55; Hollstein 8. The very rare coloured version of this mezzotint. SEE ILLUSTRATION PLATE C.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 11, 2023
R. EARLOM (*1743) after LORRAIN (*1600), Nobles at the hunt, around 1776, Mezzotint
Est: €105 - €175
Richard Earlom (1743 London - 1822 ibid.) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Nobles at the hunt, c. 1776, Mezzotint Technique: Mezzotint on Laid paper Inscription: Lower right signed in the printing plate: "R. Earlom fecit". Date: c. 1776 Description: Mezzotint after the painting by Claude Lorrain from the collection of the Duke of Devonshire. It shows a noble hunting party in front of a landscape backdrop. Keywords: Landscape, Hunting, Rider, 18th century, Baroque, People, United Kingdom,
Fichter Kunsthandel
Oct. 18, 2023
Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after van Huysum, 1778, mezzotints
Est: £600 - £800
Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after van Huysum, 1778, mezzotints * Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after Jan van Huysum, 1778, two mezzotints, both fine impressions on laid paper with an Auvergne watermark, with margins, published by John Boydell, in very good condition apart from minor light-staining, platemark 55.3 x 41.5 cm (21 3/4 x 15 7/8 ins), sheet size 67.3 x 49.5 cm (26 1/2 x 19 1/2 ins), framed and glazed (77.5 x 59 cm) QTY: (2)
Dominic Winter Auctions
Oct. 14, 2023
R. EARLOM (*1743) after DYCK (*1599), Politician Thomas Chaloner, 1778, Mezzotint
Est: €600 - €800
Richard Earlom (1743 London - 1822 ibid.) after Anthonis van Dyck (1599 Antwerp - 1641 London): Portrait of the English politician Thomas Chaloner (1595 1661), 1778, Mezzotint Technique: Mezzotint on Paper Inscription: Dated and signed below the image in the printing plate with "Vandyck pinxit", "J. Boydell Excudet", "R Earlom sculps". Date: 1778 Description: Thomas Chaloner was an English politician and commissioner in the trial of Charles I. He signed his death warrant. The portrait of Sir Thomas Chaloner is one of Van Dyck's last works. It was painted in the late 1630s and may be one of his best paintings. The artist depicts the ageing face of Chaloner. His facial features, facial expressions and posture convey the active and spirited character of this man. He wears an elegant silk coat with a lace collar and a sword at his hip. Keywords: Portrait, Thomas Chaloner, Old Masters, Charles I., 18th century, Baroque, Portraits, Belgium,
Fichter Kunsthandel
Oct. 05, 2023
Earlom Richard, Liber veritatis after the original designs of Claude le Lorrain. London: published by messrs. Boydell and Co. Cheapside, printed by W. Bulmer and Co. Cleveland-Row, s.d. (ca 1820).
Est: €1,000 - €2,000
3 volumi in folio (mm 420x270). Pagine 18, 10, [8] con nel complesso 3 ritratti e 300 tavole a piena pagina numerate 1-200 (primo e secondo volume) e 1-100 (terzo volume). Volumi gorati nel margine inferiore delle carte, con fioriture e bruniture anche intense. Gora più ampia nei fascicoli del terzo volume. Legatura coeva in mezzo marocchino rosso con punte e piatti in carta decorata. Titolo e decorazioni in oro su tassello al dorso. Piccole mancanze lungo cerniere e unghiature e sui piatti del primo volume. (3)
Gonnelli Casa d'Aste
Sep. 09, 2023
RICHARD EARLOM 1743 London - 1822 ebenda 'THEIR MOST SACRED
Est: €390 - €780
RICHARD EARLOM 1743 London - 1822 ibid. 'THEIR MOST SACRED MAJESTIES GEORGE THE IIID AND QUEEN CHARLOTTE (...)' (AFTER JOHANN JOSEPH ZOFFANY - 1771) Color aquatint on paper. Visual size 50.5 x 59.5 cm (f. 64 x 76 cm). Titled lower center in the plate as above and 'R. Sayer excudit', lower right 'Rd Earlom sculpsit London Octr. 29th 1770, lower left 'J. Zoffany pinxit 1770'. Tanned, part. damaged In the center of the depiction King George, on the right Queen Charlotte with Princess Sophia Augusta in her arms, standing next to her is Princess Charlotte Augusta Mathilda, on the left standing George, Prince of Wales and Prince Frederick Augustus, Prince William Henry holding a bird and Prince Edward Augustus playing with a dog. Framed in a passe-partout and behind glass (unopened). RICHARD EARLOM 1743 London - 1822 ebenda 'THEIR MOST SACRED MAJESTIES GEORGE THE IIID AND QUEEN CHARLOTTE (...)' (NACH JOHANN JOSEPH ZOFFANY - 1771) Farbaquatintaradierung auf Papier. SM 50,5 x 59,5 cm (R. 64 x 76 cm). Unten Mitte in der Platte betitelt wie oben sowie 'R. Sayer excudit', unten rechts 'Rd Earlom sculpsit London Octr. 29th 1770, unten links 'J. Zoffany pinxit 1770'. Gebräunt, part. besch. Im Zentrum der Darstellung König George, rechts Königin Charlotte mit Prinzessin Sophia Augusta im Arm, daneben stehend Prinzessin Charlotte Augusta Mathilda, links stehend George, Prinz von Wales und Prinz Frederick Augustus, Prinz William Henry, einen Vogel haltend und Prinz Edward Augustus mit einen Hund spielend. Im Passepartout und hinter Glas gerahmt (ungeöffnet).
Hargesheimer Kunstauktionen Düsseldorf
Sep. 04, 2023
RICHARD EARLOM, AFTER GEORGE FARINGTON AFTER PETER PAUL RUBENS Meleager and Atalanta Engraving, 52 x 89cm From the 'Houghton Gallery' series (1774-88) Published January 18th 1781 by John Boydell, Engraver in Cheapside, London
Est: €300 - €500
RICHARD EARLOM, AFTER GEORGE FARINGTON AFTER PETER PAUL RUBENS Meleager and Atalanta Engraving, 52 x 89cm From the 'Houghton Gallery' series (1774-88) Published January 18th 1781 by John Boydell, Engraver in Cheapside, London
Adam's
Aug. 26, 2023
Richard Earlom, Blumenstück
Est: -
Richard Earlom, Blumenstück prachtvolles Arrangement aus Blumen, Früchten, Tieren und weiteren Objekten, dezent kolorierte Mezzotintoradierung nach einem Gemälde von Jan van Huysum, herausgegeben von John Boydell, um 1780, rechts auf der Steinplatte signiert "Jan Van Hysum fecit 1723", Text unterhalb der Darstellung abgeschnitten, leichte Altersspuren, hinter Glas gerahmt, Darstellungsmaße ca. 49,5 x 39 cm. Künstlerinfo: verwendete auch das Pseudonym „Birch“, bedeutender engl. Kupferstecher, Zeichner, Illustrator, Maler und Radierer (1743 London bis 1822 London), Schüler der Malerei von Giovanni Battista Cipriani, 1757 Auszeichnung durch die Londoner Society of Arts, beschickte ab 1762 Ausstellungen in London, um 1765 unter Anleitung von John Boydell Hinwendung zur Ätz-, Schab-, Radier- und Kupferstichkunst, ab 1766 tätig für Boydells Verlag, später auch für die Verlage Evans und R. Sayer, tätig in London, Quelle: Thieme-Becker und Internet. Richard Earlom, Flower Piece Gorgeous arrangement of flowers, fruits, animals and other objects, discreetly coloured mezzotint etching after a painting by Jan van Huysum, published by John Boydell, c. 1780, signed on the right side of the stone plate "Jan Van Hysum fecit 1723", text cut off below the depiction, slight signs of age, framed behind glass, dimensions of depiction approx. 49.5 x 39 cm. Gorgeous arrangement of flowers, fruits, animals and other objects, discreetly coloured mezzotint etching after a painting by Jan van Huysum, published by John Boydell, c. 1780, signed on the right side of the stone plate "Jan Van Hysum fecit 1723", text cut off below the depiction, slight signs of age, framed behind glass, dimensions of depiction approx. 49.5 x 39 cm. Artist info: also used the pseudonym "Birch", important English engraver, draughtsman, artist. Engraver, draughtsman, illustrator, painter and etcher (1743 London to 1822 London), pupil of Giovanni Battista Cipriani, 1757 awarded by the London Society of Arts, from 1762 exhibitions in London, around 1765 under the guidance of John Boydell turning to etching, mezzotint, etching and engraving, from 1766 working for Boydell's publishers, later also for the publishers Evans and R. Sayer, active in London, source: Thieme-Becker and Internet.
Auktionshaus Mehlis GmbH
Aug. 19, 2023
R. EARLOM (1743-1822), 'Spring'. The spring, 1789, Aquatint
Est: €150 - €200
Richard Earlom (1743 London - 1822 ibid.): 'Spring' The spring, 1789, Aquatint Technique: Aquatint and Etching on Paper Inscription: Inscribed lower left in the plate: "G. B. Cipriani. Inv." / Published March 25th. 1789, by John & Josiah Boydell, No. 90, Cheapside London.". Titled in lead below the plate frame: "Spring. No.42. Spring. An attractive young woman crowned with a wreath of flowers, looking to the left. The earth owes her its colourful spring decoration and so she herself is surrounded by flowers. On the ground to her left is a basket of flowers and she has raised her left arm holding a garland of flowers. She is also depicted with a symbol of fertility: the cornucopia on which her right hand rests and which is held by a male servant; oval frame in a rectangle; after Giovanni Battista Cipriani. Date: 1789 Description: Signed in the plate right below the image: "R.Earlom.Sculpt". Printed in sepia ink. Keywords: 18th century, Classicism, Mythology, United Kingdom,
Fichter Kunsthandel
Jul. 30, 2023
2 Antique Framed Prints - 20th c. and 18th c.
Est: $100 - $200
Two 19th c.Gilt Framed Prints. Framed hand colored print of "A Fruit Piece in the Marble Parlour at Houghton Hall" engraved by Richard Earlom (1743-1822). Published Sept 9, 1776 by John Boydell. After the oil painting "Still Life with Grapes" by Michelangelo del Campidoglio (1610-1670). Framed Print of Victorian era mother with two daughters listening to her son play violin. c. 1890-1900. 26.5" x 23.5" The earlier print measures 26" x 23" in the frame. In-house shipping available. Pickup is Monday, July 31st from 11am to 4pm in Carroll, Ohio 43112 or we will provide in-house shipping for this item. We will collect 6.75% for Ohio residents, or whatever your state/local sales tax rate is for all out-of-state buyers unless you are tax exempt. Once packed up we will send you an invoice for shipping & handling. Shipping questions: [email protected] In-house shipping available. Pickup is Monday, July 31st from 11am to 4pm in Carroll, Ohio 43112 or we will provide in-house shipping for this item. We will collect 6.75% for Ohio residents, or whatever your state/local sales tax rate is for all out-of-state buyers unless you are tax exempt. Once packed up we will send you an invoice for shipping & handling. Shipping questions: [email protected]
Burns Auction & Appraisal, LLC.
Jul. 19, 2023
RICHARD EARLOM London, United Kingdom (1743 / 1822) "Passage with classical ruins"
Est: €75 - €100
Engraving Based on a drawing by Claude Lorraine. Signed on plate Measurements: print: 27 x 19 cm; paper: 32 x 24 cm
Ansorena
Jul. 14, 2023
Richard Earlom nach Claude Lorrains "Liber veritatis", 3 Mezzotinto-Radierungen in Braun, um 1775, nach den Originalen in der Sammlung des Duke of Devonshire, alle gerahmt
Est: €300 - €450
Richard Earlom nach Claude Lorrains "Liber veritatis", 3 Mezzotinto-Radierungen in Braun, um 1775, nach den Originalen in der Sammlung des Duke of Devonshire, alle gerahmt Richard Earlom, 1743 - London - 1756, 3 arkadische Szenen mit Frauen, Männern und Tieren in Ideallandschaften, No.56/No. 58/No. 66 aus dem "Liber veritas" des Claude Lorrain, 1600 Chamagne - 1682 Rom, je 20,5 x 25,5 cm, mit breiten Plattenrändern, Blätter in altersgemäß gutem Zustand, außerhalb der Darstellungen etwas fleckig. "The Liber Veritatis, meaning Book of Truth in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art" Richard Earlom after Claude Lorrain's "Liber veritatis", 3 mezzotint etchings in brown, c. 1775, after the originals in the collection of the Duke of Devonshire, all framed Richard Earlom, 1743 - London - 1756, 3 Arcadian scenes with women, men and animals in ideal landscapes, No.56./No. 58/No. 66 from the "Liber veritas" by Claude Lorrain, 1600 Chamagne - 1682 Rome, each 20.5 x 25.5 cm, with wide plate margins, sheets in good condition for their age, some spotting outside the depictions. "The Liber Veritatis, meaning Book of Truth in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art".
K&K – Auktionen in Heidelberg
Jul. 13, 2023
Earlom, Richard
Est: €50 - €75
(1743 London 1822). Portrait Sir Thomas Chaloner. R. Earlom nach Anthonis van Dyck. Mezzotinta. 1778. Plgr. 41,4 x 30,5 cm. Blgr. 68,8 x 55, 6 cm. Im Rand stärker stockfl. R
Kiefer Buch- und Kunstauktionen
Jun. 24, 2023
Richard Earlom (1743-1822) after Claude Lorrain
Est: €200 - €300
Richard Earlom (1743-1822) after Claude Lorrain , mezzotint etching in sepia, motif after Lorrain: coastal landscape with Acis andGalatea (1657), sheet 141 from Richard Earlom and Josiah Boydell (engraver): #'Lorrain. Liber veritatis#', London, 1777, stained, under PP, sheet 26.5x40.5 cm . German Description: Richard Earlom (1743-1822) nach Claude Lorrain, Mezzotintoradierung in Sepia, Motiv nach Lorrain: Küstenlandschaft mit Acis und Galatea (1657), Blatt 141 aus Richard Earlom und Josiah Boydell (Graveur): 'Lorrain. Liber veritatis', London, 1777, fleckig, unter PP, Blatt 26,5x40,5 cm
Henry's Auktionshaus
Jun. 18, 2023
Richard Earlom After Jan Van Huysum
Est: $200 - $400
A mezzotint dated 1778 and published by John Boydell, London.
Locati LLC
Jun. 10, 2023
R. EARLOM (*1743) after LORRAIN (*1600), Nobles at the hunt, around 1776, Mezzotint
Est: €105 - €175
Richard Earlom (1743 London - 1822 ibid.) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Nobles at the hunt, c. 1776, Mezzotint Technique: Mezzotint on Laid paper Inscription: Lower right signed in the printing plate: "R. Earlom fecit". Date: c. 1776 Description: Mezzotint after the painting by Claude Lorrain from the collection of the Duke of Devonshire. It shows a noble hunting party in front of a landscape backdrop. Keywords: Landscape, Hunting, Rider, 18th century, Baroque, People, United Kingdom,
Fichter Kunsthandel
May. 24, 2023
Richard Earlom After Jan Van Huysum A FLOWER PIECE; A FRUIT PIECE (WESSELY 146; 147) Two mezzotints, framed
Est: $400 - $600
Richard Earlom (1743-1822) After Jan Van Huysum (1682-1749) A FLOWER PIECE; A FRUIT PIECE (WESSELY 146; 147) Two mezzotints by Richard Earlom, 1778 and 1781 respectively, on wove paper, laid on Japan support sheets, published by John Boydell, London, framed. Plates 21 7/8 x 16 1/2 inches; 557 x 419 mm. Frames 25 3/4 x 20 1/8 inches; 654 x 511 mm. C
DOYLE Auctioneers & Appraisers
May. 10, 2023
Richard EARLOM: Etching & Aquatints after LORRAIN
Est: $300 - $500
Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers: 21, 22, 23, 41, 73, 89, 105, 107, 115, and 144. Provenance: Phyllis Lucas Gallery, NYC. [Plate impressions: 8 1/4" H x 10 1/4" W; Sheets: 11 1/4" H x 17" W]. Age toning and wear near edges.
Roland Auctions NY
May. 10, 2023
Richard EARLOM: Etching & Aquatints after LORRAIN
Est: $300 - $500
Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers: 102, 113, 121, 123, 124, 126, 128, 130, 133, and 145. Provenance: Phyllis Lucas Gallery, NYC. [Plate impressions: 8 1/4" H x 10 1/4" W; Sheets: 11 1/4" H x 17" W]. Age toning and wear near edges.
Roland Auctions NY
May. 10, 2023
Richard EARLOM: Etching & Aquatints after LORRAIN
Est: $300 - $500
Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers: 11, 15, 17, 19, 32, 36, 39, 45, 72, and 109. Provenance: Phyllis Lucas Gallery, NYC. [Plate impressions: 8 1/4" H x 10 1/4" W; Sheets: 11 1/4" H x 17" W]. Age toning and wear near edges.
Roland Auctions NY
May. 06, 2023
R. EARLOM (*1743) after LORRAIN (*1600), Landscape with shepherds and castle, Reproduction
Est: €120 - €200
Richard Earlom (1743 London - 1822 ibid.) after Claude Lorrain (1600 Chamagne, Lorraine - 1682 Rom): Mediterranean landscape with shepherds and a castle in the distance, 19th century, Reproduction Technique: Reproduction on Paper Inscription: Signed below the image in the printing plate on the left and right, numbered "N. 149" below on the left. Date: 19th century Description: The print is a print of an etching. Keywords: 19th century, Romanticism, Landscape, France,
Fichter Kunsthandel
Apr. 30, 2023
RICHARD EARLOM (1743 - 1822) NACH CLAUDE GELLÉE (GENANNT LORRAIN)
Est: -
Aquatintaradierung, ¨Hafenszene¨ (1744), am unteren Rand typografisch bezeichnet, ca. 23x28cm (in Passepartout), gerahmt (37x43,5cm), gebräunt, fleckig
Auktionshaus Rotherbaum OHG