Kerr Eby Paintings & Artwork for Sale | Kerr Eby Art Value Price Guide

Aug. 18, 2026
Kerr Eby (1889-1946) Canadian
Est: $100 - $200
BRITTANY, 1924, etching, signed in pencil, from an edition of 90, plate 8 x 13”, full margins, frame 15 ½ x 20 ¼” with glass.
Clark's Fine Art & Auctioneers Inc.
Aug. 08, 2026
Kerr Eby (American, 1889-1946) lithograph
Est: $150 - $250
Infantry in Chateau-Thierry lithograph, 1920-21, signed in ink, from an edition of 100. 9 1/2 x 12 1/2" Literature: Giardina 45
Rachel Davis Fine Arts
Jul. 28, 2026
Kerr Eby (1889-1946)
Est: $300 - $500
Kerr Eby (1889-1946) Three works: "The Goat Herd, Algeria," 1922 Etching on paper Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 5 1/2 x 6 1/2in; Sight: 6 1/4 x 7 3/8in "Rue Dominique Conte," 1923 Etching on paper From the edition of unknown size Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 7 3/8 x 5 3/4in; Sight: 8 x 6 1/4in "Desert Freight," 1928 Drypoint on paper From the edition of 75 Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 9 x 14in; Sight: 9 1/2 x 14 1/2in
John Moran Auctioneers
Jul. 28, 2026
Kerr Eby (1889-1946)
Est: $300 - $500
Kerr Eby (1889-1946) Three works: "The Old Orchard" Etching on paper From the edition of unknown size and date Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 7 x 9.25in; Sight: 7 1/2 x 9 1/2in "Salisbury Plains," 1929 Etching on paper From the edition of 90 Signed and inscribed in pencil in the lower margin: Kerr Eby imp. / "Ed 90" Plate: 7 x 11in; Sight: 8 3/4 x 11 1/2in "Sand and Sea," 1921 Etching on paper From the edition of unknown size Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 7 x 13 1/2in; Sight: 7 1/4 x 13 3/4in
John Moran Auctioneers
Jul. 28, 2026
Kerr Eby, (1889-1946)
Est: $300 - $500
Kerr Eby (1889-1946) Two works: "Gypsies, Epsom Downs," 1925-26 Etching on laid paper, watermark Van Gelder Zonen From the edition of unknown size Signed and inscribed in pencil in the lower margin: Kerr Eby imp. Plate: 8 7/8 x 13in; Sheet: 10 1/4 x 17 1/2in "North Country," 1929 Etching on laid paper From the edition of 90 Signed and inscribed in pencil, in the lower margin: Kerr Eby imp. / "Ed 90" Plate: 12 1/4 x 9in; Sheet: 14 7/8 x 10 5/8in
John Moran Auctioneers
May. 13, 2026
Kerr Eby, Canadian (1890-1946), Storm / Little Halls Island / The Goatherd / Top of the World, 1928, 4 etchings, 10"H x 15"W (plate), 16"H x 22"W (mat) (largest, Little Halls Island)
Est: $300 - $500
Kerr Eby Canadian, (1890-1946) Storm / Little Halls Island / The Goatherd / Top of the World, 1928 4 etchings Pencil signed lower. Top of the World: edition of 90. Biography from the Archives of askART: Born in Tokyo, Japan to Canadian missionary parents, he earned an international reputation as an etcher. In 1907, he came to New York and studied at the Art Students League and the Pratt Institute. Early he did illustration and then became an expert etcher. In World War I, he was a sergeant in the Army Engineers and put his reactions to that experiece in a series of etchings, 1935, called "War." His depictions of combat realities of war are some of the angriest visual arguments against war ever expressed in this country. This includes his World War II depictions of landings in the Pacific.
Ripley Auctions
May. 06, 2026
Kerr Eby Etching - "Hungerford Bridge" (1929)
Est: $350 - $525
**Originally Listed At $300** Kerr Eby (Canadian, 1889-1946). "Hungerford Bridge" etching on paper, 1929. Edition 90. Hand-signed and numbered beneath etching. A finely executed etching by Kerr Eby depicting the Hungerford Foot Bridge spanning the River Thames in London, with the industrial riverside in the foreground and the Houses of Parliament and Big Ben visible in the hazy distance. Executed in 1929, the work reflects Eby's sharp eye for atmosphere and structural detail, capturing both the gritty dynamism of the docks and the architectural grandeur of the city beyond. Eby traveled through Great Britain and France in 1924-1925, a period that inspired many of his most compelling European cityscapes. In this composition, he balances meticulous draftsmanship with a tonal subtlety that lends the scene a sense of both immediacy and timelessness. The present example is from the numbered edition of 90, and is signed by the artist in pencil at lower right. Size of etching: 13.5" W x 8.75" H (34.3 cm x 22.2 cm); of frame: 20.5" W x 15.5" H (52.1 cm x 39.4 cm) "Hungerford Bridge" is represented in major institutional collections, including the American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F. Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, and the Smithsonian Museum of American Art. About the artist: Kerr Eby was a Canadian-born illustrator and printmaker whose career became defined by his powerful depictions of modern warfare. Born in Tokyo to Canadian missionary parents, he later studied at Pratt Institute and the Art Students League in New York. Eby served with the U.S. Army during World War I, first in an ambulance unit and later as a camoufleur, creating sketches of life and death on the front that would shape his later work. In the decades that followed, he transformed these early impressions into haunting lithographs, many of which were gathered in his influential volume War. Recognized for his achievements, he was elected to the National Academy of Design in 1930 and became a full Academician in 1934. During World War II, though too old to enlist, he joined the Abbott Laboratories combat artists program and accompanied Marines in the Pacific campaigns, producing some of his most compelling images. Eby died in 1946 in Westport, Connecticut, after contracting a tropical illness while overseas. His drawings, prints, and paintings remain a vital record of 20th-century conflict, represented in the collections of major museums including the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Detroit Institute of Arts. Provenance: private Arvada, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. Please note that buyers are responsible for understanding and complying with the import regulations of their destination country. While we carefully prepare and document all shipments, we cannot be held responsible for customs delays, clearance issues, additional duties or taxes, or any seizure of property. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.). PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #197017
Artemis Fine Arts
Apr. 16, 2026
Kerr Eby (1889-1946), Shadows, 1936.
Est: $1,000 - $1,500
Kerr Eby (1889-1946) Shadows. Etching and sandpaper ground, 1936. One of 50 impressions printed for the artist, out of a total edition of 175. Signed and inscribed "imp." and "Pub. ed. 50" in pencil, lower margin. Published by the American College Society of Print Collectors. Giardina 186.
Swann Auction Galleries
Apr. 11, 2026
Kerr Eby "Untitled (Fresh Snow)"
Est: $100 - $200
Etching. Edition of 90. Signed lower right "Kerr Eby"Plate: 7 x 13.75 inches. Sheet: 9.5 x 15.5 inches
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Still Hollow (Church)"
Est: $100 - $200
Etching. Plate: 10.5 x 14.5 inches. Sheet: 13.5 x 17.5 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Still Hollow"
Est: $100 - $200
1936, Etching. Edition of 90.Plate: 10 x 14.5 inches. Sheet: 12.75 x 18 inches.Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Connecticut Valley"
Est: $100 - $200
1935, Etching. Edition of 100. Trial Proof. Plate: 7.5 x 15.5 inches. Sheet: 11 x 18.5 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "The Fish Weir"
Est: $100 - $200
1921, Etching. Plate: 4.25 x 7.5 inches. Sheet: 8 x 11 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "The Spring Plowman"
Est: $100 - $200
Etching. Signed lower right. Plate: 8.5 x 14 inches. Sheet: 10.25 x 16.25 inches
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Little Franklin"
Est: $100 - $200
1938, Drypoint. Plate: 8.5 x 14.5 inches. Sheet: 11 x 18 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "The Pool"
Est: $100 - $200
Etching. Edition of 100. Plate: 10 x 9 inches. Sheet: 18 x 11.5 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Sand and Sea"
Est: $100 - $200
Etching. Plate: 7 x 13.25 inches. Sheet: 8.75 x 15.25 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "Untitled (Coming Home)"
Est: $100 - $200
Etching. Plate: 9.25 x 12.5 inches. Sheet: 12 x 15.25 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Apr. 11, 2026
Kerr Eby "The Driftway"
Est: $100 - $200
Etching. Edition of 90. Plate: 8.25 x 14 inches. Sheet: 13 x 17.5 inches. Signed lower right "Kerr Eby"
Kiechel Auction
Mar. 11, 2026
Kerr Eby, Canadian (1890-1946), Two Bridges, New York, NYC, etching, 8"H x 15"W (plate), 11 1/2"H x 18"W (sheet)
Est: $200 - $300
Kerr Eby Canadian, (1890-1946) Two Bridges, New York, NYC etching Pencil signed lower center, edition of 90. Biography from the Archives of askART: Born in Tokyo, Japan to Canadian missionary parents, he earned an international reputation as an etcher. In 1907, he came to New York and studied at the Art Students League and the Pratt Institute. Early he did illustration and then became an expert etcher. In World War I, he was a sergeant in the Army Engineers and put his reactions to that experiece in a series of etchings, 1935, called "War." His depictions of combat realities of war are some of the angriest visual arguments against war ever expressed in this country. This includes his World War II depictions of landings in the Pacific.
Ripley Auctions
Mar. 11, 2026
Kerr Eby, Canadian (1890-1946), The Caissons Go Rolling Along, etching, 13 3/4"H x 9 1/2"W (plate), 16 1/2"H x 11 3/4"W (sheet)
Est: $200 - $300
Kerr Eby Canadian, (1890-1946) The Caissons Go Rolling Along etching Pencil signed lower right, edition of 90. Biography from the Archives of askART: Born in Tokyo, Japan to Canadian missionary parents, he earned an international reputation as an etcher. In 1907, he came to New York and studied at the Art Students League and the Pratt Institute. Early he did illustration and then became an expert etcher. In World War I, he was a sergeant in the Army Engineers and put his reactions to that experiece in a series of etchings, 1935, called "War." His depictions of combat realities of war are some of the angriest visual arguments against war ever expressed in this country. This includes his World War II depictions of landings in the Pacific.
Ripley Auctions
Mar. 11, 2026
Kerr Eby, Canadian (1889 - 1946), WWI fallen soldiers on a battlefield; war scene with cannon, charcoal on board, 14 1/4"H x 19 1/4"W
Est: $300 - $500
Kerr Eby Canadian, (1889 - 1946) WWI fallen soldiers on a battlefield; war scene with cannon charcoal on board signed lower left. Biography from the Archives of askART: He was born in Japan in 1890, the son of Canadian Methodist Missionaries. After their return, the family lived in several Canadian towns before 15 year-old Kerr, having worked as a printer's apprentice at a local newspaper, moved to New York City to become an artist. He took art classes at Pratt Institute while working for a lithographic firm to help cover his tuition and living expenses. These expenses soon overwhelmed him and he returned to Canada and took a job surveying in northern Ontario. His time in the wilderness reinvigorated him and with his earnings he returned to NYC where he worked at a lithographic firm in the day and took evening classes at the Art Student League. After a few more summers surveying in Ontario, he became a full time illustrator. From 1913 to 1917, Eby rented a summer studio and rooms in a rundown waterfront warehouse just up the Mianus River from the Holley House, the boarding house that was the center of the Cos Cob art colony in Greenwich, Connecticut. In that studio he kept an etching press and in the summer of 1915, he and that press became a part of American art history. At the crest of his fame in the summer of 1915, 56 year-old American painter Childe Hassam was staying at the Holley House when he decided to perfect his recently rekindled interest in etching. Until then, despite having started his career as an apprentice to a wood-engraver and having done a few etchings in his early days in Europe, etching never held his interest. That summer it did. As noted in the New York Sun's review of Hassam's etching exhibit later that year at the Frederick Keppel & Company gallery in New York City, "a fellow artist, who etched, happened to be his neighbor in the country near Cos Cob, and placed his press and atelier at Mr. Hassam's service. There a number of plates were begun, and once fairly launched in these experiments Mr. Hassam caught the true etching fever, and gave almost his entire summer to making plates and printing them." The "fellow artist" was 25 year-old Kerr Eby. Eby had already mastered the art of etching and several of his etchings from that press are now thought to be influential on Hassam. Eby would continue to produce etchings throughout his career. (Keppel was Eby's uncle and an important art dealer in New York who helped establish prints as fine art in American. Keppel would exhibit Hassam's prints until 1932 and was often the exclusive dealer for Eby's etchings.) Eby is as well known for his First and Second World War combat works as he is for his "peace-time" works. In 1917, Eby enlisted in the U.S. Army and served in an ambulance unit and later as part of a camouflage unit in France. But he continued to sketch his observations and these became prints after the war. They show the horror and drudgery of war and in 1936, with war looming in Europe, Yale University Press published many of them in his book, War: Drawings and Etchings. Eby, at age 51, tried to enlist for World War II but was refused. He was chosen by Abbott Laboratories to be in its combat artist program. For four months, he was in the South Pacific with the Marines at Tarawa and Bougainville. There he became ill with a tropical disease which ultimately killed him two years later. He did finish his drawings for Abbott but, except for two, he didn't have time to complete the etchings from his battlefield sketches. He died in Norwalk, Connecticut in 1946. Submitted by John A. McKinney, Jr.
Ripley Auctions
Mar. 03, 2026
Kerr Eby Etching - "Hungerford Bridge" (1929)
Est: $400 - $600
**Originally Listed At $300** Kerr Eby (Canadian, 1889-1946). "Hungerford Bridge" etching on paper, 1929. Edition 90. Hand-signed and numbered beneath etching. A finely executed etching by Kerr Eby depicting the Hungerford Foot Bridge spanning the River Thames in London, with the industrial riverside in the foreground and the Houses of Parliament and Big Ben visible in the hazy distance. Executed in 1929, the work reflects Eby's sharp eye for atmosphere and structural detail, capturing both the gritty dynamism of the docks and the architectural grandeur of the city beyond. Eby traveled through Great Britain and France in 1924-1925, a period that inspired many of his most compelling European cityscapes. In this composition, he balances meticulous draftsmanship with a tonal subtlety that lends the scene a sense of both immediacy and timelessness. The present example is from the numbered edition of 90, and is signed by the artist in pencil at lower right. Size of etching: 13.5" W x 8.75" H (34.3 cm x 22.2 cm); of frame: 20.5" W x 15.5" H (52.1 cm x 39.4 cm) "Hungerford Bridge" is represented in major institutional collections, including the American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F. Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, and the Smithsonian Museum of American Art. About the artist: Kerr Eby was a Canadian-born illustrator and printmaker whose career became defined by his powerful depictions of modern warfare. Born in Tokyo to Canadian missionary parents, he later studied at Pratt Institute and the Art Students League in New York. Eby served with the U.S. Army during World War I, first in an ambulance unit and later as a camoufleur, creating sketches of life and death on the front that would shape his later work. In the decades that followed, he transformed these early impressions into haunting lithographs, many of which were gathered in his influential volume War. Recognized for his achievements, he was elected to the National Academy of Design in 1930 and became a full Academician in 1934. During World War II, though too old to enlist, he joined the Abbott Laboratories combat artists program and accompanied Marines in the Pacific campaigns, producing some of his most compelling images. Eby died in 1946 in Westport, Connecticut, after contracting a tropical illness while overseas. His drawings, prints, and paintings remain a vital record of 20th-century conflict, represented in the collections of major museums including the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Detroit Institute of Arts. Provenance: private Arvada, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. Please note that buyers are responsible for understanding and complying with the import regulations of their destination country. While we carefully prepare and document all shipments, we cannot be held responsible for customs delays, clearance issues, additional duties or taxes, or any seizure of property. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.). PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. Please note that buyers are responsible for understanding and complying with the import regulations of their destination country. While we carefully prepare and document all shipments, we cannot be held responsible for customs delays, clearance issues, additional duties or taxes, or any seizure of property. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.). PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #197017
Artemis Fine Arts
Feb. 18, 2026
KERR EBY 'THE DEVIL'S BACK' SEASCAPE ETCHING, 1939
Est: $300 - $500
Kerr Eby (American / Canadian / Japanese, 1889-1946). "The Devil's Back" - 1939, etching aquatint on paper, pencil signed "Kerr Eby imp" to LR, watermark "[WHA]TMAN 1937 ENGLAND" to left edge, label to verso for XXII (22nd) Biennale International Art Exhibition - Venice 1940) with the title and proprietor. Unframed. Provenance: Private Collection, Atlanta, GA. Approximate dimensions: plate h. 9.875", w. 14.875"; sheet h. 12.75", w. 17.5", mat 16", w. 20".
Ahlers & Ogletree Inc.
Feb. 14, 2026
Kerr Eby (American, 1889-1946) etching
Est: $200 - $400
August Morning etching, 1930, signed in pencil, edition of 100. 10 3/16 x 7 5/8" Literature: Giardina 169x/X
Rachel Davis Fine Arts
Feb. 14, 2026
Kerr Eby (American, 1889-1946) etching
Est: $200 - $400
Open Action etching, 1928, signed and annotated 'Ed. 90' in pencil. 7 x 15 1/8'' Literature: Giardina 124
Rachel Davis Fine Arts
Feb. 03, 2026
Kerr Eby "Two Bridges" NYC Etching
Est: $300 - $600
Kerr Eby (Canadian, 1890-1946). Etching on paper titled "Two Bridges" depicting two cable bridges extending over a body of water in New York City. Pencil titled and inscribed "ed. 90" along the lower edge. Further inscribed along the lower edge of the sheet: "Selected by the artist for Mr. Frederick B. Wells."
Revere Auctions
Jan. 26, 2026
Kerr Eby Etching - "Hungerford Bridge" (1929)
Est: $450 - $675
**Originally Listed At $300** Kerr Eby (Canadian, 1889-1946). "Hungerford Bridge" etching on paper, 1929. Edition 90. Hand-signed and numbered beneath etching. A finely executed etching by Kerr Eby depicting the Hungerford Foot Bridge spanning the River Thames in London, with the industrial riverside in the foreground and the Houses of Parliament and Big Ben visible in the hazy distance. Executed in 1929, the work reflects Eby's sharp eye for atmosphere and structural detail, capturing both the gritty dynamism of the docks and the architectural grandeur of the city beyond. Eby traveled through Great Britain and France in 1924-1925, a period that inspired many of his most compelling European cityscapes. In this composition, he balances meticulous draftsmanship with a tonal subtlety that lends the scene a sense of both immediacy and timelessness. The present example is from the numbered edition of 90, and is signed by the artist in pencil at lower right. Size of etching: 13.5" W x 8.75" H (34.3 cm x 22.2 cm); of frame: 20.5" W x 15.5" H (52.1 cm x 39.4 cm) "Hungerford Bridge" is represented in major institutional collections, including the American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F. Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, and the Smithsonian Museum of American Art. About the artist: Kerr Eby was a Canadian-born illustrator and printmaker whose career became defined by his powerful depictions of modern warfare. Born in Tokyo to Canadian missionary parents, he later studied at Pratt Institute and the Art Students League in New York. Eby served with the U.S. Army during World War I, first in an ambulance unit and later as a camoufleur, creating sketches of life and death on the front that would shape his later work. In the decades that followed, he transformed these early impressions into haunting lithographs, many of which were gathered in his influential volume War. Recognized for his achievements, he was elected to the National Academy of Design in 1930 and became a full Academician in 1934. During World War II, though too old to enlist, he joined the Abbott Laboratories combat artists program and accompanied Marines in the Pacific campaigns, producing some of his most compelling images. Eby died in 1946 in Westport, Connecticut, after contracting a tropical illness while overseas. His drawings, prints, and paintings remain a vital record of 20th-century conflict, represented in the collections of major museums including the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Detroit Institute of Arts. Provenance: private Arvada, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #197017
Artemis Fine Arts
Dec. 06, 2025
Kerr Eby (American, 1889-1946) etching
Est: $150 - $250
Island Winter etching, 1941, signed in pencil, edition of about 100. 9 1/2 x 15 1/8'' Literature: Giardina 204
Rachel Davis Fine Arts
Nov. 30, 2025
Kerr Eby Etching - "Hungerford Bridge" (1929)
Est: $500 - $750
Kerr Eby (Canadian, 1889-1946). "Hungerford Bridge" etching on paper, 1929. Edition 90. Hand-signed and numbered beneath etching. A finely executed etching by Kerr Eby depicting the Hungerford Foot Bridge spanning the River Thames in London, with the industrial riverside in the foreground and the Houses of Parliament and Big Ben visible in the hazy distance. Executed in 1929, the work reflects Eby's sharp eye for atmosphere and structural detail, capturing both the gritty dynamism of the docks and the architectural grandeur of the city beyond. Eby traveled through Great Britain and France in 1924-1925, a period that inspired many of his most compelling European cityscapes. In this composition, he balances meticulous draftsmanship with a tonal subtlety that lends the scene a sense of both immediacy and timelessness. The present example is from the numbered edition of 90, and is signed by the artist in pencil at lower right. Size of etching: 13.5" W x 8.75" H (34.3 cm x 22.2 cm); of frame: 20.5" W x 15.5" H (52.1 cm x 39.4 cm) "Hungerford Bridge" is represented in major institutional collections, including the American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F. Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, and the Smithsonian Museum of American Art. About the artist: Kerr Eby was a Canadian-born illustrator and printmaker whose career became defined by his powerful depictions of modern warfare. Born in Tokyo to Canadian missionary parents, he later studied at Pratt Institute and the Art Students League in New York. Eby served with the U.S. Army during World War I, first in an ambulance unit and later as a camoufleur, creating sketches of life and death on the front that would shape his later work. In the decades that followed, he transformed these early impressions into haunting lithographs, many of which were gathered in his influential volume War. Recognized for his achievements, he was elected to the National Academy of Design in 1930 and became a full Academician in 1934. During World War II, though too old to enlist, he joined the Abbott Laboratories combat artists program and accompanied Marines in the Pacific campaigns, producing some of his most compelling images. Eby died in 1946 in Westport, Connecticut, after contracting a tropical illness while overseas. His drawings, prints, and paintings remain a vital record of 20th-century conflict, represented in the collections of major museums including the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Detroit Institute of Arts. Provenance: private Arvada, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #197017
Artemis Fine Arts
Oct. 23, 2025
KERR EBY (Connecticut/Canada/Japan, 1889-1946), "Mevogissy"., Etching, 10" x 14". Framed 15.75" x 18".
Est: $150 - $250
KERR EBY Connecticut/Canada/Japan, 1889-1946 "Mevogissy". Edition of 90. Signed and inscribed "Ed. 90" in pencil lower margin. Titled on mat.
Eldred's
Oct. 21, 2025
Kerr Eby "Evening" Etching
Est: $100 - $200
From an edition of 100, inscribed ed. 100 along the lower left. Signed along the lower right. Sight; height: 9 in x width: 14 1/2 in. Framed; height: 14 3/4 in x width: 19 1/2 in x depth: 1 in.
Loon Estates
Oct. 19, 2025
KERR EBY POLO MATCH ETCHING
Est: $300 - $500
EBY, Kerr, (Canadian, 1889-1946): Florida Polo Match, Etching, sight size 9.25” x 16”, pencil signed lower right, fine custom framing, 20” x 26”.
Burchard Galleries Inc
Oct. 02, 2025
Kerr Eby Etching - "Hungerford Bridge" (1929)
Est: $600 - $900
Kerr Eby (Canadian, 1889-1946). "Hungerford Bridge" etching on paper, 1929. Edition 90. Hand-signed and numbered beneath etching. A finely executed etching by Kerr Eby depicting the Hungerford Foot Bridge spanning the River Thames in London, with the industrial riverside in the foreground and the Houses of Parliament and Big Ben visible in the hazy distance. Executed in 1929, the work reflects Eby's sharp eye for atmosphere and structural detail, capturing both the gritty dynamism of the docks and the architectural grandeur of the city beyond. Eby traveled through Great Britain and France in 1924-1925, a period that inspired many of his most compelling European cityscapes. In this composition, he balances meticulous draftsmanship with a tonal subtlety that lends the scene a sense of both immediacy and timelessness. The present example is from the numbered edition of 90, and is signed by the artist in pencil at lower right. Size of etching: 13.5" W x 8.75" H (34.3 cm x 22.2 cm); of frame: 20.5" W x 15.5" H (52.1 cm x 39.4 cm) "Hungerford Bridge" is represented in major institutional collections, including the American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F. Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, and the Smithsonian Museum of American Art. About the artist: Kerr Eby was a Canadian-born illustrator and printmaker whose career became defined by his powerful depictions of modern warfare. Born in Tokyo to Canadian missionary parents, he later studied at Pratt Institute and the Art Students League in New York. Eby served with the U.S. Army during World War I, first in an ambulance unit and later as a camoufleur, creating sketches of life and death on the front that would shape his later work. In the decades that followed, he transformed these early impressions into haunting lithographs, many of which were gathered in his influential volume War. Recognized for his achievements, he was elected to the National Academy of Design in 1930 and became a full Academician in 1934. During World War II, though too old to enlist, he joined the Abbott Laboratories combat artists program and accompanied Marines in the Pacific campaigns, producing some of his most compelling images. Eby died in 1946 in Westport, Connecticut, after contracting a tropical illness while overseas. His drawings, prints, and paintings remain a vital record of 20th-century conflict, represented in the collections of major museums including the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Detroit Institute of Arts. Provenance: private Arvada, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #197017
Artemis Fine Arts
Sep. 20, 2025
Kerr Eby (American, 1890-1946) etching
Est: $100 - $200
Word by the Way etching, 1919, signed in pencil. 4 5 3/8 x 7" Literature: Giardina 34
Rachel Davis Fine Arts
Aug. 16, 2025
HAROLD KERR EBY (1889-1946). ROUGH GOING.
Est: $300 - $500
Framed etching on paper, pencil signed lower right. Image 8.25 x 12 inches. Frame 16 x 19 inches.
Casco Bay Auctions
Aug. 05, 2025
Kerr Eby "Tide Mill Marsh" Etching
Est: $100 - $200
Kerr Eby (American, 1889-1946). Etching on paper titled "Tide Mill Marsh" depicting a desolate landscape. Pencil signed "Kerr Eby" along the lower right, illegibly inscribed along the lower left. 16"H x 21"W.
Loon Estates
Jul. 17, 2025
Kerr Eby "The Storm"
Est: $300 - $500
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "Salt Marshes"
Est: $200 - $300
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "Snow in Surrey"
Est: $300 - $400
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "Clam Diggers"
Est: $300 - $400
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "Snowy Barn"
Est: $300 - $400
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "#1 Wall Street"
Est: $300 - $400
Etching. Signed lower right
Kiechel Auction
Jul. 17, 2025
Kerr Eby "Snowy Landscape"
Est: $300 - $400
Etching. Signed lower right
Kiechel Auction
Jun. 28, 2025
Harold Kerr Eby (1889-1946) Etching of Marshes, signed in pencil and dated 1929
Est: $200 - $400
Sight height 7.25 in, width 14.25 in, framed height 14 in, width 20.25 in. Kerr Eby etching and sandpaper ground, 1929, edition 90. Signed and annotated in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper.
Woodard Lipe
Jun. 27, 2025
KERR EBY (CT/CANADA/JAPAN, 1889-1946)
Est: $300 - $400
KERR EBY (CT/CANADA/JAPAN, 1889-1946) "The Cow Shed", a deep winter scene, 1937/1946, etching and aquatint on wove paper, pencil signed, un-numbered edition of 100, (NYPL no 156), in silver casement frame, matted under plexi.
Thomaston Place Auction Galleries
Jun. 26, 2025
KERR EBY, JOS PENNELL, FRANK BRANGWYN SIGNED ETCHINGS
Est: $100 - $300
1. FRANK MILTON ARMINGTON (CANADIAN, 1876-1941) NOTRE DAME AT SUNDOWN IN PARIS, 1926. 2. Refugees by Kerr Eby. 3. Andrew Fairbairn Affleck (1869-1935) - Etching Rouen Cathedral, France. 4. The Farmer of Porteroque' by Frank Brangwyn, created in 1910. 5. Joseph Pennell East Bank on the Schuylkill Looking North, 1884 6. Unsigned unidentified image of a tug. Overall sizes range from 14.5 x 11.25 to 16H x 20W inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Soulis Auctions
Jun. 24, 2025
KERR EBY (Connecticut/Canada/Japan, 1889-1946), "Polo"., Etching, 9" x 15.5". Framed 15" x 22".
Est: $200 - $300
KERR EBY Connecticut/Canada/Japan, 1889-1946 "Polo". Signed in pencil lower right "Kerr Eby". Edition of 90.
Eldred's