Paul Terence Feeley Paintings & Artwork for Sale | Paul Terence Feeley Art Value Price Guide

Aug. 29, 2026
Paul Feeley (American, 1910-1956) Untitled, Signed Paul Feeley and dated 1961 lower right, Oil on masonite, 20" x 14 1/2", Framed-24 1/2" x 19 1/2". Feeley was a professor of art at Bennington College in Vermont. His ...
Est: $2,000 - $2,500
Paul Feeley (American, 1910-1956) Untitled, Signed Paul Feeley and dated 1961 lower right, Oil on masonite, 20" x 14 1/2", Framed-24 1/2" x 19 1/2". Feeley was a professor of art at Bennington College in Vermont. His signature style featured repeating, bright, biomorphic patterns—like interlocking ovals, dumbbell shapes, and soft jack-like structures. He became a foundational figure in Color Field painting and Post-Painterly Abstraction. His artwork was featured in historic exhibitions, including Post-Painterly Abstraction at LACMA (1964) and The Responsive Eye at MoMA (1965).
Auction Gallery of the Palm Beaches
May. 14, 2026
Paul Feeley, Alphard
Est: $100,000 - $150,000
Paul Feeley Alphard 1964 oil on canvas 80 h x 80 w in (203 x 203 cm) Signed, titled, and dated to verso 'Paul Feeley Alphard Sept 3, 1964'. Provenance: Betty Parsons Gallery, New York | Collection of Helen Webster Feeley, North Bennington, VT | Matthew Marks Gallery, New York | Private Collection, New York | Shannon's, Milford, CT, 24 October 2012, Lot 44 | Museo de Arte Contemporaneo de Buenos Aires (MACBA) Exhibited: Paul Feeley: Paintings, October - November 1964, Betty Parsons Gallery, New York | Forty Key Artists of the Mid-Twentieth Century, May 1965, Detroit Institute of Arts | Salon international des galeries pilotes Lausanne: Artistes et decouvreurs de notre temps, June - October 1966, Musee Cantonal des Beaux-Arts, Palais de Rumine, Lausanne | Paul Feeley: A Memorial Exhibition, April - May 1968, The Solomon R. Guggenheim Museum, New York | Society of Contemporary Art: 9th Annual Exhibition, April - June 1969, The Art Institute of Chicago | Paul Feeley: Painting and Sculpture, October - November 2002, Lawrence Markey and Matthew Marks Gallery, New York | A Global Exchange: Geometric Abstraction Since 1950, 7 May - 14 September 2014, MACRO Museum, Rome (curated by Joe Houston and Micol di Veroli) | A Global Exchange: Geometric Abstraction Since 1950, 8 November 2014 - 4 January 2015, Patricia & Phillip Frost Museum, Florida International University, Miami (curated by Joe Houston) | Geometric Obsession: American School 1965 - 2015, 15 October 2015 - 6 March 2016, Museo de Arte Contemporaneo, Buenos Aires (curated by Robert Morgan) Literature: Forty Key Artists of the Mid-Twentieth Century, Detroit Institute of Arts exhibition catalog, pg. 5, no. 19 Salon international des galeries pilotes Lausanne: Artistes et decouvreurs de notre temps, Musee Cantonal des Beaux-Arts exhibition catalog, pg. 191, no. M2 Paul Feeley: A Memorial Exhibition, The Solomon R. Guggenheim Museum exhibition catalog, ppg. 17, 52 Society of Contemporary Art: 9th Annual Exhibition, The Art Institute of Chicago exhibition catalog, no. 10 Paul Feeley: Painting and Sculpture, Lawrence Markey and Matthew Marks Gallery exhibition catalog, pg. 2 Geometric Obsession: American School 1965 - 2015, Museo de Arte Contemporaneo, Buenos Aires, pg. 188 This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Nov. 20, 2025
PAUL FEELEY (1910-1966) Alphecca 60 x 60 in (152.4 x 152.4 cm) (Painted in 1964)
Est: $80,000 - $120,000
PAUL FEELEY (1910-1966) Alphecca signed, inscribed and dated 'Paul Feeley 30 Jan 64 'Alphecca' 1964' (on the stretcher) oil on canvas 60 x 60 in (152.4 x 152.4 cm) Painted in 1964
Bonhams
Jul. 18, 2025
PAUL FEELEY (1910-1966). Untitled. watercolor and graphite on paper17 ½ x 1
Est: $3,000 - $5,000
PAUL FEELEY (1910-1966). Untitled. watercolor and graphite on paper17 ½ x 12 in. (44.5 x 30.5 cm.).
Christie's
Sep. 25, 2024
Paul Feeley (American, 1910-1966) Untitled, 1964
Est: $3,000 - $5,000
Paul Feeley (American, 1910-1966) Untitled, 1964 watercolor signed Paul Feeley and dated (lower right) 12 x 18 inches. Property from the Collection of Barbara Lydia Winston, Naples, Florida Provenance: Lydia Winston Malbin, New York Thence by descent to the present owner
Freeman’s | Hindman
Jul. 31, 2024
Paul Feeley, Untitled
Est: $30,000 - $50,000
Paul Feeley Untitled 1956 oil and enamel on canvas 57.375 h x 39.875 w in (146 x 101 cm) Provenance: Private Collection This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Jan. 21, 2024
Paul Terrence Feeley (American, 1910-1966) Mixed Media
Est: $500 - $700
Paul Terrence Feeley (American, 1910-1966) Mixed Media 1950, signed lower left, in a neutral wood frame Property from: a Private Collector, Beverly Shores, Indiana Category: Fine Art > Mixed Media Estimated Sale Time: 12:29 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: January 3, 2024, 2:11 pm
Leonard Auction
Nov. 16, 2023
PAUL FEELEY (1910-1966) Untitled (Georgian Holiday) 1957
Est: $30,000 - $50,000
PAUL FEELEY (1910-1966) Untitled (Georgian Holiday) 1957 signed and dated 1957; titled on the stretcher oil-based enamel on canvas 82 3/8 by 58 5/8 in. 209.2 by 148.9 cm.
Bonhams
Oct. 06, 2023
Paul FEELEY (1910-1966) USA - American
Est: $40,000 - $60,000
Paul FEELEY (1910-1966) ; Untitled ; 1964 ; oil on canvas / framed ; dimensions 114,5 x 114,5 cm (45 x 45 in.) ; frame size 118 x 118 cm (46 1/2 x 46 1/2 in.) ; signed and dated on verso ; Shipping to USA - DHL $835 , National post with tracking service $525 / Shipping to EU, Middle Assia - DHL $645 , National post with tracking service $475
Art-Torg
Jul. 20, 2022
PAUL FEELEY (1910-1966) Rafina, Greece watercolor on paper 13 7/8 x 16 5/8
Est: $1,000 - $1,500
PAUL FEELEY (1910-1966) Rafina, Greece watercolor on paper 13 7/8 x 16 5/8 in. (35.2 x 42.2 cm.)
Christie's
Mar. 17, 2022
Paul Feeley (1910-1966) Southold
Est: £2,000 - £3,000
Paul Feeley (1910-1966) Southold Acrylic on paper, 1963, signed, titled and dated in pencil, the full sheet, sheet 600 x 481mm (23 5/8 x 19in) Provenance: From the collection of John Kazmin, London Acquired directly from the artist. Exhibited: Kazmin Gallery, London, Paul Feeley – Recent Paintings, October 1964. Waddington Custot, London, Paul Feeley: Space Stands Still, 12th April – 6 June 2021
Forum Auctions - UK
Feb. 05, 2022
Two Piece Art Group, to include Paul Terence Feeley (1910-1966), lithograph mounted on wood, having Paul Feeley stamp on verso, 4.5"...
Est: $100 - $200
Two Piece Art Group, to include Paul Terence Feeley (1910-1966), lithograph mounted on wood, having Paul Feeley stamp on verso, 4.5" x 8.75"; and a framed tile 12" x 8".
Nadeau's Auction Gallery
Jan. 29, 2022
Paul Terence Feeley (American, 1910-1966)
Est: $2,500 - $3,500
Paul Terence Feeley (American, 1910-1966), "Untitled", 1964, watercolor and graphite on paper, pencil-signed and dated lower right, pencil-inscribed "Cora Ward, New York" en verso, "André Emmerich Gallery, New York, NY" stamp and gallery label with artist, title and date on backing board, 14 5/8 in. x 11 3/8 in., framed Provenance: Estate of American Abstract Expressionist Cora Kelley Ward (1920-1989); thence by descent
Neal Auction Company
Jan. 29, 2022
Paul Terence Feeley (American, 1910-1966)
Est: $2,500 - $3,500
Paul Terence Feeley (American, 1910-1966), "Untitled (Yellow Dots on Blue)", 1964, watercolor and graphite on paper, pencil-signed and dated en verso, "André Emmerich Gallery, New York, NY" stamp and gallery label with artist, title and date, 2 "Kulicke Frames, New York, NY" labels one inscribed "C. Ward", and inscription with artist and date on backing board, label with artist on side of frame, 11 5/8 in. x 8 15/16 in., framed Provenance: Estate of American Abstract Expressionist Cora Kelley Ward (1920-1989); thence by descent
Neal Auction Company
May. 19, 2021
Paul Feeley, EL 3
Est: $15,000 - $20,000
Paul Feeley EL 3 1965 oil on wood construction 8 h × 8 w × 8 d in (20 × 20 × 20 cm) Signed, titled and dated to underside 'EL 3 Feeley 65'. Provenance: Collection of Arthur C. Carr | Christie's, New York, Interiors, 24 June 2014, Lot 196 | Private Collection This work will ship from Rago in Lambertville, New Jersey. Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.
Rago Arts and Auction Center
Jun. 23, 2020
Paul Feeley American, 1910-1966 Untitled, 1943
Est: $1,500 - $2,500
Paul Feeley American, 1910-1966 Untitled, 1943 Signed Paul Feeley and dated May 1943 on the reverse Acrylic on canvasboard 16 x 12 inches (40.64 x 30.48 cm) C
DOYLE Auctioneers & Appraisers
Jun. 08, 2019
Paul Feeley (1910-1966): Untitled
Est: $2,000 - $4,000
Oil on board, 1949, signed 'Paul T. Feeley', dated and inscribed 'To A.P./Bennington, VT' on the reverse.12 x 16 in., 17 x 20 1/2 in. (frame).Note: Paul Feeley joined the staff at Bennington College in 1940,. He was integral in establishing its Art Department and working with notable students such as Helen Frankenthaler. Feeley helped organize several seminal exhibitions during his tenure at Bennington, including the first retrospective of David Smith, and retrospectives of Hans Hofmann, Jackson Pollock and Kenneth Noland curated by Clement Greenberg. Known in the sixties as a Color Field painter, Feeley's earlier work is gestural in the style of the Abstract Expressionists.
STAIR
May. 15, 2019
Paul Feeley (American, 1910-1966) Blue on Yellow, 1958
Est: $20,000 - $30,000
Paul Feeley (American, 1910-1966) Blue on Yellow, 1958 oil on canvas 45 9/16 x 66 1/8 in. 115.7 x 168 cm. This work was executed in 1958. Provenance: Private Collection, Vermont (acquired directly from the artist) Thence by descent to the present ownerPaul Feeley was a quintessential "artist's artist"—his work defied easy classification, and he considered the intellectual growth of his students a measure of his own success. Feeley devoted his career to teaching, beginning at The Cooper Union School of Art at the age of 25 and culminating at Bennington College where he taught for over two decades. Feeley's legacy at Bennington cannot be underestimated—between 1939 and 1966, a seminal period for what became known as the Abstract Expressionist and Color Field movements—Feeley brought the avant-garde to Bennington, and Bennington to New York. Along with Clement Greenberg, he organized the first retrospective of exhibitions of Jackson Pollock, Hans Hofmann and David Smith at Bennington in the early 1950s, and conversely, organized a show of Bennington students at the Jacques Seligmann Gallery in New York in 1950. This established Bennington as a major center for artistic production on the East coast, paving the way for his most illustrious student Helen Frankenthaler. Feeley's own body of work has been reassessed with fresh eyes in recent years, freed from the shadow of his own academic career and the dominant Abstract Expressionist ethos of the period. He had, in fact, had been active on the New York gallery circuit before his untimely passing in 1966, and ripe for rediscovery. Feeley exhibited while at Bennington, beginning in 1954 with his first group show at the Kootz Gallery, New York. Subsequently, he held a solo exhibition at Tibor De Nagy Gallery in 1955, a group show at Betty Parsons Gallery in 1959, a group show at Kasmin Gallery, London, in 1964, and two solo exhibitions at Betty Parsons Gallery in 1960 and 1965, respectively. Feeley's work occupies a unique space between the bravado of gestural abstraction and the cold rigor of "hard-edge" painting, informed by both intuition and intellect. Gene Baro, curator and late Bennington colleague of the artist, describes 1953-1954 as a "breakthrough" year for Feeley where he gained "self-acceptance" and "the direction he took owed more to how he felt than to any overt strategy in relation to the then-current scene in avant garde American Painting" (Paul Feeley (1910-1966): A Memorial Exhibition, New York 1968, p. 13.) Once he began to "base his art upon the dictates of his own temperament", a quieter, restrained and meditative form of gestural abstraction emerged—one that eschewed "art as performance" and moved toward "decorum and formality" (Ibid, p. 15). Feeley "began to center the image" to an essential form and "suppress painterly incident" (Ibid, p. 13). Speaking to critic, curator and friend Lawrence Alloway in 1964, Feeley described this epiphany through the example of Red Blotch, 1954: "...All that time...spent in breaking up space in exciting and dynamic ways turned me toward a conception of movement which was almost the contradiction of what you might call the dynamic and the exciting...I just sensed the shape of the canvas as an event, as against the notion of the canvas creating an arena for events...It struck me increasingly that the things I couldn't forget in art, in connection with movement, were things more like pyramids...and Egyptian sculpture, and all sorts of early forms that got all of their life...through something that just sat still and had a presence rather than some sort of an agitated fit" (Ibid, p. 17).Blue On Yellow is an superlative example of the artist's mature period that is organic, nuanced, and elegant, exhibiting a primacy of form with simplified colors inspired by the Mediterranean light. Feeley was inspired by Mediterranean culture, and in the two years preceding the present work, he lived in Malaga in southern Spain (Ibid, p. 11). The two-toned palette is a hallmark of his late 1950s works where "two planes vie for perceptual dominance, each attempting to push the other back into relative space" (Douglas Dreischpoon, Imperfections by Chance: Paul Feeley Retrospective, 1954-1966, New York 2015, p. 43). The serene and reductive forms shown exemplify his "unique resolution of the figure-ground problem, a stillness absolutely in accord with his expressive aims" (Ibid, p. 18). Like the Abstract Expressionists of the period, Feeley rejected the "privileged" orientation and mode of production of easel painting, preferring to work on canvas on the floor, unstretched, with enamel house paint (Ibid, p. 42). He "bought industrial color to save money...He continued this habit because it freed him from the fashionable hues and values which establish that contemporary look, a quality particularly evident since the marketing of acrylic art colors" (Eugene Goossen, 'Paul Feeley' in Art International, December 1964, p. 31). Feeley chose not to prime his canvases, such as in the present work, lending an honesty and directness to his form of expression. He used thinned paint with enough body to coalesce on the surface, reinforcing the form's physicality.Coming to market for the very first time, the painting has been in the same private New England collection since its creation. Recently, Feeley was the subject of a career retrospective at the Albright Knox Art Gallery, Buffalo and the Columbus Museum of Art. His works reside in the permanent collection of esteemed museums including the Museum of Modern Art, New York, the National Gallery of Art, Washington and the Carnegie Museum of Art, Pittsburgh.
Bonhams
Jun. 10, 2017
PAUL TERENCE FEELEY (AMERICAN, 1910-1966) FAMILY GROUP Oil on canvas: 20 x 18 in.
Est: $500 - $700
PAUL TERENCE FEELEY (AMERICAN, 1910-1966) FAMILY GROUP Oil on canvas: 20 x 18 in. Framed; verso label: Paul Terence Feeley/ Bennington College, Bennington, Vt./ Family Group, 1947/ Owned by Mr. & Mrs Francis Fergusson... Provenance: From the artist to the Fergusson Family, Princeton and to the present owner
Potomack Company
Apr. 08, 2017
PAUL TERENCE FEELEY (AMERICAN, 1910-1966) FAMILY GROUP Oil on canvas: 20 x 18 in.
Est: $700 - $900
PAUL TERENCE FEELEY (AMERICAN, 1910-1966) FAMILY GROUP Oil on canvas: 20 x 18 in. Framed; verso label: Paul Terence Feeley/ Bennington College, Bennington, Vt./ Family Group, 1947/ Owned by Mr. & Mrs Francis Fergusson... Provenance: From the artist to the Fergusson Family, Princeton and to the present owner
Potomack Company
Mar. 03, 2017
Paul Feeley (1910-1966) - Untitled
Est: $20,000 - $30,000
Paul Feeley (1910-1966) Untitled oil on canvas in artist's frame overall: 36 ¾ x 20 ¾ in. (93.3 x 52.7 cm.)
Christie's
Jan. 29, 2016
Paul Feeley (1910-1966) Abstract Painting
Est: $1,000 - $2,000
Artist: Paul Feeley (1910-1966); Title: Untitled; Medium: Oil painting on paper; Year or Era Produced: 20th Century; Signature: Lower right; Sight Area Approximate Measurement: 11.375" x 8.5"; Frame Approximate Measurement: 17.75" x 15" x 0.75"; Approximate Weight: 4 lbs; Frame: Framed and matted beneath glass; Provenance: Collection Jennifer Cosgriff, New York / Wayne Walker
J Levine Auction & Appraisal LLC
Nov. 30, 2014
Paul Feeley (dans le gout de) (1910-1966) Nature morte à la guitare, Ca 1950
Est: €700 - €800
Paul Feeley (dans le gout de) (1910-1966) Nature morte à la guitare, Ca 1950 Huile sur papier. 44 x 30 cm Monogramée en bas à gauche. Encadrée bois dorée 56 x 70 cm
Artime Enchères
Jun. 07, 2014
PAUL FEELEY (1910-1966): UNTITLED; AND UNTITLED
Est: $1,000 - $1,500
PAUL FEELEY (1910-1966): UNTITLED; AND UNTITLED Two screenprints in yellow and pink on wove paper, published as a fundraiser for the Bennington Collage Scholarship Fund, c. 1962-4. Both 6 1/4 x 6 in. (sight), 10 1/2 x 10 1/2 in. (frame). Note: Paul Feeley was on the art faculty at Bennington College for over twenty years. Most often associated with Color Field artists, Feeley was not associated with the Abstract Expressionists in the 1950's, working against the creative norm of the time, with contemporaries Morris Louis and Kenneth Noland. He drew inspiration from Greek sculpture, Moorish decorative tiles, and contemporary motifs like the children's game of jacks, as we see here.
STAIR
May. 18, 2013
Paul Feeley (American, 1910-1966); Untitled,
Est: $3,000 - $5,000
Paul Feeley (American, 1910-1966); Untitled, 1959-60; Gouache on paper (framed); 9" x 12" (sheet); Provenance: Lawrence Markey, Inc., New York (label on verso); Kenneth L. Freed Collection, Boston (label on verso)
Rago Arts and Auction Center
Oct. 24, 2012
PAUL FEELEY, American (1910-1966), Abstract Figure, oil on board, signed lower left and dated 47., 9 x 11 1/2
Est: $1,500 - $2,500
PAUL FEELEY American (1910-1966) Abstract Figure oil on board, signed lower left and dated 47. 9 x 11 1/2 Provenance: Private collection, Milwaukee, Wisconsin.
Shannon's
Oct. 24, 2012
PAUL FEELEY, American (1910-1966), Woman, oil on board, signed lower left and dated 48., 19 1/2 x 15 1/2
Est: $4,000 - $6,000
PAUL FEELEY American (1910-1966) Woman oil on board, signed lower left and dated 48. 19 1/2 x 15 1/2 Provenance: Private collection, Milwaukee, Wisconsin.
Shannon's
Oct. 24, 2012
PAUL FEELEY, American (1910-1966), "Alphard" , oil on canvas, signed, titled and dated 1964 on the reverse., 80 x 80
Est: $30,000 - $50,000
PAUL FEELEY American (1910-1966) "Alphard" oil on canvas, signed, titled and dated 1964 on the reverse. 80 x 80 Provenance: Matthew Marks Gallery, New York, New York; Private collection, New York.
Shannon's
Oct. 16, 2012
Paul Feeley American, 1910-1966 Lacona Tapestry
Est: $2,000 - $3,000
Paul Feeley American, 1910-1966 Lacona Tapestry Wool Signed Gloria F. Ross, dated 1969 and numbered 3/5 5 Feet 2 inches x 4 feet. C
DOYLE Auctioneers & Appraisers
May. 09, 2012
Paul Feeley (1910-1966)
Est: $15,000 - $25,000
Paul Feeley (1910-1966) Sybaris indistinctly signed and dated 'PAUL FEELEY 63' (on the right turning edge) oil based enamel on canvas 59¾ x 48 in. (151.7 x 121.9 cm.) Painted in 1962.
Christie's
Mar. 07, 2012
Paul Feeley (1910-1966)
Est: $20,000 - $30,000
Paul Feeley (1910-1966) Ancha signed, titled and dated 'PAUL FEELEY "ANCHA" 1964' (on the stretcher) oil based enamel on canvas 68 x 51 in. (172.7 x 129.5 cm.) Painted in 1963.
Christie's
Dec. 28, 2011
Attributed to Feeley, Abstract, O/C
Est: $200 - $300
Attributed to Paul Feeley (American, 1910-1966), abstract, oil on canvas, 49" x 39 1/2". Paint loss. (E4870)
Kaminski Auctions
Dec. 07, 2011
Paul Feeley American, 1910-1966 Studies, 1964
Est: $400 - $600
Paul Feeley American, 1910-1966 Studies, 1964 Inscribed Permanent or ephemeral mystery to matter uncanny to logic (ul) and Public or private (lr) and For Sylvia from Paul and dated 13. May 64 (lr) Ink and watercolor on notepad cover 12 x 17 7/8 inches C Estate of Sylvia Sleigh and Lawrence Alloway
DOYLE Auctioneers & Appraisers
Sep. 20, 2011
Paul Feeley American, 1910-1966 Studies, 1964
Est: $800 - $1,200
Paul Feeley American, 1910-1966 Studies, 1964 Inscribed Permanent or ephemeral mystery to matter uncanny to logic (ul) and Public or private (lr) and For Sylvia from Paul and dated 13. May 64 (lr) Ink and watercolor on notepad cover 12 x 17 7/8 inches C Estate of Sylvia Sleigh and Lawrence Alloway
DOYLE Auctioneers & Appraisers
Sep. 20, 2011
Paul Feeley American, 1910-1966 Untitled
Est: $2,000 - $3,000
Paul Feeley American, 1910-1966 Untitled Signed and inscribed For Sylvia From Paul and dated 23 May 64 on the reverse Watercolor on paper 18 x 12 inches C Estate of Sylvia Sleigh and Lawrence Alloway
DOYLE Auctioneers & Appraisers
May. 25, 2011
Paul Feeley American, 1910-1966 EL 24, 1965
Est: $6,000 - $8,000
Paul Feeley American, 1910-1966 EL 24, 1965 Signed Feeley, dated '65 and inscribed as titled on one edge Painted wood sculpture 8 x 8 x 8 inches (20.3 x 20.3 x 20.3 cm) C Estate of Sylvia Sleigh and Lawrence Alloway
DOYLE Auctioneers & Appraisers
Sep. 27, 2010
PAUL TERENCE FEELEY
Est: $30,000 - $50,000
PAUL TERENCE FEELEY 1910 - 1966 ARPA signed and dated 17 May 1964 on the stretcher oil on canvas 66 by 51 in. 167.6 by 129.5 cm
Sotheby's
May. 14, 2010
PAUL FEELEY
Est: $4,000 - $6,000
EL 15 Signed, titled and dated "EL Feeley '65" on the underside.
Phillips
Apr. 20, 2010
Paul Terence Feeley American, 1910-1966 Untitled
Est: $3,000 - $5,000
Paul Terence Feeley American, 1910-1966 Untitled Watercolor on paper 23 1/2 x 17 7/8 inches
DOYLE Auctioneers & Appraisers
Apr. 06, 2010
Paul Feeley (AMERICAN, 1910-1966)
Est: $1,000 - $1,500
Paul Feeley (AMERICAN, 1910-1966) Untitled (Purple, Green, Oranges) signed and dated 'Paul Feeley 64' (lower right) watercolor on paper 16½ x 13¾ in. (41.9 x 35 cm.) Executed in 1964.
Christie's
Apr. 06, 2010
Paul Feeley (AMERICAN, 1910-1966)
Est: $1,500 - $2,000
Paul Feeley (AMERICAN, 1910-1966) Untitled signed, dated and inscribed 'EL18 FEELEY '65' (on an edge) painted wood sculpture 8¼ x 7¾ x 7¾ in. (21 x 19.7 x 19.7 cm.) Executed in 1965. This work is a unique piece.
Christie's
Mar. 10, 2009
Paul Feeley , 1913-1966 Cheleb oil on canvas
Est: $10,000 - $15,000
signed, titled, dated 1965 and inscribed on the stretcher oil on canvas
Sotheby's
Nov. 14, 2008
Four works: Untitled, 1964
Est: $12,000 - $18,000
Four works: Untitled , 1964 Watercolor and graphite on paper. (i)-11 7/8 x 15 3/4 in. (30.2 x 40 cm); (ii)-13 1/2 x 11 in. (34.3 x 27.9 cm); (iii)-17 1/2 x 12 in. (44.5 x 30.5 cm); (iv)-17 1/2 x 12 in. (44.5 x 30.5 cm). (i)-Signed "Paul Feeley" on the reverse of the backing board; (ii)-Initialed and dated "PF.63" lower right; (iii)-Signed and dated "Paul Feeley 1964" lower right; (iv)-Signed and dated "Paul Feeley 1964" lower right.
Phillips
Jul. 10, 2008
Paul Feeley (American, 1910-1966) Remus, 1959
Est: £7,000 - £10,000
Paul Feeley (American, 1910-1966) Remus, 1959 signed on the reverse "Feeley '60" oil on canvas 75 x 78 cm Provenance: Andre Emmerich Gallery, New York Exhibited: Andre Emmerich Gallery, New York
Cheffins
Apr. 02, 2008
Paul Feeley , 1913-1966 Abstract (Red and Yellow) oil on canvas
Est: $30,000 - $40,000
signed and dated 1961 on the overlap oil on canvas
Sotheby's
Nov. 16, 2007
PAUL FEELEY Apyu, 1963
Est: $30,000 - $40,000
PAUL FEELEY Apyu, 1963
Phillips
Sep. 10, 2007
Untitled
Est: $15,000 - $20,000
Paul Feeley (1910-1966) Untitled signed and dated 'Feeley 1962' (on the stretcher) acrylic on canvas 20 x 20 in. (50.8 x 50.8 cm.) Painted in 1962.
Christie's
May. 22, 2007
Paul Feeley (1910-1966)
Est: $15,000 - $20,000
untitled 1963
Wright