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Lyonel Feininger Sold at Auction Prices

Painter, Caricaturist, b. 1871 - d. 1956

(b New York City 1871; d New York 1956) American painter. Born in New York City, Lyonel Feninger moved to Berlin to study at the city’s Art Academy in 1887. Fascinated by the Cubists' technique of breaking up form, Feininger adapted their geometrical style while retaining the use of bright colours characteristic of his early work. In May 1911, Feininger spent two weeks in Paris where he discovered Cubism -- a style he had never encountered before, but which offered a pictorial solution to his own artistic inquiries and experimentation. The key event in the development of Feininger's art was the Salon des Indépendants held in Paris from April until June 1911, where he exhibited six of his paintings alongside works by artists such as Henri Matisse, Robert Delaunay and Wassily Kandinsky as well as the Cubists who were displaying their paintings for the first time. The Cubists' concept of constructing a composition was very close to Feininger's passion for architecture, and enabled him to 'build' a picture piece by piece. What Feininger gained in Paris was new hope for his own endeavors. Feininger's experience as a graphic artist gave him a creative advantage when it came to rendering dimension in his painting, as he was extraordinarily capable of conveying spatial depth without being reliant upon gradations of colour or excessive details. (Credit: Sotheby’s, London, Impressionist and Modern Art Evening, June 19, 2006, Lot 35)

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                • Lyonel Feininger: Hafenanlage
                  Sep. 12, 2024

                  Lyonel Feininger: Hafenanlage

                  Est: CHF4,000 - CHF5,000

                  Lyonel Feininger (1871 New York 1956) Hafenanlage Tuschfederzeichnung auf Bütten / Pen and ink drawing on laid paper 1954 14,5x22 cm / 14.5x22 cm Signatur / Signature Unten links vom Künstler in Tusche signiert "Feininger", rechts datiert "27.ix.54" Signed "Feininger" in India ink by the artist lower left, dated "27.ix.54" right Werkverzeichnis / Catalogue Raisonné Echtheitsbestätigung von Achim Moeller, New York, Nr. 01-04-1989-03, datiert vom 4. Januar 1989, liegt vor Certificate of authenticity from Achim Moeller, New York, no. 01-04-1989-03, dated 4 January 1989, is available Provenienz / Provenance Slg. Michael von Bergen, Houston Galerie Wurm von Sterndorff, Birsfelden, dort 1992 erworben von Privatsammlung Schweiz Collection Michael von Bergen, Houston Galerie Wurm von Sterndorff, Birsfelden, acquired there in 1992 by Private Collection Switzerland Zustand / Condition Gebräunt, leicht stockfleckig und mit Lichtrand Browned, slightly foxed and with light-marks Erläuterungen / Comments Späte, aber typische Hafenszene von Lyonel Feininger. Late, but typical harbour scene by Lyonel Feininger. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 10:30 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-

                  Galerie Kornfeld Auktionen AG
                • Lyonel Feininger: Taubach
                  Sep. 12, 2024

                  Lyonel Feininger: Taubach

                  Est: CHF32,000 - CHF40,000

                  Lyonel Feininger (1871 New York 1956) Taubach Aquarell über Federzeichnung in Tusche auf cremefarbenem Bütten / Watercolour over pen and ink drawing on cream-coloured laid paper 1918 24x30,5 cm / 24x30.5 cm Signatur / Signature Unten links vom Künstler in Feder in Tusche signiert "Feininger", rechts datiert "1918" Signed "Feininger" in pen and ink by the artist lower left, dated "1918" right Werkverzeichnis / Catalogue Raisonné Expertise von Achim Moeller, The Lyonel Feininger Project LLC, New York, datiert vom 6. November 2014, liegt in Kopie vor Feininger Archiv Nr. 1296-11-06-14 Expertise by Achim Moeller, The Lyonel Feininger Project LLC, New York, dated 6 November 2014, is available as a copy Feininger Archive no. 1296-11-06-14 Provenienz / Provenance Privatsammlung Deutschland Private Collection Germany Zustand / Condition Das Papier gebräunt, in den Rändern mit Reissnagellöchern, mit einzelnen Fleckchen. In sauberer Erhaltung The paper browned, with pin-holes in the margins and small scattered stains. In good condition Erläuterungen / Comments Für den Deutschamerikaner Lyonel Feininger boten die Städtchen an der Ostsee oder das verträumte Weimarer Umland in Thüringen die perfekte Kulisse für seine künstlerischen Erkundungen. Es waren die kleinstädtischen Idyllen mit ihren Kirchen und den pittoresken Dorfkernen - wie etwa in Gelmeroda, Niedergrunstedt, Possendorf, Vollersroda, Zottelstedt oder eben Taubach -, die ihm ideale Motive boten. Zu Beginn staffierte er die Ansichten dieser Orte noch mit seinen typischen Figuren aus (wie beim hier angebotenen Blatt), später realisierte er die Werke als reine, fast ins Abstrakte tendierende Architekturansichten. Gegenüber Alfred Kubin meinte er einmal, dass es in diesen "gottverlassenen Nestern" Kirchtürme gebe, die ungemein mystisch seien. In Taubach ist es die wuchtige evangelische Kirche St. Ursula, die er im zweifarbigen Aquarell besonders darstellt. Den dunkelvioletten Himmel grenzt er von den feinen, hellblauen Konturen des Städtchens gekonnt ab. Eine Figur mit dem für Feininger typischen Hut spaziert von der Kirche weg, die Bäume vor der Kirche halten die beiden "Welten" von Himmel und Erde wie eine Klammer zusammen. Ein eindrückliches Aquarell, entstanden kurz bevor Feininger als erster Meister von Walter Gropius ans Bauhaus nach Weimar berufen wurde. For the German-American Lyonel Feininger, the small towns on the Baltic Sea or the dreamy Weimar countryside in Thuringia provided the perfect backdrop for his artistic explorations. It was the idyllic small towns with their churches and picturesque village centres - such as Gelmeroda, Niedergrunstedt, Possendorf, Vollersroda, Zottelstedt and Taubach - that provided him with ideal motifs. At the beginning, he painted the views of these places with his typical figures (as in the sheet offered here), later he realised the works as pure, almost abstract architectural views. He once commented to Alfred Kubin that there were church spires in these "godforsaken places" that were incredibly mystical. In Taubach, it is the massive Protestant church of St. Ursula that he depicts in particular in the two-colour watercolour. He skilfully contrasts the dark purple sky with the fine, light blue contours of the small town. A figure with Feininger's typical hat walks away from the church, the trees in front of the church hold the two worlds of heaven and earth together like a bracket. An impressive watercolour, created shortly before Feininger was appointed as Walter Gropius' first master at the Bauhaus in Weimar. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 10:30 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-

                  Galerie Kornfeld Auktionen AG
                • Feininger, Lyonel
                  Sep. 07, 2024

                  Feininger, Lyonel

                  Est: -

                  Feininger, Lyonel 1871 New York City - 1956 ebd. "Radfahrer - Start", Lithographie nach einer Federzeichnung von ca. 1920-30. Erschienen bei Archivarion 1957, limitierte Auflage von 500 Exemplaren. Im Druck unten rechts signiert. Hinter Passepartout und Glas gerahmt. Bildgröße ca. 15 x 10 cm, Blattgröße ca. 31 x 21,5 cm. Passepartoutausschnitt ca. 24 x 17,5 cm, Rahmen ca. 41 x 31 cm. Feininger, Lyonel 1871 New York City - 1956 ibid. ‘Radfahrer - Start’, lithograph after a pen and ink drawing from ca. 1920-30, published by Archivarion in 1957, limited edition of 500 copies. Signed lower right in the print. Framed behind passepartout and glass. Image size approx. 15 x 10 cm, sheet size approx. 31 x 21.5 cm. Matted section approx. 24 x 17.5 cm, frame approx. 41 x 31 cm.

                  Auktionshaus Sieglin GmbH
                • Lyonel Feininger
                  Sep. 06, 2024

                  Lyonel Feininger

                  Est: €6,000 - €12,000

                  (1871 New York - 1956 New York) "Kreuzende Segelschiffe 2". Originaltitel Holzschnitt/Japanbütten, 1919. Wohl eines von unnummerierten 25 Exemplaren der Vorzugsausgabe, erschienen als Blatt 6 aus der Folge von 8 Arbeiten in der Mappe der "Fünften Jahresgabe des Kreises graphischer Künstler und Sammler", Hrsg. Hans Weigert, erschienen Verlag Arndt Beyer, Leipzig 1925. Wvz. Prasse W 175; Söhn HDO 52006-6. Der Bauhaus-Künstler, der eine große Passion für das Meer und Schiffe hegte, zeigt hier in kristallin abstrahierter Weise drei alte Segelschiffe in stürmisch bewegter See. Darstellung ca. 17 cm x 22,5 cm. Rahmen. Weitere Exemplare befinden sich u. a. im Max-Pechstein-Museum in Zwickau und in der National Gallery of Art in Washington, D.C. Woodcut on paper, 1919. Hand-signed.

                  Kunstauktionshaus Schloss Ahlden
                • ABSTRACT INK AND WATERCOLOR ATTRIBUTED TO LYONEL
                  Aug. 27, 2024

                  ABSTRACT INK AND WATERCOLOR ATTRIBUTED TO LYONEL

                  Est: $1,000 - $10,000

                  FEININGER (American, 1871-1956) FISHING FROM THE PIER. Abstract ink and watercolor work of a seaside view of a fisherman on a pier catching lunch with town to the left. Housed in a gold gilt molded frame matted under glass. SIZE: Sight is 12" x 16 1/4". Overall is 21" x 25". CONDITION: slight rippling on upper edge of sheet, otherwise very good. (05-677). $1,000-10,000.

                  Poulin Antiques & Auctions
                • Signed Lithograph of Ribnitz.
                  Aug. 25, 2024

                  Signed Lithograph of Ribnitz.

                  Est: $1,000 - $2,000

                  Signed Lithograph of Ribnitz. Signed Feininger in lower right. Titled "Ribnitz".  Lower left corner torn, can partially see possibly a number. An 8 and a 27 next to that.  Depicts buildings.  Frame: 17 x 20 1/4 in Sight: 7 5/8 x 10 3/4 in. #3273 #13

                  Sarasota Estate Auction
                • Lyonel Feininger, Rainy Day on the Beach
                  Jul. 24, 2024

                  Lyonel Feininger, Rainy Day on the Beach

                  Est: $1,500 - $2,000

                  Lyonel Feininger Rainy Day on the Beach 1918 woodcut image: 5.375 h x 8.5 w in (14 x 22 cm) sheet: 7.375 h x 9.875 w in (19 x 25 cm) Signed to lower left 'Lyonel Feininger'. This work is from the unpublished edition of approximately 6 to 15 printed by the artist. This work will ship from Chicago, Illinois.

                  Toomey & Co. Auctioneers
                • Lyonel Feininger (1871-1956) "Gothic Spire"
                  Jul. 20, 2024

                  Lyonel Feininger (1871-1956) "Gothic Spire"

                  Est: $800 - $1,500

                  Lyonel Feininger (German-American, 1871-1956) Screenprint reporduction on textured paper, piece is titled "Gothic Spire" but sometimes called the spire of Almeronda, piece measures 16 x 12 and 32 x 23 inches w/ frame. Printed signature lower left, semi-abstract architectural composition behind glass; Excellent condition with original "FOSTER BROTHERS" framing and label on verso as well as stamp behind backing. Boston Collection. This screenprint was done on behalf of Feininger by artist and printer Esther Gentle for the Willard Gallery in New York in the early 1950's. Willard Gallery published a number of serigraphs of paintings by artists represented by the gallery and could be sold for between $10 and 25.00. The works were hand printed and, in many cases, were hard to distinguish from original watercolors without detailed examination. The prints were not editioned though appear to have been done in printings of between 100 and 200. All the prints were done with the permission and input from the artist, though they did not actually work on printing.

                  Cutler Bay Auctions
                • FEININGER, Lyonel (*1871 New York †1956 ebd.),
                  Jul. 20, 2024

                  FEININGER, Lyonel (*1871 New York †1956 ebd.),

                  Est: -

                  FEININGER, Lyonel (*1871 New York †1956 ebd.), Radierung, "Die grüne Brücke", 1910/11, links oben in der Platte sign. mit "Leinoel Einfinger", verso Papieretikett Galerie Nierendorf/Berlin, WVZ Prasse E22, Plattenmaß 27,5 x 19,5 cm, Passerpartout, hinter Glas, Holzleiste,

                  zeitGenossen Antiquitäten - Kunst - Design
                • Feininger, Lyonel: Gelmeroda
                  Jun. 29, 2024

                  Feininger, Lyonel: Gelmeroda

                  Est: €1,000 - €1,500

                  Lyonel Feininger New York 1871 - 1956 Gelmeroda Lithograph on chamois-colored vellum, 1955; H 300 mm, W 200 mm; signed lower right ''Lyonel Feininger''

                  Peter Karbstein - Kunst und Auktionshaus
                • Lyonel Feininger Obergrunstedt I. 1920
                  Jun. 26, 2024

                  Lyonel Feininger Obergrunstedt I. 1920

                  Est: €35,000 - €55,000

                  Lyonel Feininger 1871 New York - 1956 ebenda Obergrunstedt I. 1920 Signed and dated 1920 lower left. Inscribed "Ober-Grunstedt I" in the centre. Coloured watercolour over ink auf brownish handmade paper. 24 x 35 cm. Blattgröße: Sheet size: 28.7 x 26.5 cm. Pinholes and browned stains on the lower margin of the sheet. Sheet browned overall. Frame with museum glass, not deframed fot the description (48 x 49 cm). Besonders aber das Weimarer Land, diese für ihn neue "Alte Welt", faszinierte ihn, seit er hier 1906 zum ersten Mal seine spätere Frau Julia Berg besuchte. Dörfer wie Oberweimar, Vollersroda und Gelmeroda, die er mit dem Fahrrad erkundete, fesselten seine Phantasie, und vor allem die kleine gotische Dorfkirche von Gelmeroda, die er in unzähligen Naturnotizen und Gemälden festhielt, wurde zum Symbol einer romantisch verklärten Märchenwelt, die er in seine Comic-Strips, seine Gemälde und die frühen "Mummenschanzbilder" einfließen ließ, die von seltsam überlängten und historisch gekleideten Menschen bevölkert sind. Etwa seit Anfang der 1920er Jahre erschienen Städte und Dörfer im Lichte einer eingefrorenen Weltentrücktheit und Spiritualität. Sie bezeichnen Feiningers romantische Hinwendung zu einer Welt, die durch Massengesellschaft und Industrialisierung vor dem Untergang stand und nur noch in einer illusionären "Traumstadt" zu finden war. Als Feininger in die USA zurückkehrte, nahm er die imaginären thüringischen Dörfer in seinem Inneren mit, auch als er eine neue Linearität in seiner Malerei entwickelte und sich New Yorker Stadtansichten widmete. Die Ausstellung "Traumstadt - Lyonel Feininger und seine Dörfer" untersucht Feiningers intensive Auseinandersetzung mit Dörflichkeit und Urbanität im Kontext zunehmender Industrialisierung und Verstädterung zu Beginn des 20. Jahrhunderts. provenance: Achim Moeller Fine Art Advisory, New York. Private collection, Germany

                  Neumeister
                • Lyonel Feininger, 1871-1956, Bauhaus Laternenfest
                  Jun. 24, 2024

                  Lyonel Feininger, 1871-1956, Bauhaus Laternenfest

                  Est: CHF5,000 - CHF8,000

                  Signed in the lithographic stone, dated and titled: L. Feininger, Bauhaus Laternenfest, Mittwoch den 21. Juni 22. Verso stamp: L. Hirschfeld-Mack, Ferny Creek. Vic., Australia. Inscribed with ballpoint: Lyonel Feininger, von ihm handkoloriert, 1922. Inscribed in pencil: 5. Printer & Publisher: Staatliches Bauhaus, Weimar.

                  Germann Auction House Ltd
                • Feininger, Lyonel (1871 New York 1956), nach
                  Jun. 22, 2024

                  Feininger, Lyonel (1871 New York 1956), nach

                  Est: €300 - €360

                  "Hafen". Holzschnitt/Japan (Knickspuren, Montagespuren), Trockenstempel des Feininger Estate und li. u. mit Bleistift Ex. 6/100. 16,3x 22 cm. Wvz.: Prasse W 110.

                  Dannenberg
                • Lyonel Feininger 1871–1956
                  Jun. 19, 2024

                  Lyonel Feininger 1871–1956

                  Est: CHF3,000 - CHF4,000

                  Lyonel Feininger 1871–1956 Woman with a large hat holding a baby Farbstift auf Papier rückseitig Stempel FEININGER ESTATE 9,2 x 15 cm

                  Artcurial Beurret Bailly Widmer
                • Lyonel Feininger 1871–1956
                  Jun. 19, 2024

                  Lyonel Feininger 1871–1956

                  Est: CHF8,000 - CHF12,000

                  Lyonel Feininger 1871–1956 Near Montlhéry (Ville du Bois), 1911 Bleistift und Farbstift auf Papier unten bezeichnet und datiert near Montlhéry (Ville du Bois) May 13 11 13 x 17,5 cm

                  Artcurial Beurret Bailly Widmer
                • LYONEL FEININGER GERMANY/USA] 1871-1956 [ATTRIBUTED] "LANDCAPE WITH FIGURES" 1936 OIL ON BOARD, SIGNED LOWER RIGHT, 45X60CMS. CONDITION FINE, PERIOD FRAME WITH DAMAGES
                  Jun. 19, 2024

                  LYONEL FEININGER GERMANY/USA] 1871-1956 [ATTRIBUTED] "LANDCAPE WITH FIGURES" 1936 OIL ON BOARD, SIGNED LOWER RIGHT, 45X60CMS. CONDITION FINE, PERIOD FRAME WITH DAMAGES

                  Est: -

                  LYONEL FEININGER Germany/USA] 1871-1956 [attributed] "Landcape with Figures" 1936 oil on board, signed lower right, 45x60cms. Condition fine, period frame with damages. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, vefifivation or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.

                  WA Art Auctions
                • LYONEL FEININGER GERMANY/USA] 1871-1956 [ATTRIBUTED] "CITYSCAPE WITH FIGURES" 1936 OIL ON BOARD, SIGNED LOWER RIGHT, 45X60CMS. CONDITION FINE, PERIOD FRAME WITH DAMAGES
                  Jun. 19, 2024

                  LYONEL FEININGER GERMANY/USA] 1871-1956 [ATTRIBUTED] "CITYSCAPE WITH FIGURES" 1936 OIL ON BOARD, SIGNED LOWER RIGHT, 45X60CMS. CONDITION FINE, PERIOD FRAME WITH DAMAGES

                  Est: -

                  LYONEL FEININGER Germany/USA] 1871-1956 [attributed] "Cityscape with Figures" 1936 oil on board, signed lower right, 45x60cms. Condition fine, period frame with damages. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, vefifivation or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.

                  WA Art Auctions
                • Lyonel Feininger (1871-1956) "Gothic Spire"
                  Jun. 15, 2024

                  Lyonel Feininger (1871-1956) "Gothic Spire"

                  Est: $1,500 - $2,500

                  Lyonel Feininger (German-American, 1871-1956) Screenprint reporduction on textured paper, piece is titled "Gothic Spire" but sometimes called the spire of Almeronda, piece measures 16 x 12 and 32 x 23 inches w/ frame. Printed signature lower left, semi-abstract architectural composition behind glass; Excellent condition with original "FOSTER BROTHERS" framing and label on verso as well as stamp behind backing. Boston Collection. This screenprint was done on behalf of Feininger by artist and printer Esther Gentle for the Willard Gallery in New York in the early 1950's. Willard Gallery published a number of serigraphs of paintings by artists represented by the gallery and could be sold for between $10 and 25.00. The works were hand printed and, in many cases, were hard to distinguish from original watercolors without detailed examination. The prints were not editioned though appear to have been done in printings of between 100 and 200. All the prints were done with the permission and input from the artist, though they did not actually work on printing.

                  Cutler Bay Auctions
                • FEININGER, LYONEL (1871 NEW YORK CITY - 1956 NEW YORK CITY). "DIE ÜBERLOKOMOTIVE".
                  Jun. 15, 2024

                  FEININGER, LYONEL (1871 NEW YORK CITY - 1956 NEW YORK CITY). "DIE ÜBERLOKOMOTIVE".

                  Est: -

                  FEININGER, Lyonel (1871 New York City - 1956 New York City) "Die Überlokomotive" Lithografie. Von fremder Hand bezeichnet "Lyonel Feininger". [1911]. Von fremder Hand bezeichnet "Probedruck". Blatt: 16,3 x 22,5 cm, vollständig auf Karton geklebt. Gerahmt & hinter Glas : 31,5 x 41,5 cm. Wohl Probedruck für die literarisch-künstlerische Zeitschrift "Licht und Schatten", die von 1910 bis 1916 in München und Berlin als Konkurrenzblatt zum Simplicissimus erschien und von namhaften Künstlern wie Ernst Liebermann, Lyonel Feininger, Alfred Kubin, Käthe Kollwitz oder Emil Orlik illustriert wurde . Deutsch-amerikanischer Maler, Illustrator und Grafiker. Er zählt zu den bedeutendsten Künstlern der 1. Hälfte des 20. Jahrhunderts in Deutschland und wurde 1919 als erster Meister von Walter Gropius an das neu gegründete Bauhaus in Weimar berufen. Bis heute gilt er als einer seiner wichtigsten Vertreter. Literatur : https://www.museum-feininger.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:07 Uhr (CET) FEININGER, Lyonel (1871 New York City - 1956 New York City) "Die Überlokomotive" Lithograph. Inscribed by another hand "Lyonel Feininger". [1911]. Inscribed "Probedruck" by another hand. Sheet: 16.3 x 22.5 cm, fully glued to card. Framed & behind glass : 31.5 x 41.5 cm. Probably a proof for the literary-artistic magazine "Licht und Schatten", which was published in Munich and Berlin from 1910 to 1916 as a competitor to Simplicissimus and was illustrated by renowned artists such as Ernst Liebermann, Lyonel Feininger, Alfred Kubin, Käthe Kollwitz and Emil Orlik . German-American painter, illustrator and graphic artist. He is one of the most important artists of the first half of the 20th century in Germany and was the first master to be appointed by Walter Gropius to the newly founded Bauhaus in Weimar in 1919. He is still considered one of its most important representatives today. Literature : https://www.museum-feininger.de/. Call time 15 | June 2024 | probably 11:07 am (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

                  Auktionshaus Wendl
                • FEININGER, LYONEL (1871 NEW YORK CITY - 1956 NEW YORK CITY). "DORF NIEDERGRUNSTEDT".
                  Jun. 15, 2024

                  FEININGER, LYONEL (1871 NEW YORK CITY - 1956 NEW YORK CITY). "DORF NIEDERGRUNSTEDT".

                  Est: -

                  FEININGER, Lyonel (1871 New York City - 1956 New York City) "Dorf Niedergrunstedt" Radierung auf Bütten. Bleistiftsignatur, in der Platte scherzhaft signiert "Leinoel Einfinger". Mit Bleistift datiert: 1911. Druckplatte: 13,8 x 21,4 cm, Blatt: 24,5 x 33,2 cm. Blattrand leicht lichtgebräunt. Deutsch-amerikanischer Maler, Illustrator und Grafiker. Er zählt zu den bedeutendsten Künstlern der 1. Hälfte des 20. Jahrhunderts in Deutschland und wurde 1919 als erster Meister von Walter Gropius an das neu gegründete Bauhaus in Weimar berufen. Bis heute gilt er als einer seiner wichtigsten Vertreter. Literatur : https://www.museum-feininger.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:07 Uhr (CET) FEININGER, Lyonel (1871 New York City - 1956 New York City) "Dorf Niedergrunstedt" Etching on laid paper. Pencil signature, jokingly signed "Leinoel Einfinger" in the plate. Dated in pencil: 1911. Printing plate: 13.8 x 21.4 cm, sheet: 24.5 x 33.2 cm. Slight light browning to sheet margins. German-American painter, illustrator and graphic artist. He is one of the most important artists of the first half of the 20th century in Germany and was the first master to be appointed by Walter Gropius to the newly founded Bauhaus in Weimar in 1919. He is still considered one of its most important representatives today. Literature : https://www.museum-feininger.de/. Call time 15 | June 2024 | probably 11:07 am (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

                  Auktionshaus Wendl
                • Lyonel Feininger "Dorf". 1920.
                  Jun. 15, 2024

                  Lyonel Feininger "Dorf". 1920.

                  Est: €220 - €300

                  Lyonel Feininger 1871 New York – 1956 ebenda Holzschnitt auf Velin. Unsigniert. Unter dem Stock typografisch bezeichnet. Aus: Das Kunstblatt, Jg. 4, Heft 1 (Januar 1920), Potsdam-Berlin, Verlag Gustav Kiepenheuer. WVZ Prasse W 301; Söhn HDO 31901. Lyonel Feininger 1871 New York – 1956 ebenda Deutsch-amerikanischer Maler, Grafiker und Karikaturist. 1887 Übersiedlung nach Hamburg, dort Studium an der Kunstgewerbeschule. 1888 Wechsel an die Königliche Akademie der Künste zu Berlin. Ab 1892 Studium an der Pariser Académie Colarossi. 1893 Rückkehr nach Berlin, Arbeit als freier Illustrator. Ab 1909 Mitglied der Berliner Secession. 1911 Beteiligung am "Salon des Indépendants" in Paris, Begegnung mit dem Kubismus. 1912 Bekanntschaft mit der Künstlergruppe "Brücke". 1913 Einladung vom "Blauen Reiter" und Teilnahme am "Ersten Deutschen Herbstsalon" in Berlin, Austritt aus der Berliner Secession. 1917 erste Einzelausstellung in der Galerie "Der Sturm" in Berlin. 1918 Mitglied der "Novembergruppe" und Bekanntschaft mit Walter Gropius. 1919 von Gropius als Meister ans Staatliche Bauhaus in Weimar berufen, bis 1921–25 Leiter der dortigen "Graphischen Druckerei". 1924 Gründung der Ausstellungsgemeinschaft "Die Blaue Vier" mit Paul Klee, Wassily Kandinsky und Alexej von Jawlensky. Ab 1926 Übersiedlung mit dem Bauhaus nach Dessau, Einzug in eines der "Meisterhäuser". 1933 Umzug nach Berlin, 1937 Flucht nach New York. In der Zeit des Nationalsozialismus galten Feiningers Werke offiziell als "Entartete Kunst". Lyonel Feiningers Hauptthema ist die Architektur, die er ebenso wie das Atmosphärische und das Figürliche in Kuben und bestimmten Liniengefügen erfasste. Feininger gehört zu den bedeutendsten Künstlern der Klassischen Moderne.

                  Schmidt Kunstauktionen Dresden OHG
                • LYONEL FEININGER, AFTER (GERMAN - AMERICAN, 1871 - 1956)
                  Jun. 06, 2024

                  LYONEL FEININGER, AFTER (GERMAN - AMERICAN, 1871 - 1956)

                  Est: $50 - $100

                  'Toppsegelschoner (Top-sail schooner).' Serigraph. 24 x 30" (sight); 27 1/2 x 33 1/4". Framed.

                  Vallot Auctioneers
                • Lyonel Feininger: Untitled (Landscape)
                  Jun. 06, 2024

                  Lyonel Feininger: Untitled (Landscape)

                  Est: €6,000 - €8,000

                  FEININGER, LYONEL New York 1871 - 1956 Title: Untitled (Landscape). Date: 1935. Technique: Pencil on paper. Measurement: 14 x 22cm. Notation: Dated upper right: 24 6 35. Frame/Pedestal: Framed. Provenance: - Andreas Feininger, New York - Galerie Utermann, Dortmund - Private collection North Rhine-Westphalia Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance Explanations to the Catalogue Lyonel Feininger USA Bauhaus Modern Art 1930s Framed Landscape Works on paper Pencil House

                  Van Ham Kunstauktionen
                • Lyonel Feininger, Marine II, 1928
                  Jun. 05, 2024

                  Lyonel Feininger, Marine II, 1928

                  Est: €30,000 -

                  Signed, titled and dated 'Feininger MARINE II, 24 8 28' in India ink in the lower margin. With the oval estate stamp "Feininger Estate" verso (not in Lugt).

                  Kunsthaus Lempertz KG
                • Lyonel Feininger, Gelmeroda VII, 1918
                  Jun. 05, 2024

                  Lyonel Feininger, Gelmeroda VII, 1918

                  Est: €8,000 - €10,000

                  Signed and titled.

                  Kunsthaus Lempertz KG
                • Lyonel Feininger, Kirche von Gelmeroda, Circa 1913
                  Jun. 05, 2024

                  Lyonel Feininger, Kirche von Gelmeroda, Circa 1913

                  Est: €5,000 - €7,000

                  Unsigned. Achim Moeller, Director of the Lyonel Feininger Project LLC, New York - Berlin, has confirmed the authenticity of this work, which is registered in the archive of the Lyonel Feininger Project under the number 1911-03-21-24. A certificate is enclosed with the work.

                  Kunsthaus Lempertz KG
                • Lyonel Feininger, Lokomotive mit Tender (American eight-wheeler with funnel shaped smokestack, straight fire box lamp). In addition: the construction drawing, locomotive and tender in profile, Circa 1913/14
                  Jun. 04, 2024

                  Lyonel Feininger, Lokomotive mit Tender (American eight-wheeler with funnel shaped smokestack, straight fire box lamp). In addition: the construction drawing, locomotive and tender in profile, Circa 1913/14

                  Est: €18,000 - €22,000

                  - Numbered textile label "68.1017a" and "68.1017b" under each part of the wooden locomotive. Each with a photo-certificate by Achim Moeller, New York, Managing Director of the Lyonel Feininger Project LLC, New York, dated 10 April 2024 and 6 March 2024. The sculpture is registered under no. 1918j-04-10-24. The drawing is registered under no. 1905-03-24. Featuring three model locomotives, a model train and six technical drawings connected with them, an ensemble of works by Lyonel Feininger that is extremely rare on the art market is coming up for auction. These are some of the few extant examples of the prototypes for wooden trains he built around 1913: they were to be produced by the Munich toy manufacturer Otto Löwenstein on behalf of the artist. Although Feininger had already applied for the patent for his “Blockeisenbahn” and preparations had been made for its manufacture – its cardboard packaging had even been designed – industrial production had to be stopped because of the outbreak of the First World War in August 1914. Feininger had been fascinated by trains and the dynamism associated with them since his childhood. In the early years of his life in New York, he experienced the rush of Grand Central Station, which opened the year he was born, the building of the elevated line above Second Avenue and the construction of the Brooklyn Bridge. Above all, however, the big steam engines fascinated him as the epitome of the achievements of modern engineering: “I often stood”, he writes in an autobiographical account, “on one of the long pedestrian bridges along 4th Avenue, which lead over the tracks of the New York Central Railway, and watched the arriving and departing trains” (cited in Martin Faass, Eine Phantasiewelt parallel zur Kunst Lyonel Feiningers Spielzeug, in: Jahrbuch des Museums für Kunst und Gewerbe, Hamburg, vol. 20, 2001, p. 116). With great interest in all things technological, Feininger developed an enthusiasm for old-fashioned steam locomotives while he was still in the US, repeatedly drawing, sometimes painting and even reconstructing them in wood. Having already carved houses, churches, town gates and figures for his three sons, he developed prototypes for model trains for the toy industry around 1913. This was before his artistic breakthrough, and Feininger hoped to generate another source of income for himself in this way. As explained by Martin Faass, he invented the category of the “Blockeisenbahn”: a wooden train without wheels and tracks, which was simply pulled along the floor on its smooth underside. He greatly enjoyed creating the precisely detailed technical drawings of historical locomotives with their tenders and carriages that he made in preparation. The “Adler” built by Robert Stephenson in England and the American “Pacific” served as models. He had a friend, who was a woodworker, produce the parts for the prototypes, which Feininger then assembled and painted himself (cf. Faass, ibid., p. 116). All of these represent historical trains since Feininger’s affinity for technology – unlike that of the futurists – was not associated with a faith in progress. But he nonetheless demonstrated himself to be an expert who was well-versed in his material, and he displayed extreme technical precision in his assembly drawings, for example, for the “Amerikanischer Personen-D-Wagen ‘1915’”. As he wrote to his wife Julia on 26 May 1913, he was enthusiastically working away: “I am diligently working on the models and am building very clever things and very carefully thought through in every part […]. Doing this work, I’m the happy 15-year-old boy again, and now it has a purpose on top of all that” (cited in T. Lux Feininger, Die Stadt am Ende der Welt, München 1965, p. 28). He also saw the usefulness of these designs, looking ahead to the plans for their production: “And nonetheless with a cheerful subconscious sense of making something like a work that will soon be visible to hundreds of thousands and genuinely pleasing – not like ‘shoddy oil paintings’” (cited in T. Lux Feininger, ibid., p. 30). The works also possess outstanding provenances and were formerly owned by the eldest son, Andreas Feininger, or come from the collection of museum professional and friend Alois J. Schardt. Schardt, who was director of Halle’s municipal art museum from 1926, organised Feininger’s first important commission: the creation of a series of paintings of Halle’s Marktkirche (1929-1931).

                  Kunsthaus Lempertz KG
                • Lyonel Feininger, Lokomotive mit Tender (American eight-wheeler with linear smokestack and three axial tender). In addition: the construction drawing, locomotive and tender in profile, Circa 1913/14
                  Jun. 04, 2024

                  Lyonel Feininger, Lokomotive mit Tender (American eight-wheeler with linear smokestack and three axial tender). In addition: the construction drawing, locomotive and tender in profile, Circa 1913/14

                  Est: €18,000 - €22,000

                  - Numbered textile label "68.1018a" and "68.1018b" under each part of the wooden locomotive. Each with a photo-certificate by Achim Moeller, New York, Managing Director of the Lyonel Feininger Project LLC, New York, dated 10 April 2024 and 6 March 2024. The sculpture is registered under no. 1920-04-10-24. The drawing is registered under no. 1906-03-06-24. Featuring three model locomotives, a model train and six technical drawings connected with them, an ensemble of works by Lyonel Feininger that is extremely rare on the art market is coming up for auction. These are some of the few extant examples of the prototypes for wooden trains he built around 1913: they were to be produced by the Munich toy manufacturer Otto Löwenstein on behalf of the artist. Although Feininger had already applied for the patent for his “Blockeisenbahn” and preparations had been made for its manufacture – its cardboard packaging had even been designed – industrial production had to be stopped because of the outbreak of the First World War in August 1914. Feininger had been fascinated by trains and the dynamism associated with them since his childhood. In the early years of his life in New York, he experienced the rush of Grand Central Station, which opened the year he was born, the building of the elevated line above Second Avenue and the construction of the Brooklyn Bridge. Above all, however, the big steam engines fascinated him as the epitome of the achievements of modern engineering: “I often stood”, he writes in an autobiographical account, “on one of the long pedestrian bridges along 4th Avenue, which lead over the tracks of the New York Central Railway, and watched the arriving and departing trains” (cited in Martin Faass, Eine Phantasiewelt parallel zur Kunst Lyonel Feiningers Spielzeug, in: Jahrbuch des Museums für Kunst und Gewerbe, Hamburg, vol. 20, 2001, p. 116). With great interest in all things technological, Feininger developed an enthusiasm for old-fashioned steam locomotives while he was still in the US, repeatedly drawing, sometimes painting and even reconstructing them in wood. Having already carved houses, churches, town gates and figures for his three sons, he developed prototypes for model trains for the toy industry around 1913. This was before his artistic breakthrough, and Feininger hoped to generate another source of income for himself in this way. As explained by Martin Faass, he invented the category of the “Blockeisenbahn”: a wooden train without wheels and tracks, which was simply pulled along the floor on its smooth underside. He greatly enjoyed creating the precisely detailed technical drawings of historical locomotives with their tenders and carriages that he made in preparation. The “Adler” built by Robert Stephenson in England and the American “Pacific” served as models. He had a friend, who was a woodworker, produce the parts for the prototypes, which Feininger then assembled and painted himself (cf. Faass, ibid., p. 116). All of these represent historical trains since Feininger’s affinity for technology – unlike that of the futurists – was not associated with a faith in progress. But he nonetheless demonstrated himself to be an expert who was well-versed in his material, and he displayed extreme technical precision in his assembly drawings, for example, for the “Amerikanischer Personen-D-Wagen ‘1915’”. As he wrote to his wife Julia on 26 May 1913, he was enthusiastically working away: “I am diligently working on the models and am building very clever things and very carefully thought through in every part […]. Doing this work, I’m the happy 15-year-old boy again, and now it has a purpose on top of all that” (cited in T. Lux Feininger, Die Stadt am Ende der Welt, München 1965, p. 28). He also saw the usefulness of these designs, looking ahead to the plans for their production: “And nonetheless with a cheerful subconscious sense of making something like a work that will soon be visible to hundreds of thousands and genuinely pleasing – not like ‘shoddy oil paintings’” (cited in T. Lux Feininger, ibid., p. 30). The works also possess outstanding provenances and were formerly owned by the eldest son, Andreas Feininger, or come from the collection of museum professional and friend Alois J. Schardt. Schardt, who was director of Halle’s municipal art museum from 1926, organised Feininger’s first important commission: the creation of a series of paintings of Halle’s Marktkirche (1929-1931).

                  Kunsthaus Lempertz KG
                • Feininger, Lyonel | 1871 New York, USA - 1956 Ebenda
                  Jun. 01, 2024

                  Feininger, Lyonel | 1871 New York, USA - 1956 Ebenda

                  Est: -

                  Feininger, Lyonel 1871 New York, USA - 1956 Ebenda Gelbe Dorfkirche · 1931. Holzschnitt auf Japanpapier · 19,8 x 22,5 cm (Darstellungsgröße). Unten Mitte typographisch bezeichnet: Zweiter posthumer Neudruck v. Originalholzstock Lyonel Feiningers. Rückseitig Stempel: Lyonel Feininger: Gelbe Dorfkirche 3 | Neudruck für Griffelkunstvereinigung | Hamburg-Langenhorn | © 1978. Copyright by COSMOPRESS. Genf. Part. Fleckig. Rahmen mit Glas. Literatur: Prasse W 270.

                  GAILER Kunstauktionshaus am Chiemsee
                • Lyonel Feininger 1871 – New York – 1956 - ”Houses in Kromsdorf, Weimar”. 1953
                  May. 31, 2024

                  Lyonel Feininger 1871 – New York – 1956 - ”Houses in Kromsdorf, Weimar”. 1953

                  Est: €30,000 - €40,000

                  Lyonel Feininger 1871 – New York – 1956 ”Houses in Kromsdorf, Weimar”. 1953 Pen and brush in India ink on laid paper 16 7/8 × 12 3/8 in. Signed, titled and dated at the bottom: Feininger Houses in Kromsdorf WEIMAR 29.Viii.53. On the cardboard backing a label of the Willard Gallery, New York

                  Grisebach
                • Lyonel Feininger 1871 – New York – 1956 - Two sailers. 1930
                  May. 31, 2024

                  Lyonel Feininger 1871 – New York – 1956 - Two sailers. 1930

                  Est: €8,000 - €12,000

                  Lyonel Feininger 1871 – New York – 1956 Two sailers. 1930 Watercolour and pen and India ink on laid paper, laid down on paper 5 3/4 × 7 7/8 in. Signed lower left: Feininger. Dated lower right: II.5.30. Supplement: dedication of the artist on a separate sheet laid paper: Fräulein Käthe Mehlitz in stets freundlicher Erinnerung! Lyonel Feininger Dessau, d. 2. Mai, 1930

                  Grisebach
                • Lyonel Feininger 1871 – New York – 1956 - ”Zwei Yachten III”. 1931
                  May. 31, 2024

                  Lyonel Feininger 1871 – New York – 1956 - ”Zwei Yachten III”. 1931

                  Est: €40,000 - €60,000

                  Lyonel Feininger 1871 – New York – 1956 ”Zwei Yachten III”. 1931 Watercolour and pen and India ink on laid paper 12 × 18 3/8 in. Signed, titled and dated at the bottom: Feininger Zwei Yachten III 28. V. 31

                  Grisebach
                • Lyonel Feininger 1871 – New York – 1956 - ”Fischerboote”. 1918
                  May. 31, 2024

                  Lyonel Feininger 1871 – New York – 1956 - ”Fischerboote”. 1918

                  Est: €4,000 - €6,000

                  Lyonel Feininger 1871 – New York – 1956 ”Fischerboote”. 1918 Woodcut on brownish paper 4 7/8 × 6 1/2 in. (8 5/8 × 11 1/8 in.) Signed and inscribed with the work number

                  Grisebach
                • Lyonel Feininger 1871 – New York – 1956 - ”Winternacht”. 1916/17
                  May. 31, 2024

                  Lyonel Feininger 1871 – New York – 1956 - ”Winternacht”. 1916/17

                  Est: €5,000 - €7,000

                  Lyonel Feininger 1871 – New York – 1956 ”Winternacht”. 1916/17 Etching on buff-coloured laid paper 5 3/8 × 8 1/2 in. (9 7/8 × 13 1/8 in.) Signed, titled and dated: 1912 [sic!]

                  Grisebach
                • Lyonel Feininger (New York 1871 - 1956)
                  May. 30, 2024

                  Lyonel Feininger (New York 1871 - 1956)

                  Est: €2,800 - €4,000

                  Village alley with buildings, 1932 Pencil on paper with two holes on the left side, 17.7 x 14.4 cm, on the back handwritten inscription ‘drawing by my father. Lorenzo Feininger.F.’ Date and title Bibl. Lux Feininger, M. Scudiero, F. Degasperi (ed.), Lyonel Feininger, Exhibition catalogue published by the Galleria il Castello di Trento on the occasion of the exhibition of drawings and watercolours in 1991 Provenance: Once in the Laurence Feininger collection, private collection During his summer stays in Germany, Feininger frequently portrayed medieval views of small northern villages such as Niedergrunstedt, Kolberg and Ribnitz in sketchbooks. As his son Lux recalls in an introductory text to the catalogue “Lyonel Feininger”, published by the Galleria il Castello in Trento on the occasion of the 1991 exhibition of drawings and watercolours, “the quick drawings were carriers of hermetically sealed ideas, thoughts and feelings so dear to the artist”.

                  Bozner Kunstauktionen
                • Lyonel Feininger (New York 1871 - 1956)
                  May. 30, 2024

                  Lyonel Feininger (New York 1871 - 1956)

                  Est: €2,500 - €5,000

                  Village alley with bell tower, 1925 Pencil on paper with two holes on the left side, 22 x 13.8 cm, on the back handwritten inscription ‘drawing by my father Lyonel Feininger. L.F.’ Date Bibl. Lux Feininger, M. Scudiero, F. Degasperi (ed.), Lyonel Feininger, Exhibition catalogue published by the Galleria il Castello di Trento on the occasion of the exhibition of drawings and watercolours in 1991 Provenance: Provenance: Once in the Laurence Feininger collection, private collection During his summer stays in Germany, Feininger frequently portrayed medieval views of small northern villages such as Niedergrunstedt, Kolberg and Ribnitz in sketchbooks. As his son Lux recalls in an introductory text to the catalogue “Lyonel Feininger”, published by the Galleria il Castello in Trento on the occasion of the 1991 exhibition of drawings and watercolours, “the quick drawings were carriers of hermetically sealed ideas, thoughts and feelings so dear to the artist”.

                  Bozner Kunstauktionen
                • Lyonel Feininger (New York 1871 - 1956)
                  May. 30, 2024

                  Lyonel Feininger (New York 1871 - 1956)

                  Est: €2,500 - €5,000

                  Bell Tower, 1925 Pencil on paper with two holes on the left side, 14 x 22 cm, on the back handwritten inscription ‘drawing by my father Lyonel Feininger. L.F.’ Date Bibl. Lux Feininger, M. Scudiero, F. Degasperi (ed.), Lyonel Feininger, Exhibition catalogue published by the Galleria il Castello di Trento on the occasion of the exhibition of drawings and watercolours in 1991 Provenance: Provenance: Once in the Laurence Feininger collection, private collection During his summer stays in Germany, Feininger frequently portrayed medieval views of small northern villages such as Niedergrunstedt, Kolberg and Ribnitz in sketchbooks. As his son Lux recalls in an introductory text to the catalogue “Lyonel Feininger”, published by the Galleria il Castello in Trento on the occasion of the 1991 exhibition of drawings and watercolours, “the quick drawings were carriers of hermetically sealed ideas, thoughts and feelings so dear to the artist”.

                  Bozner Kunstauktionen
                • Lyonel Feininger (New York 1871 - 1956)
                  May. 30, 2024

                  Lyonel Feininger (New York 1871 - 1956)

                  Est: €2,500 - €5,000

                  Village with bell tower, 1922 Pencil on paper with two holes on the left side, 14 x 21 cm, on the back handwritten inscription 'drawing by my father Lyonel Feininger'. On the back sketch dated 6 8 22. Date Bibl. Lux Feininger, M. Scudiero, F. Degasperi (ed.), Lyonel Feininger, Exhibition catalogue published by the Galleria il Castello di Trento on the occasion of the exhibition of drawings and watercolours in 1991 Provenance: Provenance: Once in the Laurence Feininger collection, private collection ; During his summer stays in Germany, Feininger frequently portrayed medieval views of small northern villages such as Niedergrunstedt, Kolberg and Ribnitz in sketchbooks. As his son Lux recalls in an introductory text to the catalogue “Lyonel Feininger”, published by the Galleria il Castello in Trento on the occasion of the 1991 exhibition of drawings and watercolours, “the quick drawings were carriers of hermetically sealed ideas, thoughts and feelings so dear to the artist”.

                  Bozner Kunstauktionen
                • Lyonel Feininger, 1871-1956 New York, pencil drawing on
                  May. 25, 2024

                  Lyonel Feininger, 1871-1956 New York, pencil drawing on

                  Est: €3,000 - €4,000

                  Lyonel Feininger, 1871-1956 New York, pencil drawing on paper with perforations on the left, 'View of Treptow an der Rega', Marienkirche Treptow, 1925, hand-dated at the top left '22. VI. 25', sheet 14x22 cm, remainsof glue on the back, framed under glass 36x42 cm, Achim Moeller, director of the Lyonel Feininger Project LLC, New York/Berlin, has confirmed the authenticity of this work, whichis registered in the archives of the Lyonel Feininger Project under the number 1900 02-28 -24, confirmed; a certificate is included withthe work; from a private collection, acquired in the Stuttgart art trade in 1974: reference to a collection with a close acquaintance withFeininger . German Description: Lyonel Feininger, 1871-1956 New York, Bleistiftzeichnung auf links gelochtem Papier, 'Blick auf Treptow an der Rega', Marienkirche Treptow, 1925, links oben händisch datiert '22. VI. 25', Blatt 14x22 cm, Klebereste auf der Rückseite, unter Glas gerahmt 36x42 cm, Achim Moeller, Direktor des Lyonel Feininger Project LLC, New York/Berlin, hat die Echtheit dieses Werkes, das im Archiv des Lyonel Feininger Project unter der Nummer 1900 02-28-24 registriert ist, bestätigt; ein Zertifikat liegt der Arbeit bei; aus Privatbesitz, 1974 im Stuttgarter Kunsthandel erworben: Verweis auf Sammlung mit enger Bekanntschaft mit Feininger

                  Henry's Auktionshaus
                • LYONEL FEININGER (1871 - 1956, New York)
                  May. 25, 2024

                  LYONEL FEININGER (1871 - 1956, New York)

                  Est: €2,000 - €2,500

                  Tahiti (Schiffe im Fjord / Das Schiff) Holzschnitt auf hauchdünnem Japan-Bütten. 1920. 16,5 x 18,8 cm (23,1 x 33 cm). Verso signiert "Lyonel Feininger". Prasse W 235. Blatt 12 der Mappe: Zwölf Holzschnitte von Lyonel Feininger. Weimar, Staatliches Bauhaus, 1921. Der Druck auf dem hauchdünnen Japan ist verso annähernd so pregnant wie recto. Vom Künstler ist die seitenverkehrte Fassung der Rückseite signiert; ob versehentlich oder bewußt bleibt Feiningers Geheimnis.

                  Dannenberg
                • LYONEL FEININGER (1871 - 1956, New York)
                  May. 25, 2024

                  LYONEL FEININGER (1871 - 1956, New York)

                  Est: €3,000 - €3,500

                  Kriegsschiff Holzschnitt auf bräunlichem Japan. 1919. 13,7 x 13,9 cm (22 x 28 cm). Signiert "Feininger" und mit der Werknummer "1948" bezeichnet. Mit dem Nachlass-Stempel. Prasse W 169. Prasse nennt lediglich 4 bekannte Exemplare. Prachtvoller, klar zeichnender tiefschwarzer Druck. Äußerst selten.

                  Dannenberg
                • Lyonel Feininger (1871 New York - 1956 ebenda)
                  May. 25, 2024

                  Lyonel Feininger (1871 New York - 1956 ebenda)

                  Est: €1,000 -

                  Lyonel Feininger (1871 New York - 1956 ebenda) 'Gelmeroda', Lithografie auf Bütten, 30 cm x 21 cm Plattenmaß, 48 cm x 27 cm Blattmaß, signiert, verso 'Kestner-Gesellschaft 1955' gestempelt, beschnitten, Stempel partiell abgeschnitten, Blattränder nachgedunkelt, im unteren Bereich starke Falz, starke Verfärbungen durch Säure, leicht stockfleckig, Literatur: Wvz. Prasse L 20 English Translation Lyonel Feininger (1871 New York - 1956 ibid.) 'Gelmeroda', lithograph on laid paper, 30 cm x 21 cm plate dimensions, 48 cm x 27 cm sheet dimensions, signed, verso stamped 'Kestner-Gesellschaft 1955', trimmed, stamp partially cut off, sheet edges darkened, strong folds in the lower area, strong discoloration due to acid, slightly foxing, literature: cat. rais. Prasse L 20

                  Wettmann
                • Lyonel Feininger (1871-1956); Dorfkiche;
                  May. 23, 2024

                  Lyonel Feininger (1871-1956); Dorfkiche;

                  Est: $1,500 - $2,000

                  Lyonel Feininger (1871-1956) Dorfkiche (Prasse W308), 1937 Woodcut on blue-green wove paper, signed in pencil, Prasse cites three known proofs from an unpublished edition, with wide margins, framed. 2 1/2 x 3 3/16 in (6.4 x 8.1 cm) sheet 4 1/4 x 3 5/8 in (10.8 x 9.2 cm)

                  Bonhams
                • Lyonel Feininger (1871-1956); Hauser;
                  May. 23, 2024

                  Lyonel Feininger (1871-1956); Hauser;

                  Est: $2,000 - $3,000

                  Lyonel Feininger (1871-1956) Hauser (Prasse W145), 1919 Woodcut on laid Japan paper, signed in pencil and dated '1924', presumably the second state of an unpublished edition (Prasse cites one lifetime and two posthumous proofs of the first state), with wide margins, framed. 6 5/8 x 5 5/8 in (16.9 x 14.3 cm) sheet 10 3/8 x 7 1/2in (26.3 x 91.cm)

                  Bonhams
                • LYONEL FEININGER (1871-1956) The Hidden Village oil on canvas 20 x 24 in. (
                  May. 18, 2024

                  LYONEL FEININGER (1871-1956) The Hidden Village oil on canvas 20 x 24 in. (

                  Est: $120,000 - $180,000

                  LYONEL FEININGER (1871-1956) The Hidden Village oil on canvas 20 x 24 in. (50.8 x 61 cm.)

                  Christie's
                • LYONEL FEININGER (1871-1956) Ostsee watercolor and pen and black ink on pap
                  May. 18, 2024

                  LYONEL FEININGER (1871-1956) Ostsee watercolor and pen and black ink on pap

                  Est: $15,000 - $20,000

                  LYONEL FEININGER (1871-1956) Ostsee watercolor and pen and black ink on paper 13 ½ x 18 ¾ in. (34.4 x 47.7 cm.)

                  Christie's
                • LYONEL FEININGER (1871-1956) Sunset with Blue Area watercolor and pen and b
                  May. 18, 2024

                  LYONEL FEININGER (1871-1956) Sunset with Blue Area watercolor and pen and b

                  Est: $10,000 - $15,000

                  LYONEL FEININGER (1871-1956) Sunset with Blue Area watercolor and pen and black ink on paper 12 ½ x 19 1⁄8 in. (31.8 x 48.5 cm.)

                  Christie's
                • LYONEL FEININGER (1871-1956) What's the Big Idea? 3 5/8 x 6 9/16 in (9.2 x 16.6 cm) (Executed in 1954)
                  May. 16, 2024

                  LYONEL FEININGER (1871-1956) What's the Big Idea? 3 5/8 x 6 9/16 in (9.2 x 16.6 cm) (Executed in 1954)

                  Est: $12,000 - $18,000

                  LYONEL FEININGER (1871-1956) What's the Big Idea? signed and dated 'Feininger 1954' (lower left) and inscribed 'What's the Big Idea?' (lower center) watercolor and pen and India ink on paper 3 5/8 x 6 9/16 in (9.2 x 16.6 cm) Executed in 1954

                  Bonhams
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