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Manuel (1863) García y Rodriguez Sold at Auction Prices

Painter

Manuel García y Rodríguez (1863, Seville - 6 May 1925, Seville) was a Spanish costumbrista and landscape painter, who also painted Orientalist scenes.

At first, he studied music but ultimately dedicated himself to his love of painting. He received his earliest art education from José de la Vega Marrugal in Seville.[1] Later, he attended the Escuela de Bellas Artes de Sevilla, where he studied with Eduardo Cano [es], Manuel Ussel de Guimbarda and Emilio Sánchez Perrier.[2]

Throughout his life, he participated in the National Exhibition of Fine Arts, where he was awarded medals in 1887, 1890 and 1895.[2] He also participated in the Exposition Universelle (1889) and the World's Columbian Exposition. In 1899, he was named a member of the Real Academia de Bellas Artes de San Fernando.[1]

In 1904, he visited Tangier and produced some paintings in Orientalist style. His works are in numerous museums (including the Carmen Thyssen Museum) and private collections. He was also a regular contributor of illustrations for the magazine Blanco y Negro.[2]

He took much of his inspiration from the city of Seville and the Guadalquivir, including the Guadaira rivers and surrounding areas. He was closely associated with the Alcalá de Guadaira school of painting. In his final years, he focussed on the gardens, patios and parks of Seville, at which time he developed more of a modernist and impressionist aesthetic.

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  • MANUEL GARCÍA Y RODRÍGUEZ Seville (1863) / (1925) "Pair of peasants on a donkey near Sanlúcar", 1915
    Jul. 21, 2026

    MANUEL GARCÍA Y RODRÍGUEZ Seville (1863) / (1925) "Pair of peasants on a donkey near Sanlúcar", 1915

    Est: €1,200 - €1,800

    Oil on panel Signed, dated and inscribed with location in the lower left corner Measurements: 48.5 x 32 cm

    Ansorena
  • MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863-1925)
    Jun. 29, 2026

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863-1925)

    Est: €5,000 - €10,000

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863-1925) Triana Bridge Pier Oil on canvas. Dimensions: 55 x 72 cm. Signed in the lower right corner: "García y Rodríguez".

    Fernando Duran
  • MANUEL GARCÍA Y RODRÍGUEZ (Sevila, 1863-1925), Vista desde
    Dec. 29, 2025

    MANUEL GARCÍA Y RODRÍGUEZ (Sevila, 1863-1925), Vista desde

    Est: €3,750 -

    MANUEL GARCÍA Y RODRÍGUEZ (Sevila, 1863-1925) "Vista desde Sevilla desde el Guadalquivir". Óleo sobre lienzo Medidas:105 x 70 cm

    Magna Art Auctions
  • Manuel García y Rodríguez. Niño con carreta
    Dec. 17, 2025

    Manuel García y Rodríguez. Niño con carreta

    Est: -

    Óleo sobre lienzo. Firmado, fechado y localizado (96, Sevilla) en el ángulo inferior izquierdo.

    Duran Arte y Subastas
  • Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey
    Jul. 17, 2025

    Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey

    Est: €5,000 - €7,000

    Oil on tablex. Measurements: 103 x 77 cm.

    Templum Fine Art Auctions
  • Manuel García y Rodríguez. Courtyard of Seville
    May. 28, 2025

    Manuel García y Rodríguez. Courtyard of Seville

    Est: -

    Oil on canvas. Signed, located (Seville) and dated (1918). On the back, label with inventory number (791).

    Duran Arte y Subastas
  • Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey
    May. 22, 2025

    Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey

    Est: €5,000 - €7,000

    Oil on tablex. Measurements: 103 x 77 cm.

    Templum Fine Art Auctions
  • Manuel Garcia y Rodriguez - Granada Corner
    Mar. 25, 2025

    Manuel Garcia y Rodriguez - Granada Corner

    Est: -

    MANUEL GARCIA AND RODRIGUEZ Seville 1863 - 1925 Corner of Granada. 1907 Watercolor on paper Signed and dated Measures 290 x 430 mm

    Subastas Segre
  • Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey
    Mar. 20, 2025

    Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey

    Est: €5,000 - €7,000

    Oil on tablex. Measurements: 103 x 77 cm.

    Templum Fine Art Auctions
  • MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 - 1925). Untitled. Watercolor on paper. Presents damages in the frame. Signed in the lower left corner.
    Mar. 19, 2025

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 - 1925). Untitled. Watercolor on paper. Presents damages in the frame. Signed in the lower left corner.

    Est: €1,800 - €2,000

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 - 1925). Untitled. Watercolor on paper. Presents damages in the frame. Signed in the lower left corner. Measurements: 24 x 40 cm; 33 x 48 cm (frame). García y Rodríguez began his training with José de la Vega Marrugal, and then went on to the School of Fine Arts in Seville, where he was a disciple of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, among them the impression and fascination exerted by Marín Rico and Fortuny among the young Sevillian artists, as well as the commercial successes during Sánchez Perrier's first trips abroad, made him definitively incline towards the landscape genre, which from then on would be practically his only theme. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" (Shores of the Guadalquivir). He also obtained second medals in 1890, for "La tarde", and in 1895, for "Tarde de otoño". He also participated in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exposition of Barcelona, and the following year he took part in the Universal Exposition of Paris. In 1891 his work "Entrance to an orchard in Seville" was acquired by the Museum of Barcelona at the First General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the International Exhibition of Berlin. During the following years he also showed his works in exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently also visited by other Sevillians like Sánchez Perrier or Gonzalo Bilbao, where he will return again in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Center of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro", and also with "La Ilustración Artística". García y Rodríguez reflected in his canvases the most typical corners of Seville, such as the banks of the Guadalquivir and the Guadaira, the corners of the Alcázar and the Sevillian neighborhoods. He belonged to the colony of landscape painters of Alcalá de Guadaira, founded by Emilio Sánchez Perrier, of which Jiménez Aranda was also a member. This group, influenced by Corot and the school of Barbizon, frequented the outskirts and outside the walls of this Sevillian town, whose corners and views of the banks of the Guadalquivir became a constant in his production. García y Rodríguez is currently represented in the Prado Museum (work on deposit at the Municipal Museum of Málaga), the National Museum of Havana, the Museum of Fine Arts of Seville and the Thyssen-Bornemisza, among others. It presents damages in the frame.

    Setdart Auction House
  • MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Landscape. Oil on canvas. Presents restorations.
    Mar. 19, 2025

    MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Landscape. Oil on canvas. Presents restorations.

    Est: €2,500 - €3,000

    MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Landscape. Oil on canvas. Presents restorations. Measurements: 35.5 x 45.5 cm; 42 x 53 cm (frame). This painting of the Sevillian painter Manuel García Rodríguez presents a serene and bucolic atmosphere, characteristic of his mastery in the representation of landscapes. The scene shows a winding path through a lush forest, dimly and mysteriously illuminated by a soft light that seems to filter from the background, as if it were dawn or dusk.On the right, a bush full of pink and white flowers provides a vibrant contrast to the predominance of dark and earthy tones that dominate the rest of the composition. This floral detail seems to be a focal point on which the light is concentrated, highlighting its delicacy and emphasizing the link between nature and beauty.The overall mood of the work has a romantic and melancholic air, with deep shadows and subtle details that suggest an intimate and protected space, inviting the viewer to enter this idyllic corner. The brushstroke is soft and loose, achieving an almost dreamlike effect that emphasizes the sense of peace and contemplation that emanates from the landscape. It is an example of how García Rodríguez combines sensitivity and technique to capture the poetic essence of Andalusian nature. Manuel García Rodríguez began his training at the Seminary of Seville, although shortly after he decided to devote himself to painting, starting in this art with José de la Vega Marrugal. Shortly after, he entered the School of Fine Arts, where he had Eduardo Cano and Manuel Wssel as teachers. Influenced by Sánchez Perrier, from 1885 he dedicated his work to landscape, a discipline in which he specialized, achieving multiple successes. He was awarded a third medal at the National Exhibition of Fine Arts in 1897 and at the Regional Exhibition of Malaga; a bronze medal at the International Exhibition of Barcelona in 1888 and at the International Exhibition of Alicante in 1894; and a second medal at the National Exhibitions of 1890 and 1895 and at the International Exhibition of Barcelona. His works were in demand from Munich, Prague, Hamburg, Stockholm, London, St. Petersburg and especially South America, and in 1899 he was appointed corresponding member of the Royal Academy of Fine Arts of San Fernando. From 1900 until his death he participated regularly in the Spring Exhibitions of Seville (except in 1907 and 1908) and in all the National Exhibitions (except 1917 and 1920). He was an active member of the Fine Arts Center between 1902 and 1903, and of the Monuments Commission in 1919. It presents restorations.

    Setdart Auction House
  • MANUEL GARCÍA RODRÍGUEZ, (Seville, 1863 - 1925). "Andalusian courtyard", 1917. Oil on canvas. Signed and dated in the lower right corner.
    Mar. 19, 2025

    MANUEL GARCÍA RODRÍGUEZ, (Seville, 1863 - 1925). "Andalusian courtyard", 1917. Oil on canvas. Signed and dated in the lower right corner.

    Est: €16,000 - €18,000

    MANUEL GARCÍA RODRÍGUEZ, (Seville, 1863 - 1925). "Andalusian courtyard", 1917. Oil on canvas. Signed and dated in the lower right corner. Measurements: 40 x 60.50 cm; 56 x 75 cm (frame). This work by Manuel García y Rodríguez is a work that encapsulates the essence of the Andalusian artistic tradition while entering into a delicate dialogue between the past and the present. This painting reflects the artist's mastery in the representation of architecture and daily life in southern Spain, a recurring theme in his production. The work presents a careful composition, in which the pigeons stand out in the center where some characters in traditional dress feed them. The use of perspective is precise, with a focus on the symmetry of the space and the depth of the scene, creating a three-dimensional effect that gives realism to the whole. Light plays a fundamental role in the atmosphere of the painting: the warm Andalusian sunlight enters the courtyard, bathing the whitewashed walls, ceramic pots and flowers, and is reflected on the surfaces, generating soft hallmarks between the shadows and the illuminated spots. In the historical context of the work, Spain at the end of the 19th century was living a time of transition, marked by political and social tensions after the fall of the Old Regime. At the artistic level, Realism and Naturalism dominated the scene, seeking a faithful representation of reality in contrast to the previous idealizations of Romanticism. This painting is not only a tribute to the beauty of traditional courtyards, but also a reflection on the simple life, far from the urban and political concerns of the time. This painting, therefore, becomes not only a testimony to the technical skill of García y Rodríguez, but also a reference of regionalist painting, a portrait of a fading Spain that, nevertheless, continues to be a symbol of cultural identity, especially in the Andalusian sphere. Manuel García Rodríguez began his training at the Seminary of Seville, although shortly after he decided to devote himself to painting, starting in this art under the guidance of José de la Vega Marrugal. Shortly after, he entered the School of Fine Arts, where he had Eduardo Cano and Manuel Wssel as teachers. Influenced by Sánchez Perrier, from 1885 he dedicated his work to landscape, a discipline in which he specialized, achieving multiple successes. He was awarded a third medal at the National Exhibition of Fine Arts in 1897 and at the Regional Exhibition of Malaga; a bronze medal at the International Exhibition of Barcelona in 1888 and at the International Exhibition of Alicante in 1894; and a second medal at the National Exhibitions of 1890 and 1895 and at the International Exhibition of Barcelona. His works were in demand from Munich, Prague, Hamburg, Stockholm, London, St. Petersburg and especially South America, and in 1899 he was appointed corresponding member of the Royal Academy of Fine Arts of San Fernando. From 1900 until his death he participated regularly in the Spring Exhibitions of Seville (except in 1907 and 1908) and in all the National Exhibitions (except 1917 and 1920). He was an active member of the Fine Arts Center between 1902 and 1903, and of the Monuments Commission in 1919.

    Setdart Auction House
  • MANUEL GARCIA Y RODRIGUEZ, Seville (1863-1925), signed and dated 1908, Spanish school of the 20th century
    Feb. 20, 2025

    MANUEL GARCIA Y RODRIGUEZ, Seville (1863-1925), signed and dated 1908, Spanish school of the 20th century

    Est: €2,000 - €3,000

    Oil on canvas, canvas measurements: 80 x 65 cm, framed measurements: 110 x 92 cm.

    Templum Fine Art Auctions
  • Spanish School of the 19th Century - Pair of landscapes with peasants, signed MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863-1925)
    Jan. 23, 2025

    Spanish School of the 19th Century - Pair of landscapes with peasants, signed MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863-1925)

    Est: €3,000 - €6,000

    Oil on canvas. Measurements: 58 x 44 cm (each)

    Templum Fine Art Auctions
  • MANUEL GARCÍA Y RODRÍGUEZ Seville (1863) / (1925) "Courtship at the well", 1913
    Jan. 22, 2025

    MANUEL GARCÍA Y RODRÍGUEZ Seville (1863) / (1925) "Courtship at the well", 1913

    Est: €3,000 - €4,000

    Oil on board Signed and dated in the lower right corner. Measurements: 22 x 32 cm

    Ansorena
  • Manuel García y Rodriguez (Seville, 1863 - 1925) “View of Andalusian Village with Peasant”
    Dec. 19, 2024

    Manuel García y Rodriguez (Seville, 1863 - 1925) “View of Andalusian Village with Peasant”

    Est: €1,500 - €2,000

    Manuel García y Rodriguez (Seville, 1863 - 1925) “View of Andalusian Village with Peasant” Watercolor Signed 24 x 40 cm 1.500 - 2.000 €

    Greco Subastas
  • Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey
    Dec. 12, 2024

    Manuel García Rodríguez (Seville, 1863-1925) - Landscape with a donkey

    Est: €5,000 - €7,000

    Oil on tablex. Measurements: 103 x 77 cm.

    Templum Fine Art Auctions
  • Manuel Garcia and Rodriguez. Seville
    Sep. 25, 2024

    Manuel Garcia and Rodriguez. Seville

    Est: -

    Oil on canvas. Signed, located and dated (92) in the lower left corner.

    Duran Arte y Subastas
  • MANUEL GARCÍA y RODRÍGUEZ (Sevilla, 1863 - 1925), Regreso de Sanlúcar
    Sep. 18, 2024

    MANUEL GARCÍA y RODRÍGUEZ (Sevilla, 1863 - 1925), Regreso de Sanlúcar

    Est: €1,200 - €1,400

    Firmado en el ángulo inferior izquierdo: "García y Rodríguez / Sanlucar".

    Isbilya Subastas
  • MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.
    Sep. 12, 2024

    MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.

    Est: €2,500 - €3,500

    MANUEL GARCÍA Y RODRIGUEZ (Seville, 1863 - 1925). La carreta" ("The Cart"), 1901. Oil on canvas. With restorations. Signed and dated in the lower right corner. Measurements: 50 x 90 cm: 58 x 105 (frame). Manuel García y Rodríguez executes this work with a wide and doughy brushstroke, applying spots of colour. The treatment of the figures and the contrast between the shaded and sunny areas stand out. He uses a palette rich in polychromy, in which greens predominate in all their shades. García y Rodríguez began his training with José de la Vega Marrugal and then moved on to the Seville School of Fine Arts, where he was a pupil of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, including the influence and fascination exerted by Marín Rico and Fortuny on young Sevillian artists and the commercial successes of Sánchez Perrier's first trips abroad, led him to turn his attention to landscape painting, which became practically his only subject from that time onwards. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" ("Shores of the Guadalquivir"). He also won second medals in 1890 for "La tarde" and in 1895 for "Tarde de otoño". He also took part in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exhibition in Barcelona, and the following year in the Universal Exhibition in Paris. In 1891 his work "Entrance to an Orchard in Seville" was acquired by the Barcelona Museum at the 1st General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the Berlin International Exhibition. During the following years he also showed his works at exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently visited by other Sevillians such as Sánchez Perrier and Gonzalo Bilbao, where he returned in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Centre of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro" and also with "La Ilustración Artística". García y Rodríguez is currently represented in the Prado Museum (his work is on deposit at the Municipal Museum of Málaga), the National Museum of Havana, the Fine Arts Museum of Seville and the Thyssen-Bornemisza Museum, among others.

    Setdart Auction House
  • MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Convent of Capuchins of Sanlúcar de Barrameda", 1921. Oil on canvas. It has a frame from the early twentieth century. Signed, dated and located in the lower left area.
    Sep. 12, 2024

    MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Convent of Capuchins of Sanlúcar de Barrameda", 1921. Oil on canvas. It has a frame from the early twentieth century. Signed, dated and located in the lower left area.

    Est: €2,500 - €3,000

    MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Convent of Capuchins of Sanlúcar de Barrameda", 1921. Oil on canvas. It has a frame from the early twentieth century. Signed, dated and located in the lower left area. Measurements: 70 x 111 cm; 87 x 131 cm (frame). Manuel García Rodríguez began his training in the Seminary of Seville, although shortly after he decided to dedicate himself to painting, starting in this art by the hand of José de la Vega Marrugal. Shortly after, he entered the School of Fine Arts, where he had Eduardo Cano and Manuel Wssel as teachers. Influenced by Sánchez Perrier, from 1885 he dedicated his work to landscape, a discipline in which he specialized, achieving multiple successes. He was awarded a third medal at the National Exhibition of Fine Arts in 1897 and at the Regional Exhibition of Malaga; a bronze medal at the International Exhibition of Barcelona in 1888 and at the International Exhibition of Alicante in 1894; and a second medal at the National Exhibitions of 1890 and 1895 and at the International Exhibition of Barcelona. His works were in demand from Munich, Prague, Hamburg, Stockholm, London, St. Petersburg and especially South America, and in 1899 he was appointed corresponding member of the Royal Academy of Fine Arts of San Fernando. From 1900 until his death he participated regularly in the Spring Exhibitions of Seville (except in 1907 and 1908) and in all the National Exhibitions (except 1917 and 1920). He was an active member of the Fine Arts Center between 1902 and 1903, and of the Monuments Commission in 1919.

    Setdart Auction House
  • MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Lacustrine landscape" 1918
    Jun. 25, 2024

    MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Lacustrine landscape" 1918

    Est: €6,750 - €9,000

    Oil on canvas glued to board Signed and dated in the lower right corner Measurements: 43 x 31 cm

    Ansorena
  • Fachada trasera de la Iglesia de Santa Catalina de Sevilla
    Jun. 19, 2024

    Fachada trasera de la Iglesia de Santa Catalina de Sevilla

    Est: -

    Firmada en el ángulo inferior derecha: "García Rodríguez". Desperfectos.

    Isbilya Subastas
  • Manuel García y Rodriguez (Seville, 1863 - 1925) "Popular Revolt"
    May. 29, 2024

    Manuel García y Rodriguez (Seville, 1863 - 1925) "Popular Revolt"

    Est: €200 - €250

    Manuel García y Rodriguez (Seville, 1863 - 1925) "Popular Revolt" Ink drawing Signed 13 x 26 cm 200 - 250 €

    Greco Subastas
  • GARCIA Y RODRIGUEZ, MANUEL (1863 - 1925)
    May. 28, 2024

    GARCIA Y RODRIGUEZ, MANUEL (1863 - 1925)

    Est: -

    Oil on cardboard. Signed in the lower left corner.

    Duran Arte y Subastas
  • MANUEL GARCÍA Y RODRÍGUEZ
    May. 14, 2024

    MANUEL GARCÍA Y RODRÍGUEZ

    Est: €3,000 - €3,500

    Manuel García y Rodríguez (Sevilla, 1863-1925) Paisaje lacustre. Óleo sobre lienzo. Firmado. Reentelado. 76 x 123 cm.

    Aletheia Subastas
  • MANUEL GARCIA Y RODRIGUEZ (1863-1925), BEACH WITH FIGURES
    May. 08, 2024

    MANUEL GARCIA Y RODRIGUEZ (1863-1925), BEACH WITH FIGURES

    Est: €500 - €800

    MANUEL GARCIA Y RODRIGUEZ (1863-1925), BEACH WITH FIGURES Oil on wood. Signed. Dated 15-VIII-1913. Gilded wood and plaster frame. Dim.: 16.5x26 cm.

    Renascimento
  • Vista de la Alhambra
    Apr. 24, 2024

    Vista de la Alhambra

    Est: -

    Firmado y fechado en el ángulo inferior izquierdo: "García y Rodríguez / 1897".

    Isbilya Subastas
  • Vista con muralla
    Apr. 24, 2024

    Vista con muralla

    Est: -

    Firmado en el ángulo inferior izquierdo: "García y Rodríguez".

    Isbilya Subastas
  • Paisaje con casas
    Apr. 24, 2024

    Paisaje con casas

    Est: -

    Firmado en el ángulo inferior derecho: "García y Rodríguez".

    Isbilya Subastas
  • Regreso de Sanlúcar
    Apr. 24, 2024

    Regreso de Sanlúcar

    Est: -

    Firmado en el ángulo inferior izquierdo: "García y Rodríguez / Sanlucar".

    Isbilya Subastas
  • Manuel García y Rodríguez. Castle in Seville
    Apr. 24, 2024

    Manuel García y Rodríguez. Castle in Seville

    Est: -

    Oil on canvas. Signed and located (Seville) in the lower right corner.

    Duran Arte y Subastas
  • MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Granada Street", 1890
    Mar. 04, 2024

    MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Granada Street", 1890

    Est: €9,000 - €12,000

    Oil on canvas. Signed, dated and located in the lower left corner 45.5 x 26.5 cm

    Ansorena
  • Manuel García y Rodríguez. In the CarlosV Pavilion
    Feb. 21, 2024

    Manuel García y Rodríguez. In the CarlosV Pavilion

    Est: -

    Oil on canvas. Signed, located and dated (Seville, 1923) in the lower left corner. Titled on the back.

    Duran Arte y Subastas
  • MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.
    Jan. 15, 2024

    MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.

    Est: €4,000 - €5,000

    MANUEL GARCÍA Y RODRIGUEZ (Seville, 1863 - 1925). La carreta" ("The Cart"), 1901. Oil on canvas. With restorations. Signed and dated in the lower right corner. Measurements: 50 x 90 cm: 58 x 105 (frame). Manuel García y Rodríguez executes this work with a wide and doughy brushstroke, applying spots of colour. The treatment of the figures and the contrast between the shaded and sunny areas stand out. He uses a palette rich in polychromy, in which greens predominate in all their shades. García y Rodríguez began his training with José de la Vega Marrugal and then moved on to the Seville School of Fine Arts, where he was a pupil of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, including the influence and fascination exerted by Marín Rico and Fortuny on young Sevillian artists and the commercial successes of Sánchez Perrier's first trips abroad, led him to turn his attention to landscape painting, which became practically his only subject from that time onwards. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" ("Shores of the Guadalquivir"). He also won second medals in 1890 for "La tarde" and in 1895 for "Tarde de otoño". He also took part in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exhibition in Barcelona, and the following year in the Universal Exhibition in Paris. In 1891 his work "Entrance to an Orchard in Seville" was acquired by the Barcelona Museum at the 1st General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the Berlin International Exhibition. During the following years he also showed his works at exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently visited by other Sevillians such as Sánchez Perrier and Gonzalo Bilbao, where he returned in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Centre of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro" and also with "La Ilustración Artística". García y Rodríguez is currently represented in the Prado Museum (his work is on deposit at the Municipal Museum of Málaga), the National Museum of Havana, the Fine Arts Museum of Seville and the Thyssen-Bornemisza Museum, among others.

    Setdart Auction House
  • MANUEL GARCÍA Y RODRIGUEZ Seville 1863 - 1925 The park. 1908 Pencil drawing on p
    Dec. 12, 2023

    MANUEL GARCÍA Y RODRIGUEZ Seville 1863 - 1925 The park. 1908 Pencil drawing on p

    Est: -

    MANUEL GARCÍA Y RODRIGUEZ Seville 1863 - 1925 The park. 1908 Pencil drawing on paper Signed and dated in Cádiz Measurements 252 x 208 mm

    Subastas Segre
  • Regreso de Sanlúcar
    Nov. 29, 2023

    Regreso de Sanlúcar

    Est: -

    Firmado en el ángulo inferior izquierdo: "García y Rodríguez / Sanlucar".

    Isbilya Subastas
  • Manuel García y Rodríguez. In the CarlosV Pavilion
    Nov. 22, 2023

    Manuel García y Rodríguez. In the CarlosV Pavilion

    Est: -

    Oil on canvas. Signed, located and dated (Seville, 1923) in the lower left corner. Titled on the back.

    Duran Arte y Subastas
  • MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Garden of Seville", 1913
    Nov. 07, 2023

    MANUEL GARCIA Y RODRIGUEZ Seville (1863) / (1925) "Garden of Seville", 1913

    Est: €4,500 - €6,000

    Watercolor and gouache on paper Signed, dated and located "Seville" in the lower right corner Measurements: 63 x 45 cm

    Ansorena
  • Feria de Abril
    Sep. 20, 2023

    Feria de Abril

    Est: -

    Fechado y firmado en el ángulo inferior derecho: "20 - IV - 1912 / García y Rodríguez".

    Isbilya Subastas
  • Feria del ganado
    Sep. 20, 2023

    Feria del ganado

    Est: -

    Firmado y fechado en el ángulo inferior izquierdo: "García y Rodríguez / 18 - IV - 1913 Sevilla".

    Isbilya Subastas
  • Paseo a caballo
    Sep. 20, 2023

    Paseo a caballo

    Est: -

    Firmado y fechado en el ángulo inferior izquierdo.

    Isbilya Subastas
  • MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 – 1925). "Scenes from Don Quixote", 1885. Oil on board (x23). Signed and dated.
    Jul. 26, 2023

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 – 1925). "Scenes from Don Quixote", 1885. Oil on board (x23). Signed and dated.

    Est: €25,000 - €30,000

    MANUEL GARCÍA Y RODRÍGUEZ (Seville, 1863 - 1925). "Scenes from Don Quixote", 1885. Oil on panel (x23). Signed and dated. Measurements: 19 x 11 cm (x23); 32.5 x 25 cm (frames, x23). García y Rodríguez began his training with José de la Vega Marrugal, and then went on to the School of Fine Arts in Seville, where he was a disciple of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, including the influence and fascination exerted by Marín Rico and Fortuny on young Sevillian artists and the commercial successes of Sánchez Perrier's first trips abroad, led him to turn his attention to landscape painting, which became practically his only subject from that time onwards. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" ("Shores of the Guadalquivir"). He also won second medals in 1890 for "La tarde" and in 1895 for "Tarde de otoño". He also took part in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exhibition in Barcelona, and the following year in the Universal Exhibition in Paris. In 1891 his work "Entrance to an Orchard in Seville" was acquired by the Barcelona Museum at the 1st General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the Berlin International Exhibition. During the following years he also showed his works at exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently visited by other Sevillians such as Sánchez Perrier and Gonzalo Bilbao, where he returned in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Centre of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro" and also with "La Ilustración Artística". García y Rodríguez depicted in his canvases the most typical corners of Seville, such as the banks of the Guadalquivir and the Guadaira, the corners of the Alcázar and the Seville neighbourhoods. He belonged to the colony of landscape painters of Alcalá de Guadaira, founded by Emilio Sánchez Perrier, of which Jiménez Aranda was also a member. This group, influenced by Corot and the Barbizon school, frequented the hamlets and outskirts of this Sevillian town, whose nooks and crannies and views of the banks of the Guadalquivir became a constant feature of their work. García y Rodríguez is currently represented in the Prado Museum (work on deposit at the Malaga Municipal Museum), the Museo Nacional de La Habana, the Museo de Bellas Artes in Seville and the Thyssen-Bornemisza, among others.

    Setdart Auction House
  • MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.
    Jul. 04, 2023

    MANUEL GARCÍA Y RODRIGUEZ (Sevilla, 1863 – 1925). "The cart", 1901. Oil on canvas. It presents restorations. Signed and dated in the lower right corner.

    Est: €4,000 - €5,000

    MANUEL GARCÍA Y RODRIGUEZ (Seville, 1863 - 1925). La carreta" ("The Cart"), 1901. Oil on canvas. With restorations. Signed and dated in the lower right corner. Measurements: 50 x 90 cm: 58 x 105 (frame). Manuel García y Rodríguez executes this work with a wide and doughy brushstroke, applying spots of colour. The treatment of the figures and the contrast between the shaded and sunny areas stand out. He uses a palette rich in polychromy, in which greens predominate in all their shades. García y Rodríguez began his training with José de la Vega Marrugal and then moved on to the Seville School of Fine Arts, where he was a pupil of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, including the influence and fascination exerted by Marín Rico and Fortuny on young Sevillian artists and the commercial successes of Sánchez Perrier's first trips abroad, led him to turn his attention to landscape painting, which became practically his only subject from that time onwards. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" ("Shores of the Guadalquivir"). He also won second medals in 1890 for "La tarde" and in 1895 for "Tarde de otoño". He also took part in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exhibition in Barcelona, and the following year in the Universal Exhibition in Paris. In 1891 his work "Entrance to an Orchard in Seville" was acquired by the Barcelona Museum at the 1st General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the Berlin International Exhibition. During the following years he also showed his works at exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently visited by other Sevillians such as Sánchez Perrier and Gonzalo Bilbao, where he returned in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Centre of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro" and also with "La Ilustración Artística". García y Rodríguez is currently represented in the Prado Museum (his work is on deposit at the Municipal Museum of Málaga), the National Museum of Havana, the Fine Arts Museum of Seville and the Thyssen-Bornemisza Museum, among others.

    Setdart Auction House
  • MANUEL GARCÍA RODRÍGUEZ
    Jun. 20, 2023

    MANUEL GARCÍA RODRÍGUEZ

    Est: €21,000 - €25,000

    Manuel García Rodríguez (Sevilla, 1863-1925) Patio de la Iglesia del Salvador y Patio sevillano con alberca. Pareja de óleos sobre lienzo. Firmados, fechados en 1896 y localizados en Sevilla. Como indica el Doctor Enrique Valdivieso "las obras pertenecen a la época de madurez de este artista cuando se encontraba en toda su plenitud creativa". Pintor sevillano y miembro de la Escuela paisajística de Alcalá de Guadaira. En sus inicios fue aprendiz de José de la Vega Magurral. Manuel García y Rodríguez estudió en la Escuela de Bellas Artes de Sevilla, allí se dejó influenciar artísticamente por Wssel de Guimbarda y Eduardo Cano, entre otros. Ha participado en la Exposición Nacional de Bellas Artes en varias ocasiones y obtuvo medallas en las de 1887, 1890 y 1895. Los paisajes andaluces forman parte de la obra más representativa de Manuel García y Rodríguez. Adjunta certificado de autenticidad expedido por Don Enrique Valdivieso. Sevilla, 2018. 45 x 60 cm cada uno.

    Aletheia Subastas
  • Fachada trasera de la Iglesia de Santa Catalina de Sevilla
    Jun. 14, 2023

    Fachada trasera de la Iglesia de Santa Catalina de Sevilla

    Est: -

    Firmada en el ángulo inferior derecha: "García Rodríguez". Desperfectos.

    Isbilya Subastas
  • Vista de la Alhambra
    Jun. 14, 2023

    Vista de la Alhambra

    Est: -

    Firmado y fechado en el ángulo inferior izquierdo: "García y Rodríguez / 1897".

    Isbilya Subastas
  • Watering the Flowers
    May. 24, 2023

    Watering the Flowers

    Est: $3,000 - $5,000

    Manuel García y Rodríguez  Spanish 1863-1925 Watering the Flowers signed Garcia y Rodriguez/ Sevilla 1923. (upper left); inscribed Sra. Dna. Victoria Aquirrer/ Corrito 211/ Buenos Aires/ Republica Argentina (reverse) watercolor and gouache on postcard card: 5 ½ by 3 ½ in.; 13.5 by 9 cm framed: 12 ⅕ by 10 ¼ in.; 31 by 26 cm

    Sotheby's
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