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Nikolaj Nikolaevic Ge Sold at Auction Prices

Painter, b. 1831 - d. 1894

Nikolai Nikolaevich Ge (from his French ancestral surname "De Gay") (27 February [O.S. 15 February] 1831 – 13 June [O.S. 1 June] 1894) was a Russian realist painter and an early Russian symbolist. He was famous for his works on historical and religious subjects.

Nikolai Ge was born in Voronezh at Ivanovsky khutor (now the Shevchenkovo village) to a Russian noble family of French origin. His grandfather who was a French nobleman immigrated to the Russian Empire during the 18th century and married a Russian woman. Ge's mother died when he was three months old.[2]

Ge grew up on his family estate in Popelukhy near Mohyliv-Podilskyi in Podilia.[3] His grandmother and a serf nurse cared for him.[4]

He graduated from the first Kyiv Gymnasium No. 1 where Mykola Kostomarov was one of his teachers. Then he studied physics and mathematics at Kyiv University and Saint Petersburg University.

Career: In 1850, Ge gave up his career in science and enrolled in the Imperial Academy of Arts in Saint Petersburg. He studied under master painter Pyotr Basin. In 1857, he graduated from the Academy where he received a gold medal for The Witch of Endor Invoking the Spirit of the Prophet Samuel. According to Ge, during that period he was strongly influenced by Karl Briullov.

The gold medal secured a scholarship for Ge to study abroad. He visited Germany, Switzerland and France. In 1860 he settled in Italy where he met Alexander Andreyevich Ivanov in Rome. The Russian artist became a strong influence to Ge's future works.

In 1861, Ge painted The Last Supper using a photograph of Aleksandr Ivanovich Herzen as an image for his central figure of Christ. The photograph was taken by Herzen's cousin, Russian photographer Sergei Lvovich Levitsky.

Ge recounted, "I wanted to go to London to paint Alexander Herzen |Herzen's portrait [...] and he responded to my request with a large portrait by Mr. Levitsky."[citation needed] The final painting's similarity between the pose of Levitsky's photo of Herzen and Ge's pose of the painted Christ led the press of the day to hail the painting as "a triumph of materialism and nihilism."[citation needed]

This was the first known occasion where photography was used as the main source for a central character in a painting and speaks to the deep influences that photography would have later on in art and artistic movements like French Impressionism.

The painting (first purchased by Tsar Alexander II of Russia) made such a strong impression when it was shown in Saint Petersburg in 1863 that Ge was made a professor of Imperial Academy of Arts.[1]

In 1864, Ge returned to Florence and painted Herzen's portrait along with the Messengers of the Resurrection and the first version of Christ on the Mount of Olives. The new paintings were not much of a success and the Imperial Academy refused to exhibit them in its annual exhibition.

In 1870, Ge again returned to Saint Petersburg where he turned to Russian history for subject matter. The painting Peter the Great Interrogates Tsarevich Alexey at Peterhof (1871) was a great success, but his other historical paintings were met with little to no interest. Ge wrote that a man should live off of farming and art should not be for sale. He bought a small khutor (farm) in Chernigov gubernia (currently Ukraine) and moved there. Ge became acquainted with Leo Tolstoy around this time and became a follower of his philosophy.

In the early 1880s, he returned to religious subjects and portraits. He claimed that everyone had the right to have a personal portrait and agreed to work for whatever commission the subject could afford. Among his later portrait subjects were Tolstoy, Mikhail Saltykov-Shchedrin and the biblical Judas.

His later paintings on New Testament subjects were praised by liberal critics like Vladimir Stasov and criticized by conservatives for illustrating Ernest Renan rather than the New Testament and were banned forbidden by authorities for blasphemy. Quid Est Veritas? Christ and Pilate (1890) was also banned from an exhibition. The Judgment of the Sanhedrin: He is Guilty! (1892) was not admitted to the annual Academy of Arts exhibition; The Calvary (Golgotha) (1893) remained unfinished; The Crucifixion (1894) was banned by Tsar Alexander III.

Legacy: Ge died on his farm in 1894. The fate of many of his works remains a mystery. Ge had bequeathed all of his works to his Swiss benefactress, Beatrice de Vattville in exchange for a small stipend from her during his lifetime. When she died in 1952, none of Ge's works was found in her castle. Among the lost works is Ge's supposedly magnum opus painting The Crucifixion.

Ge's drawings were later discovered by art collectors in Swiss second-hand stores as late as 1974.[5] Many "were acquired by a young collector, Christoph Bolman [...] he had no idea of their origin, simply recognizing their value. Only some 15 years later, when he was visited during the Perestroika by Soviet acquaintances, did the attribution become clear. Negotiations for their acquisition and return to Russia – as a full collection, rather than sold off in parts – failed repeatedly during the 1990s. They were only concluded in 2011 after the Tretyakov Gallery was able to arrange sponsorship from a Russian state bank to purchase them for donation to the gallery's permanent collection.

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      Apr. 18, 2018


      Est: €3,000 - €4,000

      NICOLAS NICOLAIÉVITCH GAY (1831-1894), ATTRIBUÉ À Portrait de jeune fille Huile sur toile. Diam. : 42,5 cm. Provenance : Vente Sotheby’s des 5 et 6 décembre 1995, lot 153, illus - tré p. 102. Collection privée, Paris. Un portrait similaire d’Ivan Kouzmitch Makarov (1822- 1897) a été vendu par Sotheby’s dans la vente d’art russe du 14 décembre 1995, lot 212, p. 112. Николай Николаевич Ге, (1831-1894), приписывается масло, холст; Провенанс: Аукцион Sotheby’s 5, 6 декабря 1995, лот. 153, стр. 102, частная коллекция Париж.

      Leclere - Maison de ventes
    • Male nude
      Nov. 26, 2014

      Male nude

      Est: £70,000 - £90,000

      Male nude signed in Cyrillic 'G. Pr. P.V. Basina uch. Nikolai Ge' (lower right); inscribed in Cyrillic with the Academy of Art Examination Committee award citation, dated December 23, 1853 and applied with the official wax seal of the Academy (upper left) oil on canvas 84.5 x 89.5cm (33 1/4 x 35 1/4in).

    • *Nikolai Nikolaevich Ge (Russian, 1831-1894) Male
      Jun. 04, 2014

      *Nikolai Nikolaevich Ge (Russian, 1831-1894) Male

      Est: £130,000 - £150,000

      *Nikolai Nikolaevich Ge (Russian, 1831-1894) Male nude

    • attributed to: Nikolai Nikolaevich Ge Russian (1831-1894) Oil on Canvas "Untitled". Signed Lower Left and Moscow. Good to Very Good Condition. Measures 23-1/2 Inches by 33-1/2 Inches. Unframed. Shipping $135.00
      Jul. 24, 2013

      attributed to: Nikolai Nikolaevich Ge Russian (1831-1894) Oil on Canvas "Untitled". Signed Lower Left and Moscow. Good to Very Good Condition. Measures 23-1/2 Inches by 33-1/2 Inches. Unframed. Shipping $135.00

      Est: $1,000 - $2,000

      attributed to: Nikolai Nikolaevich Ge Russian (1831-1894) Oil on Canvas "Untitled". Signed Lower Left and Moscow. Good to Very Good Condition. Measures 23-1/2 Inches by 33-1/2 Inches. Unframed. Shipping $135.00

      Kodner Galleries
    • Attributed to Nikolai Nikolaevich Ge, Russian
      Mar. 09, 2010

      Attributed to Nikolai Nikolaevich Ge, Russian

      Est: £3,000 - £4,000

      Attributed to Nikolai Nikolaevich Ge, Russian 1831-1894- Study of a wanderer; oil on canvas laid down on card, 16.5x14.5cm

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