Harold Gilman Paintings & Artwork for Sale | Harold Gilman Art Value Price Guide

Jul. 21, 2026
Harold Gilman, (1876-1919), The artist's mother
Est: £10,000 - £20,000
Harold Gilman (1876-1919) The artist's mother, circa 1917, signed lower right, oil on canvas, 68.5cm x 51cm Exhibited: Probably London Group, Mansard Gallery, London, 1917 (no.61); Probably Harold Gilman Memorial Exhibition, Leicester Galleries, London, 1919 (no.19 or 25); Paintings and Drawings by Harold Gilman 1876–1919, Lefevre Gallery, London, 1948 (no.33); The Camden Town Group, Plymouth Art Gallery, 1974 (no.12); Harold Gilman 1876–1919, Royal Academy of Arts, London, 1982 (ex-cat) Provenance: 'Modern British Art', Christie's, London, 19th June 1997, lot 123; Private collection, Kent Note: Harold Gilman painted his mother Emily (née Gulliver, 1850–1940) throughout his life, his many depictions of her – sewing, taking tea, sitting in her garden or, as here, dozing in a chair – testifying to their exceptionally close relationship and recognising her unwavering support for his career as an artist. This is one of his last portraits of her, made shortly after the death of her husband, Rev'd John Gilman, and her move from Snargate Rectory on Romney Marsh to a house outside London at Purley where she lived with her eldest son Lionel. A squared-up drawing for it is in the collection of the Victoria and Albert Museum, London. Not unusually, Gilman made two versions of this image, of which this is the more resolved; the fact that it is signed indicates that it was exhibited in the artist's lifetime, possibly under the title My Mother in the fifth exhibition of the London Group (of which Gilman was president) in spring 1917. Gilman's late style is distinguished by sharply defined forms and flat blocks of colour, as well as a return to the intimate, domestic scenes characteristic of his earlier work – all evident in the present work and exemplified in a contemporaneous profile portrait of Emily Gilman sitting in the same wicker chair in Manchester Art Gallery. Gorringe's are extremely grateful to James Beechey for his invaluable assistance in cataloguing this lot.
Gorringes
Jul. 07, 2026
HAROLD GILMAN (BRITISH 1876-1919), THE RECTORY
Est: £8,000 - £12,000
HAROLD GILMAN (BRITISH 1876-1919)THE RECTORYOil on boardSigned (lower right) and further signed (verso)28.5 x 38cm (11 x 14¾in.)Provenance:Lefevre Gallery, LondonWith an abandoned study versoBorn in Rode, Somerset in 1876, Harold Gilman was the second son of John Gilman, an Anglican clergyman, and Emily Purcell Gulliver. On becoming the rector of Snargate in Kent, John moved the family to the Southeast and Harold attended Tonbridge School. However, he badly injured his hip in an accident and spent eighteen months convalescing at home so curtailing his education. It was during this time recuperating that he first became interested in drawing and painting. Following a brief spell at Oxford University and teaching in Odessa he began his studies at the Hastings School of Art, moving to the Slade in 1897 where his contemporaries included Spencer Gore, Wyndham Lewis, and Augustus John, all tutored by Henry Tonks and Philip Wilson Steer. Upon leaving the Slade in 1901, Gilman spent a year in Spain studying in the works of Velásquez and Goya in the Prado. Although interested in European movements, both past and present, it was not until 1907, when he met Walter Sickert that his painting style significantly shifted. Together they founded the Fitzroy Street Group, and then the Camden Town Group. In 1908 Gilman showed at the Salon des Indepéndants in Paris, and then at the Royal Albert Hall in the same year as part of the Allied Artists' Association which he helped to form as a contemporary alternative to exhibiting at the Royal Academy. Although he had travelled in Europe, often with Charles Ginner and Walter Sickert, Roger Fry's landmark 1910 exhibition Manet and the Post Impressionists, had a significant impact on him. Introducing British audiences to contemporary European painters such as Vincent Van Gogh, Paul Gauguin, Paul Cezanne, and Henri Matisse, the exhibition was publicly derided but deeply affected the artists of the day who discovered a bold alternative to the Whistlerian tonalities and formalised subject matters that were so dominant in pre-war British art.The current painting depicts a woman seated under a parasol outside a country house. The location is the family home in Snargate, Kent. This was a place that Gilman had grown up in, convalesced in, and escaped to when London became too overbearing. It was a safe place for Gilman and this can be felt in the carefree energy that radiates from the surface. It has been painted quickly, with confident, short strokes and swift dabs of the brush. The subject differs from many of his urban interior views and still lives that have strong, clear colours to create structure and atmosphere in a considered, tightly controlled way. The present work has none of this. Away from the artistic discourses of London The Rectory owes more to the emotional freedom of Van Gogh than the tight structure of Paul Cezanne. It is a painting full of joy, radiating a real sense of affection for the place that it depicts.
Dreweatts 1759 Fine Sales
Mar. 18, 2026
HAROLD GILMAN (1876-1919). Still life of a white cup, saucer and jug on a t
Est: £200,000 - £300,000
HAROLD GILMAN (1876-1919). Still life of a white cup, saucer and jug on a table. oil on canvas11 ¼ x 13 ¼ in. (28.5 x 33.6 cm.).
Christie's
Nov. 19, 2025
Harold Gilman (British, 1876-1919) Baby in a Cradle 33 x 55.5 cm. (13 x 21 7/8 in.)
Est: £7,000 - £10,000
Harold Gilman (British, 1876-1919) Baby in a Cradle signed 'H.Gilman' (lower right) oil on canvas 33 x 55.5 cm. (13 x 21 7/8 in.)
Bonhams
Nov. 19, 2025
Harold Gilman (British, 1876-1919) Interior 45.5 x 35.7 cm. (17 7/8 x 14 1/8 in.) (Painted circa 1916)
Est: £50,000 - £70,000
Harold Gilman (British, 1876-1919) Interior signed 'H. Gilman' (lower right) oil on canvas 45.5 x 35.7 cm. (17 7/8 x 14 1/8 in.) Painted circa 1916
Bonhams
Oct. 22, 2025
HAROLD GILMAN (1876-1919). Portrait of Mrs Bevan. oil on canvas24 x 20 in.
Est: £120,000 - £180,000
HAROLD GILMAN (1876-1919). Portrait of Mrs Bevan. oil on canvas24 x 20 in. (61 x 50.8 cm.).
Christie's
Jun. 15, 2025
Gilman, Harold (1876 Rode - 1919 Somerset) "Abendspaziergang an der Thames"
Est: -
Gilman, Harold (1876 Rode - 1919 Somerset) "Abendspaziergang an der Thames", riverside road with lantern and palace in the background, oil on canvas, signed lower left, 45.5x30.5cm, 57x39.5cm with frame, canvas soiled, frame slightly damaged Gilman, Harold (1876 Rode - 1919 Somerset) "Abendspaziergang an der Themse", Uferstraße mit Laterne und Palast im Hintergrund, Öl auf Leinwand, unten links signiert, 45,5x30,5cm, 57x39,5cm mit Rahmen, Leinwand verschmutzt, Rahmen leicht beschädigt
Auktionshaus am See
Nov. 22, 2023
Woman Sewing
Est: £15,000 - £25,000
Harold Gilman 1876 - 1919 Woman Sewing oil on canvas unframed: 36 by 31cm.; 14¼ by 12¼in framed: 53 by 48.5cm.; 21 by 19in.
Sotheby's
Nov. 02, 2023
Harold John Wilde Gilman (British, 1876-1919)
Est: $1,000 - $2,000
Harold John Wilde Gilman (British, 1876-1919) Portrait of a Woman in an Arm Chair, ca. 1915, Oil on board, Signed lower left. Framed dimensions: H: 23 1/4 x D: 20 in. H: 12 W: 9 in. With Certificate of Authenticity, Global Fine Art
Gray's Auctioneers
Oct. 26, 2023
Harold Gilman (1876-1919)
Est: £5,000 - £7,000
Harold Gilman (1876-1919) Interior at 2 Hyde Park Street, London signed 'H.Gilman' (lower left) oil on canvas 39.5 x 50.5cm Contrary to the characteristic palette of acid yellows, cardinal reds and electric blues of his later works, the present lot demonstrates a more tempered and intimate facet of Gilmans practice, at a time when he was closely associated with Walter Sickert and the Fitzroy Street Group. Later, Gilman would make a spectacular departure from the group, eschewing the muted, earthen tones of Sickert and, alongside artists including Frederick Gore and Charles Ginner, styling himself as a Neo-Realist. Depicting Gilmans lodgings at 2 Hyde Park Street, London, which he occupied between 1910 and 1911, the present work sensitively and evocatively depicts a scene of quiet domesticity. Through the items left strewn across the table, human activity is evident and yet, conspicuously hidden, thus offering the viewer a powerfully intimate and informal glimpse into the artists life.
Cheffins
Aug. 16, 2023
HAROLD JOHN WILDE GILMAN (BRITISH, 1876-1919)
Est: $2,000 - $4,000
Harold John Wilde Gilman (British, 1876-1919) Portrait of a Woman in an Arm Chair, ca. 1915, Oil on board, Signed lower left. Framed dimensions: H: 23 1/4 x D: 20 in. H: 12 W: 9 in. With Certificate of Authenticity, Global Fine Art The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email or by telephone . Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Gray's Auctioneers shall have no responsibility for any error or omission.
Gray's Auctioneers
Jul. 12, 2023
HAROLD JOHN WILDE GILMAN (BRITISH, 1876-1919)
Est: $4,000 - $6,000
Harold John Wilde Gilman (British, 1876-1919) Portrait of a Woman in an Arm Chair, ca. 1915, Oil on board, Signed lower left. Framed dimensions: H: 23 1/4 x D: 20 in. H: 12 W: 9 in. With Certificate of Authenticity, Global Fine Art The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email or by telephone . Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Gray's Auctioneers shall have no responsibility for any error or omission.
Gray's Auctioneers
Jul. 11, 2023
HAROLD GILMAN (BRITISH 1876-1919), CLARENCE GARDENS (LE JARDIN)
Est: £15,000 - £20,000
HAROLD GILMAN (BRITISH 1876-1919)CLARENCE GARDENS (LE JARDIN)Oil on canvas Signed (lower right)40.5 x 51cm (15¾ x 20 in.)Painted circa 1912. Provenance:Private Collection, Peter Langan Sale, Christie's, South Kensington, Peter Langan: A Life With Art, 18 December 2012, lot 66 Exhibited:London, Carfax Gallery, Harold Gilman and Spencer Gore, 1913, no.1 London, Goupil Gallery, Harold Gilman and Charles Ginner, 1914, no.13 or 18 (two works of the same title)London, Christie's, The Painters of Camden Town 1905-1920, January 1988, no. 118 (illustrated) Harold Gilman painted two versions of this subject. Both were exhibited at the 1913 Carfax Gallery exhibition. No.18, the larger of the two works, is now in the Ferens Art Gallery Collection, Kingston-upon-Hull.Gilman is celebrated for his quiet domestic interiors and commonplace still lives. Milk jugs, teacups, and other everyday objects along with simple intimate moments; taking tea, the darning of a sock or the compiling of a shopping list are beautifully captured in the muted tones of the Camden Town Group. However, unlike other artists from this group such as Sickert, Ratcliffe and Bevan, who were interested in the topography of Camden, Gilman took the same intimate approach that he employed indoors to his landscapes.The paintings of Clarence Gardens by both Walter Sickert and William Ratcliffe are as concerned with the architecture as they are with the impressive gardens in the centre. Gilman by contrast is not interested in the location itself but rather the subject that affords him to explore the colour, light and texture before him. As the early evening light catches the leaves, silhouettes the limbs of the tree, and falls dappled onto the grass, Gilman draws on his previous experiences of painting in France, exhibiting at the Salon des Indépendants in Paris and exploring avant-garde exhibitions such as Roger Frys's Manet and the Post-Impressionists in 1910 and infuses the painting with a freedom and confident spontaneity rarely seen in British art of the period.
Dreweatts 1759 Fine Sales
Jun. 14, 2023
Lewis (Wyndham, & Fergusson, Louis F.). Harold Gilman, An Appreciation, 1919
Est: £200 - £300
Lewis (Wyndham, & Fergusson, Louis F.). Harold Gilman, An Appreciation, London: Chatto & Windus, 1919, colour frontispiece, with tissue-guard, 33 monochrome plates, contemporary ownership inscription to front endpaper 'John Simmons from A. M. C. March, 1920', original maroon cloth gilt, some very light marks (generally in very good condition), 4to QTY: (1)
Dominic Winter Auctions
Oct. 28, 2022
Harold Gilman (British 1876-1919) Romney Marsh, circa 1910
Est: £4,000 - £6,000
Harold Gilman (British 1876-1919) Romney Marsh, circa 1910 signed (lower right), oil on board (25cm x 35.5cm (9 3/4in x 14in)) Provenance: Alex Reid & Lefevre Ltd., London; Frank Aldous Girling, Lawford, Essex; Robert Alexander and Natalie Bevan, Boxted House, Boxted, Essex. Exhibited: Tate Britain, London, Modern Painters: The Camden Town Group, 13 February - 4 May 2008, p. 154, no. 82 (illustrated). Harold Gilman was born in Rode, Somerset. In 1890 he moved with his family to Romney Marsh, Kent, where he lived until 1908. He trained at the Slade School of Fine Art, London and, after meeting Walter Sickert in 1907, became a founder member of the Fitzroy Street, Camden Town and London Groups. Robert Upstone has explained about this work: 'Gilman made a sequence of studies of Romney Marsh between about 1909 and 1912...The landscape is expressed by strictly modulating the paint in a series of broken dabs of heightened colour that lend it visual interest and these touches of paint also suit perfectly the scrubby terrain's character. Painted on board, it is just possible that Gilman painted this before the subject, although his usual practice was to work from drawings. The picture was acquired by Gilman's fellow Camden Town painter Robert Bevan.' (Modern Painters: The Camden Town Group, op.cit, p.154)
Lyon & Turnbull
Oct. 28, 2022
Harold Gilman (British 1876-1919) and Charles Ginner A.R.A. (British 1878-1952) Paintings and Drawings by Harold Gilman and Charles Ginner in the Collection of Edward Le Bas
Est: £150 - £200
Harold Gilman (British 1876-1919) and Charles Ginner A.R.A. (British 1878-1952) Paintings and Drawings by Harold Gilman and Charles Ginner in the Collection of Edward Le Bas London: Fairfax Hall, 1965. First edition, one of 105 numbered sets only, comprising title-leaf with (limitation statement verso) and 36 mounted colour prints after paintings by Gilman or Ginner, all loose as issued in original green crushed half morocco portfolio, complete with accompanying text volume (4to, original green crushed quarter morocco, housed in recess to portfolio inside front cover) (mount dimensions 55cm x 40.5cm (print dimensions vary)) Provenance: Robert Alexander and Natalie Bevan, Boxted House, Boxted, Essex. Robert Bevan, Harold Gilman and Charles Ginner were all members of the Camden Town, London and Cumberland Market Groups active in London from 1911. The artist Edward Le Bas (1904-66) became financially independent after his father's death and from the late 1930s was an enthusiastic and generous collector. He became good friends wtih Ginner and was elected to the London Group himself in 1942. This portfolio celebrates the works he acquired by Gilman and Ginner, some of which were included in the exhibition A Painter's Collection, held at the Royal Academy of Arts, London in 1963.
Lyon & Turnbull
May. 25, 2022
HAROLD GILMAN (1876-1919) Portrait of a man oil on canvas 20 x 16 in. (50.8
Est: £12,000 - £18,000
HAROLD GILMAN (1876-1919) Portrait of a man oil on canvas 20 x 16 in. (50.8 x 40.6 cm.)
Christie's
Mar. 02, 2021
HAROLD GILMAN (1876-1919) Portrait of an AlgerianHAROLD GILMAN (1876-1919),
Est: £12,000 - £18,000
HAROLD GILMAN (1876-1919) Portrait of an AlgerianHAROLD GILMAN (1876-1919), Portrait of an Algerian, oil on canvas laid on board, 16 ½ x 14 in. (41.9 x 35.5 cm.), Painted circa 1906-07."
Christie's
Mar. 02, 2021
HAROLD GILMAN (1876-1919) Roses in a Blue VaseHAROLD GILMAN (1876-1919), Ro
Est: £30,000 - £50,000
HAROLD GILMAN (1876-1919) Roses in a Blue VaseHAROLD GILMAN (1876-1919), Roses in a Blue Vase, signed 'H. Gilman' (on the reverse), oil on canvas, 14 1/8 x 12 in. (36 x 30.5 cm.), Painted circa 1914-15."
Christie's
Mar. 19, 2020
Harold Gilman (1876-1919)
Est: £5,000 - £8,000
Harold Gilman (1876-1919) The Reverend John William Harold Battiscombe at his desk oil on canvas 21 ¾ x 21 ¼ in. (55.4 x 54 cm.)
Christie's
Nov. 22, 2017
HAROLD GILMAN | In The Nursery, Snargate Rectory
Est: £30,000 - £50,000
oil on canvas
Sotheby's
Nov. 21, 2017
HAROLD GILMAN | A London Street Scene in Snow
Est: £150,000 - £250,000
oil on canvas
Sotheby's
Sep. 26, 2017
HAROLD GILMAN | Sussex Landscape
Est: £4,000 - £6,000
oil on canvas
Sotheby's
Jun. 27, 2017
Harold Gilman (1876-1919) Portrait of a Lady
Est: £25,000 - £35,000
Harold Gilman (1876-1919) Portrait of a Lady oil on canvas 21½ x 18 in. (54.8 x 45.8 cm.)
Christie's
Jun. 27, 2017
Harold Gilman (1876-1919) Lady seated at a table
Est: £40,000 - £60,000
Harold Gilman (1876-1919) Lady seated at a table oil on canvas 11½ x 11¼ in. (29.2 x 31.1 cm.)
Christie's
Apr. 05, 2017
HAROLD GILMAN | Romney Marsh
Est: £600 - £800
pen and ink and wash on paper
Sotheby's
Dec. 13, 2016
AFTER HAROLD GILMAN 1876-1919. 'Laura Sylvia Gosse - 1913'. Oil on canvas version by a later hand. Framed and glazed. 45cm x 60cm.
Est: £250 - £350
AFTER HAROLD GILMAN 1876-1919. 'Laura Sylvia Gosse - 1913'. Oil on canvas version by a later hand. Framed and glazed. 45cm x 60cm.
Chiswick Auctions
Nov. 23, 2016
HAROLD GILMAN | The Striped Blouse (Portrait of Irene Battiscombe, the Artist's Sister)
Est: £20,000 - £30,000
oil on canvas
Sotheby's
Nov. 23, 2016
HAROLD GILMAN | Indian Figures
Est: £5,000 - £7,000
oil on canvas
Sotheby's
Nov. 10, 2016
Harold Gilman (1876-1919), HALIFAX HARBOUR SCENE (SKETCH FOR A MAJOR PAINTING), CIRCA 1918, Pen and black ink on paper; signed lower right, Full Sheet 11.75" x 17" — 29.8 x 43.2 cm.
Est: -
HAROLD GILMAN (1876-1919), BRITISHHALIFAX HARBOUR SCENE (SKETCH FOR A MAJOR PAINTING), CIRCA 1918Pen and black ink on paper; signed lower rightFull Sheet 11.75" x 17" — 29.8 x 43.2 cm.Provenance:Ex. Coll. of Dr. Herman H. Levy, 1979;Private Collection, Hamilton, ONLiterature:Susan Gibson-Garvey, Jeffrey J. Spalding, Atlantica: the view from away, Dalhousie Art Gallery, 2004Wyndham Lewis & Louis F. Fergusson, Harold Gilman An Appeciation, London, 1919Note:This sketch was created while the artist was in Halifax in 1918. Gilman was on commission by Lord Beaverbrook to depict the Halifax Harbour. During his trips to sketch the harbour, Gilman was accompanied by the Canadian artist Arthur Lismer.Gilman made a number of studies of Halifax Harbour and its shipping. The National Gallery of Canada holds a pen and ink drawing by Gilman of Halifax Harbour (no. 14840), executed in 1918 that is similar to the pointillist style of this lot.Estimate: $800—1,200
Waddington's
Sep. 27, 2016
Harold Gilman (Rode 1876-1919 London) Branches in leaf, Somerset
Est: £10,000 - £15,000
Harold Gilman (Rode 1876-1919 London) Branches in leaf, Somerset oil on canvas 16 x 24 in. (40.6 x 61 cm.)
Christie's
Mar. 19, 2016
HAROLD GILMAN (Rode Somerset 1876-1919 Londres) Nature morte aux masques japonais, ca.1915
Est: €30,000 - €40,000
HAROLD GILMAN (Rode Somerset 1876-1919 Londres) Nature morte aux masques japonais, ca.1915 Grande huile sur toile Signé H. Gilman en bas à gauche Ancienne petite restauration à la toile au dos. Dimensions : 101 x 81 cm
Accademia Fine Art
Feb. 07, 2015
British School
Est: £40 - £60
British School, mid-late 20th century- View of a hill-top castle, Ibiza; coloured crayon heightened with white on buff paper, signed with initials 'JMB', inscribed and dated 6/66 in blue pen beneath the mount, 21x28cm: Arts Council of Great Britain, Publ., 1981- ''Harold Gilman 1876-1919''; exhibition poster, reproduction printed in colours, in a glazed frame, 76x50.5cm., (2)
Roseberys
Dec. 19, 2014
HAROLD GILMAN PORTRAIT OIL PAINTING ON CANVAS
Est: $800 - $1,200
Harold John Wilde Gilman (ENGLISH, 1876 - 1919) oil painting on canvas depicting the portrait of a woman wearing a pearl necklace. Mounted in gold painted wooden frame. Measures 24" height x 18" width + 2 1/2" frame.
Palm Beach Auction Gallery
Nov. 17, 2014
Portrait of a lady 46.3 x 35.6 cm. (18 1/8 x 14 in.)
Est: £15,000 - £20,000
Portrait of a lady oil on canvas 46.3 x 35.6 cm. (18 1/8 x 14 in.) Painted circa 1916-17
Bonhams
Nov. 10, 2014
HAROLD GILMAN PORTRAIT OIL PAINTING ON CANVAS
Est: $1,200 - $1,600
Harold John Wilde Gilman (ENGLISH, 1876 - 1919) oil painting on canvas depicting the portrait of a woman wearing a pearl necklace. Mounted in gold painted wooden frame. Measures 24" height x 18" width + 2 1/2" frame.
Palm Beach Auction Gallery
Jul. 21, 2014
HAROLD GILMAN PORTRAIT OIL PAINTING ON CANVAS
Est: $1,200 - $1,600
Harold John Wilde Gilman (ENGLISH, 1876 - 1919) oil painting on canvas depicting the portrait of a woman wearing a pearl necklace. Mounted in gold painted wooden frame. Measures 24" height x 18" width + 2 1/2" frame.
Palm Beach Auction Gallery
May. 26, 2014
HAROLD GILMAN PORTRAIT OIL PAINTING ON CANVAS
Est: $2,000 - $4,000
Harold John Wilde Gilman (ENGLISH, 1876 - 1919) oil painting on canvas depicting the portrait of a woman wearing a pearl necklace. Mounted in gold painted wooden frame. Measures 24" height x 18" width + 2 1/2"
Palm Beach Auction Gallery
May. 12, 2014
HAROLD GILMAN PORTRAIT OIL PAINTING ON CANVAS
Est: $2,000 - $4,000
Harold John Wilde Gilman (ENGLISH, 1876 - 1919) oil painting on canvas depicting the portrait of a woman wearing a pearl necklace. Mounted in gold painted wooden frame. Measures 24" height x 18" width + 2 1/2" frame.
Palm Beach Auction Gallery
Jan. 21, 2014
Harold Gilman (1876-1919)
Est: £800 - £1,200
Harold Gilman (1876-1919) Girl combing her hair signed 'H. Gilman' (lower left), and with colour annotations throughout. charcoal and coloured chalk 9¼ x 8¾ in. (23.7 x 22.2 cm.)
Christie's
Jan. 21, 2014
Harold Gilman (1876-1919)
Est: £800 - £1,200
Harold Gilman (1876-1919) A girl washing and another seated signed 'H. Gilman' (lower right) charcoal 15½ x 9¾ in. (39.5 x 24.5 cm.)
Christie's
Jan. 21, 2014
Harold Gilman (1876-1919)
Est: £1,500 - £2,500
Harold Gilman (1876-1919) Cumberland Market pen and black ink and grey wash 6.1/4 x 9 in. (15.9 x 22.8 cm.)
Christie's
Dec. 05, 2013
Harold Gilman (1876-1919) Untitled pen and ink on
Est: £1,500 - £2,000
Harold Gilman (1876-1919) Untitled pen and ink on paper with the artist's rubber stamp signature at lower right 8 3/4 x 11., 22.2 x 28 cm
Dreweatts 1759
Dec. 05, 2013
Harold Gilman (1876-1919) The Tree, Snargate pen
Est: £1,500 - £2,000
Harold Gilman (1876-1919) The Tree, Snargate pen and ink on paper with the artist's rubber stamp signature at lower right 8 1/2 x 11 in., 21.5 x 28 cm
Dreweatts 1759
Dec. 05, 2013
Harold Gilman (1876-1919) Untitled pen and ink
Est: £1,500 - £2,000
Harold Gilman (1876-1919) Untitled pen and ink with white chalk on paper bearing the artist's rubber stamp signature at lower right 5 1/2 x 9 1/4 in., 14 x 23.5 cm
Dreweatts 1759
Dec. 05, 2013
Harold Gilman (1876-1919) Steeple, Leeds pen and
Est: £1,000 - £1,500
Harold Gilman (1876-1919) Steeple, Leeds pen and ink on paper with the artist's rubber stamp signature at lower right 9 1/4 x 6 in., 23.5 x 15.2 cm Exhibited: London, Arts Council of Great Britain, Harold Gilman [no.60].
Dreweatts 1759
Oct. 16, 2013
Harold Gilman (1876-1919)
Est: £1,500 - £2,500
Harold Gilman (1876-1919) Girl combing her hair signed 'H. Gilman' (lower left), and with colour annotations throughout. charcoal and coloured chalk 9¼ x 8¾ in. (23.7 x 22.2 cm.)
Christie's
Oct. 16, 2013
Harold Gilman (1876-1919)
Est: £1,500 - £2,500
Harold Gilman (1876-1919) A girl washing and another seated signed 'H. Gilman' (lower right) charcoal 15½ x 9¾ in. (39.5 x 24.5 cm.)
Christie's