Paolo Gioli Paintings & Artwork for Sale | Paolo Gioli Art Value Price Guide

May. 18, 2026
Paolo Gioli (1942 - 2022) - "L'assassino nudo" (Muybridge), 1984
Est: €1,000 - €1,500
Gelatin silver print cm 12,4 x 17,5 | 4.9 x 6.9 in. Signed, titled and dated in black ink on the verso
Finarte
May. 18, 2026
Paolo Gioli (1942 - 2022) - La conchiglia dissoluta, 1990
Est: €2,000 - €3,000
Eight polaroids applied in book pages cm 28,5 x 25,5 x 1 (book) ; cm 10,8 x 8,8 (each polaroid) | 11.2 x 10 x 0.8 in. (book) ; 4.3 x 3.5 in. (each polaroid) Edition 43 of 50 (polaroids uinque works) Book numbered and signed in black ink on the last page
Finarte
May. 05, 2026
Paolo Gioli, Jole Veneziani
Est: $1,000 - $2,000
Paolo Gioli Jole Veneziani 1987 unique large-format Polaroid Polacolor print image: 24 h x 20 w in (61 x 51 cm) sheet: 32.75 h x 21.875 w in (83 x 56 cm) Signed, titled, dated and inscribed to lower margin 'Jole Veneziana - Ristratto Stenopeico Paolo Gioli / 87'. Inscribed to verso 'Peril Sicof'. Provenance: Acquired directly from the artist, The Polaroid Collection This work will ship from Chicago, Illinois.
Rago Arts and Auction Center
May. 05, 2026
Paolo Gioli, Volto Inciso
Est: $1,500 - $2,500
Paolo Gioli Volto Inciso 1990 image transfer from Polaroid Polapan 8 x 10 film type 804 on paper image: 15.5 h x 9.75 w in (39 x 25 cm) sheet: 19.625 h x 13.875 w in (50 x 35 cm) Signed, titled, dated and inscribed to lower margin 'Volto Inciso - Polaroid B/N Paolo Gioli 90'. Signed, dated and inscribed to verso 'Paolo Gioli / 90 Polaroid B./N. 20 x 25'. Provenance: Acquired directly from the artist, The Polaroid Collection This work will ship from Chicago, Illinois.
Rago Arts and Auction Center
Apr. 01, 2026
Paolo Gioli (1942 - 2022) - Volto attraverso part. di una immagine di A. Kertész, 2002
Est: €1,500 - €2,500
Vintage gelatin silver print cm 17,7 x 23,8 (cm 25,3 x 20,2 picture) | 7 x 9.4 in. (10 x 8 in. picture) Signed, titled and dated in black ink on the verso
Finarte
Apr. 01, 2026
Paolo Gioli (1942 - 2022) - Tokyo (Fotofinish), 1996
Est: €1,500 - €2,500
Vintage gelatin silver print cm 39,5 x 49,7 (cm 33 x 47,5 picture) | 15.5 x 19.5 in. (13 x 18.7 in. picture) Signed, titled and dated in black ink on the white recto margin and on the verso
Finarte
Feb. 11, 2026
Paolo Gioli (Rovigo 1942 - Lendinara 2022) Videography IX° 1974
Est: €100 - €200
Signature, title, date and numbering "Paolo Gioli '74, VIdeografia IX°, 36/50" Lithograph 48x66 cm - framed 63x83 cm
Casa d'aste ARCADIA
Oct. 16, 2025
Paolo Gioli (1942 - 2022) - Omaggio impuro a Bayard (Sténopé), 1983
Est: €2,200 - €2,800
Transfer polaroid cm 70 x 50 | 27.5 x 19.6 in. Unique work Titled, signed and dated in pencil on the white inferior recto margin and signed and dated iin black ink on the verso PROVENANCE Ginny L. Williams collection, Denver, Colorado
Finarte
Jun. 26, 2025
PAOLO GIOLI (SARZANO 1942 – LENDINARA 2022), Senza Titolo
Est: €600 - €1,200
Olio su tavola 15,5x23 cm Con cornice Firma in basso a destra
Ansuini 1860 Auctions
Jun. 18, 2025
Paolo Gioli (1942 - 2022) - Geometrico Continuo, 1970-1973
Est: €2,000 - €3,000
Four polaroids mounted as a mosaic cm 21,8 x 17,1 | 8.6 x 6.7 in. Unique work Each one titled and dated with photographer's notes in blue ink on the verso Paolo Gioli (Sarzano di Rovigo, Rovigo 1942 - Lendinara, Rovigo 2022) has a dazzling education between Venice at the Academy of Fine Arts and New York where in 1967-1968 he is in contact with New American Cinema, the New York School and the gallery owners Leo Castelli and Martha Jasckson. Equally important in this period is his meeting with his friend Paolo Vampa, who supports and produces his work. Back in Italy, he made the first of his many experimental films in Rome and became interested in photography, using a camera he modified for photofinishing, bringing these experiences during the period 1970-1980 to Milan. There he discovered the expressive potential of Polaroid and the magic of pinhole imaging with works exhibited in the following years in important galleries in Milan, Paris, Arles, New York, Venice, Rome, and Florence. Shy by character, he returned after 1980 to his native city Polesine: by now exhibitions, books and awards certify him as one of the most interesting exponents of research photography not only in Italy. In the works that we present here, we emphasize the close relationship that Paolo Gioli had, from the beginning, established between cinema and photography, languages that he immersed in a particular dimension, that of research. To remember that both, before arriving at the reassuring representation of reality, were generated by the anxiety given by the experimentation of materials, he has made suffered images with which the observer is called to confront. He does so already from the dialectical opposition between the history of the past and the use of contemporary materials such as the Polaroids of Geometrico continuo. Symptomatic then is “L’assassino nudo”, which refers to the film of the same name shot in 16 mm. (the author calls it a film-book) because Eadweard Muybridge, to whom it is dedicated, was the one who, by sequencing frames in fast-moving sequences, anticipated cinema. Gioli himself wrote, saying that he used three books to reproduce them: "I tried to animate the ink of moving images... but static ones. So, a film taken from the printing ink. Incredible, how right Nièpce was. In editing the film, I discovered what I could never have discovered by leafing through the three books i.e., an unintentional anticipation of film editing by Muybridge. Indeed, his camera angles appear to us as perfect television cutaways of exceptional actuality: direct edits before it was cinema."
Finarte
Jun. 18, 2025
Paolo Gioli (1942 - 2022) - L'assassino nudo (Muybridge), 1984
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 12,4 x 17,7 | 4.9 x 7 in. Titled and dated with photographer's notes in black ink on the verso Paolo Gioli (Sarzano di Rovigo, Rovigo 1942 - Lendinara, Rovigo 2022) has a dazzling education between Venice at the Academy of Fine Arts and New York where in 1967-1968 he is in contact with New American Cinema, the New York School and the gallery owners Leo Castelli and Martha Jasckson. Equally important in this period is his meeting with his friend Paolo Vampa, who supports and produces his work. Back in Italy, he made the first of his many experimental films in Rome and became interested in photography, using a camera he modified for photofinishing, bringing these experiences during the period 1970-1980 to Milan. There he discovered the expressive potential of Polaroid and the magic of pinhole imaging with works exhibited in the following years in important galleries in Milan, Paris, Arles, New York, Venice, Rome, and Florence. Shy by character, he returned after 1980 to his native city Polesine: by now exhibitions, books and awards certify him as one of the most interesting exponents of research photography not only in Italy. In the works that we present here, we emphasize the close relationship that Paolo Gioli had, from the beginning, established between cinema and photography, languages that he immersed in a particular dimension, that of research. To remember that both, before arriving at the reassuring representation of reality, were generated by the anxiety given by the experimentation of materials, he has made suffered images with which the observer is called to confront. He does so already from the dialectical opposition between the history of the past and the use of contemporary materials such as the Polaroids of Geometrico continuo. Symptomatic then is “L’assassino nudo”, which refers to the film of the same name shot in 16 mm. (the author calls it a film-book) because Eadweard Muybridge, to whom it is dedicated, was the one who, by sequencing frames in fast-moving sequences, anticipated cinema. Gioli himself wrote, saying that he used three books to reproduce them: "I tried to animate the ink of moving images... but static ones. So, a film taken from the printing ink. Incredible, how right Nièpce was. In editing the film, I discovered what I could never have discovered by leafing through the three books i.e., an unintentional anticipation of film editing by Muybridge. Indeed, his camera angles appear to us as perfect television cutaways of exceptional actuality: direct edits before it was cinema."
Finarte
Apr. 10, 2025
Paolo Gioli (1942 - 2022) - Specchio in consunzione, 1979
Est: €1,800 - €2,500
Direct polaroid pinhole image on Xeri paper and canvas, developed with engraving press cm 35 x 25 | 13.8 x 9.8 in. Unique work Titled, signed and dated in pencil on the white inferior recto margin Framed EXHIBITIONS Il grande risveglio, Comune di Villorba, Barchessa di Villa Giovannina, 2021
Finarte
Apr. 10, 2025
Paolo Gioli (1942 - 2022) - Untitled (Composizione al cerchio), 1986
Est: €2,500 - €3,500
Vintage cibachrome print cm 48 x 56,5 | 18.8 x 22.5 in. Signed and dated in black ink on the verso Framed PROVENANCE Galerie Michèle Chomette, Paris
Finarte
Nov. 15, 2024
Paolo Gioli (1942-2022) - Autoanatomie, 1986
Est: €2,500 - €3,500
Polaroid on silk with acrylic background cm 60 x 50 | 23.6 x 19.7 in. Unique work Titled, signed and dated in black ink on the white inferior recto margin Framed PROVENANCE Galleria Massimo Minini, Brescia LITERATURE P. Gioli, Gran Positivo nel Crudele Spazio Steonopeico, Alinari, Florence, 1991 Work accompanied by Certificate of authenticity released by Galleria Massimo Minini, Brescia
Finarte
Nov. 15, 2024
Paolo Gioli (1942-2022) - "L'assassino nudo" (Muybridge), 1984
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 12,8 x 17,8 | 5 x 7 in. Titled with photographer's notes in black ink on the verso The print titled "L’ASSASSINO NUDO" refers to the eponymous film by Paolo Gioli, who, with this work, aimed to highlight—through the provocative title that alludes to Muybridge having killed his wife’s lover—the close relationship between photography and cinema, even before the latter was invented. Gioli himself writes, presenting his work: “In the film, I wasn’t so concerned with studying movement (that seemed obvious to me) but with my own kinetic-existential curiosity […] In editing the film, I discovered something I could never have found by simply leafing through the three books: an unconscious anticipation of film editing by Muybridge. His camera angles even come across as perfectly timed TV cuts of remarkable modernity—direct edits before cinema existed.”
Finarte
Oct. 15, 2024
Paolo Gioli (1942-2022) - "L'assassino nudo" (Muybridge), 1984
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 12,7 x 17,7 | 5 x 7 in. Titled with notes in black ink on the verso
Finarte
Oct. 15, 2024
Paolo Gioli (1942-2022) - Fotofinish, Tokyo, 1996
Est: €2,000 - €3,000
Vintage gelatin silver print on plycoated paper cm 40 x 50 (cm 33 x 43,7 picture) | 15.7 x 19.7 in. (13 x 17.2 in. picture) Signed, titled and dated in black ink on the white inferior recto margin and on the verso
Finarte
Oct. 15, 2024
Paolo Gioli (1942-2022) - Ritratto di Carla, 1985
Est: €2,500 - €3,500
Transfer polaroid cm 73 x 50,8 | 28.7 x 20 in. Unique work Titled, signed and dated in pencil on the white inferior recto margin and signed and dated in black ink on the verso
Finarte
Oct. 15, 2024
Paolo Gioli (1942-2022) - Untitle (Double portrait), 1985
Est: €2,500 - €3,500
Transfer polaroid cm 73 x 51 | 28.7 x 20.1 in. Unique work Signed and dated in pencil on the white inferior recto margin and signed and dated in black ink on the verso
Finarte
Oct. 15, 2024
Paolo Gioli (1942-2022) - L'uomo con il petto di donna, 1985
Est: €2,500 - €3,500
Tranfer Polaroid on cardboard cm 67,4 x 50,8 | 26.5 x 20 in. Unique work Titled, signed and dated in pencil on the image and signed and dated in black ink on the verso Framed EXHIBITIONS D. Gavagnin, M.F. Frosi (cured by), Il grande risveglio! La fotografia italiana dal secondo dopoguerra agli anni 80, Villa Giovannina, Villorba (TV), 2021
Finarte
Jun. 18, 2024
Paolo Gioli (1942-2022) - "Film Stenopeico" (l'uomo denza macchina da presa), 1970/1980
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 17,8 x 11,9 | 7 x 4.7 in. Photographer's notes in black ink on the verso
Finarte
Jun. 18, 2024
Paolo Gioli (1942-2022) - Figure Instabili nella Vegetazione, 1973
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 17,8 x 12,6 | 7 x 5 in. Photographer's notes in blue ink on the verso
Finarte
Apr. 23, 2024
Paolo Gioli (1942-2022) - "L'Operatore Perforato" (Il Macchinatore), 1979
Est: €1,000 - €1,500
Vintage gelatin silver print on polycoated paper cm 11,7 x 18 | 4.6 x 7.1 in Photograher's notes in black ink on the verso A great experimenter, Paolo Gioli has always moved in a heterodox expressive dimension, where research on the language of photography has always been privileged, realised by resorting to the most ductile materials such as Polaroids, which, from simple sensitive materials with immediate development, in hands like his have been transformed into artistic works worthy of wonder. The use of ancient tools that he loves so much, such as the pinhole - a tiny hole, the pinhole, as a lens - is in him aimed at a reinterpretation of the past in a contemporary key where the boundaries between genres are cancelled. This can be seen in front of the frames of two experimental films by Vampa Production that are well known among insiders and less so by the general public: 'The Pierced Operator' and 'The Man Without a Camera'. The former reuses a clip from an anonymous Pathé film manipulated by inserting other images in the perforation that obstruct the vision of an operator in action, the latter (which cites, inverting it, the title of Dziga Vertov's film) is made with a self-produced camera, a hollow metal rod, equipped with a manual drag that shoots objects, glimpses of landscapes, fragments of bodies.
Finarte
Apr. 23, 2024
Paolo Gioli (1942-2022) - Dried flowers, 2006
Est: €1,800 - €2,500
Polaroid transferred on silk, applied on original cardboard cm 22 x 15,4 | 8.6 x 6 in. Unique work Signed and dated on in black ink on the cardboard recto and signed, dated, dedicated and titled in black ink on the cardboard verso A great experimenter, Paolo Gioli has always moved in a heterodox expressive dimension, where research on the language of photography has always been privileged, realised by resorting to the most ductile materials such as Polaroids, which, from simple sensitive materials with immediate development, in hands like his have been transformed into artistic works worthy of wonder. The use of ancient tools that he loves so much, such as the pinhole - a tiny hole, the pinhole, as a lens - is in him aimed at a reinterpretation of the past in a contemporary key where the boundaries between genres are cancelled. This can be seen in front of the frames of two experimental films by Vampa Production that are well known among insiders and less so by the general public: 'The Pierced Operator' and 'The Man Without a Camera'. The former reuses a clip from an anonymous Pathé film manipulated by inserting other images in the perforation that obstruct the vision of an operator in action, the latter (which cites, inverting it, the title of Dziga Vertov's film) is made with a self-produced camera, a hollow metal rod, equipped with a manual drag that shoots objects, glimpses of landscapes, fragments of bodies.
Finarte
Apr. 23, 2024
Paolo Gioli (1942-2022) - Etruschi, 1984
Est: €2,500 - €3,500
Two painted polaroids applied on original cardboard cm 25 x 35 | 9.8 x 13.8 in. Unique work Titled, signed and dated in pencil on the cardboard recto A great experimenter, Paolo Gioli has always moved in a heterodox expressive dimension, where research on the language of photography has always been privileged, realised by resorting to the most ductile materials such as Polaroids, which, from simple sensitive materials with immediate development, in hands like his have been transformed into artistic works worthy of wonder. The use of ancient tools that he loves so much, such as the pinhole - a tiny hole, the pinhole, as a lens - is in him aimed at a reinterpretation of the past in a contemporary key where the boundaries between genres are cancelled. This can be seen in front of the frames of two experimental films by Vampa Production that are well known among insiders and less so by the general public: 'The Pierced Operator' and 'The Man Without a Camera'. The former reuses a clip from an anonymous Pathé film manipulated by inserting other images in the perforation that obstruct the vision of an operator in action, the latter (which cites, inverting it, the title of Dziga Vertov's film) is made with a self-produced camera, a hollow metal rod, equipped with a manual drag that shoots objects, glimpses of landscapes, fragments of bodies.
Finarte
Apr. 23, 2024
Paolo Gioli (1942-2022) - "Film Stenopeico" (L'Uomo senza Macchina da Presa), 1970
Est: €1,500 - €2,500
Two polaroids applied on original cardboard cm 10,8 x 17,3 (cm 12,2 x 17,8 cardboard) | 4.3 x 6.8 in. (4.8 x 7 in. cardboard) Unique work Label with photographer's notes in black ink on the cardboard verso A great experimenter, Paolo Gioli has always moved in a heterodox expressive dimension, where research on the language of photography has always been privileged, realised by resorting to the most ductile materials such as Polaroids, which, from simple sensitive materials with immediate development, in hands like his have been transformed into artistic works worthy of wonder. The use of ancient tools that he loves so much, such as the pinhole - a tiny hole, the pinhole, as a lens - is in him aimed at a reinterpretation of the past in a contemporary key where the boundaries between genres are cancelled. This can be seen in front of the frames of two experimental films by Vampa Production that are well known among insiders and less so by the general public: 'The Pierced Operator' and 'The Man Without a Camera'. The former reuses a clip from an anonymous Pathé film manipulated by inserting other images in the perforation that obstruct the vision of an operator in action, the latter (which cites, inverting it, the title of Dziga Vertov's film) is made with a self-produced camera, a hollow metal rod, equipped with a manual drag that shoots objects, glimpses of landscapes, fragments of bodies.
Finarte
Oct. 11, 2023
Paolo Gioli (1942-2022) - Van Gogh dietro il quadrato, 1981
Est: €1,800 - €2,500
Polaroid applied on transfer polaroid, mounted on original passepartout cm 35,5 x 25,5 (cm 49,4 x 40 passepartout) | 13.9 x 10 in. (19.4 x 15.7 in. passepartout) Unique work Titled, signed and dated in pencil on the image with caption printed on the passepartout recto
Finarte
Oct. 11, 2023
Paolo Gioli (1942-2022) - Volto inciso, 1978
Est: €1,800 - €2,500
Polaroid applied on original cardboard, mounted on original passepartout cm 28,5 x 22,5 (cm 35 x 25 cardboard ; cm 49,6 x 40 passepartout)| 11.2 x 8.8 in. (13.7 x 9.8 in. cardboard ; 19.5 x 15.7 in. passepartout) Unique work Titled in black ink and signed and dated in blue ink on the white inferior recto margin with caption printed on the passepartout recto
Finarte
Jun. 29, 2023
PAOLO GIOLI. "PHOTOFINISH FACE THROUGH AN IMAGE BY A. KERTESZ, 2002"
Est: €2,500 - €4,000
PAOLO GIOLI (Rovigo 1942-2022). Gelatin-silver print "FACE PHOTOFINISH THROUGH AN IMAGE BY A. KERTESZ, 2002". Signed, titled and dated in pen on the back. 15x20cm 18x24cm on paper. PAOLO GIOLI (Rovigo 1942-2022). Stampa alla gelatina e ai sali d'argento "FOTOFINISH VOLTO ATTRAVERSO UN'IMMAGINE DI A. KERTESZ, 2002". Firma, titolo e data a penna sul retro. 15x20 cm 18x24 cm su carta.
Viscontea Casa d'Aste s.r.l.
May. 10, 2023
PAOLO GIOLI without title
Est: €800 - €1,200
signed and dated upper right
Fidesarte Italia SRL
Mar. 16, 2023
Paolo Gioli (1942-2022) - Dietro il volto, 2011
Est: €10,000 - €15,000
Giant polaroid with intervention in acrylic cm 70 x 55,5 | 27.6 x 21.9 in. Unique work Titled, signed and dated in black ink with photographer's credit blind stamp on the white inferior recto margin
Finarte
Dec. 15, 2022
PAOLO GIOLI Painting "ABSTRACT SUBJECT"
Est: €1,200 - €1,500
PAOLO GIOLI (Rovigo 1942-2022). Mixed technique on paper depicting "ABSTRACT SUBJECT". Signed and dated '64 lower left. In frame. PAOLO GIOLI (Rovigo 1942-2022). Tecnica mista su carta raffigurante "SOGGETTO ASTRATTO". Firmata e datata '64 in basso a sinistra. In cornice.
Viscontea Casa d'Aste s.r.l.
Nov. 18, 2022
PAOLO GIOLI FACE
Est: €1,000 - €1,200
signature and date lower left and back
Fidesarte Italia SRL
Oct. 07, 2021
Paolo Gioli (1942) - Volto attraverso part. di una immagine di A. Kertész, 2002
Est: €1,500 - €2,500
Vintage gelatin silver print Signed, titled and dated in black ink on the verso This lot is subject to Artists Resale Rights
Finarte
Jun. 17, 2021
Paolo Gioli (Italian, b. 1942) A pair of works (Il Corpo Deli Autoritratto, 1983; Untitled (leaf), 1984)
Est: $2,000 - $4,000
Paolo Gioli (Italian, b. 1942) A pair of works (Il Corpo Deli Autoritratto, 1983; Untitled (leaf), 1984) pinhole camera polaroid and printed color process signed, titled, and dated (recto) largest: 10 x 7 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Please Note: This lot is located in and will ship from Denver, Colorado.
Freeman’s | Hindman
Jun. 17, 2021
Paolo Gioli (Italian, b. 1942) A pair of polaroids (Untitled (double portrait of man with beard), 1984; Courbet, 1984)
Est: $2,500 - $3,500
Paolo Gioli (Italian, b. 1942) A pair of polaroids (Untitled (double portrait of man with beard), 1984; Courbet, 1984) polaroid transfer prints signed, titled, and dated (recto) largest: 9 1/2 x 13 1/2 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Please Note: This lot is located in and will ship from Denver, Colorado.
Hindman
Jun. 17, 2021
Paolo Gioli (Italian, b. 1942) A pair of polaroids (Ritratto di Carla, 1985; Omaggio Impuro a Bayard, 1983)
Est: $2,500 - $3,500
Paolo Gioli (Italian, b. 1942) A pair of polaroids (Ritratto di Carla, 1985; Omaggio Impuro a Bayard, 1983) polaroid (pinhole camera) signed, titled, and dated (recto) largest: 26 x 19 3/4 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Please Note: This lot is located in and will ship from Denver, Colorado.
Freeman’s
Jun. 17, 2021
Paolo Gioli (Italian, b. 1942) A group of three polaroids (Untitled (Double Male Portrait), 1985; Omaggio a Muybridge, 1985; L'uomo con il Petto di Donna, 1985)
Est: $3,000 - $5,000
Paolo Gioli (Italian, b. 1942) A group of three polaroids (Untitled (Double Male Portrait), 1985; Omaggio a Muybridge, 1985; L'uomo con il Petto di Donna, 1985) polaroid prints signed, titled, and dated (recto) largest: 27 1/2 x 20 inches. Property from the Ginny L. Williams Collection, Denver, Colorado Please Note: This lot is located in and will ship from Denver, Colorado.
Hindman
Jun. 17, 2021
Paolo Gioli, Untitled, 1980 (N)
Est: €1,500 - €2,000
Signed and dated in ballpoint pen on the verso. Mounted to card, signed, dated and detailed notes on the exposure in pencil below the image on the mount. The original template, a collage of a hand-tinted photogravure and transparent colour foil, affixed to the reverse of the mount.
Kunsthaus Lempertz KG
Apr. 22, 2021
PAOLO GIOLI "DETAIL" FROM THE NATURAE SERIES
Est: €2,500 - €3,000
signature date and title below
Fidesarte Italia SRL
Apr. 22, 2021
PAOLO GIOLI SILHOUETTE THROUGH PHOTO FINISH
Est: €2,000 - €2,500
signature date and title on the back
Fidesarte Italia SRL
Mar. 17, 2021
Paolo Gioli (1942) - Luciana Mulas, 1978
Est: €1,000 - €1,500
Polaroid Dated and signed in black ink on the white inferior recto margin This lot is subject to Artists Resale Rights
Finarte
Sep. 25, 2020
PAOLO GIOLI Vulva (contatto riflesso)
Est: €1,200 - €1,800
FIRMA DATA E TITOLO A PENNA SUL CARTONCINO DI SUPPORTO
Fidesarte Italia SRL
Sep. 25, 2020
PAOLO GIOLI Polaroid - B/N
Est: €1,500 - €2,000
FIRMA E DATA A PENNA SUL CARTONCINO DI SUPPORTO
Fidesarte Italia SRL
Oct. 26, 2019
PAOLO GIOLI Il corpo dell'autoritratto
Est: €2,000 - €2,500
firma data e titolo in basso
Fidesarte Italia SRL
Oct. 26, 2019
PAOLO GIOLI senza titolo
Est: €2,000 - €2,500
firma al retro
Fidesarte Italia SRL
Oct. 26, 2019
PAOLO GIOLI Volto attraverso particolare di un'immagine di Kertész, dalla serie Photofinish
Est: €3,000 - €4,000
firma data e titolo al retro
Fidesarte Italia SRL
Apr. 18, 2019
Paolo Gioli - Vessazioni. Dietro il volto
Est: €10,000 - €12,000
Giant polaroid with intervention in acrylic Unique piece Titled, signed and dated in black ink on the inferior recto margin Photographer's blind stamp in the inferior right margin Signed, dated and titled in black marker on the verso This lot is subject to Artists Resale Rights
Finarte