Painter, Lithographer, Etcher, Flower painter, b. 1853 - d. 1890
Vincent Van Gogh's prints depict flowers, landscapes, and street scenes set in the late 19th century. Born in 1853, he worked as an art dealer and then as a preacher before discovering his artistic calling. After several years working with Dutch artists, he moved to Paris where the Impressionists inspired him. His artistic career was haunted by mental illnesses that profoundly influenced his work.
Vincent Van Gogh's drawings and paintings are bold, colorful, and spontaneous. Although a relatively unknown artist during his life, his techniques greatly influenced 20th century art after his suicide at the age of 37. As his fame grew, the value of Vincent Van Gogh's prints increased. His original masterpieces such as The Starry Night and Irises have fetched immense prices, but many Vincent Van Gogh prints are still available. View life through another's eyes, and treat yourself to the world of splendid genre prints for sale online.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now displayed at the Yale University Art Gallery in New Haven, CT. This piece is matted and framed in a wooden frame. With frame, it measures 12.5 inches x 15.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled Boats at Sainte Maries. It is after the original which was painted in 1888, and is now displayed at the Hermitage Museum in St Petersburg, Russia. This piece was produced by Shorewood Reproductions, Inc. This piece is matted and framed in a red frame. With frame, it measures 25.5 inches x 27.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled Girasoli. It is after the original which was painted in 1888, and is now displayed at the National Gallery in London. This piece is matted and framed in a golden frame. With frame, it measures 10 inches x 13 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled Girasoli. It is after the original which was painted in 1888, and is now displayed at the National Gallery in London. This piece is matted and framed in a golden frame. With frame, it measures 10 inches x 13 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now displayed at the Yale University Art Gallery in New Haven, CT. This piece is matted and framed in a wooden frame. With frame, it measures 12.5 inches x 15.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now owned by Yale University in CT. This piece was produced by The New York Graphic Society in the United States. This piece is matted and framed in a golden frame. With frame, it measures 28.5 inches x 33.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled Boats at Sainte Maries. It is after the original which was painted in 1888, and is now displayed at the Hermitage Museum in St Petersburg, Russia. This piece was produced by Shorewood Reproductions, Inc. This piece is matted and framed in a red frame. With frame, it measures 25.5 inches x 27.5 inches. This piece was acquired from a Virginia estate.
This is a pack of 80 Offset Lithographs by van Gogh, titled "The Postman". The overall size of each Offset Lithograph measures 16.5 x 11.75 inches. The Offset Lithographs are Unsigned from an edition of 500. The condition of the Offset Lithographs has been rated as follows: A: Mint Here are some additional details about the van Gogh: This exhibition poster showcases The Postman, one of Vincent van Gogh’s iconic portraits of Joseph Roulin, painted in 1888 during the artist’s time in Arles, France. The artwork celebrates Van Gogh's deep friendship with Roulin, a local postman whose warm, expressive face became a recurring subject in Van Gogh's work. The poster was created to promote the 2007 retrospective show accompanying the publication of "Die andere Sammlung: Hommage an Ernst und Hildy Beyeler", a book celebrating the history and legacy of the Fondation Beyeler and its founders, Ernst and Hildy Beyeler.. Again, this lot is for 80 of the SAME Offset Lithograph, NOT a mixed or assorted group.
This is a pack of 25 Offset Lithographs by van Gogh, titled "Irises in a Vase". The overall size of each Offset Lithograph measures 27 x 30 inches. The Offset Lithographs are Unsigned . The condition of the Offset Lithographs has been rated as follows: A: Mint Here are some additional details about the van Gogh: Irises in a Vase by Vincent van Gogh was originally painted in 1888. This painting falls within his Arles period, a time when van Gogh was living in the South of France and producing some of his most iconic works. His final year of life, however, was 1890, and the exhibition poster from 2016 reflects his later years in terms of showcasing his celebrated works.. Again, this lot is for 25 of the SAME Offset Lithograph, NOT a mixed or assorted group.
Nach "Homme à la Pipe: Portrait du Docteur Gachet (1890)". Druckgraphik, im Druck dat. und verso Stempel "J.B. Neumanns Kupferhandpressendruck". Bildmaß ca. 18x 14,8 cm. PP., R.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now displayed at the Yale University Art Gallery in New Haven, CT. This piece is matted and framed in a wooden frame. With frame, it measures 12.5 inches x 15.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now owned by Yale University in CT. This piece was produced by The New York Graphic Society in the United States. This piece is matted and framed in a golden frame. With frame, it measures 28.5 inches x 33.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled Boats at Sainte Maries. It is after the original which was painted in 1888, and is now displayed at the Hermitage Museum in St Petersburg, Russia. This piece was produced by Shorewood Reproductions, Inc. This piece is matted and framed in a red frame. With frame, it measures 25.5 inches x 27.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now owned by Yale University in CT. This piece was produced by The New York Graphic Society in the United States. This piece is matted and framed in a golden frame. With frame, it measures 28.5 inches x 33.5 inches. This piece was acquired from a Virginia estate.
Signed in print on the lower right corner, numbered 129/500 on the lower left corner, COA present on reverse. Frame measures approximately 21.75in x 24.25in. Artwork measures approximately 11in x 13.75in. Some scuffs and scratches present on frame. NR12590 BP
Vincent Van Gogh (1840-1926) lithograph titled Boats at Sainte Maries. It is after the original which was painted in 1888, and is now displayed at the Hermitage Museum in St Petersburg, Russia. This piece was produced by Shorewood Reproductions, Inc. This piece is matted and framed in a red frame. With frame, it measures 25.5 inches x 27.5 inches. This piece was acquired from a Virginia estate.
Signed in print on the lower right corner, numbered 126/500 on the lower left corner, COA present on reverse. Frame measures approximately 22.5in x 25.5in. Artwork measures approximately 11in x 13.75in. Some scuffs present on frame. NR12590 BP
Gogh, Vincent van (1853-1890) (formerly attrib.). Lying Cow. Oil on canvas, 1882/ 1883, 19x47,5 cm., unsigned, framed.- The canvas was possibly trimmed in upper margin (likely to fit the current strainer) and is partly sl. deformed with some damages around the corroded tacks on the sides; however the painting kept its original appearance. The paint is in moderate, fragile condition with a few small losses of paint mainly in the upper margin. The cow itself is in quite good condition, with hardly any paint loss nor retouches or overpaint present. = J. Hulsker, The New Complete Van Gogh, no.389 (Amst., 1996). J.-B. de la Faille, The Works of Vincent van Gogh, no.F1c (Amst., 1970): "Provenance: Ed. van Biema, The Hague (according to him formerly in the collection of [art dealer] C. Mouwen jr, Breda and M. Janssen, Breda [shop owner across the street from Mouwen]); F.P. Hirschel, Amsterdam; Franz Heinz, Locham near Munich; Private collection, New York Sale Parke-Bernet, 11 November 1959, [lot] 41” (p.1). A photocopy of the Parke-Bernet sale catalogue (with an illustration of this painting) is supplied with the lot, together with a photocopy of the manuscript certificate of authenticity by De la Faille (referred to in the description of lot 41: La Vache). William Lustgarten bought the painting in the Parke-Bernet sale of 1959 and after that its whereabouts were unknown until 2023, when the present owner bought it at an online auction at Catawiki. The current owner has had the painting examined by the Van Gogh Museum on art historical and technical grounds. The report of this examination, which is available for potential buyers, casts doubt on the authenticity of the work, even though it was long considered to be a genuine Van Gogh for (partly unverified) assumptions concerning its provenance. The main art historical argument for their doubt is that, together with one other similar painting of a lying cow attributed to Van Gogh from the same early period, it stands alone in his oeuvre. Regarding the technical argument, the researchers state that the painting shows little material similarity with the few Van Gogh paintings from those early years that they have examined. As the research team states, the only painting of a cow with which they could compare this painting was examined by them in 2000. On the basis of that examination, the painting was sold as a genuine Van Gogh by K-Auctions in Seoul in 2008 for just above 2.000.000 USD. The research team also states that only a few other paintings from Van Gogh’s early “Haagse periode” have undergone such a thorough study as the present painting. So even though they cannot with 100% certainty declassify it as a work by Van Gogh, the Van Gogh Museum research team considers it to be an artwork NOT by the hand of Van Gogh.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Oil painting on canvas titled Imperial Fritillaries in a Copper Vase after the Dutch Post Impressionist painter Vincent Van Gogh (Netherlands, 1853-1890). Depicts yellow orange fritillary flowers arranged in a rounded copper vessel against a textured, pointillist style background. Artist first name upper right corner. Stamped on the canvas on verso with the Museums of France Brushstrokes Collection stamp marking and inscription. Accompanied with a printed COA from Brushstrokes having an edition size, this one being number 242 of 980 produced. Presented in an ornate gold colored frame. Work Size: 30x24 in. Dimensions: 37.75 X 31.75 X 2.5 in. Condition: Good overall condition having normal surface wear. Frame exhibiting storage wear to the edges and the corners. Note: This condition statement is provided as a courtesy and reflects an opinion, not a statement of fact. Bidders are encouraged to inspect items in person or through an agent to assess condition. Estate fresh to the market. Shipping: Please arrange shipping through Mr. Ship Pro at [email protected]. Pickup from our gallery is available upon request..
Vincent Van Gogh (1840-1926) lithograph titled The Night Cafe. It is after the original which was painted in 1888, and is now owned by Yale University in CT. This piece was produced by The New York Graphic Society in the United States. This piece is matted and framed in a golden frame. With frame, it measures 28.5 inches x 33.5 inches. This piece was acquired from a Virginia estate.
Property from the Collection of Marina Picasso Vincent van Gogh (1853 - 1890) Woman in a Wood (recto); Boat on the Beach with Figures (verso) watercolor and graphite on paper 14 ⅛ by 9 ⅞ in. 36 by 25 cm. Executed in the Hague in September-October 1882. The authenticity of this work has been confirmed by the Van Gogh Museum, Amsterdam.
Vincent Van Gogh (1840-1926) lithograph titled Boats at Sainte Maries. It is after the original which was painted in 1888, and is now displayed at the Hermitage Museum in St Petersburg, Russia. This piece was produced by Shorewood Reproductions, Inc. This piece is matted and framed in a red frame. With frame, it measures 25.5 inches x 27.5 inches. This piece was acquired from a Virginia estate.
Vincent Van Gogh (1840-1926) limited edition, textured print titled The Dance Hall at Aries. It is after the original which was painted in 1888, and is now displayed in the Musee d’Orsay. This is a limited edition, it being 52 of 980. This piece was produced is part of the Museums of France Brushstrokes Collection and was made by Atelier America Inc in Canada. This piece is mounted and framed in an ornate golden frame. With frame, it measures 32 inches x 38 inches. This piece was acquired from a Virginia estate and has a detailed, printed label on the verso canvas.
Artist: Vincent van Gogh, Dutch (1853 - 1890) Title: La Mousme Year: of Original: 1888 Medium: Offset Lithograph Size: 28 x 22.5 in. (71.12 x 57.15 cm)
Vincent Van Gogh (1840-1926) print on canvas titled Hortensia Suze Ter Gast after the original which was painted in 1890, and is now displayed in the Kyushu National Museum in Japan. This print on canvas is matted and framed in a simple golden frame. With frame, it measures 41 inches x 55 inches. This piece was acquired from a Metro Washington DC estate.
Vincent Van Gogh (1840-1926) limited edition, textured print titled The Dance Hall at Aries. It is after the original which was painted in 1888, and is now displayed in the Musee d’Orsay. This is a limited edition, it being 52 of 980. This piece was produced is part of the Museums of France Brushstrokes Collection and was made by Atelier America Inc in Canada. This piece is mounted and framed in an ornate golden frame. With frame, it measures 32 inches x 38 inches. This piece was acquired from a Virginia estate and has a detailed, printed label on the verso canvas.
Vincent van Gogh 1853 - 1890 Sower (Front View) bears the signature Vincent (lower right) pencil on paper 48,5 x 24,1 cm; 19 x 9½ in. Executed in The Hague in December 1882. The authenticity of this work has been confirmed by the Van Gogh Museum, Amsterdam.
Vincent Van Gogh (1853-1890) – Circle, the dance hall in Harles. Oil on canvas. 65 x 81 cm. Possibly a contemporary version of the famous painting on untouched old canvas with age cracks and small damages. Framed.
(2) Vincent Van Gogh (1853-1890) Catalogues from 1928, As Is. The catalogues are from French and Belgian exhibitions of his work, almost forty years after the artist's tragic death. Condition: Commensurate with age. Size: 10 1/2 x 13 in. Vincent Willem van Gogh was born on March 30th, 1853 in Groot-Zundert in the North Brabant province of the Netherlands. From an early age he was fascinated by art, and his art dealer uncle helped him obtain a position at the dealership Goupil & Cie in The Hague in 1869. Although financially successful there he experienced intense mood swings, influenced by his profoundly religious minister father and the rejection of his landlady’s daughter, and he became a vocal critic of the trend of “growing commodification of art,” abruptly quitting in 1875. He became a Methodist minister’s assistant in Ramsgate, England, often doodling or translating passages from the Bible into English, French, and German. To support his religious conviction the family sent him to live with his uncle Johannes Stricker, a respected theologian, in Amsterdam. He failed the University of Amsterdam theology entrance exam, as well as a three-month course at a Protestant missionary school in Laken, near Brussels. He took up a post as a missionary at Petit-Wasmes in the working class district of Borinage in Belgium, but his adherence to humble living led him to being dismissed for “undermining the dignity of the priesthood.” Distraught, his parents threatened to commit him to a lunatic asylum in Geel, so Van Gogh lived in Cuesmes, the most destitute part of Borinage, surrounded by miners and coal workers. Inspired by them and the scenery, he began to draw after his brother Theo suggested that he try taking up art in earnest. On Theo’s recommendation he studied with the Dutch artist Willem Roelofs, who persuaded him to attend the Academie Royale des Beaux-Arts in 1880, where he studied anatomy and the standard rules of modeling and perspective. In 1881 he proposed marriage to his cousin Cornelia (which she emphatically rejected), and lit his left hand on fire with a lamp in despair (which did little to help his case). On the advice of his second cousin, the successful artist Anton Mauve, Van Gogh began to experiment with charcoal and pastels, eventually studying watercolors and oil painting under him directly. Although he had a falling out with Mauve he discovered a fervent love of oils, buying canvases and paints with money borrowed from his brother Theo. While painting weavers and their cottages in Nuenen he fell in love with his neighbor Margot Begemann, but neither family approved of them getting married. 1885 was a difficult year for Van Gogh, as Begemann attempted suicide and his father died of a heart attack. He moved to Antwerp and lived above a paint dealer’s shop, spending all the money Theo sent him on painting materials and models and living on bread, coffee, and tobacco. He studied color theory and became enamored with Japanese ukiyo-e woodcuts, which he collected even during an extended period of hospitalization in 1886 for syphilis and alcohol poisoning. He took exams to study at the Academy of Fine Arts in Antwerp, but his unconventional painting led him into conflict with many of the teachers and students there, and he moved to Paris to stay in Theo’s apartment in Montmartre. Exposed to Pointillism and Neo-Impressionism, his style changed into what would become one of the most famous and influential looks of the Post-Impressionist movement. However, he and his brother quarreled constantly, and Van Gogh moved to Asnieres, where he befriended Paul Gauguin and Toulouse-Lautrec. In 1888 he sought fresher air in Arles, hoping to start an artist’s colony. After a prolonged series of arguments with Gauguin as their relationship began to deteriorate, Van Gogh began to hear voices and severed his left ear with a straight razor on December 23rd. Diagnosed with “acute mania with generalised delirium,” Van Gogh returned to work, now suffering from hallucinations, and voluntarily committed himself to an asylum in 1889, where he produced some of his most unique works including Lilacs and The Starry Night. His output was barely affected by long periods of depression and mania, with many of the hundreds of letters between he and Theo written during this time indicating his growing hopelessness. In 1890 his avant-garde work was given several exhibitions, and he moved out of the asylum to live in Auvers-sur-Oise. One of his last works, Wheatfield with Crows, was completed mere days before he shot himself in the chest with a revolver on July 27th, 1890. He died from an infection of the wound two days later, with Theo by his side. The most accepted retrospective diagnosis for his behavior is bipolar disorder exacerbated by malnutrition, insomnia, alcohol, and lead poisoning from his frequent habit of holding his paint brushes, drenched in thick oils, in his mouth while working. Barely appreciated at the time of his death, with only a single painting sold in his own lifetime, he is now considered one of the greatest artists who ever lived, whose melancholy visions translated into incredibly haunting and profound reflections of the human spirit. In just over a decade of his working life he created approximately 2,100 artworks, including around 860 oil paintings. Thanks in particular to the Fauves and the German Expressionists, Van Gogh’s work gained widespread critical and commercial success in the following decades, and he has become a lasting icon of the romantic ideal of the “tortured artist.” Today his works are among the world’s most expensive paintings ever sold. His legacy is celebrated by the Van Gogh Museum in Amsterdam, which holds the world’s largest collection of his paintings and drawings. #5513 .
Vincent Van Gogh in Arles Exhibition Poster Metropolitan Museum of Arts October 18 - December 30, 1984. In brass coloured frame, measures 35 x 24 inches. Small chip to glass in lower right corner.
High Quality Print by Vincent Van Gogh (1853-1890). Entitled "Basket with Apples". Executed in The Hague Netherlands c.1910. Comes with COA from Global Fine Art. Frame has minor chipping on corners. Measures 22.5" tall x 24" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping options, please read the shipping terms to understand your options. We also offer Pick-Ups Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.
Vincent Van Gogh (1840-1926) print on canvas titled Hortensia Suze Ter Gast after the original which was painted in 1890, and is now displayed in the Kyushu National Museum in Japan. This print on canvas is matted and framed in a simple golden frame. With frame, it measures 41 inches x 55 inches. This piece was acquired from a Metro Washington DC estate.
Vincent Van Gogh (1840-1926) limited edition, textured print titled The Dance Hall at Aries. It is after the original which was painted in 1888, and is now displayed in the Musee d’Orsay. This is a limited edition, it being 52 of 980. This piece was produced is part of the Museums of France Brushstrokes Collection and was made by Atelier America Inc in Canada. This piece is mounted and framed in an ornate golden frame. With frame, it measures 32 inches x 38 inches. This piece was acquired from a Virginia estate and has a detailed, printed label on the verso canvas.
Vincent van Gogh 1853 - 1890 Jardin public à Arles pen and ink on paper 13.3 by 17.2 cm. 5¼ by 6¾ in. Executed in September 1888. The authenticity of this work has been confirmed by the Van Gogh Museum, Amsterdam. This work has been requested for the exhibition Jewish Collections in Germany from 1890 to 1933 to be held at Bucerius Kunst Forum, Hamburg from 11 September 2026 – 28 March 2027.
Vincent Van Gogh. Limited edition , 38x28cm, phototype heliogravure,exceptional quality and size (38x28.5 cm) by Arts Edition Impression Ars Longa Vita Brevis
Vincent Van Gogh. Limited edition , 38x28cm, phototype heliogravure,exceptional quality and size (38x28.5 cm) by Arts Edition Impression Ars Longa Vita Brevis
VINCENT VAN GOGH (after) Limited Edition SUNFLOWERS, Produced and numbered in 2023 Certificate of Authenticity - Set of 3 skate decks Skateboard deck measures approx. 31x8in (80x20cm)
VINCENT VAN GOGH (after) Limited Edition ALMOND BLOSSOMS, Produced and numbered in 2023 Certificate of Authenticity - Set of 3 skate decks Skateboard deck measures approx. 31x8in (80x20cm)
