Painter, Lithographer, Etcher, Flower painter, b. 1853 - d. 1890
Vincent Van Gogh's prints depict flowers, landscapes, and street scenes set in the late 19th century. Born in 1853, he worked as an art dealer and then as a preacher before discovering his artistic calling. After several years working with Dutch artists, he moved to Paris where the Impressionists inspired him. His artistic career was haunted by mental illnesses that profoundly influenced his work.
Vincent Van Gogh's drawings and paintings are bold, colorful, and spontaneous. Although a relatively unknown artist during his life, his techniques greatly influenced 20th century art after his suicide at the age of 37. As his fame grew, the value of Vincent Van Gogh's prints increased. His original masterpieces such as The Starry Night and Irises have fetched immense prices, but many Vincent Van Gogh prints are still available. View life through another's eyes, and treat yourself to the world of splendid genre prints for sale online.
Ink on paper Inscribed on the reverse Dimensions: 13 × 19 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Sepia on paper Dated “30 mars 1836” on the front Inscribed on the reverse Dimensions: 6.5 × 10 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Pencil on paper Inscribed on the reverse. Dimensions: 18.5 × 26 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Charcoal on paper Inscribed on the reverse Dimensions: 13.2 ×16 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Oil on panel Signed lower left Dimensions: 17.2 × 25.5 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Vincent Van Gogh 'Irises' lithograph. Signed in the plate lower right. Numbered in pencil 39/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 3/4".
Vincent van Gogh Portrait of Dr Gachet - L'homme à la pipe Braunrote Farbradierung auf Bütten, Druck von Paul-Ferdinand Gachet / Brownish-red colour etching on laid paper, printed by Paul-Ferdinand Gachet 1890 18,1x14,8 cm, Plattenkante; 30,2x21,9 cm, Blattgrösse / 18.1x14.8 cm, plate mark; 30.2x21.9 cm, sheet size Signatur / Signature Am Unterrand in Tusche von Paul Gachet handschriftlich bezeichnet "L'homme à la pipe (inédit) / Eau-forte unique de Vincent van Gogh" At the lower edge inscribed in ink by Paul Gachet "L'homme à la pipe (inédit) / Eau-forte unique de Vincent van Gogh" Werkverzeichnis / Catalogue Raisonné Sjraar van Heugten/Fieke Pabst, The Graphic Work of Vincent van Gogh, Zwolle 1995, Nr. 10.23 Sjraar van Heugten/Fieke Pabst, The Graphic Work of Vincent van Gogh, Zwolle 1995, no. 10.23 Provenienz / Provenance Slg. Paul Ferdinand Gachet, Auvers-sur-Oise Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913b Collection Paul Ferdinand Gachet, Auvers-sur-Oise The Eberhard W. Kornfeld Collection, Bern, with the collector's stamp on the back, Lugt 913b Literatur / Literature Hans Christoph von Tavel, Der Blaue Reiter, Ausstellungskatalog, Bern 1986, Nr. 156 Hans Christoph von Tavel, Der Blaue Reiter, Ausstellungskatalog, Bern 1986, no. 156 Ausstellungen / Exhibitions Basel/Høvikodden 1975/1976, Kunstmuseum/Henie Onstad Kunstsenter, Meisterwerke der Graphik von 1800 bis zur Gegenwart, Eine Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 91 Salzburg/Winterthur 1984/1985, Rupertinum/Kunstmuseum, Von Goya bis Warhol, Meisterwerke der Graphik des 19. und 20. Jahrhunderts aus einer Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 87 Basel/Høvikodden 1975/1976, Kunstmuseum/Henie Onstad Kunstsenter, Meisterwerke der Graphik von 1800 bis zur Gegenwart, Eine Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], cat. no. 91 Salzburg/Winterthur 1984/1985, Rupertinum/Kunstmuseum, Von Goya bis Warhol, Meisterwerke der Graphik des 19. und 20. Jahrhunderts aus einer Schweizer Privatsammlung [Slg. Eberhard W. Kornfeld], cat. no. 87 Zustand / Condition Blatt minim gebräunt mit leichten Stockflecken, rückseitig mit Montierungsresten. In guter Erhaltung Sheet slightly browned with light foxing, traces of old mounting on the reverse. In good condition Erläuterungen / Comments Der aus der Stadt Lille stammende Arzt Paul-Ferdinand Gachet (1828-1909) war in seinem Fachgebiet seiner Zeit weit voraus. Er war Homöopath und suchte Heilung durch den Einsatz von Pflanzen. Nach seiner Promotion eröffnete er 1859 eine Praxis in Paris. Schon bald verkehrten dort Künstlerpersönlichkeiten wie Cézanne, Pissarro, Manet, Degas, Renoir oder Monet. 1872 erwarb er ein Haus in Auvers-sur-Oise, in dem er reichlich Platz hatte, um seinen künstlerischen Neigungen nachzugehen. Er richtete sich ein Atelier ein, kaufte eine Druckerpresse und begann unter dem Pseudonym Paul von Ryssel (Monogramm "PvR") zu radieren. Der Name heisst auf Flämisch Lille. Paul Cézanne und Camille Pissarro druckten zusammen mit Gachet. Am 21. Mai 1890 reiste Vincent van Gogh auf Anraten seines Bruders Theo nach Auvers-sur-Oise und mietete ein einfaches Zimmer in der Herberge der Familie Ravoux am Place de la Mairie. Danach nahm er Kontakt zu Gachet auf; ein erstes gemeinsames Mittagessen ist für Pfingstsonntag, den 25. Mai, belegt. Van Gogh arbeitete während seines Aufenthalts in Auvers-sur-Oise intensiv. Neben zahlreichen Landschaftsbildern malte er zwei Porträts von Dr. Gachet. In den beiden sich ähnelnden Ölgemälden stellte van Gogh den Arzt mit einem Zweig des Fingerhutes dar, einer Pflanze, der heilende Kräfte zugeschrieben werden (de la Faille 753 und 754). Am 15. Juni drückte Gachet van Gogh eine fertig präparierte Druckplatte in die Hand, auf der der Künstler ein Porträt Gachets festhielt, das sich frei an die beiden Ölbilder anlehnte. In einem Brief vom 17. Juni an Theo schrieb Vincent van Gogh: "Ich möchte gerne einige Radierungen nach Motiven aus dem Süden machen, sagen wir mal sechs, denn ich kann sie kostenlos bei Herrn Gachet drucken, er will sie gerne umsonst für mich abziehen. Das muss ich unbedingt machen." Zu diesen Landschaften ist es letztendlich nicht gekommen. Aus welchen Gründen Gachet auf der Platte mit dem Porträt das Datum "15. Mai" eingravierte, konnte bis heute nicht ermittelt werden. Ein Abzug aus der ersten Druckperiode, der wohl am Tag der Ätzung der Platte oder kurz später in enger Zusammenarbeit mit Gachet entstanden war, wurde Ende Juni an den Bruder Theo geschickt, der daraufhin antwortet: "Und nun muss ich dir etwas über deine Radierung sagen. Es ist eine richtige Maler-Radierung. Keinerlei Verfeinerung in der Technik, sondern eine Zeichnung auf Metall. Diese Zeichnung gefällt mir sehr gut - auch Boch gefiel sie. Komisch, dass Dr. Gachet so eine Presse hat. Die Maler jammern ja immer, dass sie mit ihren Problemen zum Drucker müssen […]". Das gute Einvernehmen zwischen van Gogh und Gachet kühlte sich Mitte Juli ab und man traf sich nicht mehr regelmässig. Dies erklärt, warum Gachet die veränderte melancholische Stimmung des Künstlers nicht bemerkte. Am 27. Juli verliess Vincent van Gogh das Gasthaus Ravoux nicht nur mit seinen Malutensilien, sondern auch mit einem Revolver. Am Abend desselben Tages schoss er sich auf einem Feldweg hinter dem kleinen Schloss von Auvers-sur-Oise eine Kugel in den Bauch. Van Gogh fiel in Ohnmacht, wachte aber wenig später auf und schleppte sich schwer verletzt in die Pension zurück. Ravoux, zutiefst erschrocken, legte den Verwundeten in ein Bett. Während der Nacht wachten Ravoux und Gachet, am Morgen übernahm sein Bruder Theo, der sich mit Vincent dann während Stunden unterhielt. Weshalb keine sofortige Einlieferung in eine Klinik veranlasst wurde, bleibt ein Rätsel. Van Gogh starb in den ersten Stunden des 29. Juli, vermutlich an einer Blutvergiftung. Das vorliegende Exemplar von "L'homme à la pipe" ist ein einzigartiges Zeugnis von van Goghs kraftvoller künstlerischer Ausdrucksweise. The physician Paul-Ferdinand Gachet (1828-1909), who came from the city of Lille, was far ahead of his time in his field. He was a homeopath and sought healing through the use of plants. After completing his doctorate, he opened a practice in Paris in 1859. Soon, artists such as Cézanne, Pissarro, Manet, Degas, Renoir, and Monet frequented his practice. In 1872, he acquired a house in Auvers-sur-Oise, where he had ample space to pursue his artistic inclinations. He set up a studio, bought a printing press, and began etching under the pseudonym Paul von Ryssel (monogram "PvR"). The name means Lille in Flemish. Paul Cézanne and Camille Pissarro printed together with Gachet. On 21 May 1890, Vincent van Gogh, on the advice of his brother Theo, traveled to Auvers-sur-Oise and rented a simple room at the inn of the Ravoux family at Place de la Mairie. He then made contact with Gachet; their first shared lunch is documented for Pentecost Sunday, 25 May. Van Gogh worked intensively during his stay in Auvers-sur-Oise. In addition to numerous landscapes, he painted two portraits of Dr. Gachet. In the two similar oil paintings, van Gogh depicted the doctor with a sprig of foxglove, a plant believed to have healing powers (de la Faille 753 and 754). On 15 June, Gachet handed van Gogh a prepared printing plate, on which the artist created a portrait of Gachet, freely based on the two oil paintings. In a letter to Theo dated 17 June, Vincent van Gogh wrote: "I’d like to make a few etchings based on scenes from the south – let’s say six – because I can have them printed for free by Mr Gachet; he’s happy to print them for me at no cost. I absolutely must do this." These landscapes ultimately did not come to fruition. The reasons why Gachet engraved the date "15. May" on the plate with the portrait remain unknown to this day. A proof from the first printing period, probably produced on the day the plate was etched or shortly thereafter in close collaboration with Gachet, was sent to his brother Theo at the end of June, who then replied: "And now I must tell you something about your etching. It’s a proper painter’s etching. There’s no technical refinement whatsoever; it’s simply a drawing on metal. I like this drawing very much – Boch liked it too. It’s odd that Dr Gachet has a press like that. Painters are always moaning that they have to go to the printer with their problems […]. The good relationship between van Gogh and Gachet cooled in mid-July, and they no longer met regularly. This explains why Gachet did not notice the artist's changed, melancholic mood. On 27 July, Vincent van Gogh left the Ravoux inn not only with his painting materials but also with a revolver. That same evening, he shot himself in the abdomen on a path behind the small château of Auvers-sur-Oise. Van Gogh lost consciousness, but soon awoke and, severely injured, dragged himself back to the inn. Ravoux, deeply shocked, laid the wounded man in a bed. During the night, Ravoux and Gachet kept watch; in the morning, his brother Theo took over, spending hours talking with Vincent. Why no immediate admission to a clinic was arranged remains a mystery. Van Gogh died in the early hours of 29 July, probably from blood poisoning. The present copy of "L'homme à la pipe" is a unique testament to van Gogh's powerful artistic expression. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 11.09.2026; 15:50 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 200.- Übrige Länder / Other countries: CHF 250.-
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Portrait of Joseph Roulin". Facsimile with pochoir hand coloring after the original ink drawing on laid paper. Floated in a vintage Louis XIV style carved wood and gilded frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 14 1/2 x 11 in. Sight Size: 12 1/2 x 9 1/2 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Peasant of the Camargue". Facsimile with pochoir hand coloring after the original brown ink over graphite drawing on laid paper. Floated in a vintage French transitional style carved and gilded frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 29 x 25 in. Sight Size: 19 x 14 1/2 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Thatched Cottage with Cypresses and Peasants". Facsimile with pochoir hand coloring after the original pencil drawing on laid paper. Floated and matted in an vintage Italian Cassetta style gilded and polychromed frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 16 1/2 x 13 1/2 in. Sight Size: 13 x 10 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Fishing Boats on the Beach at Saintes-Maries-de-la-Mer". Facsimile with ponchoir hand coloring after the original watercolor and pen and ink drawing on laid paper. Floated in a vintage ornate Baroque Spanish style gilded frame and silk mat. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 26 x 30 1/2 in. Sight Size: 15 x 21 1/2 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Gate in the Paris Ramparts". Facsimile with pochoir hand coloring after the original pencil, pen in brown ink, and transparent and opaque watercolor on laid paper. Floated and matted in an vintage Italian Cassetta style inverted profile gilded frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 18 x 22 in. Sight Size: 9 x 12 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Wheat Field with Cypresses at the Haude Galline near Eygalieres". Facsimile with pochoir hand coloring after the original ink drawing on laid paper. Floated in a vintage ornate Baroque frame style gilded frame and a linen liner. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 28 1/2 x 33 in. Sight Size: 16 1/2 x 22 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Old Vineyard with Peasant Woman". Facsimile with pochoir hand coloring after the original pencil, brush, and oil paint, and watercolor mixed media drawing on laid paper. Floated in a vintage Montparnasse style frame gilded and glazed frame and silk mat. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 31 1/2 x 27 1/2 in. Sight Size: 16 1/2 x 20 1/2 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Langlois Bridge at Arles". Facsimile with pochoir hand coloring after the original watercolor on laid paper. Floated in a vintage reverse profile Dutch style carved and gilded frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 17 x 17 in. Sight Size: 12 x 12 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Fountain in the Garden of Saint Paul Hospital". Facsimile with pochoir hand coloring after the original chalk, pen, and ink drawing on laid paper. Floated on silk board in an 18th century Italian or French gilded drawing frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. Condition: The frame shows shrinkage, chips, and old repairs. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 26 x 24 in. Sight Size: 17 7/8 x 16 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "The Starry Night" 1889. Facsimile with pochoir hand coloring after the original ink over graphite drawing on laid paper. Floated on silk matboard in a vintage Louis Philppe carved wood and gilded frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 25 x 29 1/2 in. Sight Size: 16 1/2 x 21 in.
Vincent van Gogh (1853-1890) Dutch, Limited Edition Lithograph "Harvest at La Crau, with Montmajour in the Background". Facsimile with pochoir hand coloring after the original pen and ink drawing on laid paper. Floated in a vintage ornate Montparnasse frame style gilded and glazed frame. From a portfolio published in Munich by Maries-Gesellschaft, R. Piper & Co. VINCENT VAN GOGH/AQUARELLE UND ZEICHNUNGEN: published in Munich by Marées-Gesellschaft, R. Piper & Co. in an edition of 150, 1919 With the Marees-Gesellschaft blindstamp. Overall Size: 27 x 33 in. Sight Size: 17 x 21 in.
VINCENT VAN GOGH [Dutch] 1853-1890 [manner of] "Trois Bateaux de Peche" oil on canvas, a signature lower right, 25x40cms, original frame. Condition is fine. Private Collection. Bernheim Jeune Paris 1933 Exposition label verso. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
Vincent Van Gogh 'At Eternity's Gate' lithograph. Signed in the plate lower right. Numbered in pencil 105/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Vincent Van Gogh 'Stairway at Auvers' lithograph. Signed in the plate lower right. Numbered in pencil 101/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Ink on paper Inscribed on the reverse Dimensions: 15.6 × 26.6 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Gouache on book cover Dimensions: 16.5 × 22.5 cm Inscribed on the reverse Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Vincent van Gogh 1853 - 1890 Vieux se chauffant signed Vincent (lower left) pencil, charcoal and pen and ink on paper 33.7 by 25 cm. 13¼ by 9⅞ in. Executed in 1881-82. The authenticity of this work has been confirmed by the Van Gogh Museum, Amsterdam.
Vincent van Gogh (1853–1890), copy after “The Bridge at Langlois with Washerwomen,” copy by P. Ern after the 1888 original, oil on canvas, inscribed “P. Ern. co.” lower left, 40 x 47 cm, framed 50 x 57 cm
"LETTERS FROM VINCENT VAN GOGH TO EMILE BERNARD" Paris: Ambroise Vollard, 1911. 4th, cover. (deteriorations in the hillock) 152 pages. + color sheet + 100 black reproductions + 2 h.
GOGH, Vincent van.- "ILLUSTRATED LETTERS TO THEO. Studies" B.: Ed. Planeta, 2009. Small folio, hardback with dust jacket. Illustrations, and facsimile letters, with transcriptions and comments.
Vincent van Gogh (1853–1890), copy after “Almond Blossoms,” anonymous copy, mid-20th century, oil on hardboard, unsigned, in need of cleaning, 60 x 30 cm, framed 62 x 32 cm
Vincent van Gogh (1853-1890) Dutch, "Man with the Sickle" Engraving Ink on Paper. Copper plate engraving printed in black ink on wove paper after the original in London in 1920. Depicts a figure hunched down low with the blade in hand. Comes with certificate of authenticity and prior bill of sale. Overall Size: 17 1/4 x 15 1/2 in. Sight Size: 7 x 5 1/4 in. Born in 1853 in the Netherlands, Vincent van Gogh initially pursued careers in art dealing and the ministry, though his intense religious fervor and volatile temperament led to failures in both fields. Upon the suggestion of his brother Theo, he turned to art in 1880, studying formally in Brussels and Antwerp while navigating a series of tragic, unrequited romances. His style evolved dramatically after moving to Paris in 1886, where exposure to Impressionism and Japanese prints transformed his palette into the vibrant, expressive look that defined his later masterpieces. However, his mental health declined severely in Arles, leading to the infamous incident where he severed his ear and his subsequent voluntary commitment to an asylum. Despite suffering from hallucinations and deep depression, this period was remarkably productive, resulting in iconic works such as The Starry Night. Van Gogh died from a self-inflicted gunshot wound in 1890 at age 37, leaving behind a massive body of work that eventually transformed him from a penniless, unknown painter into a global icon of the "tortured artist."
Titled: Peach Tree In Bloom. Both Frame And Image Are In Good Conditions. Frame Measures Approximately 29.5in X 21.5in. Artwork Measures Approximately 24in X 18in. Nr30784 Jj
Vincent Van Gogh (1853-1890) 38 reference books to include J. B. de la Faille 'L'Oeuvre de Vincent Van Gogh' catalogue raisonné in 4 volumes, 1928, and with J. B. de la Faille, 'Les Faux Van Gogh', 1930, published by Les Éditions G. Van Oest, Brussels, with a further 33 reference books on the artist, with title-pages, text and illustrations, all bound as published (38) To include: Vincent van Gogh (volume I & II) Julius Meier-Graefe/The Medici Society Ltd. 1922 Vincent van Gogh J.-B. de la Faille/Éditions Hypérion, Paris 1939 Van Gogh Théodore Duret/Bernheim-Jeune, Paris 1923 Vincent van Gogh Florent Fels/Henri Floury, Paris 1928 De Hollandsche Periode in het werk van Vincent Van Gogh Walter Vanbeselaere/De Sikkel, Antwerp 1937 L'Oeuvre de Vincent van Gogh - Catalogue Raisonné (volumes I-IV) J.-B. de la Faille/Les Éditions G. van Oest, Paris 1928 Les Faux van Gogh J.-B. de la Faille/Les Éditions G. van Oest, Paris 1930 Vincent van Gogh's Great Period W. Scherjon & Jos. de Gruyter/De Spieghel Ltd, Amsterdam 1937 Catalogue des Tableaux par Vincent van Gogh W. Scherjon/Société d'Editions A. Oosthoek, Utrecht 1937 Van Gogh - Exposition Internationale de 1937 Éditions Denoël, Paris 1937 Vincent van Gogh Marc Edo Tralbaut/The Viking Press, New York 1969 Van Gogh - Sämtliche Gemälde (volume I & II) Ingo F. Walther & Rainer Metzger/Taschen 1989 Vincent by himself ed. Bruce Bernard/Orbis Publishing, London 1985 Van Gogh - Ni Dieu ni Maître Jan Blanc/Éditions Citadelles & Mazenod 2017 The Works of Vincent van Gogh - His Paintings and Drawings J.-B. de la Faille/Weidenfeld and Nicolson, London 1970 Vincent van Gogh Meyer Schapiro/The Idehurst Press, London 1951 Van Gogh Louis Hautecoeur/Les Documents d'Art, Monaco 1946 Van Gogh - A Documentary Biography A.M. & Renilde Hammacher/Thames&Hudson 1982 The Seven Sketchbooks of Vincent van Gogh Johannes van der Wolk/Thames&Hudson 1987 Vincent van Gogh and the Birth of Cloisonism Bogomila Welsh-Ovcharov/Art Gallerry of Ontario 1981 Van Gogh in Saint-Rémy and Auvers Ronald Pickvance/The Metropolitan Museum of Art, New York 1986 Van Gogh in Arles Ronald Pickvance/The Metropolitan Museum of Art, New York 1984 Van Gogh in England - Portrait of the Artist as a Young Man Barbican Art Gallery, London 1992 Van Gogh und die Haager Schule Bank Austria Kunstforum, Vienna/Skira editore, Milan 1996 The Complete Letters of Vincent van Gogh (volumes I-III) Thames&Hudson, London 1958 Lettres de Vincent van Gogh à Emile Bernard Ambroise Vollard, Paris 1911 Vincent van Gogh - Drawings, Pastels, Studies W. Muensterberger/The Falcon Press, London 1947 signed to Mr Fischer by the author Die Selbstbildnisse Vincent van Goghs Fritz Erpel/Henschelverlag, Berlin 1963 Vincent van Gogh The Museum of Modern Art, New York 1935 Van Gogh's Life in his Drawings/Van Gogh's Relationship with Signac Marlborough Fine Art, London 1962 Van Gogh Pierre Cabanne/Thames&Hudson 1969 Van Gogh in Paris Eykyn Maclean, London 2013
Vincent van Gogh "Sunflowers" triptych Canadian maple wood Set of three skateboards, skateboard dimensions are 80 x 20 cm (each) With an Easyfix wall mount included. Authorized edition by the Van Gogh Museum
Property from an Important Private Collection Vincent van Gogh (1853 - 1890) La Moisson en Provence signed Vincent (lower right); titled (lower left) watercolor, gouache, charcoal, reed and quill pens and ink on paper laid down on board 19 ⅛ by 24 ⅛ in. 48.7 by 61.2 cm. Executed in June 1888. The authenticity of this work has been confirmed by the Van Gogh Museum, Amsterdam.
Vincent van Gogh triptych "Sunflowers" Canadian Maple Wood Set of three Skateboards, the dimensions of each skateboard are 80 x 20 cm With an Easyfix wall mount included. Authorized edition by Van Gogh Museum
Vincent van Gogh 'The Sheep Shearers' lithograph. Signed in the plate lower right. Numbered in pencil 145/200 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Vincent van Gogh 'Vase With Irises' lithograph. Signed in the plate lower right. Numbered in pencil 199/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Vincent van Gogh 'Bedroom in Arles' lithograph. Signed in the plate lower right. Numbered in pencil 56/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Vincent van Gogh 'The Hill of Montemartre with Stone Quarry' lithograph. Signed in the plate lower right. Numbered in pencil 65/250 and holds blindstamp lower left. Sheet measures 27 5/8" x 19 5/8".
Art Measure: 20w x 28h Frame Measure: 22w x 32h Title: La Mousmé Numbered: 15/99 Vincent van Gogh fine print titled "La Mousmé," based on one of the artist’s well-known portrait studies from his time in Arles. The composition reflects van Gogh’s distinctive approach to figure work, emphasizing expressive color and bold linework. Reproduced as a fine print, the piece captures the visual intensity and stylistic character associated with the original work. Van Gogh’s portraits from this period remain highly regarded for their emotional depth and lasting influence on modern art.
Art Measure: 11w x 14h Frame Measure: 21w x 25h Title: Houses at Auvers Numbered: 2/375 Vincent van Gogh lithograph titled "Houses at Auvers," based on one of the artist’s notable late-period compositions created during his time in Auvers-sur-Oise. The work reflects van Gogh’s distinctive approach to structure and atmosphere, emphasizing bold forms and expressive interpretation. Produced using lithographic techniques, the piece captures the tonal depth and detail associated with the medium. Van Gogh’s works from this period remain highly regarded for their historical significance and lasting influence on modern art.
Vincent van Gogh (1853–1890), copy after “Dr. Gachet’s Garden in Auvers,” copy by Ghanaian artist Daniel Saka Allotey, oil on canvas, signed and dated on the reverse (19)91, 76 x 55 cm, framed 80 x 59 cm
Vincent van Gogh (1853–1890), after, Rocky Hill with Trees, older facsimile from the first half of the 20th century, based on the original drawing held at the “Van Gogh Museum,” signed lower right on the original, 42 x 52 cm, framed under glass 46 x 56 cm
A landscape composition depicting a rural hillside with a winding track sweeping through foliage. Brisk, directional brushwork suggests shifting light and air. The surface is animated by textured strokes. Dimensions: Image: 34.2 x 48 cm. Framed: 44.9 x 57.7 cm. All measurements are approximate.
The composition presents a nocturnal landscape dominated by a dynamic sky with radiant stars and halos. Below, a village rests amid rolling hills and trees, rendered in bold, curvilinear strokes. The textured brushwork enhances the sense of motion. Dimensions: Image: 50 x 71.6 cm. All measurements are approximate.
![VINCENT VAN GOGH [DUTCH] 1853-1890 [MANNER OF] "TROIS BATEAUX DE PECHE" OIL ON CANVAS, A SIGNATURE LOWER RIGHT, 25X40CMS, ORIGINAL FRAME. PRIVATE COLLECTION.](https://image.invaluable.com/housePhotos/WAArtAuctions/69/817069/H4675-Loe1aiB8ycGFQy.jpg)
