Julio Gonzalez Paintings & Artwork for Sale | Julio Gonzalez Art Value Price Guide

Jun. 16, 2026
JULIO GONZÁLEZ PELLICER (Barcelona, 1876 - Arcueil, France, 1942). "Nature north", 1925. Oil on panel. Work reproduced in the Catalogue Raisonné . Provenance: Roberta González, daughter of the...
Est: €12,000 - €14,000
JULIO GONZÁLEZ PELLICER (Barcelona, 1876 - Arcueil, France, 1942). "Nature north", 1925. Oil on panel. Work reproduced in the Catalogue Raisonné . Provenance: Roberta González, daughter of the artist. Signed and dated on the lower left. Signed and titled on the back. Measurements: 27 x 35 cm; 45 x 53 cm (frame). This still life made in 1925 by Julio González Pellicer is a piece of extraordinary interest to understand a lesser known, although essential, facet of his artistic career. Universally known for his wrought iron sculptures and for having transformed industrial welding into a modern sculptural language, González developed in parallel an intimate pictorial production, where the observation of everyday objects acquired a singular poetic intensity. "This painting belongs precisely to that more reserved territory of his work: the space of experimentation where the artist refines form, light and matter before reaching the radical modernity of his sculptures of later decades. The composition presents a simple bowl with fruit, apples, citrus fruits and a pear, arranged on a dark surface. The seemingly modest subject matter ties in with a long tradition of European still life, but Gonzalez avoids any descriptive or decorative excess. The scene is constructed through a rigorous, almost ascetic formal economy, where each element seems carefully calibrated to maintain a structural balance. The table and the background are barely distinguishable from each other; both are absorbed by an earthy and enveloping atmosphere that concentrates all the attention on the chromatic vibration of the fruits. This spatial reduction recalls certain post-impressionist and Cezannian solutions, especially in the way of conceiving volume through color and not only through chiaroscuro. The pictorial quality of the work resides to a great extent in the material treatment. The brushstroke is dense, impastoed and visible, which gives the surface a very marked tactile presence. Gonzalez does not pursue a smooth or academically illusionistic representation; on the contrary, he allows the painting to retain its physicality. The fruits seem to be modeled by means of small strokes of color that slowly build the form, while the white and yellow reflections introduce luminous accents of great vivacity. It is particularly interesting to note how this painting anticipates concerns that would later appear in his sculpture. The arrangement of the objects reveals a very precise structural thought. The date 1925 places the work at a decisive moment in his biography. Settled in Paris since the beginning of the 20th century, Julio González was then going through a period of economic difficulties and aesthetic search. He had come into contact with the Parisian avant-garde and maintained links with fundamental figures of modern art, among them Pablo Picasso, whose friendship would be crucial a few years later. However, he had not yet achieved the international recognition he would obtain in the 1930s with his iron sculptures. This still life reflects precisely that transitional stage.
Setdart Auction House
Jun. 08, 2026
Julio Gonzalez (1876–1942), Cubist Portrait, 1932
Est: $21,000 - $26,000
Mixed media on paper Signed and dated 1932 lower right Dimensions : 15.5 x 23.2 cm Provenance: Purchased directly from the artist by Mr. Henri Dauberville, his father, owner of the Bernheim Gallery. There is an agreement in May 1956 between Mr. Henri and Mr. Elliott Baruch, owner of a gallery in Paris, pursuant to a signed transfer of ownership agreement. Subsequently purchased by a private collector in Tel Aviv under an agreement dated August 3, 1988. Notes: Accompanied by a certificate of authenticity Condition: For a detailed condition report, please email: info@hammersite.com
Hammersite
Jun. 08, 2026
Julio González (1876–1942), Abstract Constructivist Figure, 1938
Est: $12,000 - $22,000
Mixed media on paper Signed and dated l1938 lower right Dimensions : 14 x 22.2 cm Provenance: Purchased directly from the artist by Mr. Henri Dauberville, his father, owner of the Bernheim Gallery. There is an agreement in May 1956 between Mr. Henri and Mr. Elliott Baruch, owner of a gallery in Paris, pursuant to a signed transfer of ownership agreement. Subsequently purchased by a private collector in Tel Aviv under an agreement dated August 3, 1988. Notes: Accompanied by a certificate of authenticity from an art historian Condition: For a detailed condition report, please email: info@hammersite.com
Hammersite
May. 12, 2026
JULIO GONZÁLEZ - Bizarre
Est: -
JULIO GONZÁLEZ Barcelona 1876-France 1942 Bizarre. 1941 Pencil on paper Dated 5-8-41 Certificate from his daughter Roberta Gonzalez on the back Dimensions 15.5 x 6 cm PROVENANCE (label on back) Fernando Guereta Gallery, Madrid Private collection BIBLIOGRAPHY Josette Gilbert, "Julio González. Drawings Projects for sculpture figures", Ed. Carmen Martinez, Paris, p. 152 Boye Llorens, "Julio González. Catalogue Raisonné Vol. VII", Ed. Fundación Azcona, Madrid (in preparation)
Subastas Segre
May. 12, 2026
JULIO GONZÁLEZ - Portrait of Marie-Thérèse
Est: -
JULIO GONZÁLEZ Barcelona 1876-France 1942 Portrait of Marie-Thérèse. 1927-28 Oil on prepared cardboard Signed Verso certified by his daughter Roberta González Dimensions 24.9 x 16.8 cm PROVENANCE Roberta González Carmen Martinez and Viviane Grimminger Private collection BIBLIOGRAPHY Tomás Llorens, "Julio González. Catalogue Raisonné Vol. III", Ed. Fundación Azcona, Madrid, p. 475, no. 2048
Subastas Segre
Dec. 09, 2025
Julio GONZALEZ
Est: €5,000 - €7,000
Julio GONZALEZ Visage insecte - 1934 Encre de Chine et crayon de couleur sur papier Signé des initiales et daté en bas à gauche "j.G./1934" 25 x 21 cm Provenance : Collection particulière, Paris Vente Paris, Artcurial, 1er juin 2010, lot 51 Collection belge (acquis lors de cette vente) Collection Philippe Samuel, Paris Acquis auprès de cette dernière par l'actuel propriétaire Bibliographie : J.Gibert, Catalogue raisonné des dessins, Projets pour sculpture: Figure, Editions Carmen Martinez, 1975, reproduit en noir et blanc p.45 India ink and colored pencil on paper ; signed and dated lower left; 9 7/8 x 8 1/4 in. Julio GONZALEZ 25 x 21 cm
Artcurial
Dec. 05, 2025
Julio González, Etude de femmes criantes, Circa 1938/1939
Est: €10,000 - €15,000
Unsigned.
Lempertz
Dec. 05, 2025
Julio González, Etude pour l'Ange N. 13, 1935
Est: €5,000 - €7,000
Monogrammed and dated 'J. G. 1935-13' lower centre within the image.
Lempertz
Nov. 18, 2025
JULIO GONZALEZ (1876-1942). Etude pour La femme se coiffant I. pen and Indi
Est: $5,000 - $7,000
JULIO GONZALEZ (1876-1942). Etude pour La femme se coiffant I. pen and India ink, colored pencil and pencil on paper6 ½ x 5 3/8 in. (16.3 x 13.7 cm.).
Christie's
Nov. 05, 2025
JULIO GONZALEZ Barcelona (1876) / Paris, France (1942) "Femme and baby with petite maisonaternity in landscape", 1906
Est: €30,000 - €40,000
Oil on cardboard On the back with a sketch of a girl A certificate issued by Philippe Grimminger dated June 28, 2024 is attached. This work will be included in the addendum to the catalogue raisonne of Julio Gonzalez's work, scheduled for publication in 2025. It is presented in an important 19th century frame. Provenance: Messrs. Cecile Appert Collection (acquired from the artist) Private collection France Private collection Madrid Measurements: 57 x 42.5 cm
Ansorena
Oct. 15, 2025
JULIO GONZÁLEZ (Barcelona, 1876 - Arcueil, France, 1942). "Etude de têtes cubistes", 1935-1937. Pencil on paper. Attached certificate of authenticity, issued by Phillippe Arminger.
Est: €8,000 - €9,000
JULIO GONZÁLEZ (Barcelona, 1876 - Arcueil, France, 1942). "Etude de têtes cubistes", 1935-1937. Pencil on paper. Attached certificate of authenticity, issued by Phillippe Arminger. Attached on the back labels of the galleries Faggionato Fine Arts, Pieter Coray de Lugano and Elvira Gonzalez. Measurements: 21 x 24 cm. Set of pencil drawings on paper conceived as projects for sculptures. In them, the human face appears subjected to a process of formal purification, in which the factions are fragmented and reconfigured in successive geometrizations. Each study proposes a different degree of abstraction: from the recognizable suggestion of the countenance to its reduction to planes, edges and almost architectural volumes. These studies, made in the middle years of the 1930s, condense Gonzalez's quest to transfigure the sculptural tradition into a modern language, where the constructive structure of Cubism merges with the intimate expressiveness of portraiture. Considered the father of iron sculpture, Julio González is a key artist for the avant-garde of the 20th century. He was born into a family of goldsmiths, learning the trade as a child in the stimulating context of modernist Barcelona. Later he studied Fine Arts at La Lonja in Barcelona. In 1900 he went with his family to Paris, where he frequented the artistic circles and maintained contact with Picasso, Gargallo and Brancusi, among others. His stay in the French capital marked a before and after in his language. There he learned the industrial technique of autogenous welding, key to his later research with the expressiveness of iron. Around 1910 he began to work with embossed metal masks, with a style marked by naturalistic and symbolist features, as well as by a new conception of the human figure, with synthesized volumes and lines. During these years, Gonzalez began his participation in the Parisian salons, specifically in the Salon d'Automne, the Salon des Indépendants and the Salon de la Société Nationale des Beaux-Arts. In 1920 he opened his own forge workshop, and two years later he made his individual debut at the Povolovsky Gallery in Paris. During these years he experimented with the concept of the two-dimensionality of the plane through his embossed reliefs, and continued in this line of exploration of volume until 1928, when he was asked to collaborate in the realization of the funerary monument of his friend Apollinaire, characterized by its transparent forms and its emptyings, illustrating the poet's own words "a solid statue of nothingness". With Picasso, Gonzalez puts his previous experiments into practice for the first time and proves their viability, given the perfect harmony established between them and Picasso's synthetic capacity for drawing. The delicate, small-format ironwork in which the sculptor had worked until then came to an end, and from now on his forms became increasingly imposing and complex, giving the artist an international impulse. Thus, at the end of the twenties he began to develop his first sculptures in wrought iron, a material that until then had been considered merely decorative. During the thirties his work became more abstract, and the first spatial constructions appeared. Always focused on aesthetic and theoretical research, with his filiform sculptures Gonzalez prioritizes "the marriage between matter and space" and moves away from traditional symmetrical compositions, through what he himself called "drawing in space". These are improvised pieces, built directly with wrought iron rods, which construct schematic, abstract images of great formal complexity. In parallel, he will work with the iron plate, creating a series of works that scholars have related to cubism, since in them the sculptor decomposes the volume and incorporates the empty space, playing at the same time with the contrast of lights and shadows. After a long list of participations in solo and group exhibitions such as Spanish Art at the Jeu de Paume Museum (1936) or the Universal Exhibition in Paris (1937), at the beginning of the Second World War his work, as a result of the shortage of iron, focuses on a new material, plaster, and drawing on war themes.
Setdart Auction House
Sep. 25, 2025
Julio González, 1876 Barcelona – 1942 Arcueil
Est: €4,000 - €6,000
CAVEAU DES INNOCENTS (HÖHLE DER UNSCHULDIGEN) Öl auf Karton. 26 x 41 cm. Links unten betitelt, ortsbezeichnet, datiert und monogrammiert „Caveau des innocents Paris 1905 J.G.". Hinter Glas gerahmt. Milieustudie mit zwei in sich gekehrten Absinthtrinkern, an einem Tisch vor ihren Gläsern sitzend, die sich durch ihre dunkle Kleidung sowie die sie umgebenden weißen Flächen besonders vom bräunlichen Malgrund abheben. Darstellung in lockerem Pinselduktus. Julio González war mit seiner konstruktiven Formensprache ein wichtiger Vertreter der Plastik in der abstrakten Kunst. 1937 nahm er mit seiner Skulptur „La Montserrat" im spanischen Pavillon auf der Pariser Weltausstellung teil. Der Künstler wurde zunächst als Goldschmied ausgebildet und besuchte parallel zudem Zeichenkurse an der Kunsthochschule in Barcelona. Die Familie zog 1899 nach Paris. Um 1900 knüpfte González dort künstlerische Kontakte, unter anderem zu Pablo Picasso, Georges Braque, Max Jacob, Joaquín Torres García, und beschloss, vorerst Maler zu werden. In den letzten Jahren seines Lebens beschränkte sich González auf das Zeichnen sowie auf Skulpturen aus Plastilin und Gips. (1451448) (18)
Hampel Fine Art Auctions
Jul. 03, 2025
GONZALEZ Julio, 1876-1942 La lecture, 1928
Est: €500 - €800
GONZALEZ Julio, 1876-1942 La lecture, 1928 dessin au crayon noir et à la plume et encre bleue, au dos une étude de têtes monogramme et date en bas à gauche, cachet du monogramme rond en bleu au dos (diam. 8mm) 16 x 25 cm BIBLIOGRAPHIE : Jörn Merkert, Julio Gonzalez, Édition Electa, 1987, décrit et reproduit sous le n°56D2, p. 41.
Rossini Maison de Ventes aux Enchères
May. 13, 2025
Pierrot (Arlequin)
Est: $500,000 - $700,000
Property of an Important Private Collector Julio González (1876 - 1942) Pierrot (Arlequin) inscribed GONZALEZ © and with the artist’s initials, numbered 2/4 and with the foundry mark C. Valusani cire perdue bronze height: 19 ½ in. 49.5 cm. Executed circa 1930-31 in iron and cast in bronze at a later date. The authenticity of this work has been confirmed by Philippe Grimminger.
Sotheby's
Apr. 24, 2025
Julio González. Femme a l'amphore
Est: -
Pencil drawing on paper. Signed (JG) and dated (35) in the lower right corner. Provenance: - Louvre Art Gallery, Madrid (Label on the back). - Private collection. Bibliography: - AGUILERA, Vicente: Julio González. Barcelona, 1973. Cat. No.: 482. Page 340.
Duran Arte y Subastas
Mar. 04, 2025
La Tête
Est: £1,500,000 - £2,500,000
Julio González 1876 - 1942 La Tête inscribed with the initials J. G. wrought and welded iron 15.8 by 20.6 by 8.6 cm. 6¼ by 8⅛ by 3⅜ in. Executed circa 1934. This work is unique. The authenticity of this work has been confirmed by Philippe Grimminger.
Sotheby's
Dec. 10, 2024
Julio González (1876-1942) Homme fusée-Trait à Plume III (recto); Étude de
Est: €5,000 - €7,000
Julio González (1876-1942) Homme fusée-Trait à Plume III (recto); Étude de tête... plume et encre de Chine, pastel, aquarelle et graphite (recto); graphite (verso) sur papier 24.1 x 15.9 cm. Réalisé vers 1941.
Christie's
Dec. 04, 2024
JULIO GONZÁLEZ (1876-1942) Masque inachevé
Est: €8,000 - €12,000
JULIO GONZÁLEZ (1876-1942) Masque inachevé cuivre repoussé Réalisé circa 1918 copper repoussé Realised circa 1918 21 x 15 cm. 8 1/4 x 5 7/8 in. Cette œuvre est unique. This work is unique.
Bonhams
Nov. 26, 2024
Julio GONZALEZ (1876-1942), Composition, Encre et crayons de couleur
Est: CHF1,500 - CHF2,000
Julio GONZALEZ (1876-1942), Composition, Encre et crayons de couleur sur papier, signé en bas à gauche et daté 1936. H. 21.5 x 13.5 cm Repertorié dans les archives de Madame Clerc-de Goumoëns "Atelier de l'artiste" Quelques piqûres.
Dogny Auction
Nov. 26, 2024
Julio GONZALEZ (1876-1942) "Sans titre", dessin à l'encre de Chine et crayons de couleur
Est: CHF800 - CHF1,200
Julio GONZALEZ (1876-1942) "Sans titre", dessin à l'encre de Chine et crayons de couleur, daté 25.7.41 en bas à droite. H. 16 x 12.5 cm Repertorié dans les archives de Madame Clerc-de Goumoëns "Atelier de l'artiste 1941"
Dogny Auction
Nov. 26, 2024
Julio GONZALEZ (1876-1942), Costume, Encre et past…
Est: CHF1,500 - CHF2,000
Julio GONZALEZ (1876-1942), "Femme se coiffant", Encre et crayons de couleur sur papier, signé en bas à gauche et daté 1936. H. 24.5 x 15 cm Repertorié dans les archives de Madame Clerc-de Goumoëns "Atelier de l'artiste 1936" piqures
Dogny Auction
Jun. 05, 2024
Julio González (1876-1942) Projet pour sculpture encre de Chine, graphite e
Est: €10,000 - €15,000
Julio González (1876-1942) Projet pour sculpture encre de Chine, graphite et crayon de couleurs (recto); graphite (verso) sur papier 23.8 x 15.9 cm. Réalisé en 1935.
Christie's
May. 16, 2024
JULIO GONZÁLEZ (1876-1942) Visage criant (recto); Étude des animaux (verso) 9 13/16 x 5 3/16 in (25 x 13.2 cm) (Executed circa 1939-1941)
Est: $7,000 - $9,000
JULIO GONZÁLEZ (1876-1942) Visage criant (recto); Étude des animaux (verso) oil, gouache, pen and India ink and pencil on paper (recto); colored crayon on paper (verso) 9 13/16 x 5 3/16 in (25 x 13.2 cm) Executed circa 1939-1941
Bonhams
May. 14, 2024
JULIO GONZÁLEZ
Est: €15,000 - €25,000
Julio González (Barcelona, 1876-Arcueil, Francia, 1942) Adán y Eva. Plato en bronce repujado. Realizado c.1910-1914. Apoya sobre plafón en madera. Exposiciones: "Secretos del desnudo". Exposición celebrada en la Sala de exposiciones Caja Vital. Vitoria, Septiembre-Octubre, 2000. Reproducida la obra en el catálogo. "Julio González". Exposición celebrada en el Castillo de Maya. Pamplona, Septiembre-Octubre, 2001. Reproducida la obra en el catálogo, pág.: 62. "El Arte del desnudo" 2002-2003. Exposición itinerante. Reproducida la obra en el catálogo, pág.: 129. "Escultura española contemporánea" exposición celebrada en el Centro de Arte Palacio Almudi. Murcia, Marzo-Mayo 2005. Reproducida la obra en el catálogo, pág. 21. "El Arte del denudo". Exposición celebrada en la Sala exposición Caja Canarias. Santa Cruz de Tenerife, 2006. Reproducida la obra en el catálogo, pág.: 39. Exposición celebrada en el Espacio Cultura Caja Ávila. Iglesia de San Martín de Arévalo. Reproducida la obra en el catálogo, pág.: 96. "Modernismo Catalán". Exposición celebrada en la Fundación Picasso. Málaga, Marzo-Mayo, 2007. Reproducida la obra en el catálogo, pág.: 107. Procedencia: Colección particular, Barcelona. Bibliografía de referencia: "Julio González: Catálogo razonado de las pinturas, esculturas y dibujos", por Tomás Llorens. Vol I. 1900-1918. Vol II 1912-1923. Editorial Fundación Azcona. 2007. Adjunta certificado de autenticidad expedido por Philippe Grimminger, representante de la Sucesión Julio González. La obra incluida en el último volumen de su catálogo razonado en preparación. Diámetro: 29 cm.
Aletheia Subastas
Apr. 16, 2024
Julio Gonzalez (1876-1942), "Marie-Therese a la Chaise No. 2," circa 1940-1942
Est: $800 - $1,200
Julio Gonzalez (1876-1942) "Marie-Therese a la Chaise No. 2," circa 1940-1942 Black crayon and charcoal on paper Unsigned; titled, dated, and certified by the artist's daughter, Roberta Gonzalez, and with the artist's monogram ink stamp, all verso
John Moran Auctioneers
Mar. 16, 2024
Julio Gonzalez, "L'Escalier", Watercolor
Est: $800 - $1,000
Julio Gonzalez (Spanish, 1876-1942), "L'Escalier", watercolor, 1927-30. Provenance: Gloucester, Massachusetts collection.
Kaminski Auctions
Feb. 21, 2024
Julio Gonzáles (Barcelone 1876-1942 Arcueil) Portrait de Madame Second-Weber
Est: €5,000 - €7,000
Julio Gonzáles (Barcelone 1876-1942 Arcueil) Portrait de Madame Second-Weber signé et daté 'J. Gonzalez 1913' (au centre à droite) pastel sur papier signed and dated 'J. Gonzalez 1913' (centre right) pastel on paper 60 x 51cm (23 5/8 x 20 1/16in).
Bonhams
Feb. 07, 2024
Julio Gonzalez (1876-1942), "Marie-Therese a la Chaise No. 2," circa 1940-1942, Black crayon and charcoal on paper, Sheet: 21" H x 14.5" W
Est: $1,500 - $2,000
Julio Gonzalez (1876-1942) "Marie-Therese a la Chaise No. 2," circa 1940-1942 Black crayon and charcoal on paper Unsigned; titled, dated, and certified by the artist's daughter, Roberta Gonzalez, and with the artist's monogram ink stamp, all verso
John Moran Auctioneers
Dec. 07, 2023
Julio Gonzalez, 1876 Barcelona – 1942 Arcueil
Est: €4,000 - €6,000
ÉTUDES POUR LA PETITE MONTSERRAT EFFRAYÉE, UM 1938-40 Zeichnung/ Skizze, Bleistift auf Papier. 22,6 x 31,7 cm. Verso auf Papier weitere Zeichnung/ Skizze mit Betitelung, Künstlernennung und Maßangabe. Freigestellt im Passepartout, hinter Glas gerahmt. Der spanische Künstler war mit seiner konstruktiven Formensprache ein wichtiger Vertreter der Plastik in der abstrakten Kunst. 1937 nahm er mit seiner Skulptur „La Montserrat“ im spanischen Pavillon auf der Pariser Weltausstellung teil. Provenienz: Laut rückseitigem Aufkleber ehemals: Galerie de France, Paris. Das vorliegende Werk wurde bei Sotheby's, Paris auf der Auktion am 23. März 2017 Lot 71 angeboten. (1380421) (18)
Hampel Fine Art Auctions
Oct. 24, 2023
Julio González (1876-1942) Têtes (i) à (iii) graphite sur papier (iv) graph
Est: €10,000 - €15,000
Julio González (1876-1942) Têtes (i) à (iii) graphite sur papier (iv) graphite et aquarelle sur papier chaque: 13 x 16 cm. (4)
Christie's
Oct. 10, 2023
JULIO GONZALEZ (1876-1942)
Est: €800 - €1,200
JULIO GONZALEZ (1876-1942) Sous-bois, circa 1920-1925 Mine de plomb sur papier Annoté au dos par Roberta Gonzalez Graphite on paper; annotation from Roberta Gonzalez on the reverse 25,5 X 19 CM - 10 X 7 1/2 IN.
Tajan
Jun. 13, 2023
JULIO GONZALEZ Barcelona (1876) / Paris (1942) "COQUET", C. 1904
Est: €6,750 - €9,000
Pastel on paper. Julio González photographic file number: FW 199 (Dated ca. 1906-08). On the back is the label of the Guillermo de Osma Gallery. Bibliography: - Gibert J., "Julio González-Femmes à leur toilette", Paris, Editions Carmen Martinez, 1975, p. 22, reproduced. - Llorens, T. (ed.), "Julio González, General catalog of paintings, sculptures and drawings", vol. I, 1900-1918, IVAM-Azcona Foundation, 2007, cat. num. 65, reproduced. Measurements: 33.1 x 25.3 cm.
Ansorena
May. 13, 2023
JULIO GONZÁLEZ (1876-1942) Personnage puissant gouache, watercolor and pen
Est: $15,000 - $20,000
JULIO GONZÁLEZ (1876-1942) Personnage puissant gouache, watercolor and pen and black ink on paper 12 1/2 x 9 1/2 in. (31.7 x 24 cm.)
Christie's
Apr. 20, 2023
JULIO GONZÁLEZ (1876-1942) Tête à la fenêtre ouverte (Executed in 1936)
Est: £8,000 - £12,000
JULIO GONZÁLEZ (1876-1942) Tête à la fenêtre ouverte signed with the artist's initials and dated 'J.G. 1936' (lower left) gouache, brush, pen and India ink and wash on card 15.8 x 12.5cm (6 1/4 x 4 15/16in). Executed in 1936
Bonhams
Apr. 20, 2023
JULIO GONZÁLEZ (1876-1942) Masque (Executed on 20 May 1940)
Est: £6,000 - £8,000
JULIO GONZÁLEZ (1876-1942) Masque signed with the artist's initials and dated 'J.G. 1940' (lower left) pen and ink and wash on paper 30.5 x 23.8cm (12 x 9 3/8in). Executed on 20 May 1940
Bonhams
Apr. 05, 2023
Julio González (1876–1942) Main aux piquants bronze à patine brun foncé Hau
Est: €25,000 - €35,000
Julio González (1876–1942) Main aux piquants bronze à patine brun foncé Hauteur: 23.2 cm.
Christie's
Apr. 04, 2023
Julio GONZALEZ 1876 - 1942 Visage de paysanne - 1938-1940 Encre de Chine sur papier
Est: €1,000 - €1,500
Julio GONZALEZ 1876 - 1942 Visage de paysanne - 1938-1940 Encre de Chine sur papier Signé des initiales et daté en bas à droite "j.G./1938", daté en bas à gauche "1-1-40" h: 16,50 w: 13,20 cm Provenance : Galerie de France, Paris (selon une étiquette au dos) Bibliographie : J.Gibert, Julio Gonzalez - dessins - scènes paysannes, Editions Carmen Martinez, Paris, 1975, reproduit en noir et blanc p.247 Commentaire : In dia ink on paper ; signed with the initials and dated lower right, dated lower left Estimation 1 000 - 1 500 €
Artcurial
Dec. 27, 2022
Julio Gonzalez (Spanish,1876) Modernist Metal Sculpture
Est: $100 - $1,000
DESCRIPTION: A Julio Gonzalez (Spanish,1876â1942) modernist metal sculpture. Signed "J.Gonzalez" on verso. A sculptor and painter, Julio Gonzalez is best known for his small-scale, abstract iron sculptures. During the 1930s he provided metal welding assistance to both Picasso and Constantin Brancusi. Gonzalez was deeply influenced by Picassoâs sculptural work, and by both Cubism and Surrealism, using a variety of geometric forms, such as rods, planes, and spikes to convey metaphorical meaning. CIRCA: 20th Century ORIGIN: Spain DIMENSIONS: H: 16" W: 5 1/2" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: With rusting signs. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
Akiba Galleries
Dec. 27, 2022
1933 Julio Gonzalez (Spanish, 1876) Abstract Composition Painting
Est: $100 - $1,000
DESCRIPTION: A Julio Gonzalez (Spanish,1876â1942) framed and signed abstract composition painting on paper. Signed "J.G.19.5.33" on the lower left bottom corner. A sculptor and painter, Julio Gonzalez is best known for his small-scale, abstract iron sculptures. During the 1930s he provided metal welding assistance to both Picasso and Constantin Brancusi. Gonzalez was deeply influenced by Picassoâs sculptural work, and by both Cubism and Surrealism, using a variety of geometric forms, such as rods, planes, and spikes to convey metaphorical meaning. CIRCA: 1933 DIMENSIONS: H: 25 1/2" W: 19 1/2" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
Akiba Galleries
Dec. 15, 2022
Julio Gonzalez (Spanish, 1876-1942) Untitled (Abstract Composition), 1935 Pencil
Est: $3,000 - $5,000
Julio Gonzalez (Spanish, 1876-1942) Untitled (Abstract Composition), 1935 Pencil, ink, and pastel on paper 4-1/8 x 2 inches (10.5 x 5.1 cm) (sheet) Initialed and dated lower left: J. G. 1935 HID01801242017
Heritage Auctions
Nov. 19, 2022
JULIO GONZÁLEZ (1876-1942) Main gauche levée (no. 2) bronze with dark brown
Est: $30,000 - $50,000
JULIO GONZÁLEZ (1876-1942) Main gauche levée (no. 2) bronze with dark brown patina Height: 14 1/2 in. (36.9 cm.)
Christie's
Sep. 22, 2022
Julio González, 1876 – 1942
Est: €20,000 - €30,000
Máscara Incabada, um 1918 Kupfer, getrieben. Höhe: 21,5 cm. Der spanische Bildhauer gilt als der Erfinder der Eisenplastik. Mit seiner konstruktiven Formensprache ist er ein wichtiger Vertreter innerhalb der Abstrakten Kunst. (†) Provenienz: Roberta González, Paris (Tochter des Künstlers). Carmen Marinez & Viviane Grimminger, Paris. Literatur: Jörn Merkert, Julio González. Catalogue raisonné des sculptures, Mailand 1987, Nr. 36, bebildert, S. 34. Tomás Llorens Serra, Julio González. Catálogo general razonado de las pinturas, esculturas y dibujos 1900-1918, Madrid 2007, Bd. I, Nr. 563, Abb. 508. (13306034) (13) Julio González, 1876 – 1942 MÁSACARA INCABADA, ca. 1918 Height: 21.5 cm. Copper, embossed. (†) Provenance: Roberta González, Paris (daughter of the artist). Carmen Martinez & Viviane Grimminger, Paris. Literature: Jörn Merkert, Julio González, catalogue raisonné des sculptures, Milan 1987, no. 36, illustrated, p. 34 Tomás Llorens Serra, Julio González, catálogo general razonado de las pinturas, esculturas y dibujos 1900-1918, Madrid 2007, vol. I, no. 563, ill. 508.
Hampel Fine Art Auctions
Jun. 09, 2022
Julio GONZALEZ 1876 - 1942 Personnage allongé - 1936 Encre et pastel sur papier
Est: €8,000 - €12,000
Julio GONZALEZ 1876 - 1942 Personnage allongé - 1936 Encre et pastel sur papier Signé des initiales et daté en bas à droite "j.G./1936" h: 15,90 w: 24 cm Provenance : Offert à l'actuel propriétaire par Roberta Gonzalez Bibliographie : Cette oeuvre sera incluse dans le nouveau catalogue raisonné général de Julio González actuellement en préparation par la Julio Gonzalez Administration. Commentaire : Ink and pastel on paper ; signed with the initials and dated lower right Estimation 8 000 - 12 000 €
Artcurial
Jun. 09, 2022
Julio GONZALEZ 1876 - 1942 Etude pour couple - circa 1932 Crayon, aquarelle, encre de Chine et lavis d'encre sur papier
Est: €5,000 - €7,000
Julio GONZALEZ 1876 - 1942 Etude pour couple - circa 1932 Crayon, aquarelle, encre de Chine et lavis d'encre sur papier h: 16,40 w: 11,30 cm Provenance : Faggionato Fine Arts, Londres (selon une étiquette au dos) Galeria Elvira Gonzalez, Madrid (selon une étiquette au dos) Bibliographie : J.Gibert, "Julio Gonzalez, Vie quotidienne", Editions Carmen Martinez, Paris, 1975, reproduit en noir et blanc p. 74 Cette oeuvre sera incluse dans le nouveau catalogue raisonné général de Julio González actuellement en préparation par la Julio Gonzalez Administration. Commentaire : Pencil, watercolor, India ind and ink wash on paper Estimation 5 000 - 7 000 €
Artcurial
Jun. 09, 2022
Julio GONZALEZ 1876 - 1942 Etude pour femme debout - 1937 Crayon sur papier
Est: €7,000 - €9,000
Julio GONZALEZ 1876 - 1942 Etude pour femme debout - 1937 Crayon sur papier Signé des initiales, daté en annoté en bas à gauche "j.G. / 1937 / 30.-3" h: 24,80 w: 16,50 cm Expositions : Zürich, Art Focus, Julio Gonzalez, 2002, n°69 (selon une étiquette au dos) Bibliographie : Julio Gonzalez, dessins inédits, Editions Galerie de France, Paris, 1993, reproduit en noir et blanc p. 174 Cette oeuvre sera incluse dans le nouveau catalogue raisonné général de Julio González actuellement en préparation par la Julio Gonzalez Administration. Commentaire : Pencil on paper, signed with the initials, dated and annotated lower left Estimation 7 000 - 9 000 €
Artcurial
Apr. 08, 2022
Julio GONZALEZ (1876-1942) ETUDE POUR LE MASQUE, DIT «?LE POETE?», 1929 Plu
Est: €2,000 - €3,000
Julio GONZALEZ (1876-1942) ETUDE POUR LE MASQUE, DIT «?LE POETE?», 1929 Plume, encre et lavis sur papier fort 12,2 × 16,2 cm – 4.72 × 6.29 in. Ink and wash on paper Provenance: Galerie de France, Paris (étiquette au dos) , Collection particulière, Paris Expositions , Julio Gonzalez, A retrospective, The Solomon R. Guggenheim Museum, New York, exposition du 11 mars au 8 mai 1983 , Städtische Galerie, Francfort, Exposition du 17 juin au 14 août 1983 , Akademie der Künste, Berlin, Exposition du 11 septembre au 30 octobre 1983 , Art Chicago, Stand Galerie de France, Exposition du 11 au 16 mai 1995
Cornette de Saint-Cyr
Mar. 31, 2022
Julio González (1876-1942) Tête cubiste plume et encre de Chine, lavis d'en
Est: €5,000 - €7,000
Julio González (1876-1942) Tête cubiste plume et encre de Chine, lavis d'encre et graphite sur papier 32.9 x 24.3 cm.
Christie's
Mar. 31, 2022
Julio González (1876-1942) Femme priant gouache, plume et encre de Chine, c
Est: €2,000 - €3,000
Julio González (1876-1942) Femme priant gouache, plume et encre de Chine, crayon de couleurs et graphite sur papier 24 x 16 cm.
Christie's