GOREY, Edward (1925-2000). Group of Six Items Designed by or After Gorey, including: The Fantod Pack. [New York:] Gotham Book Mart, [1995]. 32mo booklet plus 20 glossy Tarot-style cards in publisher’s box. Fine. SIGNED LIMITED EDITION, 42/500. This is the signed, limited edition third printing. And: The Tunnel Calamity. [New York: G. P. Putnam, 1984]. Peep show book designed and illustrated by Gorey. Publisher’s binding. Some toning, rubbing, light soiling. Near fine. FIRST EDITION. And: The Dwindling Party. New York: Random House, 1982. Pop-up book with 7 double-page pop-ups and moveables. Publisher’s glossy boards (spine torn near bottom, some toning, rubbing, price sticker on front cover). FIRST EDITION. And: Neglected Murderesses 2001 Calendar. [Ronhert Park: Pomegranate, 2000]. Glossy wrappers (lower right corner of wrappers and calendar pages are creased). Very good. And: The Evil Garden. [Portland: Pomegranate Communications, 2011]. 12mo. Illustrated. Publisher’s binding, unclipped dust jacket (light rubbing to jacket). Fine. LATER PRINTING. And: Escape from The Evil Garden, an Edward Gorey Board Game. [Portland: Pomegranate Communications, 2020]. Board game in original box and in publisher’s shrinkwrap. LATER PRINTING.
Limited edition print on paper by American illustrator Edward Gorey. Macabre performance scene with a woman dancing with a skeleton, a devil emerging from a trap door in a plume of red smoke, a mummy carrying a cat into the rafters, and other bizarre members of the troupe. Edition 354 of 1750 is noted in the lower right corner of the paper. Frame dimensions: 14.25"L x 16.75"H x 0.75"D. Image dimensions: 9"L x 11.75"H. Artist: Edward Gorey (American, 1925-2000) Issued: 20th century Dimensions: See Description Edition Number: 354 of 1750 Country of Origin: United States
A COLLECTION OF EDWARD GOREY SIGNED BOOKS AND EPHEMERA 30 volumes, plus ephemera. Highlights include: 1.Amphigorey & Amphigorey Too. NY: G.P. Putnam's Sons, 1972, 1975. 4to. Printed wrappers, slipcase.Later Paragon editions, each signed on the title page. 2.Amphigorey Also.NY: Congdon & Weed, 1983. 4to. Printed boards. Dust jacket. Slipcase. #125 of 250 signed copies.Jacket with price clipped. 3.Amphigorey Also. NY: Congdon & Weed, 1983. 4to. Printed boards, dust jacket, slipcase. #115 of 250 signed copies. Jacket with price clipped. 4.Artist of Mystery. SF: Cartoon Art Museum, 1993. 4to. Printed wrappers. Exhibition catalog, signed on the title page. 5. Dogear Wryde Postcards: Whatever Next? 1990 12 cards, in original envelope. #58 of 250 signed sets. 6. F.M.F.A. NY: Andrew Alpern, 1980. Loose sheets in clamshell box. Wear to box. #344 of 400 copies, signed on the colophon. 7. F.M.F.A. NY: Andrew Alpern, 1980. Loose sheets in clamshell box. Wear to box. #274 of 400 copies, signed on the colophon. 8. Goreyography. SF: 1996. 8vo. Dust jacket. With bookplate signed by Gorey; also signed by Toledano and other contributors. 9. Les Echanges Malandreux. Worcester, MA: Metacom Press, 1985. Square 8vo. Wrappers. #344 of 500 numbered copies, signed on the limitation page. 10. Les Echanges Malandreux. Worcester, MA: Metacom Press, 1985. Square 8vo. Printed wrappers. #23 of 526 copies, signed on the colophon. 11. Light Metres by Felicia Lamport. NY: Everest House, 1982. 8vo. Dust jacket. Signed on the title page by Gorey and Lamport. 12. Phantasmagorey. Yale Library, 1974. 4to. Printed wrappers. Signed on the title page. 13. Plain & Coloured.NY: Graham, 1974. Oblong 8vo. Printed wrappers. Exhibition catalog, signed on the title page. 14. Plain & Coloured.NY: Graham, 1974. Oblong 8vo. Printed wrappers. Exhibition catalog, signed on the title page. See condition report for a complete listing.
Edward Gorey (1925-2000) Nine Stuffed Animals, Including a Large Doubtful Guest Doll, circa 1978 Doubtful Guest grey jersey cloth, leather sneakers, beaded eyes, and a striped green and white cotton scarf, signed on Gorey's handwritten tag and inscribed 'B/D', lacking original box; the others cotton cloth. sizes to approximately 13 x 7 in. (33 x 17.8 cm)
Edward Gorey (1925-2000) The Eclectic Abecedarium Published by Anne & David Bromer, Boston, 1983. Miniature book, measuring about 35mm x 28mm, illustrated. A fine, fresh copy in the publisher's patterned boards, with black leather fore-edge and title label to front board, as issued. In the publisher's slipcase, with black ribbon and applied hand-colored illustration; about fine, with some very gentle age-toning. This is number 12 of 100 hand-colored copies (of which 80 were for sale), out of a larger limitation of 400. The hand-colored issue is considerably rarer in commerce.
Edward Gorey (1925-2000) A Group of 4 Etchings, n.d. Three etchings on Arches and wove (3) paper, signed in pencil and numbered 19/25, 17/50, 33/50 and 79/120 respectively, each with full margins. Titles Include: Black Skull/Elephants Mirage in Gray Mist; Framed & Belted Talisman; Loch Ness Resident; Untitled (4) various sizes
Edward Gorey, The Headless Bust with Right-facing Bahhum Bug. Published by Gotham Book Mart. Signed and numbered 691/750. Size: Bug: 12" H x 14.5" W; Book: 8" H x 7.75" W x 0.75" D
'Girl with Gymnasium Friend.' Etching. 1978. Signed and numbered in pencil. Edition of 120. 14 x 11 7/8". From the scarce Diogenes Verlag series of six etchings.
An original 'Dracula' poster, c.1978, an original poster by Edward Gorey (American, 1925-2000) for his London production of Dracula, at the Shaftesbury Theatre, Shaftesbury Avenue, London WC2, directed by Dennis Rosa and starring Terence Stamp, 50.6 x 31.6cm During the 1978 Tony Awards, Gorey won the Tony for Best Costume Designer for his designs for 'Dracula'. Condition Report: Good order. No major creases or repairs detected.
Edward Gorey (American 1929 - 2000) "Tennis" Watercolor and ink on paper Signed lower right Edward Gorey 6 3/4" x 9" Provenance: Graham Gallery, Madison Ave, New York, exhibited April 23 - May 18, 1974, "The Mortimer and Mimi Levitt Estate, founders of The Custom Shirtmakers, and later the Mortimer and Mimi Levitt Foundation." Condition: slight paper undulation, very good condition
EDWARD GOREY (1925-2000) Fonthill Abbey with characters. Dust jacket illustration of cover and spine for Fonthill, a Comedy by Aubrey Menen (New York: G.P. Putnam's Sons, 1974). Pen and ink with white gouache touch-ups on paper, 1973. 216x184 mm; 8 1/2x7 1/4 inches (sheet); 11 1/4x9 1/2-inch sheet. Unsigned. Shooting annotations, registration marks, etc. at the margins of recto. Gorey depicts the eccentric characters of Menen's novel, surrounding the grand tower of Fonthill Abbey. Pictured, clockwise from top left: a young William Beckford, the Hon. William Courtenay, the Scottish millionaire John Farquhar, and Lady Margaret Gordon.
GOREY, Edward (1925-2000). Dracula. Late 1970s. Large black and white poster for the Broadway play at the Martin Beck Theatre. Directed by Dennis Rosa, with scenery and costumes by Gorey. Two sheets. 82 ½ x 41”. Unbacked. Minor occasional edgewear. A-.
NO RESERVE Gorey (Edward) Four original limited edition monochrome prints, each signed by the artist in ink, various sizes, largest 43x56cm. or smaller, all unframed, [20th century] (4)
Edward GOREY. - Felicia LAMPART. Scrap Irony. Boston: 1961. Small octavo. Illustrated title and illustrations. Original cloth, dust-jacket (dust-jacket slightly toned); Cultural Slag. Boston: 1966. Small octavo. Illustrated title and illustrations. Original cloth, dust-jacket (dust-jacket lightly toned). - and 30 others, by or illustrated by Gorey (32).
Edward GOREY. Amphigory also. New York: [1983]. Quarto. Illustrated throughout, many in two or more colors. Original pictorial boards, dust-jacket (dust-jacket bumped at head and foot); The Dwindling Party ... a Pop-Up Book. New York: 1982. Quarto. 6 colored double-page ‘pop-up' openings. Original boards (lightly soiled). - and 12 others, by or illustrated by Gorey (14).
Edward Gorey (1925-2000) The Balcony, from The Blue Aspic Lithograph, 1968, signed in pencil, numbered from the edition of 125, on wove paper, image 120 x 150mm (4 3/4 x 6in)
GOREY, Edward (1925-2000). A pair of signed prints, including: An untitled color lithograph of a theatre scene, number 462 of 850 copies signed by Gorey. Framed and matted, overall 17 x 14”. -- “Cape & Islands Chamber Music Festival Sixth Season August 1985”, number 41 of 100 copies signed by Gorey. Framed, overall 32 x 22 ½”.
Edward Gorey Six works etching and aquatint smallest: 4.875 h x 1.875 w in (12 x 5 cm) largest: 3.875 h x 4.875 w in (10 x 12 cm) Signed and numbered to lower edge of each '59/120 Edward Gorey'. These works are number 59 from the editions of 120. This work will ship from Lambertville, New Jersey.
Titled, "Beware This & That", said the raven perched on a tree branch as two figures balance on a bicycle below, illustration signed lower right. Edward Gorey was active/lived in Massachusetts and is known for Macabre cartoon illustration, writing. Overall size: 17 1/2 x 25 in. #3248
Mystery! is noted for its animated opening and closing title sequences with original drawings created by cartoonist Edward Gorey. Promotional poster by Mobil advertising the British show 'Mystery!' for Channel 13, PBS, artwork by Edward Gorey (1925-2000), 1979, 46 x 30 inches.
Gorey (Edward) The Vinegar Works, first edition, together 3 vol. comprising The Gashleycrumb Tinies; The Insect God, and; The West Wing, illustrations, original pictorial boards, light sunning and spotting to spines, slight bumping to corners and extremities, housed in original pictorial slipcase, a little rubbed, slight chipping to corners and extremities, New York, 1963; The Gorey Alphabet, first English edition, illustrations, previous owner's ink inscription, author's compliments slip loosely inserted, faint spotting to endpapers and fore-edge, original pictorial cloth, lightly faded spine, slight bumping to corners and extremities, 1961; The Gilded Bat, first American edition, illustrations, original pictorial boards, fractional bumping to corners and spine extremities, dust-jacket, minor chipping to edges, faint spotting to verso, 1966; and 11 others by or illustrated by Gorey, v.s. (14)
EDWARD GOREY (1929-2000) "Introduction." Vignette of a man and woman leaning on a ship's railing, regarding one another. Pen and ink on paper. 61x95 mm; 2 1/2x3 3/4 inches, image, on 8x6-inch sheet. Unsigned, but captioned by Gorey beneath image. Archivally framed to 9x7 inches. Provenance/Published: Item number 12 in Bromer Booksellers Catalog 113 dedicated to Edward Gorey, published December 2001 and reproduced as the illustration above the Introduction. A copy of the catalogue, signed and dated by Anne Bromer, confirming that "Introduction" is an original illustration by Gorey accompanies the artwork. At the time, this was the first illustrated dealer's catalog of Gorey's works to have appeared in many years. Its 231 items including original artwork, books, posters, and ephemera were lovingly collected by Boston fine book dealers Anne and David Bromer, who were friends with Gorey, and with whom he collaborated on two miniature books in the 1980s, The Eclectic Abecedarium and Q.R.V.
EDWARD GOREY (1925-2000) Golfer. Pen and ink on paper. 101x51 mm; 4x2 inches on 8 1/2x5 3/4-inch sheet. Signed in pencil, lower right margin. Mounted to matte at corners and floated in frame. Provenance: Gotham Book Mart; private collection; Swann Galleries, 2019; present owner, purchased from the above. Exhibited: "Gorey World: Paintings, Drawings & Mysterious Objects," Cartoon Art Museum, San Francisco: September 1996-January 1997, and printed in the catalogue.
EDWARD GOREY (1925-2000) Untitled / Man lounging with hounds on a dreary day. Illustration created in 1981, later reproduced in the 2008 Edward Gorey Postcard Planner (New York: Edward Gorey Enterprises, Inc., in conjunction with Artpost, 2008). Pen and ink on paper, 1981. 165x117 mm; 6 1/2x4 3/4 inches, image, on 9 1/2x7-inch sheet. Unsigned, but dated "15.v.81" (i.e. May 15, 1981) in Gorey's hand on verso. An accompanying manuscript note by Andreas Brown titles the note as "A Dog Day Afternoon," provides color indications for printing, and questions if it may have been used for a 2017 calendar. Provenance: The Edward Gorey Charitable Trust, consigned to support its mission of maintaining Gorey's artistic legacy and the animal welfare organizations he supported. The image appears as one of 26 detachable postcards in the spiral-bound yearly planner. Another version of the drawing, with the same image reversed, was used several years earlier as a greeting card captioned: "I've thought about it long and hard, so now I'm sending you this card."
EDWARD GOREY (1925-2000) Smith College Alumnae fund invitation. Original artwork commissioned by Smith College for a fundraising card. Together, two sheets. The illustration art measures 83x190 mm; 3 1/4x7 1/2 inches, on a 6x9-inch sheet; the card containing hand lettering measures 1 1/4x4 inches on a 5 1/2x6 3/4-inch sheet. Gorey's droll wording reads: "If you wish they continue to live, Your kin and your kith, You will extravagantly give to the fund, Alumnae, at Smith FORTHWITH." Provenance: The Edward Gorey Charitable Trust, consigned to support its mission of maintaining Gorey's artistic legacy and the animal welfare organizations he supported.
EDWARD GOREY (1925-2000) (THE NEW YORKER) Papering the Tree. Cover illustration for The New Yorker, published December 21, 1992. Watercolor, graphite, and ink on paper. 280x215 mm; 11x8 1/2 inches, on 13 1/2x9 1/2-inch paper. Initialed "EG" in lower right image. Tipped to matte; verso blank. Provenance: The Edward Gorey Charitable Trust, consigned to support its mission of maintaining Gorey's artistic legacy and the animal welfare organizations he supported. The last color magazine cover by Edward Gorey published in his lifetime and one of only two published New Yorker covers by him. This image, featuring a family festively trimming a bizarre, denuded Christmas tree (and, in the process, the family pets) with poinsettia wrapping paper, appeared on the December 21, 1992 Christmas week cover. While this was the only New Yorker cover published in Gorey's lifetime, a second watercolor submitted with it, "Cat Fancy," languished in their archives, 18 years after his death and nearly forgotten until 2018 when editor Françoise Mouly rediscovered the illustration upon the submission of an appreciation of Gorey by Joan Acocella. In belated homage, it graced their December 3, 2018 issue. That original drawing, featuring cozy felines camouflaged in a riotously patterned bed comforter, was sold in our showrooms the following June. Over the course of his career, Gorey created a total of thirty-four published covers for magazines. Among those, only eight were in full color though some contained small watercolor additions or backgrounds. Gorey scholar and collector Irwin Terry noted that an additional four were unpublished. His excellent posts on Gorey's magazine covers can be found on his blog goreyana.blogspot.com and his helpful research and assistance is greatly appreciated.
Edward Gorey Signed Numbered Print "Summer Joy" 231/850 Metal framed, matted, under glass. Artist signed & numbered in pencil. Edward St. John Gorey (Feb 22, 1925 April 15, 2000) American writer, Tony Award-winning costume designer & artist noted for his illustrated books. His characteristic pen-&-ink drawings often depict vaguely unsettling narrative scenes in Victorian & Edwardian settings. 12.25" w x 22.25"h overall.
Edward Gorey Signed Numbered Print "Tower Scene With Dogs". 54/850 Metal framed, matted, under glass. Artist signed & numbered in pencil. Edward St. John Gorey (Feb 22, 1925 April 15, 2000) American writer, Tony Award-winning costume designer & artist noted for his illustrated books. His characteristic pen-&-ink drawings often depict vaguely unsettling narrative scenes in Victorian & Edwardian settings. 12.25" x 22.25" overall. Signals
EDWARD GOREY AUTHENTICATED NUMBERED THEATER PRINT Edward Gorey Authenticated theater scene print numbered 1099/1750 Embossed lower right. Provenance: Private Collection. This collection was started in New York City in the mid 1970’s and continued through 2020. 14 1/4 x 16 1/2" framed Shipping: Shipping and handling in the continental US will cost $41.06 - $72.84, depending on your location. Local pickup is always free! Please schedule on our website! Photographs are considered part of the description and condition and supersede all written descriptions. Converse does not authenticate or guarantee authenticity. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email or by telephone. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Converse Auctions shall have no responsibility for any error or omission. Text Found in Images: Image 1: 1750 1750 Image 2: 1099/1750 1099/1750 Image 3: Image 4: 1099/1750 1099/1750 Image 5: 1099/1750 1099/1750 Image 6: Image 7: 1099/1750 1099/1750 Image 8:
EDWARD GOREY THE RECENTLY DEFLOWERED GIRL Illustrated by Edward Gorey: T he Recently Deflowered Girl, The Right Thing to Say on Every Dubious Occasion , by Hyacinthe Phypps. Chelsea House Publishers, 1965, 1 st Edition, HC no DJ. Provenance: Private Collection. This collection was started in New York City in the mid 1970’s and continued through 2020. 5 1/4" X 9" Shipping: Shipping and handling in the continental US will cost $20.29 - $22.34, depending on your location. Local pickup is always free! Please schedule on our website! Photographs are considered part of the description and condition and supersede all written descriptions. Converse does not authenticate or guarantee authenticity. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email or by telephone. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Converse Auctions shall have no responsibility for any error or omission. Text Found in Images: Image 1: The Recently Girl The Right Thing To Say On Every Dubious Occasion The Recently Girl The Right Thing To Say On Every Dubious Occasion Phypps Image 2: The Recently Deflowered Girl The Right Thing To Say On Every Dubious Occasion HYACINTHE PHYPPS hypps Drawings by Edward Gorey CHELSEA HOUSE PUBLISHERS Distributed by Crown Publishers, Inc., New York The Recently Deflowered Girl The Right Thing To Say On Every Dubious Occasion HYACINTHE PHYPPS hypps Drawings by Edward Gorey CHELSEA HOUSE PUBLISHERS Distributed by Crown Publishers, Inc., New York Image 3: Deflowered by Marimba Player After being deflowered, you dis- cover that your parents refuse to give consent to marriage with mus- tachioed marimba player. You are prevented from arrang- ing another rendezvous, but you see him by chance at Junior League charity tea dance. He is playing in rhumba band. At intermission, you meet. You say, "I'm terribly sorry, Harold, but my parents won't let me marry you." Не says, "That's all right, baby. I've been happily married for years." You say: "How did your wife get her parents' consent?" Your main difficulty apparently is in getting the consent of Deflowered by Marimba Player After being deflowered, you dis- cover that your parents refuse to give consent to marriage with mus- tachioed marimba player. You are prevented from arrang- ing another rendezvous, but you see him by chance at Junior League charity tea dance. He is playing in rhumba band. At intermission, you meet. You say, "I'm terribly sorry, Harold, but my parents won't let me marry you." says, "That's all right, I've been happily married for years." You say: "How did your wife get her parents' consent?" Your main difficulty apparently is in getting the consent of Image 4: For more than half a century Miss Hyacinthe Phypps has been offering guidance on proper be- havior. Her simple rules of pro- priety and common sense have helped a generation of girls over the threshold to womanhood. Rec- ognizing the need that still prevails enough to put between the cover of this book her words of advi that have been SO valuable in many typical situations. It is editors' fondest hope that book will serve the current g ation of young ladies as it S Copyright 1965 by Mel Juffe and Edward Gorey their For more than half a century Miss Hyacinthe Phypps has been offering guidance on proper be- havior. Her simple rules of pro- priety and common sense have helped a generation of girls over the threshold to womanhood. Rec- ognizing the need that still prevails today, Miss Phypps has been enough to put between the of this book her words of advi that have been valuable in many typical situations. It is editors' fondest hope that book will serve the current g ation of young ladies as it S Copyright 1965 by Mel Juffe and Edward Gorey their Image 5: The Recently Deflowered Girl HYACINTHE PHYPPS CHELSEA HOUSE The Right Thing To Say On Every Dubious Occasion THE GIRL The Recently Deflowered Girl HYACINTHE PHYPPS CHELSEA HOUSE The Right Thing To Say On Every Dubious Occasion Phypps Image 6: Image 7: Deflowerment Day After Wedding On first night of marriage, hus- band fails to gather flower. Next morning, you ask him to get you bromo seltzer. Miserably unhappy, MAR he leaves hotel room and after three hours, still has not returned. You ring room service and order bromo seltzer. Handsome bell boy appears and after deflowerment, you say to bell boy, "Where is my bromo selt- seltzer." At that moment, husband knocks on door and says, "I had to walk all over town to find bromo seltzer." You say (vexed): "Tell the bell- boy where Deflowerment Day After Wedding On first night of marriage, hus- band fails to gather flower. Next morning, you ask him to get you bromo Miserably unhappy, MAR he leaves hotel room and after three hours, still has not You ring room service and order bromo seltzer. Handsome bell boy appears and after deflowerment, you say to bell boy, "Where is my bromo selt- zer?" says, of bromo seltzer." At that moment, husband knocks on door and says, "I had to walk all over town to find bromo seltzer." You say (vexed): "Tell the bell- boy where