El Greco Paintings & Artwork for Sale | El Greco Art Value Price Guide

Nov. 25, 2024
Circle of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "St. Francis in ecstasy". Oil on canvas. It has slight restorations.
Est: €12,000 - €14,000
Circle of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "St. Francis in ecstasy". Oil on canvas. It has slight restorations. Measurements: 52 x 37 cm; 67 x 51 cm (frame). This work follows the models of the painting attributed to El Greco that is in the artistic collection of the Lázaro Galdiano Museum in Madrid (No. 02148). In the painting we observe several of the identifying aspects of El Greco's style, those that endowed his work with a totally personal character. At first glance, the treatment of color stands out above all, which seeks to reflect the intense green of other compositions by the Cretan. El Greco acquired his personal palette during his stay in Venice, between 1567 and 1570. From then on, he would acquire a lively and protagonist color, as well as a loose and agile brushstroke. It is an artificial color, totally anti-classical and mannerist, purely conceptual. His tones are intensely lightened by the light, especially emphasizing his metallic grays and very worked, changing, as we see here in the background and on the face of the character. El Greco's style was fully mannerist, and hence also the lengthening of the canon, which reaches twelve heads, and the twisting of the anatomies, very expressive, which can even border on deformity, although based on the knowledge of classical statuary. In this canvas we see a monumental St. Francis, on a nuanced background, whose balanced proportions indicate that it is a later work by an artist who, possibly, did not know the painter first hand, but that the prestige and influence that the Cretan caused in the Spanish painting of the eighteenth century invites him to follow his guidelines. At the same time, a slightly contorted posture is observed (an element that characterizes the master's paintings, which rejected the classical order and the rigorous formal correctness of the Renaissance, in favor of a more conceptual and expressive art based on complex forms). As for the subject matter, St. Francis was the son of a wealthy Italian merchant. Baptized as John, he was soon known as "Francesco" (the little Frenchman), because his mother came from that country. His youth was joyful and carefree until the age of twenty-five, when he changed completely and began to dedicate himself to the service of God, practicing the Gospel ideal: purity, detachment and joy in peace. Francesco renounces to the great inheritance received from his parents and decides to live poorly, giving an example of authentic Christianity. It presents slight restorations.
Setdart Auction House
Nov. 12, 2024
El Greco - The Nobleman with His Hand on His Chest - 1953 Lithograph 27.75" x 18.25"
Est: $60 - $90
"The Nobleman with His Hand on His Chest" by El Greco, 1953 Unsigned Lithograph. Paper size is 27.75 x 18.25 inches, with an image size of 21 x 16.75 inches. The Lithograph is from an unknown edition size. and is not framed. The condition was rated B: Very Good Condition, with signs of handling or age. Additional details: This original lithograph poster was created for an El Greco exhibition held in Bordeaux in 1953 and masterfully reproduced by the artisans at Mourlot Atelier. The poster features The Nobleman with His Hand on His Chest, one of El Greco’s most celebrated portraits, capturing a noble figure dressed in black with a lace collar. This recreation meticulously replicates the intensity of the black tones as if taken directly from El Greco’s palette, adding depth to the mysterious subject, often speculated to be Juan de Silva y Ribera, Marquess of Montemayor. The Mourlot Atelier’s craftsmanship and attention to detail make this poster a striking tribute to El Greco’s expressive style and historical impact.
DUMBO Auctions
Sep. 26, 2024
DOMENIKOS THEOTOKOPOULOS, GENANNT „EL GRECO“, 1541 – 1614, WERKSTATT/ SOHN DES
Est: €15,000 - €25,000
DIE EXTASE DES HEILIGEN FRANZISKUS VON ASSISI Öl auf Leinwand. Doubliert. 37 x 28 cm. Vor abgedunkeltem Fond die nach links gewandte Halbfigur des Heiligen Franziskus von Assisi in Ekstase mit neben ihm liegendem Totenschädel in flottem Pinselduktus und manieristisch gelängten Gliedern, verzerrtem Gesicht und leuchtenden Augen. Von el Greco sind einige Gemälde nachgewiesen, welche den Heiligen Franziskus darstellt. In seinem Werkverzeichnis zeigt José Camón Aznar ausgiebig die verschiedenen Darstellungen des Heiligen Franziskus von Assisi. Teilweise wird dieser mit Bruder Leon dargestellt, teilweise, wie bei unserem Gemälde, ohne ihn. Mehrere vergleichbare Werke, von denen Fotografien zum Vergleich vorliegen, werden von Aznar angeführt. So befand sich eines in der Sammlung Goudstikker, Amsterdam (Werkverzeichnis Abb. 448), eines befindet sich im Museo del Greco, Toledo (Werkverzeichnis Abb. 449). Weitere Werke dieser Komposition erwähnt Aznar Im Colegio de Doncellas Nobles, Toledo; im Museum in Ottawa; in der Sammlung Payá; im Colegio del Patriarca, Valencia; eine Version aus der Sammlung Máximo Pena im Kunsthandel Rosado; im Instituto de Ensenanza Media de Logrono; bei Alejandro Pidal in Madrid; in der Sammlung Heredia Espinola; ein Gemälde das sich in der Iglesia de Vargas in Toledo befand; eine Version in der Sammlung L. Albert Hahn in der Schweiz; eine Version der Sammlung Valdés in Bilbao; in der Fundacion Barnes in Merion; in der Sammlung Quer in Barcelona; in der Sammlung M. A. Goldstein in Saint Louis, USA; eine Version in einer Privatsammlung in Granada; in der Sammlung Angel Rosillo in Madrid und in der Walters Art Gallery in Baltimore (Inv. Nr. 37.424). Ein weiteres Gemälde mit dem gleichen Motiv ist im Musée des beaux-arts de Pau in Frankreich zu finden. Ob das hier vorliegende Gemälde mit einem der oben in Privatsammlungen befindlichen Werke identisch ist, lässt sich zu diesem Zeitpunkt nicht eindeutig feststellen. Verso auf dem Rahmen mit Resten von Vermerken oder Nummerierungen unterschiedlicher Epochen. In historischem spanischem Rahmen. Provenienz: Süddeutscher Kunstbesitz. Norditalienische Privatsammlung. Literatur: Vgl. José Camón Aznar, Domenico Greco, Madrid 1970, S. 557ff. (1410076) (13) Domenikos Theotokopoulos, also known as “El Greco“, 1541 Candia, Crete – 1614 Toledo, workshop/ son of THE ECSTASY OF SAINT FRANCIS OF ASSISI Oil on canvas. Relined. 37 x 28 cm. Remains of notes or numbering from varying ages on the back of the frame. Provenance: Art collection, South Germany. Private collection, Northern Italy. Literature: cf. José Camón Aznar, Domenico Greco, Madrid 1970, p. 557ff.
Hampel Fine Art Auctions
Sep. 14, 2024
EL GRECO (WERKSTATT UM 1600) DIE MARIENKRÖNUNG
Est: €3,000 - €6,000
WORKSHOP OF EL GRECO AROUND 1600 ('Actually Domínikos Theotokópoulos') Around 1541 Candia on Crete - April 7, 1614 Todedo THE CORONATION OF THE VIRGIN Oil on canvas. 100.5 x 95 cm. Min. old rest., part. slight old retouching, slightly soiled surface. The theme of the Coronation of the Virgin was taken up several times by El Greco and realised in many large altarpiece compositions. Greco kept small studies of the theme in his own hand, or created by the workshop with his help, of almost all of his large compositions in the studio. They served the studio staff as samples for repeat commissions and were intended to make it easier for clients to make their choice. They were made as preparatory works before the large, personal compositions left the studio (cf. Halldor Söhner: Greco in Spanien, in: Münchner Jahrbuch der bildenden Kunst, Dritte Folge Vol. IX/X 1958/59, p. 147). Literature: M. Legendre and A. Hartmann: Domenico Theotocopuli genannt El Greco. Paris page 242 full-page illustration, page 499, Carrearas Collection. Aznar, José Camón: Domenico, Madrid, 1950, page 1371, number 259 (La Coronación de la Virgen / 'Coronation of the Virgin. Collection Carreas Barcelona. Circa 1600 ?, inventory II, 17 ...). Also listed in the El Greco estate inventory number II. Ipser, Karl: El Greco der Maler des christlichen Weltbildes, page 362, there: Collection Carreras: Krönung der Jungfrau, c. 1600. El Greco in Spain, Munich Yearbook 1958, page 236 number 356, Carreras Collection. Provenance: Rhenish private collection. EL GRECO (WERKSTATT UM 1600) ('Eigentlich Domínikos Theotokópoulos') Um 1541 Candia auf Kreta - 7. April 1614 Todedo DIE MARIENKRÖNUNG Öl auf Leinwand (altdoubl.). 100,5 x 95 cm. Min. altrest., part. leichte Altretuschen, leicht verschmutzte Oberfläche. Das Thema der Marienkrönung wurde von El Greco mehrfach aufgegriffen und in vielen großen Altarkompositionen umgesetzt. Eigenhändige oder von der Werkstatt mit seiner Hilfe erstellte kleine Studien des Themas, bewahrte Greco von fast allen seiner großen Kompositionen im Atelier auf. Sie dienten den Ateliermitarbeitern als Muster bei Wiederholungsaufträgen und sollten den Kunden die Auswahl erleichtern. Sie wurden als Vorarbeiten angefertigt, bevor die großen, eigenhändigen Kompositionen das Atelier verließen (vgl. Halldor Söhner: Greco in Spanien, in: Münchner Jahrbuch der bildenden Kunst, Dritte Folge Band IX/X 1958/59, S. 147). Literatur: M. Legendre und A. Hartmann: Domenico Theotocopuli genannt El Greco. Paris Seite 242 ganzseitige Abbildung, Seite 499, Sammlung Carrearas. Aznar, José Camón: Domenico, Madrid, 1950, Seite 1371, Nummer 259 (La Coronación de la Virgen / 'Krönung der Jungfrau. Sammlung Carreas Barcelona. Um 1600 ?, Inventar II, 17 ...). Ebenso aufgeführt im El Greco Nachlass-Inventar Nummer II. Ipser, Karl: El Greco der Maler des christlichen Weltbildes, Seite 362. Dort: Collection Carreras: Krönung der Jungfrau, um 1600. El Greco in Spanien, Münchener Jahrbuch 1958, Seite 236 Nummer 356, Sammlung Carreras. Provenienz: Rheinische Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Aug. 01, 2024
El Greco
Est: $10 - $1,000
By: Leo Bronstein - Published By: Harry N. Abrams, Inc - Copyright: 1950 - Hardcover With Dust Jacket - Shows Damage To Dust Jacket Dimensions: 13" X 10" See Photos
Berner's Auction Gallery
Jul. 18, 2024
The Prayer in the Garden, El Greco circle (Candía, 1541 - Toledo, 1614), Italo-Cretan school, 16th - 17th century
Est: €30,000 - €40,000
Possibly a preparatory study for a larger work, a comparative technical report of the work available where stylistic analogies with El Greco's Italian work are presented, made during his stay in that country before arriving in Spain. Canvas measurements: 38 x 30 cm. Provenance: private collection, Spain.
Templum Fine Art Auctions
Jul. 06, 2024
Modigliani & El Greco Lithograph Prints
Est: -
Modigliani 1953 & El Greco 1541-1614 Lithograph Prints 11x14
California Auction Company LLC
May. 29, 2024
School of ‘EL GRECO’; DOMENIKOS THEOTOKOPOULOS (Candia, Greece, 1541 - Toledo, 1614). ‘Saint Andrew. Oil on canvas. It has perforation.
Est: €1,500 - €2,000
School of ‘EL GRECO’; DOMENIKOS THEOTOKOPOULOS (Candia, Greece, 1541 - Toledo, 1614). ‘Saint Andrew. Oil on canvas. It has perforation. Measurements: 61,5 x 48 cm. This devotional image of Saint Andrew depicts the saint with the attribute of his martyrdom, the cross on which he was tied by order of the proconsul Aegeas. The tenebrousness of the work, the predominance of shimmering blue and ochre tones, as well as the excessive anatomical elongation of the figure, are features that remind us of the painting of El Greco. Andrew was the first apostle called by Jesus, which is why the Greeks called him Protokletos, ‘the first called’. Brother of Simon Peter and, like him, a fisherman from Galilee, his name is Greek and not Hebrew, and means virile. He is mentioned twice in the Gospels: in connection with the vocations of the first two apostles, and in the episode of the multiplication of the loaves and fishes. His legend comes from the Apocryphal Acts, according to which he was appointed, after the death of Jesus, to evangelise Scythia, i.e. modern-day Russia. While preaching there, an angel appeared to him and said ‘Go to Matthew’; he was then miraculously guided to Ethiopia, where St Matthew had been blinded and imprisoned. The prison doors opened before Andrew, and he began to pray in front of Matthew, after which the prisoner regained his sight. Having accomplished his mission, he went to Greece and then to Asia Minor, where he is said to have performed a series of miracles. He finally met his death in Patras, in the Peloponnese, where the proconsul Aegeas had him flogged with rods for preaching disobedience to the emperor, and then ordered him to be tied with ropes to a cross in the shape of an ‘X’, where he died on the third day. The most popular attribute of Saint Andrew is precisely this cross, although until the 15th century he is most often depicted crucified on a normal cross. Sometimes a net full of fish is used as a second attribute, since he was adopted as the patron saint of freshwater fishermen, fishmongers and rope-makers who provided the fishermen with rope for their nets. In time he also became the patron saint of Greece and Russia.
Setdart Auction House
May. 11, 2024
EL GRECO (Seguace veneto del XVII secolo), Olio su tela
Est: €6,000 - €8,000
EL GRECO (Seguace veneto del XVII secolo) (Candia 1541 - Toledo 1614) Resurrezione di Cristo Olio su tela Provenienza: Nobile famiglia siciliana. cm 51 x 76.
Benedetto Trionfante Auction House s.r.l
Apr. 23, 2024
El Greco By Salvador Dali Original Etching, Signed In The Plate By Artist
Est: -
Pickup on Wednesday, Apr 24, 2024 from 2:00 pm to 6:00 pm All items are sold as-is. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, or wear and tear. The pickup address will be released on your invoice. Invoices are sent after the entire auction has ended. Be sure to bring boxes and packing material to pickup. If you purchase a large item, be sure to bring moving help. Large items cannot be shipped. Items not picked up by the pickup deadline, NOT requiring shipping will be forfeited and you will still be charged. Items cannot be held after the pickup date. Items not paid for will be automatically charged to the card on file.
Aether Auctions
Apr. 11, 2024
El Greco
Est: $10 - $1,000
By: Paul Guinard - Published By: Skira Inc Publishers - Hardcover W/ Dust Jacket - Shows Wear To Dust Jacket - Shows Damage To Pages Dimensions: 7 1/4" X 6 5/8"
Berner's Auction Gallery
Apr. 04, 2024
PITTORE VENETO-ADRIATICO DEL XVI SECOLO
Est: €1,000 - €2,000
Compianto Olio su tavola, cm 47,5X65,5 GiÃ riferita alla primissima attivitÃ veneziana di DomÃnikos TheotokÃ³poulos detto El Greco (Candia, 1541 ; Toledo, 1614), secondo un dibattito critico sugli studi dell'arte veneto-cretese avvenuti durante i decenni che precedono la Seconda guerra mondiale, in particolar modo da Rodolfo Pallucchini, la tavola Ã¨ da ricondurre a un artista cinquecentesco e attivo lungo la direttrice adriatica. La vecchia attribuzione, come detto, avrÃ avuto origine negli anni Cinquanta quando l'etichetta di 'madonnero' per questo specifico genere fu promossa dallo stesso Pallucchini, il quale, argomentando la giovinezza del Tintoretto, affermÃ² che: 'a Venezia, oggi non c'Ã¨ piÃ¹ dubbio, per alcuni anni il Greco lavorÃ² come Madonnero' (Cfr. R. Pallucchini, la giovinezza del Tintoretto, Milano 1950, p. 58). Da queste date si creÃ² quindi un equivoco attributivo sulla produzione precoce dell'artista. Il Pallucchini perÃ² non fu l'unico, molti altri studiosi riferirono opere a 'El greco madonnero' e tra questi, per citare i piÃ¹ noti, ricordiamo Giuseppe Fiocco, Sergio Bettini, Roberto Longhi e Antonio Morassi (Cfr. Panayotis K. Ioannou, El Greco tra i 'madonneri': la critica, le ideologie, il mercato. Nuove luci sul recupero del Trittico di Modena 1937, in Studi di storia dell'arte, XXVII, 2017, pp. 151-174, note 68-76). Fu solo negli anni Sessanta, grazie agli interventi di Arslan (Cfr. E. Arslan, cronistoria del Greco 'madonnero', in Commentari, XV, 1964, 3-4, pp. 213-231) che il fenomeno trovÃ² una naturale ridimensione, anche se sempre il Pallucchini cercava di centrare criticamente l'argomento indicando che: 'L'avventura straordinaria del TheotokÃ³poulos a Venezia, a contatto della pittura veneziana, fu quella di un artigiano che, educato alla bottega degli iconografi cretesi, cioÃ¨ ad un automatismo tecnico e tematico, riuscÃ¬, nel giro di pochi anni, mediante la incessante trascrizione delle stampe manieristiche, e la lettura del colore dei grandi maestri, ad apprendere una nuova lingua, a servirsene con maestria' (Cfr. Pallucchini, Il Greco e Venezia, in Venezia e l'oriente fra tardo Medioevo e rinascimento, 1966, p. 353). Tuttavia, gli sforzi interpretativi dello studioso furono mitigati dalla critica successiva che ricondusse queste opere al loro preciso contesto veneto-adriatico con influenze dell'arte rinascimentale centro italiana. Fu, infatti, la dominazione della Serenissima a generare il rinascimento cretese, a rendere proficuo l'incontro tra le due tradizioni artistiche. Fenomeno che generÃ² anche una modifica degli assetti sociali dell'isola grazie ai commerci e la nascita di una borghesia mercantile sempre piÃ¹ aderente alla cultura lagunare e al contempo di una popolazione veneziana capace di assorbire e far coesistere queste illustri tradizioni. Questa nuova concezione pittorica trovÃ² diffusione grazie ai maestri che viaggiavano lungo le rotte marittime, divulgando un gusto illustrativo affatto destinato a ripiegarsi su sÃ¨ stesso. Le stampe, le icone e le preziose tele d'oriente e occidente furono alla base di straordinarie creazioni e al fenomeno di Domenikos Theotokopoulos, artista capace di rinnovare gli esempi di Tiziano, Jacopo Bassano, Andrea Schiavone e Polidoro da Lanciano immaginando delle vere e proprie rivoluzioni formali. Anche in questo caso, l'innovazione ha il suo fulcro nell'uso del colore, smaltato secondo il gusto bizantino ma tonale e cangiante secondo la lezione veneta, raggiungendo in certi casi livelli qualitativi assai alti. Questo giudizio si puÃ²` applicare alla tavola in esame, la cui valenza estetica Ã¨ certamente distante da quella comunemente raggiunta dai madonnari e lo si percepisce osservando la raffinata stesura avvalorata dalla preziositÃ cromatica.
Wannenes Art Auctions
Mar. 21, 2024
Domenikos El Greco, 1541 Candia, Kreta – 1614 Toledo, Art des
Est: €3,000 - €5,000
LESENDER PROPHET Öl auf Leinwand. 58,5 x 47 cm. Ungerahmt. Vor dunklem Hintergrund ein alter Mann mit langem weißen Bart, in seiner linken Hand mit überlangen zarten Fingern ein großes aufgeschlagenes Buch haltend, in dem er mit gesenktem Kopf aufmerksam liest. Malerei in der Art des bekannten Künstlers. (1381692) (3) (18)
Hampel Fine Art Auctions
Jan. 07, 2024
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Dec. 18, 2023
DOMENIKOS THEOTOKOPOULOS WORKSHOP "EL GRECO" "Saint Francis in ecstasy"
Est: €82,500 - €110,000
Oil on canvas Measurements: 106.5 x 81 cm
Ansorena
Dec. 17, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Dec. 13, 2023
Circle of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 – Toledo, 1614). ; XVII century. "Saint Andrew". Oil on canvas. Keep original canvas. It presents restorations on the pictorial surface.
Est: €2,500 - €3,000
Circle of "THE GRECO"; DOMENIKOS THEOTOKOPOULOS (Candia, Greece, 1541 - Toledo, 1614). ; 17th century. "Saint Andrew". Oil on canvas. The original canvas is preserved. It presents restorations on the pictorial surface. Measurements: 61,5 x 48,5 cm. This work follows the models of the painting of the apostle Saint Andrew created by "El Greco", which can currently be seen in the Museum of Fine Arts of Asturias. El Greco worked on several works dedicated to the apostles, initially created for the predella of the main altarpiece of the Church of San Andrés, but he later produced several series of apostles that were not intended for altarpieces, in such a way that he popularised the aforementioned representations and contributed great originality by conceiving each apostle individually, monumentalised and with a great psychological captivation. In the present work we can appreciate several of the identifying aspects of El Greco's style, those that endowed his work with a totally personal character. At first sight, the treatment of colour stands out above all. El Greco acquired his personal palette during his stay in Venice between 1567 and 1570. From then on he would acquire a lively and prominent colour, as well as a loose and agile brushstroke. It is an artificial colour, totally anti-classical and mannerist, purely conceptual. His tones are intensely lightened by the light, especially his metallic greys, which are very elaborate and changeable, as we see here in the background and on the face of the figure. El Greco's style was fully Mannerist, hence the lengthening of the canon, which reaches twelve heads, and the twisting of the anatomies, which are very expressive and can even verge on deformity, albeit based on his knowledge of classical statuary.
Setdart Auction House
Dec. 07, 2023
Domenikos Theotokopoulos, auch genannt "El Greco", 1541 – 1614, zug.
Est: €50,000 - €70,000
PORTRAIT EINES MANNES MIT HALSKRAUSE Öl auf Leinwand. Doubliert. 69 x 57 cm. In mit Akanthusblattrelief verziertem und vergoldetem Rahmen. Beigegeben diverse Gutachten: Rodolfo Pallucchini, 1945. Prof. G. Fiocco, 1945. Prof. Fernando Ghedini, 1940. Prof. Ugo Nebbia, 1940. Luigi Coletta. Sowie technische Analyse zur Altersbestimmung aus dem Jahr 2022. Vor abgedunkeltem Fond das leicht nach rechts gerichtete Brustportrait eines Mannes fortgeschrittenen Alters mit einer weißen Halskrause, die ein kippendes Oval im Raum nachzeichnet. Der schwarze, in späterer Zeit überarbeitete Umhang wird dezent durch lichtspiegelnde Kanten akzentuiert. Rest. (1380491) (13) Domenikos Theotokopoulos, also known as "El Greco", 1541 Candia, Crete – 1614 Toledo, attributed PORTRAIT OF A MAN WITH A RUFF Oil on canvas. Relined. 69 x 57 cm. Enclosed various expert’ reports: Rodolfo Pallucchini, 1945. Prof G. Fiocco, 1945. Prof Fernando Ghedini, 1940. Prof Ugo Nebbia, 1940. Luigi Coletta. As well as technical analysis from 2022. In front of a darkened background, the slightly right-facing bust portrait of a man in advanced age with a white ruff tracing a tilting oval in space. The black cloak, reworked at a later date, is discreetly accentuated by light-reflecting edges. Restored.
Hampel Fine Art Auctions
Nov. 26, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Nov. 12, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Oct. 29, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Oct. 15, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Oct. 03, 2023
El Greco - From Crete to Toledo Par Venise - 1953 Lithograph 27.75" x 18.25"
Est: $60 - $90
"From Crete to Toledo Par Venise" by El Greco, 1953 Unsigned Lithograph. Paper size is 27.75 x 18.25 inches, with an image size of 21 x 16.75 inches. The Lithograph is from an unknown edition size. and is not framed. The condition was rated B: Very Good Condition, with signs of handling or age. Additional details: Original lithograph exhibition poster created for El Greco in Bourdeaux in 1953.
DUMBO Auctions
Sep. 23, 2023
El Greco - "Head of Christ"
Est: $40 - $50
El Greco - "Head of Christ", 23 x 29, good condition
Bruce Teleky Inc.
Aug. 26, 2023
After Domenikos THEOTOKOPOULOS: "El Greco" - Print
Est: $20 - $30
Domenikos Theotokopoulos (Greek/Spanish, 1541-1614). El Greco "The Burial of the Count of Orgaz." Digital print on paper after the original in the collection of the Church of Santo Tome, Toledo, Spain. [Frame: 18 x 13 3/4]. Creases and waving, marks to frame.
Roland Auctions NY
Jul. 12, 2023
Spanish school of the XIX century. Following models of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "Apostle". Oil on canvas. It presents lack of polychrome. Cracked in all the pictorial surface.
Est: €1,200 - €1,500
Spanish school of the 19th century. Following models of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "Apostle". Oil on canvas. Lacking polychromy. Craquelure on the whole pictorial surface. With glass. Measurements: 45 x 35 cm; 63 x 54 cm (frame). This painting is inscribed in the style of El Greco and is inspired by several of the canvases of apostles conserved today in the Prado Museum. We can see several of the identifying aspects of El Greco's style, those which gave his work a totally personal character. At first glance, the treatment of colour stands out above all, reflecting the intense tones of other compositions by the Cretan. El Greco acquired his personal palette during his stay in Venice between 1567 and 1570. From then on he acquired a lively, prominent colour and a loose, agile brushstroke. It is an artificial colour, totally anti-classical and mannerist, purely conceptual. His tones are intensely lightened by the light, especially his metallic greys, which are very elaborate and changeable, as we see here in the background and on the face of the figure. El Greco's style was fully Mannerist, hence the lengthening of the canon, which reaches twelve heads, and the twisting of the anatomies, which are very expressive and can even verge on deformity, albeit based on his knowledge of classical statuary.
Setdart Auction House
Jul. 07, 2023
EL GRECO Buste en terre cuite
Est: €200 - €300
EL GRECO Buste en terre cuite Titré à la base 16,5 x 15 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Jul. 07, 2023
CIRCLE OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO
Est: £20,000 - £30,000
CIRCLE OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) The Annunciation oil on canvas, unframed 43 5/8 x 25 3/8 in. (110.9 x 64.5 cm.)
Christie's
Jul. 06, 2023
DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) The Ento
Est: £6,000,000 - £8,000,000
DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) The Entombment of Christ oil on panel 11 x 7 5/8 in. (28 x 19.4 cm.)
Christie's
Jun. 22, 2023
El Greco (Candia auf Kreta, Toledo 1541-1614) , Kopie
Est: €350 - €420
Bildnis eines Edelmannes mit der Hand auf der Brust 20. Jh. Nach dem Original von 1580 (heute im Museo Nacional del Prado). Lwd. 74×61 cm. R. (60268)
Leo Spik
Jun. 15, 2023
El Greco, The Burial Of The Count Of Orgaz Framed Print
Est: -
Pickup on Friday, Jun 16, 2023 from 1:00 pm to 6:00 pm All items are sold as-is. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, or wear and tear. The pickup address will be released on your invoice. Invoices are sent after the entire auction has ended. Be sure to bring boxes and packing material to pickup. If you purchase a large item, be sure to bring moving help. Large items cannot be shipped. Items not picked up by the pickup deadline, NOT requiring shipping will be forfeited and you will still be charged. Items cannot be held after the pickup date. Items not paid for will be automatically charged to the card on file.
Aether Auctions
Jun. 15, 2023
Cristo Crucificado
Est: -
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Isbilya Subastas
May. 30, 2023
Spanish school of the XIX century. Following models of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "Apostle". Oil on canvas. It presents lack of polychrome. Cracked in all the pictorial surface. With glass.
Est: €1,200 - €1,500
Spanish school of the 19th century. Following models of "EL GRECO"; DOMÉNIKOS THEOTOKÓPOULOS (Candía, Greece, 1541 - Toledo, 1614). "Apostle". Oil on canvas. Lacking polychromy. Craquelure on the whole pictorial surface. With glass. Measurements: 45 x 35 cm; 63 x 54 cm (frame). This painting is inscribed in the style of El Greco and is inspired by several of the canvases of apostles conserved today in the Prado Museum. We can see several of the identifying aspects of El Greco's style, those which gave his work a totally personal character. At first glance, the treatment of colour stands out above all, reflecting the intense tones of other compositions by the Cretan. El Greco acquired his personal palette during his stay in Venice between 1567 and 1570. From then on he acquired a lively, prominent colour and a loose, agile brushstroke. It is an artificial colour, totally anti-classical and mannerist, purely conceptual. His tones are intensely lightened by the light, especially his metallic greys, which are very elaborate and changeable, as we see here in the background and on the face of the figure. El Greco's style was fully Mannerist, hence the lengthening of the canon, which reaches twelve heads, and the twisting of the anatomies, which are very expressive and can even verge on deformity, albeit based on his knowledge of classical statuary.
Setdart Auction House
Mar. 17, 2023
Painting, Circle of El Greco
Est: $20,000 - $40,000
Circle of El Greco (Greek, 1541-1614), Untitled (Christ with the Cross on his Back and the Roman Soldiers), oil on canvas, possibly bears signature lower right, canvas (unframed): 41.25"h x 33.25"w. Note: Copy of handwritten letter from 1930 by El Greco expert, Manuel B. Cossio, stating (in Spanish), "The undersigned, I certify, that having seen the painting, or canvas, that represents this photograph, "Christ with the Cross on his Shoulders and Roman Soldiers," whose measurements are 106 x 84 cm, it is created as an original by Domenico Theotocopuli "El Greco". Madrid February 15, 1930, Manuel B. Cossio"
Clars Auctions
Mar. 16, 2023
El Greco Buste en terre cuite
Est: €80 - €100
El Greco Buste en terre cuite Titré à la base 16,5 x 15 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Mar. 04, 2023
"View of Toledo", Spain by El Greco
Est: $100 - $300
print on board framed NO glass Metropolitan Museum of Art El Greco 1541 - 1614 Only landscape by artist frame is 28 1/4" x 31 1/4"
Heritage Antiques & Auction
Feb. 22, 2023
Cristo Crucificado
Est: -
.
Isbilya Subastas
Jan. 25, 2023
STUDIO OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 The Tears of Saint Peter
Est: $300,000 - $500,000
STUDIO OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 The Tears of Saint Peter oil on canvas 40 1/2 x 33 3/4 in. (102.8 x 86.2 cm.)
Christie's
Dec. 17, 2022
17th C Veneto-Cretan School Religious Painting
Est: $100 - $15,000
17th C Ecole Veneto-Cretoise Religious Oil on Wood Panel Painting, Circumcision of Christ. Signed Dominicos Theotocopuli (Spanish, 1541-1614), DT on arm at lower left. Panel measures 14 x 12 inches W, frame measures 19.75 x 18 inches W. Split to centre of panel.
Kavanagh Auctions
Nov. 22, 2022
El Greco - From Crete to Toledo Par Venise - 1953 Lithograph 27.75" x 18.25"
Est: $625 - $775
"From Crete to Toledo Par Venise" by El Greco, 1953 Unsigned Lithograph. Paper size is 27.75 x 18.25 inches, with an image size of 21 x 16.75 inches. The Lithograph is from an unknown edition size. and is not framed. The condition was rated B: Very Good Condition, with signs of handling or age. Additional details: Original lithograph exhibition poster created for El Greco in Bourdeaux in 1953.
DUMBO Auctions
Oct. 14, 2022
El Greco
Est: €200 - €300
El Greco Buste en terre cuite Titré à la base 16,5 x 15 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Jul. 06, 2022
Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) Saint Francis of Assisi in meditation
Est: £7,000 - £10,000
Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) Saint Francis of Assisi in meditation oil on canvas 58.4 x 49.8cm (23 x 19 5/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 06, 2022
Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna
Est: £15,000 - £20,000
Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna oil on canvas, possibly a fragment 48.4 x 37.8cm (19 1/16 x 14 7/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jun. 09, 2022
DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) Portrait
Est: $3,000,000 - $5,000,000
DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) Portrait of a young man, traditionally identified as Saint Aloysius (Luigi)... oil on canvas 29 1/8 x 22 1/2 in. (74 x 57 cm.)
Christie's
May. 24, 2022
El Greco manner, Madonna and Child with Saint Martina and Saint Agnes
Est: €1,500 - €2,500
oil on cardboard, 68 × 46 cm
A10 by Artmark
Apr. 29, 2022
El Greco
Est: €200 - €300
El Greco Buste en terre cuite Titré à la base 16,5 x 15 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Apr. 09, 2022
Large Oil Painting after El Greco
Est: $1,000 - $1,500
"Saint Andrew and Saint Francis", original by El Greco (1541-1614) and now in the Museo del Prado in Madrid; oil on canvas depicting Andrew the Apostle standing on the left and holding the x-shaped cross on which he was martyred having a conversation with Francis of Assisi standing on the right, signed lower right "Luis Carrillo", Spanish, mid 20th century, gilt wood and stenciled frame; sight 39"W, 58 1/2"H; frame 45"W, 64 1/2"H; good condition overall with scattered light scratches and craquelure, some loss to gilding on frame
Ivy Auctions
Mar. 04, 2022
El Greco Buste en terre cuite
Est: €200 - €300
El Greco Buste en terre cuite Titré à la base 16,5 x 15 cm
HVMC - Hôtel des Ventes de Monte-Carlo