Adolf de Haer Paintings & Artwork for Sale | Adolf de Haer Art Value Price Guide

Jun. 10, 2026
Adolf de Haer: "Mädchen mit Papagei"
Est: €40,000 - €60,000
HAER , ADOLF DE 1892 Düsseldorf–1944 Osnabrück Title: "Mädchen mit Papagei". Date: 1920. Technique: Oil on canvas. Mounting: Edges relined. Measurement: 150 x 100 cm. Notation: Signed and dated lower centre: A. de Haer 20. Titled, inscribed and signed verso upper centre: I Mädchen mit Papagei M 9000- Adolf de Haer. Frame: Framed. Provenance: - Anna Schønheider (purchased directly from the artist in Düsseldorf ca. 1920) - Private collection, Norway (inherited) - An impressive, large-scale painting from the artist’s powerful, expressive period around 1920 - A previously unknown major work by a leading figure of the ‘Young Rhineland’ movement - The subject matter plays on the concept of the ‘exotic’: a central element of cultural life in the 1920s - In the family’s possession since 1920 and never before exhibited publicly A Painter Between the World Wars Adolf de Haer, the son of a decorative painter, initially studied at the Düsseldorf School of Applied Arts on a scholarship—though only until his military service began in 1914. He subsequently turned to fine art painting; in the summer of 1917, he studied for several months under Adolf Hölzel and otherwise continued his artistic development as an autodidact. In his hometown of Düsseldorf, Adolf de Haer was closely connected to the circle around the legendary “Mother Ey.” After the war, a new spirit swept through the Rhineland art metropolis: in 1919, de Haer became a co-founder of the artists’ association Das Junge Rheinland (“The Young Rhineland”), whose members included, among others, Max Ernst, Otto Dix, Walther Ophey, and his closest friends Gert Wollheim and Otto Pankok. The painter also became active in the Aktivistenbund 1919 (“Activists’ League 1919”). During this period, de Haer created his Cubist-Expressionist paintings, formally related as well to Futurism and Russian-French Rayonism. It was the new visual language of the age—the German avant-garde around 1920 aspired to internationalism. In 1921, Adolf de Haer held his first solo exhibition at the gallery Junge Kunst – Frau Ey in Düsseldorf. In the second half of the 1920s, however, his style changed. He abandoned the crystalline-expressionist rendering of light and space and turned instead toward a late-Impressionist visual language. Exhibition participations and public acquisitions documented Adolf de Haer’s growing success. In the 1930s, he found himself in the peculiar position that his contemporary portraits, nudes, and floral still lifes appeared acceptable to the authorities, while his expressive early work of the 1920s was denounced as “degenerate.” The painter lived in Kaiserswerth, but in 1944 was nevertheless conscripted into military service once more. He died at the age of fifty-two in a military hospital in Osnabrück. Five Women with a Parrot Five young women surround a parrot—more precisely, a Major Mitchell’s cockatoo. At first glance, the five women appear strikingly similar: their black hair and large almond-shaped eyes correspond to one another, as does their uniform grey-white clothing with pronounced folds. Arranged in a pyramidal composition, the women are initially perceived as a homogeneous group within the large-format painting. Yet their hairstyles and hairlines, and above all their facial expressions and gestures, individualize and characterize the young women, placing them in subtle relation to one another. The bird at the centre does not command the undivided attention of the beauties: two of the women turn toward the exotic creature with joyful naïveté, while the remaining three, positioned on the right side of the composition, observe them while also cautiously watching one another. The prismatic parallel structures in the background reveal little about the surrounding environment. Are rays of sunlight striking the compact group from the upper left edge of the painting? Might curtains—or perhaps tree trunks—be suggested along the right margin? In the foreground, flowers with sharply serrated leaves visually echo the crystalline angularity of the women’s pleated garments. Could these be five members of a cabaret troupe, performing in matching costumes? Cockatoos and parrots were highly fashionable in the 1920s, and not only the legendary Berlin nightclub Kakadu adorned itself with living birds. A Rediscovery within de Haer’s Oeuvre Human figures—especially women—accompanied by animals constitute a recurring motif in Adolf de Haer’s still only fragmentarily known but remarkably powerful early work. A group of three women with a dog (fig. 1), dated around 1919, is directly connected to the present painting, not least through the striking clothing of the female figures. Additional graphic works dated 1920, bearing titles such as Talking with Fish or Girl with Fish, belong to the same thematic series. Girl with Parrot represents a small art-historical sensation: acquired directly from the artist, it has remained inaccessible to the public ever since. In the rediscovery and reassessment of Adolf de Haer’s oeuvre, this painting—dated 1920 and originating from the artist’s avant-garde phase—may prove to be a significant element in understanding his early work. Alexandra Bresges-Jung Estimated shipping costs for this lot: The lot is unsuitable for parcel shipping. Transport only by shipping company after consultation following the auction. additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Adolf de Haer #Rhenish Expressionism #Germany #19th Century Paintings #1920s #Figure / Figures #Painting #Modern Art. This lot will be sold under standard taxation (Condition of Sale §V5.1) In accordance with §26 UrhG (German Copyright Act), VAN HAM is obliged to pay a statutory resale royalty on the sale proceeds of all original works of fine art and photography whose authors have not been deceased for 70 years prior to the end of the calendar year of the sale. The buyer shall contribute 1.5% of the hammer price to this fee.
Van Ham Kunstauktionen
Jun. 05, 2026
Adolf de Haer ”Am Meer”
Est: €7,000 - €9,000
Signed and dated lower right: A. De Haer 29. On a label on the stretcher titled in pen and black ink, signed and inscribed: "Am Meer" Adolf de Haer 720- Düsseldorf - Stockholm Atelierhaus
Grisebach
May. 31, 2026
Adolf De Haer Signed Portrait Painting / Drawing on Paper, 1938
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, portrait, signed, woman, female sitter, seated figure, European art Adolf de Haer signed chalk and wax crayon painting on paper depicting a standing woman in a fitted red jacket posed beside a window. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Signed Portrait Painting / Drawing on Paper, 1942
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, portrait, signed, woman, female sitter, seated figure, European art Adolf de Haer signed mixed media painting on paper depicting a seated female nude with blonde hair. Signed lower left and dated 1942. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Signed Double-Sided Portrait Painting / Drawing on Paper, 1938
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, portrait, signed, woman, female sitter, seated figure, European art Adolf de Haer double-sided signed mixed media painting on paper. One side depicts a half-length female nude with curled hair. The reverse shows a softly rendered portrait of a woman in a blue patterned garment. Signed and dated 1938 lower right. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Signed Portrait Painting / Drawing on Paper, 1939
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, portrait, signed, woman, female sitter, seated figure, European art Adolf de Haer signed mixed media painting on paper depicting a seated blonde woman in a rose-toned blouse. Signed and dated 1939 lower right. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Signed Portrait Painting / Drawing on Paper
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, paper, portrait, modernist, European art, works on paper Adolf de Haer signed mixed media painting on paper depicting a seated young woman wearing a dotted bonnet and patterned brown garment, shown before a flowering garden background. Signed lower right. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial prize of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Signed Portrait Painting / Drawing on Paper
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, paper, nude, female nude, interior scene, signed, mirror, chair, figurative, modernist, European art, works on paper Adolf de Haer signed mixed media painting on paper depicting a standing female nude in an interior beside an upholstered chair and a mirror reflecting the figure from the reverse. Signed lower right and dated 1932. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 31, 2026
Adolf De Haer Double-sided Signed Portrait Painting / Drawing on Paper
Est: $300 - $1,500
Keywords: NO RESERVE, 20th Century Art, Early 20th Century, Mid 20th Century, paper, portrait, signed, woman, man, eyeglasses, seated figure, European art, works on paper Adolf de Haer double-sided signed mixed media paintings on paper. One side depicts a seated young woman with dark hair and a beaded necklace against a blue ground. The reverse depicts a seated man wearing eyeglasses, a patterned tie, and dark vest, shown beside a decorative chair. His artistic work has been recognized through numerous awards, he received, among others, the 1921 Dürer Award of the City of Nuremberg and 1928 the industrial price of the city Düsseldorf. His oeuvre from the 1920s focused mainly on landscape motifs in black and white. These early works are mostly the style of the Rhenish Expressionism, with aspects of Cubism, assigned. In the course of his work de Haer favored still lifes and nudes, characterized by delicate colors. During the outgoing 1930s and 1940s, much of his work was in de Haers's then residence Kaiserswerth. Also at that time, interest in his work was strong and the artist participated in numerous prestigious exhibitions.
Collective Hudson, LLC
May. 30, 2026
Adolf de Haer, "Badende Mädchen am Rhein"
Est: -
Adolf de Haer, "Badende Mädchen am Rhein" sommerliche Uferszene mit nackten jungen Frauen beim Sonnenbad, vor lichter Flusskulisse mit Paddel- und Segelbooten, hierzu bemerkt Wikipedia: "... De Haer wohnte und arbeitete seit 1936 in Kaiserswerth. In seinem Garten, direkt am Rhein gelegen, empfing er seine Freunde und seine Musen, die sein künstlerisches Schaffen prägten. Er malte Bilder mit christlichen Themen, als Ausdruck seiner Auseinandersetzung mit der eigenen Existenz, außerdem Sinnbilder der harmonischen Familie, zahlreiche Porträts, Akte und Blumenstillleben. ...", 1940 beschickte er die "Rheinischen Kunstausstellung Berlin" mit einem ähnlichen Gemälde "Am Strand", welches drei Frauenakte am Wasser zeigt, diese Darstellung erlangte breite Popularität durch eine Abbildung in der "Weltkunst" vom 15. September 1940, dünn lasierende, mitunter gering pastose Genremalerei in lichter pastellner Farbigkeit über pastoser, grob strukturierter, partiell bewusst durchgeriebener Grundierung, Öl auf Leinwand, vor 1939, links unten signiert "A. de Haer", rückseitig Spuren eines grob übermalten Gemäldeentwurfs, auf dem Keilrahmen nummeriert "404", darüber hinaus unterschiedlich betitelt wie unscheinbarer Titel in Bleistift "Badende Märchen am Rhein" oder "Abschied" und getilgte Bezeichnung "Paradies" sowie signiert "A. de Haer", weiter mehrere fragmentarische Etiketten wie altes Einlieferungsetikett zur GDK "... [Große Deutsche Kunstausstellung] 1939 im Haus der Deutschen Kunst zu München ...", geringe Altersspuren, im schlichten originalen Künstlerrahmen der Zeit, Falzmaße ca. 155 x 135 cm. Künstlerinfo: eigentlich Adolf Josef Maria de Haer, dt. Maler, Graphiker, Holzstecher und Plastiker (1892 Düsseldorf bis 1944 bei Osnabrück), Vertreter des Rheinischen Expressionismus, 1912–14 Schüler der Düsseldorfer Kunstgewerbeschule, ab 1914 Kriegsdienst im 1. Weltkrieg, 1917 kurzzeitig Privatschüler bei Adolf Hölzel in Stuttgart, künstlerisch weitestgehend Autodidakt, 1919 Gründungsmitglied der Künstlergruppe "Das Junge Rheinland", und Mitglied des Künstlerkreises um die Galeristin Johanna Ey, unterhielt Freundschaft zu Otto Pankok und Gert Wollheim, Mitglied im "Aktivistenbund 1919", zeitweilig in Hoorn in Holland ansässig, Mitglied im Deutschen Künstlerbund und nach 1933 Mitglied der Reichskammer der bildenden Künste, beschickte diverse Ausstellungen in Düsseldorf, Hannover, Baarn, Wien, Florenz, den Kunstsalon Emil Richter Dresden und die juryfreie Kunstschau Berlin, zunächst Expressionist, trotz Anpassung an den Stil der NS-Zeit 1937 Verfemung und Beschlagnahme seiner frühen Kunst als "entartet" und auf der Ausstellung "Entartete Kunst" vertreten, ab 1936 in Kaiserswerth tätig, Dürerpreis der Stadt Nürnberg, ab 1944 Kriegsdienst im 2. Weltkrieg, verstarb im Lazarett Osnabrück an Lungenentzündung, Quelle: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Lexikon der Düsseldorfer Malerschule", Rainer Zimmermann "Expressiver Realismus – Malerei der verschollenen Generation", Dressler und Internet. Adolf de Haer, "Badende Mädchen am Rhein" summer shore scene with naked young women sunbathing in front of a bright river backdrop with paddle boats and sailing boats, Wikipedia notes: "... De Haer had lived and worked in Kaiserswerth since 1936. In his garden, located directly on the Rhine, he received his friends and his muses, who characterised his artistic work. He painted pictures with Christian themes as an expression of his examination of his own existence, as well as symbols of the harmonious family, numerous portraits, nudes and flower still lifes. ...", in 1940 he presented the "Rheinische Kunstausstellung Berlin" with a similar painting "Am Strand", which shows three female nudes by the water, this depiction gained wide popularity through an illustration in the "Weltkunst" of 15 September 1940, thinly glazed, sometimes slightly impasto genre painting in light pastel colours over an impasto,
Auktionshaus Mehlis GmbH
Apr. 25, 2026
DE HAER, ADOLF 1892-1944/45: COLLECTION OF 15 DRAWINGS / SAMMLUNG VON 15 ZEICHNUNGEN
Est: -
De Haer, Adolf (1892–1944/45), 15 drawings, 32.5 x 25.5 cm and smaller / De Haer, Adolf (1892-1944/45), 15 Zeichnungen, 32,5 x 25,5 cm und kleiner
Auktionshaus Angerland GmbH
Nov. 29, 2025
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen
Est: -
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen Sammlung von 15 Zeichnungen. Signiert. 29 x 22 cm und kleiner.
Dusseldorfer Auktionshaus
Nov. 29, 2025
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen
Est: -
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen Sammlung von 29 Aquarellen, Kreide-/Wachsstiftzeichnungen u.a. Signiert. 84 x 65 cm und kleiner.
Dusseldorfer Auktionshaus
Nov. 08, 2025
de Haer, Adolf: Portrait (Selbstbildnis?)
Est: €300 - €400
Adolf de Haer 1892 Düsseldorf - 1944 Osnabrück Portrait (Self-portrait?) Etching on paper; H 188 mm, W 126 mm
Peter Karbstein - Kunst und Auktionshaus
Nov. 30, 2024
Haer, Adolf de
Est: -
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen Nordseestrand. Signiert. Mischtechnik. 32,5 x 43 cm.
Dusseldorfer Auktionshaus
Nov. 23, 2024
DE HAER, Adolf (*1892 Düsseldorf; †1944 Osnabrück),
Est: -
DE HAER, Adolf (*1892 Düsseldorf; †1944 Osnabrück), Holzschnitt, schreiende Köpfe, ILL zu: "Die rote Erde"/1. Jahrgang 4./5. Heft, unten drucksign. u. betitelt, Plattenmaß ca 22,5 x 17,5 cm, SchrägschnittPp-Montage
zeitGenossen Antiquitäten - Kunst - Design
Oct. 26, 2024
de Haer, Adolf: Mädchen
Est: €800 - €1,000
Adolf de Haer 1892 Düsseldorf - 1944 Osnabrück Mädchen Woodcut, watercolored on paper; H 268 mm, W 190 mm; signed and dated lower right. ''A. de Haer 19''; inscribed lower left ''Mädchen''; tear at bottom right; signed, dateted and laiter print by Adolf de Haer
Peter Karbstein - Kunst und Auktionshaus
Jul. 20, 2024
Haer, Adolf de | 1892 Düsseldorf - 1944 Osnabrück
Est: €800 -
Haer, Adolf de 1892 Düsseldorf - 1944 Osnabrück Mohn · 1926. Aquarell auf Papier · 63 x 48 cm (Blattgröße). Unten links signiert: A. de Haer (19)26. Gebräunt. Rahmen mit Mirogardglas.
GAILER Kunstauktionshaus am Chiemsee
May. 31, 2024
Haer, Adolf de: Zwei Mädchen und Flötenspieler (Drillinge)
Est: €200 - €300
Zwei Mädchen und Flötenspieler (Drillinge) Holzschnitt auf genarbtem Velin. Um 1920. 19,1 x 20 cm (42,3 x 27,2 cm). Signiert "A. de Haer". Prachtvoller, fein differenzierter Abzug, die Holzmaserung belebend mitdruckend, mit dem vollen Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 22, 2024
Haer, Adolf de: Bildnis einer Frau mit Spitzenüberwurf
Est: €650 - €1,300
Haer, Adolf de . Portrait of a woman with lace overlay (Düsseldorf 1892-1945 near Osnabrück) Pastel. Signed and dated lower right ''(19)43''. Approx. 83 x 61 cm; framed under glass. // Haer, Adolf de Bildnis einer Frau mit Spitzenüberwurf (Düsseldorf 1892-1945 bei Osnabrück) Pastell. Rechts unten sign. und dat. ''(19)43''. Ca. 83 x 61 cm; unter Glas ger.
Kunstauktionshaus Schlosser
Feb. 10, 2024
Adolf de Haer (deutsch, 1892 - 1945), Chrysanthemen, Mischtechnik auf Papier, unten rechts signiert, Lichtmaß: 62 x 49 cm, Rahmen: 80,5 x 66 cm. Guter, altersbedingter Zustand.
Est: -
Adolf de Haer (deutsch, 1892 - 1945), Chrysanthemen, Mischtechnik auf Papier, unten rechts signiert, Lichtmaß: 62 x 49 cm, Rahmen: 80,5 x 66 cm. Guter, altersbedingter Zustand.
Auktionshaus Demessieur
May. 06, 2023
ADOLF DE HAER (1892 Düsseldorf - 1944 Osnabrück)
Est: €600 - €900
"Mädchen" Holzschnitt, handkoloriert, auf Velin. 1919. 24,7 x 18 cm (33,8 x 26 cm). Signiert unten rechts "A. de Haer", datiert, unten links betitelt. Provenienz: Aus der Sammlung Ernst Gottschalk (1877-1942) De Haer studierte bis Kriegsbeginn 1914 an der Kunstgewerbeschule Düsseldorf und nahm 1917 einige Monate Privatunterricht bei Adolf Hölzel. Er war Gründungsmitglied der Gruppe "Das Junge Rheinland" und gehörte dem "Deutschen Künstlerbund" an. Arbeiten eines der bedeutendsten Vertreter des Rheinischen Expressionismus finden sich heute in den Kunstmuseen Düsseldorf, Mülheim und Duisburg, im Museum Giersch in Frankfurt, in den Kunstsammlungen Nürnberg, Passau und den Sammlungen des Los Angeles County Museum of Art. Beigegeben: Ein weiterer signierter Holzschnitt des Künstlers "Flötenspieler und zwei Mädchen" von 1919.
Dannenberg
Nov. 12, 2022
Adolf de Haer – Ohne Titel (Paar in Landschaft)
Est: - €1,000
Ohne Titel (Paar in Landschaft) Kohlezeichnung. 1917. 25,3 x 30 cm. Signiert und datiert. (28) In grossen Formen angelegte, expressive und erkennbar von dem frühen Stuttgarter Lehrer Adolf Hölzel inspirierte Zeichnung. – Auf Zeichenkarton. – In der Oberfläche mit kleinen Kratzern und rückseitig mit Resten alter Montierung. – Ehemals: Galerie Hella Nebelung und Privatbesitz, Düsseldorf.
Dr. Andreas Sturies Moderne Kunst & Auktionen
Sep. 04, 2022
Adolf de Haer
Est: €1,800 - €3,600
(1892 Düsseldorf - 1944 bei Osnabrück) Gartenstillleben mit Mohn Das 1926 entstandene, in "Nass-in-Nass"-Technik ausgeführte Blatt steht in Motiv und Stil den Aquarellen und Tempera-Bildern von Emil Nolde und Christian Rohlfs nahe. De Haer gehörte zu den bedeutenden Künstlern des Rheinischen Expressionismus und zum Kreis von Johanna Ey ("Mutter Ey"). 1919 war er Gründungsmitglied der Gruppe "Das Junge Rheinland", zu seinen Künstlerfreunden zählten Gert Wollheim, Otto Pankok und Werner Gilles. Schon 1919 stellte er im "Graphischen Kabinett" von Hans Koch aus; 1921 hatte Adolf de Haer in der Galerie von Johanna Ey seine erste Einzelausstellung und war gleichzeitig mit en im ersten Heft der Zeitschrift "Das junge Rheinland" vertreten. 1937 wurden in der Nazi-Aktion "Entartete Kunst" vierzehn seiner Arbeiten aus öffentlichen Sammlungen beschlagnahmt. Seit 1992 wurde Adolf de Haer als Künstler wiederentdeckt, so dass sich seine Werke heute wieder in zahlreichen deutschen Kunstmuseen sowie im Los Angeles County Museum of Art befinden. Aquarell/Papier. L. u. sign. u. dat. (19)26. Ca. 62,5 cm x 48 cm. Rahmen. Watercolour on paper. Signed and dated (19)26.
Kunstauktionshaus Schloss Ahlden
Jul. 10, 2021
de Haer, Adolf: Expressionistische Dorflandschaft
Est: €350 - €450
Adolf de Haer 1892 Düsseldorf - 1944 Osnabrück Expressionist village landscape Charcoal on paper; H 318 mm, W 420 mm (mount dimension); signed lower left ''A de Haer''
Peter Karbstein - Kunst und Auktionshaus
Jul. 10, 2021
de Haer, Adolf: Am Strand (Akte)
Est: €1,500 - €2,000
Adolf de Haer 1892 Düsseldorf - 1944 Osnabrück On the beach (Nudes) Oil on canvas; H 150 cm, W 121 cm; signed and dated lower left ''A de Haer 40''; exhibited at the Rhenish Art Exhibition in Berlin 1940 with a full-page illustration in the catalog on p. 65, cat.-no. 83
Peter Karbstein - Kunst und Auktionshaus
Jun. 19, 2021
Haer, Adolf de (Düsseldorf 1892 - 1945 Osnabrück, Maler, Grafiker und Holzstecher des Rheinischen Expressionismus)
Est: -
Haer, Adolf de (Düsseldorf 1892 - 1945 Osnabrück, Maler, Grafiker und Holzstecher des Rheinischen Expressionismus) "Im Atelier", Holzschnitt auf Papier, signiert, datiert und bezeichnet A.de Haer 20 Im Atelier, 35 x 23 cm (Blattgröße), unter Glas gerahmt, ungeöffnet und ungeprüft
Auktionshaus Plückbaum
May. 15, 2021
Haer, Adolf de - Mutter. Holzschnitt auf Velin. Rechts unten signiert. Link...
Est: €300 -
Haer, Adolf de Mutter. Holzschnitt auf Velin. Rechts unten signiert. Links unten betitelt. 1921. Bildgröße: 21 x 16 cm. Blattgröße: 31,5 x 24 cm. Auf Karton montiert. Seltener Holzschnitt des rheinischen Expressionisten Adolf Josef Maria de Haer (1892-1944). - Unterer Rand mit kleiner Fehlstelle, rechter Rand mit kleinem Tintenfleck, in den weißen Rändern etwas braunfleckig.
Nosbüsch & Stucke GmbH
May. 15, 2021
Haer, Adolf de - Das Kind. Holzschnitt auf Bütten. Rechts unten signiert. L...
Est: €300 -
Haer, Adolf de Das Kind. Holzschnitt auf Bütten. Rechts unten signiert. Links unten betitelt. 1920. Bildgröße: 26,5 x 17,5 cm. Blattgröße: 43 x 30,5 cm. Seltener Holzschnitt des rheinischen Expressionisten Adolf Josef Maria de Haer (1892-1944). - Leicht randknickspurig, unterer weißer Rand leicht stockfleckig, weiße Ränder teils mit geringen, kaum sichtbaren Wurmspuren.
Nosbüsch & Stucke GmbH
May. 08, 2021
Haer, Adolf de
Est: -
Haer, Adolf de 1892 Düsseldorf - 1945 gefallen Früchtestillleben. Monogrammiert. Öl/Lwd., 50 x 50 cm.
Dusseldorfer Auktionshaus
Mar. 26, 2021
Haer, Adolf de: Bildnis einer Frau mit Spitzenüberwurf
Est: -
Haer, Adolf de — Portrait of a woman with a lace coverlet (Düsseldorf 1892-1945 near Osnabrück) Pastel. Signed and dated lower right ''(19)43''. Approx. 83 x 61 cm; framed under glass. // Haer, Adolf de Bildnis einer Frau mit Spitzenüberwurf (Düsseldorf 1892-1945 bei Osnabrück) Pastell. Rechts unten sign. und dat. ''(19)43''. Ca. 83 x 61 cm; unter Glas ger.
Kunstauktionshaus Schlosser
Mar. 13, 2021
BLUMENSTILLLEBEN
Est: €500 - €1,000
RefOld4321 ADOLF DE HAER 1892 Duesseldorf - 1945 Osnabrück Flower still life Oil and chalk on canvas. 80 x 65 cm (F. 97 x 84 cm). Signed lower left 'A. de Haer'. Verso: Coloured sketch - tropical landscape. Min. abraded. Frame. Provenance: Rhenish private collection.
Hargesheimer Kunstauktionen Düsseldorf
Dec. 04, 2020
Adolf de Haer - Portrait of a woman
Est: €3,000 - €4,000
Portrait of a woman Signed and dated in pencil lower right: A. De Haer 21 Haer, Adolf de
Grisebach
Nov. 28, 2020
Adolf de Haer (Düsseldorf 1892 - Osnabrück 1945). On the Beach.
Est: -
Oil/canvas, 151 x 121 cm, lo. le. sign. and dat. A. de Haer 40. - Exhibition: The painting was exhibited: Gedächtnis-Ausstellung Kaiserswerth 1992; Rheinische Kunstausstellung Berlin 1940; Kunstpalast Düsseldorf. - Literature: Rheinische Kunstausstellung Berlin 1940, exh. cat., no. 83, with ill. p. 65; Die Weltkunst, 15.9.1940. - German painter. Mus.: Düsseldorf, Frankfurt, Los Angeles a. others. Lit.: Thieme-Becker, Vollmer.
Auktionshaus Stahl
Oct. 17, 2020
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück: Flötenspieler und zwei Mädchen.
Est: - €180
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück Flötenspieler und zwei Mädchen. Holzschnitt um 1919. Ausst.-Kat. Galerie Remmert und Barth, Düsseldorf 1985, Nr. 43. - Signiert. Auf strukturiertem chamoisfarbenem Bütten. 19,3 x 20,2 cm. Mit leichten Lichtrand. Breite Ränder schwach gebräunt sowie Ober- und Unterrand eingefaltet. [bg]
Winterberg-Kunst
Oct. 26, 2019
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück: Flötenspieler und zwei Mädchen.
Est: - €220
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück Flötenspieler und zwei Mädchen. Holzschnitt um 1919. Ausst.-Kat. Galerie Remmert und Barth, Düsseldorf 1985, Nr. 43. - Signiert. Auf strukturiertem chamoisfarbenem Bütten. 19,3 x 20,2 cm. Mit leichten Lichtrand. Breite Ränder schwach gebräunt sowie Ober- und Unterrand eingefaltet. [bg]
Winterberg-Kunst
Dec. 03, 2016
Adolf de Haer (1892 D?sseldorf - 1944 Osnabr?ck)
Est: -
Boats on the pier, oil on canvas, 66 cm x 79 cm, lower right A. de Haer signed; De Haer was one of the most important representatives of Rhenish expressionism and Kubo-Futurism. The climax of his Cubist-Expressionist works lies between 1919 and 1924. There follows a transition phase between Expressionism and Impressionism, until he moves into the inner emigration as a transgressed artist in the time of National Socialism.
Wettmann
Nov. 12, 2016
ADOLF DE HAER, Düsseldorf 1892 - 1944 Osnabrück: „Mädchen mit Fischen“.
Est: €400 - €450
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück „Mädchen mit Fischen“. Holzschnitt 1920. Signiert, datiert und betitelt. Auf chamoisfarbenem Japan-Bütten. 24,8 x 17,4 cm. Gering gebräunt. [bg]
Winterberg-Kunst
Nov. 12, 2016
ADOLF DE HAER, Düsseldorf 1892 - 1944 Osnabrück: „Freunde“. Männerkopf und Vogel.
Est: €650 - €740
ADOLF DE HAER Düsseldorf 1892 - 1944 Osnabrück „Freunde“. Männerkopf und Vogel. Holzschnitt 1920. Signiert, datiert und betitelt. Auf chamoisfarbenen Japan. 30,2 x 17,1 cm. Mit Druckfarbspuren oberhalb der Darstellung. Ränder gering stockfleckig und leicht knitterfaltig sowie mit meist winzigen hinterlegten Randeinrissen. [bg]
Winterberg-Kunst
Jun. 01, 2016
HAER, ADOLF DE
Est: €900 - €1,200
HAER, ADOLF DE 1892 Düsseldorf - 1945 Osnabrück Mädchen. 1919. Farbholzschnitt auf Velin. 24 x 17,5cm (39,5 x 26,5cm). Signiert, datiert und betitelt. Rahmen. - Lichtrand. Stockflecken. Verschmutzung im linken Randbereich. Verso gebräunt. Reste alter Montierung in den oberen Ecken.
Van Ham Kunstauktionen
Nov. 27, 2010
Haer, Adolf de: Selbstbildnis (?)
Est: €180 - €260
Selbstbildnis (?). Kaltnadel auf sehr dünnem Japan. 21,8 x 16,1 cm (Plattenrand); 29,7 x 22,5 cm (Blattgröße). Signiert und datiert. (19)23. Schöner Druck mit Plattenton, mit dem vollen Rand. Im rechten Rand schwach verbräunt sowie insgesamt leicht stockfleckig, sonst in guter Erhaltung.
Galerie Bassenge
Dec. 06, 2008
ADOLF DE HAER 1892 - Düsseldorf - 1945 STILL-LIFE
Est: - €2,200
ADOLF DE HAER 1892 - Düsseldorf - 1945 STILL-LIFE WITH LILIES AND DELPHINIUMS 1942
Kunsthaus Lempertz KG

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