Richard Harrington Sold at Auction Prices

b. 1911 - d. 2005

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  • RICHARD HARRINGTON NORTHERN LIGHTS PHOTOGRAPH
    Apr. 12, 2026

    RICHARD HARRINGTON NORTHERN LIGHTS PHOTOGRAPH

    Est: $200 - $400

    Richard Harrington (1911 - 2005 Canada) vintage silver gelatin photograph print of Northern Lights and igloo. On back reads "An igloo is being built as northern lights weave above. Canadian Arctic 1950. Photo & print by Richard Harrrington, Toronto, Ontario 1980, second signature 1987. The Issacs/Inuit Gallery label to reverse. In stained oak frame without glass. Faint abrasions to photo but is in very good overall condition. Sight 10.5x13"; Frame 18x20".

    District Auction
  • Richard Harrington (1911-2005), PADLEIMIUT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950
    Mar. 26, 2026

    Richard Harrington (1911-2005), PADLEIMIUT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950

    Est: $800 - $1,200

    Richard Harrington (1911-2005), German/Canadian PADLEIMIUT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950 gelatin silver print signed, titled, dated, and stamped verso; printed 1980 14 x 11 in — 35.6 x 27.9 cm Estimate: $800—1,200 CAD

    Waddington's
  • Richard Harrington (1911-2005), DUCK LAKE, MAN., 1947
    Mar. 26, 2026

    Richard Harrington (1911-2005), DUCK LAKE, MAN., 1947

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), German/Canadian DUCK LAKE, MAN., 1947 gelatin silver print signed, titled, and dated to margin; also signed, titled, dated, stamped, and inscribed verso 13.2 x 10.4 in — 33.5 x 26.5 cm Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), BOOTHIA PENINSULA, NWT, 1951
    Mar. 26, 2026

    Richard Harrington (1911-2005), BOOTHIA PENINSULA, NWT, 1951

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), German/Canadian BOOTHIA PENINSULA, NWT, 1951 gelatin silver print signed, titled, and dated to margin; also signed, titled, dated, stamped, and inscribed verso 15.9 x 19.9 in — 40.5 x 50.5 cm Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), REPULSE BAY, NWT, 1951
    Mar. 26, 2026

    Richard Harrington (1911-2005), REPULSE BAY, NWT, 1951

    Est: $2,000 - $2,500

    Richard Harrington (1911-2005), German/Canadian REPULSE BAY, NWT, 1951 gelatin silver print laid on board signed, titled, and dated lower right 96 x 48 in — 243.8 x 121.9 cm Estimate: $2,000—2,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), SPENCE BAY, NWT, 1957
    Mar. 26, 2026

    Richard Harrington (1911-2005), SPENCE BAY, NWT, 1957

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), German/Canadian SPENCE BAY, NWT, 1957 gelatin silver print signed, titled, and dated to margin; also signed, titled, dated, stamped, and inscribed verso 9.4 x 14 in — 24 x 35.5 cm Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), A PADLEIMUIT MOTHER FEEDING HER CHILD A PIECE OF CARIBOU SKIN AT "STARVATION CAMP", 1950
    Mar. 26, 2026

    Richard Harrington (1911-2005), A PADLEIMUIT MOTHER FEEDING HER CHILD A PIECE OF CARIBOU SKIN AT "STARVATION CAMP", 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), German/Canadian A PADLEIMUIT MOTHER FEEDING HER CHILD A PIECE OF CARIBOU SKIN AT "STARVATION CAMP", 1950 gelatin silver print signed, titled, dated, numbered 5/6, stamped, and inscribed verso; printed 1979 15.8 x 19.9 in — 40.2 x 50.5 cm Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), COPPERMINE, NWT, 1949
    Mar. 26, 2026

    Richard Harrington (1911-2005), COPPERMINE, NWT, 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), German/Canadian COPPERMINE, NWT, 1949 gelatin silver print signed, titled, and dated to margin; also signed, titled, dated, stamped, and inscribed verso 19.3 x 15.4 in — 49 x 39 cm Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), THOM BAY, NWT, 1952
    Mar. 26, 2026

    Richard Harrington (1911-2005), THOM BAY, NWT, 1952

    Est: $1,500 - $2,000

    Richard Harrington (1911-2005), German/Canadian THOM BAY, NWT, 1952 gelatin silver print signed, titled, dated, stamped, and inscribed verso 19.1 x 15.6 in — 48.5 x 39.5 cm Estimate: $1,500—2,000 CAD

    Waddington's
  • RICHARD HARRINGTON MOTHER & CHILD PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON MOTHER & CHILD PHOTOGRAPH

    Est: $200 - $400

    Richard Harrington (1911 - 2005 Canada) vintage silver gelatin photograph print, titled "Perry River, NWT, 1949, on verso: "Coppermine NWT trip scene at Perry River Encampment Igloo, Photo and Print by Richard Harrington. The Issacs/Inuit Gallery label to reverse. Photograph in excellent condition; light wear to frame. In stained oak wood frame under glass. Sight 13x10.5"; Frame 17x20.5".

    District Auction
  • RICHARD HARRINGTON MOTHER & CHILD PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON MOTHER & CHILD PHOTOGRAPH

    Est: $300 - $600

    Richard Harrington (1911 - 2005 Canada) vintage silver gelatin photograph print, titled "Spence Bay, NWT, 1951". Signature and stamp. The Issacs/Inuit Gallery label to reverse. In stained oak wood frame under glass. In very good condition; slight wear to frame and some minor rippling to photo. Sight 10x13.5"; Frame 17x20.5",

    District Auction
  • RICHARD HARRINGTON "SEAL LANDMARK" PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON "SEAL LANDMARK" PHOTOGRAPH

    Est: $300 - $600

    Richard Harrington (1911 - 2005 Canada) "Kalaut with seal he just shot, quickly frozen, placed upright it serves as a landmark, to be picked up later. Igloolik 1952." Vintage silver gelatin photograph print, printed 1980; signature and stamp. In stained oak frame under glass. Excellent condition; some light wear to frame. Sight 13.5x10.5"; Frame 18x20.5".

    District Auction
  • RICHARD HARRINGTON STARVATION CAMP PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON STARVATION CAMP PHOTOGRAPH

    Est: $300 - $600

    Richard Harrington (1911 - 2005 Canada) "Padleimuit mother softening a hardtack biscuit for her starving child at Starvation Camp, 1950". Vintage silver gelatin photograph print, printed 1980; signature and stamp. The Isaacs/Inuit Gallery label to reverse. In stained oak frame under glass. Excellent condition. Sight 10.5x13.5"; Frame 18x20.5".

    District Auction
  • RICHARD HARRINGTON NURSING INUIT PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON NURSING INUIT PHOTOGRAPH

    Est: $300 - $600

    Richard Harrington (1911 - 2005 Canada) vintage silver gelatin photograph print of a nursing Inuit, reading "Padlei NWT 1950" at verso; signature and stamp. The Isaacs/Inuit Gallery label to reverse. In stained oak frame under glass. Excellent condition. Sight 10.5x13.5"; Frame 18x20.5".

    District Auction
  • RICHARD HARRINGTON KEENAQ & KEEPSEEYUK PHOTOGRAPH
    Mar. 15, 2026

    RICHARD HARRINGTON KEENAQ & KEEPSEEYUK PHOTOGRAPH

    Est: $1,000 - $2,000

    Richard Harrington (1911 - 2005 Canada) "Keenaq & Keepseeyuk, 1950" silver gelatin photograph print, reading "Padlei NWT 1950" at verso; signature and stamp. Printed in 1987. From negative 7-8-6/50. The Issacs/Inuit Gallery label to reverse. In stained oak frame under glass. Excellent condition. Sight 13.5x11.5"; Frame 21x17".

    District Auction
  • Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950
    Jun. 26, 2025

    Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950

    Est: $600 - $800

    Richard Harrington (1911-2005) PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950 gelatin silver print signed, titled, dated, and stamped verso; printed 1980 10.9 x 14 in — 27.8 x 35.6 cm Estimate: $600—800 CAD

    Waddington's
  • Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950
    Jun. 26, 2025

    Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950

    Est: $800 - $1,200

    Richard Harrington (1911-2005) GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950 gelatin silver print signed, titled, dated, numbered 2/6, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Estimate: $800—1,200 CAD

    Waddington's
  • Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950
    Jun. 26, 2025

    Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950

    Est: $800 - $1,200

    Richard Harrington (1911-2005) AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950 gelatin silver print signed, titled, dated, and stamped verso; printed 1980 13.9 x 10.8 in — 35.2 x 27.4 cm Estimate: $800—1,200 CAD

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949
    Jan. 30, 2025

    Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949

    Est: $800 - $1,200

    Richard Harrington (1911-2005), Canadian ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949 gelatin silver print signed, titled, dated, numbered 2/5, and stamped verso; printed 1979 19.4 x 15.9 in — 49.4 x 40.3 cm Estimate: $800—1,200 CAD

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949
    Jan. 30, 2025

    Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949

    Est: $800 - $1,200

    Richard Harrington (1911-2005), Canadian ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949 gelatin silver print signed, titled, dated, numbered 2/8, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Estimate: $800—1,200 CAD

    Waddington's
  • Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950
    Oct. 10, 2024

    Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005), Canadian APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950 signed, titled, dated, numbered 2/5, and stamped verso; printed 1979 Estimate: $1,000—1,500 CAD

    Waddington's
  • Richard Harrington (1911-2005), ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949
    May. 16, 2024

    Richard Harrington (1911-2005), ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949

    Est: $2,000 - $3,000

    Richard Harrington (1911-2005) ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1980 19.8 x 15.9 in — 50.3 x 40.3 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949
    May. 16, 2024

    Richard Harrington (1911-2005), ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1979 16 x 20 in — 40.6 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949
    May. 16, 2024

    Richard Harrington (1911-2005), YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950

    Est: $2,000 - $3,000

    Richard Harrington (1911-2005) PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950 gelatin silver print , signed, titled, dated, numbered 2/5 and stamped verso; printed 1979 13 x 20 in — 33 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

    Waddington's
  • Richard Harrington (1911-2005), STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951
    May. 16, 2024

    Richard Harrington (1911-2005), STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951 gelatin silver print , signed, titled, dated, numbered 1/25, and stamped verso; printed 1980 13.9 x 11 in — 35.2 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949
    May. 16, 2024

    Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/8 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Private Collection, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950 gelatin silver print , signed, titled, dated, and stamped verso, from an edition of 25; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON; Private Collection, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950 gelatin silver print , signed, titled, dated, numbered 1/5 and stamped verso; printed 1979 19.9 x 16 in — 50.6 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950
    May. 16, 2024

    Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950 gelatin silver print , signed, titled, dated and stamped verso, from an edition of 25; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950

    Est: $2,500 - $3,500

    Richard Harrington (1911-2005) PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950 gelatin silver print , signed, titled, dated, numbered 7/7 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,500—3,500

    Waddington's
  • Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950
    May. 16, 2024

    Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 14 x 10.2 in — 35.6 x 26 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950
    May. 16, 2024

    Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950

    Est: $800 - $1,200

    Richard Harrington (1911-2005) PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 10.9 x 14 in — 27.8 x 35.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $800—1,200

    Waddington's
  • Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 13.9 x 10.8 in — 35.2 x 27.4 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950
    May. 16, 2024

    Richard Harrington (1911-2005), A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950 gelatin silver print , signed, titled, dated, numbered 1/25 and stamped verso; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949
    May. 16, 2024

    Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/5 and stamped verso; printed 1979 19.4 x 15.9 in — 49.4 x 40.3 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952
    May. 16, 2024

    Richard Harrington (1911-2005), CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952 gelatin silver print , signed, titled, dated, numbered 1/6 and stamped verso; printed 1979 15.8 x 18.7 in — 40.2 x 47.5 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949
    May. 16, 2024

    Richard Harrington (1911-2005), INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949 gelatin silver print , signed, titled, dated, numbered 3/10, and stamped verso; printed 1979 14 x 10 in — 35.6 x 25.4 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952
    May. 16, 2024

    Richard Harrington (1911-2005), GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952 gelatin silver print , signed, titled, dated, numbered 1/6, and stamped verso; printed 1979 16 x 20 in — 40.6 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950
    May. 16, 2024

    Richard Harrington (1911-2005), EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950 gelatin silver print , signed, titled, dated, numbered 1/5, and stamped verso; printed 1979 20 x 14 in — 50.8 x 35.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • Richard Harrington (1911-2005), 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951
    May. 16, 2024

    Richard Harrington (1911-2005), 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951

    Est: $2,000 - $3,000

    Richard Harrington (1911-2005) 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951 gelatin silver print , signed, titled, dated, numbered 4/5, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

    Waddington's
  • Richard Harrington (1911-2005), ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951
    May. 16, 2024

    Richard Harrington (1911-2005), ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951

    Est: $2,000 - $3,000

    Richard Harrington (1911-2005) ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951 gelatin silver print , signed, titled, dated, numbered 1/6, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

    Waddington's
  • Richard Harrington (1911-2005), SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949
    May. 16, 2024

    Richard Harrington (1911-2005), SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949

    Est: $1,000 - $1,500

    Richard Harrington (1911-2005) SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 1/5, and stamped verso; printed 1979 15.8 x 20 in — 40.2 x 50.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

    Waddington's
  • RICHARD C. HARRINGTON, America, Contemporary, "Days' Sunset"., Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".
    Aug. 20, 2020

    RICHARD C. HARRINGTON, America, Contemporary, "Days' Sunset"., Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".

    Est: $400 - $600

    RICHARD C. HARRINGTON America, Contemporary "Days' Sunset". Signed lower right "Harrington". Titled and signed verso. Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".

    Eldred's
  • RICHARD C. HARRINGTON, United States, Contemporary, "Sea Whisper"., Monotype, 10" x 10". Framed 18" x 17".
    Apr. 02, 2020

    RICHARD C. HARRINGTON, United States, Contemporary, "Sea Whisper"., Monotype, 10" x 10". Framed 18" x 17".

    Est: $300 - $400

    RICHARD C. HARRINGTON United States, Contemporary "Sea Whisper". Signed lower right "Richard Harrington". Monotype, 10" x 10". Framed 18" x 17".

    Eldred's
  • RICHARD HARRINGTON (1911-2005), A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951, gelatin silver print (framed), 9.5 x 13.5 in — 24.1 x 34.3 cm
    Sep. 20, 2018

    RICHARD HARRINGTON (1911-2005), A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951, gelatin silver print (framed), 9.5 x 13.5 in — 24.1 x 34.3 cm

    Est: $800 - $1,200

    RICHARD HARRINGTON (1911-2005)A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951gelatin silver print, signed, titled and dated 1951, framed, sight9.5 x 13.5 in — 24.1 x 34.3 cmEstimate: $800—1,200

    Waddington's
  • Richard Harrington Signed Landscape
    May. 21, 2018

    Richard Harrington Signed Landscape

    Est: $75 - $100

    Nicely Framed Print Signed Richard Harrington, "New Day" Monotype.

    Symphony Auction Gallery
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