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(b Rome, 1877; d Paris, 1962) American sculptor. Herbert Haseltine, sculptor mostly of animals and particularly of horses, was the son of the wealthy American landscape painter, William Stanley Haseltine (1835-1900). He completed a degree at Harvard University in 1899, and afterwards studied drawing at the Munich Academy, Germany and painting at the Academie Julian in Paris, France. In 1905 he studied painting with Aimé Morot, who inspired him to make sculpture, a discipline with which he enjoyed immediate success. Inspired by the gathering of artists from around the world in the Montparnasse Quarter of Paris, Haseltine chose to live there for thirty-five years until the German occupation of France during World War II. He then moved to the United States, where he remained until 1947, at which time he returned to France. (Credit: Sotheby’s, New York, Indian & Southeast Asian Works of Art, September 19, 2008, lot 256)
Read Full Artist BiographyHerbert Haseltine (1877-1962) Cheval Bronze à patine brune nuancée de vert Signé et daté " Herbert Haseltine 1921 " sur la terrasse Porte le copyright " © " Porte le cachet du fondeur " C. VALSUANI CIRE PERDUE " H. 10,5 cm, terrasse 12 x 3,5 cm Originaire des États-Unis, Herbert Haseltine se forme et réalise la plus grande partie de sa carrière en Europe. Il entre à l’Académie royale des Beaux- arts de Munich puis de Rome avant d’intégrer l’académie Julian à Paris en 1900. Multipliant les voyages entre la Grande Bretagne et Paris, passionné par les chevaux et les sports hippiques, Haseltine oriente ses recherches vers l’idée du « Cheval Idéal ». Il trouve ses modèles dans des foires agricoles notamment à Londres et les retranscrit dans la plastiline. Les esquisses, envoyées à Paris, sont ensuite confiées aux fondeurs Valsuani et Rudier. Ses œuvres font preuve d’une observation du mouvement et de l’anatomie tout à la fois rigoureuse et idéalisée. Littérature en rapport : Malcom Cormack, Champion animals : sculptures by Herbert Haseltine, Richmond, Virginia museum of Fine Arts, 1996
Crait-MullerHerbert Haseltine (1877-1962) Percheron Mare: Messaline and Foal parcel-gilt bronze with verdigris patina 9 3/4 in. (24.8 cm.) high, on a 2 1/8 in. (5.4 cm.) high black marble base Modeled circa 1922-24.
BonhamsHerbert Haseltine (1877-1962) Horse Head signed and dated '© Herbert Haseltine 1941' (along the neck) bronze with green patina 10 1/4 x 10 x 2 1/2in (26 x 25.4 x 6.4cm) Modeled and cast in 1941. For further information on this lot please visit the Bonhams website
BonhamsMiddle White Sow Bronze à patine dorée, socle de marbre noir Titré sur le socle, numéroté 3 en chiffres romains, signé sur le socle, daté 1928 en chiffres romains H. 11 cm. L. 21 cm
OXIOHerbert Haseltine (1877-1962) Percheron Mare: Messaline and Foal parcel-gilt bronze with verdigris patina 9 3/4 in. (24.8 cm.) high, on a 2 1/8 in. (5.4 cm.) high black marble base Modeled circa 1922-24. For further information on this lot please visit the Bonhams website
BonhamsHerbert Haseltine (American, 18771962) Head of Suffolk Punch Signed and dated '© Herbert Haseltine 1921' along the base at left; also with 'CIRE/C. VALSUANI/PERDUE' foundry stamp at the base of the mane verso, bronze with dark brown patina and parcel gilt on the mane Height (with base): 10 in. (25.4cm) Provenance Private Collection, Virginia. Condition report: In very good original condition with no sign of restoration/repair or scratching on the bronze itself. With accumulated dust in the crevices of the mane. We note the head is a bit loose on the base. With a minor chip at front right corner of the base, and minor surface soiling (drops) and scratches throughout.
Freeman'sHerbert Haseltine (1877-1962) Man O' War inscribed '© II / HH / 1945' (on the base) and inscribed '▼MAN O' WAR▼' (on the wooden base) gold plated and patinated bronze 14 1/2in high (36.8cm high), on a 7in high (17.78cm high) wooden base Modeled in 1945. For further information on this lot please visit the Bonhams website
BonhamsHerbert Haseltine (1877-1962) Middle White Sow: Wharfedale Royal Lady gilt bronze 4 1/8 in. (10.5 cm.) high on a 1 ¼ in. (3.2 cm.) marble base
Christie'sHerbert Haseltine (1877-1962) Middle White Boar: Wharfedale Deliverance gilt bronze 4 ½ in. (11.43 cm.) high on a 1 ½ in. (3.8 cm.) marble base
Christie'sHerbert Chevalier Haseltine American, 1877-1962 Plaster Bust of Lakshmi Plaster Provenance: Leslie Hindman Auctioneers, Chicago, Property from the Ralph Esmerian Collection, October 2, 2011 Herbert Haseltine is recognized as one of the greatest American animalier sculptors of the 20th century. Haseltine gained commissions from many of the wealthiest sporting enthusiasts in the United States and abroad, including King Edward VII and Queen Alexandra of England and Prince Schönburg-Hartenstein of Vienna. Most important in this context was the acquaintance of the Maharaja Jam Saheb of Nawanagar. While in India working on a monument for the maharaja, Haseltine was shown the maharaja’s favorite stallion and mare, Indra and Lakshmi. An extensive future project that would take the artist many years to complete was then conceived. Finding inspiration in the intricate designs and elaborate decorations used to adorn the horses in 17th- and 18th-century India, Haseltine set about constructing models of Lakshmi and Indra with the hope of finding a patron to fund his ultimate vision for the pieces — solid gold busts of the two prized horses adorned with diamonds, rubies, sapphires, and emeralds. Although the preliminary work on the project had begun in the 1930s, it was not realized until 1949 through the patronage of the wealthy heiress and jewelry aficionado Barbara Hutton. With Hutton’s support, Haseltine finished the pieces in three years. His work was aided by the Bedi-Rassy Foundry in New York, which cast them in 24-karat gold, then chased and ornamented the gold heads with precious jewels. This plaster bust of Lakshmi was a prized part of the collection of famed New York jeweler Ralph Esmerian, who had quite a personal connection to the piece. The plaster bust, along with many of Esmerian’s other prized possessions, was sold at public auction in 2011 when the once-prominent jeweler defaulted on a rather sizable loan. A CNN Money article from 2009 titled “Diamonds Are a Banker’s Worst Friends” mentions the two works by Haseltine, saying: “When Ralph talks about jewels, he sounds like a boy showing off his baseball cards. A favorite piece is a pair of horse heads sculpted by Herbert Haseltine for the heiress Barbara Hutton out of 24-karat gold and embedded with diamonds, rubies, sapphires, and emeralds. The horses held a mythical place in Ralph’s childhood. His father supplied Haseltine with the stones. Esmerian bought the horse heads from a private dealer about eight years ago.” Haseltine’s ‘Indra’ and ‘Lakshmi’ were offered in Sotheby’s The Midas Touch sale on October 29, 2019, in London with a pre-auction estimate of £600,000 – £800,000.
The Sporting Art AuctionHerbert Haseltine (1877-1962) Percheron Mare: Messaline and Foal bronze with greenish-brown patina and stone 21 ½ in. (54.6 cm.) high
Christie'sHerbert Haseltine (1877-1962) Percheron Stallion: Rhum parcel-gilt bronze with greenish-brown patina and stone 28 in. (71.1 cm.) high
Christie'sArtist: Herbert Haseltine | 1877-1962 Title: A Saddled Donkey Inscribed on base: © Herbert Haseltine 1921 Media: Bronze Dimensions: 5 1/2 by 6 by 2 inches No Reserve Condition: Very Good Condition Details: The bronze piece is in very good condition with normal wear. With the unaided eye there are no apparent issues. The granite base is in very good condition with normal wear.
Altermann GalleriesHerbert Haseltine (1877-1962) Percheron Stallion: Rhum signed with initials and dated 'H·H/1940' (along the marble base) silver-gilt bronze 12 ½ in. (31.75 cm.) high on a 1 ¾ in. (4.4 cm.) red marble base Modeled circa 1922-24; cast in 1940.
Christie'sHERBERT HASELTINE (1877-1962) CHEVAL, 1921 Bronze à patine brune Signé et daté sur la terrasse Porte le cachet du fondeur Valsuani Fondeur 9,5 x 14 x 4 cm - 3.74 x 5.51 x 1.57 in. Dimensions du socle : 2,5 x 12,5 x 4,5 cm - 0.98 x 4.92 x 1.77 in. Bronze with brown patina Signed and dated at the base Founder’s stamp at the base Valsuani Founder
Cornette de Saint-CyrHerbert Haseltine (American, 1877-1962) HORSE HEADS $15,000. – 20,000. Bronze, 9” x 9” (each) Inscribed: Herbert Haseltine, © 1923 $15,000. – 20,000.
The Sporting Art AuctionHerbert Haseltine (American, 1877-1962) SUFFOLK PUNCH $50,000. – 70,000. Bronze, gilt patina with brown highlights, 16 1⁄2” x 11” Inscribed on base © Haseltine MCMXXXI $50,000. – 70,000.
The Sporting Art Auctionbronze with brown patina
Sotheby'sHerbert Chevalier Haseltine (1877-1962) Album de dessins, 29 feuillets à la mine de plomb représentant des paysages, certains sont réhaussés de lavis Fin du XIXe siècle, Estimation 100 - 200 €
ArtcurialHerbert Haseltine (1877-1962) Percheron parcel-gilt bronze with verdigris patina 12¾ in. (32.4 cm.) high on a 2¾ in. (7 cm.) marble base
Christie'sHERBERT HASELTINE (AMERICAN, 1877-1962) The empty saddle signed and dated ‘Haseltine 1930’ (on the base) bronze with reddish-brown patina 10 x 7 1/2 x 2 3/4 in. (25.4 x 19.1 x 7 cm.), excluding base A commemorative reduction of the artist’s original Calvary War Memorial, located in Mayfair, London, 1914.
Christie'sAttributed to: Herbert Haseltine, American (1877-1962) Bronze sculpture "Seated Girl With Bowl". Signed with initials H.H. Good condition. Measures 8-3/4" H. Shipping $62.00 (estimate $200-$400)
Kodner Galleriesbronze, green patina on a 4 1/2 inch black stone base
Sotheby'sbronze, gold patina on a 2 1/2 inch black stone base
Sotheby's