Loading Spinner

Johann Peter Hasenclever Sold at Auction Prices

Painter, Genre Painter, b. 1810 - d. 1853

See Artist Details

0 Lots

Sort By:

Categories

    Auction Date

    Seller

    Seller Location

    Price Range

    to
    • Johann Peters Hasenclever: The Sneezer
      May. 17, 2024

      Johann Peters Hasenclever: The Sneezer

      Est: €8,000 - €10,000

      HASENCLEVER, JOHANN PETERS 1810 Remscheid - 1853 Düsseldorf Title: The Sneezer. Date: 1836. Technique: Oil on canvas. Measurement: 27.5 x 22.5cm. Notation: Signed and dated lower right: "Hasenclever 36". Frame: Framed. Verso: Label attached to the frame "Deutsche Jahrhundert-Ausstellung" National-Galerie, Berlin 1906 with provenance indication "Besitz Emilie Eckardt, Halle/Saale". Cf. literature: H. Bestvater-Hasenclever: J.P. Hasenclever - Ein wacher Zeitgenosse des Biedermeier, Recklinghausen 1979, p. 19, fig. 18; St. Geppert and D. Soechting (eds.): Johann Peter Hasenclever (1810-1853). Ein Malerleben zwischen Biedermeier und Revolution, Mainz 2003, p. 129, ill. 49. Provenance: Private ownership, Germany. "Der Nieser" is a work that brought Johann Peter Hasenclever great fame. The artist's first successes were small-format portraits of individual figures with humorous characterisations: In addition to the subject of the present painting, the "Begging Sister", the "Milkmaid" and the "Politician" should be mentioned. The figure depicted becomes the victim of the artist's satirical mockery, who portrays her alone, in a private moment, without the protection of secondary figures who could draw the viewer's attention to her. The present work was exhibited at the German Centennial Exhibition at the National Gallery in Berlin in 1906, with the provenance indication "Property Emilie Eckardt, Halle/Saale". It is probably the same painting that is illustrated in Bestvater-Hasenclever (1979, ill. 18) and Gepper/Soechting (2003, ill. 49) as having been painted in 1836 and presented at the Berlin Academy Exhibition in 1906. At least one other version of this work is known, which was auctioned by VAN HAM on 21st April 2007. The artist repeated successful prototypes several times, which is not surprising as he inserted himself into the grey areas of 19th century morality with unerring ingenuity and veiled humour. Over the last few years, we have successfully offered and sold several works by Johann Peter Hasenclever. With the present painting, VAN HAM once again confirms itself as the reference house for this artist and 19th century German painting. Estimated shipping costs for this lot: Germany: 32,77 Euro plus 6,23 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance Explanations to the Catalogue Johann Peters Hasenclever Germany Düsseldorf School 19th C. Paintings Framed Caricature Painting Figure / Figures

      Van Ham Kunstauktionen
    • A. (*1850) after HASENCLEVER (*1810), Nightwatch, Nightwatch, Colour lithography
      Sep. 23, 2023

      A. (*1850) after HASENCLEVER (*1810), Nightwatch, Nightwatch, Colour lithography

      Est: €135 - €225

      Arntz. and Company (around 1850 - around 1900 ) after Johann Peter Hasenclever (1810 - 1853 ): The Nightwatchman on a Bridge, Nightwatch, 19th century, Colour lithography Technique: Colour lithography on Paper, mounted on Paper Date: 19th century Description: Lithograph after the depiction by Hasenclever. Keywords: Nightwatchman, Lantern, Pike, Moon, 19th century, Realism, Professions, Germany,

      Fichter Kunsthandel
    • Johann Peter Hasenclever Young woman at the open window looking at the full moon
      Jun. 29, 2023

      Johann Peter Hasenclever Young woman at the open window looking at the full moon

      Est: €8,000 - €12,000

      Johann Peter Hasenclever 1810 Remscheid - 1853 Düsseldorf Young woman at the open window looking at the full moon Signed and dated 1840 lower right. Oil auf canvas. 35 x 30.5 cm. Relined. Restored. Damage to frame (48 x 44 cm). Literature: Soiné, Knut, Johann Peter Hasenclever. Ein Maler im Vormärz. Neustadt/Aisch 1990. Under the catalogue raisonné number 85 there is a painting "Eine Schwärmerin" that was exhibited at the Kunstverein in Munich in 1840 and which, according to the description in the catalogue, may be the present painting. - Kunstverein München (editor), Bericht über den Bestand und das Wirken des Kunstvereins in München während des Jahres 1840, page 68, number 342: Hasenclevers painting "Ein Mädchen, welches so eben in Claurens Werken gelesen, im Mondschein schmachtend".

      Neumeister
    • A. (*1850) after HASENCLEVER (*1810), Nightwatch, Nightwatch, Colour lithography
      Mar. 11, 2023

      A. (*1850) after HASENCLEVER (*1810), Nightwatch, Nightwatch, Colour lithography

      Est: €135 - €225

      Arntz. and Company (around 1850 - around 1900 ) after Johann Peter Hasenclever (1810 - 1853 ): The Nightwatchman on a Bridge, Nightwatch, 19th century, Colour lithography Technique: Colour lithography on Paper, mounted on Paper Date: 19th century Description: Lithograph after the depiction by Hasenclever. Keywords: Nightwatchman, Lantern, Pike, Moon, 19th century, Realism, Professions, Germany,

      Fichter Kunsthandel
    • Johann Peters Hasenclever: Lasset die Kindlein zu mir kommen or: The First Day of School
      Nov. 17, 2022

      Johann Peters Hasenclever: Lasset die Kindlein zu mir kommen or: The First Day of School

      Est: €30,000 - €40,000

      HASENCLEVER, JOHANN PETERS 1810 Remscheid - 1853 Düsseldorf Title: "Lasset die Kindlein zu mir kommen" or: The First Day of School. Technique: Oil on canvas. Mounting: Relined. Measurement: 89 x 112cm. Notation: Signed lower right: J.P. Hasenclever. Frame: Framed. Cf. literature: H. Bestvater-Hasenclever: J.P. Hasenclever. Ein wacher Zeitgenosse des Biedermeier, Recklinghausen 1979, ill. 62: shown here is a lithograph after the theme; K. Soiné: Johann Peter Hasenclever. Ein Maler im Vormärz, Neustadt 1990, pp. 144ff, cat. rais. no. 237-239: Soigné describes three versions of the theme, a fourth one from 1852 is known later by Galerie Paffrath, Düsseldorf; Lexikon der Düsseldorfer Malerschule 1819-1918, Munich 1998, p. 59, ill. 42: here depicted a version dated 1852 with slight modifications; Johann Peter Hasenclever (1810-1853). A Painter's Life between Biedermeier and Revolution. Exhibition Bergisches Museum Schloss Burg an der Wupper, Solingen 04.04.-09.06.2003. cat. no. 112, p. 289f: illustrated and discussed here the version from 1852. Provenance: Private ownership, Germany. A school class that could hardly be imagined any wilder, with a teacher who is overtaxed beyond measure - Johann Peter Hasenclever leads the viewer into a past world that is superficially so clichéd that today, beyond the genre-like narrative, we hardly notice the social criticism that makes the painting a political statement. Nowadays, Hasenclever is (unfortunately) primarily only associated with his humorous social scenes, which cheerfully recount the everyday life of the Biedermeier era. Even though he is regarded as one of the most important personalities not only of the Düsseldorf School of Painting, but also of 19th century German painting as a whole, he has unjustly been somewhat forgotten, despite his great painterly qualities. In addition to his art, he was also politically engaged during the Vormärz period and was active in the democratic movements during the 1848 revolution, which ultimately failed, however. His liberal and bourgeois-democratic views are reflected in his paintings and not least in the school scene from 1852 shown here, which is also known under the title "Lasset die Kindlein zu mir kommen" - a title that is clearly meant satirically. The teacher, obviously overwhelmed by the rowdy and wild schoolboys, is punishing a boy with the cane for breaking a blackboard. At that moment, a new pupil is brought into the class by his father, who carries the school fees in the form of eggs and a rooster. In both of them, their shuddering at the situation, as well as the teacher's helplessness and the other pupils' anger at his educational approach are clearly apparent. This is not the first time that Hasenclever has captured the theme of the first day at school in a painting: there is a known drawing from 1846/47 in which the same situation of introducing a new pupil is depicted. Only here everything is in perfect order, the situation is friendly and trusting. Convinced of the necessity of developing a new educational theory, Hasenclever shows in this pre-Revolutionary drawing a modern and understanding teacher; quite differently in the large painting, in which he humorously depicts the classical schoolmaster of old, and thus what he sees as the retrograde steps of the post-Revolutionary years, during which all educational reforms were reversed. Nevertheless, Hasenclever is and remains the humanist who believes in the good in people: for the light that brings a warm atmosphere to the whole scene comes from the pupils. The painter places his hope in this new generation. Explanations to the Catalogue

      Van Ham Kunstauktionen
    • Hasenclever, Johann Peter: Dreissig heraus! (Beim Kegeln)
      Oct. 22, 2022

      Hasenclever, Johann Peter: Dreissig heraus! (Beim Kegeln)

      Est: €1,000 - €1,500

      Johann Peter Hasenclever 1810 - 1853 Dreißig heraus! (Beim Kegeln) Oil on canvas; H 21 cm, W 17 cm; signed center left ''Hasenclever''; inscribed above ''Dreißig heraus!''

      Peter Karbstein - Kunst und Auktionshaus
    • JOHANN PETER HASENCLEVER OIL ON CANVAS
      Jul. 12, 2022

      JOHANN PETER HASENCLEVER OIL ON CANVAS

      Est: $15,000 - $20,000

      JOHANN PETER HASENCLEVER (Germany, 1810-1853) oil on canvas, "Der erste Schultag" (First Day of School) also known by alternate title, "Lassetdie Kinderlein zu mir" (Let the Children Come to Me). Featuring a rural mid-19th century German classroom in chaos and pandemonium. A father holding a basket of egg, a dead rooster, and pushing his son forward to present to an elderly teacher occupied with spanking a screaming child over his knee. The school children are clearly out of the teacher's control with some crying, some hiding, one boy drawing a donkey on the wall, some laughing, one boy with his fist up in anger, and a few students in the background studiously reading and writing. The classroom itself is deteriorating with holes and debris on the floor, chipped and stained plaster, a torn map of Europe, piles of books in disarray, and a violin with broken strings. Signed "J.P. Hasenclever" lower right. Image measures 35" x 44". In a wood frame; 40.5" x 49.5" overall. Provenance: passed down within the family.

      O'Gallerie
    • Johann Peter Hasenclever (1810-1853): The Night Watchman
      Jun. 22, 2019

      Johann Peter Hasenclever (1810-1853): The Night Watchman

      Est: $800 - $1,200

      Oil on canvas, 1852, signed 'JP Hasenclever' and dated lower left.10 x 11 1/2 in., 13 1/2 x 15 in. (frame). Estate of Doris Demeri

      Stair
    • Print, After Johann Peter Hasenclever
      Apr. 21, 2018

      Print, After Johann Peter Hasenclever

      Est: $50 - $100

      After Johann Peter Hasenclever (German, 1810–1853), Weinprobe, lithograph in colors, lithography by Thielley, overall (with frame): 22"h x 26.5"w; Property from the Sterling Vineyard Winery Art Collection, Calistoga CA

      Clars Auctions
    • Chris Tugwell (SA, born 1938) Oil, "The Young Anglers", Signed Titled Verso, 40 x 50
      Apr. 09, 2017

      Chris Tugwell (SA, born 1938) Oil, "The Young Anglers", Signed Titled Verso, 40 x 50

      Est: R8,000 - R12,000

      Chris Tugwell (SA, born 1938) Oil, "The Young Anglers", Signed Titled Verso, 40 x 50

      5th Avenue Auctioneers
    • Johann Peter Hasenclever (German, 1810-1853)
      Dec. 03, 2016

      Johann Peter Hasenclever (German, 1810-1853)

      Est: $600 - $800

      "The Wine Tasting", 19th century lithograph laid down on linen canvas, after the original painted in 1843, signed in print "J. P. Hasenclever 1843", under glass in 19th C. gesso and gilt wood frame; site 33 1/2"W x 24 1/2"H; frame 42"W x 33"H; frame professionally restored, very minor losses

      Ivy Auctions
    • Hasenclever, Johann Peter - zugeschrieben: Bildnis der Sophie Schadow
      Nov. 27, 2015

      Hasenclever, Johann Peter - zugeschrieben: Bildnis der Sophie Schadow

      Est: €2,700 - €3,000

      zugeschrieben. Bildnis der Dichterin Sophie von Schadow. Öl auf Holz. D. 10 cm (Passepartoutausschnitt). Vor 1845. Sophie von Schadow (1824-1892) war die einzige Tochter von Friedrich Wilhelm Schadow und dessen Frau Charlotte, geb. von Groschke. Sie war gleichzeitig die erste Enkelin des Bildhauers Johann Gottfried Schadow. Am 2. Mai 1845 heiratete sie den Arzt Richard Hasenclever. Sophie von Schadow verfasste zahlreiche Gedichte und Novellen, in denen sie oft den Menschen in Krisen- und Konfliktsituationen darstellte. Prof. Börsch-Supan erwägt eine Zuschreibung an den Namensvetter des Ehemannes, an Johann Peter Hasenclever, der in seiner Frühzeit als Bildnismaler wirkte. - Provenienz: Sammlung Joseph Clemens, Prinz von Bayern (1902 - 1990). Mit Galerie Rudigier, München. Sammlung Ernst Heinrich, Nienburg.

      Galerie Bassenge
    • Johann Peter Hasenclever (1810-1853), Wine Tasting, circa 1850
      Jun. 18, 2014

      Johann Peter Hasenclever (1810-1853), Wine Tasting, circa 1850

      Est: €8,000 - €10,000

      Auction announcements 12th June 2014 Lot 43: A painting after Johann Peter Hasenclever. Oil on metal Germany, circa 1850 Johann Peter Hasenclever (1810-1853) - German genre painter Old Label on the verso, "Les amateurs de vin/Hasenclever" Gold-colored stucco frame Overall dimensions, framed: 50 x 58 cm Good condition Provenance: Private collection, Switzerland The painter shows his artistic skills in the accomplished drawing and balanced composition. Paintings of similar size sell for up to 25,000 euros on the international auction market The present painting is a late work by the German genre painter Johann Peter Hasenclever, and shows a group of seven gentlemen with a wine server in a wine cellar. It is a recurring subject in Hasenclever's oeuvre. Gottfried Keller once called him the 'court painter of wine, urbanity and humor'. Other contemporaries described him as a 'wine-loving humorist' and 'warm-hearted portrayer of sociable interior scenes'. The present composition is characterized by his typical golden lighting and a wealth of detail. The painting is in good condition. The metal plate is well preserved. The thickness of the varnish hinders the inspection with ultraviolet light. A few tiny spots of restoration are visible to the surface as well as light lines of retouching to the edges. The fine details appear still in very good order. The gold-colored wood frame is in good condition with a chip to the upper edge. The overall dimensions, framed, are 50 x 58 cm. The metal plate measures 34.5 x 43 cm. Johann Peter Hasenclever (1810-1853) Johann Peter Hasenclever is considered one of Germany's most important genre painters of the 19th century. He influenced important artists such as Carl Spitzweg and Wilhelm Busch. Hasenclever was born in Remscheid and studied at the Düsseldorf Academy under Wilhelm von Schadow. Study visits took him to Munich and Italy. After 1842, he settled in Düsseldorf. Hasenclever's paintings often show humorous and social critical subjects. He became known, for example, for his series of works illustrating Carl Arnold Kortum's satirical hero story 'Life, Opinions, and Deeds of Hieronymus Jobs', including the painting 'The Examination', which was acquired in 1840 by the Bavarian King Ludwig I. Hasenclever was also a successful portrait painter. Today, works by Hasenclever are on display in major museum collections, including the Neue Pinakothek in Munich, the Museum Kunst Palast, Düsseldorf, the Wallraf-Richartz Museum in Cologne, the Alte Nationalgalerie Berlin, and the Museum of Fine Arts in Leipzig. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

      Auctionata Paddle8 AG
    • Johann Peter Hasenclever, 1810 Remscheid - 1853 Düsseldorf, zug.
      Apr. 12, 2013

      Johann Peter Hasenclever, 1810 Remscheid - 1853 Düsseldorf, zug.

      Est: €5,000 - €7,000

      DIE WEINPROBE Öl auf Metall. 34,5 x 43 cm. Verso Etikett mit Titel und bezeichnet mit Künstlername. Zeitgenössische Wiederholung des Themas. In dem schmalen, bühnenartigen Vordergrund sitzen sieben Herren um zwei Weinfässer, eines rechts liegend mit einem Überwurf, das andere aufgestellt und als Tisch genutzt. Die in verschiedenen Posen wiedergegebenen Herren prüfen und verkosten den Wein mit prüfendem und teils skeptischem Blick. Links steht der Kellermeister mit einer Weinflasche hinter dem Rücken, die linke Hand erklärend gehoben mit abgespreiztem Zeigefinger und kleinem Finger. Die humo-ristische Szene wird hinten durch eine Mauer abgeschlossen, die sich links in einem Rundbogen öffnet. Dort wird ein Blick auf ein Kreuzgratgewölbe und eine in die Mauer eingelassene Nische mit Öllämpchen freigegeben. Rechts, in die verputzte Mauer, aus der stellenweise schon die Ziegel hervorscheinen, ist eine weitere Rundbogennische eingelassen, in der ein großer, glasierter Weinkrug und zwei weitere Flaschen stehen. Die Szene im Vordergrund wird von einer undefinierten Quelle beleuchtet. Feine, nuancierte Malweise. Zwei Erhebungen im Metall. (892602)

      Hampel Fine Art Auctions
    • Hasenclever, Johann Peters1810 Remscheid - 1853 Düsseldorf The village schoolhouse.
      May. 13, 2011

      Hasenclever, Johann Peters1810 Remscheid - 1853 Düsseldorf The village schoolhouse.

      Est: €10,000 - €12,000

      Hasenclever, Johann Peters 1810 Remscheid - 1853 Düsseldorf The village schoolhouse. Signed and dated lower left: J. P. Hasenclever/ 1845. Oil on canvas. Relined. 34 x 43cm. Framed. Deriving from the larger painting "Jobst als Schulmeister", which can be found in the Düsseldorf Art Museum, the artist created various smaller versions, addressing this issue. The version presented here was created in the same year as the one in Düsseldorf. Literature: Cf. Bestvater-Hasenclever, Hanna: J.P. Hasenclever - Ein wacher Zeitgenosse des

      Van Ham Kunstauktionen
    • Hasenclever, Johann Peters1810 Remscheid - 1853 Düsseldorf The Quarelled Card Players.
      Nov. 19, 2010

      Hasenclever, Johann Peters1810 Remscheid - 1853 Düsseldorf The Quarelled Card Players.

      Est: €4,000 - €4,500

      Hasenclever, Johann Peters 1810 Remscheid - 1853 Düsseldorf The Quarelled Card Players. Oil on canvas. 24,5 x 30,5cm. Framed. On verso: Old gummed labels on the stretcher. Literature: Listed and reproduced in: Soiné, Knut: Johann Peter Hasenclever. Ein Maler im Vormärz. Neustadt/Aisch 1990, p. 270. Here listed under the no. 109 and classed as dating from the time around 1842.

      Van Ham Kunstauktionen
    • Hasenclever Johann Peter (Remscheid 1810 -
      Sep. 12, 2009

      Hasenclever Johann Peter (Remscheid 1810 -

      Est: - €200

      Hasenclever Johann Peter (Remscheid 1810 - Düsseldorf 1853 ) The Examination Lithograph, 45 x 62 cm, trimmed on the edges, not opened.

      Auktionshaus Stahl
    • Johann Peter Hasenclever German, 1810-1853 , winetasting oil on canvas
      Sep. 30, 2008

      Johann Peter Hasenclever German, 1810-1853 , winetasting oil on canvas

      Est: €5,000 - €7,000

      oil on canvas

      Sotheby's
    • Johann Peter Hasenclever "(Remscheid 1810-1853
      Dec. 10, 2007

      Johann Peter Hasenclever "(Remscheid 1810-1853

      Est: €1,200 - €1,500

      Johann Peter Hasenclever "(Remscheid 1810-1853 Dsseldorf) Portrait of an Artist in German Vormrz, Oil on canvas, 73,5 x 58,5 cm, framed, (Rei)" "See Also: Johann Peter Hasenclever (1810-1853), A Painters Life Between Biedermeier and Revolution, Bergisches Museum Schlo Burg, Solingen 2003, published by Philipp von Zabern, p. 203f"

      Dorotheum
    • Hasenclever, Johann Peters 1810 Remscheid - 1853 Düsseldorf
      Apr. 20, 2007

      Hasenclever, Johann Peters 1810 Remscheid - 1853 Düsseldorf

      Est: €3,300 -

      With monogramm bottom right: P.(lig.)H. Oil on canvas. Relined. 28 x 23cm. Framed. Comparitive literature: - Hanna Bestvater-Hasenclever: J.P. Hasenclever - Ein wacher Zeitgenosse des Biedermeier, Recklinghausen 1979, comp. depiction 18.

      Van Ham Kunstauktionen
    Lots Per Page: