Thomas Hirschhorn Sold at Auction Prices

Thomas Hirschhorn (B. 1957): Ideologischer Schmuck

Wood and cord. 27 in. long (excluding pendant). Note: Sold with a certificate of authenticity.

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004 Technique mixte Quatre papiers marouflés fixés au ruban adhésif sur des supports en carton 80 x 60 cm environ Exposition : Centre culturel Suisse, Paris, 2004 L’installation Swiss Swiss Democracy de Thomas Hirschhorn, présentée en 2004 au Centre Culturel Suisse, constitue une œuvre profondément politique et critique. À travers cet environnement volontairement chaotique; fait de cartons, d’affiches photocopiées, de rubans adhésifs, de textes, de vidéos et de matériaux pauvres, Hirschhorn interroge les contradictions de la démocratie contemporaine, et plus particulièrement celles de la Suisse de son époque.

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004 Technique mixte Quatre papiers marouflés fixés au ruban adhésif sur des supports en carton 80 x 60 cm environ Exposition : Centre culturel Suisse, Paris, 2004 L’installation Swiss Swiss Democracy de Thomas Hirschhorn, présentée en 2004 au Centre Culturel Suisse, constitue une œuvre profondément politique et critique. À travers cet environnement volontairement chaotique; fait de cartons, d’affiches photocopiées, de rubans adhésifs, de textes, de vidéos et de matériaux pauvres, Hirschhorn interroge les contradictions de la démocratie contemporaine, et plus particulièrement celles de la Suisse de son époque.

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004

Thomas HIRSCHHORN (1957) 'Swiss-Swiss Democracy', 2004 Technique mixte Quatre papiers marouflés fixés au ruban adhésif sur des supports en carton 80 x 60 cm environ Exposition : Centre culturel Suisse, Paris, 2004 L’installation Swiss Swiss Democracy de Thomas Hirschhorn, présentée en 2004 au Centre Culturel Suisse, constitue une œuvre profondément politique et critique. À travers cet environnement volontairement chaotique; fait de cartons, d’affiches photocopiées, de rubans adhésifs, de textes, de vidéos et de matériaux pauvres, Hirschhorn interroge les contradictions de la démocratie contemporaine, et plus particulièrement celles de la Suisse de son époque.

Thomas HIRSCHHORN (1957) Sculpture, 2004

Thomas HIRSCHHORN (1957) Sculpture, 2004 Technique mixte H 85 cm Joint Socle en bakélite noire : H 42 x L 40 x P 40 cm L’artiste fait face à l’excès de violence du monde contemporain en cherchant à en matérialiser le débordement. Défenseur d’une esthétique fondée sur l’assemblage, le réemploi et les matériaux modestes, Thomas Hirschhorn conçoit des installations à la fois précaires et imposantes, traversées par des problématiques politiques et sociales. Ces déformations protubérantes évoquent les drames de l’actualité participant à une accumulation visuelle génératrice d’un sentiment d’inquiétude immédiat.

Thomas Hirschhorn, 1957, Bracelette

Thomas Hirschhorn, 1957, Bracelette

Thomas Hirschhorn, 1957, String Tyre

Thomas Hirschhorn, 1957, String Tyre

Thomas Hirschhorn, 1957, Moins

Signed on verso, dated and titled: Thomas Hirschhorn, 1993, Moins.

THOMAS HIRSCHHORN (°1957)

Description EN 'Too Too - Much Much Necklace', 2010. Mannequin and chain of can openings. Signed, dated, titled and numbered in black marker on verso 8.8. Edition mdd (Museum Dhondt-Dhaenens, Sint-Martens-Latem). Description FR 'Too Too - Much Much Necklace', 2010. Mannequin et chaîne d'ouvertures en étain. Signé, daté, titré et numéroté au marqueur noir au verso 8.8. Edition mdd (Musée Dhondt-Dhaenens, Laethem-Saint-Martin). Beschrijving NL 'Too Too - Much Much Necklace', 2010. Paspop en ketting van blikopeningen. Getekend, gedateerd, getiteld en genummerd in zwarte stift op verso 8.8. Uitgave mdd (Museum Dhondt-Dhaenens, Sint-Martens-Latem).

Thomas Hirschhorn (b. 1957): Ideologischer Schmuck

Wood and cord; including certificate of authenticity 27 in. long (excluding pendant).

Thomas Hirschhorn, Lay out no. 6

Thomas Hirschhorn Lay out no. 6 1993 gelatin silver print, collaged paper and cardboard arranged on blanket 84 h x 59 w in (213 x 150 cm) Provenance: Galerie Chantal Crousel, Paris | Acquired from the previous in 2005, Private Collection This work will ship from Lambertville, New Jersey.

THOMAS HIRSCHHORN (NÉ EN 1957). CNN. assemblage de carton, papier cadeau do

THOMAS HIRSCHHORN (NÉ EN 1957). CNN. assemblage de carton, papier cadeau doré et ruban adhésifH.: 300 cm (118 1/8 in.); L.: 190 cm (74 ¾ in.); P.: 10 cm (3 7/8 in.)Réalisée en 2002, cette œuvre porte le numéro quarante-quatre d'une édition de cinquante exemplaires et dix épreuves d'artiste..

Thomas Hirschhorn, 1957, 2 works: Power of Brazil, 2006; Qu'est-ce que la philosophie?, 2003

80/120; 26/100. Each signed and dated. (2).

THOMAS HIRSCHHORN – 'POWER OF BRAZIL' (2007)

THOMAS HIRSCHHORN 1957 Bern, Switzerland 'POWER OF BRAZIL' (2007) Colour offset on smooth paper. Sheet size 85.7 x 90.9 cm. Print size 84.2 x 88.8 cm. Signed by hand and dated 'Thomas Hirschhorn 2007' lower right as well as numbered '41/120'. Verso inscribed in pencil by an unknown hand. Handling marks, crease marks and with small tear to upper margin on the left side (approx. 0.6 cm). Provenance: Private collection North-Rhine Westphalia. THOMAS HIRSCHHORN 1957 Bern, Schweiz 'POWER OF BRAZIL' (2007) Farboffset auf glattem Papier. BM 85,7 x 90,9 cm. DM 84,2 x 88,8 cm. Unten rechts handsign. u. dat. 'Thomas Hirschhorn 2007' sowie num. '41/120'. Verso: von fremder Hand mit Bleistift bez. Griffspuren, Knickspuren u. kleiner Riss am oberen Rand links (ca. 0,6 cm). Provenienz: Privatsammlung Nordrhein-Westfalen.Zeichen

Thomas Hirschhorn, CNN

Thomas Hirschhorn CNN 2002 cardboard, foil, plastic, golden wrapping paper, tape 107 h x 84 w x 5 d in (272 x 213 x 13 cm) Signed, dated and numbered to verso '34/50 Thomas Hirschhorn 2002'. This work is number 34 from the edition of 50 published by Schellmann Art, Munich and New York. This work will ship from Lambertville, New Jersey.

Thomas Hirschhorn "CNN Chain" Sculpture 2002

Thomas Hirschhorn (Swiss, b. 1957). Large wall sculpture titled "CNN Chain" referencing the news channel, 2002. Cardboard, gold wrapping paper, and tape. Signed in marker and editioned 9/50 along the verso.

Thomas Hirschhorn, Gate to Reality

Thomas Hirschhorn Gate to Reality 2006 wood, black and camouflage tape, nails, screws, wooden fiberboard, bubble wrap, stickers, prints, transparent cover and felt 122 h x 90.5 w x 13 d in (310 x 230 x 33 cm) Signed, titled and dated to verso 'Thomas Hirschhorn Gate to Reality 2006'. Provenance: Mitchell-Innes & Nash, New York | Private Collection, New York This work will ship from Lambertville, New Jersey.

Thomas Hirschhorn: Untitled

HIRSCHHORN, THOMAS 1957 Bern Title: Untitled. Date: 1998. Technique: Mixed media over collage on paper, collaged on fibreboard. Measurement: 42 x 31 x 3cm. Notation: Dedicated, dated and signed verso on label: Für Kasper König FRANKFURT 9.10.1998 Thomas Hirschhorn. Provenance: - Kasper König Collection, Berlin (directly from the artist) - Collage technique as a style-defining element - Artist exhibited at 'Skulptur Projekte Münster' in 1997 and at Portikus in 1998 - Observations of everyday life and criticism of consumption in a new form Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance Explanations to the Catalogue Thomas Hirschhorn Sculptures 1990s Object Mixed media

Thomas Hirschhorn: Flat Daddy (John Heartfield)

HIRSCHHORN, THOMAS 1957 Bern Title: Flat Daddy (John Heartfield). Date: 2008. Technique: Photocopy, cardboard and adhesive tape. Measurement: 84 x 68 x 1,5cm. Notation: Titled, signed, dated, inscribed and numbered verso: "Flat-Daddy" (John Heartfield) Thomas Hirschhorn 2008 Edition nbk 11/10. Publisher: Neuer Berliner Kunstverein. Number: 10/11. Provenance: - Neuer Berliner Kunstverein, Berlin - Kasper König Collection, Berlin Literature: - Cf. exhib. cat. 1000... miles to the edge, Museum Ludwig Cologne, Cologne 2023, p. 59f ill. - Allusion to photographic doubles of American soldiers ('flat daddy') - Reference to the Dadaist John Heartfield (1891 - 1968) - Another copy donated by Kasper König to the Museum Ludwig 2023 Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance Explanations to the Catalogue Thomas Hirschhorn Sculptures 2000s Portrait Object Cardboard Man

Thomas Hirschhorn: Artist's Scarves

HIRSCHHORN, THOMAS 1957 Bern Title: Artist's Scarves. Subtitle: Mixed lot of 20 scarves with artsi's names. Date: 1996. Technique: Each: Wool and adhesive tape. Measurement: Different formats. From 15 x x 112cm to 18 x 285cm. Provenance: - Kasper König Collection, Berlin Exhibitions: - EVA International, Limerick/Ireland 1996 - König Galerie, Berlin 2019 Thomas Hirschhorn - Artist's Scarves The renowned Swiss artist Thomas Hirschhorn, born in Bern in 1957, is internationally recognised for his politically and socially engaged works. Hirschhorn's works deal with themes such as consumption, war and power structures, using everyday materials and objects to create complex and provocative installations. Be an art fan with the Artist's Scarves The Artist's Scarves are an extension of Hirschhorn's conceptual work. The textile artworks bear his unmistakable style - a mix of collage, text and image. The names of renowned artists are immortalised on woollen scarves using adhesive tape, from Piet Mondrian to Meret Oppenheim and Andy Warhol. The scarves serve as wearable art that can accessorise both the body and the room. By wearing such a scarf, the wearer becomes an ambassador for the respective artist. Last but not least, they unmistakably evoke associations with the fan cult surrounding sports such as football. Football scarves are often held up during a match to demonstrate club affiliation and are a sign of pride and loyalty. The fan accessories usually bear the club's colours and crest and are popular both in the stadium and in everyday life. Hirschhorn's deep commitment to social and political issues, as well as his conviction that art is accessible to all, is reflected in these works. The question of beauty 'What Beauty Is. I Know not' The scarves were shown in 2019 as part of the exhibition 'What Beauty Is, I Know not' curated by Kasper König at the König Galerie in St Agnes in Berlin. The title, borrowed from a quote by Albrecht Dürer, reflects König's critical approach, which invites viewers to question traditional notions of beauty and adopt new perspectives. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Thomas Hirschhorn Sculptures 1990s Word Object wool Artist's Portait

Thomas Hirschhorn (1957 Bern – lebt in Paris)

Swiss Made. 1999. Skulptur aus Karton, Aluminium, Folie, Filz, Holz, Kunststoff und transparente Folie. In drei Teilen. Verso mit schwarzem Edding signiert, datiert und nummeriert: Thomas Hirschhorn, 1999, 17/50. Gesamtmaß: ca. 230 x 52 x 6,5 cm. Hrsg. von: Parkett-Verlag, Zürich.

Thomas Hirschhorn, CNN

Thomas Hirschhorn CNN 2002 foil, Mylar, tape as shown: 116 h x 92 w x 16 d in (295 x 234 x 41 cm) Signed and dated to verso 'Thomas Hirschhorm 7/50'. This work is number 7 from the edition of 50 published by Schellmann Art, Munich and New York. Provenance: Acquired directly from the publisher in 2002 from the previous by the present owner This work will ship from Chicago, Illinois.

Thomas Hirschhorn, 1957, 3 works: Untitled (Apropos de Swiss Army Knife), 1999; Power of Brazil, 2006; Qu'est-ce que la philosophie?, 2003

4/50; 1/120; 29/100. All signed and dated. (3).

Thomas Hirschhorn, 1957, 2 works: Power of Brazil, 2006; Qu'est-ce que la philosophie?, 2003

80/120; 26/100. Each signed and dated. (2).

Thomas Hirschhorn (1957) Power of Brazil

Thomas Hirschhorn (1957) Power of Brazil 2007 gesigneerd met marker pen gedateerd en genummerd 79/120 (rechtsonder) offset zonder lijst 84x89 cm Uitgegeven door ;Texte zur Kunst: uitgave nr. 64/december 2006 (oplage 120 exemplaren plus 20 A.P.)."""

Hirschhorn, Thomas. Qu'est-ce que la

Hirschhorn, Thomas. Qu'est-ce que la philosophie? Buchobjekt aus Karton, Farbfotokopien und Klebeband. Verso mit schwarzem Filzstift signiert, datiert und nummeriert. Exemplar: 6/100. Berlin, Texte zur Kunst, 2003. Maße: 77 x 48 x 7 cm. Das aus Wellpappe Schicht um Schicht zusammengebaute, gleichsam "sinnentleerte" Objekt versteht sich dennoch als Hommage an die beiden französischen Autoren Gilles Deleuze und Félix Guattari. - Minimal berieben.

Swiss Made (for Parkett 57)

HIRSCHHORN, THOMAS 1957 Bern Title: Swiss Made (for Parkett 57). Date: 1999. Technique: 3-part. Each: card, aluminium foil, wood, transparent synthetic foil, fibre pen on Depiction Size: 228cm. Sheet Size: 52cm. Notation: Signed, dated and numbered. Publisher: Parkett-Verlag, Zurich (publisher). Number: 5/50. Condition: Occasional minimal dust deposits on the transparent film. Minimal adhesive residues on the clockwork verso (probably due to the manufacturing process). Otherwise in very good condition. With Parkett magazine. "Thomas Hirschhorn - an artist easily recognized for his persistent use of low-grade materials such as tinfoil, cardboard, plywood, plastic, and masking tape in his sculptural assemblages - perfectly illustrates cheapness in all of its senses. From the connotation of poor quality or shoddy standing to appearing easily made, despicable, or having little value, Hirschhorn has cultivated more than aesthetic consistency in his oeuvre. Underlying the objects that he fashions out of these meager materials is a sophisticated machine whose inner workings produce affects and interpretations that extend beyond mere formal statement. Cheap is no longer just an adjective; Hirschhorn makes it a procedure." Alison Gingeras, Parkett no. 57, 1999. Article on the work and artist from Parkett edition no. 57. Explanations to the Catalogue

Thomas Hirschhorn (1957 Bern - lebt in Paris)

QU'EST-CE QUE LA PHILOSOPHIE?. 2003. Karton, Farbfotokopien und Klebeband. Verso mit schwarzem Filzstift signiert und nummeriert: Hirschhorn, 50/100. 77 x 48 x 7 cm. Herausgegeben von Texte zur Kunst, Berlin.

Thomas Hirschhorn, sculpture installation, 2000

Thomas Hirschhorn (Swiss, b.1957), "Sculpture Direct III / Economie Post - Capitaliste", in two sections, cardboard, wood, plastic, aluminum, adhesives, spots, integrated tv monitor and video player, stickers, photocopies, spray colors, felt colors. integrated video in loop, 60 minutes, no signature observed, with copy of gallery invoice, approx. 105"h x 91"l x 95"w

THOMAS HIRSCHHORN (B. 1957) Relief Abstract: Oxford & Cambridge wood, alum

THOMAS HIRSCHHORN (B. 1957) Relief Abstract: Oxford & Cambridge wood, aluminum foil, plastic foils, cardboard, felt, paper collage and book pages 78 3/4 x 118 x 8 in. (200 x 300 x 20 cm.)

THOMAS HIRSCHHORN (B. 1957) Musée Précaire Albinet (Lighter) gold foil, sil

THOMAS HIRSCHHORN (B. 1957) Musée Précaire Albinet (Lighter) gold foil, silver foil, red tape, printed paper collage and clear tape 142 x 40 x 53.5cm.

Thomas HIRSCHHORN (né en 1957) - DUSSELDORF

Thomas HIRSCHHORN (né en 1957) DUSSELDORF Ensemble de deux cartes postales Signées 15 x 12 cm - 12 x 15 cm - encadrées A vendre sans prix de réserve

Hirschhorn Thomas - Musée précaire Albinet (lighter) (2004)

Sculpture - Cardboard, aluminium foil, tape and collage Sig. - Ex. nr. 43/50 - With documentation

Thomas Hirschhorn - ”LA CHICA DEL TIEMPO”

”LA CHICA DEL TIEMPO” On the reverse in black felt-tip pen signed, dated, titled and inscribed: THOMAS HIRSCHHORN 2006, LA CHICA DEL TIEMPO Hirschhorn, Thomas

Hirschhorn, Thomas

Hirschhorn, Thomas: "Das Schweigen des Buches". Book with tape. Signed.

THOMAS HIRSCHHORN | Video Blow Down

THOMAS HIRSCHHORN

THOMAS HIRSCHHORN (1957 Bern – lives and works in Paris) "GRAZIE (FÜR FRANZ STINZ)". 1998/1999. Collage. Letters, postcard, newspaper cut-outs, cardbord, foil and tape. Signed and dated on the reverse: 1999, VENEZIA, THOMAS HIRSCHHORN 68 × 40 cm. The authenticity of this work has been confirmed by Susanna Kulli, Galerie Susanna Kulli, May 2020, Zurich. We thank her for her kind support. Provenance: By descent to the present owner, since then private collection Switzerland. --------------- THOMAS HIRSCHHORN (1957 Bern–lebt und arbeitet in Paris) "GRAZIE (FÜR FRANZ STINZ)". 1998/1999. Collage. Briefe, Postkarte, Zeitungsausschnitte, Karton, Folie und Klebeband. Verso signiert und datiert: 1999, VENEZIA, THOMAS HIRSCHHORN 68 × 40 cm. Die Authentizität dieses Werkes wurde von Frau Susanna Kulli, Galerie Susanna Kulli, Mai 2020, Zürich bestätigt. Wir danken Frau Kulli für ihre freundliche Unterstützung. Provenienz: Durch Erbschaft an die heutigen Besitzer, Privatsammlung Schweiz.

Thomas Hirschhorn - Musée Précaire Albinet (Lighter) (Musée Précaire Albinet (Lighter))

Card, plastic, prints, gold and aluminium foil, tape. (2004). C. 140 x 38 x 50 cm. A numbered copy from an edition of 50. Signed on the underside. [Container3]

Thomas Hirschhorn - CNN (CNN)

Multiple comprised of cardboard, foil, plastic, gold wrapping paper and tape. (2002). C. 250 x 80 x 10 cm. A numbered copy from an edition of 50. Signed on the reverse. Published by Edition Schellmann, Munich/New York. [Container3]

Thomas Hirschhorn (b. 1957) - Untitled (Ur-Collage 5)

Thomas Hirschhorn (b. 1957) Untitled (Ur-Collage 5) printed paper collage and tape on cardboard 32.5 x 51.5cm.

THOMAS HIRSCHHORN (°1957) Zonder titel (1991). Kleurenz

THOMAS HIRSCHHORN (°1957) Zonder titel (1991). Kleurenzeefdruk. Gedateerd en getekend in blauwe bic '1999/ Thomas/Hirschhorn', genummerd 16/50. In kader. 840 x 605 mm (900 x 665 mm) THOMAS HIRSCHHORN (°1957) 840 x 605 mm (900 x 665 mm) THOMAS HIRSCHHORN (°1957) Untitled. Colour Screenprint. Dated, signed and numbered 16/50 in, blue ball point pen. Framed. 840 x 605 mm (900 x 665 mm)

Thomas HIRSCHHORN (Né en 1957) NONE OF THEM - 2010 Collage d'impressions, feutre, stylo bille, scotch et feuille de plastique sur pa...

Thomas HIRSCHHORN (Né en 1957) NONE OF THEM - 2010 Collage d''impressions, feutre, stylo bille, scotch et feuille de plastique sur papier Titré plusieurs fois en bas à droite "None of them", signé, daté et titré au dos sur une feuille de papier "Thomas Hirschhorn, 2010, None of them" h: 113 w: 103 cm Provenance : Vente au profit de l''Association Saint-Louis pour la recherche sur les leucémies Commentaire : Collage of printed papers, felt-tip pen, ballpoint pen, adhesive tape and plastic foil on paper; titled several times lower right, signed, dated and titled on the reverse on a sheet of paper

THOMAS HIRSCHHORN | Untitled, 1990

Mixed media on wooden panel

THOMAS HIRSCHHORN (born 1957, Swiss), Walk Through Fire 2007

THOMAS HIRSCHHORN (born 1957, Swiss), Walk Through Fire 2007 collage with paper, prints and lastie foil 84.0 x 90.0 cm signed, dated and inscribed verso: THOMAS HIRSCHHORN/ 2007/ TATTO-SERIE/ ( )/ (Work on paper) Arndt Fine Art, Berlin, 2010 Private collection, Melbourne

THOMAS HIRSCHHORN - Swiss Made, 1999

THOMAS HIRSCHHORN - Swiss Made, 1999

Thomas Hirschhorn (B. 1957) - Nail and Wire (Front Page III)

Thomas Hirschhorn (B. 1957) Nail and Wire (Front Page III) nails, cable, printed paper collage, screws, tape and acrylic on panel 98 ½ x 49 ¼ x 2 7/8 (250.2 x 125.1 x 7.3 cm.)

Thomas Hirschhorn (B. 1957) - Nail and Wire (Front Page II)

Thomas Hirschhorn (B. 1957) Nail and Wire (Front Page II) nails, cable, printed paper collage, screws, tape and acrylic on panel 98 ½ x 49 ¼ x 2 7/8 (250.2 x 125.1 x 7.3 cm.)

THOMAS HIRSCHHORN - Musee Precaire Abinet (Lighter), 2004

THOMAS HIRSCHHORN - Musee Precaire Abinet (Lighter), 2004