HISAO DOMOTO (1928 Kyoto 2013) Critical Threshold: Water. 1987/88. Acrylic, ink and pencil on Japan paper on wooden construction. Hamamatsu Art Kite. Signed and dated lower right: Domoto 88. 234 × 234 cm (visible size). Provenance: - Goethe Institut, Osaka. - Private collection Paul Eubel, Palermo. - Auction Nagel Stuttgart, 23 February 2022, lot 1008. - Swiss collection, acquired at the above auction. Exhibited: Pictures for the Sky. Art Kites: - Sendai 1988, The Miyagi Museum of Art, 11 June–10 July 1988. - Tsu 1988, Mie Prefectural Art Museum, 30 July–3 November 1988. - Otsu 1988, Shiga Museum of Art, 22 October–11 December 1988. - Himeji 1989, Himeji City Museum of Art, 3–28 March 1989. - Shibukawa 1989, Hara Museum ARC, 15 April–4 June 1989. - Shizuoka 1989, Prefectural Museum of Art, 23 July–27 August 1989. - Nagoya 1989, Nagoya City Art Museum, 5 September–1 October 1989. - Hiroshima 1989, City Museum of Contemporary Art, 10 October–12 November 1989. - Munich 1990, Haus der Kunst, 16 December 1989–18 February 1990. - Paris 1990, exhibition in public space, 21–22 April 1990. - Paris 1990, Grande Halle de la Vilette, 24 April–1 July 1990. - Düsseldorf 1990, Kunstsammlung Nordrhein-Westfalen, 13 July–6 September 1990. - Moscow 1990, Zentralhaus der Künstler, 20 September–21 October 1990. - Hamburg 1990, Deichtorhallen, 3 November–7 December 1990. - Lisbon 1991, Modern Art Center Gulbenkian, 21 December 1990–27 January 1991. - Brussels 1991, Musee des Beaux-Arts, 7 February–7 April 1991. - Berlin 1991, Nationalgalerie, 28 June–11 August 1991. - Copenhagen 1991, Kunsthalle Charlottenborg, 24 August–29 September 1991. - Turin 1991, Promotrice delle Belle Arti, 19 October–8 December 1991. - Rome 1992, Galleria Nazionale d'Arte Moderna, 5 March–17 May 1992. - Seville 1992, Expo Sevilla. Pabellón de las Artes, 4–23 June 1992. - Montreal 1993, Musee des Beaux-Arts, 11 June–26 September 1993. Literature: - Paul Eubel, Jürgen Weber, Klaus von Bismarck, Emil Schumacher and Gérard Titus-Carmel: Pictures for the Sky. Art Kites, Osaka 1991, p. 158 f. (with ill.). - Charles Solomon. Pictures for the Sky. Art Kites, 2 August 1992, in: Los Angeles Times, latimes.com/archives/la-xpm-1992-08-02-bk-5903-story.html. ------------------------------------------------- HISAO DOMOTO (1928 Kyoto 2013) Critical Threshold: Water. 1987/88. Acryl, Tinte und Bleistift auf Japanpapier auf Holzkonstruktion. Hamamatsu Art Kite. Unten rechts signiert und datiert: Domoto 88. 234 × 234 cm (Lichtmass). Provenienz: - Goethe Institut, Osaka. - Privatsammlung Paul Eubel, Palermo. - Auktion Nagel, Stuttgart, 23.2.2022, Los 1008. - Schweizer Sammlung, an obiger Auktion erworben. Ausstellungen: Pictures for the Sky. Art Kites: - Sendai 1988, The Miyagi Museum of Art, 11.6.–10.7.1988. - Tsu 1988, Mie Prefectural Art Museum, 30.7.–3.11.1988. - Otsu 1988, Shiga Museum of Art, 22.10.–11.12.1988. - Himeji 1989, Himeji City Museum of Art, 3.–28.3.1989. - Shibukawa 1989, Hara Museum ARC, 15.4.–4.6.1989. - Shizuoka 1989, Prefectural Museum of Art, 23.7.– 27.8.1989. - Nagoya 1989, Nagoya City Art Museum, 5.9.–1.10.1989. - Hiroshima 1989, City Museum of Contemporary Art, 10.10.–12.11.1989. - München 1990, Haus der Kunst, 16.12.1989–18.2.1990. - Paris 1990, Ausstellung im öffentlichen Raum, 21.–22.4.1990. - Paris 1990, Grande Halle de la Vilette, 24.4.–1.7.1990. - Düsseldorf 1990, Kunstsammlung Nordrhein-Westfalen, 13.7.–6.9.1990. - Moskau 1990, Zentralhaus der Künstler, 20.9.–21.10.1990. - Hamburg 1990, Deichtorhallen, 3.11.–7.12.1990. - Lissabon 1991, Modern Art Center Gulbenkian, 21.12.1990–27.1.1991. - Brüssel 1991, Musee des Beaux-Arts, 7.2.–7.4.1991. - Berlin 1991, Nationalgalerie, 28.6.–11.8.1991. - Kopenhagen 1991, Kunsthalle Charlottenborg, 24.8.–29.9.1991. - Turin 1991, Promotrice delle Belle Arti, 19.10.–8.12.1991. - Rom 1992, Galleria Nazionale d'Arte Moderna, 5.3.–17.5.1992. - Sevilla 1992, Expo Sevilla. Pabellón de las Artes, 4.–23.6.1992. - Montreal 1993, Musee des Beaux-Arts, 11.6.–26.9.1993. Literatur: - Paul Eubel, Jürgen Weber, Klaus von Bismarck, Emil Schumacher und Gérard Titus-Carmel: Pictures for the Sky. Art Kites, Osaka 1991, S. 158 f. (mit Abb). - Charles Solomon. Pictures for the Sky. Art Kites, 2.8.1992, in: Los Angeles Times, latimes.com/archives/la-xpm-1992-08-02-bk-5903-story.html. Dieses Kunstwerk war Teil der Gruppenausstellung "Pictures for the Sky. Art Kites" an dem die folgenden Künstlerinnen und Künstler teilgenommen haben: Horst Antes, Karel Appel, Arman, Yae Asano, Ay-O, Elvira Bach, Imre Bak, James Brown, Grisha Bruskin, Erik Bulatow, Daniel Buren, Michael Buthe, Bruno Ceccobelli, Chema Cobo, Graham Dean, Jan Dibbets, Hisao Domoto, Eberhard Fiebig, Barry Flanagan, Sam Francis, Tami Fujie, Rupprecht Geiger, General Idea, Raimund Girke, Zvi Goldstein, Karl Otto Götz, Gotthard Graubner, José de Guimaraes, Otto Herbert Hajek, Takeshi Hara, Gerhard Hoehme, Friedensreich Hundertwasser, Toshimitsu Imai, Yukio Imamura, Bukichi Inoue, Horst Janssen, Ilja Kabakow, Olle Kåks, Mitsuo Kano, Per Kirkeby, Yoshio Kitayama, Igor Kopystianski, Akira Kurosaki, Yayoi Kusama, Robert Kushner, Tadaaki Kuwayama, Lee Ufan, Thomas Lenk, Georgi Litischevskij, Richard Paul Lohse, Ryusho Matsuo, Hisashi Momose, Sadamasa Montonaga, David Nash, Minoru Onoda, Mimmo Paladino, CO Paeffgen, Georg Karl Pfahler, Panamarenko, Otto Piene, Ivan Rabuzin, Robert Rauschenberg, Gerhard Richter, Rissa, Ulrike Rosenbach, Niki de Saint Phalle, Salomé, Susumu Shingu, Ushio Shinohara, Kazuo Shigara, Satoru Shoji, KRH Sonderborg, Kumi Sugai, Leon Polk Smith, Kenny Scharf, Bernard Schultze, Emil Schumacher, Anton Stankowski, Klaus Staeck, Frank Stella, Shu Takahashi, Atsuko Tanaka, Antoni Tàpies, Ernesto Tatafiore, Jean Tinguely, Gérard Titus-Carmel, Günther Uecker, Keiji Uematsu, Keji Usami, Victor Vasarely, Ben Vautier, Emilio Vendova, Toon Verhoef, Franz Erhard Walrher, Toyoshige Wantanabe, Isolde Wawrin, Tom Wesselmann, Paul Wunderlich, Tadanori Yokoo und Mika Yoshizawa.
HISAO DOMOTO (1928 Kyoto 2013) Ensembles Binaires. 1962. Oil and collage with fabric, gold leaf and staples on canvas. Verso signed, titled, dated, inscribed, numbered, with place and dimensions: DOMOTO 1962–47 PARIS 120 × 80 cm "Ensembles Binaires" Composition (2×2). Additionally signed in Japanese characters. 120 × 80 cm. Provenance: - Felix Handschin Galerie, Basel (verso with label). - Private collection Switzerland. ------------------------------------------------- HISAO DOMOTO (1928 Kyoto 2013) Ensembles Binaires. 1962. Öl und Collage mit Stoff, Blattgold und Heftklammern auf Leinwand. Verso signiert, betitelt, datiert, bezeichnet, nummeriert, mit Orts- und Massangaben: DOMOTO 1962–47 PARIS 120 × 80 cm "Ensembles Binaires" Composition (2×2). Zudem in japanischen Schriftzeichen signiert. 120 × 80 cm. Provenienz: - Felix Handschin Galerie, Basel (verso mit dem Etikett). - Privatsammlung Schweiz.
HISAO DOMOTO (1928 Kyoto 2013) Untitled. 1963. Lacquer and pigments on thin cardboard, firmly laid down on masonite. Signed lower right: DOMOTO, as well as verso signed, dated, with place inscription and dedication: Pour chère Rosemarie Mars 1963 PARIS. Hisao DOMOTO. Additionally signed in Japanese characters. 32.5 × 25 cm. Provenance: - Private collection Switzerland. - Private collection Switzerland, received through inheritance. ------------------------------------------------- HISAO DOMOTO (1928 Kyoto 2013) Ohne Titel. 1963. Lack und Pigmente auf dünnem Karton, fest aufgelegt auf Masonit. Unten rechts signiert: DOMOTO, sowie verso signiert, datiert, mit Ortsangabe und Widmung: Pour chère Rosemarie Mars 1963 PARIS. Hisao DOMOTO. Zudem in japanischen Schriftzeichen signiert. 32,5 × 25 cm. Provenienz: - Privatsammlung Schweiz. - Privatsammlung Schweiz, durch Erbschaft erhalten.
Hisao Domoto 1928 - 2013 Untitled signed in English and Kanji, and dated 1960-3 (on the reverse) oil on canvas 162 by 112.3 cm. 63¾ by 44¼ in. Executed in 1960-1963. ---------------------------------------------- 堂本尚郎 1928－2013年作 無題 款識 Hisao Domoto，堂本尚郎，1960-3（作品背面） 油畫畫布 162 x 112.3 公分 63¾ x 44¼ 英寸 1960-1963年作
Signed and dated lower right. Sheet watermarked upper right. Floated and framed under glass. Provenance: Martha Jackson Gallery NYC. Handwritten letter from the artist attached to the verso. Dimensions: H 30.5" W 22" Frame Size: H 36" W 27.25" Depth 1"
HISAO DOMOTO (1928 Kyoto 2013) Ensembles Binaires. 1963. Paint and pigment on thin board, fully laid down on Masonite. Signed and dated lower right: DOMOTO. 63, as well as signed, titled, dated, numbered and with location verso: DOMOTO "Ensembles Binaires" 1963 PARIS 15. Also signed in Japanese characters. 65 × 50 cm. Provenance: - Private collection, Switzerland. - Private collection, Switzerland (by descent). ------------------------------------------------- HISAO DOMOTO (1928 Kyoto 2013) Ensembles Binaires. 1963. Lack und Pigmente auf dünnem Karton, fest aufgelegt auf Masonit. Unten rechts signiert und datiert: DOMOTO. 63, sowie verso signiert, betitelt, datiert, nummeriert und mit Ortsangabe: DOMOTO "Ensembles Binaires" 1963 PARIS 15. Zudem in japanischen Schriftzeichen signiert. 65 × 50 cm. Provenienz: - Privatsammlung Schweiz. - Privatsammlung Schweiz, durch Erbschaft erhalten.
Hisao DOMOTO (1928-2013) Sans titre, 1957 Huile sur toile, signée, calligraphiée, datée et située Paris au dos 89 x 130 cm - 35 1/16 x 51 3/16 in. Oil on canvas, signed, dated and located Paris on the reverse EXPOSITION International Center of Aesthetic Research, Turin (D'après une étiquette collée sur le châssis) PROVENANCE Collection privée, Neuilly-sur-Seine
Signed and dated lower right. Sheet watermarked upper right. Floated and framed under glass. Provenance: Martha Jackson Gallery NYC. Handwritten letter from the artist attached to the verso. Dimensions: H 30.5" W 22" Frame Size: H 36" W 27.25" Depth 1"
Property from the Collection of Dorothy C. Miller Hisao Domoto 1928 - 2013 Untitled (White/Black/Red) signed and dated 67 (lower right) acrylic on paper 24 by 30 in. 61 by 76.2 cm. Executed in 1967.
Hisao Domoto (1928-2013) ; Abstract ; 1967 ; oil on canvas / framed ; dimensions 45,5 x 92 cm (18 x 36 1/4 in.) ; signed lower right corner and on verso ; Shipping to USA - DHL $550 , National post with tracking service $350 / Shipping to EU, Middle Assia - DHL $420 , National post with tracking service $280
HISAO DOMOTO (1928 Kyoto 2013) Untitled. 1958. Oil on canvas. Signed, dated, with the location and number on the reverse: DOMOTO 1958 PARIS 16è 9 Rue St. Didier, 832. 65 × 50 cm. Provenance: - Galerie Stadler, Paris (verso with the label). - Purchased from the above by the present owner, since then private collection USA. --------------- HISAO DOMOTO (1928 Kyoto 2013) Ohne Titel. 1958. Öl auf Leinwand. Verso signiert, datiert, mit Ortsangabe sowie Nummerierung: DOMOTO 1958 PARIS 16è 9 Rue St. Didier, 832. 65 × 50 cm. Provenienz: - Galerie Stadler, Paris (verso mit dem Etikett). - Vom heutigen Besitzer bei obiger Galerie erworben, seitdem Privatsammlung USA.
HISAO DOMOTO (Japon / 1928-2013) Composition Encre de Chine et gouache sur papier Signé et daté 'Domoto 1959' en bas à droite 31,5 x 49,5 cm (à vue) Exécuté en 1959 India ink and gouache on paper, signed and dated lower right, 12.3/8 x 19.1/2 In., Executed in 1959. Provenance : Galerie Stadler, Paris (étiquette de galerie, au revers du montage). Collection privée, Paris.
Domoto, Hisao Kyoto, 1928 195 x 194 cm Untitled, 1988. Japanese ink over pencil on Japanese paper, mounted on silk. Signed and dated in ink lower right. Hakkaku kite, Nobuhiku Yoshizumi.
Domoto, Hisao Kyoto, 1928 240 x 240 cm Critical threshold: Water, 1988. Acrylic over pencil on Japanese paper. Signed and dated in acrylic lower right. Hamamatsu-Drachen, Sumitaya.
HISAO DOMOTO (Japanese 1928-2013) A PAINTING, "Paris," 1961, oil on canvas, signed and dated U/R, "Domoto '61," an old paper gallery label on the stretcher, verso signed, titled, and dated. 25 3/4" x 21 1/4" Note: Nearing the end of Hisao Domoto's exercises with Art Informel, a western art movement he began to experiment within the 1950s; the present work shows a consolidation of space and gesture, combined with his expert artistic fusion and usage of colorful oil paint and black ink wash. Provenance: Private Collection, Ontario, Canada; Galleria d'Arte del Grattacielo, Legnano, Milan
Hisao Domoto (1928-2013, Japanese) Untitled Ink on wove paper under glass Signed lower right: Domoto Sheet: 14.625" H x 23.875" W Provenance: Galerie Stadler, Paris, France
Hisao Domoto (1928-2013) Untitled 1959 signed in English and dated 59; signed in English and Japanese, dated 1959 and inscribed PARIS on the reverse oil on canvas 53.8 by 64.8 cm. 21 3/16 by 25 1/2 in. For further information on this lot please visit the Bonhams website
HISAO DOMOTO (1928 Kyoto 2013) Untitled. 1958. Oil on canvas. Signed, also in Japanese, dated and with location on the reverse: DOMOTO 1958 PARIS 16è 9 rue St Didier, as well as inscribed on the stretcher: 1958-25. 65 × 92 cm. Provenance: - Galerie Stadler, Paris (with the label on the reverse). - Private collection Germany. Exhibition: Cologne 1966. Gruppe Gutai, Kölnischer Kunstverein, 27.01. - 27.02.1966 (verso with the label). The works of the Japanese artist Hisao Domoto reflect his spirit of spontaneous improvisation and appear to be a direct expression of his artistic feelings. He makes use of a broad and richly contrasting colour palette, so that the paint dances on the canvas like flames, windstorms, or frantic waves at sea with an almost meditative flow. Domoto also seems to play with the ductility and malleability of the colour pigments. The sometimes flowing and energetic brush strokes, colours bleeding into one another and the splashes of colour appeal to the imagination of the viewer: clouds erupting, mountain landscapes, rock formations or waterfalls take shape before our inner eye. The composition of our work from 1958 appears aflame with colour. The artist achieves a powerful depth and density with movements of both resurgence and fading, of the sunrise and sunset, bright, and at the same time mysterious. The viewer is lost in a splendidly abstract landscape painting. --------------- HISAO DOMOTO (1928 Kyoto 2013) Ohne Titel. 1958. Öl auf Leinwand. Verso signiert, sowie in Japanisch signiert, datiert und mit Ortsangabe: DOMOTO 1958 PARIS 16è 9 rue St Didier, sowie auf dem Keilrahmen bezeichnet: 1958-25. 65 × 92 cm. Provenienz: - Galerie Stadler, Paris (verso mit dem Etikett). - Privatsammlung Deutschland. Ausstellung: Köln 1966. Gruppe Gutai, Kölnischer Kunstverein, 27.01. - 27.02.1966 (verso mit dem Etikett). Die Werke des japanischen Künstlers Hisao Domoto spiegeln eine spontane Improvisation wider und scheinen seine künstlerischen Empfindungen direkt wiederzugeben. Er bedient sich einer breiten und kontrastvollen Farbpalette, um mit einem fast meditativen Duktus die Farben, ähnlich wie Feuerflammen, Windstürme oder hektische Meereswellen auf der Leinwand tanzen zu lassen. Auch scheint Domoto mit der Verformbarkeit und der Geschmeidigkeit der Farbpigmente zu spielen. Die zum Teil fliessenden und energischen Pinselstriche, die verlaufenden Farbflächen und die Farbtupfer appellieren an die Fantasie des Betrachters: aufbrausende Wolken, Berglandschaften, Felsformationen oder Wasserfälle bilden sich vor unserem inneren Auge. Die Komposition unseres Werkes von 1958 scheint farbenprächtig zu brennen. Dem Künstler gelingt es, eine kraftvolle Tiefe und Dichte mit Bewegungen sowohl von Wiederaufleben wie auch von Abklingen, von Sonnenaufgang wie auch Sonnenuntergang, von hell und gleichzeitig geheimnisvoll zu erzeugen. Der Betrachter verliert sich in einer herrlich abstrakten Landschaftsmalerei.
HISAO DOMOTO, (JAPANESE 1928-2013) ACRYLIC & PENCIL ON PAPER, 1971, PAIR, H 22", L 30 1/4":Two piece grouping by Domoto, Hisao. Acrylic and pencil on paper. Pencil signed lower right, 14/50. Stamp-marked upper left "Veritable Papler D 'Arches". S. Martha Jackson Gallery NYC, NY. From the Estate of Wallace D.Riley, Grosse Pointe Farms.
HISAO DOMOTO (JAPAN, 1928-2013) Untitled signed 'Domoto' (upper right); signed in Japanese, signed inscribed and dated 'Domoto PARIS 1959.39' (on the reverse) oil on canvas 49 x 149 cm. (19 1/4 x 58 5/8 in.) Painted in 1959
Hisao Domoto (1928-2013) Solution de Continuitè, 1965 Oil on canvas 51-1/4 x 63-1/2 inches (130.2 x 161.3 cm) Signed, titled, and dated on the reverse: Domoto / Solution de Continuitè/ 1965 - No 22 / Tokyo PROVENANCE: Martha Jackson Gallery, New York; Private collection, Los Angeles, California. HID04901242017
Hisao DOMOTO (JPN/1928-2013) Sans titre, 1977 Acrylique et technique mixte sur papier Arches 56 x 75 cm Signé et daté en bas à droite. Provenance : - Collection Dick Ahrend, Luxembourg - Collection privée, Belgique Acrylic and mixed media on paper Arches 22 x 29 1/2 in Signed and dated lower right Provenance: - Collection Dick Ahrend, Luxembourg - Private collection, Belgium
HISAO DOMOTO (JAPAN, 1928-2013) Solutions de Continuités 1963-52 (Solutions of Continuities 1963-52) oil, gold leaf, collage and canvas, laid down on board 65 x 45 cm. (25 5/8 x 17 3/4 in.)
HISAO DOMOTO (1928-2013) Untitled 1960 signed in English and dated 60; signed in English and Japanese, dated 1960 and inscribed PARIS on the reverse oil on canvas 100 by 130 cm. 39 3/8 by 51 3/16 in.
HISAO DOMOTO, GOUACHE, WATERCOLOR AND PEN & INK ON PAPER, 1971, PAPER & IMAGE: H 22 1/8", W 30":HISAO DOMOTO [JAPAN, 1928-2013]. SIGNED AND DATED LOWER RIGHT. FLOATED IN THE FRAME. MARTHA JACKSON GALLERY, NYC LABEL #13624 ON VERSO (SOLD TO J.M. KUSHNER, JR.). ARCHES PAPER .WATERMARK LOWER RIGHT.
Hisao Domoto (Japanese 1928-2013) Untitled, 1970 Signed Domoto l.r. Gouache on paper; paper is rippled. Unframed. Sheet size: 22-1/4 x 30 in (61.6 x 76.2 cm)Property from the Estate of C. Arnold Hart
