Hans HOFMANN (German-American, 1880-1966): "View of Paris Apartments with Construction". Black ink on notecard, circa 1905. Initialed in the lower right corner. Sheet size: 6 x 4 inches. Provenance: Eric G. Carlson, New York.
Hans Hofmann (1880-1966), German/American UNTITLED, 1941 crayon on wove paper initialled and dated "41" lower right; estate stamp verso with registration number "M-441/8" 11 x 13.8 in — 28 x 35 cm Estimate: $25,000—30,000 CAD
Hans Hofmann (1880-1966) Untitled, 1942 Crayon and ink on paper Signed with initials and dated in ink, lower right: HH 42; inscribed verso, possibly in another hand, "M1384-2"; with the Hans Hofmann estate ink stamp (and the same number written again) on the frame's backing board
Property from a Distinguished East Coast Collection Hans Hofmann 1880 - 1966 Untitled signed and dated 62 (lower right) oil on paper 11 ¾ by 11 ¼ in. 29.8 by 28.6 cm. Executed in 1962.
Hans Hofmann 1880 - 1966 Untitled signed (lower right); monogrammed and possibly dated ‘63 (on the reverse) oil on canvas 9 ¼ by 8 ⅛ in. 23.5 by 20.6 cm. Executed in 1963.
Hans Hofmann (1880-1966) Untitled Offset color lithograph, screenprint and stencil on wove paper, 1961 Signed, dated and numbered 16/50 in ballpoint pen, lower margin. Published by Fratelli Pozzo, Turin.
HANS HOFMANN (Weissenburg 1880–1966 New York City) Untitled. ca. 1940. Gouache, wax crayon and India ink on paper. Numbered and inscribed verso: xyz #1-34 A4 19580. 28 × 17 cm. Provenance: - The Renate, Hans and Maria Hofmann Trust, New York City. - Miles McEnery Gallery, New York City. - Private collection, Germany. This work is recorded in the Renate, Hans and Maria Hofmann Trust, New York City, under number HH-Est#XYZ/1-34. ------------------------------------------------- HANS HOFMANN (Weissenburg 1880–1966 New York City) Ohne Titel. Ca. 1940. Gouache, Wachskreide und Tusche auf Papier. Verso nummeriert und bezeichnet: xyz #1-34 A4 19580. 28 × 17 cm. Provenienz: - The Renate, Hans and Maria Hofmann Trust, New York City. - Miles McEnery Gallery, New York City. - Privatsammlung Deutschland. Dieses Werk ist beim The Renate, Hans and Maria Hofmann Trust, New York City, unter der Nummer HH-Est#XYZ/1-34 registriert.
The Geri Brawerman Collection: A Tribute to Los Angeles and A Legacy of Giving Hans Hofmann (1880 - 1966) String Quartet signed Hans Hofmann and dated 60 (lower right); signed again, titled, dated 1960, and numbered 1022 (on the reverse) oil on canvas 50 ⅛ by 40 ¼ in. 127.3 by 102.2 cm. Executed in 1960.
Property from a Private Florida Collection Hans Hofmann 1880 - 1966 Untitled signed with the artist's initials (lower right) oil on panel 25 by 30 in. 63.5 by 76.2 cm. Executed circa 1945.
HANS HOFMANN American/German, 1880-1966 "Girl in Blue", 1938 oil on plywood initialed lower right "HH", titled on the reverse, estate stamped on the reverse
¡ AMÉRICA ! From an Important European Collection Hans Hofmann 1880 - 1966 The Herald signed and dated 51 (lower right); inscribed, titled and dated 1951 (on the reverse) oil on canvas 155 x 122 cm; 61 x 48 in. Executed in 1951.
¡ AMÉRICA ! From an Important European Collection Hans Hofmann 1880 - 1966 Abstraction in White signed, titled, inscribed and dated 1954 (on the reverse) oil on canvas 102,5 x 127 cm; 40 ⅜ x 50 in. Executed in 1954.
Hans Hofmann (American/German 1880-1966) "Composition in Blue",1952 Screenprint in colors with gouache additions, edition 15/120 Signed lower right Hans Hofmann Printed and published by Tera-Gentle, New York., Esther Gentle 1952 stamp lower right 17" x 14" image size
Property from a Private North American Collection Hans Hofmann 1880 - 1966 Untitled oil on paperboard mounted on canvas 26 ¾ by 12 in. 67.9 by 30.5 cm. Executed in 1962.
Hans Hofmann (Weissenburg 1880 - 1966 New York) Pink Dream Öl auf Leinwand / Oil on canvas 1960 60,6x54,7 cm / 60.6x54.7 cm Signatur / Signature Unten rechts vom Künstler signiert und datiert "Hans Hofmann 60.", rückseitig oben rechts nummeriert, betitelt, signiert und datiert "1042 / Pink Dream / Hans Hofmann / 1960" Lower right signed and dated by the artist 'Hans Hofmann 60.', numbered, titled, signed and dated on the reverse upper right '1042 / Pink Dream / Hans Hofmann / 1960' Werkverzeichnis / Catalogue Raisonné Suzi Villiger, Stacey Gershon (Hrsg.), Hans Hofmann, Catalogue Raisonné of Paintings, Vol. III (1952-1965), Farnham 2014, no. P1286, HH Cat. No. 1042-1960 Suzi Villiger, Stacey Gershon (Hrsg.), Hans Hofmann, Catalogue Raisonné of Paintings, Vol. III (1952-1965), Farnham 2014, no. P1286, HH Cat. no. 1042-1960 Provenienz / Provenance Direkt von Hans Hofmann (1960) Living Theater Auction (1960) Slg. Phillip Johnson, New York Slg. Thomas Reich, Boca Raton, dort erworben von Privatsammlung Deutschland Directly from Hans Hofmann (1960) Living Theater Auction (1960) Collection Phillip Johnson, New York Collection Thomas Reich, Boca Raton, acquired there by Private collection Germany Zustand / Condition Auf dem originalen Chassis. Der pastose Farbauftrag in sehr schöner und farbfrischer Erhaltung On the original stretcher. The impasto paint application in fine and fresh condition Erläuterungen / Comments Hans Hofmann gilt als einer der einflussreichsten Lehrer und Theoretiker des abstrakten Expressionismus. 1915 gründete er die erste Schule für moderne Kunst in München, bevor er sich 1932 in New York niederliess, um seine Lehrtätigkeit dort fortzusetzen. Zu seinen Schülern gehörten zahlreiche Künstlerpersönlichkeiten der Moderne, deren Ausbildung er massgeblich prägte. Seine Ideen zur Raumdynamik und zur Spannung zwischen vorrückenden und zurückweichenden Farbelementen wurden grundlegend für das Verständnis der abstrakten Malerei. Im vorliegenden Werk "Pink Dream" kommt Hofmanns charakteristisches "Push and Pull"- Konzept zur Geltung. Dieses basiert auf der Vorstellung, dass ein Gemälde nicht einfach eine flache Oberfläche ist, sondern vielmehr ein Zusammenspiel von Kräften, die Tiefe und Bewegung erzeugen. Hofmann erreicht dies durch das Zusammenspiel von warmen und kalten Farben sowie durch nebeneinander platzierte, kontrastierende Formen, Linien und Texturen. Die scheinbar chaotischen Linien und gespachtelten Farbblöcke bilden Farbschicht über Farbschicht, wobei einzelne Tropfen und Spritzer über anderen zu schweben scheinen und so eine Illusion von Dreidimensionalität erzeugen. Durch den Kontrast von hellen und kühlen Farben wird diese Plastizität noch verstärkt: Einige Elemente drängen auf den Betrachter zu, während andere in den Hintergrund treten. Die sich überschneidenden und überlappenden Farbelemente unterschiedlicher Tiefe erweitern somit die Wahrnehmung der zweidimensionalen Malerei und erzeugen einen visuellen Rhythmus, der den Blick des Betrachters über die Leinwand führt und seine Aufmerksamkeit fesselt. Hans Hofmann is considered one of the most influential teachers and theorists of Abstract Expressionism. In 1915, he founded the first school for modern art in Munich, before settling in New York in 1932 to continue his teaching career. Among his students were numerous modern artists whose training he significantly shaped. His ideas on spatial dynamics and the tension between advancing and receding colour elements became fundamental to the understanding of abstract painting. In the present work, 'Pink Dream', Hofmann's characteristic 'push and pull' concept comes to the fore. This is based on the idea that a painting is not simply a flat surface, but rather an interplay of forces that create depth and movement. Hofmann achieves this through the interaction of warm and cool colours as well as through juxtaposed, contrasting forms, lines and textures. The seemingly chaotic lines and palette-knifed blocks of colour form layer upon layer of paint, with individual drops and splashes appearing to float above others, thus creating an illusion of three-dimensionality. The contrast of bright and cool colours further enhances this plasticity: some elements push towards the viewer, while others recede into the background. The overlapping and intersecting colour elements of varying depth thus expand the perception of two-dimensional painting and create a visual rhythm that leads the viewer's gaze across the canvas and captures their attention. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2025; 16:40 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 170.- Europa / Europe: CHF 270.- Übrige Länder / Other countries: CHF 360.-
HANS HOFMANN (1880 - 1966) Untitled. Offset color lithograph, screenprint and stencil on wove paper, 1961. 254x247 mm; 10x9¾ inches, wide margins. Signed, dated and numbered 16/50 in ballpoint pen, lower margin. Published by Fratelli Pozzo, Turin.
HANS HOFMANN (Weissenburg 1880–1966 New York City) Untitled. 1946. Oil on canvas. Signed and dated lower right: VII.5.46. Hofmann, as well as inscribed lower right: I have grown by the sun and by the ocean and by a burning wind. 76.5 × 64 cm. Certificate: Crane Kalman Gallery, London. Provenance: - Kootz Gallery, New York (verso with the label). - Private collection, USA. - Crane Kalman Gallery, London (verso with remains of the label). - Private collection Switzerland, acquired at the above gallery. - Private collection Switzerland, by descent. Exhibited: - London 1990, Hans Hofmann, Crane Kalman Gallery, 13.6.–31.7.1990. - Berlin 1990, Hans Hofmann, Galerie Michael Haas, October–November 1990. Literature: Suzi Villiger (ed.): Hans Hofmann, Catalogue Raisonné of Paintings, Surrey 2014, vol. II, p. 358, no. P591 (with ill.). "For me, painting means shaping with colours." Hans Hofmann Hans Hofmann's œuvre lies at the interface between constructive-geometric abstraction and gestural-expressive painting. It reflects his fundamental conviction that colour is not only a carrier of emotional energy but also generates form as an element that defines the image. This attitude secured the German-born artist a central position within American Abstract Expressionism. On the canvas, Hofmann creates an autonomous, physically tangible pictorial world that draws on impressions of visible reality but eludes any mimetic reproduction. Colour functions as a structuring principle: it determines the rhythm of the composition and enters into an exciting, pulsating dialogue with form. A central concept in Hofmann's thinking is his theory of "push and pull". It is based on the idea that spatial depth is not created through classical perspective, but through the interplay of colour, form and composition. Contrasts, overlays and the distribution of dense and open pictorial elements create a visual dynamic in which forces attract or repel each other - allowing movement and depth to be experienced within the surface. The composition offered here combines sweeping lines with organic and geometric colour forms and testifies to Hofmann's characteristic preference for impasto painting. Particularly striking is the use of a bright red, which provides a strong visual accent as the dominant colour and enters into an intense dialogue with the surrounding colour fields. The spatial effect created by overlays and contrasts demonstrates in exemplary fashion the principle of "push and pull". In this early phase of his work, Hofmann completed the decisive shift from representational forms to pure abstraction. This oil painting from 1946, which boasts a powerful energy and expressive use of colour, is an excellent illustration of this process of artistic transformation. ------------------------------------------------- HANS HOFMANN (Weissenburg 1880–1966 New York City) Ohne Titel. 1946. Öl auf Leinwand. Unten rechts signiert und datiert: VII.5.46. Hofmann, sowie unten rechts bezeichnet: I have grown by the sun and by the ocean and by a burning wind. 76,5 × 64 cm. Gutachten: Crane Kalman Gallery, London. Provenienz: - Kootz Gallery, New York City (verso mit dem Etikett). - Privatsammlung USA. - Crane Kalman Gallery, London (verso mit Resten des Etiketts). - Privatsammlung Schweiz, in obiger Galerie erworben. - Privatsammlung Schweiz, durch Erbschaft erhalten. Ausstellungen: - London 1990, Hans Hofmann, Crane Kalman Gallery, 13.6.–31.7.1990. - Berlin 1990, Hans Hofmann, Galerie Michael Haas, Oktober–November 1990. Literatur: Suzi Villiger (Hrsg.): Hans Hofmann. Catalogue Raisonné of Paintings, Surrey 2014, Bd. II, S. 358, Nr. P591 (mit Abb.). "Malen bedeutet für mich, mit Farben zu formen." Hans Hofmann Hans Hofmanns künstlerisches Œuvre bewegt sich zwischen konstruktiv-geometrischer Abstraktion und gestisch-expressiver Malerei. Es reflektiert seine grundlegende Überzeugung, dass Farbe nicht nur Trägerin emotionaler Energie ist, sondern als bildbestimmendes Element die Form hervorbringt. Diese Haltung sichert dem in Deutschland geborenen Künstler eine zentrale Position innerhalb des amerikanischen Abstrakten Expressionismus. Auf der Leinwand erschafft Hofmann eine autonome, körperlich erfahrbare Bildwelt, die zwar aus Eindrücken der sichtbaren Realität schöpft, sich jedoch jeder mimetischen Wiedergabe entzieht. Farbe fungiert dabei als strukturierendes Prinzip: Sie prägt den Rhythmus der Komposition und tritt in einen spannungsvollen, pulsierenden Dialog mit der Form. Ein zentrales Konzept in Hofmanns Denken ist seine Theorie des "Push and Pull". Sie basiert auf der Idee, dass räumliche Tiefe nicht durch klassische Perspektive, sondern durch das Wechselspiel von Farbe, Form und Komposition entsteht. Kontraste, Überlagerungen sowie die Verteilung dichter und offener Bildbereiche erzeugen eine visuelle Dynamik, in der Kräfte sich anziehen oder abstossen – wodurch Bewegung und Tiefe innerhalb der Fläche erfahrbar werden. Die hier angebotene Komposition vereint geschwungene Linien mit organischen und geometrischen Farbformen und bezeugt Hofmanns charakteristische Vorliebe für pastose Malweise. Besonders auffällig ist der Einsatz eines leuchtenden Rots, das als dominante Farbe einen starken visuellen Akzent setzt und mit den umliegenden Farbfeldern in einen intensiven Dialog tritt. Die durch Überlagerungen und Kontraste erzeugte räumliche Wirkung demonstriert das Prinzip des "Push and Pull" auf mustergültige Art. In dieser frühen Schaffensphase vollzieht Hofmann den entscheidenden Wandel von gegenständlichen Formen zur reinen Abstraktion. Das vorliegende Ölgemälde aus dem Jahr 1946, das mit seiner kraftvollen Energie und expressiven Farbgebung besticht, veranschaulicht diesen künstlerischen Transformationsprozess in exemplarischer Weise.
HANS HOFMANN (German/American, 1880-1966) Untitled signed and dated 'HH 41' (lower left); with labels from Andre Emmerich gallery, New York, Ameringer McEnery Yohe gallery, New York and Berta Walker gallery, New York (all affixed to the frame backing); with two stamps from the Estate of Hans Hofmann, inventory number 'M-0440-23' (on the frame backing) crayon on paper 14 x 17 in. (35.6 x 43.2 cm) framed 22 1/4 x 25 1/4 x 25 in. (56.5 x 64.2 x 5.1 cm)
HOFMANN, Hans (German, 1880-1966). Untitled. 1944. Mixed media on paper hinged to paper in a wood frame. Signed and dated lower right. Image 14 x 17”. Frame 24 ¾ x 28 ¾”. Private Collection. Artwork is hinged with tape at the four corners. Paper has pinholes in left side corners. Water spots mainly lower left quadrant and randomly elsewhere within image plane. Paper is rippled and wrinkled at lower edge. Paper for the black visual mat is also hinged to the wood frame at corners and is also rippled and wrinkled.
HOFMANN, Hans (German/American, 1880-1966). Untitled. 1946. Mixed media on wood panel. Signed and dated lower right. 23 x 17”. Frame (glass) 31 1/4 x 25". Private Collection. This is an exceptional example by this major Abstract Expressionist artist. Hofmann was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations, two continents, and is considered to have both preceded and influenced Abstract Expressionism. We are very excited to have this museum quality oil on wood panel work in this upcoming auction.
HANS HOFMANN (1880 - 1966, GERMAN/AMERICAN) Untitled (Portrait of Mercedes Matter). Ink on paper. 280x215 mm; 11x8½ inches. Provenance Gifted from the artist to Mercedes Matter. Acquired from the above by private collection.
Hans Hofmann (American/German, 1880-1966) Untitled ink, gouache and crayon on paper signed Hans Hofmann (lower right) 14 x 17 inches. Property from an Important Palm Beach Collection This lot is located in Chicago.
Hans Hofmann 1880 - 1966 Untitled signed Hans Hofmann (lower right); stamped with the Estate of Hans Hofmann stamp and numbered M-1388-5 (on the backing board) gouache, watercolour and wax crayon on paper 43.2 by 35.6 cm. 17 by 14 in. Executed circa 1940. André Emmerich Gallery label affixed to the reverse. ---------------------------------------------- 漢斯·霍夫曼 1880 - 1966 無題 款識 Hans Hofmann （右下） M-1388-5（畫背） 水粉、水彩及蠟筆紙本 43.2 x 35.6 公分 17 x 14 英寸 約1940年作 註：畫背貼有André Emmerich畫廊標籤
HANS HOFMANN (1880-1966) Untitled (Self-Portrait), 1941 with Estate of Hans Hofmann stamp and inscribed 'M-933/405' (on the backing board) India ink on paper 10 7/8 x 8 3/8 in. 27.6 x 21.3 cm.
HANS HOFMANN (1880-1966) Little Interior, 1935 signed and dated 'Hans Hofmann 1935' (lower right); titled, inscribed and dated again 'Catal. No 233 - 1935 Little Interior No. U-28' with Estate of Hans Hofmann and Andre Emmerich Gallery Inc stamps (on the reverse) casein on plywood 13 1/2 x 11 3/8 in. 34.3 x 28.9 cm.
HANS HOFMANN (1880-1966) Untitled HANS HOFMANN (1880-1966) Untitled stamped with the Estate of Hans Hofmann stamp and numbered 'M 536-44' (on the reverse) oil and cardboard on board 163⁄4 x 55⁄8 in. (42.5 x 14.3 cm.) Executed circa 1960.
