William (1697) Hogarth Paintings & Artwork for Sale | William (1697) Hogarth Art Value Price Guide

Mar. 18, 2025
HOGARTH WILLIAM (1697 - 1764) - Pair of engravings depicting the lottery and the South Sea scheme
Est: €100 - €200
HOGARTH WILLIAM (1697 - 1764). Pair of engravings depicting the lottery and the South Sea scheme. 42 x 31 cm.
Capitolium Art
Mar. 13, 2025
WILLIAM HOGARTH (1697-1764) ETCHING AND ENGRAVING TITLED A RAKES PROGRESS, PLATE 2, 20IN x 26IN (51cm x 66cm)
Est: $1,000 - $1,500
Etching and engraving by celebrated English artist William Hogarth (1697-1764). It is titled A Rakes Progress, Plate 2 and we believe it was published in 1796 by GGWJ Robinson in London, which makes it after the original which was produced in 1735. This piece was impressed on thick, handmade paper. With frame, it measures 20 inches x 26 inches. It is matted and framed under glass, and it was acquired from a Metro Washington DC estate. It has been examined outside of the frame and it appears to have some toning and a slight bit of foxing around the edges. But otherwise, a wonderful old piece.
The Rug Life Auctions
Mar. 12, 2025
William Hogarth, For Nature and your Self Appeal
Est: $600 - $900
William Hogarth English, (1697 - 1764) For Nature and your Self Appeal etching inscribed in plate lower center: To Nature and your Self appeal, / Nor learn of others what to feel-- Anon:"
Santa Fe Art Auction
Mar. 05, 2025
WILLIAM HOGARTH, (1697 - 1764), Simon Lord Lovat, 1746, engraving, 22.5 x 18.5 cm. (8.8 x 7.2 in.), frame: 58 x 51 x 3 cm. (22.8 x 20.0 x 1.1 in.)
Est: $100 - $200
WILLIAM HOGARTH (1697 - 1764) Simon Lord Lovat, 1746 engraving inscribed, titled and dated in plate
Lawsons
Feb. 28, 2025
William Hogarth. "Marriage a la Mode," engravings
Est: $500 - $700
(British, 1697-1764) Set of six 19th century restrike engravings from the original plates, sight size of each: 15 3/4 x 19 in., frame sizes: 24 x 27 in.
Alex Cooper
Feb. 25, 2025
William Hogarth (1697-1764) 'The Cock Pit', gesign…
Est: €75 - €150
William Hogarth (1697-1764) 'The Cock Pit', gesigneerd in de plaat l.o. en uitgegeven in 1759, ets, 32 x 38 cm
Veilinghuis Van Spengen
Feb. 25, 2025
WILLIAM HOGARTH London, United Kingdom (1697 / 1764) "Don Quixote", 1822
Est: €375 - €500
Six copper engravings - Funeral of Crisóstomo. Marcela claims her freedom of choice as a woman. - The innkeeper and her daughter plaster Don Quixote's wounds, with Maritornes shining a light for them. - Don Quixote takes a basin from a barber, imagining it to be Mambrino's helmet. - Don Quixote frees the galley slaves, prisoners who were being taken to the galleys. - Don Quixote, the goatherd, and Sancho with the unfortunate Cardenio in Sierra Morena. - The priest and the barber disguising themselves at the inn to persuade Don Quixote to return home. Tonson commissioned these engravings from Hogarth in 1726, for his 1738 edition of Don Quixote; but he preferred those by Vander Gucht. In 1790, the Boydells purchased the plates, still unused, and they, Baldwin and Cradock & Joy in 1820. Measurements: Plate print: 25.4 x 17.6 cm.
Ansorena
Feb. 21, 2025
Prints, William Hogarth
Est: $4,000 - $6,000
(lot of 8) William Hogarth (British, 1697-1764), "The Rake's Progress," 1735, complete suite of eight (8) copper engravings, printed and published by Hogarth in 1735 (London, England), later states, five with collectors marks stamped "Schwerin" verso, plate 3 with collector's mark of Alexander Gibson Hunter (L. 2306) lower right, images (each): 12.5"h x 15.25"w, largest sheet (unframed): 18"h x 22.5"w
Clars Auctions
Feb. 19, 2025
William Hogarth (English, 1697-1764), Felix Trembled, 1752, engraving on laid paper 16 1/4"H x 20 1/4"W (sheet)
Est: -
William Hogarth (English, 1697-1764), Felix Trembled, 1752, engraving on laid paper
Ripley Auctions
Feb. 19, 2025
WILLIAM HOGARTH, (1697 - 1764), Simon Lord Lovat, 1746, engraving, 22.5 x 18.5 cm. (8.8 x 7.2 in.), frame: 58 x 51 x 3 cm. (22.8 x 20.0 x 1.1 in.)
Est: $200 - $300
WILLIAM HOGARTH (1697 - 1764) Simon Lord Lovat, 1746 engraving inscribed, titled and dated in plate
Lawsons
Feb. 18, 2025
WILLIAM HOGARTH (1697-1764) ETCHING AND ENGRAVING TITLED A RAKES PROGRESS, PLATE 2, 20IN x 26IN (51cm x 66cm)
Est: $1,000 - $1,500
Etching and engraving by celebrated English artist William Hogarth (1697-1764). It is titled A Rakes Progress, Plate 2 and we believe it was published in 1796 by GGWJ Robinson in London, which makes it after the original which was produced in 1735. This piece was impressed on thick, handmade paper. With frame, it measures 20 inches x 26 inches. It is matted and framed under glass, and it was acquired from a Metro Washington DC estate. It has been examined outside of the frame and it appears to have some toning and a slight bit of foxing around the edges. But otherwise, a wonderful old piece.
The Rug Life Auctions
Feb. 08, 2025
"Strolling Actresses...", After William Hogarth.
Est: $150 - $250
Artist(s): Impression after William Hogarth (English, 1697-1764) Strolling Actresses Dressing in a Barn, ca. 1840 Medium: Engraving Paperwork: N/A Damage: Unframed. Signs of toning wear to the outer margins of the sheet. Measurement(s): The sheet measures 19" x 25". In-house shipping is available. Please see our website regarding our in-house shipping procedures.
Direct Auction Galleries, Inc.
Feb. 05, 2025
William Hogarth (1697-1764)
Est: £300 - £500
William Hogarth (1697-1764) John Wilkes Esqr Drawn from the Life and Etch'd in Aquafortis. Publish'd according to Act of Pariament May ye 16 1763. Etching with engraving and stipple engraving on wove paper (no watermark), plate size 35.8 x 23.4cm, sheet size 39.8 x 26.4cm, priced 1 shilling in the plate, remnants of paper mount adhering to verso [Paulson 214.1] First state of one of the best-known political caricatures of the 18th century, showing the radical politician holding the cap of Liberty while seated next to numbers 17 and 45 of his newspaper, the North Briton, established to attack the Bute ministry which Wilkes viewed as a vehicle for a Scottish and Jacobite takeover of English government. Numbers 17 and 45 respectively contained attacks on Hogarth for accepting the patronage of George III, and on George III himself for the disadvantageous terms of the Treaty of Paris, which brought to an end the Seven Years' War. Hogarth's grotesque depiction of his adversary backfired and became adopted as an emblem of the radical movement.
Lyon & Turnbull
Jan. 31, 2025
William Hogarth Etching, "Credulity, Superstition and Fanaticism: A Medley"
Est: $100 - $200
William Hogarth (British 1697-1764) "Credulity, Superstition and Fanaticism: A Medley, " 1762, etching and engraving, state II/II, matted and framed. Dimensions: 17 x 13 in., plate size,Â 25 x 20 in. as framed. Condition: Appears to be in good condition for age with some light toning. Not examined out of frame.
Neue Auctions
Jan. 21, 2025
TWO ENGRAVINGS AFTER WILLIAM HOGARTH ILLUSTRATING SAMUEL BUTLER’S HUDIBRAS, 22IN x 29IN (56cm x 74cm) WITH COA.
Est: $1,250 - $1,500
Two hand-colored engravings after William Hogarth (1697-1764) which illustrates Samuel Butler’s Hudibras. These both come with a COA with is attached to the back of each framed engraving. It states at the bottom of each engraving was published in London by G & J Robinson, Pater Nofter Row in 1802. However, the COA states that these were produced between 1822 and 1830. They are both triple matted and framed under glass in a gold and copper toned frame. With frame, each measures 22 inches x 29 inches. These were acquired from a Virginia estate.
The Rug Life Auctions
Jan. 19, 2025
William Hogarth (1697-1764) English, "A Harlot's Progress" Engraving Print
Est: $100 - $200
William Hogarth (1697-1764) English, "A Harlot's Progress" Engraving Print. Depicts plate #6 from one of his most famous series. Attribution bottom right, number of plate bottom left, both in print. No glass. Original label on reverse. Overall Size: 24 x 29 in. Sight Size: 13 1/4 x 16 1/4 in. #5055 William Hogarth was born on November 10th, 1697 in London into a lower-middle-class family. In his youth he took up an apprenticeship with the engraver Ellis Gamble, but did not complete it as his father underwent periods of mixed fortune, and was at one time imprisoned in lieu of payment of outstanding debts, an event that is thought to have informed William’s style and subject matter. In 1720 Hogarth enrolled at the original St. Martin’s Lane Academy in Peter Court, London, which was run by Louis Chéron and John Vanderbank. However, the academy seems to have stopped operating in 1724, around the same time that Vanderbank fled to France in order to avoid creditors. Hogarth then enrolled in another drawing school in Covent Garden which was run by Sir James Thornhill, Serjeant Painter to the King. Hogarth became a member of the Rose and Crown Club, and was by then a well-regarded engraver in his own right. In 1727 he was hired by Joshua Morris, a tapestry worker, to prepare a design for the Element of Earth. In the following years he turned his attention to the production of small “conversation pieces” (groups in oil of full-length portraits from 12 to 15 inches high). Some of his best regarded works were of actors, dignitaries, and prisoners awaiting their execution. In 1729 he eloped with Jane Thornhill, the daughter of his mentor. In 1731 Hogarth completed the earliest of his series of moral works, A Harlot’s Progress, a body of work that led to wide recognition and an almost immediate sequel, A Rake’s Progress. When their success resulted in numerous pirated reproductions, Hogarth lobbied in Parliament for greater legal control given to artists over their work. The result was the Engravers’ Copyright Act (known generally as “Hogarth’s Act”), which went into effect in 1735 and was the first English copyright law to deal with visual works, as well as the first to recognize the authorial rights of an individual artist. More and more influenced by French and Italian painting and engraving, Hogarth’s became famous throughout Europe for their mostly satirical caricatures, sometimes bawdily sexual, in frankly realistic portraiture. They were mass-produced via multiple printmakers in his lifetime, making him one of the most significant successful English artists of his generation, and his subjects, like forced marriages, alcoholism, dehumanizing industrial work, and class divisions even sparked open debates and social reforms. Hogarth was also a popular portrait painter, establishing a genre of theatrical portraiture by inserting contemporary subjects into historical events and themes. Either despite or because of his success, however, he did not earn a strong reputation among other artists of his day, often criticized for his subject matter, exacting detail, and prolific output. His main home was in Leicester Square, but he bought a country retreat in Chiswick in 1749 now known as Hogarth’s House, and spent much of the rest of his life there. The Hogarths had no children, but fostered many foundling children, and he was a founding Governor of the Foundling Hospital. Hogarth wrote and published his ideas of artistic design in his book The Analysis of Beauty (1753), and later followed it with Apology for Painters (1761). He was working on an autobiography when he died suddenly from convulsions (likely an aneurysm) on October 26th, 1764. His influence on continental book illustrations lasted throughout the 18th, 19th and 20th Centuries, and had an effect on the work of painters, writers, and musicians across Europe and beyond.
Sarasota Estate Auction
Jan. 12, 2025
WILLIAM HOGARTH FOUR STAGES OF CRUELTY ENGRAVINGS
Est: $150 - $300
William Hogarth (1697 - 1764 England) Four Stages of Cruelty Engravings. Printed on paper. Complete set, including "The First Stage of Cruelty", "The Second Stage of Cruelty", "Cruelty in Perfection", and "The Reward of Cruelty". Prints first published 1751. Probably a later 19th edition. Each print is in good condition, with only slight foxing. Plate marks measure 15.25" x 12.5" approx. each; each sheet 20" x 16.75" approx. each with some variation. All unframed.
District Auction
Jan. 11, 2025
William Hogarth Engraving A Rake's Progress A Prison Scene c1732 - 1735
Est: $600 - $800
Hogarth, William (English 1697- 1764) Engraving on paper, O Vanity of youthful Blood, June 25,1735. Plate No. 3, from the series, A Rake's Progress. Framed and glazed. (WSF) Measurements: Approx. Image 15.75" x 14", framed 22" x 20.25". 4.25lbs. Condition: Very good observable condition, not removed from frame. Some foxing to paper, chips and display wear to frame. Domestic Shipping: $60
Carnegie's Auction Gallery
Dec. 17, 2024
William Hogarth (English, 1697-1764): Brooks Taylors Architecture Engraving
Est: $50 - $100
William Hogarth (English, 1697-1764): Brooks Taylors Architecture Engraving 18th-century, steel engraving, by William Woollett, "Frontispiece To Taylor's Perspective";
Abell Auction
Dec. 07, 2024
After HOGARTH (*1697), Hard worker becomes municipal judge, Copper engraving
Est: €120 - €200
After William Hogarth (1697 London - 1764 ibid.): The industrious man, attained wealth and appointed magistrate of London, from the series "Diligence and Sloth", after William HOGARTH (1697 London-1764 ibid), 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Inscribed lower left "W. Hogarth inv. Pinx.", inscribed lower right "ER fc.". Depiction after the eighth sheet from the series "Diligence and Sloth" by the British painter and engraver William HOGARTH from 1747, named "The industrious 'Prentice grown rich & Sheriff of London". The sheet shows the opulent feasts, produced and promoted by the industrial developments in 18th century England. More and more new dishes are brought to the already richly laid tables, while other figures on the right edge of the picture are denied entry to the banqueting hall. Keywords: 18th century, Classicism, People, Germany, Size: Paper: 30,7 cm x 23,0 cm (12,1 x 9,1 in), Depiction: 22,1 cm x 15,7 cm (8,7 x 6,2 in)
Fichter Kunsthandel
Dec. 07, 2024
After HOGARTH (*1697), Lazy man executed at Tyburn, Copper engraving
Est: €120 - €200
After William Hogarth (1697 London - 1764 ibid.): The Lazy Man is Executed at Tyburn, from the series "Diligence and Laziness", after William HOGARTH (1697 London-1764 ibid), 18th century, Copper engraving Technique: Copper engraving on Paper Date: 18th century Description: Inscribed lower left "W. Hogarth inv. Pinx.", inscribed lower right "R.D.U.sc.". Depiction after the eleventh sheet from the series "Diligence and Sloth" by the British painter and engraver William HOGARTH from 1747, named "The Idle 'Prentice executed at Tyburn". On the left edge of the picture a procession of soldiers on foot and horseback can be seen accompanying a wooden cart. On it sits a preacher with a book, called "Wesley", next to Thomas Idle, protagonist of the series, who is here leaning against his own coffin. Numerous onlookers have gathered in the large square to watch the marvellous spectacle. Keywords: 18th century, Classicism, People, Germany, Size: Paper: 35,5 cm x 23,7 cm (14 x 9,3 in), Depiction: 30,7 cm x 18,2 cm (12,1 x 7,2 in)
Fichter Kunsthandel
Dec. 06, 2024
Hogarth, William
Est: €160 - €240
(1697 London 1764). A Representation of the March of the Guards towards Scotland, in the Year 1745". Kolor. Kupferstich von L.Sullivan (1705-1771), "Retouched and lmproved by Wm. Hogarth, republished June 12th, 1761". 41 x 54 cm. Mit den Namensz., Datum u. Widm. "To His Majesty the King of Prussia, an Encourager of Arts and Sciences!". Unter Passep. u. Glas gerahmt (nicht ausgerahmt). Die Radierung nach dem Gemälde von 1750 zeigt einen fiktiven Truppenaufmarsch in der Tottenham Court Road, um nach Norden nach Finchley zu marschieren und die Hauptstadt gegen den zweiten Jakobitenaufstand von 1745 zu verteidigen, der zu einer Reihe von Aufständen gehörte, die seit dem späten 17. Jahrhundert stattfanden und darauf abzielten, die Stuart-Dynastie nach der Glorreichen Revolution von 1688 wieder auf den Thron zu bringen.Es stellt die Soldaten in einem humorvollen Licht dar, indem es ihren Mangel an Ausbildung und Respekt vor der Disziplin übertrieben hervorhebt. Das Gemälde war ursprünglich König George II gewidmet, der es ablehnte; stattdessen schenkte Hogarth das Gemälde Friedrich II, König von Preußen, der mit dem Geschenk viel zufriedener war. - Überwieg. in den w. Rändern etw. stockfl. R
Kiefer Buch- und Kunstauktionen
Dec. 06, 2024
Hogarth, William
Est: €30 - €45
(1697 London 1764) nach. Taste in High Life. Radierung v. Samuel Phillips (Engl., aktiv ca. 1797-1808) bei Boydell, Ldn. 1808. 35,5 x 44,5, Blgr. 48 x 64,5 cm. - Schwach gebr., äußere w. Ränder etw. lichtrandig. D
Kiefer Buch- und Kunstauktionen
Dec. 06, 2024
Hogarth, William
Est: €120 - €180
(1697 London 1764). Before. - After. 2 Kupferstiche, 1736. Plgr. 42 x 33 cm. Punktuell auf Karton befestigt. - Minimal fl. R
Kiefer Buch- und Kunstauktionen
Dec. 05, 2024
William Hogarth (1697-1764): A Group of Fourteen Engravings
Est: $1,500 - $2,500
Including: The Bruiser, 1763; Analysis of Beauty: Plate I: Two Plates 1753; Analysis of Beauty: Plate II: Two Plates, 1753; The Bathos, 1764; The Enraged Musician; Two Plates, 1741; Cruelty in Perfection, 1751; First Stage of Cruelty, 1751; Second Stage of Cruelty, 1751; The Reward of Cruelty, 1751; Taste in High Life, 1810; and The Battle of the Pictures, all with labels from Paul Kasmin Gallery, NY. Various sizes, smallest 14 3/4 x 11 in. (plate), 24 1/4 20 1/8 in. (frame), largest 16 3/4 x 10 3/4 in. (plate), 30 x 34 in. (frame).
STAIR
Dec. 04, 2024
William Hogarth, British (1697-1764), The Politician, engraving on fine paper, 6"H x 8 1/4"W (sheet), 9 1/4"H x 12 1/2"W (mat)
Est: -
William Hogarth British, (1697-1764) The Politician engraving on fine paper
Ripley Auctions
Nov. 29, 2024
William Hogarth (English, 1697-1764), Before and After
Est: £300 - £500
William Hogarth (English, 1697-1764) Before and After 1736 Engravings, excellent first impressions, Paulson's first states (of three) Provenance: N. G. Stogdon Inc.; Private Collection, UK, purchased from the above late 1980s. Literature: Paulson 141 i/iii; 142 i/iii Dimensions: (each platemark approx.) 16 in. (H) x 12.5 in. (W)
Sloane Street Auctions
Nov. 26, 2024
William Hogarth (English 1697-1764) Four Large Hand-Colored Engravings, Each Matted, 25 1/2 x 29 in. (64.8 x 73.7 cm.)
Est: $50 - $100
William Hogarth (English 1697-1764) Four Large Hand-Colored Engravings, Each Matted,
Weschler's
Nov. 24, 2024
Hogarth, William Engraving A Rake's Progress 1735, No 6
Est: $600 - $800
Hogarth, William (English 1697- 1764) Engraving on paper, Gold, O bright son of Phoebus, June 25, 1735. Plate No. 6, from the series, A Rake's Progress. Approximate weight: 4.25lbs. Approximate measurements: Image 15.75 inches x 14 inches , framed 22 inches x 20.25 inches . Domestic Shipping: $65
Carnegie's Auction Gallery
Nov. 21, 2024
William Hogarth (1697-1764) attributed to, Sigismunda oil on canvas, 51.5cm
Est: £3,000 - £4,000
William Hogarth (1697-1764) attributed to, Sigismunda oil on canvas, 51.5cm x 62.5cm Believed to be the original artwork, created by William Hogarth, from which the engraver Robert Dunkarton created the mezzotint print of the same title.
Bamfords Auctioneers and Valuers Ltd
Nov. 21, 2024
William Hogarth (1697- 1764), a pair of engravings, The Invasion, Plate I,
Est: £50 - £80
William Hogarth (1697- 1764), a pair of engravings, The Invasion, Plate I, France, 1756, and The Invasion, Plate II, drypoint engravings, each 35cm x 41.5cm
Bamfords Auctioneers and Valuers Ltd
Nov. 21, 2024
WILLIAM HOGARTH (1697-1764) Pit Ticket engraving 32 x 38.5cm (plate)
Est: $150 - $200
WILLIAM HOGARTH (1697-1764) Pit Ticket engraving signed in plate 32 x 38.5cm (plate) PROVENANCE: The Estate of Reginald Maurice Berkley, Victoria Thence by descent
Leonard Joel
Nov. 20, 2024
After William Hogarth, British 1697-1764- 95 plates, likely from Volume II of The Genuine Works O
Est: £1,000 - £1,500
After William Hogarth, British 1697-1764- 95 plates, likely from Volume II of The Genuine Works Of William Hogarth, engraved by T. Cook; engravings, published by Longman, Hurst, Rees, And Orme, Paternoster Row, each 22 x 27.5 cm., approximately ninety-five (95). (unframed).
Roseberys
Nov. 20, 2024
William Hogarth, FRSA, British 1697-1764- Theatre ticket design for 'The Mock Doctor'; etching,
Est: £150 - £250
William Hogarth, FRSA, British 1697-1764- Theatre ticket design for 'The Mock Doctor'; etching, 13.8 x 13.7 cm.: together with further engravings of theatre ticket designs, with banners entitled 'The Author's Benefit Pasquin'; 'For the Benefit of Mr Walker'; and 'For the Benefit of Joe Miller'; from the original plates restored by James Heath, each approx. 11.8 x 13.8 cm., four (4).
Roseberys
Nov. 20, 2024
William Hogarth, FRSA, British 1697-1764- Paul Before Felix Burlesqued; engraving, 25.9 x 35.5
Est: £350 - £450
William Hogarth, FRSA, British 1697-1764- Paul Before Felix Burlesqued; engraving, 25.9 x 35.5 cm.: Hogarth, The Sleeping Congregation; engraving, 26.5 x 21 cm.: Hogarth, John Wilkes Esq.; engraving, 35.6 x 23.1 cm.: Hogarth, Some of the Principal Inhabitants of the Moon; engraving, 25.8 x 19.7 cm.: Hogarth, Frontispiece and Tail Piece to the Artist's Catalogue 1761; engraving, 36.6 x 21.6 cm.: Hogarth, Four Heads from the Raphael Cartoons at Hampton Court; etching, 21.2 x 35.5 cm.: Thomas Cook, British c.1744-1818- The Five Orders of Perriwigs [sic.] as they were worn at the late Coronation measured Architectonically, after Hogarth; engraving, 33.5 x 22.7 cm., seven altogether (7).
Roseberys
Nov. 20, 2024
After William Hogarth, FRSA, British 1697-1764- Detail from 'A Rake's Progress III: The Orgy';
Est: £200 - £300
After William Hogarth, FRSA, British 1697-1764- Detail from 'A Rake's Progress III: The Orgy'; oil on academy board, 25.4 x 20.3 cm. (unframed). Note: The present work depicts the female figure seated to the left foreground of Hogarth's original full composition, completed in 1734 and now in the collection of Sir John Soane's Museum in London [P42], and subsequently reproduced in the printed series of 'A Rake's Progress'. This figure is one of the prostitutes, as signified by the black marks on her face which cover syphilitic sores and her state of undress, who were depicted as fueling the protagonist Tom Rakewell's descent into disrepute.
Roseberys
Nov. 16, 2024
Hogarth - Beer Street / Gin Lane
Est: €160 - €200
Hogarth, William (London 1697 - 1764). Beer Street / Gin Land. 2 kolor. Kupferstiche von 1751. Abzüge von den von J. Heath überarbeiteten Orig.-Platten, um 1825. Je 35 x 30 cm. Jeweils in der Platte signiert u. datiert. Beide gerahmt. Mit Titeln und mehrzeiligem Untertext.
Auktionshaus Schramm
Nov. 16, 2024
WILLIAM HOGARTH (1697-1764), group of seven antique engravings (loose), the largest sheet size 42 x 56cm overall
Est: $150 - $250
WILLIAM HOGARTH (1697-1764), group of seven antique engravings (loose), the largest sheet size 42 x 56cm overall
Leski Auctions Pty Ltd
Nov. 15, 2024
WILLIAM HOGARTH (1697-1764), AFTE
Est: -
William Hogarth (1697-1764), after, bundle of 9 prints by various engravers after Hogarth, including the ''Self-portrait with dog'' and various caricatures, traces of age, sheet size up to 60 x 45 cm
Historia Auctionata
Oct. 24, 2024
After William Hogarth, 1697-1764, O the Roast Beef of Old England, Hand Colored Etching and Engraving
Est: $250 - $500
After William Hogarth 1697-1764 O the Roast Beef of Old England Hand Colored Etching and Engraving Published March 6, 1749. Provenance: Barnsley Collection from the Bird in Hand Tavern, Newtown, Pennsylvania
Nye & Company
Oct. 17, 2024
HOGARTH WILLIAM (1697 - 1764) - After. Hudibras Triomphante
Est: €400 - €600
HOGARTH WILLIAM (1697 - 1764). After. Hudibras Triomphante. 49,50 x 61,50 cm.
Capitolium Art
Oct. 13, 2024
HOGARTH William (British 1697-1764) (6), 'Marriage A La Mode', Engraving (6), 35.5x44.5cm (plate)
Est: $300 - $500
HOGARTH, William (British 1697-1764) (6) 'Marriage A La Mode' Complete set of 6 copperplate engravings, possibly Heath edition, 1822. Engraving (6) 35.5x44.5cm (plate)
Davidson Auctions
Oct. 09, 2024
William Hogarth, British (1697-1764), The March of the Guards towards Scotland in the Year, 1745, hand-colored engraving on paper laid on cardboard, 15 1/4"H x 19 1/4"w (sight), 19 3/4"H x 27 3/4"W (mat)
Est: $300 - $500
William Hogarth British, (1697-1764) The March of the Guards towards Scotland in the Year, 1745 hand-colored engraving on paper laid on cardboard Painted by Hogarth and published 1750. Engraved by Luke Sullivan, retouched and improved by Hogarth, republished 1761. Dedicated to Frederick the Great, King of Prussia, "an Encourager of Arts and Sciences!". Stains, especially in the lower margin. Vibrant colors, strong impression. Trimmed outside the plate mark.
Ripley Auctions
Oct. 06, 2024
William Hogarth (1697-1764) Country Inn Yard or The Stage Coach Engraving. James Heath Edition was the last engraved from the original Hogarth plates. C: 1822. H: 23cm x W:32cm
Est: $200 - $300
William Hogarth (1697-1764) Country Inn Yard or The Stage Coach Engraving. James Heath Edition was the last engraved from the original Hogarth plates. C: 1822. H: 23cm x W:32cm
Lawsons
Oct. 02, 2024
William Hogarth (English, 1697-1764)
Est: $50 - $150
"The Distrest Poet (1740)." Published 1820. Engraving. Signed on plate by William Hogarth on bottom right. Published by Baldwin Cradock from original plates. Labeled on verso. 15 x 17" ; 27 1/2 x 28 1/2" (overall). Framed.
Vallot Auctioneers
Sep. 22, 2024
WILLIAM HOGARTH - Don Quixote, The Innkeeper's Wife and Daughter Taking Care of Ye Don After Being Beaten and Bruised
Est: $120 - $150
WILLIAM HOGARTH (British, 1697-1764) "Don Quixote, The Innkeeper's Wife and Daughter Taking Care of Ye Don After Being Beaten and Bruised" 1756 or later (3rd state of 3, likely a late 1700s impression) - Etching and engraving on antique laid paper. Signed in plate lower right, inscribed with title lower centre. Unframed. Image is 9.75 x 7 inches (24.7 cm x 17.5 cm), sheet is 12.75 x 9.5 inches (32.5 cm x 23.8 cm). Very good condition with typical wear, lightly tipped onto backing. From the Gary Robertson Historical Print Collection (Regina). This print can be found in several important collections including the Art Gallery of Greater Victoria (British Columbia) and the Metropolitan Museum of Art (New York).
Saskatchewan Network for Art Collecting
Sep. 22, 2024
William Hogarth (1697 - 1764) The Times, Plate II
Est: $200 - $300
Fourth state of four; 9 1/8" x 11 7/8", printed on an early laid type paper; foxing in border area. "Created in 1762, this engraving is thought to have been brought by the artist's wife to Boydell of London for publication in 1790. These engravings have a complicated publishing history. Plate ‘b’ was unfinished at Hogarth’s death and it is unclear whether this first proof state was published by Mrs Hogarth late in life or as the first of the sequence of later states by Boydell after 1790. To further complicate the issue, the contemporary collector George Stevens (1736-1800) has written on his copy of this state that it was ‘taken during the life time of Hogarth’, but it was not until June 1781 that he (according to Malone’s letter to Lord Charlemont) ‘ransacked Mrs. Hogarth's house for obsolete and unfinished plates’, so perhaps the inscription may be taken with a pinch of salt. (sic) With The Times Plate I Hogarth took a decisive political, and at this time unpopular position to support the peace movement against the Seven Years' War (also called the French Indian War) spearheaded by King George III and his chief advisor, Lord Bute. Bute's opponent and leader of the Commons, William Pitt, supported the interests of the war and the economic profit derived from the colonial exploitations it permitted. In this first state Henry VIII (Pitt in later states) marches on stilts to fan the fires of war which the Union Officer of the King is trying to extinguish with a fire engine. William Beckford, the Lord Mayor and Pitt follower, who made a fortune through tobacco and sugar plantations in Jamaica, appears in the doorway on the left and points to a signboard advertising a naked Indian that reads 'Alive from America.' In the foreground women die of starvation in the street and a drunken fiddler plays his violin. Plate II of The Times depicts a more peaceful and prosperous Britain. Plants are nourished by water spouting from the monument of George III, with the elegant Lord Bute as the chief gardener of the State, controlling access to the King. A gigantic palette dangling from the facade of a newly-erected public building indicates that under the reign of the young King art flourishes. 'Ms Fanny' (a reference to the Cock Lane Ghost) and 'Wilkes', a fervent opponent of the King and Bute, appear in the pillory, while to the left those few members of Parliament who are still awake, including Pitt with bandaged legs, shoot at the dove of peace in the sky." (Gallery notes)
Peterborough Auctions
Sep. 22, 2024
William Hogarth, England (1967-1764) Early Etching
Est: $50 - $75
William Hogarth, England (1967-1764) Early Etching "Falstaff Examining His Recruits". Signed Lower Left & Titled. Also Mark of Printer on the Right. Along w/ an Etching by Felix Buhot, French (1847-1898). "A Day in Winter". Signed Lower Left & Described in The Middle. Condition: Both Are Generally Good, OLD Condition w/ Some Yellowing. 1 Has a Tear. Dimensions: Larger-Sight-12" x 9.5". Paper-16.75" x 12". Provenance: From a NYC Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
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