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Alexandre Hogue (American 1898-1994), Cap Rock Ranch, Lithograph
Weschler'sAlexandre Hogue (1898 - 1994) Cap Rock Ranch, 1945 lithograph, edition of 250 titled lower left: Cap Rock Ranch signed lower right: Alexandre Hogue Published by Associated American Artists, New York.
Santa Fe Art AuctionAlexandre Hogue (American 1898-1994) ''Flower Lover''- lithograph, 1944, signed, dated, titled and numbered 31/75 in pencil, old masking tape remnants and stains in margins. 13 x 13 1/2''
Rachel Davis Fine ArtsALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Frission", 1951, lithograph printed in colors, aside from the numbered edition of 55; 10 1/2'' x 13 3/4'', framed 16'' x 19 1/2''. Note: Alexandre Hogue grew up in the Dallas, Texas area and had his first art-related job as an illustrator for the Dallas Morning News. In 1921 Hogue moved to New York City to work with advertising firms, but he returned to Texas every summer to draw with Charles Franklin Reaugh. In 1925 he returned to Texas to concentrate on his art and in the 30s he became associated with the Dallas Nine. He also frequently visited the Taos art colony where he met and worked with Ernest Blumenschein and W. Herbert Dunton. His works from this period reflect Hogue's interests in animals, landscapes, and life during the Dust Bowl era. Following WWII, he became the head of the art department at the University of Tulsa. His work continued to evolve becoming more abstract, metaphysical and concerned with the relationship between people and the land.
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Rarin' to Go," 1935, lithograph on paper, signed and dated in pencil L/R, "Alexandre Hogue 1935," titled and numbered L/L, "'Rarin' to go' 47/75;" 11'' x 15'', framed 16 1/2'' x 20 1/2''. Note: Alexandre Hogue grew up in the Dallas, Texas area and had his first art-related job as an illustrator for the Dallas Morning News. In 1921 Hogue moved to New York City to work with advertising firms, but he returned to Texas every summer to draw with Charles Franklin Reaugh. In 1925 he returned to Texas to concentrate on his art and in the 30s he became associated with the Dallas Nine. He also frequently visited the Taos art colony where he met and worked with Ernest Blumenschein and W. Herbert Dunton. His works from this period reflect Hogue's interests in animals, landscapes, and life during the Dust Bowl era. Following WWII, he became the head of the art department at the University of Tulsa. His work continued to evolve becoming more abstract, metaphysical and concerned with the relationship between people and the land.
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "On the Back Stretch," 1935, lithograph printed in colors on paper, signed and dated in pencil L/R, "Alexandre Hogue 1935," titled and numbered L/L, "'On the Back Stretch' 99/150;" 11'' x 19'', framed 17'' x 25''. Note: Alexandre Hogue grew up in the Dallas, Texas area and had his first art-related job as an illustrator for the Dallas Morning News. In 1921 Hogue moved to New York City to work with advertising firms, but he returned to Texas every summer to draw with Charles Franklin Reaugh. In 1925 he returned to Texas to concentrate on his art and in the 30s he became associated with the Dallas Nine. He also frequently visited the Taos art colony where he met and worked with Ernest Blumenschein and W. Herbert Dunton. His works from this period reflect Hogue's interests in animals, landscapes, and life during the Dust Bowl era. Following WWII, he became the head of the art department at the University of Tulsa. His work continued to evolve becoming more abstract, metaphysical and concerned with the relationship between people and the land.
Simpson Galleries, LLCHogue, Alexandre (American, 1898-1994), Desert Glare, c.1945, lithograph on paper, signed and titled in pencil at bottom, initialed in the plate lower left corner, image 6.75 x 11.75 inches, sheet 12 x 15.75 inches, unframed.
Concept Art GalleryAlexandre Hogue (American, 1898-1994) Liberators, 1943 Lithograph on paper 11-1/2 x 15-1/4 inches (29.2 x 38.7 cm) (image) Signed, dated, and titled in pencil along the lower edge PROVENANCE: Private collection, Tulsa, Oklahoma. HID01801242017
Heritage AuctionsALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Liberators," 1943, lithograph on paper, signed in monogram in plate L/R and in margin in pencil signed and dated, "Alexandre Hogue - 1943," titled in margin in pencil L/L; 12 3/4" x 16", framed 18 1/2" x 22".
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "March Fantasy," 1927, woodblock print in colors on handmade cream laid paper, signed and dated in pencil in margin L/R, "Alexandre Hogue," titled in pencil in margin L/L and with special edition number 19/40; 10 1/2" x 14 1/2", framed 16 1/2" x 20 1/8".
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Arboroid," 1962, lithograph in colors, signed and dated in pencil L/R, "Alexandre Hogue - Imp - 1962," titled in pencil L/L and with special edition number 27/27; 19" x 15", framed 25" x 21".
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A RARE PRINT, "Nuée Ardente," 1957, lithograph on paper, signed and dated L/R in pencil, "Alexandre Hogue Imp.- 1957," and titled in pencil in margin and numbered 4/18. 21 1/4" x 26 3/4" Provenance: From an Alexandre Hogue Collector, Texas.
Houston Auction CompanyALEXANDRE HOGUE (American/Texas 1898-1994) A RARE PRINT, "Nuée Ardente," 1957, lithograph on paper, signed and dated L/R in pencil, "Alexandre Hogue Imp.- 1957," and titled in pencil in margin and numbered 4/18. 21 1/4" x 26 3/4" Provenance: From an Alexandre Hogue Collector, Texas.
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "On the Back Stretch," 1935, color lithograph on paper, signed in pencil in margin and dated L/R, "Alexandre Hogue 1935," and titled and numbered L/L in pencil 73/150. 11" x 19" Provenance: From an Alexandre Hogue Collector, Texas.
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Raring to Go," 1935, lithograph on paper, signed and dated L/R, "Alexandre Hogue 1935," and titled in margin in pencil and numbered 71/75. 11" x 14 3/4" Provenance: From an Alexandre Hogue Collector, Texas.
Simpson Galleries, LLCAlexandre Hogue (American, 1898-1995) "Cap Rock Ranch", lithograph on paper, pencil signed "Alexandre Hogue", image size 7" x 11-7/8", framed 14-3/4" x 17-1/2", good condition with toning, not inspected out of frame, Print is hinged mounted to mat
William Bunch Auctions & AppraisalsVisionary Of The Western Landscape: Alexandre Hogue, A Retrospective Exhibition. Framed: 24" X 24". Location: 369: Foyer - Stack 7
Berner's Auction GalleryALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "March Fantasy," 1927, color lithograph on paper, signed and dated in pencil L/R, "Alexandre Hogue 1927," titled and numbered L/L in pencil, #23/40. 10 3/4" x 14 1/2"
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Liberators," 1943, lithograph on paper, signed and dated in margin in pencil, "Alexandre Hogue - 1943," titled in pencil in margin L/L. 13" x 16 1/4"
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Primordial," 1964, lithograph on paper, signed and dated L/R, "Alexandre Hogue - Imp-1964," and titled and noted L/L in pencil, "Primordial Proof #1." 22" x 27 1/4" Note: An alternate colored version of this print is titled, "In the Beginning." The present work marked, "Proof #1," is a good example of the evolution of the printmaking process for Alexandre Hogue.
Simpson Galleries, LLCLithograph. Signed 'Alexandre Hogue' (lower right), initialed and titled "Desert Glare" (bottom left).
Cottone AuctionsALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Arboroid," 1962, color lithograph on paper, signed and dated in L/R margin in pencil, and in L/L margin in pencil titled and numbered, 15/27. 19 1/2" x 15"
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "Fission," 1951, color lithograph on paper, signed and dated L/R in margin in pencil, and L/L margin titled and numbered in pencil 55/59. 11" x 14"
Simpson Galleries, LLCALEXANDRE HOGUE (American/Texas 1898-1994) A PRINT, "On the Back Stretch," 1935, color lithograph on paper, signed and dated in pencil L/R margin, and titled and numbered L/L margin in pencil, 141/150. 11" x 19"
Simpson Galleries, LLC