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Heinrich Hörle Sold at Auction Prices

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      • Hoerle, Heinrich (Cologne 1895 - 1936 Cologne), (Cologne 1895 - 1936 Cologne),
        Oct. 12, 2024

        Hoerle, Heinrich (Cologne 1895 - 1936 Cologne), (Cologne 1895 - 1936 Cologne),

        Est: -

        Hoerle, Heinrich (Cologne 1895 - 1936 Cologne), (Cologne 1895 - 1936 Cologne), "Mann unter Bäumen", etching on paper, estate stamp, numbered 67/150, 29 x 21 cm (RA), framed under glass Hoerle, Heinrich (Köln 1895 - 1936 Köln), "Mann unter Bäumen", Radierung auf Papier, Nachlassstempel, nummeriert 67/150, 29 x 21 cm (RA), unter Glas gerahmt

        Auktionshaus Plückbaum
      • Heinrich Hoerle: Untitled
        Jun. 06, 2024

        Heinrich Hoerle: Untitled

        Est: €6,000 - €8,000

        HOERLE, HEINRICH Cologne 1895 - 1936 Title: Untitled. Technique: Oil on fibre. Measurement: 17,5 x 22,5cm. Notation: Estate stamp verso: Heinrich Hoerle Köln-Lindenthal Bachemerstrasse 243. Frame/Pedestal: Craftman's frame. The work will be adopted into the new edition of the catalogue raisonné. We are grateful to Mr Dirk Backes, Aachen, for the kind scientific support. Provenance: - Private collection North Rhine-Westphalia. Estimated shipping costs for this lot: Germany: 28,57 Euro plus 5,43 Euro VAT EU: 42,02 Euro plus 7,98 Euro VAT Worldwide: 71,43 Euro plus 13,57 Euro VAT additional shipping insurance Explanations to the Catalogue Heinrich Hoerle Germany Rhenish Expressionism Dadaism Modern Art Craftman's frame Still Life Painting Oil Fruits

        Van Ham Kunstauktionen
      • Heinrich Hoerle, Stillleben mit Granatblüte und Zitronen, 1933
        Jun. 05, 2024

        Heinrich Hoerle, Stillleben mit Granatblüte und Zitronen, 1933

        Est: €25,000 - €30,000

        Monogrammed and dated 'h 1933/15' in yellow upper left as well as signed, dated, numbered and titled 'heinrich hoerle 1933/15 Granatblüte u Zitrone Wachsfarbe' in violet ink verso.

        Kunsthaus Lempertz KG
      • Heinrich Hoerle, Spanische Dame, 1927
        Jun. 05, 2024

        Heinrich Hoerle, Spanische Dame, 1927

        Est: €25,000 - €30,000

        Monogrammed 'h' and dated '1927/6' in black upper left.

        Kunsthaus Lempertz KG
      • Heinrich Hoerle Head of a girl (Trude-Alex). Circa 1926
        Mar. 20, 2024

        Heinrich Hoerle Head of a girl (Trude-Alex). Circa 1926

        Est: €18,000 - €25,000

        Heinrich Hoerle 1895 Köln - 1936 ebenda Head of a girl (Trude-Alex). Circa 1926 Signed "hoerle" in pencil upper left and right. Adhesive label titled and dated on the backing cardboard verso. Mixed technique (oil, gouache, chalk) auf cardboard. 45 x 32.5 cm. Framed (approx. 60 x 47 cm). Gemeinsam mit ihrem Mann gehörte die dargestellte Trude-Alex (1903-1986) zum Kreis der KünstlerInnen, die in der ersten Hälfte des 20. Jahrhunderts in Köln aktiv waren. Ihr Blick durchdringt den Betrachter mit Klarheit und Entschlossenheit. Die Farbpalette ist reduziert, strenge Braun- und Grüntöne verleihen dem Bild tiefe, subtile Nuancen sowie eine zurückhaltende, aber dennoch signifikante Ausdruckskraft. Er setzt sie bewusst ein, um eine gewisse Ernsthaftigkeit und Nüchternheit zu erzeugen und um emotionale oder soziale Botschaften zu vermitteln. Die Farbgebung in seinen Gemälden reflektiert häufig die Stimmung der Zeit und die turbulenten politischen Ereignisse, die Deutschland in dieser Ära prägten. Das formale Stilisierungselement in Hoerles Werken, gepaart mit Schärfe und Sachlichkeit, zeugt von einem innovativen künstlerischen Ansatz. Heinrich Hoerle war Teil der Kölner Progressiven Bewegung und der Kölner Dada-Gruppe. In den 1920er Jahren reflektierten seine Werke häufig soziale und politische Themen, beeinflusst von den Wirren der Zeit. Er setzte sich bewusst gegen traditionelle künstlerische Konventionen ein und strebte danach, Kunst zu schaffen, die das Chaos und die Absurdität der zeitgenössischen Welt widerspiegelte. Sein Schaffen blieb jedoch nicht ungetrübt, da er 1936 im Alter von 40 Jahren an Tuberkulose starb. Trotz seines vergleichsweisen kurzen Lebens hinterließ er ein qualitativ hochwertiges Gesamtwerk. Die nationalsozialistische Aktion "Entartete Kunst" hatte nach Hoerles Tod verheerende Auswirkungen auf sein Erbe. 21 seiner Werke wurden aus deutschen Museen beschlagnahmt und teilweise vernichtet. Dennoch bleibt Heinrich Hoerles Beitrag zur Kunstwelt bedeutend, insbesondere im Kontext der Kölner Progressiven Bewegung und des deutschen Modernismus der frühen 20. Jahrhunderts. Seine Gemälde und Zeichnungen werden weiterhin für ihren innovativen künstlerischen Ausdruck geschätzt, und sie erinnern uns an die Widerstandskraft und Kreativität eines Künstlers, der gegen den Strom der Zeit schwamm. Catalogue Raisonné: Not in Backes Provenance: Galerie Michael Hasenclever, Munich (adhesive label verso) / Private owner, South Germany

        Neumeister
      • Hoerle, Heinrich
        Feb. 07, 2024

        Hoerle, Heinrich

        Est: €3,500 - €5,000

        Hoerle, Heinrich Köln, 1895 - 1936 17 x 22 cm, R. Still life with grapes. Oil on cardboard. Stamped on the reverse "Heinrich Hoerle - Köln Lindenthal - Bachemerstrasse 243". The work will be included in the new edition of the catalogue raisonné by Mr. Dirk Backes, Aachen. Van Ham, Köln, 344. sale Moderne und Zeitgenössische Kunst, 26. 11. 2014. lot 50. Private collection, Nordrhein-Westfalen.

        Nagel Auction
      • HEINRICH HOERLE (Cologne 1895 - 1936 Cologne)
        Nov. 23, 2023

        HEINRICH HOERLE (Cologne 1895 - 1936 Cologne)

        Est: €800 - €1,600

        HEINRICH HOERLE (Cologne 1895 - 1936 Cologne) Man with a pipe, 1931 linocut/paper, 22,6 x 17,5 cm monogrammed in the plate h, dated 1931 numbered 3/50 ESTIMATE °€ 800 - 1600 STARTING PRICE °€ 800 The German painter Heinrich Hoerle began as a Rhenish Expressionist, was part of the Cologne Dada and painted in the styles of Constructivism and Surrealism. His main focus was on the horrors of war, the everyday lives of workers and the dehumanization of the masses. was predominantly self-taught; For a short time, he attended the Kunstgewerbeschule (School of Applied Art) in Cologne. In 1913, he joined the avant-garde Gereonsklub (Olga Oppenheimer, Franz M. Jansen and Emmy Worringer) which also showed pictures by August Macke, Franz Marc, Paul Klee and Robert Delaunay. With Otto Freundlich and Max Ernst, Heinrich Hoerle also belonged to the Lunists. During his military service in 1917, Hoerle published his first pictures in Franz Pfemfert's magazines Aktion and Simplicissimus. After the end of the war, Heinrich Hoerle married Angelika Fick, sister of fellow painter Willy Fick. Hoerle maintained contacts with Ret Marut, Hans Schmitz-Wiedenbrück and Franz Wilhelm Seiwert, with whom he remained friends until 1932. He was one of the Cologne Dadaists around Johannes Theodor Baargeld (Alfred Gruenwald), participated in the Dadaist weekly magazine “Der Ventilator” in 1920 and showed his work in the Dadaist space at the autumn exhibition of the Expressionist Society of the Arts. Heinrich Hoerle processed his war experiences in his “cripple portfolio”. While Johannes Theodor Baargeld and Max Ernst oriented themselves towards the rather apolitical French Dada, Heinrich and Angelika Hoerle wanted to have a political impact: The Hoerle couple founded the group Stupid with Antonräderscheidt, Hans Arp, Willy Fick and Franz Wilhelm Seiwert. Hoerle adopted constructivist and New Objectivity elements for his socialist art. Hoerle was friends with the Düsseldorf artists Gottfried Brockmann and Gerd Arntz, who shared his socially critical approaches. The photographer August Sander documented images of Heinrich Hoerle and his work. Hoerle later changed his painting style under the influence of Giorgio de Chirico, Max Ernst and Juan Gris and painted in a loose surrealist style. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographys 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

        Widder Auctions
      • Heinrich Horle, Face and Hand
        Nov. 10, 2023

        Heinrich Horle, Face and Hand

        Est: $10,000 - $15,000

        Heinrich Horle Face and Hand c. 1929 charcoal on paper sight: 14.375 h x 11 w in (37 x 28 cm) Signed to upper right 'h'. Provenance: Barry Friedman Ltd., New York | Private Collection This work will ship from Lambertville, New Jersey.

        Rago Arts and Auction Center
      • Heinrich Hoerle (1895 Köln 1936) Frauenkopf (Trude Alex).
        Oct. 28, 2023

        Heinrich Hoerle (1895 Köln 1936) Frauenkopf (Trude Alex).

        Est: -

        Heinrich Hoerle (1895 Köln 1936) Frauenkopf (Trude Alex). Lithographie auf Papier. 1932. 34,2 x 23,9 (46 x 32,7) cm, unter Passepartout. Unter Glas gerahmt. Signiert, datiert u. nummeriert "5". Backes IV.43 - Lager- und Alterungsspuren.

        Dr. Irene Lehr Kunstauktionen GmbH
      • Heinrich Hoerle, Frauenkopf, 1929
        Jun. 07, 2023

        Heinrich Hoerle, Frauenkopf, 1929

        Est: €20,000 - €25,000

        Monogrammed and dated '19 h 29' upper centre. With a confirmation by Dirk Backes, Aachen, dated 30 October 2022. The work will be included in the new edition of the catalogue raissonné by Backes/Hanstein.

        Kunsthaus Lempertz KG
      • Heinrich Hoerle, Blumenstillleben mit Vase,
        Jun. 07, 2023

        Heinrich Hoerle, Blumenstillleben mit Vase,

        Est: €15,000 - €20,000

        Signed 'hoerle' (incised) upper right. With confirmation by Dirk Backes, Aachen, dated 4 January 2022. The work will be included in the new edition of the catalogue raissonné by Backes/Hanstein.

        Kunsthaus Lempertz KG
      • Heinrich Hoerle, Blumen, 1933
        Jun. 06, 2023

        Heinrich Hoerle, Blumen, 1933

        Est: €20,000 - €25,000

        Monogrammed, dated and numbered '19 h 33 14' in pale blue upper right. Signed, dated, titled and inscribed 'heinrich hoerle 1933/14 blumen spanien mallorka cala ratjada son moll' in ink verso. Oral confirmation of authenticity by Dirk Backes, Aachen. The work will be included in the new edition of the catalogue raissonné by Backes/Hanstein.

        Kunsthaus Lempertz KG
      • Heinrich Hoerle, Bäume, 1931
        Jun. 06, 2023

        Heinrich Hoerle, Bäume, 1931

        Est: €30,000 - €40,000

        Monogrammed and dated 'h 1931' on the right edge. With oral confirmation of authenticity by Dirk Backes, Aachen. The work will be included in the new edition of the catalogue raissonné by Backes/Hanstein. Around 1924 the two Cologne-based painters Heinrich Hoerle and Franz W. Seiwert distanced themselves from the Dada movement to pursue the path of a socially oriented art. As the “Gruppe progressiver Künstler”, Hoerle and Seiwert were “adherents of the Marxist ideology in its simple and most unadulterated sense, that is, in the sense of the elimination of inequality and violence, the unification of the people of all classes and nations and the abolition of property” (Evelyn Weiss, Von Dadamax zu A – Z – Die Kölner Progressiven der zwanziger Jahre, in: exh. cat. Kunstverein Frechen 1970, n. pag.). Based on a socialist motivation, Hoerle desired an art for the people of all classes and saw himself as a worker labouring in “service of the exploited”, as he once wrote. After his art originally began in the sense of the New Objectivity, Hoerle arrived at a style which combined constructive elements with realistic ones. This combination can also be identified in the wax-crayon drawing “Bäume” offered here, where the strongly abstracted trees, which resemble chimneys, have been linked with a red barn. This drawing was created in 1931, at a turning point in Hoerle’s oeuvre: besides achieving a series of notable successes, he also made a seminal decision with regard to his painting technique. That was the year he resolved to give up oil painting to focus exclusively on working with wax crayons. “He primarily used the wax crayons cold. They leave behind a little colour when rubbed on a surface. The work is laborious and does not produce any rapid results, particularly when multiple layers were to be laid on top of each other, so that the others would shine through. […] However, by means of his intense efforts, Hoerle produced unheard-of effects through the medium’s otherwise dormant possibilities” (Hans Schmitt-Rost, Heinrich Hoerle, Recklinghausen 1965, p. 20). The “unheard-of effects” mentioned by Hoerle’s biographer can also be grasped in the work “Bäume”. With the greatest precision, finest lineation and a pronounced sensibility for colours, he created motifs that appear partly two-dimensional and partly three-dimensional and are combined into a harmonious whole.

        Kunsthaus Lempertz KG
      • Hoerle, Heinrich
        Feb. 08, 2023

        Hoerle, Heinrich

        Est: €7,000 - €10,000

        Hoerle, Heinrich Köln, 1895 - 1936 17 x 22 cm, R. Still life with grapes. Oil on cardboard. Stamped on the reverse "Heinrich Hoerle - Köln Lindenthal - Bachemerstrasse 243". The work will be included in the new edition of the catalogue raisonné by Mr. Dirk Backes, Aachen. Van Ham, Köln, 344. sale Moderne und Zeitgenössische Kunst, 26. 11. 2014. lot 50. Private collection, Nordrhein-Westfalen.

        Nagel Auction
      • Heinrich Hoerle, Arbeiter, 1931
        Dec. 02, 2022

        Heinrich Hoerle, Arbeiter, 1931

        Est: €200,000 - €300,000

        Monogrammed 'h' within depiction to upper right margin. Verso signed, dated and titled 'hoerle 1931/3 arbeiter'. Leaving Cologne’s Dada movement behind them, the friends and fellow artists Heinrich Hoerle, Franz Wilhelm Seiwert and Anton Räderscheidt increasingly turned to social content and a simple visual idiom – according to the “Cologne Progressives”, art was to be created in the service of social criticism and it was to be comprehensible to everyone. At the end of 1919 Seiwert wrote: “We want to do simple work beyond any chattery spirituality […] We use the picture to allow the facts out there become a fact in the picture: profit machines, labour slaves, exploiters and the exploited. Our pictures serve the exploited, of whom we are a part and with whom we feel solidarity; therefore, we reject the supposedly anti-bourgeois, Dadaist harlequinade performed to the delight of the bourgeoisie, because it is not the bankruptcy of the bourgeoisie but the creative will of the masses that we must render visible” (cited in: exh. cat. Heinrich Hoerle, Leben und Werk, Köln 1981, p. 30). The painter as worker: the painting “Arbeiter” is a self-portrait, a statement on which Heinrich Hoerle created variations in his painting and drawings of the early 1930s. Like the French painter Fernand Léger, who had previously arrived at a mechanistic visual vocabulary during his comradeship with miners, lumberjacks and metalworkers due to the war, it was also Hoerle’s engagement with social themes that led him to his visual idiom reduced to the essential (see exh. cat. Köln 1981, op. cit., pp. 38 f.). The male figure is depicted frontally and fills the canvas, with his gaze directed at the viewers; the small female figure, on the other hand, is seen from behind and is turned away from the viewers. The relationship between the trees and the smoking chimneys depicted formulaically in the background is no less antithetical. The antitheses of machine – nature, factory – artist, woman – man, verso – recto and light – dark become resolved in the figure, who reconciles factory labour and art in his own portrait. Relationships between the individual elements of the picture have been ingeniously established through monochrome primary and complementary colours applied in a haptic manner. Just like the differentiated proportions of the picture’s figures and objects, these plumb the spatial continuum. Three-dimensional form is additionally evoked through the alternation of light and dark. The individual elements accordingly fit together like machine parts to guarantee the functioning of the immanent process at work within the picture. The market-fresh painting “Arbeiter” is among Hoerle’s last oil paintings, because the painter turned to the technique of wax crayon on paper from 1932. A similar work “Arbeiter (Selbstbildnis vor Bäumen und Schornsteinen)”, which was also created in 1931, is now in the collection of Harvard University’s Busch-Reisinger Museum (see Backes 83). Our large-format, prominent painting in museum quality can be counted among the most important in Heinrich Hoerle’s oeuvre.

        Kunsthaus Lempertz KG
      • HEINRICH HÖRLE (1895-1936) Prothesenkopf Block 253 x 166 mm. Sheet 466 x 2
        Sep. 28, 2022

        HEINRICH HÖRLE (1895-1936) Prothesenkopf Block 253 x 166 mm. Sheet 466 x 2

        Est: £2,500 - £3,500

        HEINRICH HÖRLE (1895-1936) Prothesenkopf Block 253 x 166 mm. Sheet 466 x 296 mm.

        Christie's
      • HEINRICH HÖRLE (1895-1936) Krüppel Overall 645 x 500 mm.
        Sep. 28, 2022

        HEINRICH HÖRLE (1895-1936) Krüppel Overall 645 x 500 mm.

        Est: £10,000 - £15,000

        HEINRICH HÖRLE (1895-1936) Krüppel Overall 645 x 500 mm.

        Christie's
      • Hoerle, Heinrich
        Jul. 13, 2022

        Hoerle, Heinrich

        Est: €14,000 - €18,000

        Hoerle, Heinrich Köln, 1895 - 1936 17 x 22 cm, R. Still life with grapes. Oil on cardboard. Stamped on the reverse "Heinrich Hoerle - Köln Lindenthal - Bachemerstrasse 243". The work will be included in the new edition of the catalogue raisonné by Mr Dirk Backes, Aachen. Van Ham, Köln, 344. sale Moderne und Zeitgenössische Kunst, 26. 11. 2004. lot 50. Private collection, Nordrhein-Westfalen.

        Nagel Auction
      • Heinrich Hoerle, Blumenstillleben mit Vase,
        Jun. 02, 2022

        Heinrich Hoerle, Blumenstillleben mit Vase,

        Est: €20,000 - €25,000

        Signed 'hoerle' (incised) upper right. With confirmation from Dirk Backes, Aachen, dated 4 January 2022. The work will be included in the new edition of the catalogue raissonné by Backes/Hanstein.

        Kunsthaus Lempertz KG
      • HEINRICH HÖRLE (1895-1936) Gruppe pencil on paper 19 7/8 x 25 1/2 in. (50 x
        Mar. 04, 2022

        HEINRICH HÖRLE (1895-1936) Gruppe pencil on paper 19 7/8 x 25 1/2 in. (50 x

        Est: £6,000 - £8,000

        HEINRICH HÖRLE (1895-1936) Gruppe pencil on paper 19 7/8 x 25 1/2 in. (50 x 64.5 cm.)

        Christie's
      • Heinrich Hoerle - ”Weißes Pferd”. 1927/28
        Jun. 11, 2021

        Heinrich Hoerle - ”Weißes Pferd”. 1927/28

        Est: €18,000 - €24,000

        Heinrich Hoerle ”Weißes Pferd”. 1927/28 Oil on canvas. Relined Monogrammed and dated lower right: h 1927/28 31 1/2 × 23 5/8 in.

        Grisebach
      • Heinrich Hoerle - ”Stilleben mit Krug und Birne”. 1929
        Jun. 10, 2021

        Heinrich Hoerle - ”Stilleben mit Krug und Birne”. 1929

        Est: €30,000 - €40,000

        Heinrich Hoerle ”Stilleben mit Krug und Birne”. 1929 Oil on paper on wood 25 × 19 3/8 in. Monogrammed and dated upper left: 19h29. On the cardboard backing a stamp of the Cologne Kunstverein relating to the exhibition Cologne 1981 (see below)

        Grisebach
      • Heinrich Hoerle - ”Vordermann”. 1932
        Jun. 10, 2021

        Heinrich Hoerle - ”Vordermann”. 1932

        Est: €40,000 - €60,000

        Heinrich Hoerle ”Vordermann”. 1932 Wax crayon on heavy paper 16 3/4 × 14 in. Monogrammed, dated and inscribed upper right: 19h32 3

        Grisebach
      • Heinrich Hoerle - Worker (Self-portrait in front of trees and chimneys). Circa 1930
        Jun. 10, 2021

        Heinrich Hoerle - Worker (Self-portrait in front of trees and chimneys). Circa 1930

        Est: €12,000 - €15,000

        Heinrich Hoerle Worker (Self-portrait in front of trees and chimneys). Circa 1930 Graphite on Japan laid paper 24 1/4 × 18 3/8 in. Corresponding graphite sketches on the reverse

        Grisebach
      • Heinrich Hoerle - ”Frauenkopf (Trude Alex/Hoerle?)”. Circa 1935
        Jun. 10, 2021

        Heinrich Hoerle - ”Frauenkopf (Trude Alex/Hoerle?)”. Circa 1935

        Est: €25,000 - €35,000

        Heinrich Hoerle ”Frauenkopf (Trude Alex/Hoerle?)”. Circa 1935 Wax crayon on Japan paper 15 × 11 in. Monogrammed upper left: h

        Grisebach
      • Heinrich Hoerle - ”Spießerpaar”. 1922
        Jun. 10, 2021

        Heinrich Hoerle - ”Spießerpaar”. 1922

        Est: €2,000 - €3,000

        Heinrich Hoerle ”Spießerpaar”. 1922 Linocut on Japan laid paper 7 7/8 × 5 1/2 in. (11 7/8 × 8 3/8 in.) Signed and dated

        Grisebach
      • Heinrich Hoerle - ”Die Krüppelmappe”. 1920
        Jun. 10, 2021

        Heinrich Hoerle - ”Die Krüppelmappe”. 1920

        Est: €12,000 - €15,000

        Heinrich Hoerle ”Die Krüppelmappe”. 1920 Set of 12 lithographs and 1 lithographed cover sheet, each on yellowish paper 23 1/4 × 18 1/8 in. 12 sheet signed

        Grisebach
      • Heinrich Hoerle - Study of a war invalid. 1931
        Jun. 10, 2021

        Heinrich Hoerle - Study of a war invalid. 1931

        Est: €15,000 - €20,000

        Heinrich Hoerle Study of a war invalid. 1931 Pencil on thin tracing paper 42 1/2 × 14 in. Dated upper left: 1931/2

        Grisebach
      • Heinrich Hoerle - ”Prothesenkopf”. Circa 1925
        Jun. 10, 2021

        Heinrich Hoerle - ”Prothesenkopf”. Circa 1925

        Est: €2,000 - €3,000

        Heinrich Hoerle ”Prothesenkopf”. Circa 1925 Linocut on paper (backside from an old accounting book) 8 1/4 × 5 7/8 in. (11 1/4 × 8 7/8 in.)

        Grisebach
      • Heinrich Hoerle - ”Dadahund". Early 1920s
        Jun. 10, 2021

        Heinrich Hoerle - ”Dadahund". Early 1920s

        Est: €1,500 - €2,000

        Heinrich Hoerle ”Dadahund". Early 1920s Pencil on wove paper (watermark: JWhatma[n]) 12 7/8 × 9 3/4 in. Signed lower right: Hoerle

        Grisebach
      • Heinrich Hoerle - ”Selbstbildnis”. 1931
        Jun. 10, 2021

        Heinrich Hoerle - ”Selbstbildnis”. 1931

        Est: €60,000 - €80,000

        Heinrich Hoerle ”Selbstbildnis”. 1931 Oil on cardboard, laid down on canvas 16 1/8 × 11 3/8 in. Monogrammed and dated upper right: h 1931 3

        Grisebach
      • Heinrich Hoerle - ”Porträt Jankel Adler”. 1932
        Jun. 10, 2021

        Heinrich Hoerle - ”Porträt Jankel Adler”. 1932

        Est: €8,000 - €12,000

        Heinrich Hoerle ”Porträt Jankel Adler”. 1932 Graphite on wove paper 19 7/8 × 16 1/2 in. Monogrammed and dated upper right: 19H32. Titled at the bottom: Jankel Adler

        Grisebach
      • Heinrich Hoerle - ”Porträt Franz W. Seiwert”. 1932
        Jun. 10, 2021

        Heinrich Hoerle - ”Porträt Franz W. Seiwert”. 1932

        Est: €7,000 - €9,000

        Heinrich Hoerle ”Porträt Franz W. Seiwert”. 1932 Pencil on heavy paper (blindstamp: Schoellershammer) 18 1/4 × 11 in. Monogrammed and dated upper right: 19 h 32. Signed by the subject in the lower centre: Franz W. Seiwert

        Grisebach
      • BLUMENSTRAUSS IN EINER GLASVASE
        Jun. 04, 2021

        BLUMENSTRAUSS IN EINER GLASVASE

        Est: €1,500 - €3,000

        HEINRICH HOERLE 1895 Köln - 1936 ebenda BLUMENSTRAUSS IN EINER GLASVASE Öl und Tempera auf Karton. SM 37 x 26 cm. Unten links mit Bleistift signiert 'Hoerle'. Im Passepartout und hinter Glas gerahmt. Provenienz: VAN HAM Kunstauktionen, Auktion 322, 06.06.2013, Los 343 A; seitdem Privatsammlung Bergisches Land.

        Hargesheimer Kunstauktionen Düsseldorf
      • Hoerle, Heinrich
        Nov. 05, 2020

        Hoerle, Heinrich

        Est: €3,500 -

        (1895-1936). Amazone. Ölfarben auf Papier, signiert und datiert (19)15 (?) sowie betitelt Amazone. 28,1 : 22,2 cm. Aus dem Frühwerk haben sich wenige Arbeiten erhalten, das Werkverzeichnis von D. Backes (Köln 1981) verzeichnet nur sechs Bildbelege für die Zeit 1914/15. Ein Nachweis Ölfarben auf Papier, 1915, mit Selbstbildnis, in: Hoerle und sein Kreis, Ausstellung Kunstverein Frechen 1971, Nr. 62. – War horizontal gefaltet, Knitterspuren, gestreut fleckig unten links, dort kleiner Eckverlust.

        Schneider-Henn
      • Heinrich Hoerle - "Die Krüppelmappe"
        Jul. 10, 2020

        Heinrich Hoerle - "Die Krüppelmappe"

        Est: €10,000 - €15,000

        Heinrich Hoerle "Die Krüppelmappe" Original half linen-covered portfolio with 12 lithographs and 1 llithographed cover sheet, each on yellowish paper Each signed 23 1/4 × 18 1/8 in.

        Grisebach
      • Heinrich Hoerle, Frauenkopf, Circa 1924/1925
        Nov. 30, 2019

        Heinrich Hoerle, Frauenkopf, Circa 1924/1925

        Est: €4,000 - €6,000

        Signed 'hoerle' in pencil upper right. RefMod191119

        Kunsthaus Lempertz KG
      • Heinrich HOERLE (1895-1936). Sechs Linolschnitte um 1930, édition Kölnischer Kunstverein, Cologne, 1980. 6 planches, 42 x 30 cm. Tirage limité à 50 ex. (n° 7).
        Nov. 08, 2019

        Heinrich HOERLE (1895-1936). Sechs Linolschnitte um 1930, édition Kölnischer Kunstverein, Cologne, 1980. 6 planches, 42 x 30 cm. Tirage limité à 50 ex. (n° 7).

        Est: €200 - €300

        Heinrich HOERLE (1895-1936). Sechs Linolschnitte um 1930, édition Kölnischer Kunstverein, Cologne, 1980. 6 planches, 42 x 30 cm. Tirage limité à 50 ex. (n° 7). Heinrich HOERLE était membre du groupe Cologne Dada avec Johannes Baargeld et Max Ernst.

        Marie-Saint Germain
      • HOERLE Heinrich (1895 - 1936) "Personnages", fusain sur papier. Signé
        Mar. 21, 2017

        HOERLE Heinrich (1895 - 1936) "Personnages", fusain sur papier. Signé

        Est: €400 - €600

        HOERLE Heinrich (1895 - 1936) "Personnages", fusain sur papier. Signé en haut à gauche Hoerle et daté (19)27. Ecole allemande. Dim.:30.5x21cm.

        Vanderkindere
      • Heinrich Hoerle - "Kinderbildnis (Hoerles Tochter Micheline)“
        Dec. 03, 2016

        Heinrich Hoerle - "Kinderbildnis (Hoerles Tochter Micheline)“

        Est: €1,500 - €2,000

        Heinrich Hoerle "Kinderbildnis (Hoerles Tochter Micheline)“ Monogrammed and dated lower right: h 1927 Pencil on paper 14 5/8 x 10 7/8 in.

        Grisebach
      • Heinrich Hoerle, Pornomappe, 6 Linocuts, Portfolio, around 1930
        Nov. 29, 2016

        Heinrich Hoerle, Pornomappe, 6 Linocuts, Portfolio, around 1930

        Est: €1,600 - €2,000

        Portfolio comprising 6 linocuts on hand-made Amberg laid paper (with watermark) in laid paper cover, in linen portfolio box; reprint from 1980 Heinrich Hoerle (1895-1936) – German painter and graphic artist Numbered '20/50' in pencil on the laid paper cover Catalogue raisonné: Backes Druckgraphik 40 The new edition was printed from the original printing blocks Published by the Cologne art society as annual bonus, 1980 Image dimensions: between c. 19.5 x 16 cm and 28.5 x 26 cm; sheet dimensions: 42 x 30 cm Portfolio box: 45 x 32.7 cm Provenance: Private collection, Cologne Condition: The sheets are in good condition, slightly discolored due to the age and tiny damages to the edges can be seen in some places. The portfolio box bears a few marks. Heinrich Hoerle (1895-1936) The Cologne painter and graphic artist Heinrich Hoerle attended the arts school of his hometown around 1912 and was a pupil of the Italian painter Pietro Malmesi. After his expressionist beginnings Hoerle's work was later characterized by sociocritical subjects among others because of his wartime experiences. One his important works was the portfolio 'Krüppelmappe'. After World War I, he belonged to the circle of the Cologne Dada movement around Johannes Baargeld and Max Ernst. In the 1920s the artist turned to a figurative constructivism. Basically his oeuvre is characterized at different times by New Objectivity, constructivism as well as by surrealism. (msc) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

        Auctionata Paddle8 AG
      • HOERLE, HEINRICH
        Jun. 01, 2016

        HOERLE, HEINRICH

        Est: €2,000 - €3,000

        HOERLE, HEINRICH Köln 1895 - 1936 Männliches Bildnis (Jochen Schaller). Gouache über Bleistift auf Velin. 33,5 x 26cm. Signiert unten rechts: hoerle. Rahmen. Diese Arbeit wird in das in Vorbereitung befindliche Werkverzeichnis aufgenommen. Wir danken Herrn Dirk Backes, Aachen, für die freundliche Unterstützung.

        Van Ham Kunstauktionen
      • Heinrich Hoerle (1895-1936), Portrait of Angelika Hoerle, 1920s
        Nov. 30, 2015

        Heinrich Hoerle (1895-1936), Portrait of Angelika Hoerle, 1920s

        Est: €4,500 - €5,850

        Oil chalks, partly washed, and watercolor on wove paper Germany, 1920s Heinrich Hoerle (1895-1936) - German painter Monogrammed ‘h’ and inscribed ‘AHoerle’ in pencil lower right Dimensions: 44.5 x 31.5 cm Matted under glass in a decorative wooden frame: 67 x 54 cm Good condition Estimate by Auctionata Expert: 9,000 Euro Condition: The painting is in a good condition, showing a slight discoloration of the paper, small paint losses to the upper left and a tiny paper loss to the lower right margin. The frame is minimally chipped. The dimensions are 44.5 x 31.5 cm, while the frame measures 67 x 54 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
      • HOERLE, HEINRICH Köln 1895 - 1936 Bildnis eines Mädchens. Tuschzeichnung auf Velin. Auf Karton kaschiert (44,8 x 31,4cm). 42 x 29cm. Signiert oben rechts: hoerle. Unter Signatur Stempel(?): h. Nicht im Wvz. Backes.
        Nov. 25, 2015

        HOERLE, HEINRICH Köln 1895 - 1936 Bildnis eines Mädchens. Tuschzeichnung auf Velin. Auf Karton kaschiert (44,8 x 31,4cm). 42 x 29cm. Signiert oben rechts: hoerle. Unter Signatur Stempel(?): h. Nicht im Wvz. Backes.

        Est: €800 - €1,000

        HOERLE, HEINRICH Köln 1895 - 1936 Bildnis eines Mädchens. Tuschzeichnung auf Velin. Auf Karton kaschiert (44,8 x 31,4cm). 42 x 29cm. Signiert oben rechts: hoerle. Unter Signatur Stempel(?): h. Nicht im Wvz. Backes.

        Van Ham Kunstauktionen
      • HOERLE, HEINRICH Köln 1895 - 1936 Akt, Rückenansicht. 1927. Tuschzeichnung auf Velin. 32 x 22,5cm. Signiert und datiert unten links: hoerle 27. Wvz. Backes, Teil V, Nr. 105.
        Nov. 25, 2015

        HOERLE, HEINRICH Köln 1895 - 1936 Akt, Rückenansicht. 1927. Tuschzeichnung auf Velin. 32 x 22,5cm. Signiert und datiert unten links: hoerle 27. Wvz. Backes, Teil V, Nr. 105.

        Est: €800 - €1,200

        HOERLE, HEINRICH Köln 1895 - 1936 Akt, Rückenansicht. 1927. Tuschzeichnung auf Velin. 32 x 22,5cm. Signiert und datiert unten links: hoerle 27. Wvz. Backes, Teil V, Nr. 105.

        Van Ham Kunstauktionen
      • Äste mit trockenen Blättern (Herbst)
        Dec. 16, 2014

        Äste mit trockenen Blättern (Herbst)

        Est: €3,000 - €5,000

        Heinrich Hörle (1895-1936) Äste mit trockenen Blättern (Herbst) signed with initial and dated 'H 1929' (upper right) watercolour on paper 60 x 45 cm. Executed in 1929

        Christie's
      • Schreitender Mann mit Sonne
        Dec. 16, 2014

        Schreitender Mann mit Sonne

        Est: €6,000 - €8,000

        Heinrich Hörle (1895-1936) Schreitender Mann mit Sonne signed with the initial 'H' (upper right) oil on cardboard 12.5 x 9.5 cm. Painted in 1931

        Christie's
      • HOERLE, HEINRICH . Cologne 1895 - 1936. . Standing Female
        Nov. 27, 2014

        HOERLE, HEINRICH . Cologne 1895 - 1936. . Standing Female

        Est: €3,000 - €5,000

        HOERLE, HEINRICH Cologne 1895 - 1936 Standing Female Nude. 1935. India ink on chamois vellum. 28 x 18 cm. Monogrammed upper right next to the head: h. Datied upper left 1935.Hoerle, Heinrich 1895 Köln - 1936 Köln Weiblicher Akt, stehend 1935. Tusche auf chamoisfarbenem Velin. 28 x 18cm. Monogrammiert oben rechts neben dem Kopf: h. Datiert oben links 1935. Diese Zeichnung wird in das in Vorbereitung befindliche Werkverzeichnis aufgenommen. Vgl. hier die Wvz.-Nrn 223-225 (jeweils: Weiblicher Akt, stehend, 1935).Wir danken Herrn Dirk Backes, Aachen, für die freundliche wissenschaftliche Unterstützung

        Van Ham Kunstauktionen
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