Roni Horn Pair (from the This is Me, This is You series) 2003 C-print mounted to Sintra in two parts image (each): 11.5 h x 9.25 w in (29 x 23 cm) sheet (each): 12.5 h x 10.25 w in (32 x 26 cm) Signed and numbered to label on verso of backing board of one work '6/12 Roni Horn'. Artist's stamp to label on verso of backing board of additional work 'Roni Horn 106 7th Ave NY, NY 10011'. This work is number 6 from the edition of 12. This work will ship from Lambertville, New Jersey.
Roni Horn Untitled 2003 C-print mounted to acrylic image: 29.75 h x 30.375 w in (76 x 77 cm) sheet: 33 h x 33.5 w in (84 x 85 cm) This work is from the edition of 13. Provenance: Art for Art's Sake Benefit, 2004 | Private Collection This work will ship from Lambertville, New Jersey.
Roni Horn Untitled 2009 inkjet print image: 3.875 h x 6 w in (10 x 15 cm) sheet: 8.5 h x 11 w in (22 x 28 cm) Signed, dated and numbered to lower edge 'Roni Horn 2009 ed 18/115'. Inscribed to verso 'For Eileen and Michael in 2010 with love, R'. This work is number 18 from the edition of 115. This work will ship from Chicago, Illinois.
RONI HORN (B. 1955) Untitled ('Peacocks not only eat flowers; they eat them systematically, beginning at the head of a row and going down it. If they are not hungry, they will pick the flower anyway and let it drop. For general eating, they prefer chrysanthemums and roses.') solid cast glass with as-cast surfaces 19 x 36 x 36 in (48.3 x 91.4 x 91.4 cm) Executed 2012-13. This work is unique
Roni Horn (born 1955) Alias Duo, #4, 2011 Ink and Watercolor on paper 27,5 × 46 cm (each) 27,5 ×92 cm (set) Provenance: - Galerie Hufkens, Brussels - Private collection, Paris Roni Horn (née en 1955) Alias Duo, #4, 2011 Encre et aquarelle sur papier 27,5 × 46 cm (chaque) 27,5 ×92 cm (l'ensemble) Provenance : - Galerie Hufkens, Bruxelles - Collection particulière, Paris
RONI HORN (AMERICAN 1955-) UNTITLED (TO NEST), 2001 digital inkjet print on Arches Aquarelle paper, from the edition of 100 published by Counter Editions 40cm x 60.5cm (15 ¾in x 23 ¾in) Y2K! Selected Works from an Important Private Collection of Contemporary Art.
Roni Horn Water, Selected 2007 inkjet print in colors 12.75 h x 17.625 w in (32 x 45 cm) Signed and numbered to left edge 'Roni Horn ed 80/150'. This work is number 80 from the edition of 150. This work will ship from Chicago, Illinois.
Roni Horn - Halldór Laxness. Werkausgabe. Herausgegeben von Hubert Seelow. Elf Bände und ein Beiheft. Göttingen, Steidl 2002. Elf Originalleinenbände mit farbiig illustrierten Schutzumschlägen und das Beiheft, zusammen in der Originalkartonbox. Eins von 777 nummerierten Exemplaren. - Die Werkausgabe des isländischen Nationaldichters erschien anlässlisch dessen 100. Geburtstags. - Die Schutzumschläge gestaltete die amerikanische Fotografin Roni Horn unter Verwendung einer Auswahl ihrer Island-Fotografien. - Makellos. [Keywords: Artist’s book since 1960 ]
Roni Horn. To Place. Pooling Waters (Volumes I and II). - Verne’s Journey. - Arctic Circles. Köln, Walther König 1994-1995, und Denver, Ginny Williams 1998. Mit zahlreichen, teils ganzseitigen bzw. blattgroßen Farbabbildungen nach Fotografien. Vier schwarze Originalleinenbände. Je eins von 1000 Exemplaren. - Roni Horn publizierte seit 1990 elf Bände »To place«, alle dokumentieren den großen Einfluss der Islandreisen auf Leben und Werk der amerikanischen Fotografin. - Dazu sieben weitere Publikationen. 1995-2007. [Keywords: Artist’s book since 1960 ]
Roni Horn (1955) Island: To Place 1-9. 1990-2006. Nine (9) titles in 10 volumes. 1. Bluff Life, Peter Blum Edition, New York, 1990. 1,150 copies. 2. Folds, Mary Boone Gallery, New York, 1991. 700 copies. 3. Lava, Distributed Art Publishers, New York, 1992. 750 copies. One of 100 copies signed, numbered, and accompanied by a silver print signed and numbered on the back (25 × 20.5 cm). 4. Pooling Waters Vol. 1 & 2, Verlag der Buchhandlung Walther König, Cologne, 1994. 1,000 copies. 5. Verne's Journey, Verlag der Buchhandlung Walther König, Cologne, 1995. 1,000 copies. 6. Haraldsdottir, Ginny Williams Publisher, 1996. 1,100 copies. One of 100 signed, numbered copies accompanied by a signed and numbered chromogenic print on the reverse (25.5 × 19.5 cm). 7. Artic Circles, Ginny Williams Publisher, 1998. 1,650 copies. 8. Becoming a Landscape, Ginny Williams Publisher, 2001. 900 copies. One of 100 signed, numbered copies accompanied by two (2) chromogenic prints signed and numbered on the reverse (25.5 × 20 cm). 9. Doubt Box, Steidl, Göttingen, 2006. 1,000 copies. One of 100 copies with a signed and numbered double-sided plate. Roni Horn (1955) Island : To Place 1-9. 1990-2006. Neuf (9) titres en 10 volumes. 1. Bluff Life, Peter Blum Edition, New York, 1990. 1150 ex. 2. Folds, Mary Boone Gallery, New York, 1991. 700 ex. 3. Lava, Distributed Art Publishers, New York, 1992. 750 ex. Un des 100 exemplaires signés, numérotés et accompagnés d'une épreuve argentique signée et numérotée au verso (25 ×20,5 cm). 4. Pooling Waters Vol. 1 & 2, Verlag der Buchhandlung Walther König, Köln, 1994. 1000 ex. 5. Verne's Journey, Verlag der Buchhandlung Walther König, Köln, 1995. 1000 ex. 6. Haraldsdottir, Ginny Williams Publisher, 1996. 1100 ex. Un des 100 exemplaires signés, numérotés et accompagnés d'une épreuve chromogénique signée et numérotée au verso (25,5 × 19,5 cm). 7. Artic Circles, Ginny Williams Publisher, 1998. 1650 ex. . 8. Becoming a Landscape, Ginny Williams Publisher, 2001. 900 ex. Un des 100 exemplaires signés, numérotés et accompagnés de deu×(2) épreuves chromogéniques signées et numérotées aux versos (25,5 ×20 cm). 9. Doubt Box, Steidl, Göttingen, 2006. 1000 ex. Un des 100 exemplaires avec une planche recto/verso signée et numérotée.
Roni Horn (born 1955) Some Thames, 2000 4 colour photographic prints Signed, dated, titled and numbered on the reverse on a label: "2/8" Edition of 8 copies 65×96cm (each) Provenance: - Matthew Marks Gallery, New York - Private collection, Switzerland Roni Horn (née en 1955) Some Thames, 2000 4 tirages photographiques couleur Signés, datés, titrés et numérotés au dos sur une étiquette : "2/8" Édition de 8 exemplaires 65×96cm (chaque) Provenance : - Matthew Marks Gallery, New York - Collection particulière, Suisse
Roni Horn b. 1955 White Dickinson HE INHERITS HIS UNCLE EMILY'S ARDOR FOR THE LIE incised with the artist’s initials and numbered 1/3 (on the underside) aluminium and cast plastic 226 by 5.2 by 5.1 cm. 89 by 2 by 2 in. Executed in 2006-2007, this work is number 1 from an edition of 3, plus 1 artist’s proof. ---------------------------------------- 羅尼 · 霍恩 1955年生 懷特 · 迪金森 他繼承了叔叔艾蜜莉對謊言的熱情 款識 RH，ED 1／3（作品底部） 鋁材及鑄塑 226 x 5.2 x 5.1 公分 89 x 2 x 2 英寸 2006-2007年作 版數 1／3 本作共3版，並加上1版藝術家自留版
Roni Horn (American 1955) Untitled, from the portfolio 'Dear Stieglitz', 1992/1994 chromogenic print signed, dated and numbered '35/35' (on the artist's label on the reverse), published by Peninsula Foundation, Eindhoven image size 30 x 44.1 cm., frame size 52.5 x 63 cm. Condition: Sheet attached to the support in places, apparently in excellent condition, unexamined out of frame. Framed behind glass.
dyptich, c-print, ed. 5/7 cm 61 x 50,8 (cm 36,8 x 55,8 image) (each) Each numbered and dated on the reverse: #5 5/7 1999 PROVENANCE Bruxelles, Xavier Hufkens Gallery (each labelled on the reverse); Paris, Christie's, Collection Willem Peppler, October 29th 2014, lot n. 98 (1/2 label on the reverse); private collection. EXHIBITIONS Treviso, Cà dei Ricchi, Paesaggi anomali, curated by D. Gavagnin, March, 18 - May, 8 2016; Ptuj, Slovenia, NATUR-AL(L), Festival Art Stays, 15th Festival of Contemporary Art , 7 July - 5 September 2017; Torre di Mosto, Museo del Paesaggio, Fini & Confini. Dal paesaggio al territorio, February, 23 - May, 18 2019; Comune di Vollorba (TV), Barchessa di Villa Giovannina, Le donne e la fotografia. Le protagoniste delle arti visive dal primo dopoguerra ad oggi, November 5 - December 18 2022. LITERATURE Paesaggi anomali, exhibition catalog (Treviso, Cà dei Ricchi, curated byD. Gavagnin, March, 18 - May, 8 2016), pp. 60-61; NATUR-AL(L), exhibition catalog (Ptuj, Slovenia, Festival Art Stays, 15th Festival of Contemporary Art , July, 7 - Semptember, 5 2017), p. 182; Fini & Confini. Dal paesaggio al territorio, exhibition catalog (Torre di Mosto, Museo del Paesaggio, February, 23 - May, 18 2019), Edizioni Colorama, Venice 2019, pp. 326-327; Le donne e la fotografia. Le protagoniste delle arti visive dal primo dopoguerra ad oggi, exhibition catalog (Comune di Vollorba, Barchessa di Villa Giovannina, November 5 - December 18 2022), p. 57. THIS LOT IS NOT SUBJECT TO Artist’s Resale Right
Roni Horn, American b. 1955, Untitled, 2013; digital photographic print, signed in marker pen to lower left, from an edition of 480, sheet: 54.5 x 44 cm, (framed)
Roni Horn Untitled (from the Verne's Journey Selections portfolio) 1991 offset lithograph in colors and letterpress image (each): 4.25 h x 6.25 w in (11 x 16 cm) sheet (each): 14 h x 11 w in (36 x 28 cm) envelope: 14.25 h x 11.5 w in (36 x 29 cm) Signed and numbered to left edge 'Roni Horn 80/100'. Each work is number 80 from the edition of 100 published by the artist. Provenance: Matthew Marks Gallery, New York | Private Collection This work will ship from Lambertville, New Jersey.
Roni Horn Untitled (Kitty Cat) c. 2000 offset lithograph in colors 31.5 h x 23.75 w in (80 x 60 cm) Signed to left edge 'Roni Horn'. This work is from the edition of an unknown size. This work will ship from Lambertville, New Jersey.
Roni Horn Becoming a Landscape; Haraldsdottir; Index Cixous Cix Pax; Lava (four works) 1992-2005 C-print sight (each): 8 h x 10 w in (20 x 25 cm) print: 10.125 h x 7.625 w in (26 x 19 cm) print: 5 h x 7.5 w in (13 x 19 cm) Signed and numbered to colophon of Haraldsdòttir ‘Roni Horn 48/100’ and to print ‘Roni Horn 57/100’. Signed and numbered to colophon and verso of print of Lava ‘Roni Horn 65/100’. Signed and numbered to colophon and two prints of Becoming a Landscape ‘R Horn 88/100 1 of 2 and 2 of 2’. Signed and numbered to colophon and lower edge of print of Index Cixous Cix Pax ‘Roni Horn 41/100’. These works are numbers 48, 57, 65 and 88 from the editions of 100. This work will ship from Lambertville, New Jersey.
RONI HORN (New York 1955–lives and works in New York) Steven's Bouquet. 1991. Solid aluminum and cast plastic, 6 units. 1/3. 160 × 120 × 38.5 cm (variabel installation). Provenance: - Galerie Jablonka, Cologne. - Private collection, acquired in the above gallery in 1992. - Auction Sotheby's, New York, 18.11.1999, lot 102. - Private collection, Switzerland, acquired at the above auction. “The object is not the end; what I’m interested in is the experience it provides for—how it incites and animates dialogue”. Roni Horn Roni Horn, born in New York in 1955, is a renowned American artist. She completed her design studies at the Rhode Island School of Design and later gained a Master of Fine Arts at Yale University. The great versatility of her oeuvre is evident not only in her choice of media, but also in the diversity of her content. Her works deal intensively with themes such as identity, change and the relationship between man and nature. Horn lives and works in both New York and Reykjavik - two contrasting environments that significantly inform her artistic practice. Her minimalist works question traditional notions of form and perception. They emphasise that what you see does not always correspond to what you think you see. In her works, Horn succeeds in subtly breaking through established attributions and in bringing to light the dynamics of changeability and diversity. In doing so, she transcends the boundaries between the visible and the invisible. She often utilises materials such as glass or light metals as well as motifs such as water or the weather, which are inherently multi-layered and changeable. Despite this diversity, certain preferences emerge again and again in her work, in particular a sensitive examination of language and its cultural, social and poetic potential. From the late 1980s onwards, Horn devoted herself to the poet Emily Dickinson and created several works inspired by her poems. One example of this is a series of narrow aluminium rods with white letters embedded in them and aligned vertically on walls. The word, which Horn had already explored before, now became the central subject and object of her art. The poet Wallace Stevens (1879–1955) is also one of the few literary figures who are repeatedly taken up in her work. Stevens, an important American poet of the 20th century, is known for his complex, philosophical poems, which often deal with the relationship between imagination and reality. His poetry is characterised by an elegance of form, rich imagery and philosophical depth. Many of his poems deal with themes such as the power of the human imagination, the nature of reality and the role of art. Stevens holds the view that the human imagination plays a central role in creating order and beauty in the chaos of reality. The work ‘Steven’s Bouquet’ by Roni Horn, created in 1991, is, as the title suggests, a tribute to the poet. It is a minimalist yet deeply symbolic installation that refers to Stevens' poem “Bouquet of Roses in Sunlight”, written in October 1947. One example of this rare three-part edition is in the collection of the Museum of Modern Art in New York. The rods of the installation are simple and industrial in design, which emphasises the formal rigour. The words encased in synthetic resin reflect the concept of language and reflection. This pared-down aesthetic creates connotations of clarity and precision. The structure of the installation and the choice of materials - aluminium and resin - are reminiscent of American minimalism, but at the same time the sensual experience is intensified by the contrast between the coolness of the aluminium and the sometimes delicate pastel shades of the letters. Viewing this sculpture opens up a wide array of associations that are not, however, directly predetermined by the artist. The work enters into an exciting dialogue between language and form. The title suggests something fleeting and ephemeral, while the material and the strict arrangement of the rods represent permanence and stability. The work thus invites the audience to reflect on the contrast between material reality and linguistic immateriality. Only a reading of Stevens' poem reveals the meaning of the words chosen in the work. In brief, ‘Steven’s Bouquet’ creates a meditative space for the viewer through its reduced formal language, the integration of poetry and the exploration of existential themes. The interface between language, art and nature can be experienced here. Horn succeeds in translating Stevens' poem, which uses images of nature to convey abstract thoughts, into a material form. By choosing aluminium and synthetic resin - materials associated with modern technology and industry - she lends the work a timeless quality that embraces both the concrete and the abstract. Bouquet of Roses in Sunlight Say that it is a crude effect, black reds, Pink yellows, orange whites, too much as they are To be anything else in the sunlight of the room, Too much as they are to be changed by metaphor, Too actual, things that in being real Make any imaginings of them lesser things. And yet this effect is a consequence of the way We feel and, therefore, is not real, except In our sense of it, our sense of the fertilest red, Of yellow as first color and of white, In which the sense lies still, as a man lies, Enormous, in a completing of his truth. Our sense of these things changes and they change, Not as in metaphor, but in our sense Of them. So sense exceeds all metaphor. It exceeds the heavy changes of the light. It is like a flow of meanings with no speech And of as many meanings as of men. We are two that use these roses as we are, In seeing them. This is what makes them seem So far beyond the rhetorician’s touch. Wallace Stevens * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- RONI HORN (New York 1955–lebt und arbeitet u.a. in New York) Steven's Bouquet. 1991. Aluminium und Kunstharz, 6-teilig. 1/3. 160 × 120 × 38,5 cm (Installation variabel). Provenienz: - Galerie Jablonka, Köln. - Privatsammlung, in obiger Galerie 1992 erworben. - Auktion Sotheby's, New York, 18.11.1999, Los 102. - Privatsammlung Schweiz, an obiger Auktion erworben. "The object is not the end; what I’m interested in is the experience it provides for – how it incites and animates dialogue". Roni Horn Roni Horn, 1955 in New York geboren, absolviert ihr Designstudium an der Rhode Island School of Design und erlangt später den Master of Fine Arts an der Yale University. Die grosse Vielfalt ihres Œuvres zeigt sich nicht nur in der Wahl der Medien, sondern auch in ihrer inhaltlichen Diversität. Ihre Arbeiten setzen sich intensiv mit Themen wie Identität, Wandel und der Beziehung zwischen Mensch und Natur auseinander. Horn lebt und arbeitet sowohl in New York als auch in Reykjavik – zwei gegensätzliche Umgebungen, die ihre künstlerische Praxis massgeblich prägen. Ihre minimalistischen Werke hinterfragen traditionelle Vorstellungen von Form und Wahrnehmung. Sie verdeutlichen, dass das, was man sieht, nicht immer dem entspricht, was man zu sehen glaubt. In ihren Arbeiten gelingt es Horn, diese Zuordnungen subtil zu durchbrechen und die Dynamik von Veränderlichkeit und Vielfalt sichtbar zu machen. Sie überschreitet dabei die Grenzen zwischen dem Sichtbaren und dem Unsichtbaren. Oft greift sie auf Materialien wie Glas oder leichte Metalle sowie auf Motive wie Wasser oder das Wetter zurück, die von Natur aus vielschichtig und wandelbar sind. Trotz dieser Vielfalt treten in ihrem Werk immer wieder bestimmte Vorlieben auf, insbesondere die Auseinandersetzung mit der Sprache und ihrem kulturellen, sozialen und poetischen Potenzial. Ab den späten 1980er Jahren widmet sich Horn der Dichterin Emily Dickinson und schafft mehrere Werke, die von ihren Gedichten inspiriert sind. Ein Beispiel hierfür ist die Serie der schmalen Aluminiumstangen, in die weisse Buchstaben eingelassen sind und die vertikal an die Wände platziert werden. Das Wort, mit dem sich Horn bereits zuvor auseinandersetzt, wird nun zum zentralen Sujet und Objekt ihrer Kunst. Auch der Dichter Wallace Stevens (1879–1955) zählt zu den wenigen literarischen Figuren, die in ihrem Werk wiederholt aufgegriffen werden. Stevens, ein bedeutender amerikanischer Dichter des 20. Jahrhunderts, ist bekannt für seine komplexen, philosophischen Gedichte, die sich häufig mit der Beziehung zwischen Imagination und Realität befassen. Seine Lyrik zeichnet sich durch formale Eleganz, reiche Bildsprache und philosophische Tiefe aus. Viele seiner Gedichte behandeln Themen wie die Macht der menschlichen Vorstellungskraft, die Natur der Realität und die Rolle der Kunst. Stevens vertritt die Auffassung, dass die menschliche Imagination eine zentrale Rolle dabei spielt, Ordnung und Schönheit im Chaos der Realität zu erschaffen. Das Werk "Steven's Bouquet" von Roni Horn, entstanden im Jahr 1991, ist, wie der Titel bereits andeutet, eine Hommage an den Dichter. Eine minimalistische, jedoch tief symbolische Installation, die auf Stevens Gedicht "Bouquet of Roses in Sunlight", im Oktober 1947 verfasst, Bezug nimmt. Eine dieser auf drei limitierte Auflagenarbeit befindet sich in der Sammlung des Museum of Modern Art in New York. Die Stäbe der Installation sind schlicht und industriell gestaltet, was die formale Strenge unterstreicht. Die in Kunstharz eingefassten Wörter reflektieren den Aspekt der Sprache und der Reflexion. Diese reduzierte Ästhetik weckt Assoziationen von Klarheit und Präzision. Der Aufbau der Installation sowie die Materialwahl aus Aluminium und Harz erinnern an den amerikanischen Minimalismus, doch gleichzeitig wird das sinnliche Empfinden durch den Kontrast zwischen der Kühle des Aluminiums und den teils zarten Pastelltönen der Buchstaben intensiviert. In der Betrachtung dieser Skulptur eröffnet sich ein weitreichendes Spektrum an Assoziationen, die von der Künstlerin jedoch nicht unmittelbar vorgegeben werden. Das Werk tritt in einen spannungsreichen Dialog zwischen Sprache und Form. Der Titel deutet auf etwas Flüchtiges und Vergängliches hin, während das Material und die strenge Anordnung der Stäbe Beständigkeit und Stabilität verkörpern. Somit fordert die Arbeit das Publikum auf, über den Gegensatz zwischen materieller Realität und sprachlicher Immaterialität nachzudenken. Erst die Lektüre von Stevens Gedicht offenbart die Bedeutung der im Werk gewählten Worte. Zusammengefasst schafft "Steven's Bouquet" durch seine reduzierte Formensprache. Mittels der Einbindung von Poesie und über die Auseinandersetzung mit existenziellen Themen einen meditativen Raum für die Betrachtenden. Hier wird die Schnittstelle von Sprache, Kunst und Natur erfahrbar. Horn gelingt es, Stevens Gedicht, das Naturbilder verwendet, um abstrakte Gedanken zu vermitteln, in eine materielle Form zu übersetzen. Durch die Wahl von Aluminium und Kunstharz – Materialien, die mit moderner Technik und Industrie assoziiert werden – verleiht sie dem Werk eine zeitlose Qualität, die sowohl das Konkrete als auch das Abstrakte umschliesst. Bouquet of Roses in Sunlight Say that it is a crude effect, black reds, Pink yellows, orange whites, too much as they are To be anything else in the sunlight of the room, Too much as they are to be changed by metaphor, Too actual, things that in being real Make any imaginings of them lesser things. And yet this effect is a consequence of the way We feel and, therefore, is not real, except In our sense of it, our sense of the fertilest red, Of yellow as first color and of white, In which the sense lies still, as a man lies, Enormous, in a completing of his truth. Our sense of these things changes and they change, Not as in metaphor, but in our sense Of them. So sense exceeds all metaphor. It exceeds the heavy changes of the light. It is like a flow of meanings with no speech And of as many meanings as of men. We are two that use these roses as we are, In seeing them. This is what makes them seem So far beyond the rhetorician’s touch. Wallace Stevens Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.
Roni Horn (b.1955) Untitled (To Nest) Digital pigment print in colours, 2001, signed, dated, and numbered in pencil verso, from the edition of 100, published by Counter Editions, London, on Arches paper, with full margins, sheet 400 x 610mm (16 x 21in)
11" long by 3 1/4" in diameter. Richard Vernon Greeves (Born 1935) is active/lives in Wyoming, Missouri. Richard Greeves is known for Indian figure sculpture. A sculptor of monumental bronze Indian figures, Richard Greeves was born and grew up in an Italian neighborhood in St. Louis, where he lived in his words, a "Huck Finn childhood." Many of his neighbors were handy with tools, and they influenced his love of building and creating. At age 15, he met an Indian girl whom he visited on the Wind River Reservation in Wyoming, and he later moved there and purchased the local trading post which became his home and studio. With one third of an acre enclosed and 26-foot high ceilings, he has plenty of room to work. Greeves is winner of the James Earle Fraser Award for Outstanding Artistic Merit at the National Cowboy & Western Heritage Museum in 2000, and his monuments to Chief Washakie and Crazy Horse reside in the gardens at the Buffalo Bill Historical Center. For the courtyard of the Buffalo Bill Historical Center in Cody, he sculpted a monument of Indian figures 1 and 1/2 times life-size.
Contemporary print by Roni Horn (b.1955). Signed. Framed. Measuring 16 by 20 inches overall and 14.5 by 18.5 print alone. Please see all images for condition. Size is measured and written on the back of the painting. The first size is the overall size, the second size is the image size. For detailed condition questions please text 617-835-2496
RONI HORN (1955- ) Piece (I). Photograph in five parts. Iris prints, four images measuring 559x740 mm; 22x29⅛ inches, and one slightly smaller, the first one with Horn's signature, title, date, edition notation 5/5, and print order notation #1 of 5 in pencil, the other four consecutively numbered "#[2-5] of 5," also in pencil, on verso. 1998. Provenance: Rafaella Cortese Gallery, Milano, Italy; to the Present Owner.
Roni Horn Lava Fields of Iceland 1992 letterpress 18.25 h x 24.375 w in (46 x 62 cm) Signed, titled, dated and numbered to lower edge 'Lava Fields of Iceland 1992 # 30/100 Roni Horn'. This work is number 30 from the edition of 100 published by the artist. This work will ship from Chicago, Illinois.
Roni Horn Begin with Palm Trees 1993 gouache, watercolor, gum arabic on paper 8 h x 10 w in (20 x 25 cm) Signed and inscribed to verso 'Roni Horn RH740'. Provenance: Xavier Hufkens, Brussels | Matthew Marks Gallery, New York | Important Philadelphia Estate This work will ship from Lambertville, New Jersey.
HORN, RONI 1955 NEW YORK Title: From: You Are The Weather (for Parkett 54). Date: 1998. Technique: Colour silkscreen. Arches Measurement: 50,5 x 60,5cm. Notation: Signed and numbered. Publisher: Parkett-Verlag, Zurich (publisher). Number: 2/60. Frame/Pedestal: Framed. Condition: Sheet minimally wavy due to mounting. Otherwise the work is in very good condition. Not examined out of the frame. With Parkett magazine. "Horn is fascinated by Hitchcock's attraction to women and the cinematic consequences of his lack of satisfaction; by Kafka's hatred of fur, teeth, children, flowers, meat, and heavy furniture as a reflection of his introverted sensuality; by Dickinson's reclusiveness and the passion that seemed to be reserved exclusively for the mundane world that surrounded her; by Pasolini's and Polanski's raw sensuality. Horn knows that sexuality crystallizes on the circumference of one's being and that it is symptomatic of the center of human existence. Thus Horn asserts her place in the world by introducing her pathology into the pure geometry of the ideal world." Jerry Gorovoy, Parkett No. 54, 1998/99. Article on the work and artist from Parkett edition no. 54. Explanations to the Catalogue
Roni Horn (b.1955) Roni Horn (b.1955) Two first edition volumes, including: DOUBT BOX , 2006. First edition of 1,000, Book IX from Horn's 'To Place' series, black linen clamshell box with shadow black stamped title on upper cover, housing 56 four-color photo-illustrated cards, taken in Iceland between 1990-2002. Germany: Steidl, 2006. YOU ARE THE WEATHER, 1997. First Edition, hardback, photo-illustrated paper boards, 128pp., with 100 photographs that comprise Horn's series of portraits of Margaret in Iceland's geothermal pools. Zurich: Scalo, 1997. Literature: Parr & Badger, The Photobook: A History, vol.II, p.164 [Doubt Box]
Roni Horn The Blind Leading the Blind (from the Hack-Wit series) 2014 offset lithograph in colors image: 12.125 h x 8.25 w in (31 x 21 cm) sheet: 14 h x 9.5 w in (36 x 24 cm) Signed, dated and numbered to lower edge 'Roni Horn 2014 ed. 60/110'. This work is number 60 from the edition of 110 published by the artist. Sold with original envelope. This work will ship from Chicago, Illinois.
RONI HORN (né en 1955) Clownmirror # 4 2001 Signé au dos. C-print. Diptyque. Edition 2/7. Achteraan getekend. C-Print. Dyptiek. Editie 2/7. Signed on the reverse. C-print. Diptych. Edition 2/7. 76,2 x 76,2 cm (chaque élement)
Roni Horn Index Cixous: CIX Pax 2005 c-print, bound book 5.128 h x 7.5 w in (13 x 19 cm) Signed and numbered to lower left of photograph 'Roni Horn 44/100'. Signed and numbered to cover page 'Roni Horn 44/100'. This work is number 44 from the edition of 100. Sold with additional photograph illustrating collaborator and writer, Helene Cixous. This work will ship from Lambertville, New Jersey.
Roni Horn Island: To Place: Bluff Life, Folds, Verne's Journey, and Haralsdottir (four works from the Island series) 1990-96 bound printed paper 10.5 h x 8.5 w x .5 d in (27 x 22 x 1 cm) Lot includes To Place: Bluff Life published in an edition of 1000 by Peter Blum Editions, New York, To Place: Folds published in an edition of 700 by Mary Boone Gallery, New York, To Place: Verne's Journey published in an edition of 1000 by Verlag der Buchhandlung Walther Konig, Koln, and To Place: Haralsdottir published in an edition of 1100 by Ginny Williams. This work will ship from Chicago, Illinois.
Roni Horn Angie and Emily Dickinson 2005 inkjet print on paper 9.25 h × 7.625 w in (23 × 19 cm) Signed and numbered to lower right 'Roni Horn 46/50'. Inscribed to lower left 'For Matthew and Jack and 2006 best'. This work is number 46 from the edition of 50. This work will ship from Rago in Lambertville, New Jersey.
Roni Horn To Place: Lava 1992 gelatin silver print, bound book photograph: 9.875 h × 8 w in (25 × 20 cm) book: 10.5 h × 8.5 w in (27 × 22 cm) Lot is comprised of one book and one photograph; two pieces total. Signed and numbered to end page 'Roni Horn 51/100'. Signed and numbered to verso 'Roni Horn 51/100'. This work is number 51 from the edition of 100 signed and numbered copies, from a total edition of 750 published by the artist. This work will ship from Rago in Lambertville, New Jersey.
Roni Horn Index Cixous: CIX Pax 2005 c-print, bound book photograph: 5.128 h × 7.5 w in (13 × 19 cm) book: 8 h × 5.625 w in (20 × 14 cm) Signed and numbered to cover page 'Roni Horn 44/100'. Signed and numbered to lower left of photograph 'Roni Horn 44/100'. This work is number 44 from the edition of 100. Sold with additional photograph illustrating collaborator and writer, Helene Cixous. This work will ship from Rago in Lambertville, New Jersey.
Roni Horn If on a Winter's Night... 1974 / 2004 inkjet print on paper 10.75 h × 8 w in (27 × 20 cm) Inscribed to upper center 'Long title'. Signed, dated, numbered and inscribed to lower edge 'For Matt and Jack for 2004 Roni 22/33'. This work is number 22 from the edition of 33. This work will ship from Rago in Lambertville, New Jersey.
Roni Horn Untitled 1982 pigment and wash on paper 5 h × 3.875 w in (13 × 10 cm) Signed to lower left 'RH'. This work will ship from Rago in Lambertville, New Jersey.
Roni Horn Untitled 2003 c-print mounted to acrylic image: 30 h × 30.5 w in (76 × 77 cm) sheet: 33 h × 33.5 w in (84 × 85 cm) This work is from the edition of 13. Provenance: Matthew Marks Gallery, New York | Private Collection This work will ship from Wright in Chicago, Illinois.
