James Dickson Innes Paintings & Artwork for Sale | James Dickson Innes Art Value Price Guide

Jul. 07, 2026
JAMES DICKSON INNES (BRITISH 1887-1914), PALM TREES AT COLLIOURE
Est: £15,000 - £25,000
JAMES DICKSON INNES (BRITISH 1887-1914)PALM TREES AT COLLIOUREOil on canvasSigned and dated 1911 (lower right)37.5 x 46cm (14¾ x 18in.)Provenance:John Quinn EsqExhibited:New York, The Armory Show, 17 February - 15 March 1913Sheffield, Graves Art Gallery, Swansea, Glyn Vivien Art Gallery, Aberystwyth, National Library of Wales, J. D. Innes (1887-1914), March - May 1961, no. 46James Dickson Innes (1887-1914) was one of the most gifted and original British painters of the early twentieth century. Although his career was tragically short, ending with his death from tuberculosis at the age of twenty-seven, he produced a remarkable body of work that helped bridge British landscape painting and European modernism. Among the most significant influences on his artistic development, after his beloved Snowdonia in North Wales, were his visits to the small Mediterranean town of Collioure in southern France.Born in Llanelli, Wales, Innes studied at the Slade School of Fine Art in London, where he met and became life-long friends and painting companions with Derwent Lees and Augustus John. His early work reflected a strong interest in landscape and was influenced by the tonal traditions of British painting. However, his travels in France exposed him to new artistic ideas and transformed his approach to colour and composition.Collioure, situated on the French coast near the Spanish border, had already achieved artistic fame through its association with the Fauvist painters Henri Matisse and André Derain. Drawn by its brilliant Mediterranean light, colourful buildings, and picturesque harbour, Innes visited the town on several occasions between 1908 and 1913. The experience proved crucial to his artistic evolution.The intense sunlight and vivid colours of Collioure encouraged Innes to abandon the restrained palette that had characterised much of his earlier work. Instead, he began to experiment with stronger contrasts and more expressive uses of colour. His paintings from this period are notable for their luminous blues, greens, pinks, and oranges, capturing the dazzling atmosphere of the Mediterranean landscape. While he never fully adopted the Fauvist style, the influence of French modernism is clearly visible in his increasingly bold and simplified compositions.Many of Innes's finest paintings were inspired by Collioure and its surroundings. Rather than aiming for precise topographical accuracy, he sought to convey the emotional and visual impact of the place. His brushwork became freer and more spontaneous, reflecting his growing confidence as an artist.The visits to Collioure also provided Innes with an escape from the health problems that increasingly affected his life. The warmer climate was believed to benefit sufferers of tuberculosis, and the relaxed atmosphere of the Mediterranean coast offered respite from the unpredictable Welsh climate and the pressures of London. The sense of freedom and vitality found in his Collioure paintings contrasts poignantly with the knowledge that his health was steadily deteriorating and John Fothergill, a personal friend and contemporary reminisced thatAt best he was a lone star. He seems to have followed no one and no one followed him, though he had an effect upon Augustus John's landscape and still more upon Derwent Lees. Being unable to adopt a recognised style he had to make one of his own, and, impelled by the knowledge that he hadn't long to live, he was in a hurry. Earlier he had worked he had worked with the same charming leisure with which he walked and talked, but latterly, I was told he angrily regretted all that works as wasted time and began to paint at top speed. In much of his work he used oils as if they were watercolours, and in order to relieve the leaden effect, he invented, for I do not know of a precedent, a method of super-imposing corse washes and spots of another colour, without material significance, as a means of giving life and sparkle. For bright colour he is, I think, supreme amongst English landscape painters. One day there may come a kindred soul able to see the end that this extraordinary and independent young man has pointed and get nearer to it.(L. Browse, James Dickson Innes, London, 1946. P.12).The present lot was purchased from the artist by the finance lawyer and hugely influential American collector, John Quinn (1870-1924). Initially Quinn collected books and prints but on a trip to Europe in 1909 he met Augustus John who introduced him to avant garde French painting. The following year Roger Fry's Manet and the Post-Impressionists Exhibition of 1910 at the Grafton Galleries in London further ignited his newfound passion and he started to search out works by Cezanne, Van Gogh, Gauguin with dealers such as Amboise Vollard in Paris.Between 1911 and his death in 1924, Quinn assembled a collection of around 2,500 paintings, works on paper, and sculptures by more than 150 European and American artists which he proudly displayed in his New York apartment.In 1912, Quinn learnt of the plan, through his friend and Art Critic, Frederick James Gregg, for the International Exhibition of Modern Art in New York to be held the following year. He became counsel for the show, successfully lobbying for revisions to the import tariffs levied on modern art coming from Europe and also leant a number of pieces to the show, including the present lot. This exhibition quickly became abbreviated to the Armory Show (due to its location) and is possibly one of the most influential exhibitions to be held in the USA in the Twentieth Century, marking a watershed moment in the psyche of American artistic output.
Dreweatts 1759 Fine Sales
Jul. 07, 2026
JAMES DICKSON INNES (BRITISH 1887-1914), FROM COLLIOURE
Est: £7,000 - £10,000
JAMES DICKSON INNES (BRITISH 1887-1914)FROM COLLIOUREOil on board15.5 x 18.5cm (6 x 7¼in.)Provenance:Roland, Browse and Delbanco, LondonExhibited:Southampton, Southampton Art Gallery, 10 September - 23 October 1977, Cardiff, National Museum of Wales, 5 November - 4 December 1977, London, Fine Art Society, 12 December - 13 January 1978, Manchester, City Art Gallery, 3 March - 2 April 1978, James Dickson Innes, no. 104Literature:John Fothergill and Lillian Browse, James Dickson Innes, 1946, pp. 11, 67, pl. 39John Hoole, James Dickson Innes 1887-1914, 1977, no. 104James Dickson Innes (1887-1914) was one of the most gifted and original British painters of the early twentieth century. Although his career was tragically short, ending with his death from tuberculosis at the age of twenty-seven, he produced a remarkable body of work that helped bridge British landscape painting and European modernism. Among the most significant influences on his artistic development, after his beloved Snowdonia in North Wales, were his visits to the small Mediterranean town of Collioure in southern France.Born in Llanelli, Wales, Innes studied at the Slade School of Fine Art in London, where he met and became life-long friends and painting companions with Derwent Lees and Augustus John. His early work reflected a strong interest in landscape and was influenced by the tonal traditions of British painting. However, his travels in France exposed him to new artistic ideas and transformed his approach to colour and composition.Collioure, situated on the French coast near the Spanish border, had already achieved artistic fame through its association with the Fauvist painters Henri Matisse and André Derain. Drawn by its brilliant Mediterranean light, colourful buildings, and picturesque harbour, Innes visited the town on several occasions between 1908 and 1913. The experience proved crucial to his artistic evolution.The intense sunlight and vivid colours of Collioure encouraged Innes to abandon the restrained palette that had characterised much of his earlier work. Instead, he began to experiment with stronger contrasts and more expressive uses of colour. His paintings from this period are notable for their luminous blues, greens, pinks, and oranges, capturing the dazzling atmosphere of the Mediterranean landscape. While he never fully adopted the Fauvist style, the influence of French modernism is clearly visible in his increasingly bold and simplified compositions.Many of Innes's finest paintings were inspired by Collioure and its surroundings. Rather than aiming for precise topographical accuracy, he sought to convey the emotional and visual impact of the place. His brushwork became freer and more spontaneous, reflecting his growing confidence as an artist.The visits to Collioure also provided Innes with an escape from the health problems that increasingly affected his life. The warmer climate was believed to benefit sufferers of tuberculosis, and the relaxed atmosphere of the Mediterranean coast offered respite from the unpredictable Welsh climate and the pressures of London. The sense of freedom and vitality found in his Collioure paintings contrasts poignantly with the knowledge that his health was steadily deteriorating and John Fothergill, a personal friend and contemporary reminisced thatAt best he was a lone star. He seems to have followed no one and no one followed him, though he had an effect upon Augustus John's landscape and still more upon Derwent Lees. Being unable to adopt a recognised style he had to make one of his own, and, impelled by the knowledge that he hadn't long to live, he was in a hurry. Earlier he had worked he had worked with the same charming leisure with which he walked and talked, but latterly, I was told he angrily regretted all that works as wasted time and began to paint at top speed. In much of his work he used oils as if they were watercolours, and in order to relieve the leaden effect, he invented, for I do not know of a precedent, a method of super-imposing corse washes and spots of another colour, without material significance, as a means of giving life and sparkle. For bright colour he is, I think, supreme amongst English landscape painters. One day there may come a kindred soul able to see the end that this extraordinary and independent young man has pointed and get nearer to it. (L. Browse, James Dickson Innes, London, 1946. P.12).
Dreweatts 1759 Fine Sales
Mar. 21, 2026
James Dickson Innes (Welsh, 1887-1914) Vista with Lake and Town, Watercolor on paper, Signed J. D. Innes and dated 1911 lower right, Sight-10" x 14", Framed-15" x 18"
Est: $200 - $300
James Dickson Innes (Welsh, 1887-1914) Vista with Lake and Town, Watercolor on paper, Signed J. D. Innes and dated 1911 lower right, Sight-10" x 14", Framed-15" x 18"
Auction Gallery of the Palm Beaches
Feb. 11, 2026
JAMES DICKSON INNES (WELSH 1887-1914)
Est: £200 - £300
JAMES DICKSON INNES (WELSH 1887-1914) BOZOULS, FRANCE signed and dated J D Innes '09 lower right; pen and sepia wash on paper; 32 x 50cm; 12 1/2 x 19 3/4in (53 x 70cm; 20 3/4 x 27 1/2in framed) Provenance: Lady Beatrice Thynne; Major P.E.C. Harris (1948); Thomas Agnew & Sons, London; Entwistle, London Executed in Bozouls in the Occitanie to the north west of Montpellier in France on one of Innes' regular excursions south. As Innes describes, Bozouls sits on the edge of an impressive canyon carved out of the rock over millenia by the river Dordou de Conques that snakes around the church of Saint Fauste. Born in Wales, Innes was educated at Christ College, Brecon and then Camarthen School of Art from where he was awarded a scholarship to the Slade, London. Diagnosed with consumption, he sought out drier, warmer climes. Between 1908 and 1913 he spent time in Collioure and Spain with Derwent Lees and in Marseille with fellow Welshman Augustus John (see lot 152), before settling in Morocco with Trelawnay Dayrell-Reed, but found no respite for his failing health and died a year later.
Olympia Auctions
Sep. 29, 2025
James Dickson Innes (British 1887-1914)
Est: £100 - £300
Riding down a country lane, signed lower right 'Innes', pastel on paper.
Mallams
Jun. 04, 2024
JAMES DICKSON INNES (BRITISH 1887-1914), LANDSCAPE, SOUTH OF FRANCE
Est: £10,000 - £15,000
JAMES DICKSON INNES (BRITISH 1887-1914) LANDSCAPE, SOUTH OF FRANCEOil on panel30 x 40cm (11¾ x 15½ in.)Painted circa 1912. Provenance:Roland Browse & Delbanco, LondonThomas Agnew & Sons Ltd., London Guy Morrison, LondonAcquired from the above by the family of the present owners, 13th March 1986Exhibited:Southampton, City Art Gallery, James Dickson Innes, September-October 1977, no. 98
Dreweatts 1759 Fine Sales
Mar. 27, 2024
Sir Jacob Epstein (British, 1880-1959) Second Portrait of Euphemia Lamb (half-length) 52.5cm (20 11/16in) high (Conceived in 1911)
Est: £4,000 - £6,000
Sir Jacob Epstein (British, 1880-1959) Second Portrait of Euphemia Lamb (half-length) bronze with a green patina 52.5cm (20 11/16in) high Conceived in 1911
Bonhams
Mar. 27, 2024
James Dickson Innes (British, 1887-1914) The Lone Tree (Painted circa 1911)
Est: £1,000 - £1,500
James Dickson Innes (British, 1887-1914) The Lone Tree watercolour, pencil and pen and ink on paper 25 x 35.5cm (9 13/16 x 14in). Painted circa 1911
Bonhams
Mar. 27, 2024
James Dickson Innes (British, 1887-1914) Canigou from Collioure, Sunset (Painted circa 1912)
Est: £1,000 - £1,500
James Dickson Innes (British, 1887-1914) Canigou from Collioure, Sunset watercolour and pencil on paper 24.5 x 34.5cm (9 5/8 x 13 9/16in). Painted circa 1912
Bonhams
Nov. 22, 2023
James Dickson Innes (British, 1887-1914) Football Match at Collioure 28.4 x 38.2 cm. (11 1/8 x 15 in.)
Est: £8,000 - £12,000
James Dickson Innes (British, 1887-1914) Football Match at Collioure signed 'J D Innes' and indistinctly dated (lower right) oil on canvas 28.4 x 38.2 cm. (11 1/8 x 15 in.)
Bonhams
Apr. 21, 2023
Attributed to James Dickson Innes
Est: $6,000 - $9,000
(British, 1887-1914) Mountain Landscape with Lake, Wales, unsigned, circa 1911, oil on artist board, 10-3/4 x 15-1/4 in.; parcel gilt and painted frame, 16-1/2 x 21-3/4 in. Provenance: Estate of Charles Townsend Ludington, Sr., Ardmore, Pennsylvania; Estate of Charles Townsend Ludington, Jr., Chapel Hill, North Carolina
Brunk Auctions
Mar. 14, 2023
James Dickson Innes, British 1887-1914 - The Land's End, Cornwall, 1909; oil on canvas, signed
Est: £4,000 - £6,000
James Dickson Innes, British 1887-1914 - The Land's End, Cornwall, 1909; oil on canvas, signed lower right 'Innes' and signed and titled on the reverse 'J. D. Innes The Land's End Cornwall', 31 x 41.4 cm Note: with thanks to John Hoole for his assistance with the cataloguing of this work. This early work was made in Cornwall, when the artist was working his way towards his own take on the British landscape. In this impressionist inspired scene, one can see hints in how the yellow and orange fall on the cliffs of the unique handling of colour that would define his mature works. At the time the painting was made, the artist was in Cornwall following a breakdown in 1908 that had led him to leave his teaching position at the Slade and was recovering away from London and his art school friends, hoping to build up his strength, in terms of his health and also his chosen career. The work shows his ease and naturalness in painting the landscape, but demonstrates a young artist anxious to find his own voice. Visits to Collioure and later North Wales with his friend Augustus John would lead him to create some of the most awe-inspiring early-Modern paintings in Britain. Works by the artist are in the collections of the Tate, the Yale Centre for British Art and the National Museum of Wales.
Roseberys
Nov. 23, 2022
James Dickson Innes (British, 1887-1914) Merioneth
Est: £800 - £1,200
James Dickson Innes (British, 1887-1914) Merioneth watercolour and pencil on paper 11.5 x 34cm (4 1/2 x 13 3/8in).
Bonhams
Mar. 08, 2022
Derwent Lees (Australian, 1885-1931), Cassis, ink and watercolour, 24 x 33cm
Est: £300 - £500
Derwent Lees (Australian, 1885-1931) Cassis ink and watercolour
Gorringes
Nov. 21, 2019
James Dickson Innes (1887-1914) - Crucifixion
Est: £3,000 - £5,000
James Dickson Innes (1887-1914) Crucifixion oil on canvas 20 1/8 x 16 ¼ in. (51.2 x 41.3 cm.)
Christie's
Jun. 11, 2019
James Dickson Innes NEAC, British 1887-1914- Collioure; oil on panel, signed, 26.5x35.5cm Pro
Est: £10,000 - £15,000
James Dickson Innes NEAC, British 1887-1914- Collioure; oil on panel, signed, 26.5x35.5cm Provenance: Wilfrid Evill; Miss Honor Frost; the Redfern Gallery, London (partial label attached to the reverse of the frame); Sotheby's, London, 19 November 1980, lot 168; private collection; Christie's London, 4 June 2004, lot 57; Agnew's Gallery, London (label attached to the reverse of the frame); the Redfern Gallery, London; private collection, London; thence by descent Exhibited: Brighton Art Gallery and Museum, 'The Wilfrid Evill Memorial Exhibition 1965', cat no. 70 (label attached to the reverse of the frame) Note: Born in Wales, James Dickson Innes is best known for his expressive paintings of mountains and remote landscapes. He trained at the Slade School under Philip Wilson Steer, exhibited with the New English Art Club, and was a member of the Camden Town Group. Augustus John was a particular friend of his, and he had a two-man exhibition at the Chenil Gallery, London with the sculptor Eric Gill. Innes visited Collioure on the Mediterranean coast of France near the Spanish border three times, first in 1908 with fellow artist John Fothergill. Drawn initially by the heat and location, Innes became enamoured with the vibrant colours and light and painted the picturesque harbour several times. He returned twice more in 1910 and 1912-13. In an ornate carved wooden frame with plexiglass covering the reverse of the panel. Please refer to department for condition report
Roseberys
Apr. 16, 2019
JAMES DICKSON INNES (1887-1914)
Est: £2,000 - £3,000
JAMES DICKSON INNES (1887-1914) The Lake pencil and oil on board 9 x 12 1/2 in. (22.9 x 31.8 cm.) Provenance: Wyndham T. Vint. Anonymous sale; Christie's, South Kensington, 7 October 2008, lot 20, where purchased by the present owner. Artist's Resale Right may apply on this lot.
Chiswick Auctions
Mar. 28, 2018
JAMES DICKSON INNES (1887-1914)
Est: £3,000 - £5,000
OPEN LANDSCAPE WITH ROCKS oil on panel 32.5 x 40.5cm Provenance: Euphemia Lamb; thence by descent Innes was only twenty seven years old when he succumbed to tuberculosis in August 1914. In his short life he had nevertheless already gained a reputation as one of the most important and original British landscape painters of the pre-war years, in a style that strongly responded to the work of the Post Impressionists. The best of these works include a series of visionary landscapes of the Arenig valley in North Wales many painted with?Augustus John in 1911 and 1912. The present work has also been identified as a Welsh subject and probably dates from the same period. A recent retrospective of Innes's work was held at the National Museum of Wales in 2014.
Olympia Auctions
Nov. 23, 2016
JAMES DICKSON INNES | The New Moon (near Port Vendres)
Est: £12,000 - £18,000
oil on panel
Sotheby's
Nov. 22, 2016
James Dickson Innes (British 1887-1914)/The Gull Rock, near Zennor/signed and dated 1909/oil on canvas, 35cm x 48cm
Est: £2,000 - £3,000
James Dickson Innes (British 1887-1914)/The Gull Rock, near Zennor/signed and dated 1909/oil on canvas, 35cm x 48cm
Chorley's
Nov. 22, 2016
James Dickson Innes (British 1887-1914)/Tan-y-Griseau:The Green Dress (Arenig)/oil on wood panel, 29.75cm x 39.25cm/Provenance: M V B Hill Esq. and thence by descent/Exhibited: XIX Biennale Internazionale d' Arte, 1934/The Last Fifty years in British art 1900-1950;The English Speaking Union of the United States 195/Graves Art Gallery, Sheffield, March 1961, No 31/ Southampton Art Gallery, 10th Sept-23 Oct, 1978, No 92/ Some Miraculous Promised Land: J.D.Innes, Augustus John/and Derwent Lees in North Wales 1910-13, Mostyn Art Gallery, Llandudno, 1982/see illustration/Note: By family tradition the figure in this painting was added by Augustus John. James Dickson Innes and Augustus John were painting together in North Wales crca 1910-1912; the period is described in the BBC documentary 'The Mountain That Had to be Painted' (2013). We have been unable to confirm the accuracy of this story, however the figure certainly shows the influence of John and its position within the landscape lends the painting a surreal air.
Est: £6,000 - £8,000
James Dickson Innes (British 1887-1914)/Tan-y-Griseau:The Green Dress (Arenig)/oil on wood panel, 29.75cm x 39.25cm/Provenance: M V B Hill Esq. and thence by descent/Exhibited: XIX Biennale Internazionale d' Arte, 1934/The Last Fifty years in British art 1900-1950;The English Speaking Union of the United States 195/Graves Art Gallery, Sheffield, March 1961, No 31/ Southampton Art Gallery, 10th Sept-23 Oct, 1978, No 92/ Some Miraculous Promised Land: J.D.Innes, Augustus John/and Derwent Lees in North Wales 1910-13, Mostyn Art Gallery, Llandudno, 1982/see illustration/Note: By family tradition the figure in this painting was added by Augustus John. James Dickson Innes and Augustus John were painting together in North Wales crca 1910-1912; the period is described in the BBC documentary 'The Mountain That Had to be Painted' (2013). We have been unable to confirm the accuracy of this story, however the figure certainly shows the influence of John and its position within the landscape lends the painting a surreal air.
Chorley's
Mar. 22, 2016
James Dickson Innes (British 1887-1914)/Chepstow Castle/watercolour, 25cm x 36cm
Est: £200 - £300
James Dickson Innes (British 1887-1914)/Chepstow Castle/watercolour, 25cm x 36cm
Chorley's
Feb. 24, 2015
William Henry Innes (1905-1999) - Path to the church, with distant landscape beyond Coloured chalks on grey coloured paper Signed lower right 51 x 61 cm. (20 x 24 in)
Est: £800 - £1,200
William Henry Innes (1905-1999) - Path to the church, with distant landscape beyond Coloured chalks on grey coloured paper Signed lower right 51 x 61 cm. (20 x 24 in) Please note, the present work is by William Henry Innes (1905-1999), not James Dickson Innes (1887-1914) as described in the printed catalogue.
Dreweatts 1759
Dec. 12, 2013
James Dickson Innes (British, 1887-1914) Coastal
Est: £300 - £500
James Dickson Innes (British, 1887-1914) Coastal landscape, 1907 signed and dated (lower left) watercolour and body colour 27 x 38cm.
Mallams
Nov. 07, 2012
Attributed to James Dickson Innes (British, 1887-
Est: £60 - £80
Attributed to James Dickson Innes (British, 1887- 1914): Seagulls flying over waves with a boat beyond, watercolour, signed lower right and dated 1899, possibly an early work by the artist H 17 x W 27 cm
Boningtons
Jul. 12, 2012
James Dickson Innes (1887-1914)
Est: £3,000 - £5,000
James Dickson Innes (1887-1914) Highland Loch oil on board 8½ x 10½ in. (21.6 x 26.7 cm.)
Christie's
Jan. 10, 2012
James Dickson Innes (1887-1914)
Est: £600 - £800
James Dickson Innes (1887-1914) Seascape signed 'J D Innes' (lower right) pencil and watercolour 9½ x 13½ in. (24.2 x 34.4 cm.)
Christie's
Oct. 25, 2011
James Dickson Innes (1887-1914)
Est: £300 - £500
James Dickson Innes (1887-1914) Landscape with mountains pen and brown ink 9½ x 13½ in. (24.1 x 34.3 cm.)
Christie's
Oct. 25, 2011
James Dickson Innes (1887-1914)
Est: £600 - £800
James Dickson Innes (1887-1914) Tintern Abbey signed and inscribed 'Tintern Abbey J.D. Innes' (lower left) pencil, pen and brown ink and watercolour 10½ x 15 in. (26.7 x 38.1 cm.)
Christie's
May. 27, 2010
James Dickson Innes (1887-1914)
Est: £12,000 - £18,000
James Dickson Innes (1887-1914) Sea at Sunset signed and dated 'J.D. Innes/1913' (lower right) oil on panel 11¾ x 16 in. (30.2 x 40.8 cm.)
Christie's
Jul. 15, 2009
James Dickson Innes (1887-1914)
Est: £1,000 - £1,500
James Dickson Innes (1887-1914) Welsh landscape signed with initials and dated 'JDI 1911' (lower right) pencil and watercolour 10 x 14 in. (25.4 x 35.6 cm.)
Christie's
Dec. 10, 2008
James Dickson Innes , 1887-1914 Collioure from the Hill oil on panel
Est: £15,000 - £20,000
signed twice and dated 1911 ; also signed with initials and dated oil on panel
Sotheby's
Oct. 07, 2008
James Dickson Innes (1887-1914)
Est: £1,000 - £1,500
James Dickson Innes (1887-1914) Tintern Abbey signed and inscribed 'Tintern Abbey J.D. Innes' (lower left) pencil, ink and watercolour 10½ x 15 in. (26.7 x 38.1 cm.)
Christie's
Oct. 07, 2008
James Dickson Innes (1887-1914)
Est: £1,000 - £1,500
James Dickson Innes (1887-1914) Seascape signed 'J D Innes' (lower right) pencil and watercolour 9½ x 13½ in. (24.2 x 34.4 cm.)
Christie's
Oct. 07, 2008
James Dickson Innes (1887-1914)
Est: £2,500 - £3,500
James Dickson Innes (1887-1914) The Lake pencil and oil on board 9 x 12½ in. (22.9 x 31.8 cm.)
Christie's
Sep. 02, 2008
James Dickson Innes (1887-1914)
Est: £500 - £800
James Dickson Innes (1887-1914) Extensive river landscape pencil, pen and brown ink and blue wash 8½ x 12 in. (21.6 x 30.5 cm.)
Christie's
Jul. 08, 2008
Mussel gatherers
Est: £300 - £500
James Dickson Innes (1887-1914) Mussel gatherers pencil, pen and black ink and grey wash 9 x 12 in. (22.8 x 30.5 cm.)
Christie's
Jul. 08, 2008
Landscape with mountains
Est: £300 - £500
James Dickson Innes, N.E.A.C. (1887-1914) Landscape with mountains pen and brown ink 9½ x 13½ in. (24.1 x 34.3 cm.)
Christie's
Nov. 16, 2007
Valley with Arenig on the left
Est: £15,000 - £20,000
James Dickson Innes (1887-1914) Valley with Arenig on the left oil on panel 9 x 13 in. (22.9 x 33 cm.)
Christie's
Nov. 16, 2007
Mount Arenig, North Wales
Est: £15,000 - £20,000
James Dickson Innes (1887-1914) Mount Arenig, North Wales oil on canvas 13¼ x 17¼ in. (33.6 x 43.8 cm.)
Christie's
Nov. 16, 2007
Open landscape with rocks
Est: £6,000 - £8,000
James Dickson Innes (1887-1914) Open landscape with rocks oil on panel 12¾ x 16 in. (32.5 x 40.7 cm.)
Christie's
Jun. 13, 2007
James Dickson Innes
Est: £400 - £600
"Welsh Mountains", bear old labels verso, watercolour, 21 x 34cm (8 1/4 x 13 3/8in).
Bonhams
Mar. 01, 2007
JAMES DICKSON INNES, 1887-1914
Est: £1,000 - £1,500
THE BEACH, ST IVES, CORNWALL 26x36cm.; 10¼x14in. signed, inscribed St Ives and dated 1909 watercolour EXHIBITED London, Royal Institute of Painters in Watercolours
Sotheby's
Feb. 28, 2007
Welsh landscape
Est: £2,000 - £3,000
James Dickson Innes (1887-1914) Welsh landscape oil on panel 11 x 19 in. (27.9 x 48.3 cm.)
Christie's
Dec. 11, 2006
JAMES DICKSON INNES 1887-1914
Est: £6,000 - £8,000
WELSH MOUNTAINS 23 by 33cm., 9 by 13in. signed oil on panel PROVENANCE Thos. Agnew & Sons, London Redfern Gallery, London F.A.Girling, Lawford, by March 1961 EXHIBITED Sheffield, Graves Art Gallery, J.D. Innes, March 1961, no.26. NOTE Painted circa 1911-12. Augustus John later remembered that his friend and some-time painting companion 'was never happier than when painting in this district'.
Sotheby's
Nov. 17, 2006
James Dickson Innes (1887-1914)
Est: £7,000 - £10,000
A rocky cove oil on panel 12 3/4 x 16 in. (32.4 x 40.6 cm.) Painted circa 1910-12.
Christie's
Nov. 17, 2006
James Dickson Innes (1887-1914)
Est: £8,000 - £12,000
Mountains and Lake, Wales signed with initials 'J.D.I.' (lower right) oil on panel 9 x 13 in. (22.8 x 33 cm.) Painted circa 1912-13.
Christie's
Nov. 17, 2006
James Dickson Innes (1887-1914)
Est: £10,000 - £15,000
Mountain with small meandering stream oil on canvas 14 x 18 in. (35.5 x 45.7 cm.) Painted circa 1912-13.
Christie's