Geraldine Javier Paintings & Artwork for Sale | Geraldine Javier Art Value Price Guide

Jul. 25, 2026
Geraldine Javier (b. 1970)
Est: ₱50,000 - ₱65,000
Chair 2021 GAC 900, hand-painted acrylic on chair H: 40 1/4” (102 cm) L: 19 1/2” (50 cm) W: 18 1/2” (47 cm) Presenting her recurrent themes in art, which revolve around the relationship between nature, memory, transformation, and the fragility of life, Geraldine Javier used the image of flowers as more than decorative designs on an ergonomic chair, representing their symbolism as a metaphor for life’s beauty and impermanence. Her depiction of botanical imagery, restrained composition, and vibrant color essentially transforms the ordinary object into a visual masterpiece. Turning the ordinary chair into fantastic masterpieces that reflect artistic reflections of growth, resilience, and the continuous interplay between life and death. (MarkJohn Castañeda). Accompanied by a certificate issued by APHRO confirming the authenticity of this lot
Leon Gallery
May. 24, 2026
GERALDINE JAVIER | Four seasons
Est: S$8,000 - S$10,000
GERALDINE JAVIER Philippines, b.1970 Four seasons Woodblock, lithography, screen print, acrylic coated leaves on thread embedded STPI paper 杰拉爾丁·哈維爾《四季》2012年作木版画石版画丝网印刷丙烯酸涂层叶片印于嵌入线材的STPI纸上
33 Auction
Sep. 13, 2025
Geraldine Javier (b. 1970)
Est: ₱1,800,000 - ₱2,340,000
Everything is Tickety-Boo signed and dated 2016 (lower right) leaf imprints, fluid acrylics, encaustic, fabric and wood 55" x 47" (140 cm x 119 cm) Accompanied by a certificate issued by West Gallery and signed by the artist confirming the authenticity of this lot PROVENANCE West Gallery EXHIBITED The Link at the Ayala Center, Art Fair Philippines 2016, Makati City, 18 - 21 February 2016 “[My works are] about display, about filling the space with dead specimens and dressing them up to make them seem alive, but it is also a personal process, simultaneously emptying out and remembering...” — G E R A L D I N E J AV I E R' S E X P L A N AT I O N F O R H E R WO R K S D U R I N G H E R ‘M US E U M O F M A N Y T H I N G S ’ E X H I B I T I O N I N 2011 Known for multi-media paintings and installations related to Nature and natural history, Geraldine Javier's Everything is Tickety-Boo explores the artist's preferred themes of Nature and death. Exhibited at Art Fair Philippines in 2016, the piece includes an illustration of a horse without skin, similar to those one usually sees when looking at a diagram of a horse's body. The result is an exquisitely intricate and layered work that merges anatomical precision, textile craft, and symbolic playfulness. Instead of the colors typically seen in an anatomy chart for animal body parts, the piece features multiple parts in various shades of green, black, and gold, alongside the red and white colors that accurately represent muscle and skin. The textural stem pattern found on the piece, such as the cut leaves that spread around the piece, resembling a celebratory confetti, as well as the pattern of the green shades inside the horse, resembling leaves, projects a lively image despite its supposed morbid illustration. It synchronizes with the next point, which is the title itself. The term "Everything is Tickety-Boo" is a British slang for "Everything is Fine." When observing the imagery of the piece (a dissected horse) and complementing it with the title, it creates a jarring contrast between an opened up and fragile and vulnerable animal body, and the calmness and reassuring controlled mood of the title. Javier juxtaposes the image of beauty and death through flesh and dissection, then peppering it with embroidered confetti and colorful palettes. Javier had successfully shown through this piece how art and beauty can mask mortality without erasing it—probing existential questions regarding life's fragility and its relationship with beauty and decay. (Mark John Castañeda)
Leon Gallery
Jun. 07, 2025
Geraldine Javier (b. 1970)
Est: ₱400,000 - ₱520,000
Castle in the Air 2017 thread on silk set of 34 frames Accompanied by a certificate signed by the artist confirming the authenticity of this lot Geraldine Javier’s practice has always been rooted in collage, whether directly or indirectly. Using layers of floral prints, religious symbols, grids, numbers, and torn bits of paper, she assembled patchwork pieces that felt both deeply personal and universally inquisitive. Instead of hiding the elements that held the work together, like strips of colored tape, Javier made them part of the composition. These small pieces of tape weren’t just functional; they were deliberate, visible, and symbolic. They reminded us that even in our most fragmented states, there’s beauty in holding ourselves together. What makes Javier’s collages stand out is how she gives form to the intangible parts of who we are. She doesn’t try to smooth over the messiness or inconsistencies; instead, she embraces them. Her work recognizes that we are stitched together from different experiences, roles, and memories. She builds meaning from everyday things, showing that identity isn’t always found in big declarations but in quiet, careful assembly. As described in Geraldine Javier: Fictions, her art begins and ends with the self; restless, ever-evolving, but always intentional. In her installation Castle in the Air, Javier carries these same ideas into three-dimensional space, using thread on silk to build a constellation of framed forms that hover delicately in the gallery. Each frame, filled with what looks like botanical or organic patterns stitched in colored thread, floats like a thought suspended in midair. The work is both light and labor-intensive There's an ephemeral, dream-like quality to the installation, as if the pieces could drift away at any moment, yet they remain tethered by unseen connections. In this work, Javier’s ongoing interest in memory, selfhood, and fragility is made tactile. Castle in the Air invites viewers to wander through a suspended archive of feeling;fragile, intricate, and impossible to pin down. (Jed Daya)
Leon Gallery
Feb. 22, 2025
Geraldine Javier (b. 1970) - Sometimes The Details Get Fuzzy
Est: ₱800,000 - ₱1,040,000
Geraldine Javier (b. 1970) Sometimes The Details Get Fuzzy signed and dated 2006 (lower left and verso) oil on canvas 72" x 48" (183 cm x 122 cm) Provenance: Acquired from Valentine Willie Fine Art, Kuala Lumpur in 2006. Exhibited: Valentine Willie Fine Art, Geraldine Javier: Plaster Saints, Kuala Lumpur, Malaysia, June - July 2006. Geraldine Javier’s works have long been known for their quiet intensity, their ability to draw you in with beauty while leaving you unsettled in ways that linger. Sometimes the Details Get Fuzzy is no exception. At first glance, the painting presents an almost dreamlike scene—soft, muted tones, delicate textures, and a figure that seems both present and dissolving before our eyes. But the more you look, the stranger it becomes. The subject, a doll-like figure with jointed limbs and a head that fades into nothingness, seems trapped between worlds. Part of her melts into floral wallpaper, her body caught in a state of partial disappearance, as if memory itself is erasing her piece by piece. Javier has always had a way of turning materials into metaphors, and this work speaks volumes about the fragility of identity and memory. The faceless figure suggests a loss of self, a distortion of identity over time. Is she being absorbed into her surroundings, or is she breaking free from them? The way her clothes hang loosely, the way her limbs remain unfinished or cut off, all hint at something left unresolved. There’s an eerie stillness here, like a childhood memory that refuses to stay intact, its details growing fuzzier with time. The painting also plays with contrasts—softness and rigidity, realism and surrealism, presence and absence. The careful rendering of fabric and skin feels almost tangible, yet the way the figure vanishes into the wallpaper reminds us of how easily things slip away. Javier’s technique, likely influenced by her conceptual art training under Roberto Chabet, leans toward the intellectual, yet the emotional weight of this piece is undeniable. It doesn’t just ask to be analyzed; it asks to be felt (Jed Daya)
Leon Gallery
Feb. 22, 2025
Geraldine Javier (b. 1970) - Birdwatching
Est: ₱1,200,000 - ₱1,560,000
Geraldine Javier (b. 1970) Birdwatching dated 2006 oil on canvas, fabric, embroidery, and stufffing a.) 36" x 71" (91.5 cm x 181.5 cm) b.) 11 3/4" x 11 3/4" (30 cm x 30 cm) Accompanied by a certificate issued by Valentine Willie Fine Art and signed by the artist confirming the authenticity of this lot Provenance: Acquired from Valentine Willie Fine Art, Kuala Lumpur in 2007 Exhibited: Valentine Wille Fine Art, Headlights 2007, Kuala Lumpur, Malaysia. Geraldine Javier’s works often invite viewers to look beyond the surface—to linger, to question, to feel a quiet tension simmering beneath their refined beauty. Birdwatching is no exception. At first, it presents itself as an image of luxury: a richly upholstered, antique-style chaise lounge, plush with velvet cushions that seem to invite rest and indulgence. But something is off. The longer you stare, the more you realize that comfort is merely a façade. The shadows in the folds of the cushions seem to shift, forming eerie, indistinct shapes—almost like faces lurking beneath the fabric, watching in silence. Then, there’s the small inset image in the upper right corner—a stark black silhouette of a bird perched on a flowering branch, set against delicate, patterned wallpaper. It feels detached, almost like an afterthought or a clue in a larger mystery. The contrast between the bird’s stark simplicity and the rich realism of the couch suggests a shift in perspective. Who is truly watching whom? Is this an image of leisure, or does it speak of unseen forces and silent observers? Javier is known for layering materiality with metaphor, and this piece is no exception. The couch, typically a symbol of comfort and privilege, feels weighted with an eerie presence. It might symbolize memory—impressions left behind, ghosts of past conversations, or even the idea that objects carry histories of those who have used them. The bird, a common symbol of freedom, is frozen, framed, and confined within a decorative element. This subtle juxtaposition between freedom and entrapment, visibility and absence, makes the work more than just a still life—it becomes a meditation on what is seen and unseen, what is present and what lingers in absence. (Jed Daya)
Leon Gallery
Nov. 30, 2024
Geraldine Javier (b. 1970) - The Healer
Est: ₱800,000 - ₱1,040,000
The Healer dated 2009 mixed media 36" x 48" (91 cm x 122 cm) Geraldine Javier The Quintessential Filipino Iconoclast by MILO SOGUECO Years ago, I had the rare privilege of acquiring a painting by Geraldine Javier, one of the most promising young artists in the Philippines. Known for her hauntingly evocative works, Geraldine quickly became a standout figure in the art world, with collectors eagerly seeking her pieces. To count myself among those who own one of her works felt like an honor I hadn’t quite expected but deeply appreciated. I first encountered her art in the galleries of Mega Mall, where some of the country’s most respected spaces—Finale, West Gallery, and more—gathered to showcase the best in Filipino artistry. Wandering through the exhibits, her work stopped me in my tracks. Here was a Filipina painter with a vision so powerful it felt universal. After months of admiring her work (and, admittedly, a little gentle stalking), we became friends. Eventually, Geraldine offered me a piece that felt deeply personal: The Healer, her reimagining of the mythic figure of Medea. The Healer is both a striking and enigmatic piece. In it, Medea gazes out with an expression that seems to hold the weight of her choices—a look that is equal parts strength and vulnerability. She’s draped in earthy, muted tones, but beneath the image lies a base of bright florals, contrasting life’s softness with its inevitable hardships. Geraldine’s Medea captures the essence of resilience and transformation, qualities I found myself needing at that point in my life, as I too was a struggling artist, searching for my path forward. For years, The Healer has held a place of honor in my foyer, greeting every visitor who walks through my door. With her steady gaze and timeless presence, she both welcomes and unsettles—sometimes delighting guests, sometimes scaring the young ones. But to me, she has been a quiet guardian and a source of inspiration, a reminder of my own resilience during moments of doubt. She’s the first to greet me when I come home and the last to see me off when I leave, a silent witness to my journey. Now, as I prepare to part with The Healer, I feel a bittersweet pull. This painting has been with me through so much, a talisman of strength that has inspired me year after year. Yet letting go is sometimes necessary, and this auction will help me build a new dream, a new home. I hope her next owner finds the same spark in her, the same reminder of healing and resilience, as I did. May she continue to be a symbol of transformation, quietly offering strength to all who encounter her.
Leon Gallery
Mar. 20, 2024
GERALDINE JAVIER (B. 1970) The Season Of Rut oil, nails and embroidered tat
Est: $60,000 - $120,000
GERALDINE JAVIER (B. 1970) The Season Of Rut oil, nails and embroidered tatting lace on canvas mounted on board 122 x 183 cm. (48 x 72 in.)
Christie's
Mar. 09, 2024
Geraldine Javier (b. 1970) - Odd Sights, Strange Sounds
Est: ₱3,000,000 - ₱3,900,000
Odd Sights, Strange Sounds dated 2008 oil on canvas 72" x 96" (183 cm x 244 cm) PROVENANCE: Primo Marella Gallery, Milan Acquired directly from the artist EXHIBITED: Primo Marella Gallery, South East B(l)ooming, Milan, Italy, February 10 - April 2, 2009 WRITE UP: A common thread amongst the works of Filipina contemporary artist Gerladine Javier is their ability to draw you in through use of uncanny yet subtle ways. Her pieces look and feel they are suspended between reality and the illusory, bringing to light an almost metaphorical existence within what is perceived to be mundane. Her works are imbued with a sense of profundity, given that Javier herself often focuses on the conceptual aspect of her work rather than any sort of emotional response. In this piece we are let in a room of sorts whose walls are decorated with head mounts, and whose floor is overgrown with wildgrass. Upon first glance, viewers of her work are already thrust upon the surreality of Javier’s works. The use of taxidermy as a visual device is nothing new. Javier’s work draws similarities to another notable female artist; Georgia O'Keeffe. In O’Keeffe’s skull series we are presented with her fascination with the natural forms of skulls, particularly those of animals found in the desert landscape of New Mexico. O'Keeffe worked with various mediums that depicted the remains of different animals, including oil on canvas and pastels. The choice of medium allowed her to experiment with different textures and color palettes, further enhancing the expressive qualities of her representations. The series reflects a deep connection to the environment that surrounded her and a contemplative approach to the cycles of life and death. In a similar fashion, Javier presents with a new way of seeing things originally thought to be taboo. Here we see ourselves in an in-between. A space where life and death, the primal and the modern, man and nature, exist in a sort of juxtaposition with each other. Yet their opposition is not hostile. Instead, this surreal coming-together of objects and symbols can be read as a descriptive stance on the current state of affairs, wherein no matter how many divisions we draw amongst ourselves, in the end everything will once again collide and coalesce with each other. (Jed Daya)
Leon Gallery
Oct. 21, 2023
Geraldine Javier (b. 1970)
Est: ₱3,000 - ₱3,900
The Great Reset signed and dated 2020 (lower right) art photo with uv lamination, limited edition 61/300 18” x 24” (45 cm x 61 cm)
Leon Gallery
Jul. 29, 2023
Geraldine Javier (b. 1970)
Est: ₱15,000 - ₱19,500
Untitled collage 5” x 6” (13 cm x 15 cm)
Leon Gallery
Jan. 22, 2023
Geraldine Javier (b. 1970)
Est: ₱70,000 - ₱91,000
Babaylan signed and dated 2014 resin 41 1/2” x 31” x 28” (105 cm x 79 cm x 71 cm)
Leon Gallery
Jan. 21, 2023
Geraldine Javier (b. 1970)
Est: ₱200,000 - ₱260,000
Geraldine Javier (b. 1970) Oh Dolly! Series oil on canvas 15 1/4” x 16” (39 cm x 41 cm) PROVENANCE Private Collection, Manila
Leon Gallery
Dec. 03, 2022
Geraldine Javier (b. 1970) Arrangement in Gray and Black (Diptych)
Est: ₱1,600,000 - ₱2,080,000
Arrangement in Gray and Black (Diptych) dated 2008 metallic tray and oil on canvas 108" x 84" (274 cm x 213 cm) PROVENANCE Finale Art File, Makati City EXHIBITED Valentine Willie Fine Art, Green Comes from Blue but is Richer than Blue (Joint Exhibition with At Maculangan), Kuala Lumpur, Malaysia, November 12 - 29, 2008 The works of Geraldine Javier are often seen as both aesthetic and intellectual masterpieces. Her synthesis of both material and metaphorical content into her work is often attributed to the formal training she received from Roberto Chabet, the Father of Philippine Conceptual Art, when she was a student at the University of the Philippines’ College of Fine Arts. Thus, her works are often described as art that prioritizes intellectual and genuine engagement over immediate emotional response.
Leon Gallery
Oct. 23, 2022
Geraldine Javier (b. 1970) - Babaylan
Est: ₱100,000 - ₱130,000
Geraldine Javier (b. 1970) Babaylan resin 44” x 30” x 30” (112 cm x 76 cm x 76 cm)
Leon Gallery
Oct. 22, 2022
Geraldine Javier (b. 1970)
Est: ₱80,000 - ₱104,000
Geraldine Javier (b. 1970) Rainy Season 2015 2016 Fluid Acrylic, encaustic preserved leaves, fabric and wood Closed: 25.5” x 15.5” (65 cm x 39 cm) Open: 12.5” x 21” (32 cm x 53 cm)Accompanied by a certificate signed by the artist confirming the authenticity of this lot
Leon Gallery
Oct. 22, 2022
Geraldine Javier (b. 1970)
Est: ₱300,000 - ₱390,000
Geraldine Javier (b. 1970) Our Faith.. Her Destiny signed and dated 2022 (lower right and verso) colored pigments, encaustic on canvas 36” x 36” (91 cm x 91 cm)
Leon Gallery
Sep. 10, 2022
Geraldine Javier (b. 1970) - All - Seeing
Est: ₱700,000 - ₱910,000
Geraldine Javier (b. 1970) All - Seeing signed and dated 2005 (lower right and verso) oil on canvas 60" x 48" (152 cm x 122 cm) Concepts related to faith and religion have featured prominently in Geraldine Javier’s oeuvre. Such is the case with this particular piece titled All-Seeing, where the artist subverts the supposed divinity of God. In her formative years, Javier became deeply exposed to the rudiments of the Catholic faith. This work is representative of Javier’s art from the mid-2000s that questions the Church’s longheld dogmas and teachings. Through these works, Javier critically examines the importance and role of religion in a world that has remarkably veered away from the sacred since the Age of Enlightenment. The work’s title is a double entendre on the notion of God’s omniscience—his infinite awareness and insight. In this piece, Javier depicts God as a towering uncanny figure whose hands resemble the Salvatore Mundi pose. Instead of the right hand raised in blessing, it is directed below, seemingly targeting the mortal domain and implying callousness. His face denotes an evil grin, like a frightening clown that has constantly disturbed our wild imaginations as a child. Behind him is a sinister background, in contrast to the glorious depiction of the heavens in traditional art. The man’s character leads us to question God’s supposed omniscience: As an allknowing being, does God delight in witnessing humanity suffer? Does he possess an egotistical character, reveling in knowing the fact that the more we suffer, the more we unceasingly plead to him? Did God give us free will only to let us suffer the consequences of having such? (A.M.)
Leon Gallery
Apr. 23, 2022
Geraldine Javier (b. 1970) - Untitled
Est: ₱20,000 - ₱26,000
Geraldine Javier (b. 1970) Untitled collage, set of two 5” x 6” (13 cm x 15 cm) each
Leon Gallery
Apr. 23, 2022
Geraldine Javier (b. 1970) - Rainy Season 2015 3
Est: ₱50,000 - ₱65,000
Geraldine Javier (b. 1970) Rainy Season 2015 3 signed and dated 2016 (lower right corner of right panel) fluid acrylic, encaustic, preserved leaves, fabric and wood closed: 12 1/2” x 12 1/2” (32 cm x 32 cm) opened: 12 1/2” x 21 “ (32 cm x 53 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot
Leon Gallery
Apr. 23, 2022
Geraldine Javier (b. 1970) - Untitled
Est: ₱100,000 - ₱130,000
Geraldine Javier (b. 1970) Untitled collage 5” x 6” (13 cm x 15 cm) each Accompanied by a certificate issued by Kulay Diwa Gallery of Philippine Contemporary Art and signed by the artist confirming the authenticity of this lot
Leon Gallery
Apr. 22, 2022
Geraldine Javier (b. 1970) - Studio The Great Reset, (Collective Emotions under Covid-19 Pandemic 2020)
Est: ₱1,000 - ₱1,300
Geraldine Javier (b. 1970) Studio The Great Reset, (Collective Emotions under Covid-19 Pandemic 2020) signed and dated 2020 art photo limited edition, 96/300 18” x 24” (46 cm x 61 cm)
Leon Gallery
Jan. 29, 2022
Geraldine Javier (b. 1970)
Est: ₱165,000 - ₱214,500
Geraldine Javier (b. 1970) Freezing the Flight of Hummingbirds 29 pieces dated 2003 collage 6”x 5” (15 cm x 13 cm) each
Leon Gallery
Jan. 28, 2022
Studio The Great Reset
Est: ₱3,000 - ₱3,900
Geraldine Javier (b. 1970) Studio The Great Reset signed and dated 2020 art photo limited edition, 155/300 18” x 24” (46 cm x 61 cm)
Leon Gallery
Jan. 28, 2022
Studio The Great Reset
Est: ₱3,000 - ₱3,900
Geraldine Javier (b. 1970) Studio The Great Reset signed and dated 2020 art photo limited edition, 155/300 18” x 24” (46 cm x 61 cm)
Leon Gallery
Oct. 16, 2021
Geraldine Javier (b. 1970)
Est: ₱25,000 - ₱32,500
Geraldine Javier (b. 1970) Van Gogh Deconstructed by Geraldine Javier Studio thread 12” x 12” (30 cm x 30 cm)
Leon Gallery
Sep. 11, 2021
Geraldine Javier(b. 1970) Freezing the Flight of Hummingbirds
Est: ₱300,000 - ₱390,000
Geraldine Javier (b. 1970) Freezing the Flight of Hummingbirds 29 pieces dated 2003 collage 6"x 5" (15 cm x 13 cm) each P 300,000 Accompanied by a certificate signed by the artist confirming the authenticity of this lot Provenance West Gallery exhibited West Gallery, Freezing the Flight Hummingbirds, SM Megamall, Mandaluyong City, 2003 Much of Geraldine Javier’s early works consist of collages. Her collages challenge us to confront and answer the question, “What is the self.” Javier creates patchwork stills of floral prints juxtaposed with religious icons, grids, random numbers, and paper in various lengths and shapes. In several of her collages, the artist binds the images together with small strips of colored tape that are not brought into obscurity by the primary image; they are integrated into the entirety of the collage. The word ‘collage’ has its roots in the French word ‘coller’ that means ‘to glue.’ With this, Javier affirms the coherence of our identities by employing colored tapes as visible art. It is this gesture of consolidating things into a whole that makes Javier’s collages in a league of their own. She ensures the unity of each component, establishing harmony within our fragmented selves. Javier explores and recognizes the human need to create meaning even from the most mundane of things. In Geraldine Javier: Fictions, this pertains to “an intention that begins and ends with the self – evasive but sure of its assignations and small devotions.” Javier situates the self into a seemingly disintegrated collage: jarring yet an endless feast for searching meanings
Leon Gallery
Jul. 16, 2021
Geraldine Javier (b. 1970) - The Great Reset
Est: ₱5,000 - ₱6,500
Geraldine Javier (b. 1970) The Great Reset signed and dated 2020 (lower right) art photo with uv lamination, limited edition 61/300 18” x 24” (45 cm x 61 cm)
Leon Gallery
Jul. 16, 2021
Geraldine Javier (b. 1970) - Frida Kahlo and Van Gogh, Deconstructed Project
Est: ₱3,000 - ₱3,900
Geraldine Javier(b. 1970) Frida Kahlo and Van Gogh, Deconstructed Project 5” x 5” (13 cm x 13 cm)
Leon Gallery
Apr. 10, 2021
Geraldine Javier (b. 1970)
Est: ₱150,000 - ₱195,000
Geraldine Javier (b. 1970) Untitled signed and dated 2015 (lower right) oil on canvas 64” x 12” (163 cm x 30 cm)
Leon Gallery
Apr. 10, 2021
Geraldine Javier (b. 1970)
Est: ₱80,000 - ₱104,000
Geraldine Javier (b. 1970) Rainy Season 2015 3 signed and dated 2016 (lower right) fluid acrylic, encaustic, p eserved leaves, fabric, and wood open: 12 1/2” x 21” (32 cm x 53 cm) closed: 12 1/2” x 12 1/2” (32 cm x 32 cm)
Leon Gallery
Apr. 10, 2021
Geraldine Javier (b. 1970)
Est: ₱22,000 - ₱28,600
Geraldine Javier (b. 1970) Collage I & II signed 2003 (upper left & lower left) mixed media, found objects 5” x 6” (12 cm x 15 cm) each
Leon Gallery
Apr. 10, 2021
Geraldine Javier r (b. 1970
Est: ₱30,000 - ₱39,000
Geraldine Javier (b. 1970) Freezing the Flight of Hummingbirds dated 2003 mixed media 5” x 6” (13 cm x 15 cm)
Leon Gallery
Apr. 09, 2021
Geraldine Javier (b. 1970)
Est: ₱5,000 - ₱6,500
Geraldine Javier (b. 1970) Studio Frida Kahlo Project signed (verso) acrylic on canvas 5” x 5” (13 cm x 13 cm) each
Leon Gallery
Apr. 09, 2021
Geraldine Javier (b. 1970)
Est: ₱10,000 - ₱13,000
Geraldine Javier (b. 1970) Studio The Great Reset signed and dated 2020 (lower right) art photo with uv lamination, limited edition 61/300 18” x 24” (45 cm x 61 cm)
Leon Gallery
Apr. 09, 2021
Geraldine Javier (b. 1970)
Est: ₱25,000 - ₱32,500
Geraldine Javier (b. 1970) Van Gogh Deconstructed signed (verso) thread and textile 12” x 12” (30 cm x 30 cm)
Leon Gallery
Jan. 23, 2021
Geraldine Javier (b. 1970) Studio Frida Kahlo Project
Est: ₱50,000 - ₱65,000
Geraldine Javier (b. 1970) Studio Frida Kahlo Project signed (back) box (opened): 18” x 26” (46 cm x 66 cm)
Leon Gallery
Jan. 23, 2021
Geraldine Javier (b. 1973) Untitled
Est: ₱100,000 - ₱130,000
Geraldine Javier (b. 1973) Untitled 32” x 38” (81 cm x 97 cm)
Leon Gallery
Jan. 23, 2021
Geraldine Javier (b. 1970) Frida Kahlo Project
Est: ₱5,000 - ₱6,500
Geraldine Javier (b. 1970) Frida Kahlo Project signed (verso) 5” x 5” (13 cm x 13 cm) each
Leon Gallery
Jan. 23, 2021
Geraldine Javier (b. 1970) Studio The Great Reset
Est: ₱1,000 - ₱1,300
Geraldine Javier (b. 1970) Studio The Great Reset signed and dated 2020 18” x 24” (46 cm x 61 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot
Leon Gallery
Dec. 03, 2020
GERALDINE JAVIER (B. 1970) Ash oil and canvas; & panel embroidery 46 x 44 c
Est: $70,000 - $90,000
GERALDINE JAVIER (B. 1970) Ash oil and canvas; & panel embroidery 46 x 44 cm. (18 1/8 x 17 3/8 in.); & 49 x 49 cm. (19 ¼ x 19 1/4 in.) (2)
Christie's
Nov. 28, 2020
Geraldine Javier (b. 1970) - Closing the Circle (Diptych)
Est: ₱1,000,000 - ₱1,300,000
Geraldine Javier (b. 1970) - Closing the Circle (Diptych) signed and dated 2005 (verso) oil on canvas Estimate USD : $20000-$26000 Estimate Euros : €16666.66-€21666.66
Leon Gallery
Nov. 28, 2020
Geraldine Javier (b. 1970) - Hide and Seek (Diptych)
Est: ₱1,600,000 - ₱2,080,000
Geraldine Javier (b. 1970) - Hide and Seek (Diptych) signed and dated 2007 (lower left) oil on canvas Estimate USD : $32000-$41600 Estimate Euros : €26666.66-€34666.66
Leon Gallery
Oct. 17, 2020
Geraldine Javier (b. 1970) - Van Gogh Deconstructive
Est: ₱18,000 - ₱23,400
Geraldine Javier (b. 1970) Van Gogh Deconstructive dated 2015 mixed media 13 1/2” x 10 1/2” (34 cm x 27 cm)
Leon Gallery
Sep. 19, 2020
Geraldine Javier (b. 1973) - Half Finished People Series - Case 3 of a Man
Est: ₱1,000,000 - ₱1,300,000
Geraldine Javier (b. 1973) Half Finished People Series - Case 3 of a Man signed and dated 2006 (lower right) oil on canvas As an artist, Geraldine Javier sought to break away from her generation’s overarching hegemonic canon that was dominated by the works of Social Realists and Traditionalists. Thus, in her pursuit of groundbreaking and novel forms of expression, Javier is now regarded as one of the pioneering voices of the contemporary Filipino art scene. Her macabre works are imbued with a sense of profundity, given that Javier herself often focuses on the conceptual aspect of her work rather than any sort of emotional response. To properly view Javier works is to internalize its subject matter through quiet reflection. In this piece entitled Half Finished People Series - Case 3 of a Man, one is immediately drawn to a lingering sense of loss and dread; as if though something is amiss. From there, we are directed to various parts of the piece, from the surface of the couch to the austere painting on the wall and the clothes on the figure’s back. Each part feels palpable and real, evoking a sense of history and narrativity in every nook and cranny. Though the inherent message of the piece is entirely up to the viewer’s interpretation and connection to it. What Javier presents us is a fragmented passage whose completion is entirely dependent on our own relationship to it. Estimate in USD $20000-$26000
Leon Gallery
Nov. 30, 2019
The Weighing of Life
Est: ₱1,200,000 - ₱1,560,000
Geraldine Javier belongs to a new generation of Filipino artists who have moved away from the social realist predilections of their forebears in favor of a much more intimate and idiosyncratic approach. Javier's works are charged with tension and provocation, combining modern sophistication with urban sensibilities. Her subjects often include religious iconography and urban middle-class spaces that exhibit decay, dysfunction, and emotional violence. Doing so grounds the unfamiliar in the familiar, inviting the viewer into a state of deep contemplation and analysis. In this triptych, Javier utilizes images of space and texture within a familiar world to convey a literary-esque structure. By starting from a space within the mind, the triptych mirrors the outward movement of the human psyche. Starting from the purely psychological, Javier condenses the abstract into a seemingly lived moment in space and time. This effectively weaves the subjective context of the work into the fabric of the universal condition.
Leon Gallery
Nov. 24, 2019
GERALDINE JAVIER (B. 1970) The Erl King's Cage oil on canvas 183 x 244 cm. (72 x 96 1/8 in.)
Est: $450,000 - $650,000
GERALDINE JAVIER (B. 1970) The Erl King's Cage oil on canvas 183 x 244 cm. (72 x 96 1/8 in.) Painted in 2013
Christie's
Oct. 19, 2019
GERALDINE JAVIER, When Angels Weep
Est: ₱1,000,000 - ₱1,200,000
2005, oil on canvas, 48 x 60 in (122 x 152.4 cm)
Finale Auctions