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Alexej von Jawlensky, Russian 1864-1941, Liegender weiblicher Akt, c.1920; lithograph in colours on laid, monogrammed in green crayon, edition of 50; with a 'Sammlung Kerstan' stamp to the frame verso, image: 33.2 x 42 cm, (framed)
RoseberysOil on board signed and attributed to Alexej von Jawlensky (Russian, 1864-1941) Russian-born German expressionist painter. He was a key member of the New Munich Artist's Association (Neue Künstlervereinigung München), Der Blaue Reiter (The Blue Rider) group and later the Die Blaue Vier (The Blue Four). Provenance: Private Estate with numerous Russian, and Eastern European pieces. Condition: very good Dimensions: approx 15x19, framed.
Affiliated Auctions & Realty LLC"The Prayer" by Alexej von Jawlensky, Unsigned Offset Lithograph. Paper size is 31.5 x 23.75 inches, with an image size of 26.5 x 20 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details:
DUMBO AuctionsAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Liegender weiblicher Akt II Blatt 7 aus der Mappe "Akte" Lithographie / Lithograph 1920 34,2x51,2 cm, Blattgrösse / 34.2x51.2 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleistift signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 10 Rosenbach 10 Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique". Mit Lichtrand und wenigen Flecken ausserhalb der Darstellung On laid paper, with watermark "H. Antique". With lightstruck and a few spots outside the image. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:15 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Liegender weiblicher Akt I Blatt 6 aus der Mappe "Akte" Lithographie / Lithograph 1920 34,2x51,2 cm, Blattgrösse / 34.2x51.2 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleistift signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 9/B Rosenbach 9/B Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique", in sehr guter Erhaltung On laid paper, with watermark "H. Antique", in very good condition. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. MWST / VAT Mehrwertsteuer auf dem Zuschalgspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:15 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Sitzender weiblicher Akt I Blatt 3 aus der Mappe "Akte" Lithographie / Lithograph 1920 50,8x38 cm, Blattgrösse / 50.8x38 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleisitft signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 6 Rosenbach 6 Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique", in sehr guter Erhaltung On laid paper, with watermark "H. Antique", in very good condition. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. MWST / VAT Mehrwertsteuer auf dem Zuschalgspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:10 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGALEXEJ VON JAWLENSKY (1864-1941) Sans titre, vers 1917/18 Huile sur panneau Signée et datée Annotée 'Stilleben' Oil on panel; signed and dated; annotated 'Stilleben' 42,9 X 30,9 CM • 16 7/8 X 12 1/8 IN.
TajanALEXEJ VON JAWLENSKY (1864-1941) Stilleben (Rosenbäumchen) oil on paper laid down on board 6 3/4 x 4 7/8 in. (17.3 x 12.4 cm.)
Christie'sALEXEJ VON JAWLENSKY (1864-1941) Heilandsgesicht oil on linen-finished paper laid down on board 14 1/2 × 10 1/2 in. (36.8 × 26.6 cm.)
Christie'sOil on linen textured paper, laid down on Bristol cardboard. (19)36. Ca. 24.5 x 17.5 cm. Signed with the artist's monogram lower left, dated lower right. Signed, dated “1936. VI.” and inscribed “N 5.” on the reverse. Additionally titled on a pasted on piece of paper by Andreas Jawlensky on “Rosen – ‚Blaulilla (sic!) Harmonie‘”. • Expressive and vivid still life from the artist's mature phase • Bright, cheerful colours express vitality, optimism and joie de vivire • The characteristic cobalt blue vase can be seen on the left edge of the work Fixed in frame. Not examined out of the frame.
Karl & FaberOil on linen textured cardboard, laid down on cardboard. (Around 1905/06). Ca. 50 x 45 cm. • Fixed in frame, not examined out of the frame • The present work was painted at a crossroads in Jawlensky's artistic career • The expressive colours and lively brushwork clearly display the influence of Van Gogh • The impressions and influences gathered during his travels to Bretagne and Paris around 1905/1906 and his meeting with Matisse are also echoed in this work This work was originally painted on both sides, with the other side painted with the work “Stilleben mit Figur, Früchten und Landschaft” (“Still life with figure, fruit and landscape”), from around 1909/1910 (CR 2346). The two halves were separated in 1960. With a confirmation of authenticity from the Alexej von Jawlensky-Archiv S.A., Locarno, dated 28.10.2004. This work will be included in Alexej von Jawlensky's Catalogue Raisonné.
Karl & FaberALEXEJ VON JAWLENSKY (1864-1941) Frauenkopf monogrammé « A.J. » (en bas à gauche) aquarelle et encre sur papier exécuté vers 1920-23 monogrammed 'A.J.' (lower left) watercolour and ink on paper executed circa 1920-23 25 x 17.6 cm (9 13/16 x 6 15/16 in)
BonhamsAlexej von Jawlensky, Russian 1864-1941, Liegender weiblicher Akt, c.1920; lithograph in colours on laid, monogrammed in green crayon, edition of 50; with a 'Sammlung Kerstan' stamp to the frame verso, image: 33.2 x 42 cm, (framed)
RoseberysAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Liegender weiblicher Akt II Blatt 7 aus der Mappe "Akte" Lithographie / Lithograph 1920 34,2x51,2 cm, Blattgrösse / 34.2x51.2 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleistift signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 10 Rosenbach 10 Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique". Mit Lichtrand und wenigen Flecken ausserhalb der Darstellung On laid paper, with watermark "H. Antique". With lightstruck and a few spots outside the image. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:15 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Liegender weiblicher Akt I Blatt 6 aus der Mappe "Akte" Lithographie / Lithograph 1920 34,2x51,2 cm, Blattgrösse / 34.2x51.2 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleistift signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 9/B Rosenbach 9/B Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique", in sehr guter Erhaltung On laid paper, with watermark "H. Antique", in very good condition. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. MWST / VAT Mehrwertsteuer auf dem Zuschalgspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:15 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGAlexej von Jawlensky (Kuslowo 1864 - 1941 Wiesbaden) Sitzender weiblicher Akt I Blatt 3 aus der Mappe "Akte" Lithographie / Lithograph 1920 50,8x38 cm, Blattgrösse / 50.8x38 cm, sheet size Signatur / Signature Unten rechts vom Künstler in Bleisitft signiert "A Jawlensky" Signed by the artist in pencil "A Jawlensky" lower right. Werkverzeichnis / Catalogue Raisonné Rosenbach 6 Rosenbach 6 Zustand / Condition Auf Bütten, mit Wasserzeichen "H. Antique", in sehr guter Erhaltung On laid paper, with watermark "H. Antique", in very good condition. Erläuterungen / Comments Lithographie nach einer um 1912 entstandenen Kreidezeichnung. Eines von 50 signierten Exemplaren auf Bütten Lithograph after a chalk drawing made around 1912. One of 50 signed copies on laid paper. MWST / VAT Mehrwertsteuer auf dem Zuschalgspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 11:10 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AGMonogrammed lower left: A.J. Dated lower right: 35. On the reverse by Lisa Kümmel inscribed in pen and black ink: A. Jawlensky II 1935 N. 102
GrisebachMonogrammed lower left: A.J. Dated lower right: 34. On the reverse inscribed by Lisa Kümmel in pen and brown ink: A. Jawlensky 1934 N.290 I.A
GrisebachMonogrammed lower right: A.J. On the reverse of the Schmuckrahmens two labels of the exhibition 2000/01 (see below) and a label of Galerie Bertram, Bremen
Grisebach"Crown of Thorns (No Text)" by Alexej von Jawlensky, Unsigned Offset Lithograph. Paper size is 27.5 x 23.5 inches, with an image size of 15.5 x 12 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details:
DUMBO Auctions"Crown of Thorns" by Alexej von Jawlensky, Unsigned Offset Lithograph. Paper size is 27.5 x 23.5 inches, with an image size of 15.5 x 12 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details:
DUMBO Auctions(Torschok 1864–1941 Wiesbaden) Gedeckter Tisch (laid table), around 1904/05, signed A. Jawlensky further signed and inscribed with Stilleben on the stretcher, oil on canvas, 92 x 58 cm, framed The authenticity of this work has been confirmed by the Alexej von Jawlensky – Archiv. This work will be included in the forthcoming catalogue raisonné. Provenance: Private Collection, Prague / Canada Private Collection Prague – acquired from the above around 1969 Private Collection, Czechoslovakia then Belgrade Private Collection, Belgrade – a gift from the above in 1983 Exhibited: Murnau, 1908/2008 – vor 100 Jahren Kandinsky, Münter, Jawlensky, Werefkin in Murnau, Schloßmuseum Murnau, 11 July – 9 November 2008, exh. cat. page 42, ill. 7 (texts: Bernd Fäthke, Annegret Hoberg, Brigitte Salmen) Zitat: “At the time I was painting mostly still-lifes because in them I could more easily find myself. I tried in these still-life paintings to go beyond the material objects and express in colour and form the thing which was vibrating within me, and I achieved some good results.” Jawlensky, Memories. Jawlensky began his career by creating mainly still lifes. These, as well as landscapes, were for him subjects that allowed him to approach and, consequently, to better apprehend contemporary art. In Laid table, painted around 1904/1905, Jawlensky sets a brightly lit table against a dark background. The still life thus proves to be an impressive early work on the threshold of Expressionism. Perspectively, the viewer's gaze is directed from diagonally above to the table, on which the colors present themselves brightly and colorfully. The objects become almost a secondary matter. The colors dominate. The brightest color, white, flashes as a pearlescent highlight on the glaze of the cup and mug. In terms of luminosity, white is followed by the yellow of an apple and other, unspecified objects. Jawlensky places red – one of his favorite colors – in a central position. All other colors and shades - including blue – have the function of emphasizing the three light-strong colors. The use of light and shadow makes it clear that Jawlensky still used oblique lighting from the upper right to properly stage his still life. Looking at the chronologically preceding paintings, one can see that Jawlensky's brushwork has become freer – in the sense of more expressive. The formerly calligraphic, actually abstract brushstroke now appears as a motif in combination with progressive stylistic elements of his handwriting, which can be understood as borrowings from Vincent van Gogh and the Neo-Impressionists. In terms of painting technique – how the colors were applied to the tablecloth with longer brushstrokes and contrasted with faster short staccato strokes at the lower edge of the picture – Jawlensky shows himself to be a confident painter. Kandinsky, Münter, Jawlensky, Werefkin in Murnau, exh. cat. pp. 42 and 43
DorotheumLandscape. Oil on canvas. Described bottom right. 40 x 50 cm. Framed.
Deutsch AuktionenAlexei von Jawlensky, Russian, German, 1864 to 1941, oil painting on board depicting an Expressionist portrait. Signed with initials, lower right. Framed. Alexej Georgewitsch von Jawlensky, surname also spelt as Yavlensky, was a Russian Expressionist painter active in Germany. He was a key member of the New Munich Artist's Association, The Blue Rider group and later The Blue Four. He met Kandinsky and was greatly influenced by his use of color as form. Jawlensky became affiliated with the German Expressionists. He traveled in Germany and France before World War II. He soaked up the work of the Post Impressionists and the Fauves, as well as early Picasso and Matisse. He was an important part of an international circle of modernists who collectively changed the face of art in the early 20th century. One of a kind artwork.
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