Ludwig Heinrich Jungnickel Sold at Auction Prices

Painter, Etcher, Lithographer, b. 1881 - d. 1965

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  • Ludwig Heinrich Jungnickel Tierfabeln des klassischen Altertums. Ausgewählt…
    Apr. 26, 2025

    Ludwig Heinrich Jungnickel Tierfabeln des klassischen Altertums. Ausgewählt…

    Est: €300 -

    Jungnickel, Ludwig Heinrich Tierfabeln des klassischen Altertums. Ausgewählt und erzählt von V. Fleischer. Mit 24 farb. Original-Lithographien und Buchschmuck von L.H. Jungnickel. Wien, Schroll, 1919. 52 S., 2 Bll. Gr.-8°. Marmor. braunes Ldr. d. Zt. auf 5 Bünden mit Kopfgoldschnitt, goldgepr. RTitel u. DFileten. Eins von 185 nummer. u. vom Künstler signierten Exemplaren der Vorzugsausgabe auf Original Whatmann abgezogen. - Weber/Mair/Fritz, Jungnickel S. 59-64. - Marmor. Vorsätze. - Wohlerhaltenes Exemplar. One of 185 numbered copies of the special edition on original Whatmann signed by the artist. With 24 col. orig. lithographies by L.H. Junhnickel. Contemp. marbled half leather on 5 raised bands with gilt top edge, gilt stamped fillets and title to spine. - Fine copy. Dieses Los ist regelbesteuert. Auf den Zuschlagspreis fallen 24,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher, Kunst) bzw. 19% Mehrwertsteuer (Manuskripte, Siebdrucke, Offsetdrucke Photographien) in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 24.95% buyer's premium on the hammer price and 7% (Books and Art) or 19% VAT (Manuscripts, Screenprints, Offsetprints and Photographs) on the final invoice amount in the European Union.

    Jeschke Jádi Auctions Berlin GmbH
  • Ludwig Heinrich Jungnickel, Wundsiedel 1881 - 1965 Vienna
    Mar. 28, 2025

    Ludwig Heinrich Jungnickel, Wundsiedel 1881 - 1965 Vienna

    Est: €2,500 - €5,000

    Ludwig Heinrich Jungnickel Wundsiedel 1881 - 1965 Vienna The faithful companion Watercolor on Fabriano 29 x 46 cm, with frame 47.5 x 64.5 cm signed l.r.

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Mar. 28, 2025

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €400 - €800

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Cat Watercolor on paper 13.5 x 19 cm, with frame 16.5 x 22 cm signed l.r.

    Tiberius Auctions
  • Ludwig Heinrich JUNGNICKEL (1881-1965), ''Gemsen und Steinböcke im Gebirge'', Lithographie.
    Mar. 21, 2025

    Ludwig Heinrich JUNGNICKEL (1881-1965), ''Gemsen und Steinböcke im Gebirge'', Lithographie.

    Est: -

    Ludwig Heinrich JUNGNICKEL (1881-1965), ''Gemsen und Steinböcke im Gebirge'', Lithographie, wohl Probedruck auf dünnem Japan, Blattmaße: ca. 44,5 x 37 cm. Vgl. Albertina 1978, Nr. 174. Angaben nach Rechnungslegung. Alters- und Gebrauchsspuren.

    Auktionshaus Königstein GmbH
  • LUDWIG HEINRICH JUNGNICKEL GERMAN OIL PAINTING
    Dec. 08, 2024

    LUDWIG HEINRICH JUNGNICKEL GERMAN OIL PAINTING

    Est: $100 - $150

    Ludwig Heinrich Jungnickel, German, Austrian, 1881 to 1965, an oil on canvas laid on cardboard painting depicting a coastal landscape. Unframed. Ludwig Heinrich Jungnickel was born in 1881 in Wundsiedel near the Fichtel Mountains, Austria. He was educated at the Munich Academy of Applied Arts, then moved to Rome with his brother in 1897 and made a living selling his drawings. He was educated in church painting at the Tanzenberg monastery near Klagenfurt, Austria. He moved to Vienna in 1988, where he studied painting at the Academy of the Arts. After spending a number of years in Vienna and Munich, he returned to the Academy of the Arts in Vienna in 1906 and became an employee of the Wiener Werkstatte. The artists works are part of the graphic arts collection at the Albertina, Vienna. One of a kind artwork. Classic European Landscape Paintings And Fine Art Collectibles.

    Antique Arena Inc
  • Ludwig Heinrich Jungnickel: Deer
    Dec. 03, 2024

    Ludwig Heinrich Jungnickel: Deer

    Est: €500 - €1,000

    Ludwig Heinrich Jungnickel Deer 1935 charcoal, watercolour on paper; framed 20 x 20 cm (cut-out), 21.5 x 24 cm (sheet size) estate stamp on the reverse as well as sketch inscribed on the reverse: IV / 35 from the estate of the artist; private property, Austria

    Im Kinsky
  • Ludwig Heinrich Jungnickel: Two polo players
    Dec. 03, 2024

    Ludwig Heinrich Jungnickel: Two polo players

    Est: €500 - €1,000

    Ludwig Heinrich Jungnickel Two polo players 1928 charcoal on paper; framed 26 x 42 cm (cut-out), 29 x 45.5 cm (sheet size) inscribed on the reverse: VI / 28 private property, Austria

    Im Kinsky
  • Ludwig Heinrich Jungnickel: Cat head
    Dec. 03, 2024

    Ludwig Heinrich Jungnickel: Cat head

    Est: €400 - €800

    Ludwig Heinrich Jungnickel Cat head charcoal on paper; framed 18.5 x 18.5 cm (cut-out), 19.5 x 19.5 cm (sheet size) estate stamp on the reverse from the estate of the artist; private property, Austria

    Im Kinsky
  • Ludwig Heinrich Jungnickel: Sea landscape
    Dec. 03, 2024

    Ludwig Heinrich Jungnickel: Sea landscape

    Est: €800 - €1,600

    Ludwig Heinrich Jungnickel Sea landscape oil on canvas; framed 26 x 28 cm estate stamp (twice) on the reverse of the canvas: Nachlaß / Prof. L. H. Jungnickel / 1965 inscribed on the reverse on the stretcher: Südspitz von Istrien from the estate of the artist; private property, Austria

    Im Kinsky
  • Jungnickel, Ludwig Heinrich: Studie eines Baumes mit Früchten
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Studie eines Baumes mit Früchten

    Est: €400 - €600

    Studie eines Baumes mit Früchten. Schwarze Kreide auf Bütten. 43,4 x 67 cm. Beigegeben von Jungnickel ein Studienblatt mit Huhn und Küken, ebenfalls aus dem Nachlass (48 x 63 cm). - Provenienz: Aus dem Nachlass des Künstlers (mit dem Nachlassstempel verso). Nachlass Robert Seitschek (akad. Maler, 1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Drei Tiger
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Drei Tiger

    Est: €360 - €450

    Drei fauchende Tiger. Kohlestift, Pinsel in Grau und Graubraun, Spuren von weißer Kreide auf Bütten. 64,2 x 79,2 cm. - Provenienz: Nachlass des akad. Malers Robert Seitschek (1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Fressender Löwe
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Fressender Löwe

    Est: €400 - €600

    Fressender Löwe. Kohlestift, Pinsel in Rot und Braun auf Whatman-Velin. 39,4 x 56 cm. Unten rechts signiert und datiert "L H. Jungnickel [19]22". - Provenienz: Nachlass des akad. Malers Robert Seitschek (1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Sich aufbäumendes Pferd
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Sich aufbäumendes Pferd

    Est: €500 - €750

    Sich aufbäumendes Pferd. Schwarze Kreide, Pinsel in Hellbraun auf Bütten. 36,2 x 45 cm. Unten rechts signiert "L. H. Jungnickel". - Provenienz: Nachlass Robert Seitschek (akad. Maler, 1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Liegender Pekinese
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Liegender Pekinese

    Est: €600 - €900

    Liegender Pekinese. Schwarze Kreide und Aquarell auf Velin, auf ein Untersatzpapier aufgezogen. 22,3 x 30,5 cm. Rechts unterhalb der Darstellung in brauner Feder signiert "L. H. Jungnickel". - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Tanzstudien
    Nov. 29, 2024

    Jungnickel, Ludwig Heinrich: Tanzstudien

    Est: €500 - €750

    Tanzstudien. 11 Kreidezeichnungen auf Bütten. Je ca 23 x 32 cm. Um 1925. Wohl Studien zu Buchillustrationen in "Tanz in dieser Zeit", hrsg. von Paul Stefan, Wien/New York 1926. Eine Bestätigung des Großneffen Peter Weber aus dem Jahr 2000 liegt in Kopie vor. - Provenienz: Aus dem Nachlass des Künstlers (verso mit dem Nachlassstempel). Nachlass Robert Seitschek (akad. Maler, 1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    Nov. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €800 - €1,600

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Monkey charcoal and watercolor/paper 23,5 x 35 cm signed Ludwig Heinrich Jungnickel SCHÄTZPREIS / ESTIMATE € 800 - 1600 STARTPREIS / STARTING PRICE € 800 The German-Austrian artist L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a nursery in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honour from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    Nov. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €60 - €150

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Prinz color lithography/paper 26 x 21,6 cm in the plate monogrammed L. H. J. in the print inscribed Ludwig Heinrich Jungnickel, Kriegshund Prinz, Originallithographie. Verlag der Gesellschaft für Vervielfältigende Kunst Wien. Druck der Staatsdruckerei Wien. (Ludwig Heinrich Jungnickel, war dog Prinz, original lithograph. Publishing house of the Society for Multiple Art, Vienna. Print of the State Printshop Vienna.) SCHÄTZPREIS / ESTIMATE °€ 60 - 150 STARTPREIS / STARTING PRICE °€ 60 The German-Austrian artist L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a nursery in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honour from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    Nov. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €100 - €200

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Roes color lithography/paper 30 x 37 cm signed Jungnickel SCHÄTZPREIS / ESTIMATE °€ 100 - 200 STARTPREIS / STARTING PRICE °€ 100 L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €200 - €400

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Panther head Woodcut on paper 15 x 14,5 cm inscribed on the lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €200 - €400

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Cockfight Etching on paper 15 x 15 cm signed and inscribed in the plate lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €200 - €400

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Deer on the run Lithograph on paper 15 x 14 cm monogrammed and inscribed in the plate lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €300 - €600

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Playing monkeys Etching on paper 15 x 27 cm, framed 36.5 x 47.5 cm signed on lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €200 - €400

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna The Mother Monkey Lithograph on paper 14.5 x 27.5 cm, framed 36.5 x 47.5 cm signed on lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €400 - €600

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Antelope Pastel chalk on paper 33 x 24 cm, framed 59 x 50 cm

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €400 - €600

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Deer Mixed media on paper 46 x 33.5 cm, framed 73 x 59 cm estate stamp on the reverse

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 27, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €500 - €1,000

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Animal study Chalk drawing on paper 36 x 30 cm estate stamp on the reverse

    Tiberius Auctions
  • Jungnickel, Ludwig Heinrich: Pantherkopf nach links
    Nov. 27, 2024

    Jungnickel, Ludwig Heinrich: Pantherkopf nach links

    Est: €500 - €600

    Pantherkopf nach links. Farbholzschnitt auf Bütten. 15,2 x 14,4 cm. 1916. Spielvogel-Bodo OG. 48. Ausgezeichneter Druck mit Rand. Leicht stockfleckig, minimal vergilbt, sonst in vorzüglicher Erhaltung. Verso mit dem Nachlassstempel des Künstlers. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Jungnickel, Ludwig Heinrich: Frankfurt am Main: Maininsel mit Brückenmühle und Dom.
    Nov. 27, 2024

    Jungnickel, Ludwig Heinrich: Frankfurt am Main: Maininsel mit Brückenmühle und Dom.

    Est: €1,000 - €1,200

    Frankfurt am Main: Maininsel mit Brückenmühle, "Alter Brücke" und Dom. Farbholzschnitt auf festem Japan. 43,3 x 51,3 cm (Darstellung); 45,8 x 54 cm (Blattgröße). Unten rechts signiert "L.H. Jungnickel" sowie eigenhändig (?) bez. "... Salcher ge., am 3. IIII 1914". (1912). Spielvogel-Bodo OG.41. Ludwig Heinrich Jungnickel erhielt seine Ausbildung zunächst in München und kam kurz vor der Jahrhundertwende für weitere Studien nach Wien, wo er sich Zeit seines Lebens niederließ. 1911 wurde er an die Frankfurter Kunstgewerbeschule berufen, wo er für ein Jahr eine Professur an der Fachklasse für Graphische Kunst antrat. In dieser Zeit entstanden seine Holzschnitte mit Ansichten von Frankfurt, zu der auch der vorliegende zählt. Ganz ausgezeichneter, harmonischer Druck mit gleichmäßig schmalem Rand um die Einfassung. Insgesamt leichte Knitter- und Gebrauchsspuren, minimal fleckig, vereinzelt beriebene Stellen, im oberen Rand etwas wellig, sonst im Gesamteindruck ganz vorzüglich Exemplar. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 26, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €1,000 - €1,500

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Tiger in Schönbrunn Charcoal and watercolor on paper 36 x 45 cm signed, titled and dated (19)22

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna
    Nov. 26, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna

    Est: €1,000 - €1,500

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Puma Charcoal and chalk on paper 32 x 36 cm signed lower right

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Two squirrels
    Nov. 16, 2024

    Ludwig Heinrich Jungnickel, Two squirrels

    Est: €1,000 - €1,400

    Signed lower centre: L. H. Jungnickel Framed under glass

    Kunsthaus Lempertz KG
  • Ludwig Heinrich Jungnickel. 1881 Wunsiedel - 1965 Wien. Einer der bedeutendsten Tiermaler Österreichs des 20. Jh. Sign. Sitzender Affe lutscht am Daumen. Kohle und Aquarell. 27 x 21 cm
    Oct. 17, 2024

    Ludwig Heinrich Jungnickel. 1881 Wunsiedel - 1965 Wien. Einer der bedeutendsten Tiermaler Österreichs des 20. Jh. Sign. Sitzender Affe lutscht am Daumen. Kohle und Aquarell. 27 x 21 cm

    Est: -

    Ludwig Heinrich Jungnickel. 1881 Wunsiedel - 1965 Wien. Einer der bedeutendsten Tiermaler Österreichs des 20. Jh. Sign. Sitzender Affe lutscht am Daumen. Kohle und Aquarell. 27 x 21 cm

    Auktionshaus Zeller
  • Ludwig Heinrich Jungnickel Aus der Reitschule. 1919. Farblithographie auf Bütten. 30 x 37 cm (44 x 5
    Aug. 18, 2024

    Ludwig Heinrich Jungnickel Aus der Reitschule. 1919. Farblithographie auf Bütten. 30 x 37 cm (44 x 5

    Est: -

    Jahrhundertwende Ludwig Heinrich Jungnickel Aus der Reitschule. 1919. Farblithographie auf Bütten. 30 x 37 cm (44 x 56 cm). Signiert. - Blatt altersbedingt in den Rändern schwach angegilbt. Insgesamt sehr gut. Ausgezeichneter, kräftiger Druck mit breitem Rand. Colour lithograph on laid paper. Signed. - Sheet slightly yellowed in the margins due to age. Very good condition. Superb, strong impression with wide margin. - Pub. by Gesellschaft für verfielfältigende Kunst, Vienna. Spielvogel-Bodo OG 64. - Hg. Gesellschaft für vervielfältigende Kunst, Wien.

    Jeschke Jádi Auctions Berlin GmbH
  • Jungnickel, Ludwig Heinrich Aus der Reitschule. 1919. Farblithographie auf …
    Jun. 22, 2024

    Jungnickel, Ludwig Heinrich Aus der Reitschule. 1919. Farblithographie auf …

    Est: - €250

    Online - Modern and Contemporary Art Jahrhundertwende Jungnickel, Ludwig Heinrich Aus der Reitschule. 1919. Farblithographie auf Bütten. 30 x 37 cm (44 x 56 cm). Signiert. - Blatt altersbedingt in den Rändern schwach angegilbt. Insgesamt sehr gut. Ausgezeichneter, kräftiger Druck mit breitem Rand. Spielvogel-Bodo OG 64. - Hg. Gesellschaft für vervielfältigende Kunst, Wien. Colour lithograph on laid paper. Signed. - Sheet slightly yellowed in the margins due to age. Very good condition. Superb, strong impression with wide margin. - Pub. by Gesellschaft für verfielfältigende Kunst, Vienna.

    Jeschke Jádi Auctions Berlin GmbH
  • LUDWIG HEINRICH JUNGNICKEL: AFFEN
    Jun. 19, 2024

    LUDWIG HEINRICH JUNGNICKEL: AFFEN

    Est: €500 - €1,000

    Ludwig Heinrich Jungnickel Monkeys mixed media on paper; framed 37.5 x 30.5 cm (cut-out) signature stamp on the lower right: L. H. / Jungnickel private property, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: AFFEN
    Jun. 19, 2024

    LUDWIG HEINRICH JUNGNICKEL: AFFEN

    Est: €800 - €1,600

    Ludwig Heinrich Jungnickel Monkeys 1931 charcoal on paper; unframed 55 x 43 cm signed and dated on the lower left: L. H. / Jungnickel / 31 private property, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: REH
    Jun. 19, 2024

    LUDWIG HEINRICH JUNGNICKEL: REH

    Est: €800 - €1,600

    Ludwig Heinrich Jungnickel Deer c. 1955 charcoal on paper; framed 27 x 21 cm (cut-out) Galerie bei der Albertina/Zetter (label on the reverse); private property, Austria

    Im Kinsky
  • Jungnickel, Ludwig Heinrich: Pantherkopf nach links
    May. 29, 2024

    Jungnickel, Ludwig Heinrich: Pantherkopf nach links

    Est: €800 - €900

    Pantherkopf nach links. Farbholzschnitt auf Bütten. 15,1 x 14,3 cm (Darstellung); 22,4 x 20,2 cm (Blattgröße). Unten rechts signiert "LH Jungnickel". (1916). Spielvogel-Bodo OG. 48. Ganz ausgezeichneter Druck aus der seltenen handsignierten Vorzugsausgabe, mit schmalem Rand, rechts mit dem Schöpfrand. Geringfügige Altersspuren, rechts geschlossener Randeinriss, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €200 - €400

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Portrait in Opatija, 1944 graphite pen and red chalk/paper, 31 x 21,3 cm signed L.H.Jungnickel, dated 10.VII.44 Opatija verso estate stamp Prof. L. H. Jungnickel 1965 ESTIMATE °€ 200 - 400 STARTING PRICE °€ 200 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €250 - €500

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Boxer charcoal and pencil/paper, 24 x 31,5 cm signature stamp L. H. Jungnickel; verso estate stamp Jungnickel; depicted in the catalogue Hagenbund, Widder 2019, p. 38, No. 84 ESTIMATE °€ 250 - 500 STARTING PRICE °€ 250 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €60 - €100

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) From the riding school lithography/paper, 29,6 x 36,7 cm signed in the print L. H. Jungnickel; depicted in the catalogue Chrastek, Widder 2019, p. 105, No. 277 ESTIMATE °€ 60 - 100 STARTING PRICE °€ 60 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €250 - €500

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Horses at the Spanish horse riding school pencil/paper, 40 x 44,8 cm ESTIMATE °€ 250 - 500 STARTING PRICE °€ 250 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2024

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna)

    Est: €300 - €600

    LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Bundle of three works with deer Deer pencil/paper, 16,1 x 12,4 cm Fleeing deer lithography/paper, 14,6 x 14,1 cm Does woodcut/paper, 30 x 37,2 cm ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel *
    May. 22, 2024

    Ludwig Heinrich Jungnickel *

    Est: €6,000 - €10,000

    (Wunsiedel 1881–1965 Vienna) Exotic park landscape (park in Abbazia / Opatija), c. 1950, on the reverse estate stamps and notarized estate label, oil on canvas, 75 x 60 cm, framed Provenance: Estate of the artist acquired directly from there Private Collection, Austria

    Dorotheum
  • Ludwig Heinrich Jungnickel *
    May. 22, 2024

    Ludwig Heinrich Jungnickel *

    Est: €12,000 - €20,000

    (Wunsiedel 1881–1965 Vienna) Junges Mädchen vor einer Tapete mit japanischen Motiven (Young girl in front of a wallpaper with Japanese motifs), estate stamp on the front and reverse, oil on canvas, 75 x 60.5 cm, framed Provenance: Private Collection, Austria, acquired from the estate of the artist

    Dorotheum
  • Jungnickel, Ludwig Heinrich (1881-1965). Tigerkopf.
    May. 16, 2024

    Jungnickel, Ludwig Heinrich (1881-1965). Tigerkopf.

    Est: €1,500 - €2,500

    Jungnickel, Ludwig Heinrich (1881-1965). Tigerkopf. Col. woodcut, 29,9x28,3 cm. signed (2x) "L.H.Jungnickel" and w. signed dedication "J.J. Olman Villas(?) 29.VII.33" in pencil, on Japanese. - Laid down on mount; glue stains in blank corners (sl.) shining through. = Spielvogel-Bodo OG.29 SEE ILLUSTRATION PLATE XV.

    Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna, attributed, Coast near Abbazia
    May. 07, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna, attributed, Coast near Abbazia

    Est: €400 - €600

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna, attributed Coast near Abbazia Oil on canvas 19.5 x 16.5 cm Monogrammed lower left

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna, attributed, Abbazia
    May. 07, 2024

    Ludwig Heinrich Jungnickel, Wunsiedel 1881 - 1965 Vienna, attributed, Abbazia

    Est: €400 - €600

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna, attributed Abbazia Oil on canvas 26 x 19 cm Monogrammed lower left

    Tiberius Auctions
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