Ludwig Heinrich Jungnickel Sold at Auction Prices

Painter, Etcher, Lithographer, b. 1881 - d. 1965

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • LUDWIG HEINRICH JUNGNICKEL: ZWEI RAUHAARDACKEL
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: ZWEI RAUHAARDACKEL

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Two wire-haired dachshunds charcoal on paper; framed 32.7 x 44.8 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: KATZE
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: KATZE

    Est: €1,800 - €3,500

    Ludwig Heinrich Jungnickel Cat oil on canvas; framed 37.3 x 39.4 cm signed on the lower left: L. H. / Jungnickel estate stamp on the reverse (twice): Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: ESEL
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: ESEL

    Est: €2,500 - €5,000

    Ludwig Heinrich Jungnickel Donkey mixed media on paper; framed 33 x 32.2 cm signed on the lower left: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: FÜCHSE
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: FÜCHSE

    Est: €2,000 - €4,000

    Ludwig Heinrich Jungnickel Foxes mixed media on paper; framed 43 x 35.7 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: HENNE MIT KÜKEN
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: HENNE MIT KÜKEN

    Est: €1,200 - €2,000

    Ludwig Heinrich Jungnickel Hen with chicks 1937 mixed media on paper; framed 36 x 45.3 cm dedicated, signed and dated on the lower right: L. H. / Jungnickel / X. 37 private collection, Austria private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: TIGER
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: TIGER

    Est: €1,200 - €2,000

    Ludwig Heinrich Jungnickel Tiger 1922 mixed media on paper; framed 34.6 x 44.8 cm signed and dated on the lower left: L. H. / Jungnickel / 22 private collection, Austria private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: REISENDER MIT ESEL
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: REISENDER MIT ESEL

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Traveller with a donkey 1940 mixed media on paper; framed 32 x 42.2 cm monogrammed and dated on the lower left: J. 40 estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: ZWEI PERSONEN MIT ESEL / BOSNISCHE MARKTSZENE
    Jun. 17, 2026

    LUDWIG HEINRICH JUNGNICKEL: ZWEI PERSONEN MIT ESEL / BOSNISCHE MARKTSZENE

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Two people with a donkey / Bosnian market scene mixed media on paper; framed 40 x 53.1 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist; private collection, Austria from the estate of the artist; private collection, Austria Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: "AUS DER REITSCHULE"
    Jun. 16, 2026

    LUDWIG HEINRICH JUNGNICKEL: "AUS DER REITSCHULE"

    Est: -

    Ludwig Heinrich Jungnickel "Aus der Reitschule" 1919 lithograph in ochre and black; framed 39 x 49 cm (cut-out) signed in the right centre in the plate: L.H. Jungnickel Published by Verlag der Gesellschaft für vervielfältigende Kunst, Vienna 1922 Peter Weber, L. H. Jungnickel, Katalog zur Jungnickel-Ausstellung der Galerie über dem Café Mozart, Salzburg 1983, illus. p. 35; Jens Heiner Bauer, Ludwig Heinrich Jungnickel, 32. Katalog der Galerie und des Kunstantiquariats J. H. Bauer, Hannover 1988, cat.-no. 72, 73; Ilse Spielvogel-Bodo, L. H. Jungnickel. Ein Leben für die Kunst, Klagenfurt 2000, OG.64, p. 330 (with s/w-illus.) Peter Weber, L. H. Jungnickel, Katalog zur Jungnickel-Ausstellung der Galerie über dem Café Mozart, Salzburg 1983, illus. p. 35; Jens Heiner Bauer, Ludwig Heinrich Jungnickel, 32. Katalog der Galerie und des Kunstantiquariats J. H. Bauer, Hannover 1988, cat.-no. 72, 73; Ilse Spielvogel-Bodo, L. H. Jungnickel. Ein Leben für die Kunst, Klagenfurt 2000, OG.64, p. 330 (with s/w-illus.) Artist's Resale Rights Applies differential taxation

    Auction House im Kinsky
  • Jungnickel, Ludwig Heinrich (1881-1965)
    Jun. 10, 2026

    Jungnickel, Ludwig Heinrich (1881-1965)

    Est: €1,500 - €1,800

    Jungnickel, Ludwig Heinrich (1881-1965) Feeding Predator, 1932 Charcoal and watercolor on J. Whatman paper Signed and dated lower right 15.16 x 22.05 in Light damage.

    Lehner Kunstauktionen
  • Ludwig Heinrich Jungnickel, Apple Tree in Flower
    May. 28, 2026

    Ludwig Heinrich Jungnickel, Apple Tree in Flower

    Est: $2,500 - $3,500

    Ludwig Heinrich Jungnickel Apple Tree in Flower oil on canvas 29.625 h x 32.875 w in (75 x 84 cm) Signed to upper right 'L.H. Jungnickel'. Exhibited: Carnegie Institute, Pittsburgh | Venice Biennale, 1934 This work will ship from Chicago, Illinois.

    Rago Arts and Auction Center
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €1,000 - €2,000

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Sea surf oil/cardboard 23,8 x 30 cm SCHÄTZPREIS / ESTIMATE € 1000 - 2000 STARTPREIS / STARTING PRICE € 1000 Ludwig Heinrich Jungnickel (1881–1965), the German-Austrian artist, was the son of a carpenter and became one of the leading figures in animal illustration and animal art during the Art Nouveau and Viennese Modernist movements. His diverse practice encompassed painting, color woodcuts, animal prints, bookplates, wallpaper designs, and book illustrations, always characterized by a keen observation of nature and masterful technique. In 1885, the family moved to Munich, where Jungnickel attended the School of Applied Arts. The archaeologist Orazio Maruchi granted him access to the Vatican collections, where he made copies so convincing that he was offered training as a church painter. To this end, he became a pupil at Tanzenberg Abbey near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the General Painting School under Christian Griepenkerl. Around 1900, he designed collectible cards for the Cologne chocolate manufacturer Ludwig Stollwerck. After a trip to Hungary, he enrolled in 1902 at the School of Applied Arts of the Imperial and Royal Museum of Art and Industry, studying under Alfred Roller. In 1905, he briefly studied at the Munich Academy under Professor Marr, but returned to the Vienna Academy in 1906 to study with William Unger. His breakthrough came with innovative images using stencil spraying techniques, inspired by the magazine *The Studio*. In 1906, he exhibited at the Vienna Secession—without ever becoming a member—and worked as an employee of the Wiener Werkstätte (Vienna Workshop), where he collaborated with Koloman Moser and Josef Hoffmann. His most important work for the Wiener Werkstätte was the animal frieze for the children's room in the Palais Stoclet in Brussels. At the 1908 Vienna Art Show, he presented his first color woodcuts, followed in 1909 by a series of animals from the Schönbrunn Zoo. International successes followed: in 1911, a graphic arts prize in Rome, a gold medal in Amsterdam, in 1914 a state medal at the Bugra exhibition in Leipzig, and in 1915 silver and bronze medals in San Francisco. His designs for Gmundner ceramics also attest to his versatility. In 1911, he was appointed professor of graphic arts in Frankfurt, where he exhibited views of the city. In 1912, he returned to Vienna, where he created wallpaper designs, bookplates, and animal woodcuts. Study trips took him to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the First World War, he switched to drawing with charcoal, chalk, and pencil; in 1915, he served in the military rear. In 1917, he created the portfolio "Animals of the Fable," expanded to include Aesop illustrations (published in 1919 by Schroll). In 1918, he became an Austrian citizen. The 1920s brought travels to Germany, Holland, Italy, and Yugoslavia, as well as publications such as *Italian Sketchbook* (1921) and *Studies from the Spanish Riding School* (1922). He was apparently also involved with the Bauhaus in Weimar, as evidenced by a lithograph in the 1919 portfolio of the Society for Reproductive Art. From 1924, he was a member of the Vienna Künstlerhaus (Hagenbund), where he exhibited his work. His oeuvre was crowned with awards: in 1930, the Austrian State Prize and the Golden Medal of Honor from the Vienna Association of Visual Artists; in 1937, the Grand Austrian State Prize; he also exhibited his drawing *Dalmatian Donkey* at the Great German Art Exhibition in Munich. In 1938, he emigrated to Opatija because his Aryan certificate was blocked and he was denounced for alleged contact with Jews. His apartment was cleared out by the Gestapo, and in 1945, his studio was destroyed; he was convicted in absentia of "activities hostile to the state." Jungnickel's oeuvre combines the decorative elegance of Art Nouveau (Ver Sacrum) with expressive animal painting and stands in the tradition of Egon Schiele, August Eisenmenger, and other pioneers of Viennese Modernism. His animal prints—from Schönbrunn Zoo animals to exotic landscapes—remain a highlight of interwar graphic art and exile art. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €400 - €600

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Tiger charcoal and color pencil/paper 32 x 23 cm SCHÄTZPREIS / ESTIMATE € 400 - 600 STARTPREIS / STARTING PRICE € 400 Ludwig Heinrich Jungnickel (1881–1965), the German-Austrian artist, was the son of a carpenter and became one of the leading figures in animal illustration and animal art during the Art Nouveau and Viennese Modernist movements. His diverse practice encompassed painting, color woodcuts, animal prints, bookplates, wallpaper designs, and book illustrations, always characterized by a keen observation of nature and masterful technique. In 1885, the family moved to Munich, where Jungnickel attended the School of Applied Arts. The archaeologist Orazio Maruchi granted him access to the Vatican collections, where he made copies so convincing that he was offered training as a church painter. To this end, he became a pupil at Tanzenberg Abbey near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the General Painting School under Christian Griepenkerl. Around 1900, he designed collectible cards for the Cologne chocolate manufacturer Ludwig Stollwerck. After a trip to Hungary, he enrolled in 1902 at the School of Applied Arts of the Imperial and Royal Museum of Art and Industry, studying under Alfred Roller. In 1905, he briefly studied at the Munich Academy under Professor Marr, but returned to the Vienna Academy in 1906 to study with William Unger. His breakthrough came with innovative images using stencil spraying techniques, inspired by the magazine *The Studio*. In 1906, he exhibited at the Vienna Secession—without ever becoming a member—and worked as an employee of the Wiener Werkstätte (Vienna Workshop), where he collaborated with Koloman Moser and Josef Hoffmann. His most important work for the Wiener Werkstätte was the animal frieze for the children's room in the Palais Stoclet in Brussels. At the 1908 Vienna Art Show, he presented his first color woodcuts, followed in 1909 by a series of animals from the Schönbrunn Zoo. International successes followed: in 1911, a graphic arts prize in Rome, a gold medal in Amsterdam, in 1914 a state medal at the Bugra exhibition in Leipzig, and in 1915 silver and bronze medals in San Francisco. His designs for Gmundner ceramics also attest to his versatility. In 1911, he was appointed professor of graphic arts in Frankfurt, where he exhibited views of the city. In 1912, he returned to Vienna, where he created wallpaper designs, bookplates, and animal woodcuts. Study trips took him to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the First World War, he switched to drawing with charcoal, chalk, and pencil; in 1915, he served in the military rear. In 1917, he created the portfolio "Animals of the Fable," expanded to include Aesop illustrations (published in 1919 by Schroll). In 1918, he became an Austrian citizen. The 1920s brought travels to Germany, Holland, Italy, and Yugoslavia, as well as publications such as *Italian Sketchbook* (1921) and *Studies from the Spanish Riding School* (1922). He was apparently also involved with the Bauhaus in Weimar, as evidenced by a lithograph in the 1919 portfolio of the Society for Reproductive Art. From 1924, he was a member of the Vienna Künstlerhaus (Hagenbund), where he exhibited his work. His oeuvre was crowned with awards: in 1930, the Austrian State Prize and the Golden Medal of Honor from the Vienna Association of Visual Artists; in 1937, the Grand Austrian State Prize; he also exhibited his drawing *Dalmatian Donkey* at the Great German Art Exhibition in Munich. In 1938, he emigrated to Opatija because his Aryan certificate was blocked and he was denounced for alleged contact with Jews. His apartment was cleared out by the Gestapo, and in 1945, his studio was destroyed; he was convicted in absentia of "activities hostile to the state." Jungnickel's oeuvre combines the decorative elegance of Art Nouveau (Ver Sacrum) with expressive animal painting and stands in the tradition of Egon Schiele, August Eisenmenger, and other pioneers of Viennese Modernism. His animal prints—from Schönbrunn Zoo animals to exotic landscapes—remain a highlight of interwar graphic art and exile art. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €150 - €200

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Kitty charcoal/paper 40 x 34,5 cm signed L. H. Jungnickel SCHÄTZPREIS / ESTIMATE € 150 - 200 STARTPREIS / STARTING PRICE € 150 Ludwig Heinrich Jungnickel (1881–1965), the German-Austrian artist, was the son of a carpenter and became one of the leading figures in animal illustration and animal art during the Art Nouveau and Viennese Modernist movements. His diverse practice encompassed painting, color woodcuts, animal prints, bookplates, wallpaper designs, and book illustrations, always characterized by a keen observation of nature and masterful technique. In 1885, the family moved to Munich, where Jungnickel attended the School of Applied Arts. The archaeologist Orazio Maruchi granted him access to the Vatican collections, where he made copies so convincing that he was offered training as a church painter. To this end, he became a pupil at Tanzenberg Abbey near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the General Painting School under Christian Griepenkerl. Around 1900, he designed collectible cards for the Cologne chocolate manufacturer Ludwig Stollwerck. After a trip to Hungary, he enrolled in 1902 at the School of Applied Arts of the Imperial and Royal Museum of Art and Industry, studying under Alfred Roller. In 1905, he briefly studied at the Munich Academy under Professor Marr, but returned to the Vienna Academy in 1906 to study with William Unger. His breakthrough came with innovative images using stencil spraying techniques, inspired by the magazine *The Studio*. In 1906, he exhibited at the Vienna Secession—without ever becoming a member—and worked as an employee of the Wiener Werkstätte (Vienna Workshop), where he collaborated with Koloman Moser and Josef Hoffmann. His most important work for the Wiener Werkstätte was the animal frieze for the children's room in the Palais Stoclet in Brussels. At the 1908 Vienna Art Show, he presented his first color woodcuts, followed in 1909 by a series of animals from the Schönbrunn Zoo. International successes followed: in 1911, a graphic arts prize in Rome, a gold medal in Amsterdam, in 1914 a state medal at the Bugra exhibition in Leipzig, and in 1915 silver and bronze medals in San Francisco. His designs for Gmundner ceramics also attest to his versatility. In 1911, he was appointed professor of graphic arts in Frankfurt, where he exhibited views of the city. In 1912, he returned to Vienna, where he created wallpaper designs, bookplates, and animal woodcuts. Study trips took him to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the First World War, he switched to drawing with charcoal, chalk, and pencil; in 1915, he served in the military rear. In 1917, he created the portfolio "Animals of the Fable," expanded to include Aesop illustrations (published in 1919 by Schroll). In 1918, he became an Austrian citizen. The 1920s brought travels to Germany, Holland, Italy, and Yugoslavia, as well as publications such as *Italian Sketchbook* (1921) and *Studies from the Spanish Riding School* (1922). He was apparently also involved with the Bauhaus in Weimar, as evidenced by a lithograph in the 1919 portfolio of the Society for Reproductive Art. From 1924, he was a member of the Vienna Künstlerhaus (Hagenbund), where he exhibited his work. His oeuvre was crowned with awards: in 1930, the Austrian State Prize and the Golden Medal of Honor from the Vienna Association of Visual Artists; in 1937, the Grand Austrian State Prize; he also exhibited his drawing *Dalmatian Donkey* at the Great German Art Exhibition in Munich. In 1938, he emigrated to Opatija because his Aryan certificate was blocked and he was denounced for alleged contact with Jews. His apartment was cleared out by the Gestapo, and in 1945, his studio was destroyed; he was convicted in absentia of "activities hostile to the state." Jungnickel's oeuvre combines the decorative elegance of Art Nouveau (Ver Sacrum) with expressive animal painting and stands in the tradition of Egon Schiele, August Eisenmenger, and other pioneers of Viennese Modernism. His animal prints—from Schönbrunn Zoo animals to exotic landscapes—remain a highlight of interwar graphic art and exile art. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    May. 28, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €1,600 - €2,600

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Donckey charcoal/paper 20,7 x 30,9 cm signed L. H. jungnickel SCHÄTZPREIS / ESTIMATE € 1600 - 2600 STARTPREIS / STARTING PRICE € 1600 Ludwig Heinrich Jungnickel (1881–1965), the German-Austrian artist, was the son of a carpenter and became one of the leading figures in animal illustration and animal art during the Art Nouveau and Viennese Modernist movements. His diverse practice encompassed painting, color woodcuts, animal prints, bookplates, wallpaper designs, and book illustrations, always characterized by a keen observation of nature and masterful technique. In 1885, the family moved to Munich, where Jungnickel attended the School of Applied Arts. The archaeologist Orazio Maruchi granted him access to the Vatican collections, where he made copies so convincing that he was offered training as a church painter. To this end, he became a pupil at Tanzenberg Abbey near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the General Painting School under Christian Griepenkerl. Around 1900, he designed collectible cards for the Cologne chocolate manufacturer Ludwig Stollwerck. After a trip to Hungary, he enrolled in 1902 at the School of Applied Arts of the Imperial and Royal Museum of Art and Industry, studying under Alfred Roller. In 1905, he briefly studied at the Munich Academy under Professor Marr, but returned to the Vienna Academy in 1906 to study with William Unger. His breakthrough came with innovative images using stencil spraying techniques, inspired by the magazine *The Studio*. In 1906, he exhibited at the Vienna Secession—without ever becoming a member—and worked as an employee of the Wiener Werkstätte (Vienna Workshop), where he collaborated with Koloman Moser and Josef Hoffmann. His most important work for the Wiener Werkstätte was the animal frieze for the children's room in the Palais Stoclet in Brussels. At the 1908 Vienna Art Show, he presented his first color woodcuts, followed in 1909 by a series of animals from the Schönbrunn Zoo. International successes followed: in 1911, a graphic arts prize in Rome, a gold medal in Amsterdam, in 1914 a state medal at the Bugra exhibition in Leipzig, and in 1915 silver and bronze medals in San Francisco. His designs for Gmundner ceramics also attest to his versatility. In 1911, he was appointed professor of graphic arts in Frankfurt, where he exhibited views of the city. In 1912, he returned to Vienna, where he created wallpaper designs, bookplates, and animal woodcuts. Study trips took him to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the First World War, he switched to drawing with charcoal, chalk, and pencil; in 1915, he served in the military rear. In 1917, he created the portfolio "Animals of the Fable," expanded to include Aesop illustrations (published in 1919 by Schroll). In 1918, he became an Austrian citizen. The 1920s brought travels to Germany, Holland, Italy, and Yugoslavia, as well as publications such as *Italian Sketchbook* (1921) and *Studies from the Spanish Riding School* (1922). He was apparently also involved with the Bauhaus in Weimar, as evidenced by a lithograph in the 1919 portfolio of the Society for Reproductive Art. From 1924, he was a member of the Vienna Künstlerhaus (Hagenbund), where he exhibited his work. His oeuvre was crowned with awards: in 1930, the Austrian State Prize and the Golden Medal of Honor from the Vienna Association of Visual Artists; in 1937, the Grand Austrian State Prize; he also exhibited his drawing *Dalmatian Donkey* at the Great German Art Exhibition in Munich. In 1938, he emigrated to Opatija because his Aryan certificate was blocked and he was denounced for alleged contact with Jews. His apartment was cleared out by the Gestapo, and in 1945, his studio was destroyed; he was convicted in absentia of "activities hostile to the state." Jungnickel's oeuvre combines the decorative elegance of Art Nouveau (Ver Sacrum) with expressive animal painting and stands in the tradition of Egon Schiele, August Eisenmenger, and other pioneers of Viennese Modernism. His animal prints—from Schönbrunn Zoo animals to exotic landscapes—remain a highlight of interwar graphic art and exile art. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    May. 24, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: -

    Ludwig Heinrich Jungnickel 1881 - 1965 Portrait of a Donkey Charcoal and watercolor on paper (Fabriano) 28 x 24 cm, with frame 48 x 40 cm Signed lower right Ludwig Heinrich Jungnickel 1881 - 1965 Portrait eines Esels Kohle und Aquarell auf Papier (Fabriano) 28 x 24 cm, mit Rahmen 48 x 40 cm Signiert unten rechts

    Tiberius Auctions
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    May. 24, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: -

    Ludwig Heinrich Jungnickel 1881 - 1965 Ocean Surf Oil on panel 27 x 36 cm, with frame 36 x 44 cm Signed lower left Ludwig Heinrich Jungnickel 1881 - 1965 Meeresbrandung Öl auf Platte 27 x 36 cm, mit Rahmen 36 x 44 cm Signiert unten links

    Tiberius Auctions
  • Jungnickel, Ludwig Heinrich (1881-1965). Hirschkühe.
    May. 21, 2026

    Jungnickel, Ludwig Heinrich (1881-1965). Hirschkühe.

    Est: €100 - €150

    Jungnickel, Ludwig Heinrich (1881-1965). Hirschkühe. Colour woodcut, 30,5x37,7 cm., w. "Jungnickel" in pencil. = Spielvogel-Bodo OG 33.

    Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
  • Ludwig Heinrich Jungnickel, Liegender pekinese. 1900.
    May. 20, 2026

    Ludwig Heinrich Jungnickel, Liegender pekinese. 1900.

    Est: €180 - €360

    Carboncino e acquerelli su carta. mm 226x310. Firma in basso a destra. Etichetta a stampa al verso recante nome d'artista e titolo. (1) In cornice oro: cm 38x46,5. Rade fioriture e difetti di superficie. Buona conservazione.

    GONNELLI CASA D'ASTE srl
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    Apr. 28, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: €1,600 - €2,600

    Ludwig Heinrich Jungnickel 1881 - 1965 Baby Donkey Charcoal on paper (Fabriano) 35 x 26 cm, with frame 55 x 45 cm Signed lower left Ludwig Heinrich Jungnickel 1881 - 1965 Babyesel Kohle auf Papier (Fabriano) 35 x 26 cm, mit Rahmen 55 x 45 cm Signiert unten links

    Tiberius Auctions
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    Apr. 28, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: €1,600 - €2,600

    Ludwig Heinrich Jungnickel 1881 - 1965 Portrait of a Donkey Charcoal and watercolor on paper (Fabriano) 28 x 24 cm, with frame 48 x 40 cm Signed lower right Ludwig Heinrich Jungnickel 1881 - 1965 Portrait eines Esels Kohle und Aquarell auf Papier (Fabriano) 28 x 24 cm, mit Rahmen 48 x 40 cm Signiert unten rechts

    Tiberius Auctions
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    Apr. 28, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: €2,400 - €3,600

    Ludwig Heinrich Jungnickel 1881 - 1965 Three Donkeys Charcoal and watercolor on paper (Fabriano) 40 x 30 cm Signed lower right Ludwig Heinrich Jungnickel 1881 - 1965 Drei Esel Kohle und Aquarell auf Papier (Fabriano) 40 x 30 cm Signiert unten rechts

    Tiberius Auctions
  • LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965
    Apr. 28, 2026

    LUDWIG HEINRICH JUNGNICKEL, 1881 - 1965

    Est: €1,000 - €2,000

    Ludwig Heinrich Jungnickel 1881 - 1965 Ocean Surf Oil on panel 27 x 36 cm, with frame 36 x 44 cm Signed lower left Ludwig Heinrich Jungnickel 1881 - 1965 Meeresbrandung Öl auf Platte 27 x 36 cm, mit Rahmen 36 x 44 cm Signiert unten links

    Tiberius Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    Mar. 25, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €500 - €800

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Portfolio of 40 Italian landscapes, 1922 lithograph/paper 29,8 x 40,2 cm all sheets monogrammed LJH SCHÄTZPREIS / ESTIMATE € 500 - 800 STARTPREIS / STARTING PRICE € 500 The German-Austrian artist L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a nursery in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honour from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". Further artists and styles: Christian Griepenkerl, Alfred Roller, August Eisenmenger, Egon Schiele, Koloman Moser, Josef Hoffmann, Wiener Werkstätte, Vienna Secession, Hagenbund, Künstlerhaus Wien, color woodcut, animal prints, Stollwerck trading cards, Palais Stoclet, Gmundner Keramik, Austrian State Prize, Ver Sacrum, animal prints, Art Nouveau, Viennese Modernism, animal painting, animal art PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    Mar. 25, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €100 - €200

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) War dog Prince, 1918 Lithograph/paper 56 x 44,5 cm signed LH Jungnickel, dated 1918 inscribed Kriegshund Prinz, numbered 30/35 monogrammed in the plate LHJ SCHÄTZPREIS / ESTIMATE °€ 100 - 200 STARTPREIS / STARTING PRICE °€ 100 The German-Austrian artist L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a nursery in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honour from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". Further artists and styles: Christian Griepenkerl, Alfred Roller, August Eisenmenger, Egon Schiele, Koloman Moser, Josef Hoffmann, Wiener Werkstätte, Vienna Secession, Hagenbund, Künstlerhaus Wien, color woodcut, animal prints, Stollwerck trading cards, Palais Stoclet, Gmundner Keramik, Austrian State Prize, Ver Sacrum, animal prints, Art Nouveau, Viennese Modernism, animal painting, animal art PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)
    Mar. 25, 2026

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna)

    Est: €600 - €1,000

    Ludwig Heinrich Jungnickel* (Wunsiedel 1881 - 1965 Vienna) Lion and lioness lithograph/paper 30,5 x 43 cm signed L. H. Jungnickel SCHÄTZPREIS / ESTIMATE € 600 - 1000 STARTPREIS / STARTING PRICE € 600 The German-Austrian artist L. H. Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a nursery in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honour from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". Further artists and styles:Christian Griepenkerl, Alfred Roller, August Eisenmenger, Egon Schiele, Koloman Moser, Josef Hoffmann, Wiener Werkstätte, Vienna Secession, Hagenbund, Künstlerhaus Wien, colour woodcut, animal graphics, Stollwerck collectible pictures, Palais Stoclet, Gmundner ceramics, Austrian State Prize PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • Jungnickel, Ludwig Heinrich (1881-1965)
    Feb. 19, 2026

    Jungnickel, Ludwig Heinrich (1881-1965)

    Est: €1,500 - €1,800

    Jungnickel, Ludwig Heinrich (1881-1965) Cat III charcoal on paper Cutout: 8,3 x 11,4 in framed In addition to landscape, Jungnickel's work is mainly devoted to depicting animals. He prefers graphic techniques such as ink drawing, watercolour and his own stencil spraying technique, while he only rarely works with oil paints. Stylistically, his early work is influenced by the ornamental-decorative style of Viennese Art Nouveau, while in the interwar period his style developed into a concentrated and expressive formal language.

    Lehner Kunstauktionen
  • Jungnickel, Ludwig Heinrich (1881-1965)
    Feb. 19, 2026

    Jungnickel, Ludwig Heinrich (1881-1965)

    Est: €1,500 - €1,800

    Jungnickel, Ludwig Heinrich (1881-1965) Cat I charcoal on paper Cutout: 9,1 x 12,6 in framed In addition to landscape, Jungnickel's work is mainly devoted to depicting animals. He prefers graphic techniques such as ink drawing, watercolour and his own stencil spraying technique, while he only rarely works with oil paints. Stylistically, his early work is influenced by the ornamental-decorative style of Viennese Art Nouveau, while in the interwar period his style developed into a concentrated and expressive formal language.

    Lehner Kunstauktionen
  • Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)
    Dec. 13, 2025

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)

    Est: €400 -

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien) Dalmatinische Esel, um 1935, Aquarell, 30 × 40 cm Sichtmaß, signiert, Provenienz: Galerie J. H. Bauer, Hannover, Privatsammlung Hannover

    Wettmann
  • Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)
    Dec. 13, 2025

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)

    Est: €300 -

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien) Eichkätzchen, um 1935, Aquarell, 24 × 31 cm Sichtmaß, signiert, Provenienz: Galerie J. H. Bauer, Hannover, Privatsammlung Hannover

    Wettmann
  • Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)
    Dec. 13, 2025

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien)

    Est: €400 -

    Ludwig Heinrich Jungnickel (1881 Wunsiedel - 1965 Wien) Drei Füchse, um 1935, Aquarell, signiert, Provenienz: Galerie J. H. Bauer, Hannover, Privatsammlung Hannover

    Wettmann
  • LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 WIEN), TUSCHEZEICHNUNG, "DREI ESEL", 1935 / LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 VIENNA), INK DRAWING, "THREE DONKEYS", 1935
    Dec. 05, 2025

    LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 WIEN), TUSCHEZEICHNUNG, "DREI ESEL", 1935 / LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 VIENNA), INK DRAWING, "THREE DONKEYS", 1935

    Est: -

    Tuschezeichnung auf Bütten, laviert, Skizze mit drei Eseln, rechts am Rand unten signiert "L. H. Jungnickel", datiert (19)35, altersgemäß guter Zustand, leichte Gebrauchsspuren an den Rändern, leicht gebräunt, min. fleckig und knickspurig, Querformat, 40 cm x 45,5 cm / Ink drawing on laid paper, washed, sketch with three donkeys, signed "L. H. Jungnickel" at lower right margin, dated (19)35, good condition according to age, slight traces of usage at margins, slightly browned, slightly stained and creased, landscape format, 40 cm x 45.5 cm

    Kunstauktionhaus Georg Rehm
  • LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 WIEN), KOHLEZEICHNUNG, "ESEL-FOHLEN" / LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 VIENNA), CHARCOAL DRAWING, "DONKEY FOAL"
    Dec. 05, 2025

    LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 WIEN), KOHLEZEICHNUNG, "ESEL-FOHLEN" / LUDWIG HEINRICH JUNGNICKEL (1881 WUNSIEDEL - 1965 VIENNA), CHARCOAL DRAWING, "DONKEY FOAL"

    Est: -

    Kohle und Aquarell auf Fabriano-Bütten, Skizze eines Eselfohlens, monogrammiert "L. H. J.", altersgemäß guter Zustand, leichte Gebrauchsspuren, Hochformat, 33 cm x 24,5 cm / Charcoal and watercolor on Fabriano laid paper, sketch of a donkey foal, monogrammed "L. H. J.", good condition for age, slight signs of wear, portrait format, 33 cm x 24.5 cm

    Kunstauktionhaus Georg Rehm
  • Jungnickel, Ludwig Heinrich (1881-1965)
    Dec. 04, 2025

    Jungnickel, Ludwig Heinrich (1881-1965)

    Est: €800 - €1,000

    Jungnickel, Ludwig Heinrich (1881-1965) Cat II charcoal on paper Signed lower right 7,5 x 10,5 in framed In addition to landscape, Jungnickel's work is mainly devoted to depicting animals. He prefers graphic techniques such as ink drawing, watercolour and his own stencil spraying technique, while he only rarely works with oil paints. Stylistically, his early work is influenced by the ornamental-decorative style of Viennese Art Nouveau, while in the interwar period his style developed into a concentrated and expressive formal language.

    Lehner Kunstauktionen
  • Jungnickel, Ludwig Heinrich (1881-1965)
    Dec. 04, 2025

    Jungnickel, Ludwig Heinrich (1881-1965)

    Est: €800 - €1,000

    Jungnickel, Ludwig Heinrich (1881-1965) Cat III charcoal on paper 8,3 x 11,3 in framed In addition to landscape, Jungnickel's work is mainly devoted to depicting animals. He prefers graphic techniques such as ink drawing, watercolour and his own stencil spraying technique, while he only rarely works with oil paints. Stylistically, his early work is influenced by the ornamental-decorative style of Viennese Art Nouveau, while in the interwar period his style developed into a concentrated and expressive formal language.

    Lehner Kunstauktionen
  • LUDWIG HEINRICH JUNGNICKEL: TWO PEKINGESE DOGS
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: TWO PEKINGESE DOGS

    Est: €1,000 - €2,000

    Ludwig Heinrich Jungnickel Two Pekingese dogs mixed media on paper; framed 40.6 x 48 cm signed on the lower right: L. H. Jungnickel private property, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: BABOON FAMILY
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: BABOON FAMILY

    Est: €2,000 - €4,000

    Ludwig Heinrich Jungnickel Baboon family mixed media on paper; framed 36.2 x 42.4 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: TIGER
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: TIGER

    Est: €2,000 - €4,000

    Ludwig Heinrich Jungnickel Tiger mixed media on paper; framed 43.4 x 48 cm signed in the lower centre: L. H. / Jungnickel on the reverse pencil sketch small tear (approx. 6 mm) on the lower left private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: CAT AND PARROT
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: CAT AND PARROT

    Est: €3,000 - €6,000

    Ludwig Heinrich Jungnickel Cat and parrot mixed media on paper; framed 55.3 x 46.2 cm signed on the lower right: L. H. / Jungnickel monogrammed on the lower right: L. H. J. estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria cf: Ludwig Heinrich Jungnickel II. Über 200 Arbeiten aus dem künstlerischen Nachlaß, Katalog der Ausstellung der Galerie Magnet im Schloß Wasserhofen bei Kühnsdorf, 19 June-14 August 2004, Völkermarkt 2004, no. 55

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: BISONS
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: BISONS

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Bisons 1928 mixed media on paper; framed 45.5 x 57 cm signed and dated on the lower right: L. H. / Jungnickel / 28 estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: FEMALE DOG WITH PUPPIES
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: FEMALE DOG WITH PUPPIES

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Female dog with puppies mixed media on paper; framed 39.7 x 46.8 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: PEKINGESE (MUXI AND SÖTER)
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: PEKINGESE (MUXI AND SÖTER)

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Pekingese (Muxi and Söter) mixed media on paper; framed 36.2 x 45.4 cm inscribed at the bottom: Muxi Söter estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: TRAVELLING WITH DONKEY
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: TRAVELLING WITH DONKEY

    Est: €1,500 - €3,000

    Ludwig Heinrich Jungnickel Travelling with donkey mixed media on paper; framed 35. x 45.5 cm signed on the lower right: L. H. / Jungnickel estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 numbered in pencil: 297 (3) from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: THREE DONKEYS
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: THREE DONKEYS

    Est: €3,500 - €7,000

    Ludwig Heinrich Jungnickel Three donkeys mixed media on paper; framed 31 x 36. cm estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: SEA SURF
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: SEA SURF

    Est: €1,800 - €3,500

    Ludwig Heinrich Jungnickel Sea surf oil on paper; framed 33,8 x 48,7 cm monogrammed on the upper right: L. H. J. estate stamp on the reverse: Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • LUDWIG HEINRICH JUNGNICKEL: PARROTS
    Dec. 02, 2025

    LUDWIG HEINRICH JUNGNICKEL: PARROTS

    Est: €3,000 - €6,000

    Ludwig Heinrich Jungnickel Parrots mixed media on paper; framed 57 x 46,3 cm estate stamp on the reverse (twice): Nachlaß / Prof. L. H. Jungnickel / 1965 from the estate of the artist (stamp on the reverse); private collection, Austria

    Im Kinsky
  • Jungnickel, Ludwig Heinrich: 47 Blatt Tanzende, Pferde, Tiger und Baumstudien.
    Nov. 28, 2025

    Jungnickel, Ludwig Heinrich: 47 Blatt Tanzende, Pferde, Tiger und Baumstudien.

    Est: €500 - €750

    Tanzende, Pferde, Tiger und Baumstudien. Ca. 47 Zeichnungen, je schwarze Kreide, teils aquarelliert. 4to - Folio. Teils signiert, teils mit dem Nachlassstempel verso. - Provenienz: Nachlass Robert Seitschek (akad. Maler, 1910 Wien - 1990 Kufstein). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • LUDWIG HEINRICH JUNGNICKEL, WUNSIEDEL 1881 - 1965 VIENNA
    Nov. 24, 2025

    LUDWIG HEINRICH JUNGNICKEL, WUNSIEDEL 1881 - 1965 VIENNA

    Est: €1,600 - €2,400

    Ludwig Heinrich Jungnickel Wunsiedel 1881 - 1965 Vienna Portrait of a Donkey Charcoal and watercolor on Fabriano paper Signed lower left 28 x 24 cm, with frame 32 x 28 cm

    Tiberius Auctions
Lots Per Page:

Popular Artists

Devices

Get Invaluable on Your Phone

Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

Bid On-the-Go!

Download the Invaluable app and never miss an auction from your iOS or Android device.

App Store badgeGoogle Play badge
Invaluable Logo

As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

You can unsubscribe at any time. View ourPrivacy Policy.

© 1986-2026 Invaluable, LLC. and participating auction houses. All Rights Reserved.

TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map