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Angelica Kauffmann Sold at Auction Prices

Painter, Etcher, Miniature painter, Porträtmaler, Historical-scenes painter, b. 1741 - d. 1807

Artist Angelica Kauffman was considered an accomplished portraitist at an early age, with church bishops and nobles as the majority of her subjects. Her father, a well-regarded muralist, trained her, and she traveled as his assistant. A notable period in her training was the three years she spent in Italy where she visited galleries and copied the works of the Italian masters.

During her 17 years in London, artist Angelica Kauffmann was influenced by Sir Joshua Reynolds and his unique portraitist style. With her favorable reception by the royal family, she became one of the two women founders of, and an exhibitor at, the Royal Gallery.

Because she preferred working as a history painter, Angelica Kauffman moved back to Rome during the early 1780s. Angelica Kauffman portraits have been highly sought after for centuries. Admirers of historical paintings and portraiture will find a wide selection of vintage and contemporary portraits for auction or for sale through Invaluable.

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  • Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795
    Jul. 16, 2026

    Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795

    Est: $90 - $200

    A large format Neoclassical engraving on paper support by T. Schiavonetti (Italian, 1752-1818) after Angelica Kauffman (Swiss/British, 1741-1807) illustrating a dramatic scene from William Shakespeare's tragedy, Troilus and Cressida. The scene depicts five figures in classical attire within a draped interior, representing the moment of confrontation or separation in Act IV, Scene II. This print was produced for John and Josiah Boydell's celebrated Shakespeare Gallery, a major publishing venture of the late 18th century. Inscribed lower left: "Painted by Angelica Kauffman." Inscribed lower right: "Engraved by T. Schiavonetti." Inscribed below the title: "Published Sep 1st 1795, by J. & J. Boydell, at the Shakspeare Gallery... LONDON." Dimensions: 29"L x 23.5"H

    Lion and Unicorn
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Diana before the
    Jul. 01, 2026

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Diana before the

    Est: £40,000 - £60,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Diana before the hunt. oil on copper, oval7 ½ x 6 in. (18.9 x 15.3 cm.).

    Christie's
  • Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795
    Jun. 11, 2026

    Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795

    Est: $90 - $200

    A large format Neoclassical engraving on paper support by T. Schiavonetti (Italian, 1752-1818) after Angelica Kauffman (Swiss/British, 1741-1807) illustrating a dramatic scene from William Shakespeare's tragedy, Troilus and Cressida. The scene depicts five figures in classical attire within a draped interior, representing the moment of confrontation or separation in Act IV, Scene II. This print was produced for John and Josiah Boydell's celebrated Shakespeare Gallery, a major publishing venture of the late 18th century. Inscribed lower left: "Painted by Angelica Kauffman." Inscribed lower right: "Engraved by T. Schiavonetti." Inscribed below the title: "Published Sep 1st 1795, by J. & J. Boydell, at the Shakspeare Gallery... LONDON." Dimensions: 29"L x 23.5"H

    Lion and Unicorn
  • GOOD OLD MASTER PAINTING, C. 1780
    Apr. 29, 2026

    GOOD OLD MASTER PAINTING, C. 1780

    Est: $1,500 - $2,500

    GOOD OLD MASTER PAINTING, C. 1780 ANGELICA KAUFFMAN (Swiss 1741-1807) Portrait of a Young Woman as Eve - circa 1780 Oil on canvas Unsigned 24.25 x 20.25 inches (61.5 x 51.5cm). Overall, including frame 34.5 x 31 inches (87 x 78cm) Provenance: Jackson's International Auctioneers, Cedar Falls, Iowa, USA. Sale of November 15, 2011, as lot 37, and where acquired by the consignor

    Jackson's International
  • Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795
    Apr. 22, 2026

    Angelica Kauffman Engraving Troilus & Cressida Boydell Gallery 1795

    Est: $50 - $200

    A large format Neoclassical engraving on paper support by T. Schiavonetti (Italian, 1752-1818) after Angelica Kauffman (Swiss/British, 1741-1807) illustrating a dramatic scene from William Shakespeare's tragedy, Troilus and Cressida. The scene depicts five figures in classical attire within a draped interior, representing the moment of confrontation or separation in Act IV, Scene II. This print was produced for John and Josiah Boydell's celebrated Shakespeare Gallery, a major publishing venture of the late 18th century. Inscribed lower left: "Painted by Angelica Kauffman." Inscribed lower right: "Engraved by T. Schiavonetti." Inscribed below the title: "Published Sep 1st 1795, by J. & J. Boydell, at the Shakspeare Gallery... LONDON." Dimensions29"L x 23.5"H

    Lion and Unicorn
  • ATTRIBUITO A ANGELICA KAUFFMAN 1741-1807 Ritratto di giovane fanciulla - ATTRIBUITO A ANGELICA KAUFFMAN 1741-1807 Portrait of a young lady
    Apr. 15, 2026

    ATTRIBUITO A ANGELICA KAUFFMAN 1741-1807 Ritratto di giovane fanciulla - ATTRIBUITO A ANGELICA KAUFFMAN 1741-1807 Portrait of a young lady

    Est: €3,125 - €3,750

    Olio su tela. 29,00 x 23,00 cm - Oil on canvas.  11.42 x 9.06 in.

    Aste Bolaffi
  • Circle of Angelica Kauffman, RA,  Swiss 1741-1807-  The inf
    Mar. 10, 2026

    Circle of Angelica Kauffman, RA,  Swiss 1741-1807-  The inf

    Est: £300 - £400

    Circle of Angelica Kauffman, RA,  Swiss 1741-1807-  The infant Bacchus consigned to the nymphs by Mercury;  watercolour on paper, tondo, diameter 30.5 cm.  Exhibited:  Chaucer Fine Art, London, 19 November 1981-18 December 1981, no. 48 (as 'Angelica Kauffman').  Note:  The present work is highly reminiscent of Kauffman's distinctive oeuvre, including its allegorical subject matter, which was typical of Kauffman's approach, as well as in the characteristic circular format and dynamic composition. Similar works by Kauffman, for example, include her watercolours which sold at Christie's, London, on 2 June 2009, lot 619, and at Sotheby's, New York, on 5 December 2015, lot 213. 

    Roseberys
  • UNKNOWN PAINTER
    Jan. 31, 2026

    UNKNOWN PAINTER

    Est: CHF100 - CHF200

    Mourning scene at a sarcophagus Watercolor on paper, attributed to Angelica KAUFFMAN (1741-1807) on the back of the frame 28 x 23.5 cm, frame: 32 x 28 cm

    Galerie Moenius
  • A pair of prints after Angelica Kauffman (Swiss, 1741-1807)
    Jan. 24, 2026

    A pair of prints after Angelica Kauffman (Swiss, 1741-1807)

    Est: £40 - £60

    A pair of prints after Angelica Kauffman (Swiss, 1741-1807) "Gualtherus and Griselda" "The Shepherdess of the Alps" Engravings, each 19cm x 15cm

    Martel Maides
  • Angelica Kauffman (Swiss, 1741-1807) Hand Decorated Vienna Greek Mythology Cabinet Plate 1900, Dia. 10" 1 PC
    Dec. 18, 2025

    Angelica Kauffman (Swiss, 1741-1807) Hand Decorated Vienna Greek Mythology Cabinet Plate 1900, Dia. 10" 1 PC

    Est: $200 - $400

    Signed Kauffman on hand painted scene of a centaur protecting a woman and carrying her across water. Centaurs are from Greek mythology and depict a man with a human torso with a body of a horse. Highly decorated border in cobalt blue and fired gold.  Provenance: Property of a Prominent Grosse Pointe, MI Collector Dimensions: Dia 10" 1 PC

    DuMouchelles
  • Kauffman (Angelica) The Holy Family with an angel, etching, 1773
    Dec. 11, 2025

    Kauffman (Angelica) The Holy Family with an angel, etching, 1773

    Est: £400 - £600

    Kauffman (Angelica, 1741-1807) The Holy Family with an angel, etching and engraving, a beautiful well inked impression printed in bistre on 18th century laid paper without watermark, platemark 315 x 240 mm (12 1/4 x 9 1/2 in), scattered spotting, marginal handling creases, marginal staining and some associated perforations, but well outside the image, unframed, 1773 ⁂ Scarce at auction. The V&A have another impression printed in black ink, yet no impression is held in the British Museum. The etching is a reverse copy after Kauffman's own painting, now held in The Museum of John Paul II Collection.

    Forum Auctions - UK
  • "TRIOMPHE DE L’AMOUR," ENGRAVING AFTER ANGELICA KAUFMAN, BY GAVRIIL SKORODUMOV, 18 C.
    Dec. 05, 2025

    "TRIOMPHE DE L’AMOUR," ENGRAVING AFTER ANGELICA KAUFMAN, BY GAVRIIL SKORODUMOV, 18 C.

    Est: $1,200 - $1,500

    Gavriil Skorodumov (1755-1792) ''The Triumph of Love". Engraving after original by Angelica Kauffman (1741-1807) c. 1790. A well-known engraver, graduate of St. Petersburg Academy of Art, who distinguished himself by perfecting the art of engraving, Skorodumov was a court engraver and was sent to England in 1773 to further perfect his artistic skills. By 1777, Skorodumov was a well-established artist, counting among his patrons the Russian Empress Maria Fedorovna and Emperor Paul, as well as aristocratic collectors in England and Germany. During this very successful period, the artist was commissioned to reproduce a series of wildly popular paintings by the German artist Angelica Kauffman. From 1776 to 1781, he executed twenty-four engravings, depicting mythological and moralizing scenes that became very popular among European and Russian collectors. This particular engraving, executed with clarity, voluminous modeling, and detailed observations, depicts the triumph of Cupid being paraded around in an open carriage by three Graces. A rare and exquisite example of sophisticated art of engraving, exemplified by the art of an 18th-century Russian master-engraver. Please make all inquiries before bidding. All lots are sold "as-is", refer to our T&C. Helios Auctions offers in-house shipping. In case we can not accommodate a shipping request, a list of additional shippers will be provided.

    Helios Auctions
  • ATTRIBUTED TO ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). A
    Dec. 03, 2025

    ATTRIBUTED TO ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). A

    Est: £12,000 - £18,000

    ATTRIBUTED TO ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). A dog lying down in a landscape. oil on canvas25 ¾ x 34 ½ in. (65.5 x 87.7 cm.).

    Christie's
  • Kauffman (Angelica, 1741-1807). The Death of Adonis, 1780
    Nov. 12, 2025

    Kauffman (Angelica, 1741-1807). The Death of Adonis, 1780

    Est: £300 - £500

    Kauffman (Angelica, 1741-1807). The Death of Adonis, 1780 * Kauffman (Angelica, 1741-1807). The Death of Adonis, 1780, etching on thick laid paper, trimmed to printed edge, sheet size 19 x 15.5 cm QTY: (1)

    Dominic Winter Auctions
  • ANGELICA KAUFFMAN (SWISS 1741-1807), THE COUTTS SISTERS
    Nov. 04, 2025

    ANGELICA KAUFFMAN (SWISS 1741-1807), THE COUTTS SISTERS

    Est: £7,000 - £10,000

    ANGELICA KAUFFMAN (SWISS 1741-1807)THE COUTTS SISTERS, FRANCES, SOPHIE AND SUSANPencil and oil on paper laid to canvas 25 x 20cm (9¾ x 7¾ in.)CIRCA 1790Literature: Most Probably, B. Baumgartel, Angelica Kauffman, exhibition catalogue, London: Royal Academy of Arts ; Düsseldorf: Kunstpalas ; Munich: Hirme, Angelica Kauffman, 2020 (cancelled due to Covid), p. 161, n. 63 (where a bozzetto matching our picture is mentioned in a private collection, Ireland) This recently rediscovered picture is a bozzetto (preparatory sketch) for a portrait of the Coutts sisters by Angelica Kauffman, painted during their Grand Tour through Italy in 1790-91 and exhibited in the Düsseldorf exhibition in 2020 (no. 63). The three sisters were daughters of Thomas Coutts (1735-1822), director of the prominent London banking house Coutts & Co., and his wife, Susan Starkie (c. 1733-1815), who commissioned the work during their time in Rome.Seated on the left is Frances (Fanny, c. 1773-1832), resting her right arm on a lyre. In 1800, she married John Stuart, the 1st Marquess of Bute and son of Lady Bute, née Wortley Montagu. In the centre is Sophia (1775-1844), who became Lady Burdett upon her marriage to Sir Francis Burdett, 5th Bt, in 1793. Lastly, on the right is Susan (1771-1837), who married George Augustus North, 3rd Earl of Guilford, in 1789, becoming the Countess of Guilford.Their setting is that of the park of the Villa Borghese, Rome, watched over by the sculpture of Minerva, the goddess of wisdom and defender of the arts.The completed painting was finished in 1791 in Rome, after the Coutts family had left Italy. This bozzetto must have served as a study presented to the commissioners and as a reference for Kauffman to work from after their departure. In a letter to Sir William Hamilton dated May 1790, Kauffman noted that she was painting the heads of the Miss Coutts (Maierhofer, p. 150). In her Memoria delle Pitture, she records having received payment and shipping the completed work to Coutts in June 1791.The beauty of the bozzetto lies in its immediacy and freedom. Kauffman's lively brushwork reveals her artistic process-visible in brisk, bright strokes such as the yellowish paint used to depict a sunlit patch of grass in the lower left. The mask-like modelling of the faces, the rapid rendering of fabrics, and the underlying drawing visible beneath the lighter areas of the dresses offer insight into her evolving composition and painterly spontaneity.Unlike the final painting, in which the sisters are portrayed as the Three Graces, this bozzetto reflects an earlier concept-depicting the Coutts sisters as the Three Muses. Frances, with her lyre, evokes the Muse of Music; Sophia, with a scroll resting in her lap (an element absent from the final portrait), suggests the Muse of Poetry. Meanwhile, Susan is shown garlanding not her sister, as in the finished composition, but the bust of Minerva-symbolizing wisdom, the arts, and the sciences.

    Dreweatts 1759 Fine Sales
  • ANGELICA KAUFFMAN; oil on board, portrait of young women, unsigned, 20 x 15cm, framed.
    Sep. 26, 2025

    ANGELICA KAUFFMAN; oil on board, portrait of young women, unsigned, 20 x 15cm, framed.

    Est: £150 - £200

    ANGELICA KAUFFMAN; oil on board, portrait of young women, unsigned, 20 x 15cm, framed.

    Adam Partridge Auctioneers
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Penelope weeping
    Jul. 02, 2025

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Penelope weeping

    Est: £8,000 - £12,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Penelope weeping over Ulysses's bow. oil on copper10 ¼ x 8 1/8 in. (26.1 x 20.6 cm.).

    Christie's
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne
    May. 21, 2025

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne

    Est: $30,000 - $50,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne Stewart, née Dashwood, Countess of Galloway (1743-1830),.... oil on canvas, unlined38 ¼ x 29 3/8 in. (97.2 x 74.6 cm.).

    Christie's
  • ANGELICA KAUFFMAN (Suiza, 1741 - Roma, 1807), Autorretrato
    Mar. 18, 2025

    ANGELICA KAUFFMAN (Suiza, 1741 - Roma, 1807), Autorretrato

    Est: -

    ANGELICA KAUFFMAN (Switzerland, 1741 - Rome, 1807) "Self-portrait". Miniature on parchment Size: 20 x 15,5 cm. Signed in the book On the back inscribed It follows the self-portrait realized by Kauffman in oil on canvas in the year 1787 and conserved in the Gallery of the Uffizi, Florence. "Portrait of a gentleman in his studio". Miniature on ivory Size: 16,5 x 13 cm. On the back inscribed "Couple" Miniature on ivory Measures: 15 x 12,5 cm. On the back inscribed It represents the two characters standing on the right of the canvas painted by Kauffmann "Family portrait of the princess Ekatarina Petrovna Bariatinsky, born princess of Holstein-Beck".

    Magna Art Auctions
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). The Persian Siby
    Feb. 05, 2025

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). The Persian Siby

    Est: $50,000 - $70,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). The Persian Sibyl. oil on canvas49 ¼ x 37 ¼ in. (125.7 x 94.7 cm.).

    Christie's
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Calypso lamentin
    Dec. 04, 2024

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Calypso lamentin

    Est: £15,000 - £20,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Calypso lamenting the departure of Ulysses. oil on copper 11 1⁄8 x 8 5⁄8 in. (28.2 x 21.9 cm.).

    Christie's
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne
    Dec. 04, 2024

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne

    Est: £50,000 - £80,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME). Portrait of Anne Stewart, née Dashwood, Countess of Galloway (1743-1830),.... oil on canvas, unlined 38 ¼ x 29 3⁄8 in. (97.2 x 74.6 cm.).

    Christie's
  • KAUFFMANN Angelica (1740 - 1807). Attribué à. TABLEAUX
    Oct. 22, 2024

    KAUFFMANN Angelica (1740 - 1807). Attribué à. TABLEAUX

    Est: €400 - €600

    Huile sur cuivre "Portrait de femme". Attribué à Angelica Kauffman. Ecole suisse. (Écaillements). Dim.:31,5x23,5cm.

    Vanderkindere
  • Portrait of Charles Theodore, oil on canvas, Angelica Kauffman (1740-1807)
    Oct. 14, 2024

    Portrait of Charles Theodore, oil on canvas, Angelica Kauffman (1740-1807)

    Est: $500 - $10,000

    Portrait of Charles Theodore, oil on canvas, attributed to Angelica Kauffman (1740-1807). A similar but different portrait of Theodore was sold by Hampel auctions on March 25, 2011 and was attributed to the workshop of Anton Karl Hickel (1745-1798). Charles Theodore (11 December 1724 - 16 February 1799) was a German nobleman. Relined. Framed size: 26.5" x 31.5". Sight size: 18.5" x 23.25". Part two of a single-owner Lancaster, Ohio collection. We sold the first part of this collection last July. All sales final. Invoices above $2500 must be paid with cash, cashier's check or wire transfer. In-house shipping is available. Pickup is Tuesday, Oct. 15 from 1 pm to 3 pm in Carroll, OH or by appointment by Nov. 1. We can provide in-house shipping for this item. We pack once the lot is paid for. Once packed up we will send you an invoice for shipping and handling. Shipping questions: shipping@burnsbid.com Sales tax will be collected on all bidders. If tax exempt, make sure your certification is submitted with the bid platform.

    Burns Auction & Appraisal, LLC.
  • AFTER ANGELICA KAUFFMAN R.A. (AUSTRIAN / SWISS 1741-1807)
    Oct. 02, 2024

    AFTER ANGELICA KAUFFMAN R.A. (AUSTRIAN / SWISS 1741-1807)

    Est: £800 - £1,200

    "AFTER ANGELICA KAUFFMAN R.A. (AUSTRIAN / SWISS 1741-1807) A WOMAN HOLDING A STAFF with a small red chalk head study verso bears inscription in pencil verso, Original Angelica Kauffman, upper right and further inscribed in pen and ink in the centre in another hand, New or Old / Drawings mounted to any pattern / by McKenzie No 100 Berwick Street / Soho pen and brown ink and sepia, blue and pink wash on laid paper 38 x 24cm; 15 x 9½in framed Provenance Randall Davies sale, 1947 Literature Iolo Williams, Early English Watercolours and Some Cognate Drawings by Artists Born Not Later Than 1785, 1952, p. 124 We are grateful to Dr Bettina Baumgärtel for her assistance in researching this lot.

    Olympia Auctions
  • Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame
    Jul. 24, 2024

    Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame

    Est: -

    Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame

    Bamfords Auctioneers and Valuers Ltd
  • Kauffman Large Antique Engraving Auroras Chariot
    Jul. 18, 2024

    Kauffman Large Antique Engraving Auroras Chariot

    Est: $200 - $300

    Anjelica Kauffman Large Antique Engraving of Auroras Chariot. Framed measures 34 inches x 50 inches.

    Greenwich Auction
  • Angelika Kaufmann (1741-1807 Schweiz), Zwei mythologische Figurenstaffagen, London, 1778
    Jul. 08, 2024

    Angelika Kaufmann (1741-1807 Schweiz), Zwei mythologische Figurenstaffagen, London, 1778

    Est: €180 - €360

    Technik: Lithographie, hinter Glas, original verschlossen, gerahmt, Marke/Signatur: im Stock mit Titel und Bezeichnung, Maße: 41 x 36 cm, Zustand: etwas vergilbt und fleckig

    Auktionshaus Schwab
  • Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame
    Jul. 05, 2024

    Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame

    Est: £30 - £40

    Francesco Bartolozzi (1727 - 1815), by, Angelica Kauffman (1741 - 1807), after, Blind Man's Buff, coloured stipple engraving, 11cm diam, gilt metal frame

    Bamfords Auctioneers and Valuers Ltd
  • ANGELICA KAUFFMAN (1741-1807)
    Jun. 29, 2024

    ANGELICA KAUFFMAN (1741-1807)

    Est: CHF300 - CHF600

    Cornelia, mother of the Gracchi Pen drawing, probably late 18th c. 35 x 41 cm The drawing resembles a painting painted by the artist in 1785. which is now in the Museum of Fine Arts in Richmond, Virginia. Francesco BARTOLOZZI (1728-1815) made an engraving of it in 1788. It cannot be confirmed whether the drawing here was painted by Angelica Kaufmann.

    Galerie Moenius
  • Attributed to Angelica Kauffman (Swiss, 1740-1807)
    Jun. 25, 2024

    Attributed to Angelica Kauffman (Swiss, 1740-1807)

    Est: £300 - £500

    Attributed to Angelica Kauffman (Swiss, 1740-1807) Venus and Cupid pen and ink and wash, circular 15cm diameter, unframed, with Robert Witt collection stamp on mount (Lugt 2228b) A similar drawing, depicting Venus, Cupid and Psyche with two female attendants, is in the Courtauld Gallery, London. Condition Report: Sheet:17.5 x 17cm Mount: 30 x 28cm Time staining with some faint dirty marks to the border around the work. There are some small spots of foxing starting to emerge at the top but the painted area does not appear to be affected. The work has been laid down on card.

    Sworders
  • Kauffman Large Antique Engraving Auroras Chariot
    Jun. 06, 2024

    Kauffman Large Antique Engraving Auroras Chariot

    Est: $200 - $300

    Anjelica Kauffman Large Antique Engraving of Auroras Chariot. Framed measures 34 inches x 50 inches.

    Greenwich Auction
  • Kauffman Large Antique Engraving Auroras Chariot
    May. 23, 2024

    Kauffman Large Antique Engraving Auroras Chariot

    Est: $200 - $300

    Anjelica Kauffman Large Antique Engraving of Auroras Chariot. Framed measures 34 inches x 50 inches.

    Greenwich Auction
  • Kauffman Large Antique Engraving Auroras Chariot
    May. 09, 2024

    Kauffman Large Antique Engraving Auroras Chariot

    Est: $200 - $300

    Anjelica Kauffman Large Antique Engraving of Auroras Chariot. Framed measures 34 inches x 50 inches.

    Greenwich Auction
  • Kauffman Large Antique Engraving Auroras Chariot
    Apr. 25, 2024

    Kauffman Large Antique Engraving Auroras Chariot

    Est: $200 - $300

    Anjelica Kauffman Large Antique Engraving of Auroras Chariot. Framed measures 34 inches x 50 inches.

    Greenwich Auction
  • Angelika Kaufmann (1741-1807 Schweiz), Zwei mythologische Figurenstaffagen, London, 1778
    Apr. 20, 2024

    Angelika Kaufmann (1741-1807 Schweiz), Zwei mythologische Figurenstaffagen, London, 1778

    Est: €180 - €360

    Technik: Lithographie, hinter Glas, original verschlossen, gerahmt, Marke/Signatur: im Stock mit Titel und Bezeichnung, Maße: 41 x 36 cm, Zustand: etwas vergilbt und fleckig

    Auktionshaus Schwab
  • ENGLISH ITALIAN COLOR ENGRAVINGS BY ANGELICA KAUFFMAN
    Feb. 10, 2024

    ENGLISH ITALIAN COLOR ENGRAVINGS BY ANGELICA KAUFFMAN

    Est: $100 - $150

    Angelica Maria Anna Kauffmann, English, Italian, Swiss, 1741 to 1807, a pair of color engravings on paper depicting Neoclassical scenes with cherubs in the gardens. Each is signed in the plate, lower left. Engraved by Pietro Bettelini, Italian, Swiss, 1763 to 1829. Inscribed in the plate, lower right. Framed. Angelica Kauffmann is known for History and portrait painting. Born in Switzerland, Angelica Kauffmann became one of the most successful artists of late 18th Century England and Italy, especially noted for history painting and portraiture. In fact, she was the only artist who declined the invitation of Catherine the Great to come to Saint Petersburg to develop the Hermitage collection, the reason being that Kauffmann was too busy with commissions. Historically her accomplishments are quite amazing because she lived at a time when women were not allowed access to professional male models. A testimony to the high regard in which she was held by her contemporaries is that Charles Willson Peale, one of America's most famous artists, named one of his daughters Angelica Kauffman Peale. Antique European Graphic Art Prints and Collectibles.

    Antique Arena Inc
  • ANGELICA KAUFFMAN (1741-1807), ATTRIBUE - Portrait de Jeune Femme
    Dec. 15, 2023

    ANGELICA KAUFFMAN (1741-1807), ATTRIBUE - Portrait de Jeune Femme

    Est: €300 - €600

    ANGELICA KAUFFMAN (1741-1807), ATTRIBUE - Portrait de Jeune Femme Portrait de Jeune Femme Pastel sur carton Dimensions : 33,8 x 27,5 cm Peintre suisse de composition mythologique, de sujets allégoriques et de scènes de genre née à Coire, elle est surtout l’une des portraitistes les plus réputées de son époque. Passionnée très tôt par la peinture, dès l'âge de 14 ans elle quitte avec sa famille sa Suisse natale pour s’établir à Milan. Son talent se fait remarquer immédiatement autant que sa beauté et sa grâce. Après le décès de sa mère en 1857, Angelica Kauffmann voyage à Florence, à Rome ou encore à Milan, mais poussée par le succès grandissant, elle s’établit à Londres où elle est nommée membre fondateur de la Royal Academy. Après des déboires amoureux, elle rentre en Italie et épouse en 1784 le peintre vénitien Antonio Zucchi avec qui elle se fixe à Rome, ville qu’elle ne quittera plus jusqu’à son décès.

    Accademia Fine Art
  • European Neoclassical Prints (after Kauffman & Reni)
    Nov. 27, 2023

    European Neoclassical Prints (after Kauffman & Reni)

    Est: $1,400 - $2,000

    **Originally Listed At $800** A beautiful pair of European Neoclassical prints! First is a James Watson (British born in Ireland, ca. 1730 - 1790) mezzotint of "The Parting of Hector and Andromache" by Angelica Kauffman (British raised in Switzerland and Italy, 1741-1807). The inscription includes the artists' and publisher's names, the title in English and Italian, and following publication line: "London Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street. / Published as the Act directs 1st. Jany. 1772." In this image Andromache embraces Hector who dons battle attire with a plumed helmet an a long spear and turns toward her. To the left, a nurse holds a baby. To the right are tents in the distant landscape. The ensemble of figures are presented before architecture with classical elements. Size (image with lower border): 17.75" L x 19.8" W (45.1 cm x 50.3 cm) Next is a Charles Clement Vervic (French, Paris 1756-1822 Paris) engraving of "Dejanira Being Abducted by the Centaur Nessos, a Man with Bow and Arrow at Right" after Guido Reni (Italian, Bologna 1575-1642 Bologna), printed by Ramboz (French, active Paris, 1793-1830) and published by Charles Clement Bervic (French, Paris 1756-1822 Paris) in 1802. A lovely pair of antique prints from the Neoclassical period. Size (image): 17.75" L x 13.875" W (45.1 cm x 35.2 cm) Size (sheet): 23.875" L x 17.2" W (60.6 cm x 43.7 cm) Provenance: private Rancho Mirage, California, USA collection, by inheritance in 2020; ex-Dr. TDR Berreth, California, USA, acquired before 1982 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179145

    Artemis Gallery
  • 2 Neoclassical Prints after Kauffman & Reni 1772 & 1802
    Oct. 26, 2023

    2 Neoclassical Prints after Kauffman & Reni 1772 & 1802

    Est: $1,400 - $2,000

    A beautiful pair of European Neoclassical prints! First is a James Watson (British born in Ireland, ca. 1730 - 1790) mezzotint of "The Parting of Hector and Andromache" by Angelica Kauffman (British raised in Switzerland and Italy, 1741-1807). The inscription includes the artists' and publisher's names, the title in English and Italian, and following publication line: "London Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street. / Published as the Act directs 1st. Jany. 1772." In this image Andromache embraces Hector who dons battle attire with a plumed helmet an a long spear and turns toward her. To the left, a nurse holds a baby. To the right are tents in the distant landscape. The ensemble of figures are presented before architecture with classical elements. Size (image with lower border): 17.75" L x 19.8" W (45.1 cm x 50.3 cm) Next is a Charles Clement Vervic (French, Paris 1756-1822 Paris) engraving of "Dejanira Being Abducted by the Centaur Nessos, a Man with Bow and Arrow at Right" after Guido Reni (Italian, Bologna 1575-1642 Bologna), printed by Ramboz (French, active Paris, 1793-1830) and published by Charles Clement Bervic (French, Paris 1756-1822 Paris) in 1802. A lovely pair of antique prints from the Neoclassical period. Size (image): 17.75" L x 13.875" W (45.1 cm x 35.2 cm) Size (sheet): 23.875" L x 17.2" W (60.6 cm x 43.7 cm) Provenance: private Rancho Mirage, California, USA collection, by inheritance in 2020; ex-Dr. TDR Berreth, California, USA, acquired before 1982 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179145

    Artemis Gallery
  • Angelica Kauffmann (Coira 1741-Roma 1807) - Female portrait, 1804
    Oct. 19, 2023

    Angelica Kauffmann (Coira 1741-Roma 1807) - Female portrait, 1804

    Est: €30,000 - €50,000

    oil on canvas 62.5 x 52 cm signed, located and dated lower right: Angelica / Kauffman / pinx / Roma 1804 Expertise Dr. Bettina Baumgärtel (Head of Angelica-Kauffmann-Research Projekt-AKRP), Dusseldorf, June 14 2023 (a copy is available) The work is archived by the Angelica Kauffmann Research Project (AKRP)

    Finarte
  • KAUFFMANN Angelica (1740 - 1807) Huile sur cuivre "Portrait de femme". Attr
    Oct. 10, 2023

    KAUFFMANN Angelica (1740 - 1807) Huile sur cuivre "Portrait de femme". Attr

    Est: €1,000 - €1,200

    KAUFFMANN Angelica (1740 - 1807) Huile sur cuivre "Portrait de femme". Attribué à Angelica Kauffman. Ecole suisse. (Écaillements). Dim.:31,5x23,5cm.

    Vanderkindere
  • ANGELICA MARIA KAUFFMANN (Switzerland/England/Italy, 1741-1807)
    Oct. 01, 2023

    ANGELICA MARIA KAUFFMANN (Switzerland/England/Italy, 1741-1807)

    Est: $3,000 - $5,000

    three Muses sgn. l.m. ...Kauffmann o/metal; 12 in. diam.; 19th c. frame 15”sq., framers label on reverse....Wholesale Frame Maker and Print seller, Cheapest House for Shippers, Basinghall St., London From the home of a Cambridge, Massachusetts woman.

    CRN Auctions
  • Attributed to Angelica Kauffman RA (1741 - 1807), A portrait of James Hugh Smith Barry
    Jun. 29, 2023

    Attributed to Angelica Kauffman RA (1741 - 1807), A portrait of James Hugh Smith Barry

    Est: £30,000 - £50,000

    Property of a gentlemanAttributed to Angelica Kauffman RA (1741 - 1807)A portrait of James Hugh Smith BarryOil on canvasКProvenance: James Hugh Smith Barry; and thence by descent. Dimensions:(Canvas) 40.5 in. (H) x 31.5 in. (W)(Frame) 51.25 in. (H) x 41.5 in. (W)James Hugh Smith Barry, eldest son of Hon. John Smith-Barry (1725-84) and his wife Dorothy, elder daughter and co-heiress of Hugh Smith of Weald Hall (Essex), born 25 December 1748 and baptised at Great Budworth, 18 January 1748/9. Educated at Eton (1762-67) and Brasenose College, Oxford (matriculated 1767; created MA 1770) and then travelled in Europe and the Middle East, 1771-76. In Italy, he visited Rome, Naples and Sicily before travelling on with a group of friends including Lord Winchilsea and Thomas Dashwood, on a two-year tour to Malta, Constantinople and Egypt. On returning to Italy he saw Capua and Florence. During his travels he bought works of art, classical sculpture and medals 'on a lavish scale but with little discernment', although his collection included a number of important works, including the Jenkins vase (now in the National Museum of Wales). His travels were curtailed when his father stopped payment of his bills and he returned to England via Dresden and Paris in considerable debt. He travelled again in 1779, visiting Florence, Rome (where Angelica Kauffman painted his portrait) and Naples. In 1781 he bought a statue of Zeus from the Villa d'Este for Ј600, which was probably his most important purchase (now in the Getty Museum in California). After inheriting his father's estates and considerable wealth in 1784 he became increasingly reclusive and lived chiefly at Fota, although his collections were divided mainly between Belmont and Marbury. J.L. de Bougrenet de la Tocnaye, who visited him at Fota in 1796-97 recorded that 'his riches have so surfeited him and disgusted him with the world that he has almost totally retired from society, and lives rather a melancholy life in his island'. He was High Sheriff of Cheshire, 1795-96, but otherwise took no part in public affairs. He was unmarried, but had acknowledged issue, by his mistress Ann Tanner (b. c. 1756), for whom he rented Swerford Park (Oxon), where the children were brought up.

    Sloane Street Auctions
  • DRAWING. KAUFFMAN. DAMA CON LIBRO APERTO.
    Jun. 21, 2023

    DRAWING. KAUFFMAN. DAMA CON LIBRO APERTO.

    Est: €1,800 - €2,800

    Angelica KAUFFMAN. Dama con libro aperto. Coira, 30 ottobre 1741 – Roma, 5 novembre 1807 Disegno su carta a matita grassa nera e sanguigna.140x125mm. Margini. Buono stato di conservazione. Splendido disegno di Angelica Kauffman, preparatorio per una incisione. Fu il padre, Johann Joseph Kauffmann, anch’egli pittore, ad avviarla verso la carriera artistica. Nel 1754 la portò a Milano, dove studiò la pittura indirizzandosi principalmente nella realizzazione di ritratti. Visitò Roma, Parma, Bologna, Modena e Venezia, dove venne celebrata per il suo innegabile talento. Si recò a Londra, dove completò diversi dipinti antichi e, soprattutto, risultò l’unica donna tra i fondatori della Royal Academy of Arts, celebre istituzione artistica inglese che, sin dalla sua creazione, si occupa di ospitare mostre ed esposizioni d’arte di celebri opere provenienti da ogni parte del mondo. Sposò l’artista veneziano Antonio Zucchi, trasferendosi in seguito a Roma, dove conobbe, tra gli altri, il filosofo e scrittore tedesco Johann Volfgang von Goethe, e dove morì, il 5 novembre 1807. Nota per la scelta di soggetti a carattere prettamente storico, ha realizzato molti dipinti famosi come Penelope al telaio, Il colore, Il disegno, La composizione, Il genio, Virgilio che legge l’Eneide ad Augusto e Ottavia, Amore e Psiche, Cornelia madre dei gracchi, oltre che svariati ritratti di personaggi celebri come la regina Carlotta d’Inghilterra, e diversi autoritratti e incisioni.

    Bado e Mart
  • ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME) AND STUDIO Penelope awakened by Euryclea with the news of Ulysses' Return oil on canvas, unlined 31 x 41 1/8 in. (78.7 x 104.5 cm.) 75
    May. 24, 2023

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME) AND STUDIO Penelope awakened by Euryclea with the news of Ulysses' Return oil on canvas, unlined 31 x 41 1/8 in. (78.7 x 104.5 cm.) 75

    Est: $150,000 - $250,000

    ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME) AND STUDIO Penelope awakened by Euryclea with the news of Ulysses' Return oil on canvas, unlined 31 x 41 1/8 in. (78.7 x 104.5 cm.)

    Christie's
  • Angelica Kauffman (Swiss, Chur 1741 – Rome 1807), Attributed, Venus and Cupid
    Apr. 29, 2023

    Angelica Kauffman (Swiss, Chur 1741 – Rome 1807), Attributed, Venus and Cupid

    Est: €800 - €1,000

    In a landscape setting, Cupid embraces half-naked Venus, who is sitting and holding him in her arms.

    Fine Antiques Prague s.r.o.
  • Angelica Kauffman RA (Swiss, 1740-1807)
    Apr. 04, 2023

    Angelica Kauffman RA (Swiss, 1740-1807)

    Est: £80,000 - £100,000

    Angelica Kauffman RA (Swiss, 1740-1807) Angelica Kauffman RA (Swiss, 1740-1807) And Nathan said unto David, 'Thou art Man'; The prophet Ahlijah foretells to the wife of King Jeroboam the death of her son Abijah a pair, both signed 'Angelika Kauffman/Pinx' l.l., bearing the artist’s original descriptive label verso, oil on canvas 42.5 x 47.5cm (2) Provenance: Commissioned by George Bowles of Wanstead, London, to Kauffman at this time in Rome, August 1791; Bequeathed to his sister Rebecca Rushout, later 1st Baroness Northwick; Rushout sale, Phillips & Neale, London, 9 December 1879, bought by Joseph Pyke; Joseph Pyke, Devonshire Place House, Marylebone Road; Anon. sale, Sotheby’s, London, 9 July 1980, lot 84; Anon. sale, Sotheby's, London, 14 July 1999, lot 39. Literature: Frances A Gerard, 'Angelica Kauffman: A Biography', London 1893, p.365, No. 2 (collection G Bowles); Lady Victoria Manners and G C Williamson, 'Angelica Kauffman RA', 1924, p.161; Bettina Baumgärtel, 'Angelica Kauffman', catalogue for the exhibition in Dusseldorf, 1998-1999, no.269. Painted in Rome, these two works depict biblical scenes from the Old Testament relating to two kings of Israel. In the first work King Jeroboam’s wife is shown in distress after being told by the prophet Ahlijah of her son’s impending death. The second depicts the moment that the prophet Nathan points an accusing finger at King David, who was guilty of plotting the murder of his wife’s former husband, Uriah, so that he could marry her. Both scenes are enacted with high drama and demonstrate Kaufmann’s compositional prowess. Initially these works were part of a set of four, which were commissioned in 1791 by one of Kauffman’s greatest patrons, George Bowles. Bowles owned as many as fifty works by Kauffman and supported her throughout her career. Our thanks to Dr. Bettina Baumgärtel, head of the Angelika Kauffman Research Project, for her help in the preparation of this catalogue entry. Condition Report: overall: 59 x 64cm and nathan said unto David: The surface is covered with a fine craquelure. There is a small repaired scratch to the upper right edge. The canvas has been re-lined. Under UV light - the surface is covered with a thick layer of probably dammar varnish which obscures much of the surface. There are several very small flecks of retouching in places, however, nothing extensive or that appears to be the result of significant damage. it is possible there are older retouchings, however, nothing is visible. In generally good order, ready to hang. The prophet Ahlijah foretells to the wife of King Jeroboam the death of her son Abijah: The canvas has been lined. There is a fine craquelure covering the surface. To the lower edge, centre right, there is a small square scratch, below the seated figure. See illustration. Under UV light - as above, there is a thick layer of varnish which obscures much of the surface. However, there are some minor spots of retouching in places, with some evidence of infilling to the craquelure to the lower left quarter of the work. Both come with the original plaque.

    Sworders
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