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Charles Vincent Lamb Sold at Auction Prices

Figure painter, Painter

Lamb was an Irish painter and teacher, born in Portadown, Armagh, Northern Ireland. At first he followed his father’s trade as a house painter. He studied at the local Technical School but began attending evening classes at the Belfast School of Art. He gained a scholarship to Dublin’s Metropolitan School of art which he attended between 1917-21. Here he won gold and silver medals. He settled in Carraroe, County, Galway, where he became noted for his studies of peasant life. In the mid-1930s he built a house at Carraroe where he ran a summer painting school. He traveled extensively throughout Ireland. In the ‘20’s he traveled by horseback through West of Ireland, painting and visiting Carraroe on the coast of Galway Bay. He worked in the North from the early 1940s onward. Lamb also painted in Brittany, picturing Breton fishermen and peasants. Lamb became a member of the RHA and RUA and exhibited throughout Ireland as well as abroad. In 1932 his works were included in the Olympic Art Exhibition, Los Angeles. He had an exhibition in Belfast in 1947, and a memorial show in 1969 in the Municipal Gallery of Modern Art. Examples of paintings by Lamb are owned by most Irish public museums.

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  • AN IRISH SILVER TEAPOT, Dublin c.1899, mark of Charles Lamb, with flower bud finial, acanthus wrapped c-scroll handle, with masked spout, the baluster shaped body with all over repousse floral decoration, with vacant cartouches flanked by flying a
    Aug. 25, 2026

    AN IRISH SILVER TEAPOT, Dublin c.1899, mark of Charles Lamb, with flower bud finial, acanthus wrapped c-scroll handle, with masked spout, the baluster shaped body with all over repousse floral decoration, with vacant cartouches flanked by flying a

    Est: €900 - €1,200

    AN IRISH SILVER TEAPOT, Dublin c.1899, mark of Charles Lamb, with flower bud finial, acanthus wrapped c-scroll handle, with masked spout, the baluster shaped body with all over repousse floral decoration, with vacant cartouches flanked by flying angels, on conforming circular foot, (30.6 troy ozs). 16.5cm high, 27.5cm wide

    Adam's
  • Elia. Essays which have appeared under that signature in the London Magazine, 1st edition, 2nd issue, London: printed for Taylor and Hessey, 1823, 2nd issue with two addresses for the publisher to title, 6
    Jul. 23, 2026

    Elia. Essays which have appeared under that signature in the London Magazine, 1st edition, 2nd issue, London: printed for Taylor and Hessey, 1823, 2nd issue with two addresses for the publisher to title, 6

    Est: £200 - £300

    Lamb (Charles) Elia. Essays which have appeared under that signature in the London Magazine, first edition, first issue with single address in imprint on title, lacking half-title but with 6pp. advertisements at end, ink ownerhips inscription to front endpaper verso and note to p.341, some light browning and spots, contemporary half calf, spine sunned, a little rubbed, Taylor and Hessey, 1823; and another copy of the same, first edition, second issue with two addresses in imprint on title, lacking half-title and advertsements, contemporary calf, gilt, neatly rebacked, 1823, 8vo (2)

    Forum Auctions - UK
  • Guild of Women-Binders.- Lamb (Charles) Rosamund Gray and Barbara S., one of 25 copies on Japanese vellum, bound in crushed olive morocco elaborately tooled in gilt with floral inlays, [c.1900]
    Jul. 16, 2026

    Guild of Women-Binders.- Lamb (Charles) Rosamund Gray and Barbara S., one of 25 copies on Japanese vellum, bound in crushed olive morocco elaborately tooled in gilt with floral inlays, [c.1900]

    Est: £800 - £1,200

    Guild of Women-Binders.- Lamb (Charles) Rosamund Gray and Barbara S., number 5 of 25 copies on Japanese vellum, title in green & black, bound in crushed olive morocco with all-over design of gilt tendrils with inlaid flower heads in red, blue & pink and small pink & brown heart-shaped leaves, the background partly filled with dots in blind, spine titled in gilt with inlaid small red dots and hearts, tan morocco doublures with rich design of inlaid red circles and green hearts tooled in gilt with swirling tendrils & small dots and some dots in blind, vellum linings with small gilt dots to corners, signed in gilt at foot of front lining, g.e., spine slightly rubbed & faded, cracks to upper joint, preserved in modern cloth drop-back box, small 8vo (c.140 x 105mm.), R.Brimley Johnson, York Library, [c.1900].*** The Guild of Women-Binders was founded in 1898 by the London bookseller and founder of The Hampstead Bindery Frank Karslake to teach the craft to women and market their bindings. Karslake hosted the Guild's first 'Exhibition of Artistic Bookbinding by Women' at his shop, which ran from November 1897 to February 1898. The Guild was dissolved in 1904.A pencil note to the front free endpaper states that the binding was designed & worked by Miss Bedell who is listed as part of the Guild but nothing more is known about her.

    Forum Auctions - UK
  • CHARLES VINCENT LAMB RHA RUA (1893 - 1964)
    Jun. 10, 2026

    CHARLES VINCENT LAMB RHA RUA (1893 - 1964)

    Est: €3,000 - €5,000

    Title: Cottages by the Lake, Connemara Medium: Oil on Board Signature: Signed Lower Left Provenance: Oisin Gallery, Dublin (Label Verso); Private Collection Framed Charles Lamb was born in Portadown in N.Ireland in 1893. He studied life drawing at evening classes at Belfast College of Art and in 1917 he became a full time student at the Metropolitan School of Art in Dublin. Like Henry, Keating and other artists, he had a deep affinity with the West of Ireland, especially the area around Carraroe, Connemara. He settled there in 1935. Paul Henry, in many respects, opened up the west of Ireland as a subject for engagement by artists, including northern artists like James Humbert Craig et al. It was believed that Irish national identity was somehow invested in its rugged terrain, as a cultural repository, removed from industrialisation. There was also the notion that there was dignity in land-related work and self-sufficiency. Precedents in this regard include Van Gogh and Millet. In ÔCottages by the Lake, ConnemaraÕ by Lamb, the sky, overcast in a watery milky grey, is reflected in the water. In the mid-distance some buildings line the crest of a small brown / grey hill. The land colours then shift to greens and browns, with more distinct white-washed buildings, screened by a dominant tree and bushes. In the lower foreground two small promontories stretch out into the water. In the immediate foreground the rippled water laps the embankment. Lamb is particularly good at depicting Irish weather conditions and the inscape of the earth. It recalls a few lines from Seamus HeaneyÕs poem ÔBanks of a CanalÕ related to a painting in The National Gallery, Dublin, by the French artist Gustave Caillebotte ÔThe sky not truly bright or overcast: I know that clay, the damp and dirt of it, The coolth along the bank, the grassy zest of verge,ÉÕ Lamb has painted a number of works, with ÔcottagesÕ in the title, at different times of the day or evening where light has a defining role. This painting has the pallor and the chill of perhaps early morning. The artist excels at structuring the dynamics of a scene,allowing light to emphasise or dissipate form. Brian Kennedy has noted that ÔHenryÉdiscovered the west of Ireland in 1910 and almost single-handedly forged a school of Irish painting based on landscape there which in the hands of Lamb, Craig and McKelvey dominated the period between the warsÕ. What drew Lamb to work in Connemara was the rural and colourful lifestyle of the people. It also drew him to live and work in Brittany for a time during the 1920s and in the Aran Islands, where he would have known artists Sean Keating, Elizabeth Rivers and Maurice MacGonigal. His work is in many private and public collections. He exhibited in London, Boston and New York and he regularly contributed to the RUA and RHA exhibitions, where he became a member in 1930 and 1938 respectively. In 1947, a solo show was arranged at CEMA, Belfast, and a retrospective of his work was held in 1969 at the Hugh Lane Gallery, Dublin. His work is in many private and public collections, including in the National Gallery of Ireland, The Hugh Lane Gallery, Armagh County Museum and The Ulster Museum. Prof. Liam Kelly, May 2026

    Sheppards
  • Charles Vincent Lamb RHA RUA (1893-1964) STORM OVER COTTAGES, WEST OF IRELAND
    May. 25, 2026

    Charles Vincent Lamb RHA RUA (1893-1964) STORM OVER COTTAGES, WEST OF IRELAND

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) STORM OVER COTTAGES, WEST OF IRELAND oil on board signed lower left h:12.50  w:15.75 in. Provenance: Oriel Gallery, Dublin; Private collection

    Whyte's
  • Charles Lamb RHA RUA (1893-1964) The Costello River, Connemara Oil on canvas board 40 x 50cm (15¾ x 19¾) Signed
    Mar. 25, 2026

    Charles Lamb RHA RUA (1893-1964) The Costello River, Connemara Oil on canvas board 40 x 50cm (15¾ x 19¾) Signed

    Est: €3,000 - €5,000

    Charles Lamb RHA RUA (1893-1964) The Costello River, Connemara Oil on canvas board 40 x 50cm (15¾ x 19¾) Signed

    Adam's
  • Charles Lamb RHA RUA (1893-1964) Connemara Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed
    Mar. 25, 2026

    Charles Lamb RHA RUA (1893-1964) Connemara Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Est: €1,000 - €1,500

    Charles Lamb RHA RUA (1893-1964) Connemara Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Adam's
  • Rackham (Arthur).- Lamb (Charles & Mary) Tales from Shakespeare, one of 750 copies signed by the artist, 1909.
    Mar. 18, 2026

    Rackham (Arthur).- Lamb (Charles & Mary) Tales from Shakespeare, one of 750 copies signed by the artist, 1909.

    Est: £400 - £600

    Rackham (Arthur).- Lamb (Charles & Mary) Tales from Shakespeare, large paper copy, one of 750 signed by the artist, tipped-in colour frontispiece in duplicate, 12 other tipped-in colour plates including plate 'Puck' not included in the trade edition, all by Arthur Rackham, ink ownership inscription to front free endpaper, bookplate of Doreen Frances Stern to limitation f. verso, light creasing to lower corner of frontispieces and one or two other plates, the odd patch of soiling, occasional toning and very light offsetting, gutter cracked at points but holding, endpapers stained, original cloth, gilt, with ties, t.e.g., others uncut, browning to spine, soiled, 4to, London & New York, 1909.

    Forum Auctions - UK
  • Lamb (Charles) The New Year's Feast on his Coming of Age, first edition, Majorie Moon's copy, J. Harris and Son, 1824.
    Mar. 18, 2026

    Lamb (Charles) The New Year's Feast on his Coming of Age, first edition, Majorie Moon's copy, J. Harris and Son, 1824.

    Est: £1,000 - £1,500

    [Lamb (Charles)] The New Year's Feast on his Coming of Age, first edition, 12 wood-engraved illustrations coloured by hand, original stiff printed wrappers, advertisement sheet pasted inside lower cover, backstrip a little chipped, in blue morocco slip-case with bookplates of Majorie Moon and Henry Frederick 6th Marquess of Bath laid down inside, spine slightly toned, spine ends and corner tips lightly rubbed, [Moon 576], 12mo, J. Harris and Son, 1824. ⁂ The poem is described in the preface as "a versification of a prose composition [by Charles Lamb] which appeared in the London Magazine, for January 1823". Scarce at auction.

    Forum Auctions - UK
  • CHARLES VINCENT LAMB RHA RUA (1893 - 1964)
    Feb. 24, 2026

    CHARLES VINCENT LAMB RHA RUA (1893 - 1964)

    Est: €10,000 - €15,000

    Title: Connemara Cottages Medium: Oil on Canvas Signature: Signed Lower Left Provenance: The Dr. Kevin Moynihan Collection, Macroom, Co. Cork; Private Collection Framed PICTURES AND PRINTS Tuesday 24th February 2026 19:28:48

    Sheppards
  • CHARLES VINCENT LAMB RHA RUA (1893 - 1964)
    Feb. 24, 2026

    CHARLES VINCENT LAMB RHA RUA (1893 - 1964)

    Est: €2,500 - €3,500

    Title: Sunset at Killaloe Medium: Oil on Board Signature: Signed Lower Right Provenance: Victor Waddington Galleries (Label Verso); Private Collection Framed PICTURES AND PRINTS Tuesday 24th February 2026 18:09:36

    Sheppards
  • Charles Lamb RHA (British, 1893-1964) - 'The castle of Lismore, Co Waterford', oil on board,
    Dec. 10, 2025

    Charles Lamb RHA (British, 1893-1964) - 'The castle of Lismore, Co Waterford', oil on board,

    Est: £1,500 - £2,000

    Charles Lamb RHA (British, 1893-1964) - 'The castle of Lismore, Co Waterford', oil on board, signed lower left, 1927, 28.5 x 39 cm ARR may be applicable Three small dents at the bottom otherwise in good condition

    Andrew Smith & Son
  • Charles Vincent Lamb RHA RUA (1893-1964) CANAL LOCK
    Dec. 01, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) CANAL LOCK

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) CANAL LOCK oil on board signed lower left h:13  w:16 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) ON THE COAST
    Dec. 01, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) ON THE COAST

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) ON THE COAST oil on board signed lower left; titled on reverse h:13  w:16 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) LAKE SCENE WITH COTTAGES IN THE DISTANCE
    Dec. 01, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) LAKE SCENE WITH COTTAGES IN THE DISTANCE

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) LAKE SCENE WITH COTTAGES IN THE DISTANCE oil on board signed lower left h:13  w:16 in.

    Whyte's
  • ▲ Charles Vincent Lamb (Irish, 1893-1964)
    Oct. 07, 2025

    ▲ Charles Vincent Lamb (Irish, 1893-1964)

    Est: £800 - £1,200

    ▲ Charles Vincent Lamb (Irish, 1893-1964) 'Cottage in Carraroe, Connemara' signed 'LAMB' l.l., oil on board 29 x 40cm Condition Report: Framed: 44 x 54.5cm A few tiny spots of light surface dirt. There is a very small, fine crack starting to emerge to the centre of the left edge. Appears to be in otherwise good condition. There is some spotting to the reverse however the front does not appear to be affected. Not examined under UV light, for a full report please contact the department.

    Sworders
  • Charles Vincent Lamb RHA RUA (1893-1964) A BREEZY DAY
    Sep. 29, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) A BREEZY DAY

    Est: €2,500 - €3,500

    Charles Vincent Lamb RHA RUA (1893-1964) A BREEZY DAY oil on panel signed lower left h:12.50  w:13 in. Charles Vincent Lamb grew up in Portadown, Co. Armagh working alongside his father as apprentice house painter. In 1917, he won a scholarship to study at the Metropolitan School of Art (now National School of Art and Design) under the leadership of Seán Keating. Lamb was a member of the Society of Dublin Painters, an avant-garde circle founded by Paul Henry seeking to portray a new artistic identity and style in line with the Free State. Like his peers, Lamb's works showed a deep connection with the West of Ireland, region where he settled permanently after 1935. His academic style was praised by many, and his works were continuously showed at the Royal Hibernian Academy of which he became a full member in 1938. His depic-tions of Irish rural life brought him to be represented in the art competition at the 1932 Summer Olympics held in the Los Angeles Museum of History, Science and Art. Today, Lamb's works can be seen in all the major Irish public collections including the National Gallery of Ireland and the Hugh Lane Gallery as well as the Ulster Museum.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) SEATED COUPLE, CONNEMARA
    Sep. 29, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) SEATED COUPLE, CONNEMARA

    Est: €15,000 - €20,000

    Charles Vincent Lamb RHA RUA (1893-1964) SEATED COUPLE, CONNEMARA oil on canvas signed lower left h:24.25  w:29.25 in. Charles Lamb was a key figure in the creation of a new visual identity for the burgeoning Irish Free State, an identity that became inextricably linked to the west of Ireland, its landscape, people and practices. The eldest of a family of seven children, Lamb was born in Portadown Co. Armagh and began his career as an apprentice painter and decorator to his father honing his painting skills on church interiors by day and attending Belfast College of Art by night. In 1917 he attended the Metropolitan School of Art in Dublin on a scholarship and it was there he came under the stylistic influence of his teachers and peers, among them Sir William Orpen, Seán Keating, Patrick Tuohy, Margaret Clarke and James Sleator. The influence of Keating in particular can be seen in Lamb's early work; most noticeably in his portraiture and genre scenes and although Lamb was uninterested in politics (1) the style of his paintings at this time dovetailed with the Nationalist narrative. In 1921 Pádraic Ó Conaire, the Irish language writer and journalist, encouraged Lamb to visit the west of Ireland. While there he visited the coastal village of Carraroe, a Gaeltacht (primarily Irish-speaking) community, which would later become the artist's permanent home. In Carraroe Lamb, together with his wife Katherine, daughter of the novelist Ford Madox Ford, and great-granddaughter of the painter Ford Madox Brown, raised five children, all Gaeilgeoirs (Irish speakers) bar Lamb himself. They lived sustainably off their land in a home - built by local tradesmen - that would become an artistic hub attracting numerous artists, among them Maurice MacGonigal, Gerard Dillon, Bea Orpen, Micheál MacLíammoir and others. In later years he hosted a summer school there. Lamb had a longstanding relationship with the RHA, exhibiting there almost annually over a forty-five year period from 1919 until his sudden death in 1964. The titles exhibited with that institution - many given in Irish - provide a record of the people of the west of Ireland and their way of life, whether they were images of people fishing, gathering kelp, sowing potatoes, basket weaving, gathering for song, dance or prayer (Lamb's, Pattern Day in Connemara - now in the collection of the National University of Ireland, Galway - was commissioned in 1934 by the Trustees of the Thomas Haverty Bequest) or painted in their traditional dress such as A Quaint Couple, 1930 (Collection of the Crawford Gallery, Cork). The present work is a later example by the artist, likely dating to the 1950s when his style became more fluid and his depictions of people and places were more impressionistic than specific, however, aspects of the sitters' features and dress recall the aforementioned A Quaint Couple, Lamb's neighbours, Pádraic McDonagh and his sister Bríd from Rinn, Connemara. In this painting however the pair are not depicted outdoors but rather seated together on a long bench, set back against their cottage wall. The scene is a fascinating insight into the Irish rural cottage interior. In the upper left corner hangs a picture, likely the sacred heart, with a set of rosary beads hanging from its simple cross frame. To the right, a circular-shaped basket, possibly a "ciseog" (used for straining and serving potatoes) hangs, while on the floor beneath stands a square-shaped basket with handles holding what might be three "sleán" or spades used for cutting turf. The man holds a shiny, metal cup in his left hand, his elbow resting on his leg which is propped up slightly against the bench. He turns to face the barefoot woman reaching out to her with his other arm, she does not appear to react and sits, arms folded across her chest, looking into the distance. In 1955 Lamb exhibited a painting entitled A Cnaigin of Poteen (no. 88, £95-0-0). Nágin is the Irish for "naggin" or "noggin" a small drinking cup and although the title of the present work is untraced the subject matter would seem a plausible match for this substantial painting. Adelle Hughes August 2025 Footnote: 1. Bourke, Marie, 'Charles Lamb, Imaging Connemara', Irish Arts Review, Winter, 2019, Vol. 36 (4)

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) WEST OF IRELAND LANDSCAPE
    May. 26, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) WEST OF IRELAND LANDSCAPE

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) WEST OF IRELAND LANDSCAPE oil on board signed lower left h:10.50  w:14 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE BY A LAKE WITH MOUNTAINS BEYOND, WEST OF IRELAND
    May. 26, 2025

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE BY A LAKE WITH MOUNTAINS BEYOND, WEST OF IRELAND

    Est: €3,000 - €5,000

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE BY A LAKE WITH MOUNTAINS BEYOND, WEST OF IRELAND oil on canvas signed lower left; with Combridge's framing label on reverse h:16  w:20 in.

    Whyte's
  • LAMB’S DRAMATIC POETS, LIMITED EDITION, 2 VOLUMES, EARLY 1893
    Mar. 27, 2025

    LAMB’S DRAMATIC POETS, LIMITED EDITION, 2 VOLUMES, EARLY 1893

    Est: $300 - $350

    1893. London. J.M. Dent and Co., Publisher. Complete in 2 volumes. All volumes Very Good+ condition. All volumes are bound in black full leather hard covers, and are gold embossed on the spines and cover for title and design. No owners markings or book plates. Books are clean, tight and unmarked. Acquired from a Washington DC estate.

    The Rug Life Auctions
  • Charles Lamb RHA RUA (1893-1965) 'Loch an Calla' Oil on board, 32 x 40cm (12½ x 15¾) Signed Exhibited: Dublin, The Hugh Lane Gallery, 'Charles Lamb Memorial Exhibition', 1969, label verso Provenance: The Bell Gallery, Belfast, label verso
    Mar. 26, 2025

    Charles Lamb RHA RUA (1893-1965) 'Loch an Calla' Oil on board, 32 x 40cm (12½ x 15¾) Signed Exhibited: Dublin, The Hugh Lane Gallery, 'Charles Lamb Memorial Exhibition', 1969, label verso Provenance: The Bell Gallery, Belfast, label verso

    Est: €3,000 - €5,000

    Charles Lamb RHA RUA (1893-1965) 'Loch an Calla' Oil on board, 32 x 40cm (12½ x 15¾) Signed Exhibited: Dublin, The Hugh Lane Gallery, 'Charles Lamb Memorial Exhibition', 1969, label verso Provenance: The Bell Gallery, Belfast, label verso

    Adam's
  • Charles Lamb RHA RUA (1893-1964) Lough Neagh At Maghery Oil on board, 29 x 39cm (11½ x 15¼) Inscribed in the artist's hand verso
    Mar. 26, 2025

    Charles Lamb RHA RUA (1893-1964) Lough Neagh At Maghery Oil on board, 29 x 39cm (11½ x 15¼) Inscribed in the artist's hand verso

    Est: €2,000 - €3,000

    Charles Lamb RHA RUA (1893-1964) Lough Neagh At Maghery Oil on board, 29 x 39cm (11½ x 15¼) Inscribed in the artist's hand verso

    Adam's
  • Charles Lamb RHA RUA (1893-1964) A Connemara Village Oil on board, 32 x 40cm (11½ x 15¾) Signed
    Mar. 26, 2025

    Charles Lamb RHA RUA (1893-1964) A Connemara Village Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Est: €2,000 - €3,000

    Charles Lamb RHA RUA (1893-1964) A Connemara Village Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Adam's
  • Charles Lamb RHA RUA (1893-1964) Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed
    Mar. 26, 2025

    Charles Lamb RHA RUA (1893-1964) Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Est: €1,500 - €2,500

    Charles Lamb RHA RUA (1893-1964) Coastal Scene with Cottages Oil on board, 32 x 40cm (11½ x 15¾) Signed

    Adam's
  • CHARLES VINCENT LAMB RHA RUA (1893-1964)
    Mar. 18, 2025

    CHARLES VINCENT LAMB RHA RUA (1893-1964)

    Est: €10,000 - €15,000

    Boats in the bay, Greatmans bay, Galway. Oil on board. Framed. Provenance: Exhibited at the 1969 Charles Lamb memorial exhibition at the Hugh Lane Gallery, Dublin. Label verso. PICTURES AND PRINTS Tuesday 11th March 2025 Approximate Time 14:46:48

    Sheppards
  • Lamb (Charles) Specimens of English Dramatic Poets, Who lived About the Time of Shakespeare, first edition, 1808; and others 19th century, poetry related (6)
    Feb. 06, 2025

    Lamb (Charles) Specimens of English Dramatic Poets, Who lived About the Time of Shakespeare, first edition, 1808; and others 19th century, poetry related (6)

    Est: £200 - £300

    Lamb (Charles) Specimens of English Dramatic Poets, Who lived About the Time of Shakespeare, first edition, half-title, book-labels, contemporary ink inscription to front free endpaper, very occasional passage-marking in pencil, some spotting and marginal browning, mainly at beginning and end, contemporary calf, rebacked, covers with central gilt arms of Society of Writers to the Signet, morocco spine label, covers rubbed and slightly scuffed, for Longman, Hurst, Rees & Orme, 1808 § Dyce (Rev. Alexander) Specimens of British Poetesses, [second edition], errata leaf at end, contemporary ownership name George Evatt to title, some very light browning, some light spotting and soiling, 19th century maroon half morocco over marbled boards, spine gilt, t.e.g., others uncut, T. Rodd, 1827, book-label of J.O. Edwards; and others 19th century, poetry related, 8vo (6)   ⁂ The second mentioned an important contribution to literary feminism, first published in 1825. 

    Forum Auctions - UK
  • Charles Lamb RHA RUA (1893-1964) Coastal Landscape, Connemara Oil on board, 32 x 39.5cm (12½ x 15½'') Signed
    Dec. 04, 2024

    Charles Lamb RHA RUA (1893-1964) Coastal Landscape, Connemara Oil on board, 32 x 39.5cm (12½ x 15½'') Signed

    Est: €1,500 - €2,000

    Charles Lamb RHA RUA (1893-1964) Coastal Landscape, Connemara Oil on board, 32 x 39.5cm (12½ x 15½'') Signed

    Adam's
  • Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE AT CARRAROE, 1936
    Dec. 02, 2024

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE AT CARRAROE, 1936

    Est: €2,000 - €3,000

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGE AT CARRAROE, 1936 oil on board signed lower left; signed, titled, dated and numbered [39] on label on reverse h:14.75  w:10.75 in.

    Whyte's
  • § Charles Vincent Lamb (1893-1964)
    Oct. 25, 2024

    § Charles Vincent Lamb (1893-1964)

    Est: £600 - £800

    § Charles Vincent Lamb (1893-1964) West of Ireland, circa 1940s signed 'LAMB' (lower right); plaque to the reverse inscribed 'Presented to Mrs Dougan in appreciation of her services as secretary to the Porter Down District Nursing Society by the Committee, November 22nd, 1946' oil on board 23.5 x 34cm Provenance: Sale; Whyte's, Dublin, 28 May, 2018, lot 7

    Cheffins
  • Charles Vincent Lamb RHA RUA (1893-1964) VIEW OF BENBAUN AND THE TWELVE BENS, CONNEMARA
    Sep. 30, 2024

    Charles Vincent Lamb RHA RUA (1893-1964) VIEW OF BENBAUN AND THE TWELVE BENS, CONNEMARA

    Est: €1,800 - €2,200

    Charles Vincent Lamb RHA RUA (1893-1964) VIEW OF BENBAUN AND THE TWELVE BENS, CONNEMARA oil on board signed lower left h:10.75  w:14.50 in. Provenance: Purchased directly from the artist's widow; Private collection

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) COASTAL SCENE, WEST OF IRELAND
    May. 27, 2024

    Charles Vincent Lamb RHA RUA (1893-1964) COASTAL SCENE, WEST OF IRELAND

    Est: €2,000 - €3,000

    Charles Vincent Lamb RHA RUA (1893-1964) COASTAL SCENE, WEST OF IRELAND oil on board signed lower left h:13  w:15.75 in.

    Whyte's
  • CHARLES LAMB R.H.A.
    Apr. 30, 2024

    CHARLES LAMB R.H.A.

    Est: €4,000 - €6,000

    Evening in the Old Bawn, Portadown. Oil on board. Signed. Enclosed in a moulded frame.

    Sheppards
  • Lamb (Charles [and Mary]) Tales From Shakespear Designed for the Use of Young Persons, 2 vol., first edition, first issue, 1807.
    Mar. 28, 2024

    Lamb (Charles [and Mary]) Tales From Shakespear Designed for the Use of Young Persons, 2 vol., first edition, first issue, 1807.

    Est: £600 - £800

    Lamb (Charles [and Mary]) Tales From Shakespear Designed for the Use of Young Persons, 2 vol., first edition, first issue with printer's imprint to the foot of vol. 1 p. 236, and the address "Hanway Street" in vol. 2 advertisements, engraved frontispieces and 18 plates after William Mulready, 3pp. advertisements at end of vol. 2, light occasional spotting, some light browning, contemporary half calf, double morocco spine labels, rubbed, joints worn, preserved in modern custom chemises and modern half calf drop-back box, 12mo, Thomas Hodgkins, at The Juvenile Library, 1807. *** The rare first issue of what was the first attempt to make Shakespeare accessible to a young audience, commissioned by William Godwin's children's publishing house. Mary Lamb (1764-1847), whose name was omitted from the earliest editions, contributed the majority of the stories, while Charles worked on the six tragedies. The plates were designed by William Mulready, and are often said to have been engraved by William Blake.  Provenance: "Charlotte Allen" (ink signatures to titles, dated 1809).

    Forum Auctions - UK
  • Charles Lamb RHA (1893-1964) Slieve Ban, Rostrevor Oil on panel, 30 x 40cm (11¾ x 15¾) Signed, inscribed with title verso
    Mar. 27, 2024

    Charles Lamb RHA (1893-1964) Slieve Ban, Rostrevor Oil on panel, 30 x 40cm (11¾ x 15¾) Signed, inscribed with title verso

    Est: €1,200 - €1,600

    Charles Lamb RHA (1893-1964) Slieve Ban, Rostrevor Oil on panel, 30 x 40cm (11¾ x 15¾) Signed, inscribed with title verso

    Adam's
  • Charles Lamb RHA (1893-1964) West of Ireland Landscape with Cottages by a Lake Oil on board, 32 x 40cm (12½ x 15¾) Signed
    Mar. 27, 2024

    Charles Lamb RHA (1893-1964) West of Ireland Landscape with Cottages by a Lake Oil on board, 32 x 40cm (12½ x 15¾) Signed

    Est: €2,000 - €3,000

    Charles Lamb RHA (1893-1964) West of Ireland Landscape with Cottages by a Lake Oil on board, 32 x 40cm (12½ x 15¾) Signed

    Adam's
  • CHARLES LAMB R.H.A.
    Mar. 05, 2024

    CHARLES LAMB R.H.A.

    Est: €4,000 - €6,000

    Evening in the Old Bawn, Portadown. Oil on board. Signed. Enclosed in a moulded frame. Image size: 40 x 51 cm.; framed: 53 x 64 cm. PICTURES AND PRINTS Approximate Time 10:44:00

    Sheppards
  • Lamb (Charles) The Life and Works, 12 vol., one of 675 copies, "edition de luxe", 1899-1900
    Dec. 13, 2023

    Lamb (Charles) The Life and Works, 12 vol., one of 675 copies, "edition de luxe", 1899-1900

    Est: £150 - £200

    NO RESERVE Lamb (Charles) The Life and Works, 12 vol., one of 675, "edition de luxe", portrait frontispiece (to vol. 8), occasional spotting, modern tan half morocco, spines slightly discoloured, 8vo, 1899-1900

    Forum Auctions - UK
  • CHARLES VINCENT LAMB (1893-1964)
    Nov. 07, 2023

    CHARLES VINCENT LAMB (1893-1964)

    Est: €4,000 - €6,000

    Connemara Cottages. Signed bottom left. Oil on canvas. Framed. Provenance: The Dr. Kevin Moynihan Collection, Macroom, Co. Cork. Approximate Time: 12:47 Lot No: 229

    Sheppards
  • CHARLES VINCENT LAMB (1893-1964)
    Nov. 07, 2023

    CHARLES VINCENT LAMB (1893-1964)

    Est: €2,000 - €3,000

    Pontoon, Co. Mayo. Signed bottom right. Oil on board. Provenance: The Dr. Kevin Moynihan Collection, Macroom, Co. Cork. Approximate Time: 12:14 Lot No: 185

    Sheppards
  • LAMB (Charles)
    Oct. 12, 2023

    LAMB (Charles)

    Est: £70 - £100

    LAMB (Charles) The Life, Letters and Writings, in 6 vols., London: E. Moxon & Co 1876, 8vo, edited by Percy Fitzgerald, half calf

    Cheffins
  • Lamb (Charles & Mary) Tales from Shakespeare, 1929 & others, children's works (11)
    Oct. 05, 2023

    Lamb (Charles & Mary) Tales from Shakespeare, 1929 & others, children's works (11)

    Est: £150 - £200

    Lamb (Charles & Mary) Tales from Shakespeare, 10 plates by George Soper, original pictorial cloth, spine lightly faded, dust-jacket, light chips and nicks to corners and spine ends, otherwise excellent, 1929 § Andersen (Hans) Fairy-Tales, reprint, tipped-in plates by Rie-Cramer and L. A. Govey, light spotting, original pictorial cloth, spine ends and corners bumped and frayed, otherwise still bright, 1936 § Mansion (Horace) Old French Nursery Songs, illustrations by Anne Anderson, endpapers lightly spotted, original pictorial cloth, edges faded, dust-jacket, edges and corners chipped, [c.1920]; and 8 others, children's books, v.s. (11)

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  • Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES BY A LAKE, WEST OF IRELAND
    Oct. 02, 2023

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES BY A LAKE, WEST OF IRELAND

    Est: €2,000 - €3,000

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES BY A LAKE, WEST OF IRELAND oil on board signed lower left h:12  w:16 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES, WEST OF IRELAND
    Oct. 02, 2023

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES, WEST OF IRELAND

    Est: €1,500 - €2,000

    Charles Vincent Lamb RHA RUA (1893-1964) COTTAGES, WEST OF IRELAND oil on board signed lower left h:9.50  w:13 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) PONT-AVEN MARKET, BRITTANY
    Oct. 02, 2023

    Charles Vincent Lamb RHA RUA (1893-1964) PONT-AVEN MARKET, BRITTANY

    Est: €2,000 - €3,000

    Charles Vincent Lamb RHA RUA (1893-1964) PONT-AVEN MARKET, BRITTANY oil on panel signed in pencil lower right; inscribed with title in French and inscribed with artist's name and title on exhibition label on reverse h:6  w:9.25 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) GATHERING HAY, WEST OF IRELAND
    Oct. 02, 2023

    Charles Vincent Lamb RHA RUA (1893-1964) GATHERING HAY, WEST OF IRELAND

    Est: €2,000 - €3,000

    Charles Vincent Lamb RHA RUA (1893-1964) GATHERING HAY, WEST OF IRELAND oil on board signed lower left h:9  w:12 in.

    Whyte's
  • Charles Vincent Lamb RHA RUA (1893-1964) CONNEMARA HARBOUR
    May. 29, 2023

    Charles Vincent Lamb RHA RUA (1893-1964) CONNEMARA HARBOUR

    Est: €2,500 - €3,500

    Charles Vincent Lamb RHA RUA (1893-1964) CONNEMARA HARBOUR oil on board signed lower left; titled on reverse h:10.50  w:14 in.

    Whyte's
  • Lamb (Charles) The Life and Works, 12 vol., 'Edmonton edition', edited by Alfred Ainger, one of 250 numbered copies on handmade paper, New York, [c.1910]; and others handsomely bound (c.129)
    May. 25, 2023

    Lamb (Charles) The Life and Works, 12 vol., 'Edmonton edition', edited by Alfred Ainger, one of 250 numbered copies on handmade paper, New York, [c.1910]; and others handsomely bound (c.129)

    Est: £800 - £1,200

    Lamb (Charles) The Life and Works, 12 vol., 'Edmonton edition', edited by Alfred Ainger, one of 250 numbered copies on handmade paper, handsomely bound in full green morocco, gilt, for Adolph J. Zang, spines a little rubbed with a few small chips to ends, watered silk endpapers, New York, [c.1910] § Scott (Sir Walter) The Waverley Novels, 48 vol., Illustrated edition, additional engraved titles and frontispieces, half-titles and titles printed in red and black, wood-engraved illustrations, occasional marginal damp-staining, later plum half morocco, some light staining to spines, corners very lightly rubbed, Edinburgh, 1877-9, spines a little sunned, t.e.g.; and others handsomely bound, including a set of the Works of Ruskin with tipped-in A.L.s. by the author, v.s. (c.129)

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