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Michail Larionov Sold at Auction Prices

Painter, b. 1881 - d. 1964

Mikhail Fyodorovich Larionov (June 3, 1881 – May 10, 1964) was an avant-garde Russian painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art.

Larionov was born at Tiraspol, in the Kherson Governorate of the Russian Empire. In 1898 he entered the Moscow School of Painting, Sculpture and Architecture under Isaac Levitan and Valentin Serov. He was suspended three times for his radical outlook. In 1900 he met fellow avant-garde artist Natalia Goncharova and formed a lifelong relationship with her.

From 1902 his style was Impressionism. After a visit to Paris in 1906 he moved into Post-Impressionism and then a Neo-primitive style which derived partly from Russian sign painting. In 1908 he staged the Golden Fleece exhibition in Moscow, which included paintings by international avant-garde artists such as Matisse, Derain, Braque, Gauguin and Van Gogh. Other group shows promoted by him included Tatlin, Chagall and Malevich.

Larionov was a founding member of two important Russian artistic groups Jack of Diamonds (1909–1911) and the more radical Donkey's Tail (1912–1913). He gave names to both groups. His first solo show was for one day in Moscow in 1911. Larionov was influenced by the Georgian artist Niko Pirosmani.

He then became influenced by the Cubo-Futurist art movement, and in 1913, with Natalia Goncharova, he invented Rayonism, which was the first creation of near-abstract art in Russia. He had a one-man show at the Omega Workshops.[1] In 1915 he left Russia and worked with the ballet owner Sergei Diaghilev in Paris on the productions of the Ballets Russes. He spent the rest of his life in France and obtained French citizenship. He died, aged 82, in the Paris suburb of Fontenay-aux-Roses.

In 2001, the Central Bank of Transnistria minted a silver coin honoring this native of today's Transnistria, as part of a series of memorable coins called The Outstanding People of Pridnestrovie.

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  • Mikhail LARIONOV (1881-1964)
    Jun. 26, 2026

    Mikhail LARIONOV (1881-1964)

    Est: CHF100 - CHF200

    Untitled Pochoir print, monogrammed in the plate 25 x 32.5 cm

    Galerie Moenius
  • (13) Mikhail LARIONOV (1881-1964)
    Jun. 26, 2026

    (13) Mikhail LARIONOV (1881-1964)

    Est: CHF100 - CHF200

    Un paon (costume mécanique) Pochoir, signed in the plate 44.3 x 31 cm, frame: 71.3 x 59.5 cm

    Galerie Moenius
  • (12) Mikhail LARIONOV (1881-1964)
    Jun. 26, 2026

    (12) Mikhail LARIONOV (1881-1964)

    Est: CHF100 - CHF200

    The Cricket  Pochoir, signed in the plate 29.5 x 43.5 cm, frame: 59.5 x 71.5 cm

    Galerie Moenius
  • Head of a Soldier
    Jun. 24, 2026

    Head of a Soldier

    Est: £800,000 - £1,200,000

    Mikhail Larionov 1881 - 1964 Head of a Soldier signed and titled in Cyrillic M.F. Larionov / Golova Soldata (on the reverse); signed LARiONOV, and dated 1910 (on the reverse); inscribed with the artist's Parisian address (on the reverse) oil on canvas 69.5 by 50 cm. 27⅜ by 19¾ in. Executed in 1911.

    Sotheby's
  • Mikhail Larionov (attrib), gouache on paper, 1914
    Jun. 19, 2026

    Mikhail Larionov (attrib), gouache on paper, 1914

    Est: $1,000 - $1,500

    Attributed to Mikhail Larionov (Russian, 1881-1964), "Rayonnisme", no signature observed, gallery information label verso, framed under glass, 13"h x 10"w (sheet), 24.5"h x 19.5"w (frame)

    Millea Bros Ltd
  • Mikhail Larionov (1881-1964)-attributed
    May. 28, 2026

    Mikhail Larionov (1881-1964)-attributed

    Est: €100 - €200

    Mikhail Larionov (1881-1964)-attributed, suprematic composition. Chalck colours on paper. Monogrammed. 29 x 21 cm. Framed under glass.

    Deutsch Auktionen
  • MIKHAIL LARIONOV "Paesaggio con case e figura evanescente" 1903-1904 pastel on paper cm 26.5×18 Provenance Vinogradov Collection, Moscow Fonte d'Abisso Gallery, Modena Private collection Exhibitions “Avanguardie Russe” Fonte d’Abisso Arte...
    May. 27, 2026

    MIKHAIL LARIONOV "Paesaggio con case e figura evanescente" 1903-1904 pastel on paper cm 26.5×18 Provenance Vinogradov Collection, Moscow Fonte d'Abisso Gallery, Modena Private collection Exhibitions “Avanguardie Russe” Fonte d’Abisso Arte...

    Est: €800 - €1,200

    (TIRASPOL 1881 - FONTENAY-AUX-ROSES 1964) "Paesaggio con case e figura evanescente" 1903-1904 pastel on paper cm 26.5×18 Provenance Vinogradov Collection, Moscow Fonte d'Abisso Gallery, Modena Private collection Exhibitions “Avanguardie Russe” Fonte d’Abisso Arte, Milan, 1991, p. 46, ill. in catalog “Arte russa e sovietica nelle raccolte italiane” Galleria Civica Palazzo dei Musei, Modena, 1993, p. 25 in catalog “Il disegno nelle raccolte private modenesi” Palazzina dei Giardini, Galleria Civica di Modena, December 19, 1993 – February 27, 1994 “Avanguardia e Ritorno. Arte Russa 1900-1940” Mazzotta, Milan, 1994, p. 54, ill. in catalog IT "Paesaggio con case e figura evanescente" 1903-1904 pastello su carta cm 26,5x18 Provenienza Collezione Vinogradov, Mosca Galleria Fonte d'Abisso, Modena Collezione privata Esposizioni "Avanguardie Russe" Fonte d’Abisso Arte, Milano, 1991, p. 46 ill. in catalogo "Arte russa e sovietica nelle raccolte italiane" Galleria Civica Palazzo dei Musei, Modena, 1993, p. 25 in catalogo "Il disegno nelle raccolte private modenesi" Palazzina dei Giardini, Galleria Civica di Modena, 19 dicembre 1993 - 27 Febbraio 1994 "Avanguardia e Ritorno. Arte Russa 1900-1940" Mazzotta, Milano, 1994, p. 54 ill. in catalogo

    Il Ponte Auction House
  • MIKHAIL LARIONOV Lithograph 1923 Russian Avant Garde
    May. 19, 2026

    MIKHAIL LARIONOV Lithograph 1923 Russian Avant Garde

    Est: $1,000 - $1,500

    MIKHAIL LARIONOV 1881-1964 Tiraspol 1881 - Fontenay-Aux-Roses/Paris 1964 (Russian) Title: Composition, 1923 Technique: Original Lithograph in Colours on paper size: 50 x 34 cm / 19.7 x 13.4 in Additional Information: This original work is signed in the plate "M. Larionow" in the lower left corner. It is probably an artist proof printed aside the regular edition of 110 impressions. The work was published in the "Bauhaus-Drucke Neue Europaische Graphic, IV Mappe: Italienische un Russische Kunstler, 1921" (p. 9) by Staatlichen Bauhaus Weimar in 1923. Literature: Parton, Anthony, 1993, Mikhail Larionov and the Russian Avant-Garde, Princteon, page 192, figure 188. Condition: Very good condition. Some handling creases in the right edge of the sheet.

    Gilden's Art Gallery
  • Mikhail Larionov (1881-1964), Pair of Abstract Rayist Compositions
    Apr. 27, 2026

    Mikhail Larionov (1881-1964), Pair of Abstract Rayist Compositions

    Est: $6,000 - $8,000

    Gouache on paper Signed lower right Diameter: 38.5x 26.2cm Provenance: Private collection of Joseph Katzenberg (b. 1901, Lithuania), owner of an art gallery established together with his wife Sonia in the early 1930s in the Jewish quarter, near the central synagogue. The gallery exhibited works of art, including pieces from the avant-garde period, as well as mirrors, glass works, and decorative objects. Archival documentation confirms that this artwork was received from Mykolas Žilinskas on April 22, 1954. By descent within the family. In 1967, the Katzenberg family immigrated to Israel, bringing with them the full contents of the gallery, including artworks, Judaica, furniture, and decorative objects. Inherited by the grandson, Abraham Katzenberg (Petah Tikva, Israel). The inheritance includes the gallery archive, documentation, books, and artworks. Notes: Accompanied by a certificate of authenticity from an art historian Condition: For a detailed condition report, please contact us at info@hammersite.com

    Hammersite
  • Mikhail Larionov (1881-1964), Cubist Clown
    Apr. 27, 2026

    Mikhail Larionov (1881-1964), Cubist Clown

    Est: $6,000 - $8,000

    Gouache on paper Signed upper left Dimensions:43 x 28.5 cm Provenance: Private collection of Joseph Katzenberg (b. 1901, Lithuania), owner of an art gallery established together with his wife Sonia in the early 1930s in the Jewish quarter, near the central synagogue. The gallery exhibited works of art, including pieces from the avant-garde period, as well as mirrors, glass works, and decorative objects. Archival documentation confirms that this artwork was received from Mykolas Žilinskas on April 22, 1954. By descent within the family. In 1967, the Katzenberg family immigrated to Israel, bringing with them the full contents of the gallery, including artworks, Judaica, furniture, and decorative objects. Inherited by the grandson, Abraham Katzenberg (Petah Tikva, Israel). The inheritance includes the gallery archive, documentation, books, and artworks. Notes: Accompanied by a certificate of authenticity from an art historian Condition: For a detailed condition report, please contact us at info@hammersite.com

    Hammersite
  • Mikhail Larionov (1881–1964) Festive Dance (Folk Scene)
    Apr. 27, 2026

    Mikhail Larionov (1881–1964) Festive Dance (Folk Scene)

    Est: $50,000 - $60,000

    Mixed media on paper Signed and dated 915  lower right Dimensions (including frame): 81.5 x 65.5 cm Dimensions (excluding frame):74 x 58 cm Provenance: Private collection of Joseph Katzenberg (b. 1901, Lithuania), owner of an art gallery established together with his wife Sonia in the early 1930s in the Jewish quarter, near the central synagogue. The gallery exhibited works of art, including pieces from the avant-garde period, as well as mirrors, glass works, and decorative objects. Archival documentation confirms that this artwork was received from Mykolas Žilinskas on April 22, 1954. By descent within the family. In 1967, the Katzenberg family immigrated to Israel, bringing with them the full contents of the gallery, including artworks, Judaica, furniture, and decorative objects. Inherited by the grandson, Abraham Katzenberg (Petah Tikva, Israel). The inheritance includes the gallery archive, documentation, books, and artworks. Notes: Accompanied by a certificate of authenticity from an art historian Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes
    Apr. 16, 2026

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes

    Est: $300 - $400

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Travesti-Transmental, a charity ball organized by Russian artists in Paris on February 23, 1923 at Bullier Hall in a dark stained wood frame with black plastic inset; used condition, wear/worn, discoloration, not examined outside of frame, overall size is approximately 18 1/4" x 16 3/8" x 3/4", sight size is approximately 10 1/2" x 8 3/4"

    Nye & Company
  • Mikhail Larionov (Russian, 1881-1964), Sheet of studies of male figures
    Apr. 16, 2026

    Mikhail Larionov (Russian, 1881-1964), Sheet of studies of male figures

    Est: £600 - £800

    Mikhail Larionov (Russian, 1881-1964) Sheet of studies of male figures, including Sergei Diaghilev Charcoal and pencil on paper With a stamp 'L.F.' lower right Provenance: Lefebvre-Foinet, Paris; Artcurial, Paris, Art du XXE Siècle 1900-1950, lot 49. Dimensions: (Frame) 17 in. (H) x 21.5 in. (W)  (Paper) 15 in. (H) x 19.75 in. (W)

    Sloane Street Auctions
  • Michel LARIONOV (1881-1964)
    Apr. 11, 2026

    Michel LARIONOV (1881-1964)

    Est: €6,000 - €8,000

    Michel LARIONOV (1881-1964) Portrait de Guillaume Apollinaire, circa 1913 Dessin à la mine de plomb, signé du monogramme en haut à droite H. 24,5 cm - L. 19,5 cm (à vue) DV Provenance : collection Philippe Artias (1912-2002) On joint un certificat d'authenticité établi en russe, le 20 mars 2001, par le professeur G. G. Pospelov, Docteur en histoire de l'art, enseignant à Moscou, « confirmant pleinement l'attribution de cette œuvre à M. F. Larionov »

    De Baecque & Associés
  • (+) MIKHAIL LARIONOV (1881-1964) Curtain design for the ballet ‘Le Soleil de Nuit’ by Rimsky-Korsakov, Sergei Diaghilev’s production in 1915
    Apr. 07, 2026

    (+) MIKHAIL LARIONOV (1881-1964) Curtain design for the ballet ‘Le Soleil de Nuit’ by Rimsky-Korsakov, Sergei Diaghilev’s production in 1915

    Est: €25,000 - €30,000

    (+) MIKHAIL LARIONOV (1881-1964) Curtain design for the ballet ‘Le Soleil de Nuit’ by Rimsky-Korsakov, Sergei Diaghilev’s production in 1915 inscribed ‘Larionov/ Coulisse pour Soleil de Minuit/ Mise en scène de Massine, 1ere présentation en Suisse 1915’ (on the reverse) gouache on paper 70 x 20 cm Provenance: Collection Alexandra Larionov-Tomiline (Artis’s widow) Private Collection Literature: Roger Fry, ‘M. Larionow and the Russian Ballet’, ‘The Burlington Magazine’, vol. XXXIV, no. XCXII, London March 1919, detail illustration p. 113; Léonide Massine, Richard Buckle, ‘Costumes and Curtains from Diaghilev & De Basil Ballets’, Sotheby & Co., London, 1969 Mikhail Larionov, ‘Diaghilev et les Ballets Russes’, La Bibliothèque des Arts, Paris, 1970. Dianne M. Ludman, ‘Mikhail Larionov: Designs for the Ballet ‘The Adventures of Karaguez’, Graduate School of the College of Visual and Performing Arts of Syracuse University, Syracuse, 1978 Anthony Parton, ‘Mikhail Larionov and the Russian Avant-Garde’, London 1993, p. 150-152 Joachim Homann, Lisa Lee, ‘Le coq d’or: Natalia Goncharova’s Design for the Ballets Russes [Harvard University Art Museums Gallery Series 39]’, Harvard University Art Museums Gallery Series, Cambridge, Massachusetts, 2003. Exhibited: ‘Exposition des œuvres de Gotcharova et de Larionow. L’Art décoratif théâtral moderne’, Galerie Sauvage, Paris 1918, nos. 237-247; ‘Exposition des Œuvres de Gotcharova - Larionow,' Galerie Barbazanges, Paris 1919, nos. 177-194; ‘Les Ballets Russes de Serge de Diaghilev’, Ancienne Douane, Musées de Strasbourg, Strasbourg 1969, no. 232; ‘1909-1929. Les ballets russes de Diaghilev’, Centre Culturel du Marais, Paris, 1977-1978 The ballet ‘Soleil de Nuit’ (renamed Soleil de Minuit in 1918) is based on the opera Snegurochka (Snow Maiden) by Nikolai Rimsky-Korsakov, which is in turn based on the Russian fairy tale of the same name. In the story, the sun god Jarilo condemns Snegurochka, the child of the spring fairy and King Frost, to death by melting if she falls in love with a human. She would only live to see the next winter if she spent the summer in innocence. In a dramatic sequence of events, Snegurochka learns about love and dies. In July 1915, Mikhail Larionov arrived in Switzerland and was commissioned by Serge Diaghilev to design the costumes and set for the Ballets Russes production of Soleil de Nuit. He was also appointed supervisor of Léonide Massine, who was responsible for the choreography. Larionov suggested basing the choreography on Russian peasant dances. Folkloric elements also inspired Larionov’s exotic, neo-primitive designs for the ballet, which complemented the choreography. The complete work premiered at the Grand Théâtre de Genève on 20 December 1915 and at the Opéra de Paris on 29 December 1915. All lots marked with the symbol '(+)' are under temporary importation and subject to import tax (5.5%) (EU) and administrative custom broker's fees. Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • MIKHAIL LARIONOV (RUSSIAN 1881-1964)
    Mar. 28, 2026

    MIKHAIL LARIONOV (RUSSIAN 1881-1964)

    Est: $13,000 - $17,000

    MIKHAIL LARIONOV (RUSSIAN 1881-1964) Portrait of Diaghilev, crayon on paper 26.7 x 20 cm (10 5/8 x 7 7/8 in.) signed lower right, M. Larionov signed, initialed, and dedicated upper right A cher Fazil / Mon Ami / M.L. PROVENANCE Collection of Christophe Czwiklitzer (1913-1992) Artcurial, Paris, June 9, 2025, Lot 82 Private Collection, New York (acquired at the above sale) PROVENANCE NOTES Christophe Czwiklitzer was a renowned French-German art dealer, publisher, and scholar who played a vital role in documenting the graphic works of the 20th century's greatest masters. He is perhaps best known for his definitive catalogue raisonne of Pablo Picasso’s posters ( Les affiches de Picasso), as well as his significant publications on the works of Ossip Zadkine and Fernand Leger. Czwiklitzer’s collection was characterized by a deep intellectual connection to the artists he championed. As a publisher under his imprint "Art-C.C.," he worked closely with the leading figures of the School of Paris and the Russian emigration. His acquisition of this Larionov work reflects his specialized interest in the Russian Avant-Garde and the development of modernism. Keywords: Russian Avant-Garde, Ballets Russes, Neo Primitivism, Rayonism, Modernism N.B. Condition reports are available upon request. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions & Appraisals LLC and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions & Appraisals, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

    Shapiro Auctions LLC
  • MIKHAIL LARIONOV (RUSSIAN 1881-1964)
    Mar. 28, 2026

    MIKHAIL LARIONOV (RUSSIAN 1881-1964)

    Est: $150,000 - $200,000

    MIKHAIL LARIONOV (RUSSIAN 1881-1964) Still Life of Flowers in a Jug and a Pear, ca, 1902-1906 oil on canvas 27.3 x 35.5 cm (10.75 x 14 in) framed dimensions: 44.4 x 52 cm (17.5 x 20.5 in) signed PROVENANCE Christie's, London, Impressionist, Modern and Contemporary Pictures, Drawings and Sculpture, 5 December 1975, Lot 317 Private Collection Sotheby's, Fine Australian and European Paintings, Melbourne, 25 August 1997, lot 52 LOT NOTES This still life, characterized by a luminous palette of ochres and saturated yellows, represents a pivotal moment in Mikhail Larionov’s career during his transition from a traditional Russian education to the vanguard of the European avant-garde. Executed between 1902 and 1906, the work captures the essence of the artist’s Impressionist phase, a period primarily associated with his frequent returns to his birthplace of Tiraspol. During these years, Larionov was deeply invested in the study of light and its transformative effect on everyday objects. Before his 1906 visit to Paris for the Salon d’Automne, Larionov’s output was defined by a pastoral yet modernist sensibility, heavily influenced by the World of Art movement and the shimmering, atmospheric landscapes of Igor Grabar. The choice of subject - a simple floral arrangement paired with a solitary pear - is typical of his student years at the Moscow School of Painting, Sculpture, and Architecture. In these early compositions, the object serves merely as a vehicle for the exploration of reflected light and optical texture, foreshadowing the analytical breakdown of form that would later characterize his invention of Rayonism. The significance of this specific canvas is greatly enhanced by the inscriptions found on its verso. The handwritten dedication A Phienka translates from French and Latin scripts to To Phienka, referring to Alexandra Tomilina, Larionov’s lifelong partner and eventual second wife. Tomilina, affectionately known by the diminutive Phienka, moved to Paris with Larionov and Natalia Goncharova in 1915 and remained the primary steward of the artist’s legacy until her own passing in 1987. A dedication to Phienka almost exclusively indicates that the painting remained in the artist’s private collection for decades, serving as a personal gift or a cherished studio piece rather than a work intended for immediate commercial sale during his early career. While the stylistic execution of the painting dates to the first decade of the twentieth century, the signature M. Larionow on the reverse utilizes the Latinized W characteristic of the artist’s Paris years. It was common practice for Larionov to retrospectively sign and dedicate earlier works late in his life, often in the 1950s or early 1960s, as he sought to organize his estate and codify his place in art history. This discrepancy between the early Impressionist style and the later Parisian signature is a hallmark of authentic works from the Larionov-Tomilina Archive, as the artist reviewed his life's work through the lens of his established Western identity before the bequest was finalized. The physical history of the object is further documented by the presence of various inventory markings that provide a clear trail of provenance. The black stenciled codes 732 XII and 362 XA are consistent with the Soviet-era state inventorying systems used during the processing of the Tomilina bequest in the late 1980s. Following her death, a massive portion of the estate was transferred to the State Tretyakov Gallery in Moscow. Works bearing these specific stencils were those formally cataloged by Soviet experts in Paris or Moscow before being distributed to state collections or, in certain instances, retained by the estate’s Western heirs for international sale. Additional alphanumeric notations, such as the ink mark A 8222 A, align with the stock numbering systems used by major Western galleries that specialized in the Russian avant-garde during the mid-to-late twentieth century. Institutions such as Galerie Beyeler in Basel or Galerie Gmurzynska in Cologne played a central role in bringing Larionov’s estate to the international market. These markings act as a provenance trail, linking the painting from the artist’s studio in Paris to the global collectors who rediscovered the importance of his early experiments with color and mass. A Still Life of Flowers in a Jug and a Pear provides the foundational logic for the later radical movements of the Russian avant-garde. The way Larionov treats the edges of the flower petals and the skin of the pear - not as solid borders but as zones of intersecting light - reveals the seeds of Rayonism. By isolating humble provincial subjects and elevating them through sophisticated painterly techniques, Larionov began the process of deconstructing the academic tradition. This work is not merely a decorative still life but an analytical study of the radiant energy that Larionov would eventually strip of all representational qualities in his later abstract compositions. N.B. Condition reports are available upon request. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions & Appraisals LLC and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions & Appraisals, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

    Shapiro Auctions LLC
  • LARIONOV MIKHAIL (1881 - 1964) - D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI)
    Mar. 03, 2026

    LARIONOV MIKHAIL (1881 - 1964) - D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI)

    Est: €50 - €100

    LARIONOV MIKHAIL (1881 - 1964). D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI). 18,50 x 12 cm.

    Capitolium Art
  • Mikhail LARIONOV (1881-1964)
    Feb. 25, 2026

    Mikhail LARIONOV (1881-1964)

    Est: €50 - €80

    Mikhail LARIONOV (1881-1964) Le Paon (1919) Pochoir sur vélin, mention EA et cachet de la signature. Rousseurs éparses, report du sujet au verso 40,5 x 24 CM FEUILLET : 49 x 31,8 CM - 16 x 9 IN SHEET : 19 x 13 IN

    Tajan
  • Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes
    Feb. 05, 2026

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes

    Est: $600 - $800

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Travesti-Transmental, a charity ball organized by Russian artists in Paris on February 23, 1923 at Bullier Hall in a dark stained wood frame with black plastic inset; used condition, wear/worn, discoloration, not examined outside of frame, overall size is approximately 18 1/4" x 16 3/8" x 3/4", sight size is approximately 10 1/2" x 8 3/4"

    Nye & Company
  • Mikhail Larionov (1881-1964), Theatrical Costume Design
    Jan. 26, 2026

    Mikhail Larionov (1881-1964), Theatrical Costume Design

    Est: $12,000 - $15,000

    Gouache on paper Signed and dated lower right 9/5 Dimensions:46x35cm Provenance: From the collection of Olivia Amar (Estate of Omer Albert), inherited from her late husband in 1999. Previously held in the following private collections: Eliezer Perl, 1937-1986; Mordechai Perl, 1986-1996; Omer (Amar) Albert, 1996-1999 Notes: Accompanied by a certificate of authenticity Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • Mikhail LARIONOV (attributed) – Untitled, 1915
    Dec. 10, 2025

    Mikhail LARIONOV (attributed) – Untitled, 1915

    Est: €15,000 - €20,000

    Title: Untitled, 1915 oil on canvas signed and dated lower left

    Cypria Auctions
  • MIKHAIL LARIONOV (1881-1964) COSTUME DESIGN FOR A SOLDIER FOR THE BALLET CHOUT (BOUFFON), WITH MUSIC BY PROKOFIEV AND A LIBRETTO BY SERGEI DIAGHILEV (THE BALLETS RUSSES PRODUCTION)
    Dec. 09, 2025

    MIKHAIL LARIONOV (1881-1964) COSTUME DESIGN FOR A SOLDIER FOR THE BALLET CHOUT (BOUFFON), WITH MUSIC BY PROKOFIEV AND A LIBRETTO BY SERGEI DIAGHILEV (THE BALLETS RUSSES PRODUCTION)

    Est: €30,000 - €40,000

    MIKHAIL LARIONOV (1881-1964) COSTUME DESIGN FOR A SOLDIER FOR THE BALLET CHOUT (BOUFFON), WITH MUSIC BY PROKOFIEV AND A LIBRETTO BY SERGEI DIAGHILEV (THE BALLETS RUSSES PRODUCTION) signed and dated 'M. Larionow/ 1915' (upper left), inscribed 'Soldat' (upper right) gouache on paper 55.4 x 30.5 cm (a vue) executed in 1915 PROVENANCE: Private collection, France Desbenoit-Fierfort et Associés (now: Nouel & Associés), Drouot – Richelieu, Paris, Tableaux et Sculptures Impressionnistes, XIXe et Modernes, Livres : Archives et Collection D’eraste Touraou, et a divers documentation et livres estampes tableaux modernes Ecole Belge et Ecole De Paris, 16.11.2011, lot 15 Private collection LITERATURE: Programme officiel des Ballets russes de Serge de Diaghilew: quatorzième saison, Théâtre de la Gaîté-Lyrique, mai 1921. Text by Jean Bernier (1894–1975) (illustrated in colour) The present costume for a Soldier was created by Larionov in 1915 for the ballet ‘Jester’ (Chout), a one-act ballet in six scenes with five entr’actes by Sergei Prokofiev, to a libretto by the composer and Serge Diaghilev after Afanasyev’s Russian folktales. The Chout was a unique production: Larionov not only designed but also staged it. Larionov developed his own system of recording choreography. His name appeared twice on the poster as artist-decorator and choreographer. Ilia Zdanevich, who came to Paris, wrote an article titled ‘Larionov the Choreographer.’ During the summer of 1915 Larionov prepared the designs, devising the libretto and visual concept and creating complex wire-framed costumes painted in imitation of lubok and folk toys, with bright ‘toy’ makeup for the performers. Although the first version of the ballet was completed in 1915, the production—planned for May 1916—was postponed until after the First World War, and the premiere was delayed by six years. The revised and expanded version was completed in 1920 and was ultimately first produced in its second version by the Ballets Russes, with designs by Mikhail Larionov and choreography by Larionov and Tadeusz Slawiński, and premiered on 17 May 1921 at the Théâtre de la Gaîté-Lyrique in Paris, conducted by Ernest Ansermet, with Slawiński as the ‘Chout’ and L. Sokolova as the ‘Choutikha’. The ballet was well received, not least for its striking stage design. The production was highly dynamic: sets moved in full view of the audience—the stove rolled out, tables shifted with plates and grotesquely oversized cutlery tied to them by ropes, and stagehands unrolled runner carpets. The French ballet critic Léandre Veuillot wrote: “As for the design, the curtain, sets and costumes produce the feeling of a card game with the cards fanned and closed with a twist of the hand of a professional sharper: there is the impression of liveliness and of figures crushing and breaking to pieces (red and green, yellow and blue) and of desired naivety. They are laughed at, they are applauded, they are booed.”

    Hermitage Fine Art
  • MIKHAIL LARIONOV (1881-1964) Abstract composition
    Dec. 09, 2025

    MIKHAIL LARIONOV (1881-1964) Abstract composition

    Est: €2,000 - €3,000

    MIKHAIL LARIONOV (1881-1964) Abstract composition signed with round stamp with initials ‘M.L’ (lower right) watercolour on paper 26.7 x 37.5 cm Provenance: Kunsthous Lempertz, auction 31.05.1986, lot 549 Private collection, Europe Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • Mikhail Larionov (1881 Tiraspol - Fontenay-aux-Roses bei Paris 1964) – Femme brodant (Femme brodant)
    Dec. 04, 2025

    Mikhail Larionov (1881 Tiraspol - Fontenay-aux-Roses bei Paris 1964) – Femme brodant (Femme brodant)

    Est: €25,000 - €35,000

    Pastel on grey, fibrous card. (Circa 1898). Approx. 52.5 x 38 cm.

    Karl & Faber
  • [LARIONOV, MIKHAIL (1881-1964)] MAYAKOVSKI, V. THE SUN
    Dec. 03, 2025

    [LARIONOV, MIKHAIL (1881-1964)] MAYAKOVSKI, V. THE SUN

    Est: €100 - €200

    (Moscow: Krug, 1923). 32 p., paper wr., sm. 8vo. Cover and 7 illustrations by Larionov. Printed in 5000 copies. Wrapper in poor condition, a few pages sl. waterstained. Most illustrations in good condition.

    Zwiggelaar Auctions
  • LARIONOV MIKHAIL (1881 - 1964) - D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI)
    Dec. 01, 2025

    LARIONOV MIKHAIL (1881 - 1964) - D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI)

    Est: €50 - €100

    LARIONOV MIKHAIL (1881 - 1964). D'APRES. SENZA TITOLO (DALLA CARTELLA 40 DISEGNI DI MAESTRI MODERNI). 18,50 x 12 cm.

    Capitolium Art
  • Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes
    Nov. 24, 2025

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes

    Est: $800 - $1,200

    Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Mikhail Larionov Framed Woodcut Entry Ticket for the Grand Bal des Artistes Travesti-Transmental, a charity ball organized by Russian artists in Paris on February 23, 1923 at Bullier Hall in a dark stained wood frame with black plastic inset; used condition, wear/worn, discoloration, not examined outside of frame, overall size is approximately 18 1/4" x 16 3/8" x 3/4", sight size is approximately 10 1/2" x 8 3/4"

    Nye & Company
  • MIKHAIL FYODOROVICH LARIONOV
    Nov. 06, 2025

    MIKHAIL FYODOROVICH LARIONOV

    Est: €7,000 - €14,000

    MIKHAIL FYODOROVICH LARIONOV 1881 Tiraspol - 1964 Fontenay-aux-Roses 'MUSIQUE' Oil on canvas. 28 x 42 cm. Verso: inscribed and titled in red 'M. Larionow Musique'. Provenance: according to the current owner, acquired from the family of friends of the painter. MICHAIL FJODOROWITSCH LARIONOW 1881 Tiraspol - 1964 Fontenay-aux-Roses 'MUSIQUE' Öl auf Leinwand. 28 x 42 cm. Verso: in Rot bezeichnet sowie betitelt 'M. Larionow Musique'. Provenienz: erworben von der befreundeten Familie des Malers (nach Angaben des heutigen Besitzers).

    Hargesheimer Kunstauktionen Düsseldorf
  • Mikhail Larionov (1881-1964), Russia
    Nov. 02, 2025

    Mikhail Larionov (1881-1964), Russia

    Est: $12,000 - $15,000

    Watercolor or ink on paper Signed (bottom right) Dimensions: 31 x 49 cm Provenance: Collection of Cyril Dohar-Craig Benson, New York Acquired in 2022 by Yaakov Markash, Tel Aviv-Yafo Condition: For a detailed condition report, please contact: info@hammersite.com

    Hammersite
  • Mikhail Larionov (1881-1964), Costume Design for the Theater Production "Soleil de nuit, " 1915
    Nov. 02, 2025

    Mikhail Larionov (1881-1964), Costume Design for the Theater Production "Soleil de nuit, " 1915

    Est: $12,000 - $13,000

    Gouache on paper Dated and signed 1915 Dimensions:41.5 × 31 cm Provenance: Eliezer Perl, Poland Albert Omer, 1996 Notes; Featured in the catalog on page 69 Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • (15) Mikhail LARIONOV (1881-1964)
    Nov. 01, 2025

    (15) Mikhail LARIONOV (1881-1964)

    Est: CHF150 - CHF300

    'Personnage de la marche Funebre sur la Mort de la Tante a heritage' Pochoir, signed top left 50 x 32.7 cm

    Galerie Moenius
  • Mikhail LARIONOV (1881-1964) Personnage au chariot.
    Oct. 25, 2025

    Mikhail LARIONOV (1881-1964) Personnage au chariot.

    Est: €1,800 - €2,000

    Mikhail LARIONOV (1881-1964) Personnage au chariot. Huile sur toile marouflée sur panneau, signé en bas à droite 68 x 58 cm

    Louiza Auktion & Associés
  • MIKHAIL LARIONOV (1881-1964) Watermelon
    Oct. 21, 2025

    MIKHAIL LARIONOV (1881-1964) Watermelon

    Est: €2,000 - €3,000

    MIKHAIL LARIONOV (1881-1964) Watermelon signed with round stamp with initials ‘M.L’ (lower right) watercolour on paper 22.9 x 32.3 cm Provenance: Kunsthous Lempertz, auction 31.05.1986, lot 550 Private collection, Europe Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • Larionov, Mikhail (1881 Tiraspol - 1964 Fontenay-aux-Roses) "Abstrakte Komp
    Oct. 12, 2025

    Larionov, Mikhail (1881 Tiraspol - 1964 Fontenay-aux-Roses) "Abstrakte Komp

    Est: -

    Larionov, Mikhail (1881 Tiraspol - 1964 Fontenay-aux-Roses) "Abstrakte Komposition", woodcut, monogrammed by hand lower left, visible sheet size 20x17.5cm, in passepartout, 52x42cm with frame, framed behind glass *This object is subject to a resale right. Larionov, Mikhail (1881 Tiraspol - 1964 Fontenay-aux-Roses) "Abstrakte Komposition", Holzschnitt, unten links händisch monogrammiert, sichtbare Blattgröße 20x17,5cm, in Passepartout, 52x42cm mit Rahmen, hinter Glas gerahmt *Dieses Objekt ist folgerechtspflichtig.

    Auktionshaus am See
  • Mikhail Larionov (1881-1964), Program for the Grand Bal Travesti Transmental, Paris 1923
    Oct. 04, 2025

    Mikhail Larionov (1881-1964), Program for the Grand Bal Travesti Transmental, Paris 1923

    Est: €500 - €600

    Mikhail Larionov (1881-1964), Program for the Grand Bal Travesti Transmental, Paris 1923 Mikhail Larionov (1881-1964), double-sided program with a large illustration in the avant-garde style of the 1920s on the front. Invitations are issued by the "Union des Artistes Russes" to the "Grand Bal Travesti Transmental" on February 23, 1923, in Paris. Printer's seal ("M. Larionov") on the front. Dimensions approx. 50 x 13.5 cm. Only minimal signs of aging. Condition: A. Michail Larionov (1881-1964), Programmblatt Grand Bal Travesti Transmental, Paris 1923 Michail Larionov (1881-1964), beidseitig bedrucktes Programmblatt mit großer Illustration im avantgardistischen Stil der 1920er Jahre auf der Vorderseite. Geladen wird von der "Union des Artistes Russes", zum "Grand Bal Travesti Transmental", am 23. Februar 1923 in Paris. Drucksignet ("M.Larionov") auf Vorderseite. Maße ca. 50 x 13,5 cm. Nur minimalste Alterungsspuren, Zustand: A.

    Pari Auktionen
  • Mikhail Larionov (1881-1964), Ticket for the Grand Bal Travesti Transmental, Paris 1923
    Oct. 04, 2025

    Mikhail Larionov (1881-1964), Ticket for the Grand Bal Travesti Transmental, Paris 1923

    Est: €500 - €600

    Mikhail Larionov (1881-1964), Ticket for the Grand Bal Travesti Transmental, Paris 1923 Mikhail Larionov (1881-1964), single-sided ticket for the "Grand Bal Travesti Transmental," held on February 23, 1923, in Paris. Original color woodcut, signed in the print ("M. Larionov"). Dimensions: approx. 27.5 x 22 cm. Intense colors. Only minor signs of aging, edges slightly browned. Lower right corner with a small defect and minimal paper loss outside the print area. Condition: A. Michail Larionov (1881-1964), Eintrittskarte Grand Bal Travesti Transmental, Paris 1923 Michail Larionov (1881-1964), einseitig bedruckte Eintrittskarte für den "Grand Bal Travesti Transmental", am 23. Februar 1923, in Paris. Original Farbholzschnitt, im Druck signiert ("M.Larionov"). Maße: ca. 27,5 x 22 cm. Intensive Farben. Nur geringfügige Alterungsspuren, Kanten leicht gebräunt. Untere rechte Ecke mit kleiner Fehlstelle und minimalem Papierverlust außerhalb des Druckbereichs. Zustand: A.

    Pari Auktionen
  • MIKHAIL LARIONOV Signed Drawing 1928 Russian Avant Garde
    Sep. 16, 2025

    MIKHAIL LARIONOV Signed Drawing 1928 Russian Avant Garde

    Est: $6,000 - $9,000

    MIKHAIL LARIONOV 1881-1964 Tiraspol 1881-1964 (Russian) Title: Woman Lying on Bed, 1928 Technique: Signed and Dated Pencil Drawing on paper size: 26.4 x 42.5 cm / 10.4 x 16.7 in Additional Information: This drawing is hand signed in pencil by the artist "M. Larionov" in the lower left corner. It is dated in pencil "Bormes 1928" in the upper right corner. The back side of the board onto which the paper has been laid bears the label of Gallery Chantepierre, Aubonne, Switzerland. Provenance: Gallery Chantepierre, Aubonne, Switzerland. Sotheby’s, Tel Aviv, Israeli and International Art , 8th October 1998, lot 117 Condition: The paper is attached to a supporting board. There is general discolouration of the paper and burned edges. Also, there is some damage to the edges (creases, a few tears and loose corners) and to the upper corners. The drawing has a few dark spots (ink?)

    Gilden's Art Gallery
  • A VIEW OF A MILL OIL ON CANVAS PAINTING BY M. LARIONOV, RUSSIAN, C. 1920
    Sep. 14, 2025

    A VIEW OF A MILL OIL ON CANVAS PAINTING BY M. LARIONOV, RUSSIAN, C. 1920

    Est: $50,000 - $60,000

    Mikhail Larionov (Russian, 1881-1964), an oil on canvas laid on board painting depicting a still life with the background of a landscape with a mill. Signed “M. L.” lower left. Circa1920. Note: Mikhail Larionov was an avant-garde Russian painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art.

    Helios Auctions
  • A MIKHAIL LARIONOV, RUSSIAN, OIL ON BOARD STILL LIFE PAINTING
    Sep. 14, 2025

    A MIKHAIL LARIONOV, RUSSIAN, OIL ON BOARD STILL LIFE PAINTING

    Est: $30,000 - $40,000

    Mikhail Larionov (Russian, 1881-1964), an oil on board painting depicting a still life with a bouquet of flowers. Signed 'Larionow' with his typical signature of the twenties in black paint on the back. Housed in a hand-carved gilt wood frame. Ca. 1920. Provenance: Galerie Marcel Bernheim (label on the back); Sale Geneve Encreres 29/04/2024 lot 64. Note: Mikhail Larionov was an avant-garde Russian painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art.

    Helios Auctions
  • MIKHAIL LARIONOV (1881-1964) Le paon, from the album 'L'art théâtral décoratif moderne'
    Jul. 24, 2025

    MIKHAIL LARIONOV (1881-1964) Le paon, from the album 'L'art théâtral décoratif moderne'

    Est: €600 - €1,000

    MIKHAIL LARIONOV (1881-1964) Le paon, from the album 'L'art théâtral décoratif moderne' signed 'M. Larionow' (lower right), inscribed 'EA' for artist proof (lower left) numbered in pencil '2444/231'(on the reverse) stencil on paper 52 x 32.3 cm Upon the buyer's request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD 'AS IS' IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

    Hermitage Fine Art
  • Mikhail LARIONOV (1881-1964)
    Jun. 28, 2025

    Mikhail LARIONOV (1881-1964)

    Est: €500 - €700

    Composition rayonniste, c. 1912-1913 Encre de Chine sur papier, monogramme en bas à droite H. 12 cm - L. 9 cm

    OXIO
  • MIKHAIL LARIONOV (1881-1964), CARD GAME
    Jun. 08, 2025

    MIKHAIL LARIONOV (1881-1964), CARD GAME

    Est: $40,000 - $50,000

    Oil on canvas Signed (upper left) 53 x 80 cm Note: Accompanied by a certificate of authenticity by Prof. Dr. Elisabeth Jagers, Naturwissenschaftlioche Beratung bei der Erhaltung von Kunst und Kulturgut Mikroanalytisches Labor, dated, July 2012. Condition: For a detailed condition report, please contact us at info@hammersite.com

    Hammersite
  • LARIONOV, Mikhail (Russian, 1881-1964) Bal de La Grande Ourse (Six examples).
    Jun. 05, 2025

    LARIONOV, Mikhail (Russian, 1881-1964) Bal de La Grande Ourse (Six examples).

    Est: $100 - $200

    LARIONOV, Mikhail (Russian, 1881-1964) Bal de La Grande Ourse (Six examples). 1925. Lithograph on paper. 19 ½ x 13”. The emigrant Russian artistic community in Montparnasse was very active starting in the years before WWII. The large ball they hosted every year in order to raise money for their union was one of the highlights of the Paris avant-garde season. In 1925 it was the Bal de la Grande Ourse (the Big Dipper). This double-sided, broadside program features cubist designs by Larionov, part of a musical score, a list of participants and more. Original quarterfolds with some edges chipped and some tears at folds. Paper toned at edges. Good condition.

    Potter & Potter Auctions Inc.
  • Mikhaïl LARIONOV
    Jun. 05, 2025

    Mikhaïl LARIONOV

    Est: €800 - €1,000

    Mikhaïl LARIONOV Personnages sous un arbre - 1907-1936 Encre et crayon sur papier Signé et daté en bas à droite "M.Larionov / 1907-1936", dédicacé en bas à gauche "A mon XXX / Barr / Avec mes amitiés" 32.4 x 24.2 cm Provenance : Collection Christophe Czwiklitzer Aux actuels propriétaires par succession Ink and pencil on paper ; signed and dated lower right, dedicated lower left ; 12 ¾ x 9 ½ in. Mikhaïl LARIONOV 32.4 x 24.2 cm

    Artcurial
  • Mikhaïl LARIONOV
    Jun. 05, 2025

    Mikhaïl LARIONOV

    Est: €2,000 - €2,500

    Mikhaïl LARIONOV Portrait de Diaghilev Crayon sur papier Signé en bas à droite "M.Larionov.", signé des initiales et dédicacé en haut à droite "Acher / Fazil / Mon Ami / M-L" 26.7 x 20.7 cm Provenance : Collection Christophe Czwiklitzer Aux actuels propriétaires par succession Pencil on paper ; signed lower right, signed with the initials and dedicated upper right ; 10 ½ x 8 ⅛ in. Mikhaïl LARIONOV 26.7 x 20.7 cm

    Artcurial
  • Mikhaïl LARIONOV & Natalia GONTACHAROVA
    Jun. 05, 2025

    Mikhaïl LARIONOV & Natalia GONTACHAROVA

    Est: €2,300 - €3,000

    Mikhaïl LARIONOV & Natalia GONTACHAROVA (1881-1964 & 1881-1962) L'Art décoratif théâtral moderne Paris, Éditions " La Cible ", 1919. In-folio (49,5 x 32 cm), en feuilles, couverture illustrée d'un bois de Gontcharova 18 p., [3] ff. ÉDITION ILLUSTRÉE DE 16 HORS TEXTES, COMPRENANT 3 ILLUSTRATIONS EN COULEURS CONTRECOLLÉES, 9 POCHOIRS OU LITHOGRAPHIES DE LARIONOW ET 4 DE GONTCHAROVA, ET DE 8 VIGNETTES DANS LE TEXTE REPRODUISANT DES COMPOSITIONS DES DEUX ARTISTES. Texte de Valentin Parnack. Tirage limité à 515 exemplaires, celui-ci un des 400 numérotés (n° 80), signé par les artistes. Les deux pochoirs à la gouache sur papier boucher de Larionov, Equilibre de Danse et Masque théâtral - encadrés 49,50 x 36 cm - 19 1/2 x 14 1/8 in. Provenance : Collection Christophe Czwiklitzer Aux actuels propriétaires par succession The complete portfolio with 16 plates including the original pochoirs  Masque théâtral and Equilibre de la Danse by Larionov, with original printed front wrapper, numbered 80 and signed by Goncharova and Larionov Mikhaïl LARIONOV & Natalia GONTACHAROVA (1881-1964 & 1881-1962)

    Artcurial
  • LARIONOV MIKHAIL (1881 - 1964) 20th Cent. Russian oil on canvas - with a "M L" monogram, attributed to Mikhail Larionov Purc
    Apr. 27, 2025

    LARIONOV MIKHAIL (1881 - 1964) 20th Cent. Russian oil on canvas - with a "M L" monogram, attributed to Mikhail Larionov Purc

    Est: €1,500 - €2,500

    LARIONOV MIKHAIL (1881 - 1964) 20th Cent. Russian oil on canvas - with a "M L" monogram, attributed to Mikhail Larionov Purchased directly from the artist in the 1960s by the current owner's father. LARIONOV MIKHAIL (1881 - 1964) olieverfschilderij op doek : "Magnolias" - 69,8 x 70,4 gemonogrammeerd / toegeschreven aan Door de vader van de huidige eigenaar rechtstreeks aangekocht bij de kunstenaar in de jaren '60.

    DVC
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