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  • Eustache Le Sueur (Paris 1616-1655) - The Madonna and Child
    Oct. 29, 2019

    Eustache Le Sueur (Paris 1616-1655) - The Madonna and Child

    Est: $50,000 - $70,000

    Eustache Le Sueur (Paris 1616-1655) The Madonna and Child oil on canvas, unframed 32 7/8 x 24 5/8 in. (83.5 x 62.6 cm.)

    Christie's
  • AFTER EUSTACHE Le SUEUR (FRENCH, 1617-1655)
    Sep. 25, 2018

    AFTER EUSTACHE Le SUEUR (FRENCH, 1617-1655)

    Est: $900 - $1,200

    OIL ON COPPER , TITLED INVERSO "THE IMPRUDENCE OF CANDAULES KING OF LYDIA" , DEPICTING NAKED KING SITTING ON CANOPIED BED TAKING HAND OF HIS NAKED WIFE , AS ONE OF HIS MINISTERS PEERS IN BACKGROUND , SET IN GOLD FRAME WITH VELVET MATT - 11 1/2" x 14 1/4" , 19" x 22" FRAMED

    Echoes Antiques & Auction Gallery
  • EUSTACHE LE SUEUR (PARIS 1616-1655) - Une Béatitude : La Justice
    Jun. 20, 2018

    EUSTACHE LE SUEUR (PARIS 1616-1655) - Une Béatitude : La Justice

    Est: €40,000 - €60,000

    EUSTACHE LE SUEUR (PARIS 1616-1655) Une Béatitude : La Justice huile sur panneau 101,6 x 46,4 cm. (40 x 18 ¼ in.)

    Christie's
  • Jurriaan Cootwijk (1714-1798)
    May. 20, 2014

    Jurriaan Cootwijk (1714-1798)

    Est: €200 - €300

    Jurriaan Cootwijk (1714-1798) Hagar en Ismael gered door de engel. Naar Eustache Le Sueur (1616-1655). Verso gesigneerd. Vermeld in Wurzbach nr. 21. Prenttekening 13 x 17 cm.

    Vendu Rotterdam
  • After Eustache Le Sueur (French, 1617-1655) An early 18th century engraving of a scene from the life of Alexander the Great engraved by Benoit Audran the Elder (1661 - 1721)
    Oct. 08, 2013

    After Eustache Le Sueur (French, 1617-1655) An early 18th century engraving of a scene from the life of Alexander the Great engraved by Benoit Audran the Elder (1661 - 1721)

    Est: £200 - £300

    mounted within a glazed giltwood frame, 71cm high x 65cm wide including frame

    Bonhams
  • ATTRIBUTED TO EUSTACHE LE SUEUR
    Jul. 03, 2013

    ATTRIBUTED TO EUSTACHE LE SUEUR

    Est: £12,000 - £16,000

    PROPERTY  OF  THE  MODERN  ART  MUSEUM  OF  FORT  WORTH PARIS  1616  -  1655 HEAD  OF  A  MAN  WEARING  A  LAUREL  WREATH Black  chalk  heightened  with  white  chalk;  bears  attribution  in  brown  ink:  Annibale  Caracci 364  by  246  mm

    Sotheby's
  • Eustache Le Sueur (Paris 1616-1655)
    Jan. 26, 2012

    Eustache Le Sueur (Paris 1616-1655)

    Est: $6,000 - $8,000

    Eustache Le Sueur (Paris 1616-1655) A putto holding a palm frond black and white chalk on dark brown paper 4 7/8 x 7½ in. (12.4 x 19.3 cm.)

    Christie's
  • EUSTACHE LE SUEUR (PARIS 1616 - 1655) AND STUDIO
    Jan. 28, 2010

    EUSTACHE LE SUEUR (PARIS 1616 - 1655) AND STUDIO

    Est: $120,000 - $150,000

    POLYPHILUS AND POLIA ACCOMPANIED BY NYMPHS ON ISLAND OF CYTHERA

    Sotheby's
  • Eustache Le Sueur (Paris 1616-1655) and Studio
    Jul. 08, 2009

    Eustache Le Sueur (Paris 1616-1655) and Studio

    Est: £40,000 - £60,000

    Eustache Le Sueur (Paris 1616-1655) and Studio The Deposition oil on canvas, shaped top, the spandrels made up 62½ x 75½ in. (158.8 x 191.8 cm.)

    Christie's
  • EUSTACHE LE SUEUR (PARIS 1616-1655)
    Jun. 23, 2009

    EUSTACHE LE SUEUR (PARIS 1616-1655)

    Est: €400,000 - €600,000

    EUSTACHE LE SUEUR (PARIS 1616-1655) Allégorie de la poésie Huile sur toile 130 x 97,5 cm.

    Christie's
  • EUSTACHE LE SUEUR (CIRCLE OF) (French, 1616-1655) Study of Two Figures.
    Jun. 12, 2008

    EUSTACHE LE SUEUR (CIRCLE OF) (French, 1616-1655) Study of Two Figures.

    Est: $800 - $1,200

    EUSTACHE LE SUEUR (CIRCLE OF) (French, 1616-1655) Study of Two Figures. Black chalk on cream laid paper. 275x245 mm; 10 7/8x9 5/8 inches.

    Swann Auction Galleries
  • Eustache Le Sueur (Paris 1616-1655)
    Jul. 09, 2002

    Eustache Le Sueur (Paris 1616-1655)

    Est: $93,600 - $124,800

    A draped figure turned to the right black and white chalk on brown paper, extended on three sides by Mariette 18 x 10 1/8 in. (458 x 256 mm.) PROVENANCE P.-J. Mariette (L. 1852), part of his mount; Paris, 15 November 1775 - 30 January 1776, part of lots 1368-9. An unidentified collector's mark, a snake. NOTES This is an unpublished study for the figure in the far left of Le Sueur's tapestry cartoon of Saints Gervasius and Protasius led before Astasius and refusing to sacrifice to the idols, painted in 1652-3 and now in the Louvre, A. M‚rot, Eustache Le Sueur, Paris, 1987, no. 165, fig. 413. The cartoon was part of a series of six commissioned from Le Sueur by the Wardens of the church of Saints Gervasius and Protasius in Paris on 24 March 1652. The contract precisely specified the subjects, which were taken from The Golden Legend, and indicated that they wanted the compositions to include between 20 and 30 figures. Le Sueur was required to produce a modello (since lost) to be shown to the patrons for their approval, before he could paint the cartoons for the tapestries. These were specified to be 6.8 meters long and 3.6 meters high, in order to fill the spaces between the pillars of the church. The first of the six cartoons was delivered by Le Sueur in May 1653, and the weaving was immediately begun by G‚rard Laurent. In June of the same year Le Sueur asked his patrons to increase the payments for each cartoon from 666 livres et 1,000 livres. He began work on the the second cartoon, but it remained unfinished at his death on 30 April 1655. Work was resumed by Le Sueur's brother-in-law Thomas Gouss‚, but after completion of the second cartoon the Wardens awarded the commission to S‚bastien Bourdon. Bourdon only executed one cartoon, and the remaining three were completed by Philippe de Champaigne. The first four tapestries were delivered on 31 January 1661. These were intended to decorate the choir and transept on special occasions, while the cartoons were to be hung permanently between the pillars of the church. Only a single set of tapestries was woven, and all that remains of the first composition is a fragment now in the Mobilier National, Paris, A. M‚rot, op. cit., pp. 298-304. Eight preparatory drawings for the first cartoon are now extant, A. M‚rot, op. cit., nos. D295-302. All of these drawings are figure studies of the same technique as the present sheet. Of these, a sheet at the Ecole Nationale Sup‚rieure des Beaux-Arts, Paris, from the Chantelou and Jean de Julienne collections, is preparatory to the same figure as that in the present sheet, A. M‚rot, op. cit., no. D299. There are very few compositional differences between the two sheets, but their intention is different: the present drawing was probably intended to establish the pose of the figure within the composition, while the drawing in Paris is more obviously a drapery study. The present sheet also indicates, albeit in a very sketchy way, the figure to the left, which is visible in the picture. Mariette owned 21 drawings by Le Sueur, of which 16 can now be traced. The drawings were divided into five lots, 1367 to 1371. Lot 1367, four drawings, was bought for the Royal cabinet and the drawings are now in the Louvre, A. M‚rot, op. cit., nos. D1, D277, D282 and D328. Lots 1368 and 1369 contained thirteen drapery studies, of which eleven, including the present one, are extant: A. M‚rot, op. cit., D181, D193, D195 (for M‚rot 75), D202, D204, D203, D206 (for M‚rot 78), D268, D269 (for M‚rot 158) and D380 (unrelated). Lot 1370 included only one sheet, now in the Louvre (A. M‚rot, op. cit., D193 for M‚rot 75), while lot 1371 contained three compositional drawings, now lost, for the Saints Gervasius and Protasius cycle. The Ecole des Beaux-Arts, Paris, owns one further Le Sueur vignette from Mariette but as the sheet was laid down on a mount with drawings by different hands it was probably not included in the lots 1367-71.

    Christie's
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