Leonardo da Vinci Sold at Auction Prices

Leonardo da Vinci (1452-1519) "The Codex Hammer" Facsimile Volume

Leonardo da Vinci (1452-1519) The Codex Hammer First Edition Limited Edition Facsimile Volume Measures approx. - 19 1/8"H x 13 1/2"W. A first edition limited edition facsimile of The Codex Hammer by Leonardo da Vinci, translated into English and annotated by renowned Leonardo scholar Carlo Pedretti. Published by Giunti Barbèra of Florence, Italy, in 1987, this deluxe volume faithfully reproduces the celebrated manuscript acquired by Armand Hammer. Printed in a numbered edition, this example is numbered 455/963. Published by Sergio Giunti, Florence, Italy. Have a similar item to sell? Contact us at info@marketauctionsinc.com Please review all photos closely. The non-appearance of a condition report does not mean that the lot is in perfect condition, does not show wear due to age and use, or is free from damage. Market Auctions Inc. strongly suggests that you request a condition report before placing a bid. You may request one from us via this auction platform. Please note that any condition reports are given as strictly as a courtesy to interested parties and should not be considered a statement of fact. Market Auctions Inc. bears no responsibility for any error or omission. All sales are final and sold as is. Measurements are approximated. Please note shipping is not included. All collectibles, silver, antiques, and paintings please contact our in-house shipping department for a quote. In-house shipping contact Ariel ariel@marketauctions.com 561-237-5222 Third-party shipping options Juniors Auction Services 561-510-0345 / juniorsauctionservices@gmail.com UPS Store 1226 (561) 835-9791 / store1226@theupsstore.com For furniture and very large items, please contact an appropriate freight / transport company for shipment. SALES TAX NOTICE PLEASE TAKE NOTICE that Market Auction, Inc., only collects and remits sales tax on items purchased by Florida residents. ALL OUT OF STATE purchasers are required to pay sales tax to their respective States. Purchasers holding valid resale certificates must provide proof of same prior to purchase. Market Auctions, Inc. takes no responsibility for purchaser failure to remit sales tax to the proper non-Florida taxing authority and for any fines or penalties that may result.

LEONARDO DA VINCI, POPOV MANUFACTORY, MOSC

Leonardo da Vinci, Popov Manufactory, Moscow, 1840s, the universal genius is realistically modeled, wearing a black Renaissance robe decorated with gold, with a matching hat and white gloves, leaning against a marble column with a gilded border, on an octagonal pedestal, height 19 cm, The extremely rare porcelain figurines of Paolo Veronese, Leonardo da Vinci, and Benvenuto Cellini, which are of great value to collectors, were created in the mid-19th century at the Popov Manufactory as part of a series depicting famous Renaissance figures

Attributed to Leonardo da Vinci (1452–1519), Study of an Elderly Man

Pencil on paper Signed lower right Dimensions (including frame): 32 × 45 cm Dimensions (excluding frame): 20.5 × 28.5 cm Provenance: Private Collection, Tel Aviv Condition: For a detailed condition report, please email: info@hammersite.com

Leonardo da Vinci (1452–1519), Grotesque Head Study

Ink on paper Dimensions: 6.3 × 6.3 cm Unsigned Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com

Künstler des 17./ 18. Jahrhunderts, nach Leonardo da Vinci (1452 – 1519)

STUDIE EINES MÄNNLICHEN KOPFES IM PROFIL Federzeichnung mit Lavierung auf Papier. Darstellung 18 x 14 cm. Rechts unten Sammlerstempel „R B“ in rotem Oval. Unter Passepartout, hinter Glas gerahmt. Die Zeichnung zeugt von einer durchdachten Idealisierung der menschlichen Gestalt und vereint anatomische Präzision mit spiritueller Ruhe – Kennzeichen der Ästhetik der späten Aufklärung. Die Profilkomposition und die Modellierung erinnern an Prototypen der „Testa d'uomo di profilo“ von Leonardo da Vinci. Gerahmt beschrieben. Provenienz: Ehemalige Sammlung Robert von Hirsch (1883–1977), Basel. (14801110) (18)

Leonardo da Vinci. The Codex Hammer

VINCI, Leonardo da.- "THE CODEX HAMMER" Florence: Giunti Barbera, 1987. Facsimile volume contained in slipcase published alongside the volume of studies. The Codex Hammer, also called the Codex Leicester, is a compilation of texts and drawings on astronomy, meteorology, hydraulics, cosmology, and geology, among other subjects. Currently, the original manuscript is owned by Bill Gates.

Leonardo Da Vinci Concept of Manned Flight Medallion and Stephan & Joseph Montgolfier First Ascent of Man Medallion

Leonardo Da Vinci Concept of Manned Flight Medallion and Stephan & Joseph Montgolfier First Ascent of Man Medallion

"Leonardo da Vinci's Horse" Bronze

"Leonardo da Vinci's Horse" Bronze. Edition #69, w/ certificate of registration 11 1/2"h x 12"w x 5"d Condition: Good.

Leonardo Da Vinci Illustrated Book

Featuring A Leonardo Da Vinci Illustrated Book About His Life & Works. Tears, Discoloration, Pages Are Coming Loose From Spine, Creases Present. Bh40400 Bp

Leonardo da Vinci (1452-1519) A Treatise of Painting. London: Printed for J. Senex and W. Taylor, 1721.

Leonardo da Vinci (1452-1519) A Treatise of Painting. London: Printed for J. Senex and W. Taylor, 1721. First edition in English, octavo, title printed in red and black; illustrated with engraved frontispiece, and 35 additional plates (of which 4 are folding); bound in full contemporary speckled calf boards, rebacked; a crisp unwashed copy with printer's ads at the end; 7 1/2 x 4 3/4 in. ESTC T174885.

Leonardo Da Vinci, an Artabras book

Leonardo Da Vinci, an Artabras book

AFTER THE MODEL BY LEONARDO DA VINCI (ITALIAN, 1452-1519), A BRONZE MODEL OF A REARING HORSE

AFTER THE MODEL BY LEONARDO DA VINCI (ITALIAN, 1452-1519), A BRONZE MODEL OF A REARING HORSE POSSIBLY 19TH CENTURY Set on a moulded ebonised base the bronze 19cm high, 30cm high overall, the base 15.5 x 14cm Provenance: Private Collection, Sherborne, Dorset Private Collection, London LITERATURE:J. Balogh, 'Studi sulla collezione di sculture del Museo di Belle Arti di Budapest', in Acta Historiae Artium Academiae Scientiarum Hungaricae, XII (1966), pp. 292-293, figs. 114-124. This bronze of a rearing horse is related to a bronze group of a horse and rider which is in the Museum of Fine Arts, Budapest. The Budapest bronze has, since the early 20th century, been associated with Leonardo da Vinci and his studies for two unexecuted monuments, one to Francesco Sforza, Duke of Milan, and the other to General Gian Giacomo Trivulzio (Balogh, loc. cit.). Additionally comparison has been made with a sheet by Leonardo da Vinci in the Royal Library, Windsor Castle (no.12331) representing his preliminary thoughts for the Battle of Anghiari fresco, recently re-discovered in Palazzo Vecchio, Florence. Other variant examples of the horse exist in bronze, including one in the Metropolitan Museum in New York and another in the Hunt Museum in Limerick, although the Metropolitan bronze is currently thought to be a 19th or early 20th century cast.

Print, After Leonardo da Vinci/Henry Wolf

After Leonardo da Vinci (Italian, 1452-1519)/Henry Wolf (1852-1916), "Beatrice d'Este," 1907, wood engraving, pencil signed lower right, museum inventory no: 1981.1.176, image: 10"h x 6.5"w, overall (sheet): 16.75"h x 12.75"w. Provenance: Property of the Fine Arts Museums of San Francisco to Benefit the Acquisition Fund of the Achenbach Foundation for Graphic Arts

Leonardo da Vinci - The Complete Paintings and Drawings

"Leonardo da Vinci - The Complete Paintings and Drawings" - Two softcover volume boxed set, Taschen, 2003. 252 pages (Paintings) and 699 pages (Drawings). Each book is 11.5 x 8.75 inches. Like new.

ITALIENISCHE SCHULE DES FRÜHEN 16. JH. AUS DEM UMKREIS VON LEONARDO DA VINCI | PASTORALE

EARLY 16TH CENTURY ITALIAN SCHOOL FROM THE CIRCLE OF LEONARDO DA VINCI 15 April 1452 Anchiano - 2 May 1519 Clos Lucé, Amboise PASTORALE Brush in black and mixed media on handmade paper. Visible dimensions: 15.3 x 16.5 cm, frame dimensions: 39 x 31 cm. Lower left corner min. damaged and restored, lower right corner min. faded. Framed in a passe-partout and behind glass. Provenance: Private collection, Northern Germany. ITALIENISCHE SCHULE DES FRÜHEN 16. JH. AUS DEM UMKREIS VON LEONARDO DA VINCI 15. April 1452 Anchiano - 2. Mai 1519 Clos Lucé, Amboise PASTORALE Pinsel in Schwarz und Mischtechnik auf Büttenpapier. Sichtmass: 15,3 x 16,5 cm, Rahmenmass: 39 x 31 cm. Linke untere Ecke min. besch. und rest., halb recht unten min. Farbverlust. Im Passepartout und hinter Glas gerahmt. Provenienz: Norddeutsche Privatsammlung.

LEONARDO DA VINCI (NACHFOLGER DES WOHL 17. / 18. JH.) | LA BELLE FERRONNIÈRE

LEONARDO DA VINCI (FOLLOWER OF THE PROBABLY 17TH / 18TH CENTURY) 1452 Vinci/Anchiano - 1519 Château of Cloux (Amboise) LA BELLE FERRONNIÈRE Oil on canvas (old relined). 59 x 48 cm (F. 71 x 59.5 cm). Verso: on an old paper label inscribed ''Wallraf-Richartz-Museum, Gemälde-Inventar 1925 No. 694''. Min. old rest., part. min. old retouching. Frame. Provenance: Rhenish private collection; previously: Wallraf-Richartz Museum. LEONARDO DA VINCI (NACHFOLGER DES WOHL 17. / 18. JH.) 1452 Vinci/Anchiano - 1519 (Schloß) Cloux (Amboise) LA BELLE FERRONNIÈRE Öl auf Leinwand (altdoubl.). 59 x 48 cm (R. 71 x 59,5 cm). Verso: Auf altem Papierlabel bezeichnet: 'Wallraf-Richartz-Museum Gemälde-Inventar 1925 No 694'. Min. altrest., part. min. Altretuschen. Rahmen. Provenienz: Rheinische Privatsammlung, zuvor: Wallraf-Richartz-Museum.

DA VINCI, Leonardo

Traité de la Peinture, nouvelle édition, augmentée de la vie de l'auteur Paris Deterville 1796 8°, [4], lix, 333 pp, portrait, 33 engr. plates, 6 folding , letterpress diagrams, contemporary calf binding (rebacked). Good copy. A reprint of the 1716 Paris edition Ex-libris J.C. Devizes

Leonardo da Vinci - Il Codice Atlantico di Leonardo da Vinci sotto l'alto patronato del Presidente della Repubblica Italiana

Leonardo da Vinci. I cento designed piu belli

"LEONARDO DA VINCI.- I CENTO DISEGNI PIÚ BELLI dalle raccolte di tutto il mondo. Scelti e presentati da Carlo Pedretti. Catalogo a cura di Sara Taglialagamba" Florence: Giunti editore, 2012. Large folio (445 x 310 mm.), contained in an editor's slipcase made of cloth and leather. 100 facsimile plates of 120 drawings by Leonardo da Vinci held in museums around the world, accompanied by a volume of studies. Notarial deed of the limited edition of 25 in romans, not for sale. Attached, framed, presentation cover of the work.

LEONARDO DA VINCI (1452-1519), copy after

Mona LisaOil on canvas, unsignedSight dimensions 28.5 x 23.5 cm, frame 50.5 x 44.5 cm

Attributed to Leonardo da Vinci (1452-1519), Italy

Sepia on paper Dimensions:15x15 cm Provenance: Private collection of Jean-Philippe Gueant, France Condition: For a detailed condition report, please contact: info@hammersite.com

TWO 22K COMMEMORATIVE MEDALS AND ONE WITH A CASE

Two commemorative 22K medals: Leonardo da Vinci (1452-1519) with case and Pope John Paul II. Total weight: 8.71 g.

Leonardo da Vinci. Il cento disegni piu belli

"LEONARDO DA VINCI.- I CENTO DISEGNI PIÚ BELLI dalle raccolte di tutto il mondo. Anatomía il mondo" Florencia: Giunti editore, 2015. Folio mayor (445 x 310 mm.), contenido en estuche ed. realizado en tela y piel. Adjunta, enmarcada, portada de presentación de la obra. 100 láminas facsímiles reproduciendo 179 diseños de Leonardo conservadas en museos de todo el mundo, acompañadas de vol. de estudios.

Leonardo da Vinci. Codice Atlántico

VINCI, Leonardo da.- "CÓDICE ATLÁNTICO" Cuyo original se custodia en la Biblioteca Ambrosiana de Milano. Firenze: Giunti-Barberá, 1973. Folio mayor, plena piel. 3 vols. Ej. marcado "Esemplare fuori commercio". El Códice Atlántico completo una colección encuadernada de dibujos y escrituras de Leonardo da Vinci que consta de 1 119 hojas que datan de 1478 a 1519, tratando de una gran variedad de temas: vuelo, armamento, instrumentos musicales, matemáticas y botánica.

Leonardo da Vinci drawings deluxe edition The Queens Collection - Windsor Castle

681/950, The Drawings and Miscellanea of ​​Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle. Landscapes, Plant and Water Studies, with reprints, Belser, Stuttgart-Zurich 1984, 140. Massive luxury jeweled case with gold-stamped title and 140 illustrations, L 57 cm x W 43 cm x D 12.5 cm

Leonardo Da Vinci Zeichnungen

Leonardo Da Vinci Zeichnungen Die Zeichnungen und Miscellania von Leonardo da Vinci i der Sammlung Ihrer Majestät der Königin in Schloss Windsor, hrsg. von Carlo Pedretti, Belser Verlag Stuttgart und Zürich 1984, großformatige Exclusivausgabe Nr. 350/950, Format Fol., XXIV, 247 S., goldgeprägter Kunstledereinband, Vollgoldschnitt, dazu Vierflügelmappe mit den Reproduktionen der Zeichnungen, in großem Systemklappschuber, nahezu verlagsfrisches Exemplar, Maße gesamt 57 x 43 x 12 cm. Leonardo Da Vinci Drawings The Drawings and Miscellania of Leonardo da Vinci i the Collection of Her Majesty the Queen at Windsor Castle, ed. by Carlo Pedretti, Belser Verlag Stuttgart and Zurich 1984, large format exclusive edition no. 350/950, folio format, XXIV, 247 p., gilt-stamped leatherette binding, full gilt edges, plus four-panel folder with reproductions of the drawings, in large system folding slipcase, near mint copy, overall dimensions 57 x 43 x 12 cm.

LEONARDO DA VINCI. The Literary Works. Comp. & ed. from the Original Manuscripts

LEONARDO DA VINCI. The Literary Works. Comp. & ed. from the Original Manuscripts by J.P. Richter. 2nd ed. enl. & rev. 1939. 2 vols. 4°. Ocl. -- Id. The Notebooks. Arr., rendered into English and Introd. by E. MacCurdy. (1948). 2 vols. 4°. Ocl. -- C. PEDRETTI. The Literary Works of Leonardo da Vinci (…) ed. by J.P. Richter. A Commentary. (1977). 2 vols. 4°. Ocl. w. dust-j. -- (6).

Leonardo da Vinci - Caylus, Anne-Claude-Philippe, Comte de. Recueil de testes de carac

Leonardo da Vinci - Caylus, Anne-Claude-Philippe, Comte de. Recueil de testes de caractere & de charges. Dessinées par Leonard de Vinci Florentin. Mit gestochenem Titelblatt in Sepia nach Agostino Carracci und 59 nummerierten Stichen auf 31 Tafeln sowie einem unnummerierten Sepia-Stich mit dem Titel "di mano di Lodovico Cigoli" am Ende. Paris, J. Mariette, 1730. 29,5 x 22 cm. Pappband der Zeit (Rückenbezug fehlt, Ecken und Kapitale stärker bestoßen, Deckel stärker berieben und mit wenigen kleinen Bezugsfehlstellen). Erste Ausgabe. - Cohen-De Ricci 212 (40 Tafeln) & 623 (36 Tafeln). - Prachtvolle Folge von Caylus nach Leonardos grotesken Gesichtsstudien. Die Anzahl der Tafeln kann variieren (bis 66 Abbildungen), unser Exemplar enthält alle Stiche, die im gedruckten "Catalogue des pièces" am Ende des Vorworts beschrieben sind. Nach Angaben des British Museum handelt es sich um eine Serie von 60 Tafeln, darunter eine Titelseite, die Herkules und Hydra im Kampf innerhalb eines ornamentalen Rahmens zeigt, nach A. Carracci sowie 60 Halbbüstefiguren in Rundmedaillons, zwei pro Folio gedruckt, mit Ausnahme der Tafeln Nr. 53,55, die ganzseitige quadratische Tafeln sind, und Tafel Nr. 60, die den Kopf einer Figur von Cigoli zeigt. - Innendeckel mit altem zeitgenössischen Vermerk, Block geplatzt, etwas gebräunt und stock- bzw. fingerfleckig, 1 Blatt mit winzigem Wasserrand.

da Vinci Leonardo (1452 - 1519) - Trattato della pittura di Lionardo da Vinci. Milan: Dalla Società Tipografica de’ Classici Italiani, Contrada di S. Margherita No. 1118, 1804

da Vinci Leonardo (1452 - 1519). Trattato della pittura di Lionardo da Vinci. Milan: Dalla Società Tipografica de’ Classici Italiani, Contrada di S. Margherita No. 1118, 1804. 8vo (13.4 × 21.5 cm) – 2 parts – (2), 207, 256, (2) pp., with portrait and 60 engraved plates outside the text (3 of which are folded). Half calf binding, gilt title and decorations on a red spine label; spine with evident traces of worming; sprinkled edges; occasional foxing but a fine, fresh, and well-bound copy. Splendid copper engravings. · “Memorie storiche su la vita, gli studj, e le opere di Lionardo da Vinci scritte da Carlo Amoretti...” begins on leaf [a] · Engraved portrait of Leonardo da Vinci · Collation: [a]⁸ b–n⁸ 1–16⁸ χ1 · Leaf χ1 contains the errata · All plates are copper engravings. 1804.

Leonardo da Vinci. I cento designed very beautiful

"LEONARDO DA VINCI.- THE MOST BEAUTIFUL DESIGNS FROM ALL OVER THE WORLD. Sketches and presentations by Carlo Pedretti. Catalogue by Sara Taglialagamba" Florence: Giunti editore, 2012. Larger folio (445 x 310 mm), contained in a cloth and leather case. 100 facsimile plates of 120 drawings by Leonardo da Vinci held in museums around the world, accompanied by a volume of studies. Notarial deed of limited edition, numbered with cross-out text and annotated copy "PROTOTYPE". Framed presentation cover of the work is included.

Leonardo da Vinci

"LEONARDO DA VINCI". - B.: Ed. Planeta, 2013. A volume of studies edited by Helena Carvajal, professor of art history at the Complutense University of Madrid. It comes in a case containing a limited-edition, numbered sculpture of the Vitruvian Man on a marble pedestal.

Leonardo Da Vinci: A Three Dimensional Study - Jerome R. Corsi

Leonardo Da Vinci: A Three Dimensional Study - Jerome R. Corsi

Leonardo Da Vinci - Daniel Arasse

Leonardo Da Vinci - Daniel Arasse

[LEONARDO DA VINCI]

Leonardo da Vinci. The Queens's collection, Windsor Castle. Landschaften pflanzen un wasserstudien Stütgartt - Zurich Belser 1984 Folio (44.5 x 30 cm), 247 p., half leather binding, 70 fac-simile plates lose in a cloth box. Both in a half brown half leather box. Limited edition of 300 copies, this without number. As new

Leonardo da Vinci: Tractat von der Mahlerey. Nürnberg, Weigel, 1747. - Zweite deutsche Ausgabe

Leonardo da Vinci. Tractat von der Mahlerey. Aus dem Italiänischen und Frantzösischen in das Teutsche übersetzet; auch mit beygefügtem Leben des Auctoris zum Druck befördert von J. G. Böhm. Zweyte Auflage. 11 Bl., 200 S., 5 Bl. Mit gestochenem Frontispiz, 28 teils gefalteten Kupfertafeln und zahlreichen Textholzschnitten. 23 x 18 cm. Marmorierter Lederband d. Z. (etwas berieben, mit schwachen Schabspuren) mit dezenter RVergoldung und goldgeprägtem RSchild. Nürnberg, Andreas Bieling für Christoph Weigel, 1747. Ebert 23623. Schlosser 144. Graesse VI/II, 328. Verga 8. Ornamentstichsammlung 4616. Thieme-Becker XV, 203 – Zweite deutsche Ausgabe des häufig übersetzten theoretischen Hauptwerks Leonardo da Vincis (1452-1519), die erste deutsche Ausgabe erschien 1724. Unter Neuordnung der Kapitel übertragen aus der 1651 erschienenen ersten italienischen und ersten französischen Ausgabe. – Etwas gebräunt und braunfleckig, sonst wohlerhalten. Die Kupfer auf blattgroße Falze montiert.

LEONARDO DA VINCI (After), , Decorative Giclee after the original., Image: 100cm x 100cm

LEONARDO DA VINCI (After) Decorative Giclee after the original. Artwork is stretched and ready to hang.

Leonardo da Vinci's codices from the BNE

LEONARDO DA VINCI CODICES.- Complete reproduction of Manuscripts 8936 (Codex Madrid II) and 8937 (Codex Madrid I) by Leonardo da Vinci, held at the National Library of Spain. Egeria, 2009. Limited edition number. 2 vols. contained in original case. Minor 4th, full leather, veins and gilding on the spine and gilded wheel on the planes. Includes 3 vols. of studies in a separate case. These codices are the only work by the Renaissance genius kept in Spain, and were rediscovered in the archives of the National Library in 1964; they came to Spain with Pompeo Leoni, sculptor to Philip II. They are of great importance since they constitute almost 15% of Leonardo's annotations referenced today. In addition to their quality and relevance of topics (they deal with mechanics, statics, geometry and construction of fortifications).

Large silver plate plaque of "The Last Supper"

After Leonardo da Vinci (Italian, 1452-1519), silver plated copper relief, framed, 15"h x 25"w (plaque), 21.75"h x 31.75"w (frame)

LEONARDO DA VINCI, (after) , Untitled (Portrait), decorative giclée after the original, 100 x 100 x 2 cm. (39.3 x 39.3 x 0.7 in.)

LEONARDO DA VINCI (after) Untitled (Portrait) decorative giclée after the original

After Leonardo da Vinci (1452-1519). Self Portrait, circa 1820-40, oval oil on thick board

After Leonardo da Vinci (1452-1519). Self Portrait, circa 1820-40, oval oil on thick board * After Leonardo da Vinci (1452-1519). Self Portrait, circa 1820-40, oval oil on thick board, with contemporary handwritten labels to verso 'Galleria Metzger, Borgo Ognissanti, N: 3424, Firenze', and 'Leonardo da Vinci 470', 21 x 17 cm (8 1/2 x 6 3/4 ins), contemporary Italian carved giltwood frame QTY: (1)

Leonardo da Vinci The Anatomist 1452-1519, McMurrich

Leonardo da Vinci The Anatomist 1452-1519, McMurrich

Leonardo da Vinci, 1452 Anchiano – 1519 Schloss Clos Lucé, Amboise, Kopie nach

DER VITRUVIANISCHE MENSCH Federzeichnung auf dünnem Büttenpapier, ohne Wasserzeichen. 24,8 x 18,5 cm. Weitgehend exakte maßgenaue spätere Wiederholung nach der bekannten Zeichnung um 1490 von Leonardo da Vinci. Diese „Vitruvianische Figur“ zeigt die idealisierten Proportionen des menschlichen Körpers im Kreis sowie im Quadrat. Die Bezeichnung geht auf den antiken Architekten und Theoretiker Vitruvius zurück. Leonardos Originalzeichnung befindet sich seit 1822 in der Galleria del‘Accademia in Venedig, erworben von den Erben des Mailänder Kunstsammlers Giuseppe Bossi (1777-1815). Es kann angenommen werden, dass das vorliegende Blatt in dieser Zeit als Pause entstand, möglicherweise jedoch auch schon weit früher. Erkennbare feine Unterschiede in der Linienführung gegenüber dem Original (vor allem im Bereich des Kopfes). Stark wasserfleckig und vergilbt, an einer Ecke auf Unterpapier montiert (kleiner Einriss an der linken oberen Ecke). Provenienz: Laut Vorbesitz: Sammlung Norditalien. (1441481) (11)

Leonardo da Vinci, 1452 Anchiano – 1519 Schloss Clos Lucé, Amboise, Kreis des

MARIA MIT DEM KINDE Öl auf Holz. 49 x 39 cm. In breitem Kehlrahmen. Auf einer profilierten steingrauen Brüstung sitzt auf einem rot samtenem Kissen mit Quastenbesatz das Christuskind, das sich mit einer Hand am Kragensaum der Maria festhält. Hinter der Brüstung steht Maria mit rot-blauem Gewand, der Blick unter symmetrisch fallenden Haarsträhnen nach links unten gerichtet. Eine angedeutete geschweifte Strahlengloriole belebt den dunklen Grund. (1442041) (13) Leonardo da Vinci, 1452 Anchiano – 1519 Schloss Clos Lucé, Amboise, circle of THE VIRGIN AND CHRIST CHILD Oil on panel. 49 x 39 cm.

9 Leonardo Da Vinci 1996 Mona Lisa Bookmarks

This is a pack of 9 Bookmarks by Da Vinci, titled "Mona Lisa". The overall size of each Bookmark measures 8.75 x 2.75 inches. The Bookmarks are . The condition of the Bookmarks has been rated as follows: A: Mint Here are some additional details about the Da Vinci: Bookmark in plastic sleeve. Printed in Italy by Nuova Arti Grafiche Ricordi . Again, this lot is for 9 of the SAME Bookmark, NOT a mixed or assorted group.

Leonardo da Vinci Trattato della pittura.

Leonardo da Vinci. Trattato della pittura. Napoli, Francesco Ricciardo, Vincenzo e Niccolò Rispolo, 1733. In 2° (340 x 220 mm); [16], 115, [9], 55, [1] pagine. Vignetta al frontespizio stampato in rosso e nero, 73 figure incise nel testo (sporadiche bruniture, macchia al margine esterno bianco delle prime carte.) Legatura coeva in pergamena con titolo in oro su tassello al dorso, tagli marmorizzati (strappo alla cerniera inferiore). Prima edizione stampata in Italia del celebre trattato, pubblicato per la prima volta soltanto nel 1651, nel quale "si sono giunti Tre Libri della Pittura, ed il Trattato della Statua di Leon Battista Alberti, colla Vita del medesimo". 

LEONARDO DA VINCI (After), , Decorative Giclee after the original on linen., Image: 100cm x 70cm

LEONARDO DA VINCI (After) Decorative Giclee after the original on linen. Artwork is stretched and ready to hang.

LEONARDO DA VINCI (After), , Decorative Giclee after the original on canvas., Image: 100cm x 70cm

LEONARDO DA VINCI (After) Decorative Giclee after the original on canvas. Artwork is stretched and ready to hang.

Leonardo Da Vinci together with Utrillo

Leonardo Da Vinci together with Utrillo