Jack Levine Sold at Auction Prices

Figure painter, Painter, b. 1915 - d. 2010

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  • JACK LEVINE, IX FROM DREIGROSCHENFILM, SOFT GROUND ETCHING
    Jun. 19, 2025

    JACK LEVINE, IX FROM DREIGROSCHENFILM, SOFT GROUND ETCHING

    Est: $200 - $300

    Artist: Jack Levine, American (1915 - 2010) Title: IX from Dreigroschenfilm Year: 1967 Medium: Soft Ground Etching, Signed and numbered in Pencil Edition: 43/100 Size: 18 x 14 in. (45.72 x 35.56 cm)

    RoGallery
  • Jack LEVINE: "Artist and the Muse" (Self-Portrait).
    May. 24, 2025

    Jack LEVINE: "Artist and the Muse" (Self-Portrait).

    Est: $150 - $200

    Jack LEVINE (American, 1915-2010): "Artist and the Muse" (Self-Portrait). Aquatint and etching, treated like a mezzotint, on Rives wove paper, 1966. Reference: Prescott 37. Edition of 100. Signed and numbered in pencil. Plate size: 9 7/8 x 12 5/8 inches.

    Armstrong Fine Art
  • Jack Levine, American (1915-2010), The Art Lover / Blue Angel, 1967, 2 lithographs, 26"H x 19"W (one)
    May. 21, 2025

    Jack Levine, American (1915-2010), The Art Lover / Blue Angel, 1967, 2 lithographs, 26"H x 19"W (one)

    Est: -

    Jack Levine American, (1915-2010) The Art Lover / Blue Angel, 1967 2 lithographs Blue Angel: pencil signed lower right, edition 81/120. The Art Lover: edition 46/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venal sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / Blue Angel, 1967, exhibition poster / lithograph, 21"H x 27 1/4"W (one)
    May. 21, 2025

    Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / Blue Angel, 1967, exhibition poster / lithograph, 21"H x 27 1/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / Blue Angel, 1967 exhibition poster / lithograph Blue Angel: pencil signed lower right, edition 85/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Warsaw Ghetto, 1969 / Prussian General (State Two) "Double Eagle", 1966, lithograph / etching, 23"H x 30"W (Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), Warsaw Ghetto, 1969 / Prussian General (State Two) "Double Eagle", 1966, lithograph / etching, 23"H x 30"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Warsaw Ghetto, 1969 / Prussian General (State Two) "Double Eagle", 1966 lithograph / etching Pencil signed lower right. Warsaw Ghetto: edition 104/120; Prussian General: edition 75/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venal sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Woodstock Pastoral, 1969 / Cain and Abel I, 1964, 2 etchings, 14 3/4"H x 17 1/4"W (Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), Woodstock Pastoral, 1969 / Cain and Abel I, 1964, 2 etchings, 14 3/4"H x 17 1/4"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Woodstock Pastoral, 1969 / Cain and Abel I, 1964 2 etchings Pencil signed lower right. Woodstock Pastoral: edition 25/120; Cain and Abel: edition 46/80. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Texas Delegate, 1970 / On the Convention Floor, 1968, 2 lithographs, 22"H x 27"W (Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), Texas Delegate, 1970 / On the Convention Floor, 1968, 2 lithographs, 22"H x 27"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Texas Delegate, 1970 / On the Convention Floor, 1968 2 lithographs Pencil signed lower right. Texas Delegate: edition 64/120; On the Convention Floor: edition 8/125. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 1/2"H x 21"W (Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 1/2"H x 21"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) The King - Hebrew King, 1949 / Maimonides II, 1964 2 lithographs Pencil signed lower right. The King: edition 26/50; Maimonides II: edition 76/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The Great Society, 1968 / The Wedding, 2 etchings, 8 3/4"H x 11 3/4"H (Plate), 13 3/4"H x 19 3/4"W (Sheet)
    May. 21, 2025

    Jack Levine, American (1915-2010), The Great Society, 1968 / The Wedding, 2 etchings, 8 3/4"H x 11 3/4"H (Plate), 13 3/4"H x 19 3/4"W (Sheet)

    Est: -

    Jack Levine American, (1915-2010) The Great Society, 1968 / The Wedding 2 etchings Pencil signed lower right. The Great Society: edition 48/100; The Wedding: 97/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The Prisoner, 1963 / The Artist and His Muse, 1966, 2 etching and aquatints, 20 1/2"H x 29 1/2"W (Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), The Prisoner, 1963 / The Artist and His Muse, 1966, 2 etching and aquatints, 20 1/2"H x 29 1/2"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) The Prisoner, 1963 / The Artist and His Muse, 1966 2 etching and aquatints Pencil signed lower right. The Prisoner: artist's proof; The Artist and His Muse: edition 3/100; La Toilette (or Volpone IV): edition 41/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Rape of Sabines, 1965 / Judgement of Paris, 1964, 2 etchings, 8"H x 10 3/4"W (Plate), 13"H x 19 3/4"W (Sheet, Largest)
    May. 21, 2025

    Jack Levine, American (1915-2010), Rape of Sabines, 1965 / Judgement of Paris, 1964, 2 etchings, 8"H x 10 3/4"W (Plate), 13"H x 19 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Rape of Sabines, 1965 / Judgement of Paris, 1964 2 etchings Pencil signed lower right. Rape of Sabines: edition 46/100; Judgement of Paris: edition 128/250. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • JACK LEVINE, FUNERAL, GOUACHE ON PAPER
    May. 18, 2025

    JACK LEVINE, FUNERAL, GOUACHE ON PAPER

    Est: $3,200 - $4,500

    Artist: Jack Levine, American (1915 - 2010) Title: Funeral Medium: Gouache on Paper, signed Size: 17.75 x 23 in. (45.09 x 58.42 cm) Frame Size: 25 x 30.25 inches

    RoGallery
  • JACK LEVINE (American, 1915-2010). Marianne and the Goddess of Liberty, 1967, Limited edition lithograph on Arches paper numbered 72 of
    May. 15, 2025

    JACK LEVINE (American, 1915-2010). Marianne and the Goddess of Liberty, 1967, Limited edition lithograph on Arches paper numbered 72 of

    Est: $250 - $350

    JACK LEVINE (American, 1915-2010). Marianne and the Goddess of Liberty, 1967, Limited edition lithograph on Arches paper numbered 72 of an edition of 125. Pencil signed and numbered at base. Printed by Mourlot (New York) and published by Lubinn, Inc (New York). Unframed. Note: The artwork is not glued down to a hard surface; it is mounted with hinges to a removable back board. - Sheet: 29 ¾ x 22 ¾ inches. Viewing by appointment only.

    Sloans & Kenyon
  • Jack Levine (American 1915–2010), Girls of Tunbridge Alley #2, Soft Ground Etching, Signed l.r. and numbered XXXVII/XLV l.l., Frame: 17 1/4 x 19 3/4 in. (43.8 x 50.2 cm.)
    May. 13, 2025

    Jack Levine (American 1915–2010), Girls of Tunbridge Alley #2, Soft Ground Etching, Signed l.r. and numbered XXXVII/XLV l.l., Frame: 17 1/4 x 19 3/4 in. (43.8 x 50.2 cm.)

    Est: $50 - $100

    Jack Levine (American 1915–2010), Girls of Tunbridge Alley #2, Soft Ground Etching, Signed l.r. and numbered XXXVII/XLV l.l.,

    Weschler's
  • JACK LEVINE, XIX FROM DREIGROSCHENFILM, SOFT GROUND ETCHING
    May. 02, 2025

    JACK LEVINE, XIX FROM DREIGROSCHENFILM, SOFT GROUND ETCHING

    Est: $200 - $300

    Artist: Jack Levine, American (1915 - 2010) Title: XIX from Dreigroschenfilm Year: 1967 Medium: Soft Ground Etching, Signed and numbered in Pencil Edition: 43/100 Size: 14 x 18 in. (35.56 x 45.72 cm)

    RoGallery
  • JACK LEVINE, AMERICAN 1915-2010, THE END OF THE WEIMAR REPUBLIC, Etching, Sight: 18 3/8 x 14 7/8 in. (46.7 x 37.8 cm.), Frame: 30 3/4 x 25 3/4 in. (78.1 x 65.4 cm.)
    Apr. 25, 2025

    JACK LEVINE, AMERICAN 1915-2010, THE END OF THE WEIMAR REPUBLIC, Etching, Sight: 18 3/8 x 14 7/8 in. (46.7 x 37.8 cm.), Frame: 30 3/4 x 25 3/4 in. (78.1 x 65.4 cm.)

    Est: $250 - $500

    JACK LEVINE AMERICAN, 1915-2010 THE END OF THE WEIMAR REPUBLIC Etching Lower left numbered: 1/100; lower right signed: J. Levine

    Potomack Company
  • JACK LEVINE, AMERICAN 1915-2010, LOVE CARELESS LOVE, Etching and aquatint, Sight: 18 1/2 x 23 1/4 in. (47 x 59.1 cm.), Frame: 27 3/4 x 32 1/8 in. (70.5 x 81.6 cm.)
    Apr. 25, 2025

    JACK LEVINE, AMERICAN 1915-2010, LOVE CARELESS LOVE, Etching and aquatint, Sight: 18 1/2 x 23 1/4 in. (47 x 59.1 cm.), Frame: 27 3/4 x 32 1/8 in. (70.5 x 81.6 cm.)

    Est: $200 - $300

    JACK LEVINE AMERICAN, 1915-2010 LOVE CARELESS LOVE Etching and aquatint Lower left numbered: 42/100; lower right signed: J. Levine

    Potomack Company
  • JACK LEVINE, AMERICAN 1915-2010, THE GENERAL, Etching and aquatint, Sight: 16 1/8 x 18 7/8 in. (41 x 47.9 cm.), Frame: 25 1/8 x 28 3/4 in. (63.8 x 73 cm.)
    Apr. 25, 2025

    JACK LEVINE, AMERICAN 1915-2010, THE GENERAL, Etching and aquatint, Sight: 16 1/8 x 18 7/8 in. (41 x 47.9 cm.), Frame: 25 1/8 x 28 3/4 in. (63.8 x 73 cm.)

    Est: $100 - $200

    JACK LEVINE AMERICAN, 1915-2010 THE GENERAL Etching and aquatint Lower left numbered: Artists Proof; lower right signed: J. Levine

    Potomack Company
  • Jack Levine "Italian General"
    Apr. 24, 2025

    Jack Levine "Italian General"

    Est: $200 - $300

    1965, Color etching. Framed. Editioned lower left "Artist Proof" Signed lower right

    Kiechel Auction
  • Jack Levine "Requiem"
    Apr. 24, 2025

    Jack Levine "Requiem"

    Est: $400 - $600

    1979, Lithograph. Framed. Editioned lower left AP/XX. Signed lower right

    Kiechel Auction
  • Jack Levine "The Rape of Sabines"
    Apr. 24, 2025

    Jack Levine "The Rape of Sabines"

    Est: $200 - $300

    1965, Color etching. Framed. Editioned 97/100 lower left. Signed lower right

    Kiechel Auction
  • Jack Levine "The Rabbi From Amsterdam"
    Apr. 24, 2025

    Jack Levine "The Rabbi From Amsterdam"

    Est: $2,000 - $3,000

    1985, Oil on wood panel. Framed. Signed lower left.

    Kiechel Auction
  • Jack Levine "National Theatre, Oslo"
    Apr. 24, 2025

    Jack Levine "National Theatre, Oslo"

    Est: $500 - $700

    1984, Watercolor and mixed media. Framed. Signed, titled and dated lower left.

    Kiechel Auction
  • Jack Levine "Study of Officers"
    Apr. 24, 2025

    Jack Levine "Study of Officers"

    Est: $400 - $600

    Date unknown, Mixed media on paper. Framed. Signed lower left

    Kiechel Auction
  • Jack Levine Lithograph Signed and Numbered
    Apr. 17, 2025

    Jack Levine Lithograph Signed and Numbered

    Est: $200 - $300

    Jack Levine, American 1915-2010, Lithograph Signed and Numbered 49/100. Framed measures 26 inches x 32 inches, art measures 19 inches x 26 inches. Frame has scratches.

    Greenwich Auction
  • Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l., Frame: 23 3/4 x 30 1/2 in. (60.3 x 77.5 cm.)
    Apr. 08, 2025

    Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l., Frame: 23 3/4 x 30 1/2 in. (60.3 x 77.5 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Warsaw Ghetto, Lithograph, Signed l.r. and numbered 41/120 l.l.,

    Weschler's
  • Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching, Frame: 16 x 24 1/2 in. (40.6 x 62.2 cm.)
    Apr. 08, 2025

    Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching, Frame: 16 x 24 1/2 in. (40.6 x 62.2 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Mayor Daley at the Chicago Convention, Etching,

    Weschler's
  • Jack Levine Lithograph Signed and Numbered
    Apr. 03, 2025

    Jack Levine Lithograph Signed and Numbered

    Est: $200 - $300

    Jack Levine, American 1915-2010, Lithograph Signed and Numbered 49/100. Framed measures 26 inches x 32 inches, art measures 19 inches x 26 inches. Frame has scratches.

    Greenwich Auction
  • JACK LEVINE (AMERICAN 1915-2010) PRINT
    Apr. 01, 2025

    JACK LEVINE (AMERICAN 1915-2010) PRINT

    Est: $50 - $10,000

    Signed by artist to corner, edition 50/100 Frame: H 39.25" x W 26.25" Sight: H 38.5" x W 25.5" Condition: No glass to frame. Light blemishes to metal frame on lower corner. Art not examined outside frame. Presents well overall.

    Westport Auction
  • Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100, Frame: 18 3/4 x 20 3/4 in. (47.6 x 52.7 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100, Frame: 18 3/4 x 20 3/4 in. (47.6 x 52.7 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Rape of the Sabines, Etching and Aquatint in Color, Numbered 5/100,

    Weschler's
  • Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250, Frame: 17 1/4 x 18 3/4 in. (43.8 x 47.6 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250, Frame: 17 1/4 x 18 3/4 in. (43.8 x 47.6 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), The Judgement of Paris, Etching, Numbered 103/250,

    Weschler's
  • Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120, Frame: 15 1/4 x 12 1/4 in. (38.7 x 31.1 cm.)
    Apr. 01, 2025

    Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120, Frame: 15 1/4 x 12 1/4 in. (38.7 x 31.1 cm.)

    Est: $50 - $100

    Jack Levine (American 1915-2010), Two Figures, Etching and Aquatint, Numbered 102/120,

    Weschler's
  • JACK LEVINE, SWEET BYE AND BYE, ETCHING
    Mar. 30, 2025

    JACK LEVINE, SWEET BYE AND BYE, ETCHING

    Est: $900 - $1,200

    Artist: Jack Levine, American (1915 - 2010) Title: Sweet Bye and Bye Year: 1980 Medium: Etching, signed and numbered in pencil Edition: 77/100 Image Size: 8 x 9.75 inches Size: 15 x 20 in. (38.1 x 50.8 cm)

    RoGallery
  • Jack Levine, (2) ink on paper drawings
    Mar. 28, 2025

    Jack Levine, (2) ink on paper drawings

    Est: $100 - $150

    Jack Levine (American, 1915-2010), Draft horse, brown ink on J. Green & Son wove paper, inscribed to Alex (Dobnick) and signed "JLevine", loose and unframed, 22.75"h x 29.5"w (sheet); with, sketch of horse's head, 18"h x 13"w (sheet)

    Millea Bros Ltd
  • Jack Levine, (2) drypoint etchings
    Mar. 27, 2025

    Jack Levine, (2) drypoint etchings

    Est: $100 - $150

    Jack Levine (American, 1915-2010), Study of Heads, 1964, signed and numbered 15/75, and "Nymph and Warlock", 1965, signed and numbered 5/100, each loose and unframed, embossed "ES" to sheets lower right, 22"h x 15"w and 17.75"h x 12.5"w

    Millea Bros Ltd
  • Jack Levine, American (1915-2010), 2 figural sketches, ink and graphite on paper / graphite on paper, 11 3/4"H x 17"W (Sheet), 17"H x 22 1/4"W (Mat, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), 2 figural sketches, ink and graphite on paper / graphite on paper, 11 3/4"H x 17"W (Sheet), 17"H x 22 1/4"W (Mat, Largest)

    Est: -

    Jack Levine American, (1915-2010) 2 figural sketches ink and graphite on paper / graphite on paper One signed lower left. Small paper has drawings on both sides. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 26"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 26"W (one)

    Est: -

    Jack Levine American, (1915-2010) Je me Souviens de M. Watteau, 1965 / Brechtiana, 1966 2 lithographs Pencil signed lower right. Jeme Souviens de Watteau: edition 44/ 100; Brechtiana: edition 45/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Reception in Miami, 1967 / Blue Angel, 1967, 2 lithographs, 21 1/4"H x 27 1/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Reception in Miami, 1967 / Blue Angel, 1967, 2 lithographs, 21 1/4"H x 27 1/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) Reception in Miami, 1967 / Blue Angel, 1967 2 lithographs Blue Angel: pencil signed lower right, artist's proof. Reception in Miami: edition 96/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 3/4"H x 21"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The King - Hebrew King, 1949 / Maimonides II, 1964, 2 lithographs, 26 3/4"H x 21"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) The King - Hebrew King, 1949 / Maimonides II, 1964 2 lithographs Pencil signed lower right. The King: edition 24/50; Maimonides II: edition 44/100. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 3/4"H x 17 1/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 3/4"H x 17 1/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Rape of Sabines (First State), 1965 / Woodstock Pastoral, 1969 2 etchings Pencil signed lower right. Rape of Sabines: edition 73/100; Woodstock Pastoral: edition 66/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The Art Lover, 1967 / Reception in Miami, 1967, 2 lithographs, 26"H x 18 3/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The Art Lover, 1967 / Reception in Miami, 1967, 2 lithographs, 26"H x 18 3/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) The Art Lover, 1967 / Reception in Miami, 1967 2 lithographs Signed in the plate. The Art Lover: edition 12/100. Reception in Miami: edition 84/120, titled and dated verso. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967, exhibition poster / lithograph, 28"H x 20 3/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967, exhibition poster / lithograph, 28"H x 20 3/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) Marianne and The Goddess of Liberty, Atelier Mourlet, NY, 1967 / The Art Lover, 1967 exhibition poster / lithograph The Art Lover: artist's proof. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Maimonides II, 1964 / The Prisoner, 1963, lithograph / etching, 26 1/2"H x 21"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Maimonides II, 1964 / The Prisoner, 1963, lithograph / etching, 26 1/2"H x 21"W (one)

    Est: -

    Jack Levine American, (1915-2010) Maimonides II, 1964 / The Prisoner, 1963 lithograph / etching Pencil signed lower right. Maimonides II: edition 75/100; The Prisoner: artist's proof. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969, etching / lithograph, 29 3/4"H x 21 1/4"W (one)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969, etching / lithograph, 29 3/4"H x 21 1/4"W (one)

    Est: -

    Jack Levine American, (1915-2010) The End of the Weimar Republic, 1967 / Warsaw Ghetto, 1969 etching / lithograph Pencil signed lower right. The End of the Weimar Republic: Edition 83/100; Warsaw Ghetto: Edition 43/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Volpone II, 1964 / Volpone IV, 1964/65, 2 etchings, 14 3/4"H x 20 3/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Volpone II, 1964 / Volpone IV, 1964/65, 2 etchings, 14 3/4"H x 20 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Volpone II, 1964 / Volpone IV, 1964/65 2 etchings Pencil signed lower right. Volpone II: edition 6/100; Volpone IV: edition 41/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Vernissage, 1967 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 25 1/2"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Vernissage, 1967 / Brechtiana, 1966, 2 lithographs, 19 3/4"H x 25 1/2"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Vernissage, 1967 / Brechtiana, 1966 2 lithographs Pencil signed lower right. Vernissage: artist's proof; Brechtiana: edition 91/125. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Daley's Gesture, 1969 / Texas Delegate, 1970, etching / lithograph, 22"H x 27"W (Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Daley's Gesture, 1969 / Texas Delegate, 1970, etching / lithograph, 22"H x 27"W (Largest)

    Est: -

    Jack Levine American, (1915-2010) Daley's Gesture, 1969 / Texas Delegate, 1970 etching / lithograph Pencil signed lower right. Daley's Gesture: edition 49/120; Texas Delegate: edition 63/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
  • Jack Levine, American (1915-2010), Judgement of Paris, 1964 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 1 //4"H x 17 3/4"W (Sheet, Largest)
    Mar. 19, 2025

    Jack Levine, American (1915-2010), Judgement of Paris, 1964 / Woodstock Pastoral, 1969, 2 etchings, 8 1/4"H x 8 3/4"W (Plate), 14 1 //4"H x 17 3/4"W (Sheet, Largest)

    Est: -

    Jack Levine American, (1915-2010) Judgement of Paris, 1964 / Woodstock Pastoral, 1969 2 etchings Pencil signed lower right. Judgement of Paris: edition 228/250; Woodstock Pastoral: edition 26/120. Biography from the Archives of askART: Born and raised in the south end of Boston, Jack Levine created social satirical pieces exposing the foibles and venals sins of mobsters and politicians, underworld characters whose actions are obviously insincere. He also satirized the middle class and created paintings of Biblical subjects. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University who, recognizing talent, gave him free art lessons. Levine was especially interested in the Old Masters at the Fogg Museum at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower class neighborhood in his subject matter. He developed a modern Social Realism while borrowing from the techniques of Rembrandt and El Greco, something he calls "Old Master Pudding." He also learned methods from satirists Honore Daumier, Francisco Goya, and George Grosz. Levine's technique was to apply slashing strokes of color in thin layers of oil and then glaze, making his surfaces sparkle. His lampoons of rich people were especially suited to this method because their skin glitters and seems to corrode with light. Memberships include the National Institute of Arts and Letters and the American Academy of Arts and Letters.

    Ripley Auctions
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