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Martin Lewis Sold at Auction Prices

Etcher, Engraver, Painter, b. 1881 - d. 1962

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        • MARTIN LEWIS "BUILDING A BABYLON" ETCHING, 1929
          Apr. 14, 2024

          MARTIN LEWIS "BUILDING A BABYLON" ETCHING, 1929

          Est: $2,000 - $4,000

          Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall framed dimension of 20.75x15.25". Original Kennedy & Co Rare Prints Gallery label on verso. Excellent condition with strong color.

          District Auction
        • Martin Lewis (1881-1962); Bedford Street Gang;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Bedford Street Gang;

          Est: $4,500 - $5,500

          Martin Lewis (1881-1962) Bedford Street Gang (McCarron 116), 1935 Etching on wove paper, signed in pencil, from the edition of 25 recorded impressions, with margins, framed. plate 8 7/8 x 14 1/4in (22.5 x 36.7cm) sheet 12 3/8 x 17 3/4in (31.4 x 44.8cm)

          Bonhams
        • Martin Lewis (1881-1962); Trumbull Street;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Trumbull Street;

          Est: $4,000 - $6,000

          Martin Lewis (1881-1962) Trumbull Street (McCarron 107), 1934 Drypoint and etching on laid paper, signed in pencil and annotated 'trial proof' (aside from the recorded 49 impressions), with margins, framed. plate 10 7/8 x 12 7/8in (27.6 x 32.7cm) sheet 14 1/8 x 16 1/4in (35.9 x 41.3cm)

          Bonhams
        • Martin Lewis (1881-1962); Circus Night;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Circus Night;

          Est: $20,000 - $30,000

          Martin Lewis (1881-1962) Circus Night (McCarron 103), 1933 Drypoint on J. Whatman paper, signed in pencil, from the edition of 43 recorded impressions, with margins, framed. plate 11 1/8 x 14 3/4in (28.3 x 37.5cm) sheet 14 9/16 x 18 1/2in (37 x 47cm)

          Bonhams
        • Martin Lewis (1881-1962); Shadow Dance;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Shadow Dance;

          Est: $15,000 - $20,000

          Martin Lewis (1881-1962) Shadow Dance (McCarron 88), 1930 Drypoint and etching on wove paper, signed in pencil, from the edition of 109 recorded impressions, with margins, framed. plate 9 3/8 x 10 3/4in (23.7 x 27.5cm) sheet 13 1/4 x 14 3/4in (33.8 x 37.5cm)

          Bonhams
        • Martin Lewis (1881-1962); Arch, Midnight;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Arch, Midnight;

          Est: $3,000 - $5,000

          Martin Lewis (1881-1962) Arch, Midnight (McCarron 84.II), 1930 Drypoint on light blue laid paper, the second (final) state, signed in pencil and annotated 'Trial no 10' and 'imp', one of 12 trial proofs from the edition of 99 recorded impressions, printed by the artist, with margins, framed. plate 8 1/8 x 11 5/8in (20.6 x 29.5cm) sheet 12 3/4 x 16 1/2in (32.2 x 41.8cm)

          Bonhams
        • Martin Lewis (1881-1962); Ice Cream Cones;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Ice Cream Cones;

          Est: $1,200 - $1,800

          Martin Lewis (1881-1962) Ice Cream Cones (McCarron 73), 1928 Drypoint and etching on Etruria laid paper, signed in pencil and annotated 'imp', from the edition of 70 recorded impressions, printed by the artist, with margins, framed. plate 9 1/4 x 14 3/4in (23.7 x 37.6cm) sheet 12 1/2 x 18 1/2in (32 x 47cm)

          Bonhams
        • Martin Lewis (1881-1962); Shadows, Garage at Night;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Shadows, Garage at Night;

          Est: $5,000 - $7,000

          Martin Lewis (1881-1962) Shadows, Garage at Night (McCarron 69), 1928 Drypoint on wove paper, signed in pencil and annotated 'imp', from the edition of 49 recorded impressions, printed by the artist, with margins, framed. plate 9 3/4 x 11 7/8in (24.8 x 30.1cm) sheet 13 3/4 x 16 1/2in (33.6 x 42cm)

          Bonhams
        • Martin Lewis (1881-1962); Shadows on the Ramp;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Shadows on the Ramp;

          Est: $3,500 - $4,500

          Martin Lewis (1881-1962) Shadows on the Ramp (McCarron 64), 1927 Drypoint on wove paper, signed in pencil, from the edition of 75 recorded impressions, with margins, framed. plate 9 x 10 1/2in (22.8 x 26.6cm) sheet 12 3/4 x 15in (32.4 x 38.3cm)

          Bonhams
        • Martin Lewis (1881-1962); The Boyfriends;
          Mar. 26, 2024

          Martin Lewis (1881-1962); The Boyfriends;

          Est: $1,500 - $2,000

          Martin Lewis (1881-1962) The Boyfriends (McCarron 61), 1927 Drypoint and etching on laid paper, signed in pencil, from the edition of 30 recorded impressions, with margins, framed. plate 9 3/4 x 7 7/8in (24.9 x 20cm) sheet 14 7/8 x 11 3/4in (37.9 x 30.1cm)

          Bonhams
        • Martin Lewis (1881-1962); Tabloid Readers;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Tabloid Readers;

          Est: $5,000 - $7,000

          Martin Lewis (1881-1962) Tabloid Readers (McCarron 57), 1927 Drypoint on laid paper, signed in pencil and annotated 'imp', from the edition of 19 recorded impressions, printed by the artist, with margins, framed. plate 6 7/8 x 9 7/8in (17.5 x 25cm) sheet 10 3/8 x 13 1/8in (26.5 x 33.4cm)

          Bonhams
        • Martin Lewis (1881-1962); Suburban Evening;
          Mar. 26, 2024

          Martin Lewis (1881-1962); Suburban Evening;

          Est: $3,500 - $5,500

          Martin Lewis (1881-1962) Suburban Evening (McCarron 43), 1925 Drypoint on wove paper, signed in pencil, from the edition of 18 recorded impressions, with margins, framed. plate 9 7/8 x 7 7/8in (25 x 20cm) sheet 16 5/8 x 12 3/8in (42.2 x 31.5cm)

          Bonhams
        • Martin Lewis (1881-1962); The Big Freighter;
          Mar. 26, 2024

          Martin Lewis (1881-1962); The Big Freighter;

          Est: $5,000 - $7,000

          Martin Lewis (1881-1962) The Big Freighter (McCarron 11), 1916 Etching and aquatint in brown on laid paper, signed in pencil and annotated '1st state' (of 2), from the edition of 16, with margins, framed. plate 12 1/4 x 17 1/4in (31.1 x 43.8cm) sheet 16 7/16 x 22 5/8in (41.8 x 57.5cm)

          Bonhams
        • MARTIN LEWIS (AMERICAN, 1881-1962).
          Mar. 10, 2024

          MARTIN LEWIS (AMERICAN, 1881-1962).

          Est: $800 - $1,200

          'Boss of the Block'. Etching and aquatint. Signed lower right in pencil. Property of a Clifton, NJ estate. Dimensions: Plate: 11" h x 7.25" w. Frame:18" h x 13.75" w.

          Clarke Auction Gallery
        • On the River (McCarron 2)
          Mar. 05, 2024

          On the River (McCarron 2)

          Est: $3,000 - $5,000

          The Leslie & Johanna Garfield Collection: A Celebration of Prints Martin Lewis 1881 - 1962 On the River (McCarron 2) signed in pencil and inscribed imp. (lower right) etching on laid paper plate approx.: 14¾ by 11¾ in. (37.5 by 30 cm.) Executed in 1915; this impression is one of 21 recorded by McCarron.

          Sotheby's
        • Mother and Daughter (McCarron 68)
          Mar. 05, 2024

          Mother and Daughter (McCarron 68)

          Est: $2,000 - $3,000

          The Leslie & Johanna Garfield Collection: A Celebration of Prints Martin Lewis 1881 - 1962 Mother and Daughter (McCarron 68) signed in pencil (lower right) drypoint on Rives wove paper plate: 10 by 6⅝ in. (25.3 by 17.5 cm.) sheet: 15 by 11 in. (38.2 by 27.9 cm.) Executed in 1927; this impression is one of only 14 recorded impressions.

          Sotheby's
        • R.F.D. (McCarron 106)
          Mar. 05, 2024

          R.F.D. (McCarron 106)

          Est: $4,000 - $6,000

          The Leslie & Johanna Garfield Collection: A Celebration of Prints Martin Lewis 1881 - 1962 R.F.D. (McCarron 106) signed in pencil (lower right) drypoint and etching on wove paper plate: 10 by 11⅞ in. (25.3 by 30.0 cm.) sheet: 13⅞ by 15⅞ in. (35.2 by 40.1 cm.) Executed in 1933; this impression is from the edition of 148 recorded impressions.

          Sotheby's
        • White Monday (McCarron 98)
          Mar. 05, 2024

          White Monday (McCarron 98)

          Est: $1,500 - $2,500

          The Leslie & Johanna Garfield Collection: A Celebration of Prints Martin Lewis 1881 - 1962 White Monday (McCarron 98) signed in pencil (lower right); inscribed trial proof (lower left) etching and aquatint on laid paper plate approx.: 9⅞ by 7⅞ in. (25 by 20 cm.) Executed in 1932; this impression is one of four trial proofs (McCarron records a total of 35 impressions).

          Sotheby's
        • Martin Lewis (American, 1881-1962) - Glow of the City
          Dec. 03, 2023

          Martin Lewis (American, 1881-1962) - Glow of the City

          Est: $20,000 - $30,000

          Martin Lewis (American, 1881-1962) - Glow of the City 1929. Edition of 110. Pencil signed ‘Martin Lewis Imp’ in the bottom right margin, drypoint on paper Image size: 11 3/8 x 14 3/8 in. (28.9 x 36.5cm) Sheet size: 14 x 18 5/8 in. (35.6 x 47.3cm) [McCarron 77] Unframed. Provenance Private Collection, New Jersey. Lot Essay During his lifetime and up to the present day, Martin Lewis was recognized as a master of printing techniques, particularly his skillful portrayal of light and dark–the contrast between the illuminated and the obscured. The background of the present print depicts New York City's glowing Chanin Building. Still located at the corner of 42nd Street and Lexington Avenue, the skyscraper had just been completed when Lewis executed this work. The foreground, replete with elements of modernity and urban development, shows a woman surrounded by hanging laundry, fire escapes, and multiple apartment buildings.  In 1930, Lewis was awarded the Print Club of Philadelphia's Charles M. Lea Prize for this print, which is considered by many to be his most important and iconic work.

          Freeman's
        • Martin Lewis (1881-1962) Drawing for Circus Night 9 x 11 1/2 in. (22.9 x 29.2 cm.) (Executed circa 1933.)
          Nov. 07, 2023

          Martin Lewis (1881-1962) Drawing for Circus Night 9 x 11 1/2 in. (22.9 x 29.2 cm.) (Executed circa 1933.)

          Est: $8,000 - $12,000

          Martin Lewis (1881-1962) Drawing for Circus Night signed by the estate 'Martin Lewis / P.L.' (lower right) and estate stamped (on the reverse) pencil and white chalk on paper 9 x 11 1/2 in. (22.9 x 29.2 cm.) Executed circa 1933.

          Bonhams
        • Night in New York (M. 102)
          Oct. 19, 2023

          Night in New York (M. 102)

          Est: $3,000 - $5,000

          Martin Lewis 1881 - 1962 Night in New York (M. 102) Etching, 1932, signed in pencil, from the edition of 135, on wove paper, framed plate: 215 by 226 mm 8½ by 8⅞ in

          Sotheby's
        • Above the Yards, Weehawken (M. 33)
          Oct. 19, 2023

          Above the Yards, Weehawken (M. 33)

          Est: $4,000 - $6,000

          Martin Lewis 1881 - 1962 Above the Yards, Weehawken (M. 33) Etching and aquatint, conceived 1918, printed 1973, inscribed and initialed 'Martin Lewis, (L.D.L. 1973)' by the artist's widow, Lucile Lewis, numbered 10/100 (the full edition was never realized), on wove paper, published by Kennedy Galleries, unframed plate: 445 by 605 mm 17½ by 23¾ in sheet: 663 by 1014 mm 26⅛ by 40 in

          Sotheby's
        • Dock Workers Under the Brooklyn Bridge (McCarron 15)
          Oct. 19, 2023

          Dock Workers Under the Brooklyn Bridge (McCarron 15)

          Est: $4,000 - $6,000

          Martin Lewis 1881 - 1962 Dock Workers Under the Brooklyn Bridge (McCarron 15) Etching and aquatint, conceived 1916-18, printed 1973, inscribed and initialed 'Martin Lewis (L. D. L. 1973)' by the artist's widow, Lucile Lewis, numbered 25/100 (the full edition was never realized), on wove paper, published by Kennedy Galleries, unframed plate: 445 by 603 mm 17½ by 23¾ in sheet: 665 by 1011 mm 26¼ by 39¾ in

          Sotheby's
        • Wet Night, Route 6 (McCarron 104)
          Oct. 18, 2023

          Wet Night, Route 6 (McCarron 104)

          Est: $20,000 - $30,000

          Martin Lewis 1881 - 1962 Wet Night, Route 6 (McCarron 104) Drypoint, 1933, signed in pencil, from the edition of approximately 51, on wove paper, framed plate: 226 by 372 mm 8⅞ by 14⅝ in sheet: 318 by 460 mm 12½ by 18⅛ in

          Sotheby's
        • Martin Lewis (1881-1962); Shadow Dance;
          Oct. 03, 2023

          Martin Lewis (1881-1962); Shadow Dance;

          Est: $25,000 - $35,000

          Martin Lewis (1881-1962) Shadow Dance (McCarron 88), 1930 Drypoint on wove paper, signed in pencil, from the edition of 109, with full margins. 9 3/8 x 10 7/8in (23.8 x 27.6cm) sheet 12 5/8 x 14 7/16in (32.1 × 36.7cm) For further information on this lot please visit the Bonhams website

          Bonhams
        • Martin Lewis (1881-1962); R.F.D.;
          Oct. 03, 2023

          Martin Lewis (1881-1962); R.F.D.;

          Est: $4,000 - $6,000

          Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 13 5/8 x 15 3/4in (34.6 x 40cm) For further information on this lot please visit the Bonhams website

          Bonhams
        • Martin Lewis (1881-1962); Arch, Midnight;
          Oct. 03, 2023

          Martin Lewis (1881-1962); Arch, Midnight;

          Est: $6,000 - $8,000

          Martin Lewis (1881-1962) Arch, Midnight (McCarron 84), 1930 Drypoint on wove paper, signed in pencil, from the edition of 99, with wide margins. 8 1/8 x 11 5/8in (20.6 x 29.5cm) sheet 12 1/8 x 15 3/8in (30.7 x 39.1cm) For further information on this lot please visit the Bonhams website

          Bonhams
        • Martin Lewis Etching "Wet Saturday"
          Sep. 30, 2023

          Martin Lewis Etching "Wet Saturday"

          Est: $6,000 - $9,000

          Martin Lewis (American 1881-1962) "Wet Saturday", 1929, drypoint etching on paper, signed in pencil ' Martin Lewis-imp- ' lower right, signed in the plate lower left, edition of 72 plus 1 trial proof, matted and framed. Museum Glass. Dimensions: Sheet size 13 x 13.75 in. Condition: Two 1.25 in. l. tears along hinge tape edges at top of sheet, with horizontal crease in between. 5 inch long triangular crease in lower left corner margin, 1/2 in. in width at widest point. Lower right sheet corner with small crease.

          Neue Auctions
        • Martin Lewis (1881-1962): Corner Shadows
          Sep. 24, 2023

          Martin Lewis (1881-1962): Corner Shadows

          Est: $3,000 - $5,000

          Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right

          Abell Auction
        • Martin Lewis (1881-1962): Under the Street Lamp
          Sep. 23, 2023

          Martin Lewis (1881-1962): Under the Street Lamp

          Est: $1,500 - $2,000

          Martin Lewis 1881-1962 Under the Street Lamp etching on laid paper 1928; pencil-signed lower right margin; from an edition of approximately 83; McCarron 68

          Abell Auction
        • MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SHADOWS ON THE RAMP"
          Sep. 22, 2023

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SHADOWS ON THE RAMP"

          Est: $5,000 - $8,000

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SHADOWS ON THE RAMP", drypoint etching on paper, a fine, crisp impression, signed in plate lower right and signed in pencil lower right margin. Housed in a modern frame. 1927. 8 5/8" x 10 1/4" plate, 17 1/2" x 19" OA. Catalogue Note: Born in Australia, Martin Lewis (1881-1962) studied as a young man at the Julian Ashton Art School in Sydney. In 1900, he immigrated to the United States and, after a short stint in San Francisco, made his way to New York, where he began his artistic career in earnest. Dissatisfied with his work as a commercial artist in those early years, however, Lewis traveled to Japan in 1920, where he further honed his printmaking abilities. Upon his return to the United States with New York City in full bloom during the "Roaring 20s", Lewis entered the two most productive decades of his career in which he captured the city's iconic architecture and its people in striking, almost atmospheric depictions. During the Great Depression, he moved to Newtown, Connecticut, where he continued his work as an artist, but returned to New York after World War II. The present drypoint is an outstanding example of the artist's work and a classic representation of American Realism, reminiscent of the paintings of Lewis's contemporary and friend, Edward Hopper (1882-1967). A master of the nocturnal urban scene, Lewis was able to create visual representations in a noir style that simultaneously convey fragments of a human narrative.

          Jeffrey S. Evans & Associates
        • MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SUBURBAN EVENING"
          Sep. 22, 2023

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SUBURBAN EVENING"

          Est: $5,000 - $8,000

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "SUBURBAN EVENING", drypoint etching on paper, a fine, crisp impression, signed in plate lower right and signed in pencil lower right margin. Housed in a modern frame. 1925. 9 3/4" x 7 3/4" plate, 18" x 16" OA. Catalogue Note: Born in Australia, Martin Lewis (1881-1962) studied as a young man at the Julian Ashton Art School in Sydney. In 1900, he immigrated to the United States and, after a short stint in San Francisco, made his way to New York, where he began his artistic career in earnest. Dissatisfied with his work as a commercial artist in those early years, however, Lewis traveled to Japan in 1920, where he further honed his printmaking abilities. Upon his return to the United States with New York City in full bloom during the "Roaring 20s", Lewis entered the two most productive decades of his career in which he captured the city's iconic architecture and its people in striking, almost atmospheric depictions. During the Great Depression, he moved to Newtown, Connecticut, where he continued his work as an artist, but returned to New York after World War II. The present drypoint is an outstanding example of the artist's work and a classic representation of American Realism, reminiscent of the paintings of Lewis's contemporary and friend, Edward Hopper (1882-1967). A master of the nocturnal urban scene, Lewis was able to create visual representations in a noir style that simultaneously convey fragments of a human narrative.

          Jeffrey S. Evans & Associates
        • MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "ARCH, MIDNIGHT"
          Sep. 22, 2023

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "ARCH, MIDNIGHT"

          Est: $5,000 - $8,000

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "ARCH, MIDNIGHT", drypoint etching on paper, a fine, crisp impression, signed in plate lower left and signed in pencil lower right margin, retains an early printed gallery label verso for Schwartz Galleries on Madison Avenue in New York City. Housed in a modern frame. 1930. 8" x 11 1/2" plate, 16 1/4" x 19 1/2" OA. Catalogue Note: Born in Australia, Martin Lewis (1881-1962) studied as a young man at the Julian Ashton Art School in Sydney. In 1900, he immigrated to the United States and, after a short stint in San Francisco, made his way to New York, where he began his artistic career in earnest. Dissatisfied with his work as a commercial artist in those early years, however, Lewis traveled to Japan in 1920, where he further honed his printmaking abilities. Upon his return to the United States with New York City in full bloom during the "Roaring 20s", Lewis entered the two most productive decades of his career in which he captured the city's iconic architecture and its people in striking, almost atmospheric depictions. During the Great Depression, he moved to Newtown, Connecticut, where he continued his work as an artist, but returned to New York after World War II. The present drypoint is an outstanding example of the artist's work and a classic representation of American Realism, reminiscent of the paintings of Lewis's contemporary and friend, Edward Hopper (1882-1967). A master of the nocturnal urban scene, Lewis was able to create visual representations in a noir-style that simultaneously convey fragments of a human narrative.

          Jeffrey S. Evans & Associates
        • MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY"
          Sep. 22, 2023

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY"

          Est: $5,000 - $8,000

          MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower margin, retains an early printed gallery label verso for Kennedy Galleries on Fifth Avenue in New York City. Housed in a modern frame. 1934. 8" x 11 1/2" plate, 16 1/4" x 19 1/2" OA. Catalogue Note: Born in Australia, Martin Lewis (1881-1962) studied as a young man at the Julian Ashton Art School in Sydney. In 1900, he immigrated to the United States and, after a short stint in San Francisco, made his way to New York, where he began his artistic career in earnest. Dissatisfied with his work as a commercial artist in those early years, however, Lewis traveled to Japan in 1920, where he further honed his printmaking abilities. Upon his return to the United States with New York City in full bloom during the "Roaring 20s", Lewis entered the two most productive decades of his career in which he captured the city's iconic architecture and its people in striking, almost atmospheric depictions. During the Great Depression, he moved to Newtown, CT, where he continued his work as an artist, but returned to New York after World War II. The present drypoint is an outstanding example of the artist's work and a classic representation of American Realism, reminiscent of the paintings of Lewis's contemporary and friend, Edward Hopper (1882-1967). A master of the nocturnal urban scene, Lewis was able to create visual representations in a noir-style that simultaneously convey fragments of a human narrative.

          Jeffrey S. Evans & Associates
        • Martin Lewis (American, 1881-1962) Shadow Dance, 1930
          Sep. 21, 2023

          Martin Lewis (American, 1881-1962) Shadow Dance, 1930

          Est: $15,000 - $25,000

          Martin Lewis (American, 1881-1962) Shadow Dance, 1930 drypoint and sandpaper ground signed in pencil 9 1/4 x 10 3/4 inches.

          Hindman
        • Martin Lewis (American, 1881-1962) Arch Midnight, 1930
          Sep. 21, 2023

          Martin Lewis (American, 1881-1962) Arch Midnight, 1930

          Est: $8,000 - $12,000

          Martin Lewis (American, 1881-1962) Arch Midnight, 1930 drypoint signed in pencil 8 x 11 1/2 inches.

          Hindman
        • Martin Lewis (American, 1881-1962) Chance Meeting, ca. 1940-41
          Sep. 21, 2023

          Martin Lewis (American, 1881-1962) Chance Meeting, ca. 1940-41

          Est: $6,000 - $8,000

          Martin Lewis (American, 1881-1962) Chance Meeting, ca. 1940-41 drypoint signed in pencil 10 1/2 x 7 1/2 inches Published by the Society of American Etchers, New York

          Hindman
        • Martin Lewis (American, 1881-1962) Boss of the Block, ca. 1939
          Sep. 21, 2023

          Martin Lewis (American, 1881-1962) Boss of the Block, ca. 1939

          Est: $1,000 - $2,000

          Martin Lewis (American, 1881-1962) Boss of the Block, ca. 1939 etching and aquatint signed in pencil 11 x 7 1/4 inches.

          Hindman
        • MARTIN LEWIS (American, 1881-1962). The Roustabout, 1916, Etching and sandpaper ground printed in black ink on wove paper. Pencil Signe
          Sep. 14, 2023

          MARTIN LEWIS (American, 1881-1962). The Roustabout, 1916, Etching and sandpaper ground printed in black ink on wove paper. Pencil Signe

          Est: $2,000 - $3,000

          MARTIN LEWIS (American, 1881-1962). The Roustabout, 1916, Etching and sandpaper ground printed in black ink on wove paper. Pencil Signed. Framed. Not examined out of frame. - Sight: 10 x 6.5 inches; frame: 18.5 x 14.5 inches

          Sloans & Kenyon
        • MARTIN LEWIS (1881-1962) Break in the Thunderstorm Image: 12 3/8 x 9 7/8 in
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Break in the Thunderstorm Image: 12 3/8 x 9 7/8 in

          Est: $10,000 - $15,000

          MARTIN LEWIS (1881-1962) Break in the Thunderstorm Image: 12 3/8 x 9 7/8 in. (315 x 252 mm.) Sheet: 16 x 13 ¼ in. (406 x 337 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Trumbull Street Image: 10 7/8 x 13 in. (275 x 330
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Trumbull Street Image: 10 7/8 x 13 in. (275 x 330

          Est: $4,000 - $6,000

          MARTIN LEWIS (1881-1962) Trumbull Street Image: 10 7/8 x 13 in. (275 x 330 mm.) Sheet: 13 5/8 x 16 ¼ in. (346 x 413 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Two A.M. Image: 8 7/8 x 14 7/8 in. (227 x 377 mm.)
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Two A.M. Image: 8 7/8 x 14 7/8 in. (227 x 377 mm.)

          Est: $8,000 - $12,000

          MARTIN LEWIS (1881-1962) Two A.M. Image: 8 7/8 x 14 7/8 in. (227 x 377 mm.) Sheet: 13 3/8 x 18 5/8 in. (340 x 473 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Spring Night, Greenwich Village Image: 9 7/8 x 12
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Spring Night, Greenwich Village Image: 9 7/8 x 12

          Est: $8,000 - $12,000

          MARTIN LEWIS (1881-1962) Spring Night, Greenwich Village Image: 9 7/8 x 12 3/8 in. (250 x 314 mm.) Sheet: 13 3/8 x 15 ¾ in. (340 x 400 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Corner Shadows Image: 8 3/8 x 8 7/8 in. (213 x 225
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Corner Shadows Image: 8 3/8 x 8 7/8 in. (213 x 225

          Est: $4,000 - $6,000

          MARTIN LEWIS (1881-1962) Corner Shadows Image: 8 3/8 x 8 7/8 in. (213 x 225 mm.) Sheet: 11 x 12 ¼ in. (279 x 311 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Passing Storm Image: 10 3/8 x 13 7/8 in. (264 x 35
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Passing Storm Image: 10 3/8 x 13 7/8 in. (264 x 35

          Est: $4,000 - $6,000

          MARTIN LEWIS (1881-1962) Passing Storm Image: 10 3/8 x 13 7/8 in. (264 x 352 mm.) Sheet: 14 ¼ x 18 1/8 in. (362 x 460 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Building a Babylon, Tudor City, N.Y.C. Image: 13 x
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Building a Babylon, Tudor City, N.Y.C. Image: 13 x

          Est: $3,000 - $5,000

          MARTIN LEWIS (1881-1962) Building a Babylon, Tudor City, N.Y.C. Image: 13 x 8 in. (330 x 204 mm.) Sheet: 16 ¾ x 11 ¾ in. (426 x 299 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Tree, Manhattan Image: 12 7/8 x 9 7/8 in. (325 x 2
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Tree, Manhattan Image: 12 7/8 x 9 7/8 in. (325 x 2

          Est: $4,000 - $6,000

          MARTIN LEWIS (1881-1962) Tree, Manhattan Image: 12 7/8 x 9 7/8 in. (325 x 251 mm.) Sheet: 16 5/8 x 13 5/8 in. (421 x 347 mm.)

          Christie's
        • MARTIN LEWIS (1881-1962) Glow of the City Image: 11 3/8 x 14 3/8 in. (289 x
          Aug. 18, 2023

          MARTIN LEWIS (1881-1962) Glow of the City Image: 11 3/8 x 14 3/8 in. (289 x

          Est: $20,000 - $30,000

          MARTIN LEWIS (1881-1962) Glow of the City Image: 11 3/8 x 14 3/8 in. (289 x 365 mm.) Size: 15 ½ x 19 in. (394 x 483 mm.)

          Christie's
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