François Linke (1855–1946) was a leading Parisian ébéniste of the late 19th and early 20th centuries. Linke was born on 17 June 1855 in the small Bohemian village of Deutsch Pankraz, now known as Jítrava in the Czech Republic. Records show that Linke served an apprenticeship with a master cabinetmaker, named Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873.
Francois Linke Ormolu Marquetry Marble Top Pedestal, Signed Francois Linke (French, 1855-1946), early 20th century. Louis XV style rouge marble top pedestal, with female espagnolettes and scrolled acanthus leaf mounts, kingwood veneer, and mixed wood floral marquetry, stamped "F. Linke" to upper curved bronze acanthus leaf mount.
French Louis XV gilt-bronze mounted vitrine (display cabinet) signed by the celebrated Belle Epoque master cabinetmaker Francois Linke (1855-1946). A two door cabinet with inlaid tumbling blocks parquetry on the fronts and sides. Adorned with highly intricate, finely chased gilt-bronze (ormolu) mounts framing the beveled glass doors, lower panels, apron, and cabriole legs. A signature reading F. Linke in neat script is found on a gilt-bronze mount, on the top right-hand side of the piece. Total dimensions: 70 inches H x 41 W x 16 deep.
Francois Linke (French, 1855-1946) Rococo Gilt Bronze & Marble Desk Clock c. 1890-1910, French The clock runs fine and keeps a good time. The bronze and marble clock is from 19th century, Belle Epoque period, it is a genuine, running piece signed by the legendary master craftsman Francois Linke. Francois Linke was word-renowned for his ultra-luxurious, masterfully cast ormolu bronze mounts and high-end clocks. It is a standard for genuine Linke timepieces to feature a crisp, cursive script signature, as this clock has. Signed "F. Linke" on the base. Also there is a foundry mark on the underside of the base representing H. Luppens &Cie, a prestigious Belgian art bronze foundry operating out of Brussels during late 19th century.
France, Paris, François Linke, end of the 19th century to the beginning of the 20th century, the representative writing table or "bureau plat" is conceived as visually double-sided with one central drawer, the oak body is partially veneered and richly decorated with gilded bronze applications, the upper part of the table is fitted with a polished marble top and a massive brass frame signed F. Linke, the upper part of the table rests on four slightly S-shaped bent legs, legs are finished with bronze applications, very nice original condition with minor damages, signs of age and usage, overall dimensions: 78 x 140 x 77 cm. François Linke (1855-1946) is considered the finest French cabinet maker of the late 19th and early 20th centur. Linke was born in Pankraz Bohemia. He started his first workshop in France in 1881. It was here that he produced contemporary furniture with impeccable craftsmanship inspired by 18th century styles. Over a twenty-year period, he expanded his business and produced a variety of gorgeous pieces. He exhibited at several World’s Fairs and won accolades for his designs. He died at age 91, after achieving great success and producing some of the most elegant furniture on the market. Linke's highly original designs sprang from the Regence and Rococo styles but were imbued with something quite new - Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of Andre Charles Boulle (1642-1732) or Charles Cressent (1685-1758).
A Louis XV style gilt bronze mounted marquetry commode François Linke (1855-1946), fourth quarter 19th century Signed to one mount: F. Linke The Brech d'alep marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly out swept legs
A Louis XV style gift bronze mounted games table François Linke (1855-1946), circa 1890 Etched to drawer bronze mount: F. Linke With gilt-tooled burgundy leather inset top above opposed drawers, floral marquetry, and foliate bronze mounts, the legs with female term chutes ending in paw feet
Y A Louis XV style gilt bronze mounted parquetry rosewood vitrine François Linke (1855-1946), early 20th century Marked under the lock: CT LINKE / SERRURERIE / PARIS With gilt-bronze foliate mounts, trim, and front paw feet, the glazed locking cabinet doors revealing a mirrored back and two glass shelves, surmounted by a marble top
Francois Linke (French, 1855-1946), an antique Louis XVI style mahogany commode featuring gilt bronze mounts, inlaid casework, and a fitted marble top. The bombe form case presents paneled drawer fronts adorned with finely cast ormolu mounts, complemented by a shaped apron and tapered legs that reflect refined neoclassical proportions. The rich mahogany veneer is enhanced by precise inlay detailing, while the marble top provides a balanced architectural finish. The lock plate bears serial number 1815 along with the makers mark C. Linke Serrurerie Paris. Includes key. Offsite Storage Notice: Please be advised that this lot is stored offsite in South Florida 33004, outside of our main gallery location. Preview and pickup are by appointment only. Advance arrangements must be made with Hill Auction Gallery prior to inspection or post sale removal. Provenance South American collection. Dimensions: 37 X 58 X 24 in. Condition: Good overall antique condition with patina variation, surface wear, and oxidation consistent with age and use. Note: This condition statement is provided as a courtesy and reflects an opinion, not a statement of fact. Bidders are encouraged to inspect items in person or through an agent to assess condition. Estate fresh to the market. Shipping Information: Hill Auction Gallery does not offer in-house packing or shipping services. As a courtesy, we are pleased to refer trusted third-party shipping providers for buyer convenience. Buyers are encouraged to contact shippers directly to obtain packing quotes, shipping rates, insurance options, and estimated transit times. Additional local, domestic, and international shipper referrals may be available upon request. Parcel Shipping Providers: First Class Shipping Center, 11700 NW 41st Street, Coral Springs, FL. Phone (754) 800-7674. Email 1shippingcenter@gmail.com. Mr. Ship Pro, 7838 NW 44th St, Sunrise, FL 33351. Phone (305) 783-9504. Email roberto@mrshippro.com. The UPS Store #2881, 11110 W. Oakland Park Blvd., Sunrise, FL 33351. Phone (954) 572-4004. Email store2881@theupsstore.com. Freight & Large Item Shipping / Local Florida Delivery: Available through independent providers. Please contact info@hillauctiongallery.com for referrals based on item size, location, and delivery requirements.
François LINKE (1855-1946) Meuble vitrine à hauteur d'appui En bois d'acajou et marqueterie. Ouvrant par une porte centrale découvrant un fond vitré. Garniture en bronze doré 118 x 143,5 x 47 cm
François LINKE (1855-1946) VITRINE D'APPARAT A ressaut central, en bois de placage et marqueterie à décor de losanges, ouvrant en façade par un vantail vitré, ornementation de bronzes dorés en applique à décor de feuillages, présentant une corniche moulurée, elle repose sur six pieds fuselés. Signée dans le bronze. Fin du XIXe siècle. Haut. 213 ; Larg. 150 ; Prof. 46,5 cm
Francois LINKE (1855-1946) Fine Louis XV Style Ormolu-Mounted Kingwood and Rosewood Centre Table, Paris, Late 19th/Early 20th Century. One angle mount signed F. Linke. The shaped variegated grey marble top above a conforming frieze set with a long drawer and centered by a female mask, the reverse similarly decorated with false drawers, the angles mounted with espagnolettes, on slightly cabriole legs joined by a wavy stretcher surmounted by a flaming urn. Height 30.25 in. (76.83 cm.), Width 55.75 in. (141.60 cm.), Depth 32 in. (81.28 cm.). Provenance: Christies's London, 15 May 1997, Lot 198
François Linke (1855–1946), Louis XV Style ConsoleLouis XV Style Ormolu-Mounted Kingwood Console Table French circa 1900, signed Linke. The shaped brèche violette marble top rests above an elegant frieze centered by an elaborate scallop shell, flanked by four finely modeled female espagnolettes. The shaped apron is raised on graceful cabriole legs joined by a shaped X-form stretcher, surmounted by a gilt-bronze figure of a man holding a mandolin. The mounts display the refined modeling, fluid lines, and rich gilding characteristic of Linke’s most accomplished work. Height: 36 in. (91.4 cm.), Width: 59 in. (149.9 cm.), Depth: 20 in. (50.8 cm.) Literature: Christopher Payne, Francois Linke (1855–1946): The Belle Époque of French Furniture, p. 55, illustrated. cf. This magnificent console epitomizes the opulent artistry of François Linke’s Belle Époque production. The richly veneered kingwood structure, adorned with sculptural ormolu mounts and a luxurious brèche violette marble top, exemplifies the harmonious balance of proportion, grace, and craftsmanship that defined Linke’s finest creations. François Linke (1855–1946), the foremost Parisian ébéniste of his era, revolutionized late 19th-century furniture by blending the elegance of Louis XV and Louis XVI forms with the fluid naturalism of Art Nouveau. In collaboration with sculptor Léon Message, Linke produced pieces of extraordinary sophistication that captivated international collectors and royal patrons alike. His triumph at the 1900 Exposition Universelle where he was awarded the Gold Medal secured his reputation as the preeminent maker of luxurious furniture for the world’s elite.
FRANÇOIS LINKE (France, 1855-1946) After CLAUDE-MICHEL CLODION (1738-1814). Table clock. "La source". Carrara marble. Green marble pedestal, gilded bronze. Signed "Imbert a Paris" (After Jean-Gabriel Imbert). Measurements: 34 x 54 x 29 cm; 10 x 59 x 10,5 cm (pedestal). Table clock whose model was made by François Linke based, in a direct way, on the work "La Source" by Clodion. The piece, and its history, is referenced on pages 352 and 353 of "François Linke: The Belle Epoque of French Furniture", by Christopher Payne. Linke was a celebrated cabinetmaker and decorator of Austro-Hungarian origin, based in Paris. This sculptural table clock features a Carrara marble sculpture that reproduces with remarkable fidelity the famous figure of the reclining nymph by Clodion, a French rococo sculptor admired for his mythological compositions of voluptuous grace. The sculpture retains the dynamism and sensuality characteristic of the artist, adapted here to a functional and decorative context. In this version, the place of the traditional fallen pitcher (from which the water flows in the original version of "Le source") has been replaced by the clock face, with Arabic numerals. It is signed by Imbert, although it is probably a manufacture made by a later workshop that retakes its machinery. The figure of the nymph appears reclining on a marble bed, whose draped sheets are sculpted with virtuosity, evoking an intimate scene of mythological stillness. This bed rests on a green marble plinth, framed by a gilded bronze perimeter molding, chiseled with a vegetal fretwork. The combination of noble materials, together with the sculptural quality and the refinement of the assembly, make this work an aesthetic manifesto of the decorative eclecticism of the late 19th century. Although better known for his furniture than for his decorative objects, this clock embodies the synthesis between ornamental tradition and modern sensibility that characterized François Linke's production. Linke achieved international recognition after his consecration at the 1900 Paris Universal Exposition, where his furniture-opulent, innovative, and technically impeccable-marked a turning point in Belle Époque cabinetmaking. His work represents a sophisticated fusion between the Rococo legacy and the then emerging Art Nouveau.
Circa 1880. Francois Linke (1855-1946) Offering this rare bronze double lamp signed "Linke". Depicts a faun supporting 2 branches of lamps, base of the bronze it is marked "Clodion". Resting on a white marble base, not electrified, 15" tall.
GUÉRIDON DE STYLE LOUIS XVI estampillé François LINKE (1855-1946). Guéridon en acajou et placage d’acajou reposant sur quatre pieds fuselés à cannelures. Riches ornementations en bronze ciselé et doré à décor de quatre têtes de Bacchus et guirlandes. Lingotière en laiton. Estampille "F.Linke" sous le rebord du plateau. Dim : 76 x 62 cm env. État d'usage et entretien
François LINKE (1855-1946) Fine Bureau Plat, France, circa 1900, Signed Linke on the right side of the gilt bronze chute, Amarante, quarter-veneer satine, loupe d'amboine, ebene and buis stringing, with a gilt-tooled green leather-lined top, one central frieze drawer flanked by two small drawers on each side, the top right hand side drawer fitted with a coffre-fort. Height 30.5 in. (77.47 cm.) Length 68.25 in. (173.35 cm.) Width 34 in. (86.36 cm.) Provenance: A PRIVATE COLLECTION: VOLUME 2, IMPORTANT FURNITURE AND DECORATION INSPIRED BY XVIII CENTURY MODELS lot 66 françois linkebureau plat, index number 2056 Paris, Estimate 20,000 — 30,000 USD LOT SOLD. 24,000 USD Literature: C. Payne, Francois Linke, p.506 for an illustration of the black and white cliche of index number 5056.D. Ledoux-Lebard, Le Mobilier Francais du XIX Siecle, pp. 435-444. C. Payne, 19th Century European Furniture, pp.39-40. R. Startmann-Dohler, Jean-Francois Oeben, p.75; and D.Alcouffe et al. Furniture Collections in the Louvre, Vol. 1, p. 183, for illustrations of the 18th Century model, circa 1755-1760 by Jean-Francois Oeben Linke title:bureau Louis XVI transition du Musee du Louvre bois de satine frise et amarante
Francois Linke (1855–1946) Elegant “Casier à Musique” Cabinet, Paris, circa 1903 Illustrated in Christopher Payne, Francois Linke (1855–1946): The Belle Époque of French Furniture A finely executed casier à musique of refined proportion and exquisite craftsmanship. The twin cupboard doors open to reveal five fitted compartments, the exterior decorated in Linke’s signature cube-parquetry and bois de bout floral marquetry, surmounted by a fluorite beige marble top. One lock has been removed to expose the Ct. Linke oval stamp, while an ivorine label reading “Made in France” remains affixed to the underside. Dimensions:Height 46 in. (116.8 cm.) Width 21½ in. (54.6 cm.) Depth 15 in. (38.1 cm.) Literature: Christopher Payne, Francois Linke (1855–1946): The Belle Époque of French Furniture, illustrated example. Specialist Note: Following the preceding roll-top desk (Index no. 393), this elegant casier à musique exemplifies François Linke’s mastery of composition and finish during his mature period. Created circa 1903, it demonstrates his skillful use of complex parquetry and delicate floral marquetry, hallmarks that defined his best Parisian work. Linke—born in Pankraz, Bohemia—rose from modest beginnings to become the most celebrated ébéniste of the Belle Époque, furnishing royal residences and grand interiors across Europe, the Americas, and the Middle East. His workshop at 170 Faubourg Saint-Antoine produced pieces that combined the grace of 18th-century design with the refinement and ambition of the early 20th century. The present cabinet, both restrained and luxurious, stands as a testament to the enduring artistry that made Linke’s name synonymous with excellence.
François Linke (1855–1946) A Louis XV Style Ormolu-Mounted Kingwood and Parquetry Meuble d’Appui French, Early 20th Century The serpentine griotte de Campan rouge marble top above a finely veneered bombe door framed with foliate ormolu mounts and a distinctive “crab” clasp at the base; the shaped sides and corners mounted with acanthus clasps, on short cabriole legs terminating in scrolled sabots. The reverse retains a Krieger / Paris engraved label, while the gilt-bronze mounts bear the FL stamp for François Linke. Dimensions: Height 43½ in. (110.5 cm.) Width 35¾ in. (90.8 cm.) Depth 16½ in. (41.9 cm.) Specialist Note: This celebrated model—originally conceived circa 1887 with mounts by Léon Messagé—was later produced by Linke in both marquetry and double-door variations during the early 20th century. As recorded by Christopher Payne (Francois Linke: The Belle Époque of French Furniture), Index Number 204 first appears in Linke’s daybooks under the entry bahut simple Crieger—a misspelling the master frequently used when referencing the renowned Parisian retailer Maison Krieger. The present example, distinguished by its restrained proportions and superb gilt-bronze mounts, represents Linke’s early collaborations that bridged his independent artistry with commissions for leading Parisian maisons of the Belle Époque.
François Linke (1855–1946) Ormolu-Mounted Kingwood Console TableFrench, circa 1900 Signed Linke The finely shaped brèche violette marble top rests above an elegant frieze centered by an elaborate scallop shell, flanked by four finely modeled female espagnolettes. The shaped apron is raised on graceful cabriole legs joined by a shaped X-form stretcher, surmounted by a gilt-bronze figure of a man holding a mandolin. The mounts display the refined modeling, fluid lines, and rich gilding characteristic of Linke’s most accomplished work. Height: 36 in. (91.4 cm.) Width: 59 in. (149.9 cm.) Depth: 20 in. (50.8 cm.) Literature:Christopher Payne, Francois Linke (1855–1946): The Belle Époque of French Furniture, p. 55, illustrated. Specialist note: This magnificent console epitomizes the opulent artistry of François Linke’s Belle Époque production. The richly veneered kingwood structure, adorned with sculptural ormolu mounts and a luxurious brèche violette marble top, exemplifies the harmonious balance of proportion, grace, and craftsmanship that defined Linke’s finest creations. François Linke (1855–1946), the foremost Parisian ébéniste of his era, revolutionized late 19th-century furniture by blending the elegance of Louis XV and Louis XVI forms with the fluid naturalism of Art Nouveau. In collaboration with sculptor Léon Messagé, Linke produced pieces of extraordinary sophistication that captivated international collectors and royal patrons alike. His triumph at the 1900 Exposition Universelle—where he was awarded the Gold Medal—secured his reputation as the preeminent maker of luxurious furniture for the world’s elite.
Pair of large decorative side tables in the form of lidded vases, 19th/20th century, red marble, gilded bronze. Square base with acanthus leaf friezes, handles openwork in a vegetal form, lid with floral finial. Very heavy design. Design in the style of Francois Linke (1855 - 1946). 1 x slightly crookedly mounted. Flower finial on the lid not secure. H. 62 cm
François LINKE (1855-1946), ensemble comprenant : - Un chevet en bois naturel, bronze et laiton doré, plateau circulaire surmonté d'un plateau en marbre veiné, ceintré d'une galerie en laiton doré ajouré, un tiroir en ceinture surmontant deux tablettes d'entretoise dont une ceintrée d'une galerie en laiton ajouré, et reposant sur 4 pieds fuselés et cannelés. Signé F. Linke Paris sur une plaque dans le tiroir. Dimensions : 83 x 45 x 35,5 cm. (Légères usures, usures à la patine) - Un chevet en bois naturel, bronze et laiton doré, sommé d'un plateau circulaire en marbre veiné et ceintré d'une galerie en laiton ajouré, ouvrant en façade, par un tiroir et une porte simulant deux tiroirs en façade, l'ensemble surplombant un plateau d'entretoise, et reposant sur 4 pieds fuselés et cannelés. Signé F. Linke Paris sur une plaque dans le tiroir. Dimensions : 83 x 45 x 35,5 cm. (Légères usures, usures à la patine) NOTICE François Linke (1855 1946) est un ébéniste français d’origine bohème, installé à Paris à la fin du XIXᵉ siècle, célèbre pour ses meubles de style Régence, Louis XV et Louis XVI, souvent riches en marqueterie florale, bois précieux (acajou, satiné, bois de rose, kingwood), bronze doré ou dorures d’ormolu. Son œuvre incarne le goût de la Belle Époque pour le luxe ornemental, s’inspirant du rococo, du style Louis XV, mais aussi du raffinement néo classique, avec des références à Jean Henri Riesener ou Charles Cressent. Linke collaborait régulièrement avec des décorateurs sculpteurs comme Léon Messagé, qui signait certains ornements rocaille de ses meubles. Récompensé notamment par une médaille d’or à l’Exposition universelle de 1900, il fut l’un des maîtres de l’ébénisterie et du mobilier d’art à Paris. François LINKE (1855-1946), set including: - A bedside table in natural wood, bronze and gilt brass, with a circular top surmounted by a veined marble top, encircled by an openwork gilt brass gallery, a drawer in the waistband surmounted by two spacer shelves, one of which is encircled by an openwork brass gallery, and resting on 4 tapered and fluted legs. Signed F. Linke Paris on a plaque in the drawer. Dimensions: 83 x 45 x 35.5 cm. (Slight wear, patina wear). - A bedside table in natural wood, bronze and gilt brass, topped by a circular veined marble top and encircled by an openwork brass gallery, opening on the front with a drawer and a door simulating two drawers on the front, the whole overhanging a spacer top, and resting on 4 tapered and fluted legs. Signed F. Linke Paris on a plaque in the drawer. Dimensions: 83 x 45 x 35.5 cm. (Slight wear, patina wear). NOTICE François Linke (1855-1946) was a French cabinetmaker of Bohemian origin who settled in Paris at the end of the XIXᵉ century, famous for his Regency, Louis XV and Louis XVI style furniture, often rich in floral marquetry, precious woods (mahogany, satinwood, rosewood, kingwood), gilt bronze or ormolu gilding. His work embodies the Belle Époque taste for ornamental luxury, drawing inspiration from rococo, Louis XV style and neo-classical refinement, with references to Jean-Henri Riesener and Charles Cressent. Linke regularly collaborated with decorator-sculptors such as Léon Messagé, who signed certain rocaille ornaments on his furniture. Awarded a gold medal at the 1900 Universal Exhibition, he was one of the masters of cabinetmaking and art furniture in Paris. François LINKE (1855-1946), conjunto que incluye : - Una mesilla de noche de madera natural, bronce y latón dorado, con tablero circular coronado por una tapa de mármol veteado, rodeada por una galería de latón dorado calado, un cajón en la cintura coronado por dos estantes distanciadores, uno de los cuales está rodeado por una galería de latón calado, y que descansa sobre 4 patas cónicas y acanaladas. Firmado F. Linke Paris en una placa en el cajón. Dimensiones: 83 x 45 x 35,5 cm. (Ligero desgaste, desgaste de pátina) - Mesilla de noche de madera natural, bronce y latón dorado, con tapa circular de mármol veteado rodeada por una galería calada de latón, abierta en el frente con un cajón y una puerta simulando dos cajones en el frente, el conjunto sobresale de una tapa de tirantes, y descansa sobre 4 patas cónicas y acanaladas. Firmado F. Linke Paris en una placa en el cajón. Dimensiones: 83 x 45 x 35,5 cm. (Ligero desgaste, desgaste de pátina) AVISO François Linke (1855-1946) fue un ebanista francés de origen bohemio que se instaló en París a finales del siglo XIX, famoso por sus muebles de estilo Regencia, Luis XV y Luis XVI, a menudo ricos en marquetería floral, maderas preciosas (caoba, satén, palisandro, kingwood), bronce dorado o dorado ormolu. Su obra encarna el gusto de la Belle Époque por el lujo ornamental, inspirándose en el rococó, el estilo Luis XV y el refinamiento neoclásico, con referencias a Jean-Henri Riesener y Charles Cressent. Linke colaboró regularmente con decoradores-escultores como Léon Messagé, que firmó algunos de los ornamentos rocaille de sus muebles. Galardonado con una medalla de oro en la Exposición Universal de 1900, fue uno de los maestros de la ebanistería y el mueble fino de París. François LINKE (1855-1946), Set bestehend aus : - Ein Nachttisch aus Naturholz, Bronze und vergoldetem Messing, runde Platte, darauf eine Platte aus geädertem Marmor, die mit einer durchbrochenen Galerie aus vergoldetem Messing geziert ist, eine Schublade im Gürtel über zwei Strebebrettern, von denen eines mit einer durchbrochenen Messinggalerie geziert ist, und auf vier spitz zulaufenden und kannelierten Füßen steht. Signiert F. Linke Paris auf einem Schild in der Schublade. Maße: 83 x 45 x 35,5 cm. (Leichte Abnutzungen, Abnutzungen der Patina) - Nachttisch aus Naturholz, Bronze und vergoldetem Messing, mit einer runden Platte aus geädertem Marmor und einer durchbrochenen Messinggalerie, die sich durch eine Schublade und eine Tür, die zwei Schubladen simuliert, öffnen lässt und über einer Verstrebungsplatte liegt, und auf vier spitz zulaufenden, kannelierten Beinen steht. Signiert F. Linke Paris auf einem Schild in der Schublade. Maße: 83 x 45 x 35,5 cm. (Leichte Abnutzungen, Abnutzungen an der Patina) NOTIZ François Linke (1855-1946) war ein französischer Kunsttischler böhmischer Herkunft, der sich Ende des XIXᵉ Jahrhunderts in Paris niederließ und für seine Möbel im Régence-, Louis XV- und Louis XVI-Stil berühmt war, die oft reich mit floralen Einlegearbeiten, Edelhölzern (Mahagoni, Satin, Rosenholz, Kingwood), vergoldeter Bronze oder Ormolu-Vergoldung ausgestattet waren. Sein Werk verkörperte den Geschmack der Belle Époque für ornamentalen Luxus und ließ sich vom Rokoko, dem Louis XV-Stil, aber auch von neoklassischer Raffinesse inspirieren, wobei er sich auf Jean-Henri Riesener oder Charles Cressent berief. Linke arbeitete regelmäßig mit Dekorateuren und Bildhauern wie Léon Messagé zusammen, der einige seiner Rocaille-Verzierungen auf seinen Möbeln signierte. Er wurde unter anderem mit einer Goldmedaille auf der Weltausstellung 1900 ausgezeichnet und war einer der Meister der Kunsttischlerei und der Kunstmöbel in Paris. François LINKE (1855-1946), set comprendente : - Un comodino in legno naturale, bronzo e ottone dorato, piano circolare sormontato da un piano in marmo venato, circondato da una galleria in ottone dorato traforato, un cassetto in vita sormontato da due ripiani distanziatori, uno dei quali è circondato da una galleria in ottone traforato, e poggiante su 4 gambe affusolate e scanalate. Firmato F. Linke Paris su una placca nel cassetto. Dimensioni: 83 x 45 x 35,5 cm. (Leggera usura, usura della patina) - Comodino in legno naturale, bronzo e ottone dorato, con piano circolare in marmo venato circondato da una galleria in ottone traforata, aperto sul davanti con un cassetto e un'anta che simula due cassetti sul davanti, il tutto sovrastato da un piano a bretelle, e poggiante su 4 gambe affusolate e scanalate. Firmato F. Linke Paris su una placca nel cassetto. Dimensioni: 83 x 45 x 35,5 cm. (Leggera usura, usura della patina) AVVISO François Linke (1855-1946) è stato un ebanista francese di origine boema stabilitosi a Parigi alla fine del XIXᵉ secolo, famoso per i suoi mobili in stile Reggenza, Luigi XV e Luigi XVI, spesso ricchi di intarsi floreali, legni pregiati (mogano, satinwood, palissandro, kingwood), bronzo dorato o doratura ormolu. Il suo lavoro incarna il gusto della Belle Époque per il lusso ornamentale, ispirandosi al rococò, allo stile Luigi XV e alla raffinatezza neoclassica, con riferimenti a Jean-Henri Riesener e Charles Cressent. Linke collaborò regolarmente con decoratori-scultori come Léon Messagé, che firmò alcuni degli ornamenti rocaille dei suoi mobili. Premiato con una medaglia d'oro all'Esposizione Universale del 1900, fu uno dei maestri dell'ebanisteria e del mobile di pregio a Parigi. 弗朗索瓦-林克（1855-1946 年），一套包括 ： - 天然木、青铜和鎏金黄铜材质的床头柜，圆形桌面上覆有带纹理的大理石面板，周围环绕着镂空的鎏金黄铜长廊，腰部有一个抽屉，抽屉上有两个间隔搁板，其中一个搁板周围环绕着镂空的黄铜长廊，靠在 4 个锥形凹槽腿上。 抽屉的牌匾上有 F. Linke Paris 的签名。 尺寸：83 x 45 x 35.5 厘米。 (轻微磨损，铜绿磨损） - 一件天然木、青铜和镀金黄铜床头柜，圆形纹理大理石桌面由镂空黄铜长廊环绕，正面开有一个抽屉和一扇模拟两个抽屉的门，整个柜子悬挂在支架顶上，靠在四条锥形凹槽腿上。 抽屉内的牌匾上有 F. Linke Paris 的签名。 尺寸：83 x 45 x 35.5 厘米。 (轻微磨损，铜绿磨损） 备注 弗朗索瓦-林克（François Linke，1855-1946 年）是十九世纪末定居巴黎的波希米亚裔法国橱柜制造商，以摄政时期、路易十五和路易十六风格的家具而闻名，这些家具通常采用丰富的花卉镶嵌工艺、珍贵木材（桃花心木、缎木、花梨木、帝王木）、镀金铜或鎏金装饰。他的作品体现了 "美好年代 "的奢华装饰品味，从洛可可、路易十五风格和新古典主义的精致中汲取灵感，并参考了让-亨利-里厄泽纳和查尔斯-克雷森特的作品。林克经常与装饰雕刻家莱昂-梅萨热（Léon Messagé）等人合作，他在家具上的一些洛可可装饰品上签了名。他曾在 1900 年的世界博览会上获得金奖，是巴黎的橱柜制作和高级家具大师之一。
François LINKE (1855-1946) Coiffeuse formant écritoire en bois et bronze doré, surmonté d'un miroir cintré en partie haute, la partie supérieure de la coiffeuse découvrant en façade par deux petits tiroirs latéraux et tablettes, la partie écritoire gainée d'un cuir vert à décor au petit fer doré et recouvert d'un plateau, moderne, en verre biseauté à la forme, un tiroir en ceinture, et reposant sur 4 pieds fuselés et cannelés consolidés par trois entretoises. Signée "F. Linke" sur une plaque au niveau de la serrure. Avec une clé. Dimensions : 145 x 75, 5 x 45 cm. (Accidents au niveau du rattachement des deux parties, rayures d'usage, manques à la dorure, la partie supérieure à recoller) NOTICE Né en 1855 à Deutsch Pankraz (aujourd’hui Jítrava, Bohême), François Linke est l’ébéniste parisien majeur de la Belle Époque, reconnu pour ses meubles de grand luxe mêlant les influences style Louis XV, Régence et Louis XVI tout en intégrant les courants plus modernes comme l’Art nouveau. Après un apprentissage en Bohême, à Prague, Vienne et Budapest, il s’installe définitivement à Paris en 1875, ouvrant son propre atelier dans le Faubourg Saint Antoine en 1881. Collaborateur de designers tels que Léon Messagé, il remporte la médaille d’or à l’Exposition universelle de 1900 pour ses créations originales qui réinterprètent les modèles anciens avec raffinement et inventivité. Linke se distingue notamment par l’emploi de marqueterie fine, placages de bois précieux, bronzes dorés ciselés et marbres exotiques, qualités qui lui assurent une clientèle internationale prestigieuse. Jusqu’à sa mort en 1946, sa maison demeure un parangon du meuble de style d’ameublement haut de gamme, prisé des collectionneurs, amateurs et maisons de ventes internationales. François LINKE (1855-1946) Wooden and ormolu dressing table with writing table, topped by a curved mirror at the top, the upper part of the dressing table opening onto the front with two small side drawers and shelves, the writing table part upholstered in green leather with ormolu decoration and covered with a modern shaped beveled glass top, one drawer in the waist, and resting on 4 tapered and fluted legs consolidated by three braces. Signed "F. Linke" on a plate near the lock. With key. Dimensions: 145 x 75.5 x 45 cm. (Accidental joining of the two parts, scratches from use, missing gilding, top part to be glued back). NOTICE Born in 1855 in Deutsch-Pankraz (today Jítrava, Bohemia), François Linke was the leading Parisian cabinetmaker of the Belle Époque, renowned for his luxurious furniture that blended Louis XV, Regency and Louis XVI influences with more modern trends such as Art Nouveau. After an apprenticeship in Bohemia, Prague, Vienna and Budapest, he settled permanently in Paris in 1875, opening his own workshop in the Faubourg Saint-Antoine in 1881. A collaborator of designers such as Léon Messagé, he won a gold medal at the 1900 Universal Exhibition for his original creations, which reinterpreted antique models with refinement and inventiveness. Linke's use of fine marquetry, precious wood veneers, chased gilded bronzes and exotic marbles was particularly noteworthy, qualities that won him a prestigious international clientele. Until his death in 1946, his company remained a paragon of top-of-the-range furniture style, prized by collectors, connoisseurs and international auction houses. François LINKE (1855-1946) Tocador con escritorio en madera y bronce dorado, rematado por un espejo curvo en la parte superior, la parte superior del tocador se abre en el frente con dos pequeños cajones laterales y estantes, la parte del escritorio tapizada en cuero verde con decoración ormolu y cubierta con una tapa de cristal biselado de forma moderna, un cajón en la cintura, y descansa sobre 4 patas acanaladas ahusadas sostenidas por tres tirantes. Firmado "F. Linke" en una placa cerca de la cerradura. Con una llave. Dimensiones: 145 x 75,5 x 45 cm. (Daños en la unión de las dos partes, arañazos de uso, falta de dorado, parte superior para encolar) AVISO Nacido en 1855 en Deutsch-Pankraz (actual Jítrava, Bohemia), François Linke fue el principal ebanista parisino de la Belle Époque, célebre por sus muebles de lujo que combinaban influencias de los estilos Luis XV, Regencia y Luis XVI con tendencias más modernas como el Art Nouveau. Tras un aprendizaje en Bohemia, Praga, Viena y Budapest, se instaló en París en 1875, abriendo su propio taller en el Faubourg Saint-Antoine en 1881. Colaborador de diseñadores como Léon Messagé, ganó una medalla de oro en la Exposición Universal de 1900 por sus originales creaciones, que reinterpretaban modelos antiguos con refinamiento e inventiva. Linke destacó especialmente por el uso de marquetería fina, chapas de maderas preciosas, bronces dorados cincelados y mármoles exóticos, cualidades que le granjearon una clientela internacional de prestigio. Hasta su muerte en 1946, su empresa siguió siendo un modelo de mobiliario de alta gama, apreciado por coleccionistas, entendidos y casas de subastas internacionales. François LINKE (1855-1946) Frisiertisch mit Schreibpult aus Holz und vergoldeter Bronze, mit einem gewölbten Spiegel im oberen Teil, der obere Teil des Frisiertisches ist vorne mit zwei kleinen seitlichen Schubladen und Ablagen versehen, der Schreibpultteil ist mit grünem Leder mit vergoldetem Scheineisendekor bezogen und mit einer modernen Platte aus abgeschrägtem Glas in Form einer Schublade im Gürtel bedeckt und steht auf vier spitz zulaufenden und kannelierten Füßen, die durch drei Streben konsolidiert werden. Signiert "F. Linke" auf einem Schild auf Höhe des Schlosses. Mit einem Schlüssel. Maße: 145 x 75, 5 x 45 cm. (Unfälle an der Verbindung der beiden Teile, Gebrauchskratzer, Fehlstellen in der Vergoldung, der obere Teil muss neu verleimt werden). NOTIZ Der 1855 in Deutsch-Pankraz (heute Jítrava, Böhmen) geborene François Linke war der bedeutendste Pariser Kunsttischler der Belle Époque, der für seine luxuriösen Möbel bekannt war, die Einflüsse aus den Stilen Louis XV, Régence und Louis XVI miteinander verbanden und gleichzeitig modernere Strömungen wie den Jugendstil aufnahmen. Nach einer Lehre in Böhmen, Prag, Wien und Budapest ließ er sich 1875 endgültig in Paris nieder und eröffnete 1881 sein eigenes Atelier im Faubourg Saint-Antoine. Er arbeitete mit Designern wie Léon Messagé zusammen und gewann auf der Weltausstellung 1900 die Goldmedaille für seine originellen Kreationen, die alte Modelle mit Raffinesse und Einfallsreichtum neu interpretierten. Linke zeichnete sich insbesondere durch die Verwendung von feinen Intarsien, Edelholzfurnieren, ziselierten vergoldeten Bronzen und exotischem Marmor aus, Qualitäten, die ihm eine angesehene internationale Kundschaft sicherten. Bis zu seinem Tod im Jahr 1946 blieb sein Haus ein Paradebeispiel für Möbel im gehobenen Einrichtungsstil, die von Sammlern, Liebhabern und internationalen Auktionshäusern geschätzt wurden. François LINKE (1855-1946) Tavolo da toeletta con scrittoio in legno e bronzo dorato, sormontato da uno specchio curvo nella parte superiore, la parte superiore del tavolo da toeletta si apre sul fronte con due piccoli cassetti laterali e ripiani, la parte dello scrittoio è rivestita in pelle verde con decorazioni in ormolu e coperta da un piano in vetro smussato di forma moderna, un cassetto in vita, e poggia su 4 gambe scanalate affusolate sostenute da tre sostegni. Firmato "F. Linke" su una targhetta vicino alla serratura. Con una chiave. Dimensioni: 145 x 75,5 x 45 cm. (Danni alla giunzione delle due parti, graffi dovuti all'uso, doratura mancante, parte superiore da reincollare) NOTIZIE Nato nel 1855 a Deutsch-Pankraz (oggi Jítrava, Boemia), François Linke fu il principale ebanista parigino della Belle Époque, rinomato per i suoi mobili di lusso che combinavano influenze degli stili Luigi XV, Reggenza e Luigi XVI con tendenze più moderne come l'Art Nouveau. Dopo un apprendistato in Boemia, Praga, Vienna e Budapest, si stabilì definitivamente a Parigi nel 1875, aprendo il proprio laboratorio nel Faubourg Saint-Antoine nel 1881. Collaboratore di designer come Léon Messagé, vinse una medaglia d'oro all'Esposizione Universale del 1900 per le sue creazioni originali, che reinterpretavano vecchi modelli con raffinatezza e inventiva. Linke si distinse in particolare per l'uso di intarsi pregiati, impiallacciature di legno prezioso, bronzi dorati cesellati e marmi esotici, qualità che gli valsero una prestigiosa clientela internazionale. Fino alla sua morte, avvenuta nel 1946, la sua azienda rimase un esempio di stile di mobili di alta gamma, apprezzato da collezionisti, intenditori e case d'asta internazionali. 弗朗索瓦-林克（1855-1946） 梳妆台和写字台，木质和镀金青铜材质，顶部有一面弧形镜子，梳妆台上部通向正面，侧面有两个小抽屉和搁板，写字台部分以绿色皮革制成软垫，饰有乌金装饰，并覆盖有现代感十足的斜面玻璃桌面，腰部有一个抽屉，支撑在 4 条锥形凹槽腿上，由三根支撑杆支撑。 在靠近底座的一块板上有 "F.Linke "字样。配有一把钥匙。 尺寸：145 x 75.5 x 45 厘米。 (两部分的连接处有损坏，使用时有划痕，镀金缺失，上半部分需要粘回）。 说明 弗朗索瓦-林克于 1855 年出生于 Deutsch-Pankraz（现波西米亚的 Jítrava），是 "美好年代 "巴黎橱柜业的领军人物，以其融合了路易十五、摄政时期和路易十六风格以及新艺术运动等现代潮流的奢华家具而闻名。在波希米亚、布拉格、维也纳和布达佩斯当学徒后，他于 1875 年永久定居巴黎，并于 1881 年在圣安托万区开设了自己的工作室。作为莱昂-梅萨热（Léon Messagé）等设计师的合作者，他在 1900 年的世界博览会上凭借其原创作品赢得了金奖，这些作品以精致和创新的方式重新诠释了古老的款式。林克尤其擅长使用精细的镶嵌工艺、珍贵的木皮、凿纹镀金青铜和异国情调的大理石，这些特质为他赢得了享有盛誉的国际客户。直到 1946 年去世，他的公司一直是顶级家具风格的典范，受到收藏家、鉴赏家和国际拍卖行的青睐。
with one door on front, wavy legs and front; mahogany frame veneered in purple ebony and inlaid with fruitwood. Marble top and gilt bronze fittings.Signed “Linke” and “Made in France.”
France, 19th century, Empire, gilt bronze and malachite plaques, depicting Psyche and Cupid, dial signed ‘Leroy & Fils Horloger du Roi’, signed ‘F.Linke’. Ex-Sothebys, with old label on the back. Signs of use. Dimensions: 56x36x17cm
Louis XV Style Gilt Bronze Mounted Mahogany & Satine Six Piece Bedroom Suite. Includes (1) headboard and footboard; (2) marble top side tables (41.5" h x 17" x 15" d); (1) marble top dresser (50" h x 38" w x 18.25"); and (1) marble top dressing table (34" h x 59" w x 24" d) with mirror (46.5" h x 56" w). Originally from Sothebys, thence from a Brooklyn, NY estate.
Louis XV Style Gilt Bronze Mounted Mahogany & Satine Mirrored Armoire. Great size and quality. From a Brooklyn, NY estate - (Part bedroom set in next lot).
Large Louis XV style salon table, having shaped marble top, over conforming apron with scrolling foliate and figural bronze dore mounts, rising on cabriole legs, joined by cross stretcher surmounted by a gilt-bronze figure of "L'Enfant Guerrier" after the model by Leon Message (French, 1842-1901) for Francois Linke (French, 1855-1946), approx 32"h, 65"w, 36"d
French Louis XVI style mahogany bureau a cylindre, ormolu signed F. Linke (Francois Linke, French, 1855-1946), late 19th/ early 20th c., pierced three-quarter gallery, the tambor cylinder top enclosing a leather-inset writing slide and four small drawers, the angles headed by foliate scroll two-light candelabra, above an arrangement of five drawers, leather-inset slides at both sides, the reverse centered by a large gilt-bronze relief panel, on transitional cabriole legs, terminating in cast lion's paw sabots, approx 52"h, 65"w, 31.5"d
François Linke, (1855-1946), French Renaissance Style Walnut Library Paris, circa 1912-1927. the top with diamond shaped parquetry, above a frieze, on trestle supports carved and inlaid as rounded arches, with winged dragon monopodia, joined by a platform stretcher, raised on paw feet. Height 31 in. (78.74 cm.); Width 49 in. (124.46 cm.); Depth 32 in. (81.28 cm.) Provenance: Jean Bieder, the shop Forman for Francois Linke in the 1920's, who in 1946 took over Linkes business. Thence through Various Private Collections Literature: C. Payne, Francois Linke, p.253, pl 267, for an illustration of a variant of the present model. D. Ledoux-Lebard, Le Mobilier Francois du XIX Siecle, pp.435-444C. Payne, 19th Century European Furniture, pp. 39-40 Cf. The present lot has no counterpart in the Linke Archive, however, there are two similiar, each with a marble top. Number 845 was made in 1927 for the King of Egypt. Another variation, number 2403, is one of the earliest examples of Linke making furniture in a Renaissance revival manner, a 'grande table noyer sculpte' made for Antonio Devoto in Bueno Aires in 1912. However, in both instances, these two tables were supplied with a marble top, unlike the present lot. This Renaissance style table is carved walnut and similar to an undated project in the Linke archive for the Maharaja of Baroda. In keeping with Linkes practice in the latter stages of his long career, he branched out into styles of furniture not traditionally associated with his oeuvre. The carved decoration is influenced by designers such as Hughes Sambin, whose influential book Oeuvres de la Diversite des Termes, was published in 1572. It is interesting to see the present lot in context with a table exhibited by Emile Galle at the 1889 Exposition Universelle. Although better known for their interpretation of the Art Nouveau Style, both Galle and Marjorelle first exhibited in 1889 with more traditional designs. One of Galle's masterpieces, made for the Musee de l'Ecole de Nancy, is a table 'Le Rhin', similar in form to the present lot in an interpretation of the Renaissance style. A 16th century table, also in walnut, Collection Bonnaffe, Les Art du Bois, J. Rouam, editeur, Paris, c. 1890, p. 69, and another, Collection Spitzer, p. 60.
Francois LINKE (1855-1946) A French Gilt-Bronze Mounted Commode, Paris, CIRCA 1905, acajou and breche d'Alep marble top, signed F. Linke to the right hand chute, one lock has been removed to reveal the Ct. Linke stamp and the number 599 for index Number 599 Height 36 in. (91.44 cm.), Width 60.37 in. (153.35 cm.), Depth 26.25 in. (66.67 cm.) Illustrated, Christopher Payne, Francoise Linke, pg. 493, no. 599
Francois LINKE (1855-1946) A Fine Ormolu-Mounted Kingwood and Rosewood Centre Table by Francois Linke, Paris, Late 19th/Early 20th Century. The shaped variegated grey marble top above a conforming frieze set with a long drawer and centered by a female mask, the reverse similarly decorated with false drawers, the angles mounted with espagnolettes, on slightly cabriole legs joined by a wavy stretcher surmounted by an urne en flambeau, one angle mount signed F.Linke, Height 30.25 in. (76.83 cm.), Width 55.75 in. (141.60 cm.), Depth 32 in. (81.28 cm.). Provenance: Anonymous Sale, Christies's London, 15 May 1997, Lot 198
François Linke (1855–1946) A Magnificent Late 19th-Century Louis XV-Style Gilt-Bronze Mounted Kingwood Piano Signed François Linke, Stamped Joseph-Emmanuel Zwiener, Movement by Erard A masterpiece of 19th-century craftsmanship, this exceptional Louis XV-style grand piano is the result of an extraordinary collaboration between François Linke and Joseph-Emmanuel Zwiener, with a precision-engineered movement by the esteemed Parisian firm Erard. The elegantly proportioned quarter-veneered case is adorned with intricately inlaid cartouche panels, centering delicate bouquets of blossoms and cattails. The hinged lid, framed by finely cast ribbon-tied reeded borders, opens to reveal a luxurious satinwood-veneered interior, inscribed Par Brevet d'Invention / Seb. & Pre Erard / 13 & 21 rue du Mail Paris and signed Erard/Paris above the keyboard. The case features gracefully scalloped sides and a striking lyre-form pedal support, all raised on six cabriole legs, each adorned with elaborate pierced foliate mounts and terminating in finely sculpted lion paw and bun feet. Linke’s signature is prominently displayed on the upper right foliate mount, further affirming the significance of this instrument. Provenance & Historical ContextFurther inspection has revealed that the interior of certain gilt-bronze mounts bear the initials ZJ, the distinctive mark of Joseph-Emmanuel Zwiener. A nearly identical piano—bearing the same configuration of Linke’s signature alongside Zwiener’s stamp—was offered at Christie’s London (October 1999, Lot 182). It has been speculated that Erard supplied the movement to Zwiener, who began the casting work but transferred completion to Linke upon relocating to Berlin in 1898. Alternatively, the piano may have been entirely crafted by Zwiener and later retailed by Linke, a common practice among the foremost ébénistes of the period. This piano stands as a testament to the exceptional artistry and technical brilliance of Linke, Zwiener, and Erard—three of the most celebrated names in 19th-century decorative arts. Dimensions:Height: 38 in (96 cm) Width: 4 ft 6 in (1.37 m) Length: 7 ft 2 in (2.18 m)
François Linke (1855-1946), Bureau Plat Louis XV Style Gilt-Bronze Mtd. Kingwood & Satin wood Bureau Plat, Paris, early 20th century, one mount signed Linke, Linke index number 2056. gilt-tooled leather-lined top, one central frieze drawer flanked by two small drawers on each side, the top right hand side drawer fitted with a coffre-fort, signed Linke to the righthand side gilt bronze chute. Height 30 1/2 in. Width 5 ft. 8 1/4 in. Depth 34 in. Cf. Christopher Payne, Francois Linke, 1855-1946, Antique Collectors Club, 2003, index 484, pg. 491 Provenance: A PRIVATE COLLECTION: VOLUME 2, IMPORTANT FURNITURE AND DECORATION INSPIRED BY XVIII CENTURY MODELS, lot 66
François LINKE (1855-1946), A Louis XV style ormolu mounted kingwood and parquetry mueble d'appui,By Francois Linke, Early 20th Century Index Number 204, For Maison Krieger, Paris, The serpentine griotte de Campan rouge marble top above a foliate framed bombe door with 'crab' clasp to the bottom, with similar shaped sides and angles mounted with foliate clasps, on short cabriole legs tapering to scrolled sabots, the back with label engraved KRIEGER/PARIS, the reverse of the mounts signed FL Height 43.5 in. (110.49 cm.); Width 35.75 in. (90.80 cm.); Depth 16.5 in. (41.91 cm.) Catalogue note: This popular model, originally conceived circa 1887 with mounts designed by Leon Message was also produced in marquetry and double door versions in the 20th century. Christopher Payne cites that index number 204 first appeared in Linke's daybooks bearing the title bahut simple Crieger and notes that Linke frequently misspelled the famous retailer's name.
with one door on front, wavy legs and front; mahogany frame veneered in purple ebony and inlaid with fruitwood. Marble top and gilt bronze fittings.Signed “Linke” and “Made in France.” François Linke A pair of French cabinet
BERGERE en cabriolet Le dossier cannelé et à fond de canne, les accotoirs à manchettes se terminant en enroulements, les supports d'accotoirs en retrait, le piétement légèrement chantourné L'assise présente une garniture de velours Bois naturel mouluré et sculpté Signé H. 89,5 cm - L. 61 cm Rapport de condition : marques d'usures, plusieurs trous sur le cannage
TABLE à THE, c. 1889-1902 Le plateau à motifs de croisillons, deux poignées en forme végétale torsadée, piétement en X se termine par des sabots en bronze Placage de bois de satiné, ornementation en bronze ciselé et doré H. 72 cm - L. 77 cm - P. 49 cm Bibliographie : numéro d'index 121 du catalogue Linke Rapport de condition : marques d'usures
Attributed to Francois Linke 1855-1946, A pair of Belle Epoque (index 126) kingwood and parquetry bombe pedestals C1900, with rouge variegated marble tops, and ormolu mounts througout, apparently unsigned, 112cm high For a very similar pedestal attributed to Francois Linke (index 126) Lot 150 Sotheby's A private London estate For a very similar pedestal attributed to Francois Linke (index 126) Lot 150 Sotheby's
LINKE François (1855 - 1946) Mobilier Table à thé à deux plateaux Napoléon III en bois de placage et bronze doré. Attribué à François Linke. Travail français. Epoque: fin XIXème. Dim.:+/-85x79x45cm.
FRANCOIS LINKE, PARIS (1855-1946). A GOOD EARLY 20TH CENTURY FRENCH KINGWOOD PARQUETRY AND ORMOLU MOUNTED CENTRE TABLE with inset shaped marble top above a shaped frieze with parquetry panels raised on shaped cabriole legs with leaf cast feet - signed on mount Linke (94cm diameter 75cm high)
Serpentine marble top over conforming fruitwood veneer and ormolu mounted case. Signed F. Linke in brass plaque on top of shaped beveled glass door. Mirrored back interior, two glass shelves, velvet lined base. Cabriole legs, overall 45" h. x 55" x 18.5". Condition: Door is missing lock.
IMPORTANT ET MAGNIFIQUE BUREAU PLAT DE STYLE LOUIS XV modèle de François LINKE (1855-1946) Bureau plat à quatre faces. Comprenant : Sur le dessus un double décor de dômes en bois de marqueterie et encadrement en bronze, dominés par des décors de casques d
Mahogany wood and gilded brass and bronze applications. Trimmed glass top. With three drawers at waist. Slight cracks and wear and tear. Key included. 78 x 200 x 99 cm.
A French late 19th/early 20th century ormolu mounted kingwood vitrine attributed to Francois Linke (1855-1946) Spuriously stamped: 'P. Sormani' The moulded marble top above a frieze mounted with a ribbon tied floral and pastoral trophy comprised of two entwined staffs, a basket of flowers, grapes and vine leaves, flanked by canted angles with mask mounts, over a pair of shaped bevelled glass inset beaded and panelled mounted doors, enclosing a mirrored interior with two later adjustable glass shelves, with a mount below formed of a pair of entwined floral and foliate filled cornucopiae centred by a bacchic mask, on keeled square section cabriole legs each headed with a floral pendant and entwined olive branch mount, terminating in scrolled foliate sabots, 107cm wide x 42cm deep x 164.5cm high, (42in wide x 16 1/2in deep x 64 1/2in high)
A French early 20th century gilt bronze mounted rosewood, bois satine and parquetry bureau plat by Francois Linke (1855-1946) 1900-1910, Index Number 133 The gilt tooled leather inset top with a mounted moulded edge and cartouche angles, each scrolled shaped cartouche cast with scrolled acanthus and centred by a satyr mask, above a shaped panel mounted frieze incorporating one long central oak lined drawer and two short oak lined end drawers, each panel inset with lozenge trellis inlay, the central drawer flanked by two scrolled acanthus clasp mounts, on keeled cabriole legs each mounted with a foliate embellished bearded faun mask terminating in an oak leaf pendant, on acanthus headed hairy cloven hoof sabots, one mounted edging signed: 'F. LINKE', 144cm wide x 80cm deep x 76.5cm high, (56 1/2in wide x 31in deep x 30in high)
Francois Linke. An extremely rare and superb vitrine in Louis XV manner from the belle epoch of French furniture Francois Linke (1855-1946). A most important salon vitrine, Francois Linke signed to bronze rams head mount in superb original condition with tulipwood and kingwood on oak goats head mounts and bevelled glazing. H 160cm, W 65cm, D 38cm
SORMANI Paul (1817 - 1877), LINKE François (1855 - 1946). Dans le goût de. Mobilier Petite vitrine de style Louis XVI ouvrant par une porte en acajou massif ornée de bronzes ciselés et d'une "Scène d'intérieur" en vernis Martin. Dans le goût de Paul Sormani ou de François Linke. Travail parisien. Epoque: fin XIXème - début XXème. Dim.:+/-72x175x34cm.
