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Hendrik Frans van Lint Sold at Auction Prices

Painter

(b Antwerp, Belgium 1684; d Rome, Italy 1763) Belgian painter. Hendrik Frans van Lint was one of the most accomplished and sought-after vedutisti (scene-painters) working in Rome in the first half of the 18th century. He trained briefly under Pieter van Bredael in 1696-7, before traveling to Rome in 1700, where he spent the rest of his life. In Rome van Lint found a large community of northern artists living and working in the Tridente, and became a member of the Schildersbent; the fraternal association of northern artists in Rome. Van Lint held a deep admiration for Claude Lorrain, whose work he could easily have studied in numerous Roman collections. Van Lint's nickname, 'Monsù Studio', may refer to his meticulous technique, which he modeled on the great master. Like Claude, van Lint would make detailed drawings in pencil, pen and wash, often in situ, on one of his frequent expeditions to the countryside around Rome. He would then use these preparatory drawings to work up full-scale compositions on canvas; often adding ruins and classical buildings to create elaborate imaginary landscapes, in the style of Claude, with gently suffused light and tranquil air of antiquity. Van Lint's work was enthusiastically collected by prominent visitors to Rome and aristocrats on the Grand Tour. Van Lint was also an active member of Rome's artistic community, living in a house on the via Babuino. He was a member of the Congregazione Artistica dei Virtuosi al Pantheon from 1744, and was elected Rector in 1755. This was a corporation of artists who organized annual exhibitions of their own paintings on the metal railings in front of the Pantheon. (Credit: Christie’s, London, Important Old Master & British Pictures Including works from the Collection of Anton Philips, December 6, 2007, Lot 65)

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  • Hendrik Frans van Lint, 1684 Antwerpen – 1763 Rom, zugeschrieben
    Jun. 25, 2026

    Hendrik Frans van Lint, 1684 Antwerpen – 1763 Rom, zugeschrieben

    Est: €15,000 - €25,000

    ROM – BLICK AUF DIE KIRCHE SAN GIOVANNI DEI FIORENTINI AM TIBER Tempera auf Karton, auf Platte. 26 x 42,5 cm. Um 1720/30. Das Gemälde gibt die Situation um 1720/30 wieder. Erhaben wirkt die Kirche – ein im 16. Jahrhundert begonnener Bau, der erst 1734 neu eingeweiht wurde – auf einer Anhöhe mit seinen umgebenden Gebäuden. Sie befindet sich am nördlichen Ende der Via Giulia, direkt am östlichen Ufer des Tiber, südlich des Castel Sant'Angelo, das hier im Bild nicht mehr zu sehen ist. Die gegenüberliegende Uferseite steht hier im Licht der Sonne, weißfarbig, überwiegend in Deckfarben, jedoch äußerst fein detailliert wiedergegeben. Zur Härte der architektonischen Gliederungen im Bild kontrastiert die Weichheit der Figurenstaffage im Vordergrund, mit einer jungen Familie mit Kindern und einem Angler auf einer Sandbank. Ein ansichtsidentisches Werk von Lint (45,8 x 71 cm, um 1723 entstanden), wurde am 29. Juli 2020 bei Christie's verauktioniert, dort als Studio (Werkstatt) bezeichnet. Eine weitere gleiche Ansicht, für 1739 angenommen, mit zwei Fischverkäufern und einer Figur in rotem Mantel im Vordergrund, befindet sich in einer Privatsammlung. Als Sohn des Malers Pieter van Lint (1609–1690) erhielt er seine künstlerische Ausbildung durch den Meister Pieter van Bredael (1629–1719), der sein Interesse an der römischen Landschaftsmalerei weckte und ihn veranlasste, nach Italien zu gehen. Um 1700 ließ sich der Künstler in Rom nieder. Er arbeitete im Atelier des Gaspar van Wittel (1653–1736), dem erfolgreichsten und gefragtesten Landschaftsmaler der Zeit. Um 1715 wurde van Lint in die „Schildersbent“ von Rom aufgenommen, eine Art lokale Gilde, die 1627 von einer Gruppe Nordländer gegründet wurde. In seiner bildnerischen Produktion, die sich hauptsächlich auf die Ansichten von Rom und der Landschaft des Latium konzentrierte, spielten die vom Klassizismus von Claude Lorrain (1600–1682) inspirierten Ansichten eine relevante Rolle. Literatur: Andrea Busiri Vici, Peter, Hendrick e Giacomo Van Lint. Tre pittori di Anversa del '600 e '700 lavorano a Roma. Rom 1987, S. 82, Abb. 68. Vgl. Andrea Busiri Vici, Peter, Hendrik e Giacomo van Lint, Rom 1987. Vgl. Ann Zwollo, Hollandse en Vlaamse veduteschilders te Rome 1675–1725, Assen 1973. Vgl. Luigi Salerno, I pittori di vedute in Italia 1580–1830, Rom 1991. A.R. (1482152) (11) Hendrik Frans van Lint, 1684 Antwerp – 1763 Rome, attributed ROME, VIEW OF THE CHURCH OF SAN GIOVANNI DEI FIORENTINI ON THE TIBER Tempera on card, laid on panel. 26 x 42.5 cm. ca. 1720/30. Literature: Andrea Busiri Vici, Peter, Hendrick e Giacomo Van Lint. Tre pittori di Anversa del ‘600 e ‘700 lavorano a Roma, Rome 1987, p. 82, ill. 68. cf. Andrea Busiri Vici, Peter, Hendrik e Giacomo van Lint, Rome 1987. cf. Ann Zwollo, Hollandse en Vlaamse veduteschilders te Rome 1675 –1725, Assen 1973. cf. Luigi Salerno, I pittori di vedute in Italia 1580 – 1830, Rome 1991.

    Hampel Fine Art Auctions
  • Lint Hendrik Frans van
    May. 30, 2026

    Lint Hendrik Frans van

    Est: CHF2,000 - CHF2,500

    Felsige Mittelmeerküste mit Segelschiff. 1707 Unten rechts am Schiffsheck signiert und datiert: H. van Lint F 1707 Laut An Zwollo könnte es sich bei der vorliegenden Hafenansicht um das früheste datierte Werk von Hendrik van Lint handeln. Sie vermutet, dass das Gemälde, das in der flämischen Landschaftstradition steht, wie sie von Jan Brueghel dem Älteren und Bonaventura Peeters geprägt wurde, vermutlich in seiner Heimatstadt Antwerpen entstanden ist. Die Autorin stellte ebenfalls fest, dass in frühen Ansichten wie der angebotenen Wirklichkeit und Fantasie in einer freien und vielgestaltigen bildnerischen Interpretation verschmelzen. Auktionshaus Eduard Hünerberg, Braunschweig, 29.-30. November 1962, Lot 37; Galerie Commeter, Hamburg; Auktionshaus Neumeister, München, 3. November - 2. Dezember 1977, Lot 1294a; Privatbesitz, Schweiz An Zwollo, Hollandse en Vlaamse veduteschilders te Rome 1675-1725, Assen 1973, S. 92-93 (mit Abbildung Nr. 115); Andrea Busiri Vici, Peter, Hendrik e Giacomo Van Lint. Tre pittori di Anversa del '600 e '700 lavorano a Roma, 1987, S. 138 (mit Abbildung Nr. 153) Gerahmt Ausrufdatum: 30.05.2026 Ungefähre Ausrufzeit (CEST): 18:18

    Auktionshaus Zofingen
  • Hendrik Frans Van Lint
    Apr. 15, 2026

    Hendrik Frans Van Lint

    Est: €2,000 - €3,000

    Anversa 1684 - Roma 1763, 40.5x58.5 cm., "Landscape with figure", within a gilded wood frame Literature: A.B. Vici, Peter, Hendrick e Giacomo Van Lint, Tre pittori di Anversa del '600 e '700, Ugo Bozzi Editore, pag. 220, fig. 310

    Colasanti Casa d'Aste
  • ATTRIBUÉ À HENDRIK FRANS VAN LINT (1684-1763), D'APRÈS CLAUDE GELÉE DIT LE LORRAIN
    Dec. 17, 2025

    ATTRIBUÉ À HENDRIK FRANS VAN LINT (1684-1763), D'APRÈS CLAUDE GELÉE DIT LE LORRAIN

    Est: €6,000 - €8,000

    ATTRIBUÉ À HENDRIK FRANS VAN LINT (1684-1763), D'APRÈS CLAUDE GELÉE DIT LE LORRAIN PAYSAGE AVEC ACIS ET GALATÉE Toile d'origine Sans cadre Porte une étiquette au revers du châssis avec des inscriptions anciennes "fland… / galerie de Daef… / fait par Friedrich Car…" Restaurations anciennes Reprise du tableau de Claude Gelée conservé à Dresde. Les figures sont d’une autre main et postérieures. Att. to H. Van Lint, after Claude Gelée known as Le Lorrain, Landscape with Acis and Galatea, original canvas, unframed, with restorations 102,50 x 136 CM - 40,4 x 53,5 IN.

    Tajan
  • Hendrick Frans Van Lint 1684 Anversa-1763 Roma Veduta del Tevere a San Giovanni dei Fiorentini
    Dec. 11, 2025

    Hendrick Frans Van Lint 1684 Anversa-1763 Roma Veduta del Tevere a San Giovanni dei Fiorentini

    Est: €8,000 - €10,000

    tempera su carta applicata su tavoletta

    Cambi Casa d'Aste
  • Hendrik Frans van Lint (Anversa 1684 - Roma 1763)
    Dec. 10, 2025

    Hendrik Frans van Lint (Anversa 1684 - Roma 1763)

    Est: €4,000 - €6,000

    Hendrik Frans van Lint (Anversa 1684 - Roma 1763) Veduta di Roma con l'Arco di Settimio Severo - Veduta di Roma con il Colosseo Tempera/gouache su carta 18 x 25 cm Le opere trovano preciso riscontro, nelle tele quasi identiche conservate rispettivamente in Collezione privata di Roma (pubblicata a pag.45, foto 16, da Busiri Vici in Peter, Hendrik e Giacomo Van Lint. Tre pittori di Anversa del '600 e '700 lavorano a Roma) e nella Collezione Duke of Richmond, Goodwood House (pubblicata a pag.55, foto 32, da Busiri Vici in Peter, Hendrik e Giacomo Van Lint. Tre pittori di Anversa del '600 e '700 lavorano a Roma). Hendrik Frans van Lint (Antwerp 1684 - Rome 1763) View of Rome with the Arch of Septimius Severus - View of Rome with the Colosseum Tempera/gouache on paper 18 x 25 cm The works are closely matched by almost identical paintings, preserved respectively in a private collection in Rome (published on p.45, photo 16, by Busiri Vici in Peter, Hendrik and Giacomo Van Lint. Three painters from Antwerp in the 17th and 18th centuries working in Rome) and in the Duke of Richmond Collection, Goodwood House (published on p.55, photo 32, by Busiri Vici in Peter, Hendrik and Giacomo Van Lint. Three painters from Antwerp in the 17th and 18th centuries working in Rome).

    Lucas Aste
  • HENDRIK FRANS VAN LINT, ANTWERP 1684 - 1763 ROME, FOLLOWER OF
    Nov. 24, 2025

    HENDRIK FRANS VAN LINT, ANTWERP 1684 - 1763 ROME, FOLLOWER OF

    Est: €100 - €200

    Hendrik Frans van Lint Antwerp 1684 - 1763 Rome, Follower of Ideal Landscape Around 1800 Oil on canvas, relined 60 x 80 cm, with frame 66 x 89 cm Online viewing only!

    Tiberius Auctions
  • Hendrik Frans van Lint, called lo Studio
    Oct. 23, 2025

    Hendrik Frans van Lint, called lo Studio

    Est: €20,000 - €30,000

    (Antwerp 1684–1763 Rome) Piazza del Popolo, Rome, signed bottom right: H. van Lint do Studio / 1732, oil on canvas, 48.5 x 73 cm, framed Provenance: sale, Sotheby’s, London, 11 December 1985, lot 15 (as Hendrik Frans van Lint, called Studio); Private collection, Switzerland The view painting, veduta, depicts one of the most celebrated landmarks of Rome, Piazza del Popolo. The square is dominated by the twin churches of Santa Maria in Montesanto and Santa Maria dei Miracoli, and at its center stands the Flaminio Obelisk. Originally commissioned by Pharaoh Seti I and later transported to Italy by Octavian Augustus, the monument was possibly toppled during the barbarian invasions, rediscovered in fragments in the sixteenth century, and finally re-erected in its present location under Pope Sixtus V. On the left of the canvas, are the gardens of the Augustinian Fathers of Santa Maria del Popolo. The composition recalls the works of Gaspar van Wittel, who frequently painted the square from a similar vantage point. Hendrik Frans van Lint, born in Antwerp in 1684, trained in his native city before moving at a young age to Rome, where he spent the rest of his career. A member of the Bentvueghels, he was nicknamed ‘Studio’, probably a reference both to his studious character and to the meticulous accuracy of his preparatory drawings. In Rome, he quickly established himself as one of the leading foreign painters of landscapes and city views, for international clients, including diplomats, aristocrats, and Grand Tour travellers eager for painted records of celebrated views. His close ties with patrons such as Cardinal Silvio Valenti Gonzaga testify to his success in the cosmopolitan art market of eighteenth-century Rome. Van Lint’s style is distinguished by its union of Flemish precision with the classical harmony of the Roman veduta tradition. His canvases range from topographically faithful views of monuments such as the Colosseum or the Forum to idealized pastoral landscapes in the manner of Claude Lorrain. His works are characterised by crystalline light, balanced compositions, and a serene atmosphere, his works elevate the city’s vistas beyond mere documentation, turning them into timeless images of Rome and its surroundings. The artist remained active in Rome until his death in 1763, leaving behind a corpus of works that demonstrates the fruitful dialogue between Northern naturalism and Southern classicism at the height of the period of the Grand Tour.

    Dorotheum
  • HENRIK FRANS VAN LINT
    Sep. 30, 2025

    HENRIK FRANS VAN LINT

    Est: CHF1,000 - CHF1,800

    (Antwerpen 1684–1763 Rom) in der Art Landschaft mit Bach und Ruine. Öl auf Holz. 44x62,5 cm. Gerahmt.

    Schuler Auktionen
  • HENRIK FRANS VAN LINT
    Sep. 12, 2025

    HENRIK FRANS VAN LINT

    Est: CHF1,000 - CHF1,800

    (Antwerpen 1684–1763 Rom) in der Art Landschaft mit Bach und Ruine. Öl auf Holz. 44x62,5 cm. Gerahmt.

    Schuler Auktionen
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Jul. 20, 2025

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €1,500 - €3,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharaos" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaohs" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne (2)
    Jul. 02, 2025

    Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne (2)

    Est: £30,000 - £50,000

    Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne a pair, oil on canvas 33.1 x 43.4cm (13 1/16 x 17 1/16in). (2)

    Bonhams
  • Hendrik Frans Van Lint
    Jun. 12, 2025

    Hendrik Frans Van Lint

    Est: €3,000 - €5,000

    Anversa 1684 - Roma 1763, 40.5x58.5 cm., "Paesaggio con figure", within a gilded wood frame Literature: A.B. Vici, Peter, Hendrick e Giacomo Van Lint, Tre pittori di Anversa del '600 e '700, Ugo Bozzi Editore, pag. 220, fig. 310

    Colasanti Casa d'Aste
  • HENDRIK FRANS VAN LINT (Anvers, 1684-Rome, 1763)
    Jun. 11, 2025

    HENDRIK FRANS VAN LINT (Anvers, 1684-Rome, 1763)

    Est: €3,000 - €5,000

    HENDRIK FRANS VAN LINT (Anvers, 1684-Rome, 1763) LE DÉPART DES CHASSEURS, LE RETOUR DE LA CHASSE AU FAUCON Le départ des chasseurs : panneau de chêne, deux planches, non parqueté ; signé et daté en bas à droite "H. van Lint / 1701" ; Le retour de la chasse au faucon : panneau de chêne, deux planches, renforcé. Restaurations anciennes The departure of the hunters ; the return of falcon hunting, pair of panels, with restorations 38 x 52,50 CM - 15 x 20,7 IN.

    Tajan
  • VAN LINT HENDRIK FRANS (1684 - 1763) - Attributed to. Apollo with the Muses
    Jun. 10, 2025

    VAN LINT HENDRIK FRANS (1684 - 1763) - Attributed to. Apollo with the Muses

    Est: €1,500 - €2,500

    VAN LINT HENDRIK FRANS (1684 - 1763). Attributed to. Apollo with the Muses. 31 x 37 cm.

    Capitolium Art
  • HENDRIK FRANS VAN LINT (attr. a)
    Jun. 04, 2025

    HENDRIK FRANS VAN LINT (attr. a)

    Est: €2,000 - €3,000

    (Anversa, 1684 - Roma, 1763) Paesaggio lacustre con figure e castello Olio su tela, cm 49X75,5 Di inequivocabile gusto italianizzante e ispirata agli aulici modelli di Claude Lorrain, la tela evoca il paesaggio della campagna laziale. Il taglio prospettico e il carattere dell'immagine suggeriscono il fondamento realistico della veduta, a discapito della sensibilità pittoresca e ideale, mentre l'analisi della superficie pittorica indica una datazione pienamente settecentesca. Questi aspetti, coniugati ai caratteri di stile, conducono al confronto con la produzione di Hendrik Frans van Lint, attribuzione confortata dalla firma. Il punto di vista impiegato dal pittore è simile alla tela già Colnaghi segnalata da Federico Zeri e pubblicata dal Busiri Vici (p. 69, n. 47, olio su tela, cm 34,3X43,2), tuttavia questa versione differisce non solo per le dimensioni ma anche per la maggiore distanza prospettica che offre una più ampia profondità spaziale. Lo stile si attiene al fare pittorico del maestro durante il terzo decennio, come suggerisce il confronto con lo Scorcio del Ponte Salario esitato presso Christie's Londra (30 ottobre 1998, lotto 101) firmato e datato al 1626. Bibliografia di riferimento: A. Busiri Vici, Peter Hendrik e Giacomo Van Lint: tre pittori di Anversa del '600 e '700 lavorano a Roma, Roma 1987, ad vocem

    Wannenes Art Auctions
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    May. 27, 2025

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €1,500 - €3,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharaos" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaohs" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Rome, A View of Saint Peter's Square with the Entry of the Imperial Ambassador Ercole Ludovico Turinetti, Marquis of Prié
    May. 21, 2025

    Rome, A View of Saint Peter's Square with the Entry of the Imperial Ambassador Ercole Ludovico Turinetti, Marquis of Prié

    Est: $800,000 - $1,200,000

    Hendrik Frans van Lint, called Lo Studio Antwerp 1684 - 1763 Rome Rome, A View of Saint Peter's Square with the Entry of the Imperial Ambassador Ercole Ludovico Turinetti, Marquis of Prié signed lower left: · H · van Lint. F[ec]i[t] oil on canvas canvas: 22 ¼ by 43 in.; 56.5 by 109.2 cm framed: 31 ⅛ by 51 ⅜ in.; 79.1 by 130.5 cm

    Sotheby's
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Mar. 23, 2025

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €1,500 - €3,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharaos" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaohs" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrik van Lint ( 1684-1763)- attributed
    Jan. 31, 2025

    Hendrik van Lint ( 1684-1763)- attributed

    Est: €200 - €400

    Hendrik van Lint ( 1684-1763)- attributed, classical landscape , oil on canvas, probably signed bottom right, framed.. 36 x 50 cm

    Deutsch Auktionen
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Jan. 29, 2025

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €1,500 - €3,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharaos" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaohs" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrick Frans Van Lint 1684 Anversa-1763 Roma Veduta del Tevere a San Giovanni dei Fiorentini
    Dec. 12, 2024

    Hendrick Frans Van Lint 1684 Anversa-1763 Roma Veduta del Tevere a San Giovanni dei Fiorentini

    Est: €15,000 - €18,000

    Veduta del Tevere a San Giovanni dei Fiorentini cm 26X42,5 olio su tela applicata su tavoletta Collezione privata, Roma Peter, Hendrik e Giacomo Van Lint. Tre pittori di Anversa del '600 e '700 lavorano a Roma, a cura di A. Busiri Vici, Ugo Bozzi Editore, 1987, pag. 82, fig. 68

    Cambi Casa d'Aste
  • Hendrik Frans van Lint, 1684 Antwerpen – 1763 Rom
    Dec. 05, 2024

    Hendrik Frans van Lint, 1684 Antwerpen – 1763 Rom

    Est: €6,000 - €9,000

    ITALIENISCHE RUINENLANDSCHAFT AM SEE Öl auf Leinwand. Doubliert. 42,6 x 54,4 cm. In breitem Prunkrahmen. Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, 28. November 2022, in Kopie. Unter sommerlich hellblauem Himmel ein ruhig verlaufender Fluss oder See, an dessen Ufer rechtsseitig ein antikes Ruinenstück mit zwei kannelierten korinthischen Säulen an den Uferrand hineinragt. Linksseitig weitere antike Ruinen, darunter ein großer Rundtempel und auf einer flacheren gelb-grünen Wiese einige Schafe. Am linken unteren Bildrand, unterhalb eines großen Baumes, haben sich drei Schäfer und eine Hirtin niedergelassen und blicken auf den Fluss in dieser harmonischen Landschaft. Laut Dr. Ertz ist das Gemälde in den 1740er-Jahren in Rom geschaffen worden. Seine Landschaften, so auch hier, lassen den Einfluss der „Idealen Lanschaften“ des Franzosen Claude le Lorrain (1600-1682) erkennen. Es gibt durch den Künstler zahlreiche signierte Gemälde, die dem vorliegenden stilistisch zugeordnet werden können, sodass auch dieses nicht signierte Gemälde in das Gesamtwerk des Landschaftsmalers einzuordnen ist. Hendrik Frans van Lint wird in Antwerpen als Sohn des Historienmalers Pieter van Lint (1609-1660) und dessen zweiter Frau Anna Moeren geboren. Da sein Vater starb als er erst 6 Jahre alt war, wurde van Lint 1696 Lehrling bei Peeter van Bredael, einem Maler von italianisierenden Landschaften. Van Lint blieb nicht, um seine Lehre zu beenden, sondern ging zwischen 1697 und 1700 nach Rom. 1697 trat van Lint den Bentvueghels bei, einer Vereinigung von hauptsächlich niederländischen und flämischen Künstlern, die in Rom arbeiteten. Bei den Bentvueghels war es üblich, sich einen ansprechenden Spitznamen zuzulegen. Van Lints Name war „Lo Studio“. Dieser Spitzname mag ihm wegen seiner akribischen Technik gegeben worden sein. Van Lint scheint sich zudem im Kreis des holländischen Vedutenmalers Gaspar van Wittel bewegt zu haben, der in Rom als „Il Vanvitelli“ bekannt war. Van Wittel hatte sich 1675 in Rom niedergelassen, wo er mit seinen topografischen Ansichten zu einem der meistgefragten Künstler seiner Generation geworden war. Van Lint blieb für den Rest seines Lebens überwiegend in Rom. (14111221) (18) Hendrik Frans van Lint, 1684 Antwerp - 1763 Rome ITALIAN RUIN LANDSCAPE ON A LAKE Oil on canvas. Relined. 42.6 x 54.4 cm. Accompanied by an expert's report by Dr Klaus Ertz, Lingen, 28 November 2022, in copy. According to Dr Ertz, the painting was created in Rome in the 1740s. As is the case here, the artist's landscapes show the influence of the "Ideal Landscapes" of the Frenchman Claude le Lorrain (1600 - 1682). There are numerous paintings signed by the artist that can be stylistically assigned to the present work, so that this unsigned painting can also be classified as part of the landscape painter's overall oeuvre.

    Hampel Fine Art Auctions
  • HENDRIK FRANS VAN LINT (Antwerp 1684 - 1763 Rome)
    Nov. 28, 2024

    HENDRIK FRANS VAN LINT (Antwerp 1684 - 1763 Rome)

    Est: €500 - €800

    HENDRIK FRANS VAN LINT (Antwerp 1684 - 1763 Rome) Fort in the roman campagna oil/canvas 32,5 x 43,5 cm SCHÄTZPREIS / ESTIMATE € 500 - 800 STARTPREIS / STARTING PRICE € 500 Hendrik Frans van Lint was a Flemish landscape and vedute painter. He was one of the leading landscape painters in Rome in the first half of the 18th century and his patrons included Rome's aristocratic families as well as European travellers on their Grand Tour. Hendrik Frans van Lint was born in Antwerp, the son of the history painter Pieter van Lint and his second wife Anna Moeren (Moren or Morren). In 1696, Van Lint was apprenticed to Peeter van Bredael, a painter of Italianate landscapes. Van Lint did not stay to complete his apprenticeship but left for Rome somewhere between 1697 and 1700. Here he would stay for the remainder of his life except for a short visit to Antwerp in 1710 after the death of his mother. In 1697, Van Lint joined the Bentvueghels (feather birds), an association of mainly Dutch and Flemish artists working in Rome. It was customary for the Bentvueghels to adopt an appealing nickname, the so-called Bentnaam. Van Lint's Bentnaam was studie in Dutch or lo studio (and even 'Monsú Studio') in Italian. On these expeditions he was sometimes accompanied by the Dutch painter Theodoor Wilkens. Van Lint would use his preparatory studies to develop full-scale compositions on canvas and often added ruins and classical buildings to create his elaborate imaginary landscapes. Van Lint lived in the via del Babuino and married in 1719 Ludovica Margarete Tassel, daughter of an Italian tailor. The couple had tenchildren, one of whom called Jacob or Giacomo van Lint, also a became a vedute painter. Another son called Giovanni Rocco became a silversmith. Van Lint appears to have moved in the circle of the Dutch vedute painter Gaspar van Wittel, known in Rome as ‘il Vanvitelli’. Van Wittel had settled in Rome in 1675 where his topographical views had made him one of the most feted artists of his generation. Van Lint possibly worked in van Wittel's workshop to assist the aging artist in the completion of his many commissions. Van Lint had a successful career and his patrons included eminent visitors to Rome and aristocrats on their Grand Tour, as well as some of the great patrician Roman families, including the Altoviti, Capponi, Pamphili, Sacchetti and Soderini. Don Lorenzo Colonna particularly liked his work and owned no less than 70 landscapes by the artist. Van Lint's wife died in 1744. The same year, he joined the Congregazione Artistica dei Virtuosi al Pantheon and was elected its Rector in 1755. The Congregazione was a corporation of artists who organised annual exhibitions of their own paintings on the metal railings in front of the Pantheon. Van Lint probably also worked as a picture restorer. Van Lint was specialized in landscapes which fall globally in two categories: idealized landscapes of people in nature and "vedute", landscapes or town views that are mainly topographical in conception. Among his earliest dated works produced in Rome are paintings from 1711, including View of a monastery on the Aventine, now in the collection of the Galleria Doria Pamphili. It has been suggested that this was the year in which he left van Wittel's workshop to strike out on his own. His idealized landscapes follow less the style of his contemporaries and compatriots Abraham Genoels and Jan Frans van Bloemen, who specialized in this subject matter. Van Lint went in a different direction under the influence of Claude Lorrain's Arcadian landscapes. Van Lint may have studied Lorrain's works in numerous Roman collections. It has been suggested that van Lint started out as a reluctant copyist of the work of Lorrain whose work was in strong demand but unavailable on the market. It was only later that he started to paint his own compositions inspired by and dotted with references to Lorrain as well as Nicolas Poussin. A good example of the influence of Lorraine on his idealized landscapes are the pair of paintings entitled Landscape with a Watermill and Dancing Figures (The Wedding of Isaac and Rebecca) and Landscape with the Nurture of Jupiter (private collections). The two compositions are directly inspired by Lorrain's monumental pair of landscapes in the Galleria Doria Pamphilij, Rome. In particular the first work is directly based on Lorrain's Landscape with Dancing Figures (The Mill), while the second is only inspired in its overall design by Claude's original of the View of Delphi with a procession. Van Lint was no slavish follower of Lorrain but rather an inventor of his own as shown by the fact that he introduced a number of elements that are absent from Claude's work. Van Lint also shows that he is at heart a vedute painter who preferred realistic views by substituting for Claude's fantastical domed palace a representation of the Colosseum and a monument that he had depicted on numerous occasions in his Roman vedute and may be based on an existing feature in Rome. Like Lorrain, van Lint paid particular attention to the trees in his compositions. His wide open compositions are imbued with silence and invite contemplation. In his topographical views, Van Lint was first directed by his experience working for van Wittel. His sharp powers of observation make him stand out as a vedute painter in the 18th century. It is likely he developed these compositions on the basis of Van Wittel's treatment of similar subjects. While van Lint is known to have employed other artists such as Corrado Giaquinto, Adriaen Manglard, Anton Raphael Mengs, Pierre Subleyras, Sebastiano Conca, Giuseppe Chiari and Placido Costanzi to paint the staffage in his landscapes, he often painted the figures himself. The only artists whose figures have been identified in his work are Pompeo Batoni and Francesco Zuccarelli. The figures he painted in his compositions were often inspired by those of famous painters of the 17th century such as Guido Reni. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

    Widder Auctions
  • HENDRIK FRANS VAN LINT
    Nov. 27, 2024

    HENDRIK FRANS VAN LINT

    Est: €5,000 - €8,000

    (Anversa, 1684 - Roma, 1763) Paesaggio ideale Firmato e datato sull'albero a destra: Studio. f. Roma 174... Olio su tavola, cm 76X60 Provenienza: Genova, collezione privata Di inequivocabile gusto italianizzante e ispirata agli aulici modelli di Claude Lorrain, la tela evoca un paesaggio della campagna laziale. Il taglio prospettico e il carattere suggeriscono il fondamento ideale della veduta, mentre l'analisi della superficie pittorica indica una datazione pienamente settecentesca. Questi aspetti, coniugati ai caratteri di stile, conducono al confronto con la produzione matura di Hendrik Frans van Lint, nel nostro caso confortata dalla firma e la data. Sono inoltre di aiuto le simili composizioni pubblicate da Busiri Vici e in questa sede si ricordano: il dipinto segnalato da Federico Zeri in collezione privata inglese, proveniente dalla Galleria Colnaghi e il Paesaggio con le figure attribuite a Pompeo Batoni. Van Lint fu uno dei principali protagonisti del paesismo romano durante la prima metà del XVIII secolo, nativo di Anversa si stabilì nella Città Eterna nel 1700, dove frequentò la bottega di Gaspar van Wittel. Un altro artista a cui il Lint guardò con profonda ammirazione fu Claude Lorrain, le sue vedute ideali ammantate da una luce soffusa, la cui tecnica meticolosa presupponeva la realizzazione di disegni spesso eseguiti dal vero, erano infatti imprescindibili a chi desiderasse descrivere l'estetica classicista dell'Agro romano. Non sorprende allora che le creazioni di Lint furono collezionate con entusiasmo sia dagli aristocratici viaggiatori del Grand Tour, sia dalle grandi famiglie patrizie come gli Altoviti, i Pamphili, i Sacchetti. Don Lorenzo Colonna, ad esempio, contava nella sua raccolta non meno di settanta paesaggi. Era altresì sorprendente la varietà rappresentativa dell'artista, che raramente replicò le sue opere, frutto di ripetute giornate fuori porta. Così, la nostra tela si evidenzia per la squisita visuale, colta con attento spirito di osservazione e compiuta secondo una qualità che incontrava il favore dei collezionisti, desiderosi di possedere un ricordo vivo e spontaneo delle meraviglie paesaggistiche della penisola. Ed è proprio nelle opere laziali che il pittore raggiunse la sua più completa maturità, capace di cogliere la realtà naturale nella sua cristallina e diffusa luminosità. Bibliografia di riferimento: A. Busiri Vici, Peter, Hendrik e Giacomo van Lint : tre pittori di Anversa del '600 e '700 lavorano a Roma, Roma 1987, ad vocem L. Salerno, Pittori di vedute in Italia, Roma 1991, pp. 117-119 L. Bortolotti, Hendrik Frans Van Lint, in La pittura di paesaggio in Italia. Il Settecento, a cura di A. Ottani Cavina ed E. Calbi, Milano 2005, pp. 242-244

    Wannenes Art Auctions
  • Hendrik Frans van LINT
    Nov. 26, 2024

    Hendrik Frans van LINT

    Est: €40,000 - €60,000

    Hendrik Frans van LINT (Anvers, 1684 - Rome, 1763) Rencontre d’un gentilhomme et d’une lingère à Tivoli Huile sur toile Trace de signature en bas à droite  Meeting of a gentleman and a washerwoman in Tivoli, oil on canvas, by H. F. van Lint 13.78 x 18.11 in. 35.0 x 46.0 cm Provenance : Vente anonyme ; Monaco, Sotheby’s, 18-19 juin 1992, n° 37 (avec son pendant sous le n° 38, Vue d'un lavoir antique) ; Acquis par les parents de l'actuel propriétaire lors de cette vente ; Collection particulière, Milan Anversois d’origine, Hendrick Frans van Lint se forme brièvement auprès de Pieter van Bredael, entre 1696 et 1697, avant de partir pour Rome en 1700, ville qu’il ne quitte plus sinon pour la mort de sa mère en 1710. Installé via Babuino, il s’intègre à la communauté des artistes venus du nord organisés en confréries, à l’image de la Schildersbent (« Clique des artistes ») que notre artiste rejoint sous le pseudonyme de Lo Studio. Au fur et à mesure que se succèdent les commandes des prestigieuses familles de patriciens - Altoviti, Capponi, Pamphili, Sacchetti, Soderini, mais surtout Colonna en la personne de Don Lorenzo qui collectionne pas moins de 70 de ses œuvres - Hendrick Frans van Lint acquiert une solide réputation de védutiste. Cette trajectoire rappelle celle de Gaspar van Wittel, dit Il Vanvitelli, arrivé 25 ans plus tôt et auprès de qui il achève probablement de se former, en collaborant aux nombreuses commandes que le maître peine à satisfaire tant la demande est grande. En 1744, il devient membre de la Congregazione Artistica dei Virtuosi al Pantheon, corporation d’artistes organisant des expositions devant le Panthéon dont il est élu recteur en 1755. Cette jolie vue du temple de la Sybille à Tivoli est caractéristique du travail de l’artiste : une composition équilibrée aux couleurs claires d’où ressort la chaleureuse atmosphère d’une campagne de villégiature.  Hendrik Frans van LINT (Anvers, 1684 - Rome, 1763) 35.0 x 46.0 cm Anversois d’origine, Hendrick Frans van Lint se forme brièvement auprès de Pieter van Bredael, entre 1696 et 1697, avant de partir pour Rome en 1700, ville qu’il ne quitte plus sinon pour la mort de sa mère en 1710. Installé via Babuino, il s’intègre à la communauté des artistes venus du nord organisés en confréries, à l’image de la Schildersbent (« Clique des artistes ») que notre artiste rejoint sous le pseudonyme de Lo Studio. Au fur et à mesure que se succèdent les commandes des prestigieuses familles de patriciens - Altoviti, Capponi, Pamphili, Sacchetti, Soderini, mais surtout Colonna en la personne de Don Lorenzo qui collectionne pas moins de 70 de ses œuvres - Hendrick Frans van Lint acquiert une solide réputation de védutiste. Cette trajectoire rappelle celle de Gaspar van Wittel, dit Il Vanvitelli, arrivé 25 ans plus tôt et auprès de qui il achève probablement de se former, en collaborant aux nombreuses commandes que le maître peine à satisfaire tant la demande est grande. En 1744, il devient membre de la Congregazione Artistica dei Virtuosi al Pantheon, corporation d’artistes organisant des expositions devant le Panthéon dont il est élu recteur en 1755. Cette jolie vue du temple de la Sybille à Tivoli est caractéristique du travail de l’artiste : une composition équilibrée aux couleurs claires d’où ressort la chaleureuse atmosphère d’une campagne de villégiature. 

    Artcurial
  • Hendrick Frans Van Lint, dit Studio Roma (Anvers 1684-1763 Rome) Vue du Colisée depuis la colline du Celio ; Vue de la Basilique de Saint Pierre depuis le Mont Mario (2)
    Oct. 30, 2024

    Hendrick Frans Van Lint, dit Studio Roma (Anvers 1684-1763 Rome) Vue du Colisée depuis la colline du Celio ; Vue de la Basilique de Saint Pierre depuis le Mont Mario (2)

    Est: €40,000 - €60,000

    Hendrick Frans Van Lint, dit Studio Roma (Anvers 1684-1763 Rome) Vue du Colisée depuis la colline du Celio ; Vue de la Basilique de Saint Pierre depuis le Mont Mario le premier signé, inscrit et daté 'Studio F.t Roma/ 1746' (en bas à droite) ; le deuxième signé et daté 'Studio F.t / 1746' (en bas à gauche) une paire, huile sur toile the first signed, inscribed and dated 'Studio F.t Roma/ 1746' (lower right); the second signed and dated 'Studio F.t / 1746' (lower left) a pair, oil on canvas 16.8 x 35.6cm (6 5/8 x 14in). (2)

    Bonhams
  • VAN LINT HENDRIK FRANS
    Oct. 01, 2024

    VAN LINT HENDRIK FRANS

    Est: €2,500 - €2,800

    VAN LINT HENDRIK FRANS (1684-1763) (attribuito) 'Interno con figure e rovine classiche' olio cornice coeva in legno intagliato e dorato cm. 106x90

    Aste Boetto SRL
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Sep. 29, 2024

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €3,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharaos" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaohs" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • HENDRIK FRANS VAN LINT, 1684 ANTWERPEN – 1763 ROM
    Sep. 26, 2024

    HENDRIK FRANS VAN LINT, 1684 ANTWERPEN – 1763 ROM

    Est: €10,000 - €20,000

    ITALIENISCHE RUINENLANDSCHAFT AM SEE Öl auf Leinwand. Doubliert. 42,6 x 54,4 cm. In breitem Prunkrahmen. Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, 28. November 2022, in Kopie. Unter sommerlich hellblauem Himmel ein ruhig verlaufender Fluss oder See, an dessen Ufer rechtsseitig ein antikes Ruinenstück mit zwei kannelierten korinthischen Säulen an den Uferrand hineinragt. Linksseitig weitere antike Ruinen, darunter ein großer Rundtempel und auf einer flacheren gelb-grünen Wiese einige Schafe. Am linken unteren Bildrand, unterhalb eines großen Baumes, haben sich drei Schäfer und eine Hirtin niedergelassen und blicken auf den Fluss in dieser harmonischen Landschaft. Laut Dr. Ertz ist das Gemälde in den 1740er-Jahren in Rom geschaffen worden. Seine Landschaften, so auch hier, lassen den Einfluss der „Idealen Lanschaften“ des Franzosen Claude le Lorrain (1600-1682) erkennen. Es gibt durch den Künstler zahlreiche signierte Gemälde, die dem vorliegenden stilistisch zugeordnet werden können, sodass auch dieses nicht signierte Gemälde in das Gesamtwerk des Landschaftsmalers einzuordnen ist. Hendrik Frans van Lint wird in Antwerpen als Sohn des Historienmalers Pieter van Lint (1609-1660) und dessen zweiter Frau Anna Moeren geboren. Da sein Vater starb als er erst 6 Jahre alt war, wurde van Lint 1696 Lehrling bei Peeter van Bredael, einem Maler von italianisierenden Landschaften. Van Lint blieb nicht, um seine Lehre zu beenden, sondern ging zwischen 1697 und 1700 nach Rom. 1697 trat van Lint den Bentvueghels bei, einer Vereinigung von hauptsächlich niederländischen und flämischen Künstlern, die in Rom arbeiteten. Bei den Bentvueghels war es üblich, sich einen ansprechenden Spitznamen zuzulegen. Van Lints Name war „Lo Studio“. Dieser Spitzname mag ihm wegen seiner akribischen Technik gegeben worden sein. Van Lint scheint sich zudem im Kreis des holländischen Vedutenmalers Gaspar van Wittel bewegt zu haben, der in Rom als „Il Vanvitelli“ bekannt war. Van Wittel hatte sich 1675 in Rom niedergelassen, wo er mit seinen topografischen Ansichten zu einem der meistgefragten Künstler seiner Generation geworden war.  Van Lint blieb für den Rest seines Lebens überwiegend in Rom.(14111221) (18) Hendrik Frans van Lint, 1684 Antwerp – 1763 Rome ITALIAN RUIN LANDSCAPE ON A LAKE Oil on canvas. Relined. 42.6 x 54.4 cm. Accompanied by an expert‘s report by Dr Klaus Ertz, Lingen, 28 November 2022, in copy. According to Dr Ertz, the painting was created in Rome in the 1740s. As is the case here, the artist‘s landscapes show the influence of the “Ideal Landscapes“ of the Frenchman Claude le Lorrain (1600 - 1682). There are numerous paintings signed by the artist that can be stylistically assigned to the present work, so that this unsigned painting can also be classified as part of the landscape painter‘s overall oeuvre.

    Hampel Fine Art Auctions
  • HENDRICK FRANS VAN LINT
    Sep. 20, 2024

    HENDRICK FRANS VAN LINT

    Est: CHF8,000 - CHF12,000

    HENDRICK FRANS VAN LINT (Antwerp 1684–1763 Rome) Pair of works: Herders in a landscape with waterfall/ Travellers in a landscape. 1746. Oil on canvas. Both signed, inscribed and dated lower left: Enrick van lint: Studio. Ft. Roma 1746. 31.2 × 48.9 cm each. Provenance: - Sale Sotheby's, London, 10.7.1974, Lot 96 (as pair). - Sale Christie's, London, 9.7.1976, Lot 186 (as pair). - With Richard Green, London, 1976. - Sale Phillips, London, 2.7.1991, Lot 79 (a and b as pair). - European private collection. Literature: Andrea Busiri Vici: Van Lint, Rome 1987, no. 217 and 218, p. 180 (with ill.). ------------------------------------------------- HENDRICK FRANS VAN LINT (Antwerpen 1684–1763 Rom) Gegenstücke: Hirten in einer Landschaft mit Wasserfall / Reisende in einer Landschaft. 1746. Öl auf Leinwand. Beide unten links signiert, bezeichnet und datiert: Enrick van lint: Studio. Ft. Roma 1746. Je 31,2 × 48,9 cm. Provenienz: - Auktion Sotheby's, London, 10.7.1974, Los 96 (als Gegenstücke). - Auktion Christie's, London, 9.7.1976, Los 186 (als Gegenstücke). - Kunsthandel Richard Green, London, 1976. - Auktion Phillips, London, 2.7.1991, Los 79 (a und b als Gegenstücke). - Europäische Privatsammlung. Literatur: Andrea Busiri Vici: Van Lint, Rom 1987, Nr. 217 und 218, S. 180 (mit Abb.). Hendrick Frans van Lint reiste um 1700 nach Rom, wo er bis zu seinem Tod 1763 verweilte und tätig war. Er schloss sich in der heiligen Stadt der Gruppe niederländischer und flämischer Künstler an, der sogenannten "Bentvueghels" (Vögel einer Feder), die ihren Mitgliedern charakteristische Spitznamen vergaben. Van Lint erhielt den Namen Studio in Bezug auf sein Studium der grossen Vorbilder, die er in Rom in seine Technik verewigte und mit dem er dieses Gemälde signierte.

    Koller Auctions
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Jul. 28, 2024

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €3,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne (2)
    Jul. 03, 2024

    Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne (2)

    Est: £50,000 - £80,000

    Hendrick Frans van Lint (Antwerp 1684-1763 Rome) An Italianate landscape with a Bacchanale; and An Italianate landscape with Bacchus and Ariadne a pair, oil on canvas 33.1 x 43.4cm (13 1/16 x 17 1/16in). (2)

    Bonhams
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    May. 26, 2024

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €3,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Port View
    May. 09, 2024

    Port View

    Est: €15,000 - €18,000

    18th century, oil on canvas

    Arte Investimenti
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Mar. 24, 2024

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €4,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Lint, Hendrik Frans van (Attrib.): Capriccio einer italienischen Landschaft mit Architektur und Reisenden
    Mar. 22, 2024

    Lint, Hendrik Frans van (Attrib.): Capriccio einer italienischen Landschaft mit Architektur und Reisenden

    Est: €5,500 - €11,000

    Lint, Hendrik Frans van (Attribution) . Capriccio of an Italian Landscape with Architecture and Travellers (Antwerp 1684-1763 Rome) Elegant travelling carriage on its way through a city. Oil on canvas. 65 x 75 cm. // Lint, Hendrik Frans van (Attrib.) Capriccio einer italienischen Landschaft mit Architektur und Reisenden (Antwerpen 1684-1763 Rom) Elegante Reisekutsche auf dem Weg durch eine Stadt. Öl/Lwd. 65 x 75 cm.

    Kunstauktionshaus Schlosser
  • HENDRIK FRANS VAN LINT (NEIMODI_DI) PAESAGGIO ROMANO CON COLOSSEO E VIANDANTI
    Feb. 22, 2024

    HENDRIK FRANS VAN LINT (NEIMODI_DI) PAESAGGIO ROMANO CON COLOSSEO E VIANDANTI

    Est: €300 - €500

    Entro cornice.

    DAMS Casa d'Aste
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Jan. 28, 2024

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €4,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Dec. 05, 2023

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €4,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrik Frans van LINT Anvers, 1684 - Rome, 1763 Vue d'un port méditerranéen animé de personnages Huile sur toile
    Nov. 22, 2023

    Hendrik Frans van LINT Anvers, 1684 - Rome, 1763 Vue d'un port méditerranéen animé de personnages Huile sur toile

    Est: €20,000 - €30,000

    Hendrik Frans van LINT Anvers, 1684 - Rome, 1763 Vue d'un port méditerranéen animé de personnages Huile sur toile Signée 'van Lint Ft' en bas à gauche View of a Mediterranean harbour, oil on canvas, signed, by H. F. van Lint h: 33 w: 40,50 cm Estimation 20 000 - 30 000 €

    Artcurial
  • HENDRIK FRANS VAN LINT (BELGIAN 1684 - 1763), AN EXTENSIVE RIVER LANDSCAPE WITH TRAVELLERS ON A PATH
    Nov. 14, 2023

    HENDRIK FRANS VAN LINT (BELGIAN 1684 - 1763), AN EXTENSIVE RIVER LANDSCAPE WITH TRAVELLERS ON A PATH

    Est: £2,000 - £3,000

    HENDRIK FRANS VAN LINT (BELGIAN 1684 - 1763)AN EXTENSIVE RIVER LANDSCAPE WITH TRAVELLERS ON A PATHOil on canvas16 x 34cm (6¼ x 13¼ in.)

    Dreweatts 1759 Fine Sales
  • Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond
    Sep. 13, 2023

    Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond

    Est: £3,000 - £5,000

    Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond signed 'HF *an *int f' (lower left) oil on canvas laid down on panel 23.1 x 28.8cm (9 1/8 x 11 5/16in).

    Bonhams
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    Jul. 27, 2023

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €4,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrik Frans van Lint
    Jul. 12, 2023

    Hendrik Frans van Lint

    Est: €6,000 - €9,000

    Anversa 1684 - Roma 1763, 40.5x58.5cm., "Bagnanti su di una roccia", within a gilded wood frame Literature: Andrea Busiri Vici, Peter, Hendrick e Giacomo Van Lint, Tre pittori di Anversa del '600 e '700, Ugo Bozzi Editore, pag. 220, fig. 310

    Colasanti Casa d'Aste
  • Hendrik Frans VAN LINT (1684-1763) (attrib.)
    May. 25, 2023

    Hendrik Frans VAN LINT (1684-1763) (attrib.)

    Est: €4,000 - €5,000

    Hendrik Frans VAN LINT (1684-1763) (attrib.) "die Rettung des Mosesknaben durch die Töchter des Pharao" Gemälde - Öl auf Leinwand (doubliert), 51 cm x 40 cm Hendrik Frans VAN LINT (1684-1763) (attrib.) "the rescue of the Moses boy by the daughters of Pharaoh" painting - oil on canvas (doubled), 51 cm x 40 cm

    Auktionshaus Kloss
  • Hendrik Frans van Lint (Anversa, 1683 – Roma, 1763) Coppia di paesaggi
    May. 04, 2023

    Hendrik Frans van Lint (Anversa, 1683 – Roma, 1763) Coppia di paesaggi

    Est: €20,000 - €40,000

    La pittura di paesaggio di ascendenza fiamminga ha il suo compimento, nella produzione degli artisti che ne sono i protagonisti, nel soggiorno di studio a Roma. Molti artisti però rimarranno in città fino alla morte, incantati dalla storia, dalle innovazioni artistiche e dall’incontaminato paesaggio della campagna romana. Uno di questi è Hendrik Frans van Lint, che nasce e si forma nella dinamica città di Anversa, dove diventa un abile pittore di paesaggi;durante il suo soggiorno a Roma – probabilmente facendo esperienza presso la bottega del Vanvitelli - la sua produzione si differenzierà, seguendo due filoni quasi opposti.Da una parte realizzerà vedute topografiche sulla scia dell’esperienza di van Wittel, esercitata a Roma sugli scorci di rovine architettoniche che furono sempre di ispirazione per gli artisti in città; dall’altra abbiamo uno spiccato interesse verso la pittura di paesaggio idealizzata, di fantasia.Qui il pittore sceglie di non fare riferimento ai grandi del paesaggio di fantasia “alla fiamminga”, come ad esempio il van Bloemen, ma resta folgorato dalle opere di Claude Lorrain a Roma e dalla sua interpretazione della veduta idealizzata.Questa coppia di dipinti su rame fanno direttamente riferimento a questa tradizione: probabilmente frutto di un’osservazione del paesaggio “dal vero”, questo viene poi rielaborato ed arricchito dalla sognante inventiva del pittore, che suggerisce la commistione, suggestiva e quasi scenografica, tra natura e arte, tra paesaggio ed architetture. Bibl.: A. Busiri Vici, Peter, Hendrik & Giacomo Van Lint: Tre pittori di Anversa del '600 e '700 lavorano a Roma. Rome, 1987, Ugo Bozzi Editore, p. 200.

    Telearte
  • Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond
    Apr. 04, 2023

    Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond

    Est: £4,500 - £5,500

    Hendrick Frans Van Lint, called Studio (Antwerp 1684-1763 Rome) An Italianate landscape with figures on the banks of a river, a palace beyond signed 'HF *an *int f' (lower left) oil on canvas laid down on panel 23.1 x 28.8cm (9 1/8 x 11 5/16in).

    Bonhams
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